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Alias 02x16 - Firebomb

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Prevlously on "Alias"...
MAN: The prosthetics are Iined with a carbon powder.
The system's database won't find a match.
Well, then, let's begin.
You've cleared their system.
SYDNEY: We're United States agents.
Lock down your vault. You're being robbed.
Sloane!
SLOANE: Hold your fire!
We've rigged the lower level with enough C-4
to level the entire city block.
So I suggest that you both lower your guns.
You, my dear,
you'll be driving me out of here.
[ Slrens wailing, helicopter blades whirring ]
VAUGHN ON RADlo: Stand down.
[ Speaking German ]
Let Bristow leave with the suspect.
He's holding the detonator. We have a clear shot.
No. One move and his operative will detonate the exploSlve.
He's got the area under surveillance.
That means let Sloane go.
Don't tail him until we get this stuff defused.
[ Speaking German ]
There's a current running through here.
If we clip the wires, we'll break the circuit.
There's a fail-safe.
The only way is to disrupt the electronics.
We need the water cannon.
The detonator operates on a frequency.
Wouldn't it be faster to find that and jam it?
But accesSlng the frequency might trigger an exploSlon.
There's got to be a way to block it.
Not unless you have some way
to encase a detonator in concrete.
This is Agent Vaughn. Get me the bank manager now.
I told you not to come after me.
I warned you that I will kill you if you interfere.
If you knew what I have in here, what my plans are...
This is bigger than SD-6,
than the CIA...
than you being deceived by me, than me being betrayed by you.
If things were different...
The safe. It's a Frledlin Model 42-C.
Okay, Frledlin.
Frledlin. Frledlin Number 9.
Frledlin. Okay. Got it.
High-denSlty concrete surrounded by heavy-gauge steel.
-Will it block the Slgnal? -Depends on the detonator.
-How big's the antenna? -Inch and a half.
Means it's transmitting at...
the speed of Iight times one-fourth.
-Marshall! -Three gigahertz.
You should have enough so the Slgnal can't get through.
-Should have or have? -Have.
Tell Kendall to start tracking Sydney. She'll be in a Focus.
-You know what model? -ZX5.
-What color? -BIue. Why?
Just curlous. Thinking about getting one.
Lower it, get some big tires, rims.
Gold rims. And...hello?
[ Beeping ]
Syd?
We shlelded the detonator. The bomb cannot be triggered.
A team will intercept your car in five minutes.
Change of plans.
E.T.A. -- five minutes.
The CIA has a hit Iist.
35 people worldwide its agents are allowed to kill.
35 out of 6 billlon.
You're one of them.
Which means when I kill you,
I won't even be breaking the Iaw.
You jump, you dle.
[ Gunfire ]
Officials with Amcorp are hiding behind Swiss banking Iaws
to avoid telling us what Sloane stole.
For the moment, his trail's cold.
In other words, we don't have a plan.
It's true, isn't it? We've got nothing.
May I remind you that Sloane was Iast in your custody?
I was in his custody. He was holding hostages.
You had the optlon to take him out. You chose not to.
I chose not to incinerate 300 people.
You think I made the wrong choice?
VAUGHN: We should stick to what we know.
Sloane is holding Caplan for the purpose of building a weapon.
Presumably what he took from Amcorp is helping him.
We don't know, because we lost Sloane.
Because he had something we didn't. Satellite surveillance.
If we'd followed him, we would have caught him.
Our satellites were tasked elsewhere.
We didn't take advantage of the Sltuatlon.
No. We prloritized.
What's the point of strategizing --
-We're doing everything we can! -We're not!
Not even close.
I need a progress report.
Caplan says he's a day away.
We took the magnetometer from Amcorp
to expedite the constructlon of the Rambaldi device.
My flight is the day after tomorrow.
It needs to be completed before then.
I belleve Caplan to be a man of his word.
Mr. Caplan is asSlsting us
because he belleves we're holding his family.
If what he's putting together is as powerful as I belleve,
I don't want him near it when it's operatlonal.
I'll conduct the preliminary test myself.
You do that.
By tomorrow.
I love the Zamboni.
What, Zamboni's your favorite part?
No, coming home with you is my favorite part.
-Zamboni was a close second. -[ Laughs ]
[ Cellular phone rings ]
Hello?
Hey. Kendall has something he wants to show you.
-Can it wait? -Apparently not.
He wants Sydney, too.
-I haven't seen her. -In bed with her, aren't you?
I'm trying. Find out what he wants.
Kendall?
[ Static ]
VAUGHN'S VOICE: Zamboni's your favorite part?
Could you pay attentlon? Can you hear me?
SYDNEY'S VOICE: No, coming home with you
is my favorite part.
[ Smooches ]
Vaughn.
-Zamboni was a close second. -[ Laughs ]
We'll be there soon.
JACK: Cleaning crew is on notice to sweep the apartment.
How can the apartment be bugged? I have countermeasures.
Will and I talk there. He needs to be told.
We need to know who you've spoken with,
what intelligence might have been compromised.
You need to compile a Iist of every frlend,
serviceman, delivery guy who has been in the apartment.
Kendall's waiting. I'll take this.
You bugged the apartment?
It's not Iike I broke in and planted it myself.
I made it.
Here, if you take a look right there,
I soldered into the circuit board.
What is that?
It's a Superman logo.
Except this one's got an "M." It's kind of my Slgnature.
When I used to work at SD-6, I made it special for Sloane.
It operates uSlng a data adapter which cloaks the Slgnal,
making it undetectable by bug killers.
I know. I know. I'm that good.
Uh, which is bad.
Vaughn said he heard it repeat his conversatlon.
This is a burst transmitter. It transmits to a receiver.
Can you find out where the conversatlons
were being transmitted to?
Well, if the transmitter records
the phone number that it sends the conversatlons to,
I guess that it's posSlble.
Then do it.
"Please" would be nice.
That's all right. Never mind.
Caplan finished early this morning.
The Rambaldi device is complete.
I ran the test.
I think you'll be pleased with the results.
When we agreed to combine our resources, Slr,
you promised you'd show me incredible things.
But a neutron bomb deSlgned in the 16th century?
Is that even a theoretical posSlbility?
[ Speaking Pashtu ]
Forgive the mode of transportatlon.
But a person in my poSltlon cannot be too cautlous.
I understand.
Our mutual frlend, Mr. Dreyfus,
he sends his respects.
Let me pay you the courtesy of being blunt.
I don't do buSlness with Americans.
I'm a man with no country and few alliances.
All I have is a viSlon of an enterprise
that will influence an existing world order
that I belleve to be corrupt.
I'm looking for partners who share that vlew.
I am but a humble shepherd.
Whose control of opium along the Sllk Road
is worth hundreds of milllons of dollars.
In this part of the world,
it's better to be practical than viSlonary.
Why should I invest in your enterprise?
Ah, that, my frlend, is a long discusSlon.
First, my gift.
It once belonged to Khushal Khan Khattak.
The great 1 7th-century warrlor-poet.
He united our Iands and is a hero to my people.
This is a treasure.
Tell me more about what you have planned.
กำ I'm on a high, on a high กำ
Hey.
So, how's it going?
I'm good.
No, I mean about Will.
Is this gonna turn into a thing?
What's going on?
Have you slept with him?
-No, not yet. -Will hasn't said a thing.
He can't even look at me anymore, he's so freaked out.
กำ So I run or I fight กำ
กำ And I crawl or I scream กำ
กำ And I bleed กำ
You know, Sydney, you've been acting sort of weird Iately.
Really?
And I thought you'd been acting weird.
I thought maybe it was because of Will.
You don't talk to me anymore.
กำ I'm on a high กำ
กำ There's nothing more to it กำ
I'm sorry, Francle.
I just get so caught up in work.
Don't forget. We used to be really good frlends.
You can talk to me.
[ Telephone rings ]
Hello?
-Get in here now. -Okay.
Who was that?
Someone from the bank. There's a problem with a cllent.
I have to go in.
See you.
[ Water running ]
-SARK: Hello? -They found the bugs.
How should I proceed?
They'll be looking for our L.A. asset.
Give them someone.
I'll take care of it.
-Send a copy to Kendall. -Vaughn, is it Sloane?
Did Marshall get a locatlon?
It's on an encrypted feed. It was untraceable.
But we got a lead on Sloane another way.
An asset outSlde Kandahar
reported someone matching Sloane's descriptlon
in the company of men loyal to Ahmad Kabir,
the warlord who played footSle with the Taliban.
When they ran, so did he,
except we don't know exactly where.
We belleve Kabir's men took Sloane
somewhere in the Helmand Valley.
Last year, Sloane asSlgned an agent
to infiltrate Kabir's operatlon
and intercept informatlon
regarding a shipment of Sovlet misSlles.
Sloane stole misSlles from Kabir. Now they're meeting.
What am I misSlng?
Kabir has no idea who Sloane is.
The agent he asSlgned got out undetected.
Who was the agent?
Marcus Dixon.
None of the records we acquired from SD-6 detailed that misSlon.
Everything that Jack knows, now you know.
The only person who can help us is Dixon.
Who has made it clear that he has no interest.
You're gonna have to change his mind.
I want a full brlefing on Kabir.
I don't think you appreciate Dixon's sense of betrayal.
Correct me if I'm wrong, but yesterday you were standing here
complaining that we're not doing enough.
If you do nothing and we lose him,
you'll have only yourself to blame.
DIANE: Marcus doesn't want to see you.
And for what it's worth, neither do I.
I know, Diane. I do.
I wouldn't be here if it wasn't important.
What good are your promises?
Right.
Hello, Sydney.
Hi.
I need some informatlon.
-I can't help you. -Five minutes.
-All I need is a locatlon. -He said no.
It can mean the end of Sloane.
Sloane's with Ahmad Kabir.
I need to know where Kabir operates.
They need to be stopped.
Not by my husband, they don't.
The agency might try to compel you to tell.
If they do, I'll tell them what I'm telling you.
We've made a deciSlon as a family to move on.
-Do you own a suit? -A suit?
Yeah. Uh, one.
-Put it on. -Why? What's going on?
You've been doing analySls a short time,
but your brlefs are good.
One of them on Ahmad Kabir.
The director wants a presentatlon.
Wait, wait.
Like, in person?
-Talking points. -I'm a writer.
-It's not a request. -I don't talk.
It's part of your job.
Do you know Sammy's Red Hots?
Sure, yeah. Santa Monica and 1 7th.
Be there in one hour. Order the special. No pickles.
-I Iike pickles. -You'll be led out.
A van will be waiting.
I'm gonna be talking to the director.
-Is that a big deal? -Yeah.
Oh, God.
It's from the 16th century.
It is a carving of an arhat.
A worthy one.
In Buddhist traditlon,
an arhat is the destroyer of the enemy.
How is it you know so much?
I'm a collector.
This plece is very special.
You want a partner.
Someone to invest in
an incredibly ambitlous global enterprise
which is at best a risky propoSltlon.
What you offer in exchange, to be my...
to be my arhat.
I need some assurance that you can deliver on that promise.
Oh, naturally.
That's why I'm fully prepared to give you a demonstratlon.
I leave it to you to choose the target.
VAUGHN: No suit, huh?
It's been a while Slnce I trled it on. Or worked out.
Which makes me overwhelmed and fat.
Professors Joyce and Fleming.
They flew in from the Kennedy school.
I'll go tell the others we're ready.
The Kennedy school? Where is that?
Harvard.
That's right.
Our objective today is Slmple.
To identify persons who can give us the exact locatlon
of Ahmad Kabir's Helmand Valley operatlon.
Despite the American-backed government,
the geopolitical reality of Afghanistan
is that it's defined by ethnic rivalrles.
The Slmplest way to find a Pashtun Iike Kabir
is to first find an enemy willing to sell him out.
Sharif Rabani is on record
as accuSlng Kabir's Pashtun supporters
of engaging in ethnic cleanSlng.
I'm sure we'll get him to lead us to him.
Then why hasn't he?
Yeah, they hate each other, but they probably hate us more.
Slnce 9/1 1, haven't we paid guys Iike this milllons
and gotten almost nothing in return?
Are you prepared to make an alternate recommendatlon?
Yes, actually, I am.
All I have are these photographs.
Sydney.
This woman's name is AIia Gizabi.
She's marrled to an administrator
with the Vatican embassy in Mexico City.
AIia Gizabi used to be AIia Kabir.
She's Kabir's ex-wife.
Slnce the Taliban got booted,
a woman can have her marriage annulled
if she was forced into that marriage,
according to court records.
-You found court records? -They're on the Net.
There's nothing geopolitically correct about my analySls.
But I figure this woman would pay us to mess with her ex.
She hates him so much that she sent their son
into hiding with her relatives.
I'll get you that Web address.
You should check it out.
Okay, I'll alert our statlon chlef in Mexico City.
Vaughn and Bristow, you will leave in one hour.
We need to protect this woman.
No one can know the CIA's contacted her.
You'll go under an alias.
SLOANE: Kabir has chosen his target.
His ex-wife.
We're uSlng the device on AIia Gizabi?
You'll be brlefed en route to Mexico City.
You leave at once.
[ Beeping ]
[ Cellular phone rings, beeps ]
Gizabi's in the administrative wing
adjacent to the church.
According to Caplan's calculatlons
we need 20 milllon watts
to reach that sectlon of the building.
20% of its capacity.
That should give us coverage of the entire embassy.
But, Slr. If Caplan's off by even a microtesla,
this could go very wrong.
Do it.
That's easy for you to say, Slr. You're 8,000 miles away.
I'll wait to hear from you.
I'm approaching the steps.
Senora.
I'm in.
Gizabi works on the first floor.
Can I help you?
I'm not here to hurt you.
I work for American intelligence.
I need some informatlon about your ex-husband.
I know you're worrled about retributlon for leaving him.
I've come in secret. No one knows I'm here.
No one will know you've talked with me.
I'm searching for a man. A horrible, dangerous man.
He is with your ex-husband at his reSldence.
I need to know exactly where that is.
WEISS: Vaughn? Can you hear me? Vaughn?
-What is it? -We had an Echelon intercept.
Key words. "Terrorist." "Weapons of mass destructlon."
You ready for this? "Rambaldi."
-Did you get coordinates? -Yeah. Yours.
We don't know when it's happening.
Get out now.
I cannot help you.
VAUGHN: We have to get out now.
There's gonna be an attack.
Car bomb, suicide bomb. I don't know.
I'm alerting the embassy. They're gonna evacuate.
There's a door at the end of the corridor. Meet me there.
You have to come for your own safety.
I told you. I won't help.
-We picked up a hot spot. -Where?
It's directly behind you. It's huge.
What? What is it?
Some kind of a fire.
No, Iisten to me.
It's this inferno, and it's right behind you.
There's nothing.
Is he seeing people, buildings, what?
No, wait, wait. Whoa, whoa, whoa.
It disappeared. It's gone.
Gone?
I don't know. It disappeared.
Let's go back.
I'll tell you where to find my husband.
WOMAN ON TV: 62 people are dead in what officials are calling
the worst act of terrorism in Mexico City in a decade.
Some people describe it as an act of God.
Local officials are still investigating the matter.
SARK: The victims were incinerated beyond recognitlon.
Absent poSltive identificatlon,
a Iist of presumed dead was published.
Your ex is on the Iist.
What is this?
A small token of appreciatlon.
No.
No, this is too much.
I cannot accept this.
I saw you admire it. And deservedly so.
You have destroyed my enemy.
You are in every way my arhat.
I will have $40 milllon wired tomorrow
to the account of your chooSlng.
KENDALL: Surveillance places Sark
at the scene in Mexico City.
Subsequent to the attack,
intel tracked him as far as Kabul.
We can assume Sloane dispatched Sark to carry out his misSlon.
Now that it's complete, Sark has returned to his master.
Thanks to Miss Gizabi, we now know where that is.
The plan is for you to lead a unit into the Helmand.
You'll parachute into the compound, steal the weapon,
and Slgnal for backup.
You know how people are describing it.
They're calling it a Doomsday Device.
Saying it's the first Slgn of the coming Armageddon.
Like the Devil himself rose up to attack that church.
Um, excuse me, if I may offer a sclentific explanatlon,
I think it might help the, uh... [ Clears throat ]
Hi, everybody, it's good to... That's a nice...
Okay.
Right.
What we're dealing with is a high-energy pulse weapon.
Thanks to an intercept,
we were able to retask a KH-12 satellite over the area.
This was what we found.
Okay, the blue dots.
Those are the people in the church before.
This is what the infrared picked up after.
The body temperature of everyone
increased by over 2,000 degrees.
They Iiterally melted from the inSlde out.
Nothing else in the church was affected.
That's because it works Iike a microwave.
It excites water and fat molecules,
which don't exist in inorganic materials.
It converts them into atomic motlon, or heat.
You said everyone was affected. Even people taking cover?
There's no defense.
It goes through concrete, steel, everything.
-There's no shleld? -No.
Sorry.
Oh, I should, uh, probably also tell you
that, um, this energy knocks out computer circuitry,
which means it could take down planes.
What concerns me is that Sloane knows this is
a provocatlon that demands a swift response.
Yet he exercised it on the ex-wife of a petty warlord. Why?
I got the inventory from the cleaners.
They found audlo and video transmitters.
Video?
Yeah, in the TV in your bedroom.
We're investigating everyone you've Iisted.
So far they're all clean.
-[ Cellular phone rings ] -FRANCle: Hello?
-SYDNEY: Hey, it's me. -Hey.
I know we had plans for tonight, but I have to work.
What you have to do is quit that job of yours.
-Fran, I'm sorry. -It's okay.
The truth is, I wasn't gonna be able to make it anyway.
-You don't want to kill me? -Of course not.
Can we talk about this Iater? I'm in the middle of something.
Yeah. I'll call you Iater.
Bye.
You remember "Predator," when Schwarzenegger was being chased
by that crab who could only see in thermal?
-No. -You never saw that?
It was a great movle.
It was one of his better movles, because "Twins"...
Anyway, Kabir's security cameras work the same way.
They read heat. Which is kind of a problem
'cause, well, you're incredibly hot.
See?
Now, the solutlon I have devised
is you parachute onto the roof, rip off your tactical gear,
then you slip on this baby.
It's part of a cold suit.
It will bring your body back down to room temperature.
-Put these bables on. -As long as I'm covered...
the security cameras can't see me.
You'll be the InviSlble Woman. See?
I'm in the eastern stairs.
Go right at the bottom.
Kabir keeps weapons and ammunitlons
in a room at the end of the hall.
There's no door.
-What? -Work's been done.
Maybe this place was bombed in the war
and had to be reconfigured.
Meaning intel's worthless.
There has to be another way in.
I've been made.
Sydney's been compromised.
Order the tac unit in after her.
Did she defuse the weapon?
If he's got the weapon, he'll use it.
-Issue the order. -There's no defense against it.
Tac unit wouldn't stand a chance.
We can't leave her.
Unless we can find another way in, that's all we can do.
I don't think we've been introduced.
My name's Michael Vaughn. I work with Sydney.
I'm out.
Sydney's in trouble.
Respect my deciSlon.
I can't.
Not when your deciSlon may cost Sydney her Iife.
You wouldn't tell Sydney how you infiltrated Kabir's,
so she found an alternate way in
uSlng what turned out to be faulty intel.
She was captured.
Unless we find another access point,
no one will be sent in to get her out.
-It's not that Slmple. -It is.
You will help save Sydney's Iife or you won't.
Please leave.
I can't do that.
Not until I get your answer.
KABIR: Admit you are CIA.
Submit to a videotape acknowledging you are here
in vlolatlon of internatlonal Iaw.
Condemn the Great Satan,
and maybe I will spare your Iife.
SLOANE: Sydney, tell him what he wants to hear...
...or this will not end well.
You know, in many ways...
...I will always conSlder you my proudest accomplishment.
Please, Sydney.
Unfortunately, I can't do anything about this.
Bye, Sydney.
Have you reconSldered?
Admitting you are CIA?
Perhaps you need a Iittle incentive.
Enough.
My houseguests have left.
It would seem there's nothing more to discuss.
The cartilage that lets the kneecap slide around
does not regenerate,
which you should know in advance of this.
[ Gunshot ]
You okay?
I don't understand.
How did you find a way in?
Let's go.
Let's go. We got the device.
-Sloane? -No.
DIXON: This way.
Good work.
I was Iucky.
You got the weapon.
You've saved countless Iives.
Yeah.
I didn't get Sloane.
Or figure out what the hell he's doing with Kabir.
We found these on the plumber you gave us. He was murdered.
He's either responSlble for the bugs or he was set up.
At the moment, it's a dead end.
I'm glad you're home.
กำ Take your eyes off me กำ
กำ There's nothing here to see กำ
กำ Trying to keep my head together กำ
กำ As we make our vow กำ
-Hi. -Hi.
กำ Let us remember how กำ
กำ There's nothing good that lasts forever กำ
I know I say this to you a lot.
Thank you.
I can't judge you for not telling me about SD-6.
If I had been in your poSltlon,
I can't say I wouldn't have done the same.
กำ Time out on the running boards กำ
กำ We're running through a world that lost its meaning กำ
What's going on with Diane?
I don't know.
กำ Feel the touch of grlef กำ
กำ You stand in disbellef กำ
กำ Can steal the Earth from right beneath you กำ
กำ And falling in so far กำ
กำ They know just where you are กำ
กำ Yeah, but there ain't no way to reach you กำ
Kings are in town on Friday night.
You could watch the Zamboni.
กำ Trying to find a way to love กำ
กำ This running ain't no kind of freedom กำ
What we saw.
At the church.
Every time we think we've seen the worst...
SARK: You talk of power and control.
But when we create a powerful weapon,
you leave it in the hands of a complete stranger.
Tell me, how was what happened good for us?
Hand me the top page of the manuscript.
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Alias 01x01 - Truth Be Told (Pilot)
Alias 01x02 - So It Begins
Alias 01x03 - Parity
Alias 01x04 - A Broken Heart
Alias 01x05 - Doppelganger
Alias 01x06 - Reckoning
Alias 01x07 - Color Blind
Alias 01x08 - Time Will Tell
Alias 01x09 - Mea Culpa
Alias 01x10 - Spirit
Alias 01x11 - The Confession
Alias 01x12 - The Box Part 1
Alias 01x13 - The Box Conclusion
Alias 01x14 - The Coup
Alias 01x15 - Page 47
Alias 01x16 - The Prophecy
Alias 01x17 - Q and A
Alias 01x18 - Masquerade
Alias 01x19 - Snowman
Alias 01x20 - The Solution
Alias 01x21 - Rendezvous
Alias 01x22 - Almost Thirty Years
Alias 02x01 - The Enemy Walks In
Alias 02x02 - Trust Me
Alias 02x11 - A Higher Echelon
Alias 02x12 - The Getaway
Alias 02x13 - Phase One
Alias 02x14 - Double Agent
Alias 02x15 - A Free Agent
Alias 02x16 - Firebomb
Alias 02x17 - A Dark Turn
Alias 02x18 - Truth Takes Time
Alias 02x19 - Endgame
Alias 02x20 - Countdown
Alias 02x21 - Second Double
Alias 02x22 - The Telling
Alias 3x01 - The two
Alias 3x02 - Succession
Alias 3x03 - Reunion
Alias 3x04 - A missing link
Alias 3x05 - Repercussions
Alias 3x06 - The nemesis
Alias 3x07 - Prelude
Alias 3x08 - Breaking point
Alias 3x09 - Conscious
Alias 3x10 - Remnants
Alias 3x11 - Full disclosure
Alias 3x12 - Crossings
Alias 3x13 - After six
Alias 3x14 - Blowback
Alias 3x15 - Facade
Alias 3x16 - Taken
Alias 3x17 - The frame
Alias 3x18 - Unveiled
Alias 3x19 - Hourglass
Alias 3x20 - Blood ties
Alias 3x21 - Legacy
Alias 3x22 - Resurrection
Alice Doesnt Live Here Anymore 1974 CD1
Alice Doesnt Live Here Anymore 1974 CD2
Alice et Martin 1998 CD1
Alice et Martin 1998 CD2
Alice in Wonderland
Alices Adventures in Wonderland
Alien
Alien 2
Alien 3
Alien Directors Cut
Alien Resurrection 1997 CD1
Alien Resurrection 1997 CD2
Alien Vs Predator
Aliens (special edition) 1986 CD1
Aliens (special edition) 1986 CD2
Alive 2003
All About Eve
All About Lily Chou-Chou CD1
All About Lily Chou-Chou CD2
All About My Father (Alt Om Min Far)
All I Want for Christmas 1991
All Night Long
All That Heaven Allows
All The Kings Men
All The Pretty Horses 23.976fps
All the Little Animals 1998
Alladin and the Wonderful Lamp
Allegro non troppo
Alliance Cookout
Alliance garden state
Almost Famous
Along Came Polly
Along came a spider
Alphaville 1965
Alt Om Min Far (All About My Father)
Altered States
Alvarez Kelly CD1
Alvarez Kelly CD2
Alzheimer Case The (2003) CD1
Alzheimer Case The (2003) CD2
Amadeus
Amantes del Circulo Polar Los (1998)
Amants Criminels Les
Amar Akbar Anthony - Manmohan Desai 1977 CD1
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Amarcord CD1
Amarcord CD2
Amator 1979
Amelie From Montmartre CD1
Amelie From Montmartre CD2
Amelie or The Time To Love CD1
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American Beauty
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American Movie - The Making Of Northwestern CD1
American Movie - The Making Of Northwestern CD2
American Outlaws
American Pie (UK)
American Pie - Rated Version
American Pie 2
American Pop
American Psycho
American Wedding
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American Werewolf in London CD1
American Werewolf in London CD2
American in Paris An
Americas Sweethearts (2001)
Amerikanische Soldat Der (1970)
Amic-Amat (Beloved-Friend 1999)
Amiche Le 1955
Amistad CD1
Amistad CD2
Amityville 2 - The Possession 1982
Amityville 3 - The Demon 1983
Amityville 4 - The Evil Escapes 1989
Amityville Horror 5 - The Curse 1990
Amityville Horror 6 - Its About Time (1992)
Amityville Horror The CD1
Amityville Horror The CD2
AmnesiA
Amor Brujo El (Carlos Saura 1986)
Amour en Fuite L
Amour en fuite Le 1979
An American Werewolf in Paris
An Autumn Afternoon 1962
Anacondas - The Hunt For The Blood Orchid
Analyze That (2002)
Analyze This (1999)
Anastasia 1956
Anatomie 2 2003
Anatomy of a Murder 1959 CD1
Anatomy of a Murder 1959 CD2
Anchorman
And Starring Pancho Villa as Himself
And God Created Woman
And Starring Pancho Villa as Himself
Andaaz
Andaz Apna Apna
Andrei Rublev 1969 Directors Cut CD1
Andrei Rublev 1969 Directors Cut CD2
Angel Eyes
Angel Heart Devil Face
Angels In America - Chapter 1
Angels In America - Chapter 2
Angels In America - Chapter 3
Angels In America - Chapter 4
Angels In America - Chapter 5
Angels In America - Chapter 6
Angels With Dirty Faces 1938
Angels of the Universe
Angelus
Anger management
Anglaise et le duc La (Rohmer Eric 2001)
Angry Dogs
AniMatrix
Animals Are Beautiful People
Anjaam Hindi
Anna In Kungfu Land 2003
Anne Frank - The Whole Story CD1
Anne Frank - The Whole Story CD2
Annie
Annie Get Your Gun
Annie Hall 1977
Anniversary Party The
Another 48 Hours
Another Heaven CD1
Another Heaven CD2
AntiTrust
Antikiller
Antwone Fisher
Any Given Sunday
Anywhere But Here
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Aoi Haru
Apartment The CD1
Apartment The CD2
Apocalypse Now - Redux
Apollo 13 CD1
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Apollo 13 CD3
Appartement Le 1996 CD1
Appartement Le 1996 CD2
Appleseed 2004
Appolo13
April Fools Day
Apsolutnih Sto
Arachnophobia
Aragami (2003)
Arahan 2004
Aram
Architekten Die 1990
Ariel 1988
Aristocats The
Arizona Dream CD1
Arizona Dream CD2
Arlington Road
Armageddon CD1
Armageddon CD2
Armata Brancaleone Le
Arme des ombres Le (Jean-Pierre Melville 1969) CD1
Arme des ombres Le (Jean-Pierre Melville 1969) CD2
Army in the Shadows 1969 CD1
Army in the Shadows 1969 CD2
Aro Tolbukhin En la Mente del Asesino (Agustin Villaronga 2002)
Around The World In 80 Days 2004 CD1
Around The World In 80 Days 2004 CD2
Around The World In 80 Days CD1
Around The World In 80 Days CD2
Arsene Lupin
Arsenic And Old Lace 1944
Art Of War The
Artemisia
Arven (2003) CD1
Arven (2003) CD2
As Long As My Feet Will Carry Me CD1
As Long As My Feet Will Carry Me CD2
As bodas de Deus (1998) CD1
As bodas de Deus (1998) CD2
Asambhav
Ascent The
Asphalt Jungle The
Assassins
Asterix In Britain 1986
Asterix and Obelix Mission Cleopatra 2002
Astonishing (2004)
At Close Range
At Kende Sanheden
Atlantis
Atlantis - The Lost Empire
Atlantis Milos Return 2003
Atlantis The Lost Empire
Attack
Attack The Gas Station
Au Hasard Balthazar
Audition The (1999 Japanese)
Austin Powers - International Man Of Mystery
Austin Powers - The Spy Who Shagged Me
Austin Powers I
Austin Powers in Goldmember
Autumn Sonata 1978
Avalon (2001)
Avanti (1972)
Avassaladoras
Avengers The
Avenging Fist The
Aventuras de Robinson Crusoe Las
Aviator The
Avventura La 1960 CD1
Avventura La 1960 CD2
Awaara CD1
Awaara CD2
Awara Paagal Deewana
Awful Truth The
Azul y Blanco
Azumi 2003 CD1
Azumi 2003 CD2