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Blues Brothers The (1980) CD2

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I guess you wanna get your steel guitars|and everything set up on stage.
Claire, get up and turn those stage|lights on and get these boys going.
Chicken wire?
What do you say|we have a sound check?
Excuse me, sonny. I'll give this|to you. You're the tallest one.
Okay. What is it?
That there is a list|of the songs...
that you boys|will be playing tonight.
I don't think we know|any of the songs on this list.
This list doesn't mean anything.|They're just requests.
Do our regular set.|First tune.
"Give Me Some Loving."|One, two...
One, two, three, four.
Shit!
What are those damn freak|pecker heads playing?
Good evening, ladies and gentlemen.|We're glad to be here tonight.
We're the Good Old Blues Brothers|Boys Band from Chicago.
We hope you'll like our show.|I'm Elwood. This is my brother Jake.
{y:i}Well, my temperature's rising|{y:i}And my feet on the floor
{y:i}Crazy people knockin'|{y:i}'Cause they want some more
{y:i}Let me in, baby|{y:i}I don't know what you got
{y:i}Better take it easy|{y:i}'Cause this place is hot
{y:i}And I'm so glad we made it
That ain't no Hank Williams song!
{y:i}Give me some loving
Get off the stage!
{y:i}Every day
Why'd they turn off the lights?
- Maybe they blew a fuse.|- I don't think so.
Those lights are off on purpose.
We gotta figure out something|these people like, and fast!
I got it. Remember the theme|from "Rawhide"?
Old favourite. Rowdy Yates.
- What key?|- "A". Good country key.
"Rawhide" in "A".
{y:i}Rollin', rollin'
{y:i}Though the streams are swollen
{y:i}Keep them dogies rollin'
{y:i}Rawhide
{y:i}Through rain and wind and weather|{y:i}Hell-bent for leather
{y:i}Wishin'my gal was by my side
{y:i}All the things I'm missin'
{y:i}Good vittles, love and kissin'
{y:i}Are waiting at the end of my ride
{y:i}- Move 'em on|{y:i}- Head 'em up
{y:i}- Head 'em out|{y:i}- Move 'em on
{y:i}- Move 'em on|{y:i}- Head 'em up
{y:i}Rawhide|{y:i}Cut 'em out
{y:i}Ride 'em in
{y:i}Cut 'em out
{y:i}Ride 'em in, rawhide
Theme from the TV show "Rawhide".|Thank you.
We'd like to do a favourite of the horn|section. We hope it's one of yours.
{y:i}Sometimes it's hard|{y:i}to be a woman
{y:i}Giving all your love
{y:i}To just one man
{y:i}And if you love him
{y:i}Oh, be proud of him
{y:i}'Cause after all
{y:i}He's just a man
{y:i}Stand by your man
{y:i}Give him two arms to cling to
{y:i}And something warm to come to
{y:i}When nights are cold and lonely
{y:i}Stand by your man
{y:i}And tell the world you love him
{y:i}Keep giving all the love you can
{y:i}Stand by your man
{y:i}Stand by your man
{y:i}And show the world you love him
{y:i}Keep giving all the love you can
{y:i}Baby
{y:i}Stand by
{y:i}Your man
{y:i}Well, folks, it's time|{y:i}to call it a night.
{y:i}But do what you feel, |{y:i}and keep both feet on the wheel.
{y:i}You don't have to go home|{y:i}but you can't stay here.
{y:i}So, till next time:
{y:i}- Move 'em on|{y:i}- Head 'em up
{y:i}- Head 'em up|{y:i}- Move 'em on
{y:i}Rawhide
{y:i}- Cut 'em out|{y:i}- Ride 'em in
{y:i}- Ride 'em in|{y:i}- Cut 'em out
{y:i}Ride 'em in, rawhide
Let's get the hell out of here.
Shit, I wanna tell you, that's some|of the best goddam music we've had...
at the Country Bunker|in a long time.
Well, sorry we couldn't remember|"The Wreck of the Old 97".
Why, hell! You guys can learn it|next time when you come back.
Bob, about our money for tonight.
That's right.
Two hundred dollars...
and you boys drank|$300 worth of beer.
When we first came in...
the bar lady never charged us|for the first round.
So, like, we figured|beer was complimentary for the band.
Well, I'll just go out|and take up a collection from the boys.
I sure would appreciate it.
I say this trip is nowhere, man.
I say we gotta quit.
What? Quit?
I wish you guys|would make up your mind.
Otherwise I gotta call Mr Ronzini at|the Holiday Inn to get our old gig back.
Back at the Armada Room?
Listen, they want us|to pay for the beer we drank.
So you'd better split.
The next gig is gonna be dynamite!
Huge! You'll see.
I say we give the Blues Brothers|just one more chance.
Why not? If the shit fits, wear it!
Scoot over, goddam it!
Boys look a little upset.
Hey, man. Don't worry.|We got a couple of days.
We'll get the Penguin's tax money.
I mean, look. We got an appointment|to see Mr Sline tomorrow.
Everything's gonna be all right.
Let's skate.
Goddam it.
Excuse me. Are you|the Good Ole Boys?
That's right. I'm Tucker McElroy,|lead singer, driver of the Winnebago.
I'd like to talk to you,|but we're running very late.
I'm Jacob Stein, American Federation|of Musicians Union, Local 200.
I've been sent here to see|if you're carrying your permits.
Our what?
Your union cards.|May I see your cards, please?
Suppose we ain't got no union cards,|and we go in and start playing anyway?
What you gonna do about that?|You gonna stop us?
Stein!
You gonna look funny trying to eat|corn on the cob with no fucking teeth!
Listen, let me talk to Bob,|the owner.
See if we can put your band|on contract waivers for tonight.
I don't want you to move|from this spot.
Just let me handle this.
We'll talk to Bob.
Get in the car and start her up.
You know you boys owe me|a lot of money for that beer you drank!
- Goddam it!|- Bob, we loved playing here tonight.
My brother's writing out an|American Express traveller's check...
to cover the bar tab.
I sure would appreciate it.
I'd better check up, see how he's doing.|I have to sign it too.
I usually sit in the car and write it|out on the glove compartment lid.
Need a pencil.
- Were them guys from the union?|- What the hell, "union"?
Those boys skipped out of here|owing me a lot of money for beer.
What the hell are you guys|all dressed up for?
We're the Good Ole Boys!
You're the Good Ole Boys?
"A.F.M." Shit!
Our Lady of Blessed Acceleration,|don't fail me now!
I don't believe it!|It's that shit-box Dodge again.
The bastards are ours now!
Holy shit!
Boys, you in big trouble.
Maury, you owe me.
We'll play anywhere, anytime,|for anybody.
Put us in the Double Up Lounge, or|the Morgan Park Theatre, or the Crystal.
We always knocked them dead|in those joints.
Discos. They're all discos.
Singles. Mixed singles.|Gay singles.
These people like to dance|with each other.
We are a dance band.
I don't know, boys.|I just don't know.
Times have changed,|you know what I mean?
What are you guys gonna do?|The same act?
You wear|the same "farkakte" suits.
You'll scare people away.
Don't you ever wear blue jeans|or jump suits...
like Wayne Cochran|and the C.C. Riders?
You gotta come through for us.
We need 5,000 bucks fast.
Five thousand bucks?
Who do you think you are?|The Beatles?
You know the size hall you gotta work|to take in that kind of money?
We'll fill any hall in the country.
You guys familiar|with the Palace Hotel ballroom?
- Never heard of it.|- Nice place up north.
Built in the '40s|on Lake Wazapamani.
That seats 5,000.
You guys fill that place,|you can make 5,000 bucks, easy.
- Book us for tomorrow night.|- Hold it! Tomorrow night?
A gig like that, you gotta prepare|the proper exploitation.
I know about that stuff.|I been exploited all my life.
Forget it. There's no way|with you guys. Forget about it.
Say, how's Mrs Sline?
I might have some information|she'd like to know.
You blackmailing me?
If you wanna put it that way.|Maury, we need this gig!
We're on a mission from God.
Get us the hall, and I guarantee|we'll pack them in for miles around.
What do you say?
Okay. I'll get you the Palace Hotel.
I'll print up show bills. I'll make|the place look real pretty, okay?
I don't think you guys|are gonna gross dollar one.
But if you do, I want a taste|of the gig, okay?
Thanks, Maury.|Let's go, boys!
Listen, you boys heard me talk|about Jake and Elwood.
They used to live here,|just like you.
And I used to sing to them,|just like with you.
Tonight Jake and Elwood are going out|to sing and play...
to raise money|to help you children.
Your lazy butts are in this too!
So get up on that wagon.
We're going up north|to put the word on the streets.
{y:i}Tonight only, |{y:i}the fabulous Blues Brothers...
{y:i}Rhythm and Blues Revue...
{y:i}at the Palace Hotel ballroom,|{y:i}Route 16...
{y:i}Lake Wazapamani.
{y:i}The fabulous Blues Brothers...
{y:i}Show Band and Revue.
There you go, boy.
All right, man!
Check it out!
- Tonight only!|- From Chicago!
- The Blues Brothers.|- Rhythm and Blues Revue.
One night only!|The fabulous...
Blues Brothers Show Band|and Revue.
{y:i}You! On the motorcycle!
{y:i}You two girls!
{y:i}- Tell your friends! |- Free parking.
{y:i}Two-dollar cover charge only, folks!
{y:i}- That's a lot of entertainment. |- For two dollars.
Will you please put this in the window,|'cause it's real important.
{y:i}Tonight only, from Chicago...
{y:i}the fabulous Blues Brothers...
{y:i}Rhythm and Blues Revue...
{y:i}for your dancing pleasure.
{y:i}And it's ladies'night tonight.
{y:i}at the Palace Hotel ballroom.
"Tonight only, the Blues Brothers...
genuine Rhythm and Blues Show|and Revue.
Palace Hotel ballroom.|Tonight only."
How we doing?
So far we covered Lake, McHenry...
and part of Du Page County.
Good. Let's get to the gig.
What is it?
We're out of gas.
Oh, shit.
Wow! A classic. What a room!
This place is gonna swing tonight.
It's a fucking barn.|We'll never fill it.
We've gotta fill this hall tonight.
A lot of young children|are depending on it.
Young children?|What do you mean?
Jake and Elwood are donating|the band's share of the door money...
to pay the taxes|on the St. Helen's orphanage...
in Calumet City.
What?
- We're out of gas.|- Yep. Mind if we fill her up?
Nope. I said "we're" out of gas.
Tanker truck's late.|Should have been here two hours ago.
It's always late on Thursdays.
I guess we'll have to wait.
Excuse me, sir.
Yes, you. Could you fill it up|with premium, and check under the hood?
Sure.
You want I should wash|the dead bugs off the windshield?
No. I'm in kind of a hurry.
Where in the hell are they?
So maybe you'd like to come by|and see the show.
I'm awfully sorry, but I do have|a prior dinner engagement.
Thanks, Marvin.
Get me Troopers Daniel and Mount.
I don't see those Blues Brothers.
We'll wait.
Okay, you're all set.
That'll be $94.
Here's 95.|Thank you.
Okay. And that's a dollar change.
- Oh, keep the change.|- Thanks.
So, look. If your date...
don't work out tonight|for any reason...
there's a motel|up on the interstate.
Maybe we could, say, meet...
around midnight?
I'll think about it, Elwood, okay?
Bye.
Son of a bitch!
Come on!
We're really late.|You'd better step on it.
I always like to perform|for angry mobs.
You can't quit now.
What can they be doing?
My head hurts.
That Night Train's a mean wine.
You'd better get bright!|We got a show to do.
Then we gotta figure out|some way to collect that gate money...
get it to the County Assessor's office|as soon as they open in the morning.
We want the show!
Gentlemen, I'm leaving.
Man, we were so close.
Hey, you guys know|"Minnie The Moocher"?
I knew a hooker once|named Minnie Mazola.
No! The song "Minnie the Moocher".
- Yeah. So what?|- Hit it!
{y:i}Hey, folks, here's a story|{y:i}'bout Minnie the Moocher
{y:i}She was a low-down hoochie coocher
{y:i}She was the roughest, toughest frail
{y:i}But Minnie had a heart
{y:i}As big as a whale
{y:i}She messed around|{y:i}with a bloke named Smokey
{y:i}She loved him|{y:i}though he was cokey
{y:i}He took her down to Chinatown
{y:i}And he showed her how|{y:i}to kick the gong around
{y:i}She had a dream|{y:i}about the King of Sweden
{y:i}He gave her things|{y:i}that she was needin'
{y:i}He gave her a home|{y:i}built of gold and steel
{y:i}A diamond car|{y:i}with the platinum wheels
This is glue. Strong stuff.
What the hell are you doing?
This can is from|a surplus disposal run.
Fifteen overcharged ounces|of pure, uncompounded...
isopropyl butane monosulfate.
When combined with oxygen|and a little heat...
it will cause a rapid expansion.
{y:i}Poor Min, poor Min
- Let's take them!|- Wait a minute.
I've never even heard|these boys sing, all right?
All right.
They're not going no place.
All right, cover all exits! Let's go!|Come on! Hurry up!
Move it!
Who wants an Orange Whip?|Orange Whip?
Three Orange Whips.
Excuse us.
Good evening, ladies.
One, two,|one, two, three, four.
Now, ladies and gentlemen, it is the|distinct pleasure of the management...
to present to you|the evening's star attraction.
Here they are, back after|their exclusive three-year tour...
of Europe, Scandinavia|and the subcontinent.
Won't you welcome|from Calumet City, Illinois...
{y:i}the show band|{y:i}ofJoliet Jake and Elwood Blues.
The Blues Brothers!
One, two.|One, two, three, four.
We're so glad to see|so many lovely people here tonight.
We'd like to welcome|all the representatives...
of Illinois' law enforcement|community...
who have chosen to join us in|the Palace Hotel ballroom at this time.
We certainly hope you all|enjoy the show.
And remember that|no matter who you are...
and what you do|to live and survive...
there's still some things|that make us all the same.
You. Me. Them. Everybody.
{y:i}Everybody
{y:i}Needs somebody
{y:i}Everybody
{y:i}Needs somebody to love
{y:i}Someone to love
{y:i}Sweetheart to miss
{y:i}Sugar to kiss
{y:i}I need you, you, you
{y:i}In the morning
{y:i}When my soul's on fire
{y:i}Sometimes I feel
{y:i}I feel a little sad inside
{y:i}When my baby mistreats me|{y:i}I never, never
{y:i}Find a place to hide|{y:i}I need you
{y:i}Sometimes I feel
{y:i}I feel a little sad inside
{y:i}When my baby mistreats me
{y:i}I never, never find a place to hide|{y:i}I need you
People, when you do find|that special somebody...
you gotta hold that man,|hold that woman...
Iove him, please him,|squeeze her, please her!
Signify your feelings|with every caress.
Because it's so important|to have that special somebody...
to hold, kiss, miss...
to squeeze and please!
{y:i}Everybody needs somebody
{y:i}Everybody
{y:i}Needs somebody to love
{y:i}Someone to love
{y:i}Sweetheart to miss
{y:i}Sugar to kiss
{y:i}I need you, you
{y:i}In the morning
{y:i}When my soul's on fire
{y:i}When there ain't no one around|{y:i}I need you
Thank you.|That was for Wilson Pickett.
This is dedicated|to the late, great Magic Sam.
One, two.|One, two, three, four.
{y:i}Come on|{y:i}Baby, don't you wanna go
{y:i}Back to that same old place
{y:i}Sweet home Chicago
{y:i}Six and three is nine
{y:i}Nine and nine is eighteen
{y:i}Look there, brother, baby|{y:i}and see what I see
- The Mafia's after us now.|- You guys were hot!
You were great!|I've got to record you.
- Bullshit.|- I don't bullshit.
I'm president of Clarion Records...
the largest recording company|on the eastern seaboard.
- So what?|- Here's $10,000.
An advance on your first|recording session.
Is it a deal?
Yeah. Sure, it's a deal.
Yeah. Sure, it's a deal!
Listen, all these cops out here...|they're waiting for us.
We gotta get out with nobody|seeing us. You know a back door out?
Sure. I used to be head bouncer here|back in the '70s.
There's an electrical service duct|behind your drummer's riser.
Do us a favour.
Take $1,400 and give it|to Ray's Music Exchange...
in Calumet City,|and give the rest to the band.
- You got it.|- Thanks.
Bye.
Me and Elwood are gonna make a break|for it. You and the band keep playing.
- Something's wrong.|- Where's Jake?
Where'd they go?
I sure hope this thing|leads someplace.
Elwood, we're gone, man.
Who is that girl?
Well, Jake.
You look just fine down there...
slithering in the mud|like vermin.
No problem.
You're not gonna get away from me|this time.
Check that out! Let's go!
It's good to see you,|sweetheart!
You contemptible pig.
I remained celibate for you.
I stood at the back|of a cathedral...
waiting, in celibacy, for you...
with 300 friends and relatives|in attendance.
My uncle hired the best|Rumanian caterers in the state.
To obtain the seven limousines...
my father used up his last favours|with Mad Pete Trullo.
So for me, for my mother...
my grandmother, my father,|my uncle and for the common good...
I must now kill you|and your brother.
Oh, please don't kill us!
You know I love you, baby! I wouldn't|leave you! It wasn't my fault!
You miserable slug!
You think you can talk your way|out of this? You betrayed me!
No, I didn't. Honest!
I ran out of gas!
I had a flat tyre!|I didn't have money for cab fare!
My tux didn't come back|from the cleaners.
And old friend came in|from out of town!
Someone stole my car! There was|an earthquake! A terrible flood!
Locusts! It wasn't my fault,|I swear to God!
Jake, honey.
Let's go.
Take it easy.
You're now going to|totally demolish that car.
You want to maybe consider|going after the Blues Brothers?
It's 106 miles to Chicago.
We got a full tank of gas,|half a pack of cigarettes...
it's dark|and we're wearing sunglasses.
Hit it.
Shit, man. Can't this damn thing|go any faster than this?
Bob, I think I've got|a little problem.
Goddam, boy.
Shit.
Don't you say a fuckin' word.
All units, we have a ten-seven-niner.
Officers are in pursuit:
a black-and-white|1974 Dodge sedan...
{y:i}southbound on 47.
{y:i}Respond to signal, ten-seven-niner.
{y:i}Occupants of vehicle:|{y:i}one Joliet Jake Blues...
{y:i}one Elwood Blues.
{y:i}- Considered extremely dangerous. |- Gruppenfuehrer!
Jake, I gotta pull over.
Southbound on State Highway 47.
Hi! Wanna hand me the mike?
Thanks a lot.
This is car...|What number are we?
Five-five.
Car 55. We're in a truck.
Signal ten-seven-niner|still engaged.
Vehicle travelling southbound|approaching Chicago city limits.
Commander advises will contact|Chicago precincts...
for a local intercept.
Maintain pursuit.
Use of unnecessary violence...
in the apprehension|of the Blues Brothers has been approved.
Well, this is definitely|Lower Wacker Drive.
If my estimations are correct...
we should be very close to|the Honourable Richard J. Daley Plaza.
- That's where they got that Picasso.|- Yep.
Son of a bitch!
There they are.
- Oh, no!|- What the fuck was that?
The motor. It's thrown a rod.
- Is that serious?|- Yep.
Faster.
Holy shit!
I've always loved you.
There it is!
Come on!
Sir, where's the office|of the assessor of Cook County?
Down the hall. Turn right.
Take the elevator to 1102.
Thank you, sir.
Excuse me.|Did you see two guys...
with black suits and hats,|one carrying a briefcase?
Yeah. I just sent them down there.
Thank you.
Hold the door.
Let's go.
Can I help you?
- This is where they pay taxes, right?|- Right.
This money is for|the year's assessment...
on the St. Helen of the Blessed Shroud|Orphanage in Calumet City, Illinois.
Five thousand bucks.|It's all there, pal.
Stand back!
Fire!
And here is your receipt.
{y:i}Warden threw a party|{y:i}in the county jail
{y:i}Prison band was there|{y:i}and they began to wail
{y:i}The band was jumping|{y:i}and the joint began to swing
{y:i}You should of heard those|{y:i}knocked-out jailbirds sing
{y:i}Let's rock
{y:i}Everybody, let's rock
{y:i}Everybody on the whole cell block
{y:i}Was dancing to the jailhouse rock
{y:i}Spider Murphy played|{y:i}the tenor saxophone
{y:i}Little Joe was blowin'|{y:i}on the slide trombone
{y:i}The drummer boy from Illinois|{y:i}went crash, boom, bang
{y:i}The whole rhythm section|{y:i}was the Purple Gang
{y:i}Let's rock|{y:i}Everybody, let's rock
{y:i}Everybody on the whole cell block
{y:i}Was dancing to the jailhouse rock
{y:i}Sad Sack was sitting|{y:i}on a block of stone
{y:i}Way over in the corner|{y:i}weeping all alone
{y:i}The warden said|{y:i}Buddy, don't you be no square
{y:i}If you can't get a partner|{y:i}use a wooden chair
{y:i}Let's rock
{y:i}Everybody, let's rock
{y:i}Everybody on the whole cell block
{y:i}Was dancing to the jailhouse rock
Ripped with SubRip 1.14 and Verified by CdinT|(Cristi_Polacsek@SoftHome.net)
I deliver perfection...|and don't brag about it! :D
B-Happy
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Babylon 5 1x17 Legacies
Babylon 5 1x18 A voice in the wilderness - Part 1
Babylon 5 1x19 A voice in the wilderness - Part 2
Babylon 5 1x20 Babylon squared
Babylon 5 1x21 The Quality Of Mercy
Babylon 5 1x22 Crysalis
Babylon 5 3x01 Matters of Honor
Babylon 5 4x01 - The Hour of the Wolf
Babylon 5 4x02 - What Ever Happened to Mr Garibaldi
Babylon 5 4x03 - The Summoning
Babylon 5 4x04 - Falling Towards Apotheosis
Babylon 5 4x05 - The Long Night
Babylon 5 4x06 - Into the Fire
Babylon 5 4x07 - Epiphanies
Babylon 5 4x08 - The Illusion of Truth
Babylon 5 4x09 - Atonement
Babylon 5 4x10 - Racing Mars
Babylon 5 4x11 - Lines of Communication
Babylon 5 4x12 - Conflicts of Interest
Babylon 5 4x13 - Rumors Bargains and Lies
Babylon 5 4x14 - Moments of Transition
Babylon 5 4x15 - No Surrender No Retreat
Babylon 5 4x16 - The Exercise of Vital Powers
Babylon 5 4x17 - The Face of the Enemy
Babylon 5 4x18 - Intersections in Real Time
Babylon 5 4x19 - Between the Darkness and the Light
Babylon 5 4x20 - Endgame
Babylon 5 4x21 - Rising Star
Babylon 5 4x22 - The Deconstruction of Falling Stars
Babys Day Out
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Backfield in Motion
BadBoys TrueStory 2003 CD1
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Bad Company
Bad Guy 2001
Bad Santa
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Bad Seed The 1956
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Bad and the Beautiful The
Badboys II
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Baise Moi
Balanta 1992 (The Oak)
Ballad Of A Soldier 1959
Balseros 2002
Bamb
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Bamboozled
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Band of Brothers 01 - Currahee
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Baran
Barberella - A Queen Of The Galaxy
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Basic Instinct
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Battlefield Baseball
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Battlestar Galactica 01x01 - 33
Battlestar Galactica 01x01 - Litmus
Battlestar Galactica 01x01 - Water
Battlestar Galactica 01x03 - Bastille Day
Battlestar Galactica 01x04 - Act of Contrition
Battlestar Galactica 01x05 - You Cant Go Home Again
Battlestar Galactica 01x07 - Six Degrees of Seperation
Battlestar Galactica 01x08 - Flesh and Bone
Battlestar Galactica 01x09 - Tigh Me Up, Tigh Me Down
Battlestar Galactica 01x10 - The Hand of God
Battlestar Galactica 01x11 - Colonial Day
Battlestar Galactica 01x12 - Kobols Last Gleaming Part 1
Battlestar Galactica 01x13 - Kobols Last Gleaming Part 2
Baxter 1989
Bazaar
Beach The
Bean - The Ultimate Disaster Movie
Beast Cops
Beast From 20,000 Fathoms The 1953
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Beating Of The Butterflys Wings The 2000
Beatles Anthology The Episode1
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Beatles Anthology The Episode3
Beatles Anthology The Episode4
Beatles Anthology The Episode5
Beatles Anthology The Episode6
Beatles Anthology The Episode7
Beatles Anthology The Episode8
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Beau Pere - Stepfather - Bertrand Blier 1981
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Beauty And The Beast
Beauty and the Beast (Disney Special Platinum Edition)
Beavis and Butt-head Do America (1996)
Bedazzled
Bedford Incident The
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Beethoven
Before Night Falls 2000 CD1
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Before Sunrise
Before Sunset 2004
Beguiled The
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Belle and La Bete La (1946)
Bellinin And The Spynx CD1
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Bells Of St Marys The (1945)
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Belly of an Architect The
Below
Belphegor
Ben-Hur CD1
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Bend It Like Beckham
Bend of the River 1952
Beneath the Planet of the Apes
Benny and Joon
Bernie
Best years of our lives 1946
Bet on My Disco
Better Off Dead 1985
Better Than Chocolate
Better Tomorrow 2 A CD1
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Better Tomorrow 3 A
Better Way To Die A
Betty
Between Heaven and Hell
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Beyond The
Beyond The Clouds
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Big Shot - A Confessions of a Campus Bookie 2002
Big Sleep The
Big clock The 1948
Big girls dont cry
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Billy Madison 1995
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Bio Dome
Bio Hunter
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Bionicle 2 A Legends of Metru-Nui
Bionicle Mask Of Light 2003
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BlackAdder 1x1 - The Foretelling
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BlackAdder 1x6 - The Black Seal
BlackAdder 2x1 - Bells
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BlackAdder Christmas Carol 1988
BlackAdder The Cavalier Years
BlackAdder the Third 3x1
BlackAdder the Third 3x2
BlackAdder the Third 3x3
BlackAdder the Third 3x4
BlackAdder the Third 3x5
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Black Adder V - Back and Forth
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Blacula
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Blade Runner Directors Cut
Blair Witch Project The
Blame It On Rio
Blast From The Past 1999
Blast from the Past
Blazing Saddles
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Bleeder
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Blind Chance (1987) CD1
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Blind Spot Hitlers Secretary (2002)
Blind date
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Blob The 1988
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Blood Work
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Blow Dry 2001
Blown Away 1994 CD1
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Blue (Derek Jarman)
Blue Car
Blue Collar Comedy Tour The Movie
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Blue Moon
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Blue Planet The 4 - Frozen Seas
Blue Spring 2001
Blue Velvet
Blue juice 1995
Blue thunder
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Boat Trip - Feedback Overflow
Bob Le Flambeur 1955
Bob Marley Story - Rebel Music
Bob and Carol and Ted and Alice
Body Double
Body Heat
Body The
Boiler Room
Bola El
Bone Collector The
Bonnie and Clyde
Book of Fate The
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Boot Das 1981 CD1
Boot Das 1981 CD2
Born Romantic
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Bounce
Bourne supremacy The-1CD
Boxcar Bertha
Boy Who Saw The Wind The
Boys and Girls
Boyz N the Hood
Branca de Neve
Bread and Roses
Breakfast Club The
Breakfast at Tiffanys
Breakin all the rules
Breaking Away
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Bridge Man The CD1
Bridge Man The CD2
Bright Future
Broadway Danny Rose
Brother (Takeshi Kitano)
Brother Sun Sister Moon 1972
Brother from Another Planet The 1984
Brotherhood Of The Wolf
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Buffalo Soldiers
Bug 1975
Bugs Bunny - Baseball Bugs (1946)
Bugs Bunny - Big Top Bunny (1951)
Bugs Bunny - Bugs Bunny Gets the Boid (1942)
Bugs Bunny - Bugs Bunny and the Three Bears (1944)
Bugs Bunny - Bugs and Thugs (1954)
Bugs Bunny - Bully for Bugs (1953)
Bugs Bunny - Frigid Hare (1949)
Bugs Bunny - Hair-Raising Hare (1946)
Bugs Bunny - Haredevil Hare (1948)
Bugs Bunny - Long Haired Hare (1949)
Bugs Bunny - My Bunny Lies Over the Sea (1948)
Bugs Bunny - Rabbits Kin (1952)
Bugs Bunny - Tortoise Wins by a Hare (1943)
Bugs Bunny - Wabbit Twouble (1941)
Bugs Bunny - Water Water Every Hare (1952)
Bugs Bunny - Whats Up Doc (1950)
Bugs Bunny and Daffy Duck - Rabbit Fire (1951)
Bugs Bunny and Daffy Duck - Rabbit Seasoning (1952)
Bugs Bunny and Elmer - Rabbit of Seville (1950)
Bugs Bunny and Taz - Devil May Hare (1954)
Bugs Bunny and Yosemite Sam - Ballot Box Bunny (1951)
Bugs Bunny and Yosemite Sam - Big House Bunny (1950)
Bugs Bunny and Yosemite Sam - Bunker Hill Bunny (1950)
Bugs Bunny and Yosemite Sam - High Diving Hare (1949)
Bugs Life A
Bullet Ballet
Bullet in the Head
Bulletproof Monk 2003
Bullets Over Broadway
Bully (Unrated Theatrical Edition)
Burning Paradise (Ringo Lam 1994)
Burnt Money
Butch Cassidy and the Sundance Kid A Special Edition
Butchers Wife The