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Avventura La 1960 CD2

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Milazzo.
Watch your hands, please.
I'd really want to know what is there to be said now?
Go on, speak.
Sandro, I don't want you with me, I don't want to see you.
Do you hear me?
-Why did you come? -I couldn't help it.
As you'll have to, this sacrifice is better if made right now.
Sacrifice! I have no intention of sacrificing myself -
it's idiocy sacrificing oneself... Why? For whom?
I would understand your qualms if Anna were here. But she's not.
Sandro!
Sorry, I don't mean to sound jaded.
But wouldn't it be much better to look at things for what they are?
To me they're exactly the same as three days ago when we first met.
Just three days ago, can you imagine?
And you and Anna...
No, no, no, they're not the same.
And yet how can it be that it takes so little to change, to forget?
It takes even less.
But it's sad. It's terribly sad.
And I am not used to it. I'm not prepared for it.
To feel this way. I've never felt so confused in my whole life.
Sandro, why don't you help me?
I think the only way we can help each other is by staying together.
No. I'm sure that's not it.
Stay there, stay there and get off at the next stop.
And you?
Me... me... me... Iet me be!
I don't mean to intrude, but as this is a Palermo-bound train,
would you happen to be traveling to that destination?
No.
-To Tindari, then? -No.
-Sant'Agata di Miniatello. -No.
-It must be Cefalu, then. -How did you know?
Through an acquaintance.
I work for a Cefalu's family, but I'm not from there.
I am telling you. This acquaintance of mine knows you,
and has told me lots about you.
And who is it? Does he work in Cefalu?
-Yes, she's a gardener. -Impossible.
The gardener at the villa where I work is a man.
It must have been them talking.
And what did they tell you about me?
Oh, lots and lots. They told me
you're a well-brought- up girl, that you mind your business,
this sort of thing.
We have a radio just like this one.
-No, not like this one. -Why not like this one?
Because this one was made in China.
These small radios are handy for sure.
Especially, I don't know... going for a walk...
Which comes first for you? Music or love?
Music of course. A fiancee you've gotta look for,
but a radio can be bought.
Ah no, love for me.
I am a man and I know about this kind of thing.
Love first, then music.
-No, Claudia, listen. -Sandro please...
do it for me... promise you won't look for me...
-You must stop looking for me... -But why Claudia? Why?
Listen, even if you send me away, l...
Claudia, Claudia I don't want to wait anymore...
Later it might never happen... come away with me...
Claudia...
Zuria. Which one of you is Zuria?
What do I know? He might be inside.
I called you, officer, 'cause the situation seemed to be getting
out of hand, and your presence might become necessary...
-They're breaking everything... -Pardon me, are you Mr. Zuria?
That's me all right.
-May I ask you a question? -If you can wait. I am busy now.
I was looking for a notions shop and noticed these men following me.
I've never seen anything like it... so many men!
Easy to believe, the way you dress...
I went all over the world dressed this way.
Oh, not like this, though.
My skirt came unstitched, that's why I was looking for a notions shop.
How old are you?
Nineteen. I'm married. My name is Gloria Perkins
and for the past year I've been a writer.
I write while in a trance and I'm usually in touch with the dead,
Tolstoy, for instance, or Shakespeare.
But I am also interested in working in the movies.
And how did they welcome you in Palermo?
In Palermo I was with my husband.
Right now I'm on my way to Capri to write on tourism.
Exactly the same thing happened in Palermo.
Miss, if you want to go back to your hotel,
-we're here to escort you. -Oh, yes.
0ut, away, out, out.
It's a disgrace.
What are you doing here, move.
For a woman! How disgusting.
Like her?
-Fifty thousand! -No!
Why all of this racket then? It's all a ruse to be noticed.
And even if only one gets hooked up, she's all right for a while.
Ah well, if fifty thou weren't a month's worth of my wages,
that's one of those whims I would have indulged, I assure you.
So what did you want to talk about?
I read your article on that girl's disappearance. I am her boyfriend.
Would you mind telling me the whole story
about this disappearance without omitting any detail?
Look, I wouldn't be here if I had any clues. And I see you don't have any either.
0n the contrary, I've received several calls.
In one they said she had been spotted in a car in Rome,
another at the port talking to foreign sailors.
And if she sailed away in secret?
-Does it still happen? -What do I know?
Somebody said they'd seen her at a chemist in Troina...
Actually the chemist himself says that a girl fitting the description,
went into his store in Troina to buy a tranquilizer.
-Is this place far? -About fifty kilometers from here.
If you'd like, I can get the name of this chemist.
Yes... yes why not.
But you must write it in your paper no later than tomorrow morning.
Yours is one of Palermo's newspapers, isn't it?
I mean, does it have a lot of readers?
Yes, but the whole thing is stale now...
it's stale... has lost its appeal, the editor won't print it.
No, no, no. You should really do this for me.
Please, don't take it badly, but why should I do you a favor?
Let's say it's business, then.
To help you round up your salary.
-I went to every single one of those islands. -It must have been exhausting.
Useless, more than anything else.
I can't stand it anymore.
-Agreed, until tomorrow. -Goodbye.
How can you talk business in this heat?
When you're past fifty, my darling, you only feel the cold.
And what is this?
It's Claudia, Anna's friend... You haven't met my husband, have you?
Ah, fine.
Imagine that she's just back from...
-Incidentally, did you call him? -Sandro?
Didn't he say he would have joined us here?
This really shouldn't have happened.
And how can I negotiate, when all the data's missing...
I feel it's good news he hasn't been in touch. I bet he's found her.
When you consider that in ltaly
there's a disappearance rate of 40 thousand people a year,
that is almost enough to fill San Siro's stadium.
I don't know this Sandro. What's he like?
Maybe he's done away with her.
Good Lord, we're making a joke of something like this.
We ought to be ashamed of ourselves.
Coming?
Princess, this villa - why don't you sell it?
I'd make it into a lovely clinic for nervous disorders.
It's already a little like that.
Goffredo is the princess' grandson. He's 17, think of that!
And a painter.
Anyone can hold a brush. Just buy the paint and get down to it.
Even Titian started this same way.
-So, what's your style? Abstract? -No.
-And what do you feel when you're painting? -A shudder.
Are you ready? 'Cause I'm not.
All we needed was this dinner...
All these people's vitality irritates me.
-How does it look? -Divine.
-You're just saying that to flatter me. -Why, is that a compliment?
No.
You look like somebody else.
Shall we?
I'm going down.
He wants to show me his paintings. And won't let me go.
The poor thing must have a crush.
Please come along...
Why should l?
Well, you can't leave me alone with him.
He could... well, I don't know... didn't you see his eyes?
We're coming.
Giulia, what am I coming for?
Claudia, come see. A nude.
If I'm not mistaken they're all nudes.
You're good. But why paint only women?
No landscape is as lovely as a woman.
And how do you get your models?
Oh, they're a dime a dozen.
I thought models were a thing of the past, didn't you, Claudia?
Um? What?
It's strange how women enjoy showing themselves.
Seems almost in their nature.
How can they pose that way. I couldn't.
Why don't you try?
-Try. -Me?
Are you crazy, Goffredo? He's crazy.
Not really.
Don't you ever sketch men?
Why don't you answer? Why don't you try?
I'd make you a beautiful portrait.
Why are you so particular about me?
Ask Claudia, she's so much more beautiful than me.
But it's you I want. You appeal to me more.
Appeal to you more?
Giulia!
If Corrado looks for me, you can tell him I'm here.
And tell him that my little heart is racing, racing.
And right now this is the only thing I care about. Clear?
Couldn't be clearer.
What more do I have to do now to be left alone?
Nothing, you just need to shut the door, Giulia.
He wasn't at the hotel, and he probably wasn't in Milazzo, either.
The doorman said he asked to rent a car.
I'm going to change. See you later. Hi.
We'll try to find him tomorrow anyway.
He must be in Milazzo or thereabouts.
Shall we go Claudia?
I'm not coming.
Why did you change then?
Get a car to fetch him, it must be 150 km.
Fine we'll get him, then.
Giulia is like 0scar Wilde. Give her all the luxuries
and she will manage without the little necessities.
That's it, you really cannot do without quoting those weird names...
He does it even during our meetings with the administration.
-Who? -Corrado.
Forgive me but I can't remember everything that goes on.
What do you mean? You even said she bought a tranquilizer.
It's no use acting as if you don't remember a thing.
A girl answering the description of the missing person
entered my drug store on the afternoon of...
She came in and out she went. With him. But he won't tell you that.
If you think I didn't notice.
Why would I have called the paper if we had an understanding?
That's what I would like to know.
That makes the two of us. Actually, three including the gentleman here.
Mrs. Amalia, would you also like to know, why I called the paper
about the missing person that showed up here two days ago,
and disappeared again?
Disappeared? Who? When?
That makes four. Anyone else?
Listen. You should be more precise.
That girl, did she or did she not come into your store?
Yes.
And was she blonde or brunette?
-Brunette. -Blonde.
What was she wearing?
That I don't remember. Some pale color, I believe.
Him, he doesn't notice the clothing he notices what's underneath.
Has anyone else inquired after this girl?
-No... no I don't think so. -Thank you.
Any news?
Well, plenty of contradictions... yes, a few clues.
Listen, in the paper they forgot to mention
that when the girl left, she took a bus for Noto.
The bus leaves from the square.
I remember because I wanted to watch her walk way.
Beautiful girl, really. Beautiful legs.
Do you smoke?
You're from Rome, aren't you?
I knew it. I'm from Viterbo.
He was doing his military service there, and you know...
I'm not happy here.
How long have you been married?
Three months.
Back inside, you.
Thanks, thanks a lot for your help.
The very picture of marital bliss.
Tell Lady Patrizia we'll go on with our search,
and that Miss Claudia will get in touch one way or the other.
-Certainly. -Thank you.
What is this place called?
Noto.
And where will we look for Anna?
In a hotel. Apparently, there's only one. The 'Trinacria'.
Could this be Noto?
Let's ask.
Is anybody in?
Hear the echo... Why is it empty?
Who knows.
I wonder why they built it at all.
There's another one there.
That's not a town. That's a cemetery.
My God, how dreary. Let's go.
Let's go.
My love...
mine... mine... mine...
Claudia, it's late. We must go.
Sandro, perhaps it's better if you were to go alone.
Are you joking?
Don't think I'm trying to get away with the awkwardness,
the difficulty this meeting might cause.
That's not it,
it's just that these things can be discussed
more easily without my being present.
Try to understand my position.
It might seem as if I were trying to influence you, twist your arm.
And it makes me uneasy.
What can I do for you, Miss?
-I'd like a can of paint. -Which color?
-Navy blue. -Right away.
Claudia. What's happening?
Oh, Sandro, I'm so ashamed... so ashamed. Did you see that?
I was trying to hide. I feel so measly. I hate myself.
Does it make you feel better talking this way?
No.
So why do you do it?
Because what I'm doing is ugly.
Because if you were to tell me right now 'Claudia I love you',
I'd believe you.
I'd believe you.
Claudia...
No, don't say anything or I would make you swear
and tell me so many things...
And it's not right... it cannot be right.
It's absurd.
Great. And all the better if it is absurd.
It means we can't do anything about it. Do you understand me?
I'm sorry, but we don't need it anymore.
Oh, that's all right - don't worry.
-I'm sorry. -It's all right.
To think that you must have told Anna these same things
I don't know how many times...
Let's say I did: I was in earnest with her as I am now with you.
I've never met a woman like you who needs to see everything clearly.
Come, let's take a walk.
Up here it really is beautiful.
Imagine, I have never been up here.
Please feel free to stay. I'm going back down.
Such imagination. Such movement.
They were concerned with the architectural settings.
Such extraordinary freedom.
I really must go ahead and leave Ettore.
I'd like to work on design again.
-I used to have ideas of my own, you know. -Why did you stop?
Why, why, why?
Because it isn't easy to admit that a red floor suits a certain room,
when you're thinking exactly the opposite.
But the lady wants it red.
Because there is always a lady... or a man... and so...
Once, I was asked to make the estimate for the construction of a school.
It took me a day and a half.
I earned four million lira.
So I went on giving estimates of other people's projects.
Why are you looking at me this way?
Because I am convinced you could make really beautiful things.
I don't know, I really don't know about that.
Who needs beautiful things nowadays Claudia. How long will they last?
All of this was built to last centuries.
Today, ten, twenty years at the most, and then? Well...
Claudia,
shall we get married?
What do you mean, shall we get married?
Let's get married, you and l.
Answer me.
Answer.
How should I answer?
No.
Not now, anyway... I don't know...
I wasn't even thinking about it.
At a time like this... But why are you asking me?
You're looking at me as though I'd said something crazy.
Are you sure you want to marry me? Really sure?
That you want to marry me?
Am I not asking you?
Why aren't things less complicated.
You say that I'd like to see things clearly.
I'd like to see things clearly
and instead...
They're answering, hear them?
Where from?
From that tower over there.
No, no, of you I will never let go
no, no, forever you'll be mine...
Are you ready?
Yes.
Why have I fallen in love with you so?
Come, come quickly.
Yes, yes... Where is it, where is it... yes.
Yes, yes, I will always hate you
No, no, of you I will never let go
The sweetest pining I will feel
Ciao, see you later.
My kisses shall get you back to me...
No, no, you can't leave me in a hotel room alone.
Come down, when you're ready. I'll be downstairs or in the piazza.
Fine. But first you must tell me that going out without me
is like missing a limb.
Go ahead and visit the city all alone, you'll limp.
Tell me you want to embrace my shadow running along the walls.
And then you must tell me...
...you must tell me you love me.
You know. Why should I tell you?
That's right.
Why?
I'll see you later.
Excuse me, excuse me.
Is anyone in charge of this place? A guard? A curator?
He must be in the church.
-Any museums around here? -What do I know.
It says from 9:30 to 12:30. It's ten now.
-Fine way of welcoming tourists. -Tourists. What tourists?
Last year we got a few French,
they went to the beach to swim with the 'jeep'.
-With what? -With a 'jeep'.
With the bikinis! And so?
We let them know that they'd better move on, leave...
I'm sorry, I didn't...
You did it deliberately.
Deliberately? Why would l? No! Really.
Don't!
-How old are you? -Twenty-three.
Twenty-three.
I have been twenty-three too,
and I was in so many fights you can't even imagine.
Play, play...
Forgive me, Miss, if I interfere... but I've heard...
Here news get around...
That girl you're looking for.
Why don't you look for her at the youth hostel in Pergusa?
Almost all of the girls from out of town end up staying there.
I was coming down to join you. Why back so soon? Shall we go?
Sandro, what's wrong?
Nothing, forgive me.
-No Sandro, please. -Why not?
I don't know why.
What's gotten into you?
Wait a moment, please. Just a moment.
I feel as though I don't know you.
Aren't you happy? You get to have a new fling!
What are you saying?
I was joking, c'mon. I can never joke with you.
Now, though, you gotta tell me why you don't want to.
Oh, Sandro! I want all that you want, but...
But?
Did the landlady tell you about this hostel near by?
Yes, she started to, but I didn't feel like listening to her.
If we were to listen to all the rumors...
Yes, it's true, but...
We haven't been in touch with anybody, not even Anna's father.
We should have phoned, sent a cable...
Let's be fair, he must be feeling very lonely...
Right, I don't doubt that for a moment,
but we are the last two people that should be near him right now.
And then, phone... where? Where is he?
As you wish... Iet's leave here though.
Go pack your bag.
Good evening.
Good evening.
-Show them to the reception desk. -Thank you.
-You're welcome. -Wait for me.
Marquise.
Concierge, who is that little doll?
She just came in, I wouldn't know.
Claudia, Claudia.
I'm looking for the others and here I find you.
How are you?
Could we find a quieter spot?
Quieter?
Yes, of course.
You seem well.
Here's Sandro.
Why don't you go up and change.
Did you get a good room?
Not really, apparently.
You should have told Ettore.
He always manages to get what he wants.
Is Ettore still angry with me?
0f course not.
And then you know, he would forgive you anything,
as long as you admit that he's the better driver.
How can you wander through this bedlam?
You've always said people irritate you.
You mustn't always take me literally. I'm really quite used to it.
First my mother, then my husband. Both full of energies.
-Your mother? -Yes, I too had a mother.
With a touch of Austrian blood in her, but I had one.
My childhood was like a merry-go-round: now here, now there.
Mine instead was a very sensible one.
What do you mean 'sensible'?
It means without any money.
Til later then.
Til later.
Please.
Come in.
You may leave them drawn.
As you wish, madam.
Would you like anything else?
-Nothing. -Pardon me.
Thank you, thank you.
-Everything all right? Good night. -Evening.
They might as well have used a machine.
Come in...
Please, put this one over here. And that there.
-This is for you. -Thank you.
Listen.
Try not to get too involved tomorrow.
Aren't you going to change?
But didn't you say you wanted to let your job with Ettore go?
Yes, yes, that's what I said.
It's freezing.
Sandro.
Yes.
I'm not coming down.
Why not?
I'm too sleepy.
You must learn to shake sleep off.
Have you learned?
0f course, I learned as a boy.
I never slept, and I had friends that slept even less.
Whoever went to bed first had to pay a fine.
We didn't do anything wrong, but once the movies were over,
we'd go to a cafe and talk, then we'd sit on a bench
and listen to a drunkard, we'd watch the billboards go up,
or the sheep go by, we'd run to the general markets...
0r we'd wake up other friends
or a girl by calling under her windows.
Say, are you really so sleepy?
What time are you getting up tomorrow morning?
Late.
Late?
Very late.
Do you know that as a boy I wanted to be a diplomat?
Can you imagine, me a diplomat?
It's strange but I never thought I might get rich.
I saw myself in a rented room... a man of genius.
Instead, I have two houses, one in Rome, another in Milan.
As for genius, it's a bad habit I never caught.
What do you think?
I see it differently.
However, it's better if we continue this conversation another time.
Do you mind switching out that light there?
Good night, love.
Tell me you love me.
I love you.
Tell me again.
I don't love you.
I deserve that.
It's not true. I love you.
At the bar.
Ask him to come here.
Ettore.
Finally!
How are you?
Come, I'll introduce you to some friends.
Yes, I'll take a look around and then I'll join you.
Say. From tomorrow morning you're back at my disposal, clear?
If you don't give me some figures, how can I go on?
See you.
12, 13, 14, 15, 16, 17, 18, 19, 20.
1, 2, 3, 4, 5, 6...
Patrizia. Patrizia.
Where is Ettore?
He must be asleep.
Would you see if Sandro is with him?
He's not in his room... Forgive me, but -
Ettore.
What is it?
I was looking for Sandro.
And you look for him here? Ask Claudia.
But of course.
Patrizia, I'm afraid.
You're telling me! I have nightmares at night.
No. I'm afraid Anna has come back.
I can feel it, that they're together.
What has gotten into you? We would have had word.
Sandro must be in the garden getting some fresh air,
watching the sun rise.
It would be amusing to find out he's really a sentimentalist.
Listen, try not to dwell on that idea, please...
Go and get some sleep.
0nly a few days ago, only at the thought that Anna might be dead,
I felt I could have died too.
Now I won't even cry. I am afraid she might be alive!
Everything is becoming so hideously simple.
Even to get rid of a pain.
0ne should never wish to fall into melodramatic undertones.
You're right. Why should I cry?
I'm tired of being this way.
Dear.
Won't you leave me a souvenir.
Just a small souvenir.
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Alien 2
Alien 3
Alien Directors Cut
Alien Resurrection 1997 CD1
Alien Resurrection 1997 CD2
Alien Vs Predator
Aliens (special edition) 1986 CD1
Aliens (special edition) 1986 CD2
Alive 2003
All About Eve
All About Lily Chou-Chou CD1
All About Lily Chou-Chou CD2
All About My Father (Alt Om Min Far)
All I Want for Christmas 1991
All Night Long
All That Heaven Allows
All The Kings Men
All The Pretty Horses 23.976fps
All the Little Animals 1998
Alladin and the Wonderful Lamp
Allegro non troppo
Alliance Cookout
Alliance garden state
Almost Famous
Along Came Polly
Along came a spider
Alphaville 1965
Alt Om Min Far (All About My Father)
Altered States
Alvarez Kelly CD1
Alvarez Kelly CD2
Alzheimer Case The (2003) CD1
Alzheimer Case The (2003) CD2
Amadeus
Amantes del Circulo Polar Los (1998)
Amants Criminels Les
Amar Akbar Anthony - Manmohan Desai 1977 CD1
Amar Akbar Anthony - Manmohan Desai 1977 CD2
Amarcord CD1
Amarcord CD2
Amator 1979
Amelie From Montmartre CD1
Amelie From Montmartre CD2
Amelie or The Time To Love CD1
Amelie or The Time To Love CD2
American Beauty
American College
American Movie
American Movie - The Making Of Northwestern CD1
American Movie - The Making Of Northwestern CD2
American Outlaws
American Pie (UK)
American Pie - Rated Version
American Pie 2
American Pop
American Psycho
American Wedding
American Wedding (Unrated)
American Werewolf in London CD1
American Werewolf in London CD2
American in Paris An
Americas Sweethearts (2001)
Amerikanische Soldat Der (1970)
Amic-Amat (Beloved-Friend 1999)
Amiche Le 1955
Amistad CD1
Amistad CD2
Amityville 2 - The Possession 1982
Amityville 3 - The Demon 1983
Amityville 4 - The Evil Escapes 1989
Amityville Horror 5 - The Curse 1990
Amityville Horror 6 - Its About Time (1992)
Amityville Horror The CD1
Amityville Horror The CD2
AmnesiA
Amor Brujo El (Carlos Saura 1986)
Amour en Fuite L
Amour en fuite Le 1979
An American Werewolf in Paris
An Autumn Afternoon 1962
Anacondas - The Hunt For The Blood Orchid
Analyze That (2002)
Analyze This (1999)
Anastasia 1956
Anatomie 2 2003
Anatomy of a Murder 1959 CD1
Anatomy of a Murder 1959 CD2
Anchorman
And Starring Pancho Villa as Himself
And God Created Woman
And Starring Pancho Villa as Himself
Andaaz
Andaz Apna Apna
Andrei Rublev 1969 Directors Cut CD1
Andrei Rublev 1969 Directors Cut CD2
Angel Eyes
Angel Heart Devil Face
Angels In America - Chapter 1
Angels In America - Chapter 2
Angels In America - Chapter 3
Angels In America - Chapter 4
Angels In America - Chapter 5
Angels In America - Chapter 6
Angels With Dirty Faces 1938
Angels of the Universe
Angelus
Anger management
Anglaise et le duc La (Rohmer Eric 2001)
Angry Dogs
AniMatrix
Animals Are Beautiful People
Anjaam Hindi
Anna In Kungfu Land 2003
Anne Frank - The Whole Story CD1
Anne Frank - The Whole Story CD2
Annie
Annie Get Your Gun
Annie Hall 1977
Anniversary Party The
Another 48 Hours
Another Heaven CD1
Another Heaven CD2
AntiTrust
Antikiller
Antwone Fisher
Any Given Sunday
Anywhere But Here
Anzio
Aoi Haru
Apartment The CD1
Apartment The CD2
Apocalypse Now - Redux
Apollo 13 CD1
Apollo 13 CD2
Apollo 13 CD3
Appartement Le 1996 CD1
Appartement Le 1996 CD2
Appleseed 2004
Appolo13
April Fools Day
Apsolutnih Sto
Arachnophobia
Aragami (2003)
Arahan 2004
Aram
Architekten Die 1990
Ariel 1988
Aristocats The
Arizona Dream CD1
Arizona Dream CD2
Arlington Road
Armageddon CD1
Armageddon CD2
Armata Brancaleone Le
Arme des ombres Le (Jean-Pierre Melville 1969) CD1
Arme des ombres Le (Jean-Pierre Melville 1969) CD2
Army in the Shadows 1969 CD1
Army in the Shadows 1969 CD2
Aro Tolbukhin En la Mente del Asesino (Agustin Villaronga 2002)
Around The World In 80 Days 2004 CD1
Around The World In 80 Days 2004 CD2
Around The World In 80 Days CD1
Around The World In 80 Days CD2
Arsene Lupin
Arsenic And Old Lace 1944
Art Of War The
Artemisia
Arven (2003) CD1
Arven (2003) CD2
As Long As My Feet Will Carry Me CD1
As Long As My Feet Will Carry Me CD2
As bodas de Deus (1998) CD1
As bodas de Deus (1998) CD2
Asambhav
Ascent The
Asphalt Jungle The
Assassins
Asterix In Britain 1986
Asterix and Obelix Mission Cleopatra 2002
Astonishing (2004)
At Close Range
At Kende Sanheden
Atlantis
Atlantis - The Lost Empire
Atlantis Milos Return 2003
Atlantis The Lost Empire
Attack
Attack The Gas Station
Au Hasard Balthazar
Audition The (1999 Japanese)
Austin Powers - International Man Of Mystery
Austin Powers - The Spy Who Shagged Me
Austin Powers I
Austin Powers in Goldmember
Autumn Sonata 1978
Avalon (2001)
Avanti (1972)
Avassaladoras
Avengers The
Avenging Fist The
Aventuras de Robinson Crusoe Las
Aviator The
Avventura La 1960 CD1
Avventura La 1960 CD2
Awaara CD1
Awaara CD2
Awara Paagal Deewana
Awful Truth The
Azul y Blanco
Azumi 2003 CD1
Azumi 2003 CD2