-Keep the change.|-What are you waiting on?
-Four cappuccinos.|-Four cappuccinos. Let's go.
-There you go.|-Thanks.
-I've got a break.|-You can't smoke in here.
Hey, buddy, you forgot your change.
-Makes the worId go round.|-What's that?
Some peopIe say Iove.
They're right too. It is Iove.
Love of goId.
Thank God you're there.|There's been an expIosion.
Pick up the phone and diaI 91 1 .
"18. 36. 7. Pound."
What are you doing?
Find the security tape!
Hey, how'd it go?
-Where'd you get that?|-Here you go.
-You fixed it.|-I made a new one.
-You're a pretty smart fella.|-Not that smart.
-How'd you figure it out?|-I imagined someone smarter than me.
Then I tried to think,|"What wouId he do?"
-That's one hell of a boat.|-Sign up, I'll buiId you one.
-I wanna buy that one.|-Well, that's my boat.
Come up with a down payment,|and I'll have it in 18 months.
-We're good at this conversation.|-Then cIose the deaI.
-There you go.|-What is it?
Open it up. It's yours.
It's shaped Iike an arrow.|Freccia means arrow.
-So you toId me.|-It Iooks Iike goId.
-That's because I giIded it.|-Why?
I wanted to sell you a boat.
Good try, though.|I want that boat.
Sell me that boat, and I'll come|down with a Iaundry bag of cash.
Take the money, take your IittIe girI,|cruise down to a tropic isIe.
-How will you get the cash?|-Don't be coy.
You know who I am. Sell me your boat,|you'll be under my wing.
That's my private number.
I can't do it. I'm working on|your boat. Take mine out.
Does that girI go with it?
Call me, I'll have five guys here|Monday Iaying out the hull.
You decide to sell me your boat...
...Iet's do something, huh?
-I'd have Iiked to buiId him that boat.|-WaIk away from it.
Well, Iet's start getting|the gear on board.
-You got the charts?|-Oh, yeah.
Why so many?
WouIdn't want somebody to Iook|at them and follow us.
-How'd I get so Iucky?|-You're the Iaw west of the Pecos.
Yeah, I used to be|the Iaw west of the Pecos.
Now I'm cashing out.
-You got your picture took.|-Is that why I'm cashing out?
If you say it, it's right.
You're the brass ring, babe.
GIad you Iike me.
Off you go.
See you tonight.
Stay in the shadows.
Everyone's gonna be Iooking there.
-Where's the pIace to be?|-PIace to be is in the sun.
Nobody gets the goods Iike you.
Anybody can get the goods.|The hard part's getting away.
PIan a good getaway,|you can steaI Ebbets FieId.
-Ebbets FieId is gone.|-What'd I tell you?
My nephew, Jimmy SiIk.
Yep, that's who he is.
-He don't say hello?|-He must have things on his mind.
Anything you want whiIe you're here?
Something for that pretty Iady?
-What's she see in you anyway?|-I'm resiIient.
-So's Gumby.|-I got a better profiIe.
You're gonna Ieave that|down south in Argentina.
-How you doing, Bobby?|-I think you're Iooking at it.
You go down south, sit in the sun.
Pull down your bathing suit,|stick your ass out at the worId.
You think the worId's ready for that?
The other thing.|We got the go-ahead.
We got a firm date on the Swiss thing.
I'm burnt. They got my picture.
Of you in drag|with your war paint on.
It's a bIessing.|It's time to check out.
What do we got?
-It's higher than the estimate.|-HaIf is yours.
We're on for the Swiss thing.
Why did he tell me that haIf is mine?
I know haIf of it's mine.|Me and my crew got it.
I went in hock|and set it up on your say-so.
Let's review. You Iet me|waIk in there with my crew...
...and now you're stiffing me?
-If it was me--|-Yeah. I owe my crew.
I gotta get out of town,|I gotta go.
-ShouId have shot the girI.|-ShouId have been there.
This Swiss thing. If I was|a pubIisher, I'd pubIish the pIans.
Why don't you?
If I was a pubIisher. But I'm a thief|so I have to do that thing.
Give me our cut.|We'll do the Swiss job.
You know that's bullshit.|You're going traveIing.
You gonna pIay me for a sucker?|I give you the money and you're gone.
The job's set up, you understand?
We did the job, my partners and me.
Hey, fuck you and fuck your partners.
I'm your partner. Without me|you've got, what? LittIe Lambsy Divy.
-I bankroll this job on your say-so.|-I drove here, I didn't take the bus.
-Fuck you, go back to prison.|-What'd I tell you?
I don't think so.
-Guess again.|-You stay the fuck down.
Want to pIay OIk CorraI?|Wanna dress up and pIay?
Is that the thing?|Is that it?
Give me that fucking bag!
Your weight and your fate right here.
Your weight and your fate right here.
-Bag's empty, Bobby.|-What?
The bag is empty.
Put the bag down, it's empty.
Want me to pull up a chair|whiIe you rape me?
If you'd pause in your|headstrong progress--
Joe, I'm in hock for all the toys.
All the toys you said go out|and buy. Two trucks, the pIane.
-You said spend the money.|-What do you want?
I want you to do the other thing.
You screwed me.|Now my face is on a cereaI box.
You got no money!|You're burnt and busted.
What the fuck does it take|to get you to do the other thing?
Excuse me, Mr. Bergman|asked you a question.
Excuse me,|my uncIe asked you a question.
-Fuck your uncIe.|-Fuck my uncIe? You're the heIp.
Yeah, I'm the heIp, motherfucker.|Why'd the chicken cross the road?
Because the road crossed the chicken.
-WaIk away.|-Hey, you! HoId on!
Situation is pristine.
Cut him off.
I didn't see him.
Oh, my God!
How is he?
It's his road game.
-Your man does good work.|-That's why I use him.
Yeah, these will pass anywhere.
Why don't you take advantage of it?
I need somebody to throw me|in the briar patch.
Yeah, give the gentIeman a call.
-I need some waIking-around money.|-That's reasonabIe.
And I'm gonna need my men's share|on the Iast job.
-Give it to me.|-Now?
You got it in your pocket.
You're ahead of me every turn.
The pIan hoIds,|you get your shipment on the 14th.
The pIan has changed.|We spIit it 50/50 on the site.
So be it.
-Now what's your surprise?|-My boy comes with you on the job.
-He's got terribIe manners.|-Which of us is perfect?
So be it.
Wait a sec. If it's about|your wife, why didn't you--?
Will you wait? If the whoIe thing|is about your wife--?
You know what?|The hell with it!
Not a happy camper, huh?
I'm not a camper at all, stud.|Pour it.
See anything you Iike?
-Pour it!|-Hope you're not driving.
I hope I am, and I run into|some fucked abutment.
-Take me off, will you?|-That'll rot your stomach Iining.
Yeah, but I get to drink it first.
-That's all I need.|-What?
There goes my job.|You see his badge?
Do you know where that guy is from?|And he caught me drinking on shift.
End of a perfect day.
-That's Betty Croft.|-What's her probIem?
-She's a drunk.|-She's a drunk.
You bet she is.
-Why is she important?|-She gets us in the door.
She gets us in the door, how?
I want you to Ieave the uniforms|on the porch 3 or 4 days.
Get the dry-cIeaning smell|out of them.
When we do the switch, the highway--
-Nobody can hear.|-If you don't say it.
I'm as quiet as|an ant pissing on cotton.
I don't want you as quiet as that ant.
I want you as quiet as an ant not|even thinking about pissing on cotton.
Hello. I gotta report|a breakdown here.
I got one of your rentaIs.|I need a tow truck.
Oh, come on, don't tell me that.
-Yeah, all right.|-What's the story on your paI?
He was born, he suffered, he died.
-Can he do the thing?|-He was doing it before you were born.
See, that's what troubIes me.
Maybe you want to pray about it?
-No, I'm not a reIigious man.|-That's a shame.
-How's the Ieg?|-Never better.
-How Iong has he been with that girI?|-Who?
-His wife.|-How Iong is a Chinaman's name?
How Iong is a Chinaman's name?|You ever notice that?
Got the uniforms?
Yeah, I got them.|I got them all aired out.
What do we got?
Gotta redo some of these figures.
-I gotta start from scratch.|-Worked out on the pIan. Why now?
When things start to go sour,|someone's gonna be pissing.
Looking to shoot somebody.|I want an aIternate idea.
Why shouId it go sour?
-You timing the wrecker?|-Yeah.
Why shouId it go sour?|Was that such a stupid question?
You ever cheat on a woman? Something,|stand her up, step out on her?
-Ever do that?|-Yeah.
-Did you have an excuse?|-Yeah.
What if she didn't ask?|Was your aIibi a waste of time?
Is he gonna hoId up?
He's onIy gotta hoId it together|till the thing.
-Okay. All right.|-Is he backing up?
Here he comes.
Ain't that pretty.
Don't start the car.|It's just a routine stop.
Don't start the car.
-Can I see some identification?|-Good of you to come.
You were supposed|to be here an hour ago.
Just forget about this.
It's no big deaI. But we're|out here without protection.
-Who'd you taIk to?|-It burns my butt!
-I understand.|-We're out working for the city!
-Who did you taIk to?|-I know it's not your fauIt.
Who did you taIk to?|Who did you taIk to, sir?
-Ikeep it together.|-Can he cooI the guy out?
-Pretend to write in your cIipboard.|-Is he gonna be cooI?
My motherfucker's so cooI|when he goes to bed, sheep count him.
Appreciate that.|Why are you mad at him?
He's right. He's right.|Beg your pardon.
-Get off.|-Get in the car.
-Get back in the car.|-You know....
Give Pinky the piece.|Put your hands on the wheeI.
And keep them there.|Just keep it right there.
We got it taken care of.|It's all right.
-Thanks so much.|-All right.
Chuck! You got a phone call|right here.
It's Mr. Smith at the office.
-Yeah. Yeah.|-Thank you, officer.
Well, it's one of those days.|Got it.
-You son of a bitch.|-Oh, that was reaI good.
You fucking Iame! Leave me dead|and the crew on the road.
-I saw--|-You fucking cowboy!
-Tell me why don't I kill him?|-How about we do?
I'll put you down|Iike the dog you are.
-You gonna shoot your way to stardom?|-I onIy--
I don't want you|to do anything unIess--
We hit the city, you burn the car.
-I'll take the--|-No, you do it!
Car's fiIthy. WhoIe fucking job's|in the car. You do it, Pinky!
Get me the fuck out of here.
Listen, it's very simpIe.|It's severaI eIements.
You got the tow truck.|You got the roadbIock.
I can do it, okay? I know the job.|I got the job coId.
You can't cut me Ioose.
PIease, guys. We got a deaI here!
Why shouId we bet on you?|Young, dumb, full of cum.
Leave me bIeeding on the side|of the road. "He's just impetuous."
Joe, security truck to the garage.|We beat the tow truck--
What's so fucking funny?|You got no job without me!
You got nothing without this job.
You want to go down south?|You want to go broke?
Without me, you got nothing.|You need the job. You need me!
-You can't take him.|-Okay, I got Ioose, but--
You cannot take this Iame|on the job, Joe!
Can we just go caIm here|for a minute?
Go caIm?|So, what happened to you now?
I'll tell you what happened to me.
I need a fucking minute|to make a decision.
-Fine.|-Joe, can I taIk to you?
-What the hell is it?|-They found the car.
-What car?|-The station wagon. The cops found it.
How couId they find it?|I toId you to ditch the car.
I stopped off to see my niece.
-Did you wipe it down?|-You saw your niece?
Did you wipe it down?
-I Ieft my cIipboard in the car.|-What does this do to the job?
-You Ieft your cIipboard?|-My Ieg was troubIing me.
-The job is on the cIipboard.|-What about the job?
-The job's on the cIipboard!|-Job stands.
-Are you crazy?|-The job stands?
-The job is bust. This pIace is burnt.|-What does this mean?
You're out of your fucking mind.|We can't sink with the job!
Tell you what.|You want to run the show?
It's fun to pIay pretend.|Come on!
You're gonna roll over|for these guys?
-I gotta go away.|-You took this Iame on the job.
Can't Ieave with nothing.
You're drawing dead.|You want a fucking teIegram?
The job is dead.
You put your man in the street,|you Iamed up the job.
-Wait, wait, wait. Bobby!|-I can't sink with the job!
Wait a second. Wait a second!
Baby, you got oId.
I'm gone, I'm out.|That's it.
I don't see how|they couId have found the car.
Fuck the car, Pink!
You're a stupid Iame.|I'm out of here.
-I gotta get on with my Iife.|-Bobby, wait!
-Fran, what are you doing?|-PIace is burnt.
HoId it, hoId it.
For chrissake!|You gotta move your car.
Wait. Wait, wait, wait.
What's going on?|What's the shot?
You got somepIace to go? Some shade?
You best get to it.|And move your car. I gotta go.
Shit, where's my piece?
-I'll get it to you Iater.|-Now.
What am I telling you?|Just follow me!
Bobby, hoId on! Just a minute!|For God's sake!
WaIking away, Bobby?|You waIking out on me?
Are you waIking out on me,|you weak son of a bitch?
Joe, I'm sorry.
Gonna get in your car?|After all this time!
What the hell?
Come back here, you fucking coward!
You're a fucking coward!|Go on, get the fuck out of here!
-And there they go!|-That's right.
You get gone too.
-I wouId've Ioved to do the Swiss job.|-It's a good pIan.
Never Iiked the Swiss.|Their cIocks...
...two guys come out with hammers|and hit each other.
What kind of sick mentaIity is that?
You take care, pally.
Get Bobby's share to him.
-What'll you do for cash?|-We're taking down the boat guy.
You're gonna take his cash?
-I'm selling him my boat.|-And then?
Then we'll take my boat back.
-Well, baby, then aIoha.|-See you Iater, Pinky.
It's a shame we didn't get to do|the Swiss job. It's a beautifuI pIan.
-Cute.|-Cute as a paiI of kittens.
-Say goodbye to your niece for me.|-You bet, paI.
You might want to put that out, sir.
-Put it out. Put the cigar out.|-I toId him.
We got a fueI Ieak,|trying to put your cIeat in.
-Your arrow cIeat.|-Her idea.
-To put your stamp on it.|-Damned if I didn't cut the fueI Iine.
I wanted to take her out tonight.
I know you did, sir,|and I'm sorry as hell.
I'm gonna work all night and|I'll have it ready for sunup, okay?
All right, I want to re-ballast her.
Put her a bit by the stern.
I have the change of titIe, coast|guard certification and bill of saIe.
Let me show you something pretty.
That's a Iot of cash|to be carrying around.
-I brought a friend.|-Nice friend to have for a rainy day.
-I'm sorry about that Ieak.|-Forget about it.
We got forms, certifications....
-WouId you Iike a cup of coffee?|-Yeah.
I want you to do something for me.|Look at this.
I did this myseIf.|You're gonna Iove it.
This is what I want for a figurehead.
Robin Hood.|What do you think?
I Iike it because|it puts a twist on my name.
Freccia is ItaIian for "arrow"|so you see the thing?
To personaIize the boat.
Robin Hood, robbing from the rich,|but who wants to rob from the poor?
Let's see. Bill of saIe.
We got certificate of titIe.
1400 hours on the engine.
My peopIe will contact you.|Here's what we're thinking--
Wait, wait, wait! HoId on!
Are you aIone? Are you aIone?
Are you aIone?
-What the fuck are you doing here?|-I Ieft my copy of the pIans.
Hey, hoId on.
You said the joint was burnt.|I don't understand.
-I didn't want--|-To what?
I'm Iooking out for you two.
He won't answer.
What does she see in you?|You must be hung Iike man-of-war.
You want to pIay the dozens?
Here we go.
There was an error at the hospitaI.|You died at birth.
Cat got your tongue?|Don't you want to pIay?
Joe, Ieave him.
You going somewhere?
What are you, the sociaI service Iady?
-Going somewhere?|-Taking the baby back?
You can't run.|You gotta do the job.
You know that you got to.|You know you do.
Can you shoot me and waIk away?|They'll hunt you down.
-Shoot him.|-I can't go down there with nothing!
...that's the thing.
-What'll you do?|-Out!
And what? You owe them money.|Think you can just saiI away?
-They'll never Iet you waIk away.|-Get out!
What are we gonna do?
That's what everybody wants to know.
How do we get the goId home?
What's the difference?|They'll never trust you.
They need me to do the job.
How can they trust you|not to waIk over?
-The kid came back?|-Yeah.
-All right. Let's start again.|-Why'd the kid come back?
He don't come back,|you're on some isIand.
-I got an idea.|-You shouId've Ieft him on the road.
You shouIdn't have Ieft him|with the pIans!
He forgot his cheat sheet.|That's why he came back.
He didn't forget it,|because I got it right here!
What, am I gonna Ieave my papers|in the hands of some fucking Iame?
-That's why he came back.|-He came for me.
He came back to make sure I was okay.
-He came back for you?|-That's right.
I know how to get the goId.
-Suit up.|-Sure you want to do that?
-She's the go-getter.|-Tell me what you want me to go get.
I need you to suit up.|Is that all right?
You say it, it's right.
-We'll put the job off for a month.|-For a month?
I need dates for next month's shipment|and the name of a freight forwarder.
Freight forwarder|and a customs broker.
-Good.|-Where are you going with this?
You just Iisten.
We're gonna stand this thing|on its head.
Are you fucking with me?|Or are you done fucking with me?
I've financiaIized the probIem, and|you're more troubIe than you're worth.
The girI says you'll do it.|You said that before.
Why now?|What is it, all of a sudden?
Everybody needs money.|That's why they call it "money."
Let me add this sweetener.
Do the fucking job,|or I'll turn you over.
I'll drop a RooseveIt dime on you.|Finita la Commedia.
Is that strict, you fucking vonce?
Sorry to use such Ianguage|in front of a woman...
...were it not for who,|I'd waste your fucking ass.
If you say you'll do the job, do it.|No more charades.
Save the boId moves|for the brilliant pIayers.
-Sorry for the Ianguage.|-How generous.
And fuck you too! Save the bullshit.|He wants the job.
Is that a question?
You came begging to me, doxy.|I didn't come to you.
He'll do the job next month.|He needs a month.
-Is that the thing?|-Is that what I just toId you?
-Ain't you a piece of work.|-I came from China in a matchbox.
Fill up her drink,|she seems to enjoy it.
What do you think?
-He's scared.|-He's never scared.
-He's getting oId.|-She said that?
He's broke, he's tired.|She says he wants to pIay ball.
Why shouId we beIieve her?|Why did he send her?
-She came to me.|-To you?
-He put her up to it.|-She came to me on her own.
Yeah, but as rationaI men,|don't we have to doubt her?
She thinks he's weak.|She's scared, she's sincere.
Let me put a question to you:
If you had the job,|how wouId you test her sincerity?
Okay, we're all on one team,|all arrayed against a common enemy?
Thanks for coming.|I'm going to bed.
-I'll see you back.|-I'm all right.
-You're all right now.|-Am I?
You just need somebody to Iean on.
-AdrenaIine gives you the shakes.|-I'm okay.
I'm just saying,|adrenaIine gives peopIe the shakes.
Some mistake it for cowardice.|You couId pray.
I'm not a reIigious man.
-There's nothing wrong with prayer.|-Think so?
I knew this trooper who aIways|carried a BibIe next to his heart.
-It stopped a bullet.|-No shit?
Hand to God, it stopped a bullet.|WouId've ruined his heart.
Had he had another BibIe in front|of his face, he'd be aIive today.
-What time you got?|-5:18.
Make the call.
Hello? I got one of your rentaI|trucks. The engine quit on me.
-Nobody Iives forever.|-Frank Sinatra gave it a shot.
It's the acid.
It isn't the acid, it's the asphaIt.|It's making me sick.
How can they work in that|all day Iong?
-Got any RoIaids?|-Want an AIka SeItzer?
-Doctor said not to drink.|-You shouIdn't then.
Same oId story everywhere you go.
-Do I know you?|-No. PIease, pIease.
-What?|-Don't fire me. PIease.
-What do you mean?|-Don't fire me.
I saw you in the bar.|You're with the FAA.
Miss Croft, you're drinking|on the job. You're done.
I got two kids at home.|PIease, mister.
Give me your keys.
Mister, I need a break.|I'm begging you.
I swear to you on my Iife that|I will never take another drink.
Don't fire me.
Did you ever ask anybody for a break?
Do you have any kids?
In about three minutes,|I'll be conducting a security check.
I'll be passing through your station.|I will be, quote, armed.
I will have a tooI kit...
...in which is hidden|three dangerous items.
It's a test of|the personneI under you.
If you tip them off,|I'll have your job.
Go back to your station.
-I will.|-Give me your keys.
-You will go into the program.|-I will.
-Is Betty Croft here?|-Is what?
-Your supervisor.|-She went for coffee.
It's that time of day, isn't it?
Can I Ieave my tooIs|for a minute?
That's no probIem.
-What happened to Betty Croft?|-I think she's sick.
I don't feeI so good myseIf.|Give me one of these, will you?
And a Iarge coffee.|Leave some room for miIk.
Here you go.
HoId, hoId, hoId.
-Here's your change.|-Thank you.
What's happening is stay put.|Put her in park.
Don't fIash your brake Iights.
-There we go.|-Going to see the eIephant.
-Up earIy or up Iate?|-Not at all, untiI I get this in me.
What's with that--?|What's with your supervisor?
-What, does she owe you money?|-I wish she did.
She's got some stomach thing.|Least IittIe thing sets her off.
I had an aunt Iike that once.|She wasn't really my aunt.
We just called her that.
She had a fIorist shop.|Funny thing was, she was allergic.
We used to tease her about that.
You know how crueI kids can be.
-On the fIoor.|-With that IittIe thing?
-Don't. Sit on the fIoor.|-Doing it.
Give me the case!|Open it up!
CIean up this mess.
-What happened?|-The broad went bust on me.
-What do you mean, she went bust?|-Just drive.
Hinton Tower. Confirm|A.T.C. cIearance to PhiIadeIphia.
Proceed. Hold for release.|Contact Control upon departing.
There you go. HoteI Bravo 704.
What the hell?
Hinton Tower, what the hell was that?
-Anyone on finaI?|-We have TransAir 249, base.
-Divert!|-TransAir 249, go around.
PanGeneve, proceed to runway Alpha|India. Contact Providence Control.
This is PanGeneve 242,|we are now taking the active.
-He's not stopping.|-Cut him off.
-It's not that easy.|-Cut him the fuck off!
Can you hear me?
We have reports of|a possibIe expIosive device on board.
We want you to cut your engines.
We got a man who's coming on board|to advise you.
Cut your engines, kill all your power,|your eIectronics and the radio.
Stay off the radio.
-What is it?|-Shut off the engine.
Ikill your radar, keep your A.P.U. on.
There may be an expIosive device|on board.
Stay seated whiIe I make a sweep.
Be in touch with my man on the ground.
-How serious is this threat?|-Just be in touch with my man.
Don't taIk to the tower, taIk to me.
Cut the radio and eIectronics.|Can you hear me?
Don't taIk to the tower.|I'm Iinked to the tower.
Beech 270 remains|18 miles from the outer marker.
Adjust to 612 your GCA. Good day.
Hold on. Hold it. I show PanGeneve|outbound to 1205 Zulu.
Providence Control wants to know|where is he?
PanGeneve 262, who's got him?
I got him right there,|visual on the runway.
PanGeneve, he's right there.
Break, Manchester Control.|I have an inbound Lear, 5-2 Papa.
Can you take him? Squawk, 1795 direct.
Manchester, I got him.|Clear 5-2 Papa.
Ikeep your eyes on the road.
You got change for a 20?
How you Iike me now, babe?
Do not transfer me!
Do not transfer me! You're|the fourth person I've taIked to!
Engine faiIure! I called first|at 5:20 this morning.
This is my fourth call!
Ikeep coming. Whoa!
-How Iong before the tow truck?|-I called at 5:20 in the morning.
-Let's go!|-Yes. Outside the airport.
IndustriaI and 207.
I'm an attorney! Can I have your name?|I'm gonna have your job!
-The truck's aImost here.|-Good.
-Look at that.|-Oh, my, oh, my.
Go sell chocoIate,|you Heidi motherfuckers.
We got your goId!
Hey, Iet me have that. Yeah!
Two minutes before the setup's over!|Tow truck will be here. Let's go!
-When that cop comes to....|-That's gotta be what it's gonna be.
-Can you get through a roadbIock?|-Whatever. It's all of a piece.
We're all going together.
I do not see the percentage.
You don't have to, baby.
You're burnt. You're fucking burnt,|oId man!
-I go with the goId.|-With the goId?
What are you telling your beads?
Look, man, you tell me.
What are they going|to Iook harder at? Tell me!
You, here with us,|or you in an empty car?
You tell me. You follow us|through the roadbIock.
Joe, you're burned.
When that cop comes through,|they'll put him at the roadbIock.
It's the wise thing.
You go in the van with the goId.|It'll be all right.
-I'll meet you.|-Okay.
-Let's go, guys. Come on!|-Let's move!
Wrap it up! Let's go!
Bobby. There you go, paI.
Come on, Iet's go!
You heard what the man said.|Let's go! Move!
-You gotta move. Get in the car. Go!|-Okay.
Joe! I'll see you at the meet.
See you at the meet!
Come on, keep it together, boy!
It's not over yet!
Let's go. Fran!
-Ikeys.|-See you at the meet.
Hey, Joe, Iisten.
-It's the smart thing. It is.|-Yeah, all right.
She missed the fucking tow truck.
He'll meet us there.
-Don't smoke.|-Makes me Iook caIm.
What kind of peopIe try to Iook caIm?
Get away from the van! Put your hands|on your head and waIk towards me.
You, the man. IkneeI on the grass!|Come on!
-Lady, stop there!|-IkneeI!
-Open the van. Open it!|-It's unIocked.
Don't Iook at me, Iook at the grass!
-What's that?|-An engine.
-For what?|-A fucking tractor. I don't know.
-How Iong have you been here?|-What's wrong?
Since 4:00 a.m.,|waiting for the fucking tow truck.
-What's the probIem?|-There was a robbery.
Come on, Iet's go!
Move the truck through! Come on!
You were good with the cops.
Oh, yeah,|I'm the Iong Iost motherfucker.
You think good on your feet.
-You think good off your feet too.|-Well, aren't you sweet.
-What do you say we stop for a drink?|-Let's get to the meet.
Yeah, that's difficuIt.|Want me to tell you why?
There is no meet.
-Joe wouIdn't Iike that.|-We Ieft Joe.
There is no meet, you know that.
Your guy got his picture|on a stamp. He got oId.
Let's cut the jiving.|What kind of man sends his wife to me?
To distract me? Surprise! I was taken|in. How about that? What a fooI I am.
WouId I do that to you?
WouId I do that to you?
And who Iiked it?
For oId-time's sake, why don't we|cut the nonsense and say what it is?
I need a drink.
Did he think he was going home|with the goId?
OnIy one who didn't know was him.|He needed someone to draw it for him.
And you went with it, all the way.|Was you joking?
Answer me, because I'll tell you|what we couId do with that goId.
Where are you going?
-Are you okay?|-Where are you going?
I'm gonna check on the goId.
WaIk away from it!
-Leave it!|-WaIk away?
What are you, crazy?
The truck's cIean, for chrissake.
Think I'm gonna waIk away|from this--?
How you doing?
Hey, you know.
Yeah, here you go.
What is it?
What the hell do you care?
Well, that's true too.
-Hell of a thing!|-It's a hell of a thing!
My shipment was supposed to be|in Philly by 9 yesterday.
-Right.|-Called me back from vacation!
They said, "Your Ioad is still|on the ground. It never Ieft Boston."
-We had a robbery.|-No kidding!
-You had a robbery? Anybody hurt?|-CoupIe piIots shaken up a IittIe.
You had a robbery,|and you impound the pIane?
-What did they take?|-Some Ioad from SwitzerIand.
-Didn't they offer the next fIight?|-What?
Didn't they offer|their next fIight to Philly?
Their next fIight is 8 a.m. tomorrow.
It has to be in Philly yesterday.|I gotta drive it there myseIf.
If I don't have that Ioad in Philly|by dawn, there's my job!
Here it is.
Hell of a thing.
Hell of a thing.
-Come to dinner tonight.|-We'll have to see.
You aIways say that.|It means you won't.
Well, it's possibIe.
It's possibIe that my business....
-I might have to traveI.|-Why can't you do business here?
I wish I couId, baby. The fact is...
...I have to Ieave this morning.
-This morning?|-That's when my pIane Ieaves.
In my day, kids had to waIk|all the way to schooI.
-Yes, but the streets were safer.|-Is that so?
-You take care of yourseIf, kid.|-Bye, UncIe Donny.
-Nice day for the race.|-What race?
The human race. Ikids growing up,|so on. Hope of the future.
Get in the fucking car.
-Where's the goId?|-I'm reIuctant to tell you.
When we put it to you, you'll tell us|the gross nationaI product of BoIivia!
You'll tell us|the area code of BeIgium!
It's all I know.
This is all you know.
This is all you know! And we got you|going to Saint Croix!
How do you pick up your share?|Where's the goId? Where's the meet?
What are you gonna do, hurt me?
Well, no. Actually, no.
I'm not gonna hurt you.
But tell a guy.|I'm full of admiration.
What was the deaI?
The deaI was, we get away|with the goId. Cute, huh?
That's charming. Then what?
-We sIip away.|-You sIip away?
And we go to the meet, and we|find pig iron? Is that it?
Joe figured you weren't|never going to the meet.
If your guy doesn't get it|in his head to fIy off...
...we're all on the patio right now,|having a margarita!
Where's the goId?
You understand my reIuctance|to tell you.
Take him out and show him something.
Don't hurt him.
You got anything to say about this?
Fran? Has she called in?
She won't call|untiI she ditches the guy.
How is she gonna ditch him?
She couId taIk her way|out of a sunburn.
Yeah, how you doing?
Just checking in.
Fine, finest. Pristine.
Yeah, I know.
I saw the truck drive through too.
-See you at the meet.|-Okay.
Mr. Bergman, pIease.
So where's the goId?
You're shitting me.
Is that all right?
How you doing?
We're all packed up.
How'd you ditch that guy?
-Leave him at the aItar?|-Yeah, at the aItar.
That's my girI.
What happened to you?
There was a change in pIans,|you couIdn't call to tell me?
-Get him off the boat.|-Off the boat!
Get off the boat!
Yeah, that's right.
Where's your friend?
Where's your friend?
You all aIone?
No. You ain't aIone.|It ain't good to be aIone.
Go find his friend.
-I didn't have a choice.|-Let my wife go!
Mind if I say something personaI?|Your wife's a whore.
You two fucked this pIan|into a cocked hat.
-After all we went through together!|-Fuck you!
-I was gonna make you rich.|-Is that so?
I was gonna make you rich,|you motherfucker.
But you had to compIicate|the Iast bit.
You piece of shit!
Yeah? Who's kneeIing on the dock?
-He ain't there.|-All right.
Okay. You want to wrap it up?
Want to stand around|and guess my reaI name?
-What is your name?|-RumpeIstiItskin!
-What was it before?|-Watch your mouth!
-Leave him the fuck aIone!|-Get back!
Get her out of here!
You had to go out on a Iimb,|didn't you?
-Didn't you?|-Let her go. I'll give up the goId.
Yeah, basically, we had in mind|a different deaI.
I hear if you're fIexibIe,|it keeps you young.
I'll give up the goId.|Me and the girI Ieave on the boat.
-What if the goId's on the boat?|-I gave up the goId. I had to.
-You what?|-I had to!
I hate to break your rice bowI,|but your wife made a deaI.
We get the goId, we Iet you Iive.|What do you think?
-Let me waIk away?|-That's right.
-Me and the girI?|-Well, not quite.
I'm sorry, baby.
Let's get this boat out of here!|She's got a commerciaI mind.
-HoId on a second here!|-You're bust, paI. You're bust.
-You got broke. Go cry a IittIe.|-You fortunate fucker.
She don't step up, you stay here|Iike a bit of forever.
This way, you waIk away.
Take the goId! Just Ieave me the boat!
Don't make me Iose my respect for you.|Get the goId off.
Give him some money!|Leave him some money!
Don't Iet him go down there|with nothing.
Give him some money!
Yeah, that's right.
We don't want to send you out broke.|Give me a shiv.
Buy yourseIf something nice.
Pay you with goId.
How you doing?
You hoIding up?
-The broad soId me out.|-How about that?
Show them a pretty face...
...a diamond neckIace, and|they're gone Iike morning mist.
Where's the goId?
Hurt him a IittIe.
-Get him up.|-You son of a bitch!
-You're just too hip to be happy.|-Is that so?
You had to go and hit me.
You all done?
Because I got bills to pay.|Where's the goId?
-Give me a cigarette.|-Bad for you.
Well, nobody Iives forever.
But you're spending|the rest of your Iife with me.
-Where's the fucking goId?|-Ikiss my Yankee ass!
I hate to do anything as dramatic|as count to three. But one...
What the fuck?
-Coming at you!|-No shooting! Fuck!
Stop! Put the fucking guns down!
Are you Iistening to me? No!
Stop! We're taIking! Let's just taIk!
-Bobby!|-Come on, sit down!
Sit down! No guns! No!
Let's get the fuck out of here.
How about that?
How about that?
How about that?
Don't you want to hear my Iast words?
I just did.
You put miIk in, it Iessens|the chance of stomach distress.
I can't be worrying about|every IittIe thing.
-How are you mending?|-Doing my best here.
It's too bad about Pinky.
-Pinky. Shame.|-Ain't that so?
He aIways made me Iaugh.
-What more can you ask of anyone?|-Nothing.
You go to that pIastic surgeon,|don't Iet him put you under.
I knew a cat,|went to get his face fixed.
Woke up, and the sucker|gave him a pair of tits.
That's a bad beat.
He Ianded back inside|and never wanted for cigarettes.
Send your cut there?
Wire it there.|When you get where you're going.
That I will, paI.
I hear it's nice down there|in the sun.
Is that where I'm going?
Wherever it is, brother...
...don't come back.
-I'm sorry.|-It's okay. Who was that?
Some guy, wanted a tip on a fight.
I worked my whoIe Iife. Why give him|the benefit of all that knowIedge?
Nothing Iike a good pIan, Joe.
Yeah, I wouIdn't tie my shoes|without a backup pIan.
Shame about Pinky.
It went bad, that Iast bit, didn't it?
-Yes, it did.|-Then that's just the price.
That's part of it.
-Didn't you do great, though?|-Did I?
-You hotwaIked that dude all day.|-I went to a good schooI.
-What's the rest of it?|-I don't get you.
-We were taIking about Pinky.|-Yeah?
I said, "That's just the price,"|and you said, "That's part of it."
What's the rest of it?
Let me see your hands.
That's right, reaI still.
Get over there.
Well, you sent me to him.|You shouIdn't have sent me to him.
-You can't think of everything.|-Where's the goId?
It's right there.
Why doesn't he shoot me?
That's the deaI.
-He isn't gonna shoot me?|-No.
Then he shouIdn't point a gun at me.
How you doing?
-You'll be all right.|-You think so?
You aIways are.
Cute pIan, though.
Cute as a Chinese baby.
Haasil 2003 CD1
Haasil 2003 CD2
Habre Con Ella
Hafid - the sea
Hakochavim Shel Shlomi 2003
Hakuchi - The Idiot CD1
Hakuchi - The Idiot CD2
Halalabad Blues 2002
Half Past Dead
Halloween - The Night He Came Home
Halloween 2 (1981) 23.976
Halloween 3 - Season of the Witch
Halloween 4 - The Return Of Michael Myers
Halloween 5 - The Revenge Of Michael Myers
Halloween 6 - The Curse Of Michael Myers
Halloween 6 producers cut
Halls of Montezuma (1950)
Hamam - The Turkish Bath (1997) 29
Hamnstad - Port of Call (1948 Ingmar Bergman)
Hana-bi (Takeshi Kitano)
Hana bi (Fireworks 1997)
Hand That Rocks The Cradle The 1992 23976fps CD1
Hand That Rocks The Cradle The 1992 23976fps CD2
Hang Em High
Hanging Garden The
Hanging Offense 2003
Hannah and her Sisters CD1
Hannah and her Sisters CD2
Hanover Street CD1
Hanover Street CD2
Hans Staden (1999)
Happiness of the Katakuris 2001 CD1
Happiness of the Katakuris 2001 CD2
Happy Accidents 2000 CD1
Happy Accidents 2000 CD2
Happy Erotic Christmas (2003)
Hard Days Night A
Hard Rain (1998)
Hard Way The
Hard Word The (2002)
Hard to Kill
Harder They Come The
Harder They Fall The 1956
Harley Davidson and the Marlboro Man
Harold and Kumar Go To White Castle 2004
Harold and Maude CD1
Harold and Maude CD2
Harriet the Spy
Harry Potter And The Chamber Of Secrets (2002)
Harry Potter And The Chamber Of Secrets (2002) CD1
Harry Potter And The Chamber Of Secrets (2002) CD2
Harry Potter and the Chamber of Secrets CD1
Harry Potter and the Chamber of Secrets CD2
Harry Potter and the Prisoner of Azkaban CD1
Harry Potter and the Prisoner of Azkaban CD2
Harry Potter and the Sorcerers Stone
Harry Potter and the Sorcerers Stone CD1
Harry Potter and the Sorcerers Stone CD2
Harte Jungs - Ants In The Pants 2000
Harts War (2002) CD1
Harts War (2002) CD2
Harts war CD1
Harts war CD2
Haunted Mansion The
Hawaii Oslo (2004) CD1
Hawaii Oslo (2004) CD2
He Got Game CD1
He Got Game CD2
He Loves Me He Loves Me Not
He Walked By Night (1948)
He ni zai yi qi - Together - Kaige Chen 2002 - CD1
He ni zai yi qi - Together - Kaige Chen 2002 - CD2
Head Above Water (1996)
Head Of State
Head Over Heels 2001
Head in the Clouds
Heart Of Me The (2002)
Heart of Glass
Heart of a Dog
Heartbreak Ridge (1986)
Hearts In Atlantis
Heat Team 2004
Heaven And Earth (1993) CD1
Heaven And Earth (1993) CD2
Heaven Can Wait 1978
Heaven Fell That Night (Roger Vadim 1957)
Heavens Gate CD1
Heavens Gate CD2
Heavens Gate CD3
Heavy Metal (2000)
Heavy Metal - Gerald Potterton 1981
Hebi No Michi (Kiyoshi Kurosawa 1997)
Hedwig and the Angry Inch
Helen of Troy (2003)
Hell is for Heroes
Hellboy Directors Cut CD1
Hellboy Directors Cut CD2
Hellcats of the Navy - Nathan Juran 1957
Hello I am your Aunt CD1
Hello I am your Aunt CD2
Hells Angels 1930 CD1
Hells Angels 1930 CD2
Helter Skelter 1976 CD1
Helter Skelter 1976 CD2
Helter Skelter 2004 Directors Cut CD1
Helter Skelter 2004 Directors Cut CD2
Henry Fool 1997 CD1
Henry Fool 1997 CD2
Henry and June (1990)
Hercules in the Haunted World
Herencia (Inheritance) 2001 (23976)
Hero (2002 Extended Cut)
Hero (Jet Li 2002)
Heroes Mountain 2002
Heroic Duo (2003)
Heroic Trio The
Hi Mom 1970
Hidalgo (2004) CD1
Hidalgo (2004) CD2
Hidden Fortress (Akira Kurosawa) CD1
Hidden Fortress (Akira Kurosawa) CD2
Hidden Fortress - Criterion Collection
Hide And Seek
Higanbana - Equinox Flower - Yasujiro Ozu 1958
High Anxiety CD1
High Anxiety CD2
High Heels and Low Lifes
High Plains Drifter
High Society CD1
High Society CD2
High Wind In Jamaica A (1965)
Highlander 1986 Directors Cut CD1
Highlander 1986 Directors Cut CD2
Highlander III The Sorcerer 1994
Hija del canibal La (2003)
Hijo de la Novia El
Hijo de la Novia El 2001
Hilary and Jackie
Hillside Strangler The 2004
Himalaya - lenfance dun chef
Hip Hip Hora! (Hip Hip Whore)
Hiroshima Mon Amour - Criterion Collection
Hiroshima Mon Amour 1959
Hiroyuki Sanada - Twilight Samurai 2002 CD1
Hiroyuki Sanada - Twilight Samurai 2002 CD2
His Girl Friday
His Secret Life
His brother 2003
Histoire D O (1975)
Histoire de Pen
Historias Minimas (2002)
History of the World The - Part I
Hitcher II - I have been waiting
Hitchhikers Guide to the Galaxy The - Episode 1
Hitchhikers Guide to the Galaxy The - Episode 2
Hitchhikers Guide to the Galaxy The - Episode 3
Hitchhikers Guide to the Galaxy The - Episode 4
Hitchhikers Guide to the Galaxy The - Episode 5
Hitchhikers Guide to the Galaxy The - Episode 6
Hitlerjunge Salomon - Europa Europa
Hitokiri Tenchu 1969 CD1
Hitokiri Tenchu 1969 CD2
Hole in the Head A
Hollow The (2004)
Hollywood Ending CD1
Hollywood Ending CD2
Hollywood Homicide 2003 CD1
Hollywood Homicide 2003 CD2
Holy Matrimony (1994)
Holy Smoke CD1
Holy Smoke CD2
Home Alone 1990
Home Alone 2 - Lost in New York
Home Alone 3
Home Alone 4
Home At The End Of The World A
Home On The Range
Home from the Sea
Homem Que Copiava O 2003 CD1
Homem Que Copiava O 2003 CD2
Homme-orchestre L (Serge Korber 1970)
Homolka a Tobolka
Honeymoon Killers The
Hororr hotline (2001)
Horse Whisperer The CD1
Horse Whisperer The CD2
Horseman on the Roof The
Horses Mouth The
Hostile Waters 1997
Hot Chick The
Hot Wheels World Race CD1
Hot Wheels World Race CD2
Hound of Baskervilles The
Hour of the Wolf
House By The Cemetary The
House Of The Spirits CD1
House Of The Spirits CD2
House With The Windows That Laugh
House of 1000 Corpses
House of Frankenstein
House of Games (1987)
House of Mirth The
House of Sand and Fog 2003 CD1
House of Sand and Fog 2003 CD2
House of flying daggers
House of the Dead
House of the Flying Daggers
How Green Was My Valley
How The West Was Won 1962 CD1
How The West Was Won 1962 CD2
How To Lose A Guy In 10 Days
How to Beat the High Cost of Living
How to Keep My Love 2004
How to Murder Your Wife 1965
How to Steal a Million CD1
How to Steal a Million CD2
How to deal
Hratky s certem
Hudsucker Proxy The
Hulk The - Special Edition
Hum Dil De Chuke Sanam
Hum Kaun Hai
Hum Tumhare Hain Sanam
Human Beast The CD1
Human Beast The CD2
Hunchback of Notre Dame II The
Hunchback of Notre Dame The
Hundtricker the movie
Hunger The 1983
Hunt For Red October CD1
Hunt For Red October CD2
Huozhe (Lifetimes) CD1
Huozhe (Lifetimes) CD2
Hurricane The CD1
Hurricane The CD2
Hypnosis (Saimin 1999)
Hypnotic Doctor Sleep
Hypnotist The 1999
Hypo-Chondri-Cat The (1950)