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Darkness 2002 CD2

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There's no one here.
Hey, I've seen that guy before.
He was standing outside my house,
the other night, when it was raining.
I'm sure it's him.
Come on.
You shouldn't have come.
- You designed the house, right? - I just drew the plans according
to the measurements they gave me.
They?
They who?
I never saw anyone.
Everything was taken care of through an intermediary.
All I had to do was draw
and keep quiet.
That was the one thing they insisted on.
But that wasn't the strange part.
We've got to talk.
Oh, yes. We've got to talk, about that thing you hung up there.
It's hideous.
What are you talking about? You told me to hang it there.
What?
Last night.
Right here.
Honey,
- That is not the problem. - Oh, no?
Then what is the problem?
The larvae.
The what?
The larvae.
They're everywhere.
In the walls.
I hear them whisper.
They talk about us.
We've got to do something.
It was the design.
The shape of the house.
In some parts of the world,
a similar form is used
in the design and costruction of the temples,
or other types of occult architecture.
Something about giving birth to spiritual energy,
or entities.
It's been so many years...
But I didn't like it.
- Reggie, I think we'd better get going. - No, just wait.
And then...
the thing with the kids happened.
What are you planning to do?
Find them.
They must have their nest underneath this house somewhere.
And I'm going to find it.
Seven children.
They never found them.
Except one.
When the police questioned him,
what he told them didn't make any sense... It was some crazy story
about a round house.
Just dark.
So dark.
I've spent years obsessed with this story.
Prowling
around the house.
It's always been empty.
And then suddenly,
one day, I find that a family's
living there.
With a kid. For the first time
in 40 years.
Why now?
So why haven't you called the police?
And tell them what?
You think they'll listen to the crazy ramblings
of some old fart with one foot in the grave?
- You could have told somebody. - Oh, yes,
I could have.
But I didn't,
you want to know why?
Because I was scared.
What are you talking about?
Please go.
That's all I know.
Thank you for sharing your theories,
mister Villalobos.
My phone number.
In case you remember something.
Get your brother
- Out of the house. - Why?
Get him out.
Mom!
It's okay.
It's okay. He had another fit, but it's okay now.
- Let's go. - No. You're not driving like this.
Carlos, can you take them to the hospital, please?
Well, what about you?
I'm staying. There's something I have to do here.
Reggie.
Carlos, please.
Just go.
Hello?
Hello.
We're watching you, bitch.
What the fuck do you want?
Well, I just wanted to tell you your father will be fine.
If that's all right with you.
Mom,
I'm sorry. I thought you were someone else.
Well, I guess we've all been through a lot.
Seems the problem was the tranquilizer I gave him after he cut himself.
It reacted badly With the Haloperidol. I'm a nurse.
- I should have known. - I don't think that's the problem.
We need to talk.
They're keeping him under observation for a couple of days.
Mom?
Mom.
"Ouroboros."
It's an old occult symbol.
It means darkness,
the return to the beginning,
- Chaos... - What's going on in my house?
What the hell is this?
It's a ritual.
"Take the breath
and the love out of seven children.
And close the circle with their blood
when morning turns to night."
The old man was right.
Seven children's throats cut
by someone who loves them.
When morning turns to night...
The eclipse.
It's tomorrow.
It only happens every 40 years.
The last time they tried it, something went wrong.
One of the kids escaped.
They had to be seven, but they only got six.
It's going to happen again.
With Paul.
Reggie,
no one's going to do anything to Paul.
My dad is sick.
Sometimes he doesn't even know what he's doing.
- Reggie, you should hear yourself...? - Mom,
- It's the house. - You're not.
Dad would never hurt us.
What you're saying is terrible. It's obscene.
Is that too hard for you to accept that your father and I...?
Mom! Please!
Dad is sick!
And the stuff that's been going on, it all fits.
The eclipse is tomorrow.
Just don't go back to that house, please.
We'll do whatever your grandfather says,
since he's your father's doctor. Not you.
- Hello. - Grampa,
- It's Regina. - Regina, come up.
It's Villalobos.
Listen, I've found one of the papers the guy sent me, you know,
the intermediary.
There was a lettherhead,
an address.
And I'm going over there. And you should too.
Here, this will make you feel better.
You have to believe me.
I don't know what to do.
I believe you, Regina.
It's just that this...
is all too strange.
I don't know.
I don't understand a lot of what you've been telling me.
You have to help me.
- You're a doctor. They'll listen to you. - Okay.
I don't want you to worry.
I'm going to call the hospital.
Please!
Don't let them go back to the house.
They won't go back. Trust me.
- Yeah? - Listen. It's the old man, Villalobos.
He found the address of the guy Who was sending him instructlons.
He said he was going over there.
Wait. I want to come with you.
It's one of those buildings behind the park. Number seventeen.
- What? - Reggie,
numberseventeen.
Number seventeen?
I'll wait for you out in front,
- But I'm here. - Reggie, wait,
Grandpa.
Regina.
You should have been
in your house.
With your family because they are in the house.
What are you doing in the dark?
Where's Reggie?
I don't know.
She hasn't called.
I expected her to call.
Let her be.
You know how she's been lately.
In the beginning it was just science.
You begin studying minds
of children.
How their fears work.
A fear shared by all children.
In all times and in all cultures.
An irrational fear:
The fear of the dark.
I think I might take a nap.
I'm eshausted.
Sounds like a good idea.
And now, we are almost ready.
After so many years.
What are you talking about?
About darkness, my dear,
the true darkness.
A kind of evil in its greatest form.
Pure...
and alive.
And now,
the moment has arrived.
Finally
be born.
Dirty
and perverted.
Don't try so hard,
Regina.
The game has already begun.
The countdown has already begun.
We're getting closer to the moment When the sun and the moon aligned
submerges for a few moments in darkness.
Why?
Why?
Because it's a question
of faith.
We are our origin.
And our origin is that.
Evil, disorder...
We discovered the spell
to get it back.
The egg temple
and seven children's throats cut
by loving hands.
And the eclipse of course.
It's just an experiment.
I'm a doctor.
Do you know what the ancients called it?
"The great liar."
- Where's Regina? - She's here. Come in.
Thank goodness you came.
I didn't know what to do.
Hey. What's going on here?
Do you know what's going on here?
What's going on is that you have fucked up.
I don't know why everyone is trying to ruin this moment for me.
Once begun no one can stop it.
There is no way back.
Everything was perfect.
We were seven.
We had built the temple.
And waited for the eclipse.
Each one with his child.
But at the last minute it fell apart.
I'm the only one left.
The only one who has survived all these years.
Ironic, isn't it?
Because it was my fault.
I had to let my son escape.
I couldn't do it.
Mom!
Yes, Paul.
Can I have a glass of water?
Mom.
Please, just go away.
You loved him.
Let me go.
We can still stop it.
The rules of the game are very clear.
Seven children's throats cut
by hands which love them.
Go away?
You want me to go away.
What the hell are you talking about?
This is my house.
Open the fucking door!
Now!
The last minute
I realized it wouldn't work,
because, honestly,
I didn't love him.
Mark?
Please, just go away.
Paul doesn't have any thing to do with this.
You haven't understood anything, have you?
It's not Paul,
you idiot.
It's your father.
What?
It has to be the same child.
Mark, just leave us alone.
Open this fucking door!
Mark!
Mark, you're sick.
You're not taking your medicine, that's why you're sick.
No!
Liar! That's a lie!
Please, Mark, go.
- Can't you see you're sick? - Mom...
It wasn't dad.
He didn't hit me.
It's impossible.
It'll never happen.
Darkness is very wise.
Knows very well what a mother
is capable of doing to protect her young.
Mark, enough!
This is my toy.
A snake,
and something about to be born.
It sounds familiar, doesn't it?
It'll never happen.
I saw it in the book.
The throat has
to be cut...
and my mother wouldn't do that. It's impossible.
Have faith, Regina.
Darkness knows a great deal.
Okay. Here's my medication.
Mark.
What are you doing?
Here are the goddamn pills.
Daddy.
I'm so sorry.
I love you.
I love you.
So much.
Run.
You don't have much time.
Run!
It's your turn.
Answer me!
Pills. Fucking pills.
You want me to take pills...
What's going on?
Paul,
go get a pen. I've got to open him up or he's going to die.
Go!
Paul, hurry!
Paul, you should just go up to your room and don't look.
Just go, now!
Mom, no!
What are you doing?
He needs air. I gotta open his throat.
Get out of my way. Don't you understand that's what it wants?
Your father is dying.
I gotta open his throat, let him breathe.
I can't do it.
I can't do it.
Give it to me. I'll do it. Just tell me what to do.
A clean cut just under the Adam's apple.
Quickly.
Mom!
Now get the tube.
Put it in his throat.
What tube? What tube?
- It's here. - Mom!
Where is it?
Mom!
Where?
Mom!
It's too late.
Mom!
It's over.
The seventh child
is dead.
Where's...
Regina?
In her house.
In hell.
Where's the flashlight?
Where is it?
Mom, we have to get out of here. Where's Paul?
- Where is he? Where is he? - Upstairs.
- Regina! - Paul!
I'm scared.
Paul, I'm coming.
Regina!
Come with me.
It's tricking us. It's trying to fool us.
It's a liar.
We're gonna get out of here right now.
Mom?
Don't be afraid.
We can end this.
It's just a question of not being afraid.
- He's dead. - No, he's not.
I want Daddy back, Mommy.
We can save him.
You just have to turn off the burners.
It's the only way to fight the darkness.
We don't have much time left.
You have to trust me, Regina.
What are you saying?
For once in your life,
you'll just have to trust me.
No.
Turn the light off.
Turn them off.
You can save him.
- Please, Mom. - I don't understand.
You're a liar.
Turn it off.
You're not my mother.
Turn them off.
Do it for Dad.
Mom?
Mom!
Where is Mom?
She's not here.
Don't look. We gotta get out of here.
Come on. We gotta get out of here.
Try the window.
We'll try the window.
Come on. Stand back.
Come on, we have to get out right now. Come on, jump.
Come on!
- Come in. - Get in the car right now, honey.
It's gonna be okay.
Are we going back to the States?
Yeah.
Come on up. I want you to see something.
You're gonna love it.
It's tricking us.
It's a liar.
It's over, Paul.
No.
DC Sniper 23 Days of Fear
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