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Hypnotist The 1999

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look int o th is flame.
y ou'r e falling as though you've slipped.
y ou'r e falling deeper and deeper int o the dark abyss.
y ou can't st op now! y ou'r e falling feet first,
dr agged int o the depths of you r heart.
and you will meet
the conscience wh ich you've never known . . .
lt's on ly the second lap!
fast er! y ou have a r ace soon !
l'll cou nt t o th r ee,
and you'll fall as if pu lled backwar d.
o ne. . .
two. . .
th r ee. . .
now, you r body will stick t o the chair.
y ou r body is stuck t o the chair. y ou can't get u p anymor e.
th is is motion-contr ol.
l'm seventy now.
happy birth day!
than k you .
l fou nd th is du ring my last trip.
l n germany?
how cut e !
l don't know.
please t ell me you r name.
her name, age, and place of birth wer e er ased fr om her memory.
memory contr ol has the pot ential t o er ase painfu l experiences.
l'll cou nt t o th r ee.
y ou r senses will be gone.
even if l t ouch you , you won't feel anyth ing.
go ! ru n fast er!
o r you'll dr op out !
lt's the last lap.
the gr een mon key. . . gr een mon key!
let's hear fr om the newlyweds.
the happy newlyweds. . .
let's hear a wor d fr om the happy newlyweds !
how cut e !
dear?
gr een . . .
mon key. . .
good, kida !
go for it ! go !
don't worry.
lt's on ly glucose solution .
hypnosis can make patients feel no pain .
lt's used for oper ations and dental work.
ex cuse me. please, one wor d. . .
what's wr ong with you?
the gr een mon key!
the gr oom seems t oo happy t o speak.
help me. . . it h u rts. . .
s he's cr azy.
what's wr ong with her?
l'm sorry. l can't ru n anymor e.
s t op her! s t op! l'm sorry. l can't ru n anymor e.
s t op her! s t op!
l must save h im.
dear!
s omebody! help!
l must save h im !
s t op her! s omebody st op her!
y ou'r e h igh u p in the sky.
a bir d is flying by right next t o you .
as you see, she may feel her arms ar e moving r egar dless of her will.
but it's her su bconscious, wh ich we call the u nconscious.
l'm going closer t o the su n . . . but it's her su bconscious, wh ich we call the u nconscious.
but it's her su bconscious, wh ich we call the u nconscious.
l'll cou nt t o th r ee, and you'll wake right u p.
y ou'll feel r elax ed, body and sou l.
o ne, two, th r ee.
than k you .
m r. s aga was the prince in ''s leeping bea uty''.
a hypnotiz ed person r eacts on ly t o the hypnotist.
s he cou ld r etu rn fr om the world of u nconsciousness
on ly for th is bea utifu l p rince s aga.
p r ofessor k u r aish i, how far can hypnosis be used?
how far?
for instance, t o commit a crime?
l mpossible.
as l t old you , h is actions ar e contr olled by the u nconsciousness.
he can't do what he doesn't want t o do, or go against h is mor als.
p r ofessor?
what if you t ell h im that h itting someone with a sh iny object
wou ld make people happy and serve society, then gave h im a kn ife. . .
not e th is ! wou ld make people happy and serve society, then gave h im a kn ife. . .
not e th is !
even if you mast er the t ech n ique, don't th in k hypnosis conquers men .
gu ide people t o a warm place.
that's hypnosis.
m r. s aku r ai !
th is isn't a case for homicide.
they married for love. no motive for su icide.
don't j u mp t o conclusions.
but it was pr obably a heart attack or someth ing.
he said, ''lt h u rts, '' and gr abbed h is th r oat.
y ou saw the mark on h is neck.
y es.
w ou ld a man str angle h imself beca use of heart pain?
now, look deep int o th is flame.
y ou'r e gr adually getting hott er.
y ou r hands and feet ar e getting heavy, and you'r e getting hot.
y ou'r e in a desert, u nder the hot su n .
l'm so hot !
the su n is grilling you alive.
her e's a su rprise for you .
a sweet, delicious apple.
lt looks like the bones ar e out of joint.
s uffocat ed?
p r obably.
p oison?
not likely.
the food he at e is in the lab.
the cake t oo?
cake?
get used t o it. w e'r e getting information her e.
lt cou ld have been nar cotics.
nar cotics?
he cou ld have been hallucinating.
y ou can't normally str angle you rself like th is.
his heart looked okay.
even kids push drugs nowadays.
s ome get her e on a bad trip.
those two bodies. . . w ell, those two people.
what?
they died in a difficu lt way.
a 7 3 year old man who j u mped th r ough a th ick windowpane.
an 1 8 year old girl who died ru n n ing, her bones fr actu r ed.
lt's beyond me.
l wish they'd bleed gr een blood and say, ''l'm an alien . ''
l ndeed.
lt must've been a bad trip.
he said someth ing about a mon key befor e he str angled h imself.
how many times do l have t o t ell you?
y ou'r e su pposed t o t ell me ever ythl ng !
l'm sorry!
w ell? what did he say?
mon key.
mon key?
he said that a gr een mon key had come.
gr een mon key? the cop in char ge of these cases said the same th ing.
happy?
v ery happy. . .
y ou'r e going deeper again .
y ou r limbs ar e gr owing du ll.
y ou r head is getting empty.
when the phone rings, you'll for get what happened t oday.
y ou'll open you r eyes, but you r hypnosis will contin ue.
y ou won't be able t o r emember anyth ing !
o ne. . .
two. . .
th r ee.
when the phone rings, you won't r emember anyth ing.
and you r left cheek will get it chy.
what?
help. . .
please help me.
l'm. . .
who ar e you?
l'm. . .
l'm being chased by a gr een mon key.
y ou followed me?
a gr een mon key is attacking me !
nonsense !
o n ly you can help me.
l've been waiting her e for you .
please help me ! her e. . .
s t op it !
hey.
l am a friendly alien .
l came fr om fatima.
please. . . help me.
take th is money.
y ou r name? take th is money.
y ou r name?
y ou ng lady?
lt's y u ka. y u ka l rie.
l am a friendly alien .
morn ing !
who wou ld kill h imself in the middle of
celebr ating h is wife's birth day, or at h is own wedding?
o ne can sudden ly lose hope.
the one who went th r ough the glass lost h is on ly son .
they went t o the river, and wh ile he looked away, the boy dr owned.
s o what?
what?
lt was 43 years ago. why j u mp now?
he cou ldn't save h is son . he cou ldn't swim.
he cou ldn't j u mp.
then what about the gr oom that str angled h imself?
ar e you saying he's a str angler?
s t op it ! l know that these incidents ar e beyond compr ehension .
ls it beca use of some bad drug?
no nar cotics wer e fou nd on the body, no information fr om witnesses.
mon key. no nar cotics wer e fou nd on the body, no information fr om witnesses.
mon key.
l hear d about the gr een mon key.
ls it popu lar among kids or someth ing?
no. not in comput er games.
y ou can't t ell when you'll see another victim.
victim t o what? don't j u mp t o conclusions.
th r ee persons lost hope, and committ ed su icide on the same day.
those ar e the on ly facts we have.
lsn't it cut e? my h usband gave it t o me,
when he depart ed t o heaven .
than k you for coming t oday.
lf a man lies, you can t ell by the movement of h is eyes
eighty per cent of the time.
his eyes show what's on h is mind.
s u ppose you'r e question ing a suspect.
let's say, about h is alibi.
lf he's right-handed and answers looking u p t o h is left,
he's t elling you the truth as he sear ches h is memory.
but if he looks u p t o the right, he's lying, making u p a st ory.
s ince he's making u p h is st ory as he goes along,
h is glance will constantly sh ift fr om you t o h is u pper right.
l n other wor ds, he's committing perj u ry.
y ou made you r dr eam come true. l look small, don't l?
noth ing has changed.
l joined the chemical u n it beca use l was pessimistic.
s o many pessimists !
l n the old days, mu r der ers st ole money t o escape fr om poverty.
lat er, they want ed money t o buy expensive th ings for van ity.
then they gr ew tir ed of mat erial desir es.
hu man lives ar e devalued.
w e cou ld see in each case the convict's life,
h is envir on ment,
h is motive, and even h is face.
but now we can see noth ing.
why do you th in k that is?
beca use they have no heart.
hu mans ar e losing their hearts.
an old man j u mped t o h is death as he celebr at ed h is wife's birth day.
a gr oom str angled h imself with h is tie du ring h is own wedding.
when did people start dying so illogically?
the old man who j u mped, he apologiz ed t o h is son ,
whom he cou ldn't save fr om dr own ing forty years ago.
wher e was h is common sense?
maybe he was hypnotiz ed.
s omebody suggest ed that he r ecall the worst moment of h is life.
s o he saw the river, forty years ago. . .
s t op! that's imagination .
no. a su pposition .
lt was j ust a su icide.
lf you'r e int er est ed, come see me.
m r. s aku r ai, what l said was a su pposition .
what, sudden ly u nsu r e of you rself?
w ell, ther e is a possibility.
then don't hesitat e.
don't worry.
her e, we have plenty of abnormal th in kers.
s tudy these.
hey, ar en't you a doct or?
not a su r geon !
l study disassociative identity disor der.
m u ltiple personality disor der.
''lt h u rts. help! ''
''l can't ru n ! ''
''l must help h im ! ''
their last wor ds.
s u ppose the ru n ner had some compu lsion t o ru n fast.
that wou ld be a mental scar.
and if that compu lsion cou ld be incr eased by hypnosis. . .
ar e you saying that ther e was a hypnotist and if that compu lsion cou ld be incr eased by hypnosis. . .
ar e you saying that ther e was a hypnotist
at the tr ack or the wedding hall?
the aged cou ple wer e alone.
p ost-hypnosis.
y ou'r e given a sign wh ile hypnotiz ed.
when the hypnotiz ed person is given the sign ,
they sudden ly act as suggest ed.
the th r ee deaths have someth ing in common .
they said ''gr een mon key'' befor e they went cr azy.
w as that the sign?
no. the sign is given fr om outside. they wou ldn't know it.
m r. s aku r ai.
the cor oner wants you t o come.
when will it be?
when will l be cu r ed?
a little longer.
l'll have mor e people see you . then we'll see.
please help me qu ickly.
no ! don't !
s tay qu iet.
l am a friendly alien .
l come fr om the seventh nebu la of fatima.
my name is andria fr om the star m inakus. . .
s h ut u p!
can hypnotism contr ol a man so fr eely?
o n ly with in h is world.
can we ru n u ntil we die?
lt's an extr eme version of an adr enalin rush .
a man has the ability t o lift a car,
or ru n a h u ndr ed met ers in eight seconds.
but if he does, h is bones will fr actu r e.
s o he st ops.
when a shaman t ouches a believer,
h is hand bu rns the skin . ever seen that?
l saw that on tv.
the shaman uses fir e and chants a spell.
lt has hypnotic effects.
the bu rn is, in fact, made by the believer's own power.
the bones in h is neck wer e str aight.
he didn't suffocat e.
noth ing bad was in the food.
w e fou nd noth ing in the body.
then what?
his wh it e blood cell cou nt was h igh . he was r esisting someth ing.
his blood oo z ed out mor e qu ickly than normal aft er death .
his r ed blood cells had been destr oyed.
y ou r conclusion?
reaction t o an or gan ic poison .
as if he had been bitt en by a poisonous snake.
s hall l send the cake t o the lab?
s h ut u p!
father, l'll be a good girl.
gr een mon key. . .
help!
help! help me !
p oison . . . p oison . . .
come, everybody, with you r daddy. . .
the war ehouse worker had family tr ou ble.
and the department st or e clerk. . .
they wer e all afr aid of a gr een mon key.
ar e you'r e saying th is is mind contr ol? !
what occu lt gr ou p is it? what mou ntain ar e they holed u p in?
w e all have some worries that cou ld be the ca use of su icide.
but that's su icide, not homicide. ther e wer e witnesses every time.
ch ief, why ar e we on a su icide case?
w e have many other cases t o solve.
and what about the gr oom that str angled h imself with h is tie?
of all of them, he had the least motive.
he said, ''lt h u rts. ''
a heart attack wou ld have h u rt.
then why str angle h imself?
th is world makes you want t o str angle you rself sometimes !
he was in s outh america last year.
he explor ed the j u ngle for a petr oleu m plant many times,
and was battling a phobia of snakes.
he appar ently had fr equent n ightmar es of snakes.
his sympt oms wer e as if he had been bitt en by a snake.
what do you mean?
hypnotism.
hypnotism?
w er e they all hypnotiz ed?
lf they wer e hypnotiz ed, it explains everyth ing.
they died against their will.
not against their will, if they wer e hypnotiz ed.
whose side ar e you on?
l j ust don't want you t o misu nderstand hypnosis.
maybe you'r e the one who is half asleep.
what?
hypnotism is differ ent fr om sleep.
lf you t ell a man that ther e is a warm pool,
he may j u mp off of the t op of a bu ilding.
but it's beca use he wants t o j u mp int o the pool.
ther e's a common th r ead t o all six cases.
they all mentioned what br oke their hearts and act ed on it.
they wer e hypnotiz ed t o isolat e those wou nds and widen them.
anyone wou ld want t o die then .
how did he find these t orment ed people?
lt cou ld have been anybody.
w e'r e looking for common gr ou nd in the people they met.
what if the gr een mon key hypnotiz es people all over tokyo?
enough !
s aku r ai.
when did you join an occu lt gr ou p?
why bring th is fr eak her e?
he's an ex cellent psychologist !
a merit befor e r etir ement?
what? !
let go.
let go of me !
enough ! get out of her e !
again .
again . all of you !
again .
y ou gather ed so many people her e. how much do you th in k it costs?
mon key. . . y ou gather ed so many people her e. how much do you th in k it costs?
y ou gather ed so many people her e. how much do you th in k it costs?
the gr een mon key's looking int o someone's eyes right now.
lt's the gr een mon key. the gr een mon key's looking int o someone's eyes right now.
lt's the gr een mon key.
l'm being r aped by the gr een mon key.
the gr een mon key's assa u lting me.
l've seen th is show. lt's live !
l'm afr aid. l'm scar ed.
please help me.
don't worry. l'll help you .
l am a friendly alien .
l came fr om the seventh nebu la of fatima.
l want t o see the girl who appear ed on the show.
w er e you in the show a wh ile ago?
y ou said someth ing about a gr een mon key. . .
w ait.
does it h u rt?
don't ! who ar e you?
w ait.
p olice. l'm s aku r ai.
p olice?
s he's very delicat e.
like glass.
s o keep you r hands off her.
what did you do t o her?
do?
l didn't do anyth ing.
liar.
w ait, m r. j issoj i. liar.
w ait, m r. j issoj i.
s he was talking about someth ing.
what about the gr een mon key?
l don't know about that either.
l'm on ly a gu ide for her.
l hypnotiz e her so that she can chan nel mor e easily.
no.
lt's in her eyes. y ou corner ed her.
what ar e you saying?
s he's meditating t o commu n icat e with aliens.
liar!
w ait !
y ou mentally t ortu r ed her.
s o she's gone int o a dissasociative stat e t o escape the t err or.
s t op! let me do some police work.
o h? lsn't the kid a cop?
he's a psychoanalyst. an expert.
he doesn't u nderstand h u man beings beca use he's on ly studied them.
what you'r e doing is a crime ! y ou'r e tu rn ing it int o a show!
l t old you , it's not a show.
lt's spiritual commu n ication with the u n iverse.
lt's far mor e pr ecious than you r study.
pseudo-hypnotists like you
make the world misu nderstand hypnotic tr eatments !
hey, enough alr eady. make the world misu nderstand hypnotic tr eatments !
hey, enough alr eady.
hypnotism needs mutual trust.
y ou th r eat en her!
what's that?
what ar e you doing? s aga !
y ou'r e losing str ength .
y ou r limbs ar e tu rn ing t o wood.
y ou r head is made of plastic.
s o you can't talk.
y es, you r br ain is sponge.
s aga !
w ait !
y ou ar e a well-made doll.
w as ther e any trust between us?
hey!
m r. j issoj i, you'r e on in two min ut es. s tand by, please !
l'll tu rn you back int o a man lat er.
s tay her e as a doll u ntil you u nderstand.
w ait !
hey! w ait !
hey, s aga ! what's the matt er?
s aga, wake u p!
now, let's hear the spirit of the u n iverse.
s aga, answer me !
w e ar e all tied in with the u n iverse's consciousness, s aga, answer me !
w e ar e all tied in with the u n iverse's consciousness,
w e ar e all tied in with the u n iverse's consciousness, s aga ! hey! s omebody help!
but in or der t o r ealiz e that, we need th is person . s aga ! hey! s omebody help!
s aga ! hey! s omebody help!
her e comes ou r chan neler, m iss y u ka l rie ! s aga ! hey! s omebody help!
her e comes ou r chan neler, m iss y u ka l rie !
o pen you r sou l, and r eceive the voice of the u n iverse !
l am a friendly alien .
l am a consciousness that r esides on the star m inakus
of the seventh nebu la of fatima.
l don't mean any harm.
l'm sorry.
did any friend of you rs ever cat ch a ball with h is face?
ther e was another str ange su icide.
s o l hear d.
will you help me?
y ou live qu it e nearby.
can you see the police station?
s o l can get ther e qu ickly.
have a seat.
lsn't it lonely, living away fr om you r wife?
s he walked out on me th r ee years ago.
l'm sorry.
l live in such a small place, so no wonder you misu nderst ood.
th is is all l have. can you take it?
y ou okay now?
hypnosis is becoming mor e and mor e misu nderst ood.
y eah , it is.
the ext ent of its power is still u n known .
but ther e ar e good th ings t oo.
w e all have good memories and bad memories.
but bad ones can be er ased.
memories?
psychological bru ises.
psychological bru ises?
maybe people say that t oo much lat ely.
w e all have some.
but somehow we have r esolved them by ou rselves.
but if you str ain you rself,
the str ess harms you r nerves and body,
even u nconsciously.
unconsciously?
for example,
th is glass is usually u nawar e of the liquor.
but it was essentially made t o be with th is liquor.
hypnosis makes the glass th in ner and soft er,
so that we can talk dir ectly t o the liquor.
the glass becomes har der as it ages.
but the liquor stays you ng.
th r ee or fou r years old, u ntil we die.
fou r years old?
y ou can talk t o the fou r year old consciousness.
and cheat it, if it's on ly fou r.
do you have any memories you want er ased?
lf l can do it with an er aser.
j ust one?
y ou'r e slowly going back in time, back and back. . .
fift een . . .
fou rt een . . .
th irt een . . .
twelve. . .
eleven . . .
do you see someth ing?
kappa.
kappa?
kappa.
a good friend of mine.
he was a good swimmer.
he looked like kappa, the river monst er.
what ar e you doing with h im?
s t ealing potat oes.
l'm st ealing potat oes with kappa.
what'll you do with the potat oes?
m r. s aku r ai ! m r. s aku r ai !
what can you see?
y ou okay?
l had for gott en . now l r emember.
what happened?
w e wer e short of food aft er the war.
y ou st ole potat oes.
when we wer e r oasting the potat oes, the gr eengr ocer fou nd us and said,
''who st ole them?''
he was fu rious.
l was scar ed.
l thought he was going t o kill me.
unawar e. . .
l point ed at kappa.
he wh ipped the boy with a bamboo stick,
h it h im again and again .
the small boy didn't cry.
he j ust star ed at me without saying a wor d.
he looked str aight int o my eyes.
what happened between you and h im?
aft er that, we never spoke t o each other.
a year lat er, he moved away.
l'd for gott en it.
lt's been in you r u nconscious memory for years and years.
m r. s aku r ai.
aft er th is case is settled, l'll change the memory.
w as she r eally her e?
until two weeks ago.
the addr ess she gave the ban k is fr om half a year ago.
w e still don't know her cu rr ent addr ess.
the ban k doesn't know?
s he was a t emp, not a r egu lar employee.
s he was appar ently extr emely good with calcu lations, so. . .
s pecial talents can become sharper when r eason fades.
w e know she's in the hot el with the hypnotist.
s he was hospitaliz ed a year ago.
what?
w e got it th r ough her name.
but it wasn't serious. s he was anor exic.
p r obably j ust t oo much dieting.
th is was y u ka l rie's desk.
s he sudden ly st opped coming?
y es, without giving a r eason .
ex cuse me.
may l borr ow th is doll?
s u r e.
what's th is?
please don't t ouch it !
the int ernet. lt's ou r intr acompany e-mail.
lt has secr et information included.
why don't we have one like th is?
w e installed it on ly two weeks ago.
two weeks?
next we go t o the hospital.
the hospital for anor exics.
hey, get in .
s orry. l'll see you t omorr ow.
wher e ar e you going?
for a walk.
make su r e t o come back.
y es.
lf you don't,
the gr een mon key will attack you again .
y es, indeed, she was tr eat ed for anor exia.
s he stayed for five weeks, longer than plan ned.
did she have any other pr oblems?
ther e ar e various ca uses of anor exia, so it's har d t o say.
the doct or in char ge qu it. l don't know the specifics.
th is is the war d.
ex cuse me. my patients ar e waiting.
how qu iet ! l'd like t o be hospitaliz ed.
l say, about y u ka l rie, the girl on tv?
y es?
off the r ecor d.
s u r e. what is it?
s he got worse her e in th is hospital.
got worse?
l don't know about her disease, but she was a normal girl.
s he didn't t ell us about her family, but she was gentle.
then what happened?
a week lat er, she said a fu n ny th ing.
s he said somebody in her head was talking t o her at n ight.
five days aft er that,
she sudden ly start ed eating.
s he kept eating u ntil we st opped her.
when we called her, she said it wasn't her name.
o ne n ight she want ed me t o come t o her r oom
beca use she was scar ed.
l had t o go.
then what?
then . . .
l cou ld r eally hear a voice.
the light was swaying.
l was so fright ened.
w as someone ther e?
l looked in the r oom.
he was standing with a candle.
rat !
a r at?
his n ickname, beca use he looks like a r at.
who?
he was a social worker her e.
but l didn't t ell her.
why not?
beca use aft er that,
l hear d her ecstatic moan .
s he didn't leave the hospital in a normal way.
s he went with the man in five weeks.
ls he the hypnotist in the tv show?
l don't th in k so. he's not rat.
y ou su r e?
p r obably.
the dir ect or shou ld know about it t oo.
m izu i norimu ne.
the dir ect or lied.
no one is r egist er ed with that name.
he didn't lie.
th is nation is car eless.
rat lived u nder a false name.
why on ly in ou r j u risdiction?
m izu i norimu ne. . . m izu i norimu ne. . . m izu i norimu ne. . .
m izu i norimu ne.
a fu n ny name.
not a name.
read it backwar ds.
s leeping. . .
s leeping fou ntain?
l nvestigat e j issoj i again !
y es !
do l know you?
no.
why ar e you staring?
y ou want me?
s t op it.
don't, you'r e. . .
l'm what?
y ou'r e sick.
y es.
l'm sick.
long time no see. wher e wer e you?
cut it out ! y ou'r e in the way t on ight.
what? what the hell? !
s t op it.
let's go.
wher e t o?
wher e's you r place?
what's you r name?
l'm rieko.
come in .
who lives her e?
me. who else?
y ou like them?
l don't.
wher e did you get these?
a girl named y u ka brings them by every once in a wh ile.
y ou know her?
s ort of.
y ou met her?
l don't th in k so.
what's she like?
s he int er ests you? then goodbye.
let's have fu n .
to ou r encou nt er.
look at th is.
do you see anyth ing?
lines.
look car efu lly. y ou shou ld see a h u man face.
y ou must have r eceived various suggestions.
th is is oft en used in ads.
the world is fu ll of hypnosis.
the twin kling lights on pin ball mach ines, neon signs,
an nou ncements in tr ains not t o cr oss you r legs.
they j u mp over you r r eason
int o you r mind u nawar es.
living in a city,
you can't stay pu r e.
retr ospective hypnosis will mix you r memories of past and pr esent.
lf you'r e given a shocking image, you'll try t o escape fr om fear,
and make another char act er.
hu mans ar e moving in a world that they ar e not awar e of.
hu man essence lies in u nconsciousness.
m iss rieko?
who ar e you?
l'm sorry.
l su rprised you .
a man you don't know sudden ly. . .
l know you . a man you don't know sudden ly. . .
l know you .
y ou'll be cu r ed.
l'll be beside you .
t rust me.
l want t o go t o the sea.
the sea?
floating ther e,
l feel peacefu l.
l can't swim.
blue ocean . . .
and swaying. . .
sh in ing wat er. . .
drifting on the warm, sh in ing wat er.
drifting, drifting. . .
swaying, swaying. . .
far away. . .
swaying, drifting. . .
flowing. . .
in the sh in ing blue wat er. . .
swaying. . .
drifting. . .
j ust a few questions.
w e can't.
s he knows the suspect.
a man hypnotiz ed her for fu n every n ight in the hospital.
his name and car eer wer e false.
he might be working in another hospital as another person .
but not now.
j issoj i is dead.
w e must h u rry.
the psych iatrist sent fr om the lab.
he'll ask her the questions.
let's start.
m iss y u ka l rie.
please t ell us you r dat e of birth .
m iss l rie?
l don't know.
m iss l rie, you wer e hospitaliz ed last year for anor exia, right?
y es.
did you become acquaint ed with anyone other than you r doct or?
y ou befriended someone, didn't you?
those ar e leading questions.
y ou said you hear d a man's voice in you r head at n ight, right?
w ait.
m r. s aga. . .
what is it?
s he's very u nstable right now.
he's an adviser. he's assisting us.
lf two men talk t o her at one time, it's danger ous !
m iss l rie, you kept list en ing t o that man's voice.
what did he look like?
what did he do t o you?
y ou did someth ing special with h im, didn't you?
s ometh ing special, m iss y u ka l rie? !
l am a friendly alien .
s t op!
s h ut u p!
contin ue.
lt's danger ous !
s tay back! w e don't need h im.
he th in ks she's sick.
dual personality!
s aga !
how can you be a cou nselor if you'r e tricked by such an act?
an act? !
no !
l saw her hypnosis show. lt's obviously an act.
s he worked at a ban k befor e.
s he has normal senses.
answer me, m iss y u ka l rie.
wher e is the man?
please st op!
s he's seeking r efuge in another personality.
hiding in an alien? lt's r ather showy.
dual personality isn't r ecogn iz ed by japan's psych iatry!
s aga.
l u nderstand.
l'll show you her sympt oms.
hey, s aga !
w at ch my finger.
y ou r eyes close slowly, natu r ally.
other than y u ka, two mor e char act ers ar e in her mind.
o ne is an alien named andria.
the other is a girl named rieko.
let me speak with the rieko in you .
o ne. y ou'r e wearing a r ed dr ess.
two. y ou'r e in the r ed light district.
th r ee. rieko, come on out.
s o bright !
the cu rtain !
close the cu rtain !
th is is rieko. her left eye is bandaged.
s he pr obably on ly appears at n ight.
y ou'r e her e?
y ou wer e gone in the morn ing.
ugh ! why am l wearing these r ags?
lt's y u ka, h u h? the bit ch !
s t op her act alr eady!
y ou'r e going t o r elax again .
deeper. . .
going down deeper. . .
make her talk about the man .
w e'r e not her e for you r studies !
that's impossible.
come on ! the man's a mu r der er!
l am a friendly alien .
s h ut u p! get out, both of you !
w ait ! l've got t o wake her.
get out !
s he's u nder hypnosis. l can't leave her alone, it's danger ous.
what's the matt er, y u ka?
y u ka, come back! y u ka !
wher e is she? s ear ch for her!
ther e's another.
what's going on?
let me see it again .
ther e's another personality in y u ka.
rat did it?
rat?
the man who hypnotiz ed her for fu n .
that's h is n ickname.
ls the time corr ect?
y es.
about n ine min ut es.
w e wer e u nconscious for that long.
w e woke u p at the same time.
lsn't that str ange?
s t op th is idiocy!
anyway, sear ch for y u ka and rat.
m r. s aku r ai.
l th in k it's for you .
s aku r ai speaking.
ar e you en joying it?
y ou've never seen h u man beings kill themselves mor e r esolut ely.
what do you want?
heart.
my heart is disappearing. s o l'm looking for one.
hello, th is is m itsu i. . . my heart is disappearing. s o l'm looking for one.
my heart is disappearing. s o l'm looking for one.
bu llsh it !
love always.
fr om the new w orld.
fr om the new w orld?
''fr om the new w orld''. . .
o n ly twenty min ut es t o open ing.
w e'll cast a dr agnet. y ou stay her e.
damn .
cover the fr ont and r ear doors.
that's all we know. get moving !
what?
why in the world?
ther e must be a h int or someth ing.
a h int?
metal.
a metal bat.
what?
the bells.
the bell for the last lap in cr oss cou ntry.
the music bo x.
they all make a metallic sou nd.
the sign . . .
that's the sign !
metal. . .
maybe it makes a h igh-fr equency sou nd.
dvor ak's ''fr om the new w orld''. . .
the cymbals !
j ust once in the fou rth movement.
hu rry!
right !
can't we call them?
w e don't have a phone.
the br ake doesn't work.
that's not the br ake, that's the gas !
what do you mean? that's not the br ake, that's the gas !
what do you mean?
lt doesn't work.
the br ake doesn't work.
get out !
the br ake didn't work.
m r. s aku r ai, don't list en t o it !
s ir?
what movement is it?
the begin n ing of the th ir d.
m r. s aku r ai. . .
m r. s aku r ai !
m r. s aku r ai, cover you r ears !
don't list en !
m r. s aku r ai. . .
l'm sorry, kappa.
m r. s aku r ai ! don't th in k about it. lt wasn't you r fa u lt !
l'm a liar.
l h u rt you .
he's not her e, m r. s aku r ai.
th is is a concert hall.
y ou'r e in an a udit oriu m.
y ou'r e looking at the seats.
y ou r friend isn't her e, m r. s aku r ai !
hello.
s ometh ing t errible has happened. . .
y es?
s o you've su rvived.
who ar e you?
m r. s aku r ai's mind was ex changed.
ar e you rat?
don't use that disgusting name.
ls y u ka ther e?
give her back!
l can't do that.
s he's my pr ecious t oy.
no ! give her back!
let's meet soon .
his tv has been on for a week. he doesn't answer the door.
he's pr obably out, leaving the tv on .
s ometimes l can hear h is eerie cry. lt fright ens me.
hey! lf you'r e ther e, come out !
ar e you in?
how ar e th ings in ther e?
w e haven't gone in yet. he's been in ther e for a week.
ar e you rat?
terrible. he's dead.
ambu lance ! get an ambu lance !
ar e you rat?
ar e you rat? !
what did you do with y u ka? what did you do? !
y ou'll kill h im !
y ou played with her and damaged her personality.
the devil. . .
l pu lled h is lot.
the lot of the devil.
what's that?
s he was easily hypnotiz ed.
lt was fu n .
lots of personalities came out.
l sent her back t o her ch ildhood and h u rt her. . .
but one day. . .
s ometh ing t errible came out.
what?
tell me ! what was that?
s t op it !
come her e.
come over her e.
come with me, t o wash you r spirit.
l've been waiting her e for you .
come with me. let's go cu r e you r heart.
no ! come back, y u ka !
come, t o cu r e you r heart, you r bru ised heart.
y u ka !
do you hear me, y u ka?
l gave on ly you a differ ent sign .
guess !
what's the sign?
y u ka ! y u ka, come back!
lf she wer e loved as she gr ew u p, she wou ldn't be like th is.
nobody loved her. everybody was mean t o her.
s o she r an t o me.
l'll take her back.
s he can't go back anymor e.
l'll pr ot ect her.
who ar e you?
the gr een mon key?
l came t o t each h u man beings what they ar e.
lt's time for them t o know what they ar e.
j ust a few t ouches can make them cr azy.
they'r e mach ines that ar e easy t o br eak. l know.
y u ka !
can you hear me, y u ka?
beca use h u mans don't love their ch ildr en , they must suffer.
y u ka !
now, guess you r sign .
guess right, and you'll be r eleased fr om pain .
o pen you r eyes !
the eyes of you r mind.
y u ka !
l'm scar ed !
y u ka !
don't worry. l'll help you .
believe me. believe in me.
l pr omise that l'll. . .
l'll pr ot ect you .
always. l'll always pr ot ect you .
y ou'r e. . .
being loved.
l . . .
l . . .
l love you .
y ou guessed right.
the sign is ''l love you''.
gr een mon key?
lt's an ugly sou l.
lt's ugliness deep in the h u man mind.
a gr een mon key
lives in everybody's mind !
s aga !
l'm sorry.
what ar e you doing?
s aga !
what's wr ong, s aga? hang on !
s aga ! s aga !
for get about everyth ing.
y ou'll be okay.
the n ightmar e is over.
y es?
he's all right.
the lat ent hypnosis has lost its effect.
lt's been th r ee days. he'll wake u p.
he'll be fine.
o nce he wakes u p, the lat ent hypnosis will lose its effect.
lt's been th r ee days, so he shou ld wake u p like noth ing happened.
blue, sh in ing wat er.
s waying, drifting, wandering.
afloat on the warm, sh in ing wat er.
drifting, drifting, drifting. . .
what's happen ing, s aga? why? !
H
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