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Bellinin And The Spynx CD1

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'BEST FILM' AWARD|RIO FESTIVAL/2001
'BEST SUPPORTING ACTRESS' AWARD|6TH BRAZILIAN FESTIVAL/MIAMI
{y:i}This is detective Remo Bellini.|{y:i}He'll be taking care of yourcase.
{y:i}I want you to find a girl.|{y:i}Her name's Ana Cintia Lopes.
{y:i}She must be eighteen.
{y:i}She's a dancer at the Cocktail,|{y:i}a nightclub on Augusta St.
{y:i}A month ago,|{y:i}she simply disappeared.
{y:i}Could you be more specific, please?
{y:i}I met her four months ago.
{y:i}Every time I had to see|{y:i}a patient at night...
{y:i}I parked my car close to the club...
{y:i}and watched her. Brunette,|{y:i}dark shoulder-lenght hair...
{y:i}thick eyebrows and dark eyes|{y:i}full of deep melancholy.
{y:i}She was slim,|{y:i}but had well-built legs.
{y:i}I fell in love wlth her before|{y:i}she even knew I existed.
{y:i}One day, I let go off my fears|{y:i}and invited her...
{y:i}for a drive.
From then on we met regularly...
on days and times|arranged by phone.
I spent wonderful nights with her.
Around a month ago, we arranged|to meet near the club as usual...
on the sidewalk...
in front of the Cocktail.
But she didn't show up.|After then, she vanished.
That 's when I decided to look|for her. But to my surprise...
no one knew her at the club.
How come?|You just said she worked there.
To care for my good reputation|I avoided going to such places.
I never entered Cocktail|or any other nightclubs.
I was a kind of...
...voyeur.|-So you admit she lied.
Perhaps.
Did she have enemies?
- Any protector or pimp?|-Was she on drugs?
Do you know where she lives?|Does she know where you work?
-Does she know where you live?|-Of course not.
I know nothing about her, neither|she knows anything about me.
It was part of our game.
Game?
Well, Mrs. Lobo...
this must be enough|to start the investigation.
Sure, it 's more than enough.
I don't need to remind you...
I want this solved|as soon as possible.
Don't worry, we'll do our best.
Please, find her.
-It means a lot to me.|-You can count on us.
Rafidjian...
...this name is...|-Caucasian.
Dr. Rafidjian's a geriatrician.|His patients are powerful men.
Why should he deal|with street prostitutes?
He's so rich he can solve|anything by phone.
Well done, detective.
Now, let 's get down to work.
Go to Cocktail|and look for Boris.
He knows all that scum well.
{y:i}Bellini, there's one more thing.
{y:i}Yesterday I interviewed someone|{y:i}perfect to work as your assistant.
{y:i}-Thanks, but I don't need any help.|{y:i}-We'll see.
{y:i}You heard the client, though.|{y:i}He is in a hurry.
l had the feeling you were stripping|me with your eyes.
-I wasn't the only one.|-But the most handsome.
Guys like you rarely come here.
-What 's your name?|-Fatima. And yours?
Bellini.
Want a drink?
-Can I drink anything I want?|-Sure.
Champagne, please.
Fatima, I think|you can help me.
Sure I can.
-Not that way.|-I'd help you anyway.
I'm looking for a dancer.
Her name's Ana Cintia.
-Why didn't you say you're a cop?|-Because I'm not.
But you look like.
-OK, and you look like a whore.|-I am a whore.
Are you gonna help me or not?
Ana Cintia?
Never heard of her.
Brunette...
...dark hair, brown eyes...|-You'd better talk to Caled.
-Who?|-That guy at the back.
-May I help you?|-I'm looking for a dancer.
Her name's Ana Cintia.
-Cop?|-Private investigation.
Have a seat.
Want a drink?
Ana Cintia, huh?
Ana Cintia...
I don't think I know her.
Didn't any of the girls|suddenly disappear?
They always do...
don't they?
What life would be like|without them?
Knowing their names is meaningless.
There are so many of them.
They're all the same, anyway.
Ana Cintia...|Ana this, Ana that...
For each missing girl,|five show up the following day.
Maria do Socorro, Maria da Graca...
Their names don't matter.
What we want from them|has just one and only name:
Pussy!
Don't cause troubles in my harem.
Clients don't like it.
Detective...
be careful!
Women are just an illusion.
Her name isn't Ana Cintia,|it 's Dinéia.
She got pregnant|and Caled fired her.
Pregnant?
Yeah, whores get pregnant too.
-Where did she go?|-To her mom's, in Cornélio Procópio.
I guess it 's in Paraná.
Thanks, Fatima.
You owe me one.
Call me if you get to know|anything else.
Hey, boss!
Boris?
I'm Bellini, I called you.
Would you like some soup?
No, thanks.
I'll introduce you to|some old critter. Come with me.
Stone, you little fucking dealer...
cooperate with my friend here.|He asks...
and you answer.|Did you copy that?
Haven't we met before?
I ask, you answer.
Be quick, then.|I'll talk to you...
just to please that fucking cop!
Do you know a whore|called Ana Cintia?
Any missing dancer|from the Cocktail?
-A few.|-Dinéia?
I performed some shows with her.
Fine, brunette, dark long hair...
slim, but has got such a butt!|Amazing.
She is pregnant.|Just don't ask me who the father is.
Anybody else?
Simone.
She went to Japan for a Samba show.
She's the so-called|''mulata monument''.
By now she might be married to a|tiny-eyed sucker with a tinier cock.
Save your jokes.
All right, moron.|You're the boss.
There's Camila, too.
She used to perform electrifying|shows with Miguel, ''the lndian''.
A strong Chilean guy, bisexual...
...are you interested?|-What 's she like?
Tall, well-built...
shoulder-lenght hair...|such a beautiful bitch!
Where's she?
ln Santos, she's from there.
I heard she wasn't feeling well|when she performed with the Indian.
Camila's not easy, she's nuts.|Totally fucked up.
I've sold her crack.
What 's the deal in Santos?
Who knows? It seems|she went to look for a job...
nothing heavy, you know.
Wait, wait!
Have you ever seen a weird-looking|old man in front of the Cocktail?
If you ever need anything...
you already know where|I welcome my special clients.
{y:i}Why didn't you tell me you're a cop?
{y:i}Ana Cintia?
{y:i}-Never heard of her.|{y:i}-There's Camila too.
{y:i}Camila's not easy, she's nuts.|{y:i}Totally fucked-up.
{y:i}Detective, be careful.
{y:i}Women are just an illusion.
SEND
Hi, Bellini. Come in.
We're having a good time|with your report.
This is Beatriz, our new assistant.
-Beatriz, this is Remo Bellini.|-Nice to meet you.
I had no idea detectives|were followed.
-I heard it was the opposite.|-What else have you heard?
-They wear coats and spyglasses?|-Beatriz...
see if the fax's arrived, please.
Sure.
Another criminalist lawyer?|Agatha Christie's fan?
She'll surprise you. Her intellect|goes beyond the criminalist field.
You should be used|to the female efficiency.
Sometimes I forget|I work with a woman.
You still have a lot to learn|about women.
-Dora, should I come back later?|-No, come in. We have a lot to do.
Bellini, you're going|to Santos after Camila...
while Beatriz|goes to Paraná after Dinéia.
What about this?
I'll handle it.
It's about time to have|a little talk to Dr. Rafidjian.
Excuse me.
-Do you know a girl called Dinéia?|-I think she lives over there.
Thank you.
-Hello.|-Hi.
-Dinéia?|-It's me.
Your key.
Don't worry, sir.
He's a very good driver and knows|the city of Santos pretty well.
{y:i}I found someone who knows Camila.
This is Mrs. Luisa, mister.
-Santos' nightlife queen.|-Queen?
-How cute!|-My pretty...
What do you want from Camila?
I'm her client...
you know...
I miss her.
Camila's very beautiful.
That bitch's so beautiful|I couldn't keep her here.
She's in Las Vegas.
It seems she really wanted|to get away from me.
Don't worry, captain.|This Las Vegas is right next door.
-Isn't it?|-Oh, yeah.
Wake up, doll.
But Las Vegas's closed tonight.
They'll just open tomorrow.
How about this sex kitten here?
We'll be right back.
-Hello?|-Nothing yet?
Everything's under control.|I'll meet Camila tonight.
{y:i}What about the necklace?|{y:i}Did you find out anything?
No, I've called the doctor|three times but had no answer.
Is the investigation|in Paraná going well?
Very well. Beatriz has|already found Dinéia's home.
How's that?
She said she was a social worker.
Took some pictures of her.
{y:i}All that in just one day?
I said she'd surprise you.
OK, Lobo.
By the end of the night|you'll have Camila's photos.
There he is.
Captain, the girl's waiting for you.
-What girl?|-Who do you think?
Camila!
Sorry, but I really wanted|to see your reaction.
What are you doing here?
Lobo asked me to help you.
Thanks...
but I'd rather work by myself.
How about that!|Camila must be a goddess...
to make you leave|that princess behind.
Believe it or not, the money to buy|that car was earned here.
Let me take a break.
{y:i}Coming up next, our erotic show!
What can I get you?
A dancer...
Camila.
-Maybe Mr. Focca knows something.|-Focca?
Frederico, please.
Are you with the Federal|or the local Police?
Federal.|Agent Labelle.
Our dealings with the|Feds are up-to-date.
If you came for...
No, I just need an information.
I'm looking for a dancer.
Caruso! Take care of this.
Hi.
The thing is...
we're very strict|in following the rules.
All of our dealings|are made with agent...
Flecha.
You must know him.
We can't make an exception.
I see.
You're right.
Rules are rules,|I'd do the same.
Come on, Labelle.
You know you're among friends.
Flecha's coming soon.
-Relax.|-Great!
I'll go get a drink and wait.
Camila.
Come here, honey.
Make our friend Labelle|feel comfortable.
Where are you taking me?
-He said he's with the Feds. Labelle.|-I never heard of him.
-Are you sure? Think again!|-There's something fishy.
Where's he?
-I'll take you there.|-There's something fishy.
Labelle.
Flecha's here. He wants|to talk to you, open the door.
-He's fucking her.|-Son of a bitch.
Open the fucking door.
-Fuck! Can't you open this shit?|-Open the fucking door!
Son of a bitch!
-Stay there!|-Let 's go! He went that way!
He's got a gun!
Are you nuts?
You're dead,|you son of a bitch!
Won't you|invite me for a drink?
See you tomorrow.
-Finally!|-Where's Lobo?
At Rafidjian's clinic.
-What happened?|-The case is over.
-How did they know about us?|-Our names were in his files.
-What time was the crime committed?|-1:30 p.m.
Repeated blows against the skull.
-His secretary found the body.|-Where was she at the time?
-Lunch break.|-Fingerprints?
Not on the weapon.
After he died, his eyes were|sadistically drilled.
''B'' and ''S''?
Just ''B''.
-''B'' and ''S''?|-Blood and semen.
They're common|in such violent crimes.
He was wildly beaten before dying.
In more than 20 years,|I'd never seen...
a murder committed with an umbrella.
Dr. Boris! The witness will talk.
All right, Mrs. Glaucia.
You said you weren't|here at the time of the murder.
No, I was out for lunch as usual.
I usually leave around 1:00 p.m.
But you just called us at 3 p.m.
Precisely today|you took more time for luch?
No...
I mean, yes...
I'm sorry, you got me confused.
Go on, please.
On Thursdays he used to give me|one extra hour in the afternoon.
He spent that time reading since|there weren't many clients.
-The murderer knew about it.|-Probably.
What time did you|come back, anyway?
I think it was...
around 2:05 p.m. or so.
When I arrived, the door was open...
and then I saw the...
Let 's make a break. We'll continue|at the police station.
Funny. Both of them look like Ana|Cintia, but they don't look alike.
Go to the funeral tomorrow.|Get as much information as you can.
There are many unanswered questions.
Who's Ana Cintia?|Who killed the doctor?
The guy who followed me that night.
You never know what comes next.
-Are those the doctor's relatives?|-Yes, a very conservative family.
The priest is the doctor's brother.
Next to him is Sofia Rafidjian,|the widow.
Back there you see|Constanzza Bogossian...
Mr. Bogossian's daughter.|According to what we know so far...
he was the doctor's best friend.
-Who's the lady at the back?|-That 's lsmália...
the governess. She's been|with the family for 20 years.
The other lady's our|good old friend, Mrs. Glaucia.
What about that guy?
That 's Samuel, the doctor's son.
Bellini, what 's up, man?|Don't you greet old friends?
-So, what 's the deal?|-I came to offer my condolences.
Come on, Bellini. I'm serious.
This case should be worth it.|A big shot involved with hookers.
-I'm not familiar with that.|-I heard he was looking for a woman.
-Even hired a private eye for that.|-Listen to me.
I know nothing. Leave me alone, OK?
Bellini, let 's go!
Is Boris a friend of the family too?|Shoot him, Dutra!
PRIVATE DETECTIVE WORKED|FOR RICH DOCTOR
A detective's work|implies secrecy.
Discretion is one of the greatest|qualities in a detective.
-Excuse me, Mrs. Lobo.|-Yes, Rita?
Mrs. Rafidjian is here to see you.
Let her in, please.
Take a seat, please.
Mrs. Rafidjian,|what can I do for you?
We read in the papers that my|husband had hired your services.
Don't worry, they work for me.
I was surprised to hear people|saying he had a lover.
I'd like you to remain in the case|to clear up the whole matter...
and restore my husband's reputation.
Is just his reputation|you're concerned about?
-What do you mean by that?|-Please, don't get me wrong.
There's no point overlooking it.|The betrayed wife...
becomes the most obvious suspect.
Did you ever distrust him?
He'd been getting home later...
but doctors can never|be on time, anyway.
Those weren't professional|appointments, mom.
What do you mean, Samuel?
I noticed something wrong.
One night he told me he had|to go and see this patient.
Later that night, that same patient|called and asked for him.
Why didn't you tell me?
I'm sorry.
This so-called lover, this bitch...
she must be the one|behind the murder.
Have you considered|the chance of blackmail?
Leave the creative job to us,|we're good at that.
Mrs. Lobo, what really matters|is to get rid of this nightmare...
that sullied our name.
The truth will come out|quicker than you think.
This is all we found|of suspicious from those girls.
You're wasting your time.|I've looked into this material.
There's no evidence the doctor was|being blackmailed, nothing.
-I'd like to look into it again.|-It's a waste of time.
At this point, we know that neither|Camila nor Dinéia...
committed the crime.|They got alibis.
Camila was in Santos|and Dinéia was at the hospital.
-Was she in an accident?|-Miscarriage.
-Who was the father?|-She doesn't know, but...
how could she?
-Which of them is Ana Cintia?|-None of them.
They sweared|they didn't know the doctor.
WITH LOVE FROM MIGUEL,|THE CHILEAN STALLION
Bellini, look at this.
The Chilean guy|was involved with both.
-So what?|-Maybe it 's not a coincidence.
Do you have any idea how many|partners they have in common?
Miguel...
''the Indian''.|Stone told me about him.
Let me see that.
Did you ask Stone|about the murder?
Yeah. He said he didn't know.
I wanna talk to him.
-Will he be at that bar tonight?|-Who knows?
If he is not at Bisteca, I have|no idea of his whereabouts.
{y:i}So? Was Stone there?
{y:i}-No,he went to Nirvana.|{y:i}-Where is that?
{y:i}In some back alley, downtown.
-The show's out there.|-I'm looking for Stone.
What do you want?
We need to talk to him.
I know who you are.|Where have you been?
You must 've mistaken|me for someone else.
Come on! You were|looking for a bitch called...
Silvia, right?
Listen up.
-Where's Stone?|-I have no idea.
How about a dancer called Miguel,|''the Indian''? Where's he?
I know what you want!|Wanna have some fun, don't you?
Don't know him either.|Don't I do the trick for you guys?
Ask them to call me|if you see them.
Can I call you, too?
Who are they?
-Cops for sure.|-Shit!
lntroducing a very sordid couple:|Gorgeous Cida and the Chilean stud!
Gorgeous Cida and the Chilean stud!
-Sorry, there's been a replacement.|-Cover the exit!
MITHOLOGY
I see you've met Silvia.
Sorry, I shouldn't have|touched your things.
Things didn't work between us.
I thought the problem|would be temporary.
Instead of talking to her,|I became more and more distant.
One day she just disappeared.
Drugs have anything to do with it?
I don't know if they were|cause or consequence.
Maybe both.
At least they kept me awake|for nights in a row.
Useless attempts.
Nightclubs...
cemeteries, hospitals.
I seeked everywhere.
Then I finally saw the ad.
Dora Lobo's.
She thought it 'd be easy,|but it wasn't.
For several months I went to the|agency for information. Every day.
To get rid of the client,|she offered me a job.
Did you find her?
Let 's change the subject.
-Fatima.|-Bellini, won't you let me in?
I've come to settle|what you owe me.
I see, I'm sorry.
Don't feel sorry, I'm leaving.
Beatriz, it 's not what you think.
I'm not thinking anything.|You don't owe me any explanation.
-My fiancé's waiting for me.|-Poor fella.
Not even married|and he's being cheated on!
-Listen, you bitch...|-Take it easy, Beatriz.
You know what?|Hope you have fun.
Never mind.
I'm not jealous.
You should've called me before.
I'm sure you've|got the best choice.
Do you know a guy called Miguel,|''the Indian''?
He performs sex shows.
I've heard of him.
Do you know where he can be?
And Stone?
-What about him?|-Do you know him?
Everybody does. He's everywhere,|supplying his clients.
What else do you know?
He's involved with drugs|and male prostitution.
She used to perform electrifying|shows with Miguel, ''the lndian''.
A strong Chilean guy...
bisexual,|are you interested?
He was serious.
Where can I find him?
Maybe in this gay party I heard of.|Wanna go?
I owe you nothing. Get off.
I just want a quick one myself.
I wanna have some fun, too.
So? How many grams?
I think I'll take two.
I will have one right now.
Set the table.
Dinner is served.
Stone, tell me something before|I snort this and go sky high.
What was the deal between|the Chilean and that doctor?
Don't mix the merchandise.
That information's way too expensive.|You're not in that league.
I came here for fun,|not for business.
Son of a bitch! Nobody'll give a damn|if I blow your brains right here.
-Why did you kill the doctor?|-I told you, it wasn't me.
Who was it, then?
It must 've been his loverboy.
His what?
The doctor was queer.
He was always cruising,|looking for a big dick.
Who was his lover?
That old fag was all kissy-huggy|with the Chilean guy.
B-Happy
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Batman and Robin
Batoru Rowaioru II - Requiem (2003) CD1
Batoru Rowaioru II - Requiem (2003) CD2
Batteries Included
Battle Cry CD1
Battle Cry CD2
Battle Hymn 1957
Battle Royale (2000) Directors Cut CD1
Battle Royale (2000) Directors Cut CD2
Battle Royale 2 (2003)
Battle for the Planet of the Apes
Battle of Algiers The (Gillo Pontecorvo 1965) CD1
Battle of Algiers The (Gillo Pontecorvo 1965) CD2
Battle of Britain CD1
Battle of Britain CD2
Battle of the Bulge CD1
Battle of the Bulge CD2
Battlefield Baseball
Battlefield Earth
Battlestar Galactica 01x01 - 33
Battlestar Galactica 01x01 - Litmus
Battlestar Galactica 01x01 - Water
Battlestar Galactica 01x03 - Bastille Day
Battlestar Galactica 01x04 - Act of Contrition
Battlestar Galactica 01x05 - You Cant Go Home Again
Battlestar Galactica 01x07 - Six Degrees of Seperation
Battlestar Galactica 01x08 - Flesh and Bone
Battlestar Galactica 01x09 - Tigh Me Up, Tigh Me Down
Battlestar Galactica 01x10 - The Hand of God
Battlestar Galactica 01x11 - Colonial Day
Battlestar Galactica 01x12 - Kobols Last Gleaming Part 1
Battlestar Galactica 01x13 - Kobols Last Gleaming Part 2
Baxter 1989
Bazaar
Beach The
Bean - The Ultimate Disaster Movie
Beast Cops
Beast From 20,000 Fathoms The 1953
Beast Within The
Beast of War The
Beating Of The Butterflys Wings The 2000
Beatles Anthology The Episode1
Beatles Anthology The Episode2
Beatles Anthology The Episode3
Beatles Anthology The Episode4
Beatles Anthology The Episode5
Beatles Anthology The Episode6
Beatles Anthology The Episode7
Beatles Anthology The Episode8
Beatles Anthology The Special Features
Beatles The - A Hard Dayss Night
Beatles The First US Visit The
Beau Pere - Stepfather - Bertrand Blier 1981
Beautiful Creatures
Beautiful Girls
Beautiful Thing
Beautiful Troublemaker The (1991) CD1
Beautiful Troublemaker The (1991) CD2
Beautiful Troublemaker The (1991) CD3
Beautifull Mind A CD1
Beautifull Mind A CD2
Beauty And The Beast
Beauty and the Beast (Disney Special Platinum Edition)
Beavis and Butt-head Do America (1996)
Bedazzled
Bedford Incident The
Bedroom Key The CD1
Bedroom Key The CD2
Beethoven
Before Night Falls 2000 CD1
Before Night Falls 2000 CD2
Before Sunrise
Before Sunset 2004
Beguiled The
Behind Enemy Lines 2001
Behind The Sun (Walter Salles 2001)
Being John Malkovich
Being There (1979) CD1
Being There (1979) CD2
Belle Epoque CD1
Belle Epoque CD2
Belle and La Bete La (1946)
Bellinin And The Spynx CD1
Bellinin And The Spynx CD2
Bells Of St Marys The (1945)
Belly Of The Beast
Belly of an Architect The
Below
Belphegor
Ben-Hur CD1
Ben-Hur CD2
Bend It Like Beckham
Bend of the River 1952
Beneath the Planet of the Apes
Benny and Joon
Bernie
Best years of our lives 1946
Bet on My Disco
Better Off Dead 1985
Better Than Chocolate
Better Tomorrow 2 A CD1
Better Tomorrow 2 A CD2
Better Tomorrow 3 A
Better Way To Die A
Betty
Between Heaven and Hell
Beverly Hillbillies The 1993
Beverly Hills Ninja
Beyond Borders CD1
Beyond Borders CD2
Beyond The
Beyond The Clouds
Bez konca (No End 1985) CD1
Bez konca (No End 1985) CD2
Biches Les (Claude Chabrol 1968)
Bicho de sete cabezas
Bichunmoo CD1
Bichunmoo CD2
Big
Big Blue The CD1
Big Blue The CD2
Big Bounce The
Big Chill The
Big Daddy
Big Deal on Madonna Street (1958)
Big Fat Liar
Big Fish 2003
Big Hit The
Big Lebowski The
Big Mommas House
Big Nihgt
Big Shot - A Confessions of a Campus Bookie 2002
Big Sleep The
Big clock The 1948
Big girls dont cry
Biker boyz
Billy Elliot
Billy Madison 1995
Biloxi blues
Bingwoo 2004 CD1
Bingwoo 2004 CD2
Bio Dome
Bio Hunter
Bio Zombie
Bionicle 2 A Legends of Metru-Nui
Bionicle Mask Of Light 2003
Birch Tree Meadow The
Bird People in China The 1998 CD1
Bird People in China The 1998 CD2
Bird on a wire
Bishops Wife The 1947 CD1
Bishops Wife The 1947 CD2
Bite the bullet
Bitter Sugar (Azucar amarga)
Black Angel
Black Sabbath
BlackAdder 1x1 - The Foretelling
BlackAdder 1x2 - Born to be King
BlackAdder 1x3 - The Archbishop
BlackAdder 1x4 - The Queen of Spains Beard
BlackAdder 1x5 - Witchsmeller Pursuivant
BlackAdder 1x6 - The Black Seal
BlackAdder 2x1 - Bells
BlackAdder 2x2 - Head
BlackAdder 2x3 - Potato
BlackAdder 2x4 - Money
BlackAdder 2x5 - Beer
BlackAdder 2x6 - Chains
BlackAdder 4x1 - Captain Cook
BlackAdder 4x2 - Corporal Punishment
BlackAdder 4x3 - Major Star
BlackAdder 4x4 - Private Plane
BlackAdder 4x5 - General Hospital
BlackAdder 4x6 - Goodbyeee
BlackAdder Christmas Carol 1988
BlackAdder The Cavalier Years
BlackAdder the Third 3x1
BlackAdder the Third 3x2
BlackAdder the Third 3x3
BlackAdder the Third 3x4
BlackAdder the Third 3x5
BlackAdder the Third 3x6
Black Adder V - Back and Forth
Black Christmas
Black Hawk Down
Black Knight
Black Mask
Black Mask 2
Black Orpheus
Black Rain CD1
Black Rain CD2
Black Sheep
Black Widow 1987
Black and White (1998)
Blackout The 1997 CD1
Blackout The 1997 CD2
Blacula
Blade
Blade 3 - Trinity
Blade Of Fury
Blade Runner (1982 Original Cut) CD1
Blade Runner (1982 Original Cut) CD2
Blade Runner Directors Cut
Blair Witch Project The
Blame It On Rio
Blast From The Past 1999
Blast from the Past
Blazing Saddles
Blazing Sun (1960) CD1
Blazing Sun (1960) CD2
Bleeder
Bless The Child
Blind Beast
Blind Chance (1987) CD1
Blind Chance (1987) CD2
Blind Spot Hitlers Secretary (2002)
Blind date
Bliss
Blob The 1988
Blood Crime
Blood Wedding (1981)
Blood Work
Blood and Black Lace
Blow 2001 CD1
Blow 2001 CD2
Blow Dry 2001
Blown Away 1994 CD1
Blown Away 1994 CD2
Blue (Derek Jarman)
Blue Car
Blue Collar Comedy Tour The Movie
Blue Max The CD1
Blue Max The CD2
Blue Moon
Blue Planet The 1
Blue Planet The 2 - The Deep
Blue Planet The 3 - Open Ocean
Blue Planet The 4 - Frozen Seas
Blue Spring 2001
Blue Velvet
Blue juice 1995
Blue thunder
Blues Brothers The (1980) CD1
Blues Brothers The (1980) CD2
Blues Harp
Boat Trip - Feedback Overflow
Bob Le Flambeur 1955
Bob Marley Story - Rebel Music
Bob and Carol and Ted and Alice
Body Double
Body Heat
Body The
Boiler Room
Bola El
Bone Collector The
Bonnie and Clyde
Book of Fate The
Book of Pooh The
Boondock Saints The
Boot Das 1981 CD1
Boot Das 1981 CD2
Born Romantic
Boucher Le
Bounce
Bourne supremacy The-1CD
Boxcar Bertha
Boy Who Saw The Wind The
Boys and Girls
Boyz N the Hood
Branca de Neve
Bread and Roses
Breakfast Club The
Breakfast at Tiffanys
Breakin all the rules
Breaking Away
Bride with White Hair The
Bridge Man The CD1
Bridge Man The CD2
Bright Future
Broadway Danny Rose
Brother (Takeshi Kitano)
Brother Sun Sister Moon 1972
Brother from Another Planet The 1984
Brotherhood Of The Wolf
Brothers The
Buddy
Buena Estrella La (Lucky Star)
Buffalo Soldiers
Bug 1975
Bugs Bunny - Baseball Bugs (1946)
Bugs Bunny - Big Top Bunny (1951)
Bugs Bunny - Bugs Bunny Gets the Boid (1942)
Bugs Bunny - Bugs Bunny and the Three Bears (1944)
Bugs Bunny - Bugs and Thugs (1954)
Bugs Bunny - Bully for Bugs (1953)
Bugs Bunny - Frigid Hare (1949)
Bugs Bunny - Hair-Raising Hare (1946)
Bugs Bunny - Haredevil Hare (1948)
Bugs Bunny - Long Haired Hare (1949)
Bugs Bunny - My Bunny Lies Over the Sea (1948)
Bugs Bunny - Rabbits Kin (1952)
Bugs Bunny - Tortoise Wins by a Hare (1943)
Bugs Bunny - Wabbit Twouble (1941)
Bugs Bunny - Water Water Every Hare (1952)
Bugs Bunny - Whats Up Doc (1950)
Bugs Bunny and Daffy Duck - Rabbit Fire (1951)
Bugs Bunny and Daffy Duck - Rabbit Seasoning (1952)
Bugs Bunny and Elmer - Rabbit of Seville (1950)
Bugs Bunny and Taz - Devil May Hare (1954)
Bugs Bunny and Yosemite Sam - Ballot Box Bunny (1951)
Bugs Bunny and Yosemite Sam - Big House Bunny (1950)
Bugs Bunny and Yosemite Sam - Bunker Hill Bunny (1950)
Bugs Bunny and Yosemite Sam - High Diving Hare (1949)
Bugs Life A
Bullet Ballet
Bullet in the Head
Bulletproof Monk 2003
Bullets Over Broadway
Bully (Unrated Theatrical Edition)
Burning Paradise (Ringo Lam 1994)
Burnt Money
Butch Cassidy and the Sundance Kid A Special Edition
Butchers Wife The