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Niagara

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(man) Why should the Falls drag me down here at 5 o'clock in the morning?
To show me how big they are and how small l am?
To remind me they can get along without any help?
All right, so they've proved it. But why not?
They've had 10,000 years to get independent.
What's so wonderful about that?
l suppose l could, too, only it might take a little more time.
(key turns in lock)
Rose?
Rose?
(bells chiming a tune)
- Good morning. - Good morning.
- What is your destination in Canada? - Niagara Falls.
- What's the name of the place? - The Rainbow Cabins.
- What is your name? - Mr and Mrs Ray Cutler.
- And where do you live? - Toledo, Ohio.
- Where were you born? - Toledo.
- And where were you born? - Seattle.
Are you bringing in anything besides personal belongings?
No.
- How long do you plan to be here? - Three days.
- Honeymooners? - That's right.
That isn't liquor you have in that case, is it?
Uh, books. l'm going to catch up on my reading.
Reading?
Fine thing.
l tell him we're on our honeymoon and you drag out a copy of Winston Churchill.
He must think l'm pretty hot.
You should have told him we're on a delayed honeymoon.
Delayed or not, we agreed to treat it like a regular one, didn't we?
l'm game. lt'll be just as good as a regular honeymoon.
Well, it should be better.
l've got my union card now.
- Hi. - Hi. We're the Cutlers.
- We wired for reservations. - Oh, yeah.
Let's see now. The Cutlers, huh?
Room overlooking the Falls. Cabin B.
Look, honey. You can see it from here!
- The Falls are that way. - He means the Shredded Wheat plant.
l work for 'em, but l'm seeing the joint for the first time,
where breakfast food became a national institution.
Why don't they have that down in that book of yours?
- Say, has there been a call for me? - A call? Nope.
l'd better phone over and tell 'em l'm here. Have him show you the cabin, honey.
- There's a phone in my office. - Thank you.
Oh, it's a beautiful view.
- Cabin B is ours? - The folks in there haven't checked out yet.
Then we can't move in.
Come on. l told them last night.
Hello? l wonder if l could talk to Mr Kettering, please.
Well, this is Ray Cutler from the Toledo branch.
No, l'm not speaking from Toledo. l'm here in Niagara.
Mr Kettering wrote me to get in touch with him when l arrived.
l'm the guy that won the cash prize for the most imaginative sales campaign.
(knocking)
- (cabin owner) Are you there, Mrs Loomis? - Shh!
Stop knocking. My husband's asleep. What is it?
The new folks are here. You were supposed to be out this morning.
Just a second.
l'm awfully sorry about the cabin, but my husband hasn't been feeling too well.
Please don't make me move him. He's finally fallen asleep.
- First good sleep he's had in over a week. - ls he sick, Mrs Loomis?
Well, he's not quite himself. He just sits around and...
Last night he got up and wandered around somewhere at 3 or 4 o'clock. l was frantic.
- Have you seen a doctor? - Yes. Lately we've seen quite a few.
But l don't want to bore you.
- You're here to have a good time, Mrs...? - Mrs Cutler.
We had a good time, too, two years ago when we were here on our honeymoon.
So l thought it would do him some good after Letterman. lt was a mistake.
l'm sorry, Mrs Loomis, but this cabin is promised.
That's all right. We'll take another cabin. You don't care, honey?
We got here the wrong time all around. No cabin, no Mr Kettering.
- He won't be back till the first of the week. - lt doesn't make a bit of difference.
Thanks for being so nice. l sure appreciate it.
And, Mr Qua, l've got to run down to the market while George is asleep.
- Would you keep an eye out for him? - Of course.
Thank you. Thanks.
- lt's up to you folks. Cabin K is vacant. - Does it look down at the Falls?
lt looks around at them, but it gets plenty of sun.
OK. Let's go.
- l'll get the key. - Thanks.
l'll do it, honey.
She said her husband was in Letterman. What's that?
lt's an army hospital, mostly psycho.
Oh.
(man over PA) Come on aboard. "Maid of the Mist", the most famous boat in America.
Next tour starts in two minutes.
(boat whistle)
l'll have two, please.
Two, please.
Thank you.
- What size shoe? - Ten and a half.
Thank you.
- What size, sir? - Eight, please.
- Your check, sir. - Thank you.
You ready, honey?
Get back!
Get back!
Farther back, honey!
- What's the matter? l was coming down. - Wasn't Mrs Loomis going shopping?
Yeah. Why?
Well, she sure got herself an armful of groceries. Come on.
(Rose hums)
Rose?
Rose? Did you get the cigarettes?
- Didn't l give 'em to you? - No, you didn't.
They're in my coat pocket, then.
Light me up, too, Georgie.
( jazz swing)
(chatter, laughter)
Mm, that felt good. Dry my back.
Bunch of kids must've checked in. lt's good to hear a laugh for a change.
- And l thought you forgot how to dance. - There's still some Shredded Wheat in me.
- l'm thirsty. - You are? Come on.
- Hi, Mr Qua. Having supper? - No. Fresh figs. Have one.
- Best physic anybody ever had. - No, thanks. Just a Coke.
Hey. Get out the fire hose.
Why don't you ever get a dress like that?
Listen, for a dress like that you've gotta start laying plans when you're about 13.
- Would you mind playing this? - Yeah. Sure thing, lady.
"Kiss."
Kiss me
Won't you kiss me?
Oh, kiss
Kiss me
Say you miss...
What about it, lady?
Better not.
With heavenly affection
Doo-doo-doo-doo-doo-doo
Hold...
- Plain Cokes or did you spike 'em? - No, just plain. Would you like one?
No, thanks.
Hold me, hold me...
You kinda like that song, don't you, Mrs Loomis?
- There isn't any other song. - With all your heart's protection
(humming)
This is a moment of
Thrill
Thrill me, thrill me
Mmm
Take me, take me in your arms
And make my life...
Mmm, mmm
Perfection
Take me
Darling, don't forsake me
Kiss me, hold me tight
(door opens)
Love me, love me tonight
Gee, l'm sorry. He was OK before.
l think he cut his hand. lf you want, we have some Mercurochrome.
- l wouldn't dare go in there right now. - lf you don't mind, l'll do it.
Well, thanks.
(music resumes)
Your husband doesn't seem to like music.
Depends. He'll get right down and dig, if you give him a rocking chair
and a corny old tune like "ln the Gloaming".
(knocking)
What is it?
l brought you some Mercurochrome for your hand. l'm Polly Cutler.
l suppose she sent you to find out if l cut it off.
- Well, tell her l didn't! - Do you want me to fix it or not?
l...
l guess it was silly, what l did.
But that song...
She didn't tell you about that, l bet.
Of course not.
She didn't say where she first heard it or with who.
Well, she didn't tell me either.
Hold still, please.
Parading around, showing herself off in that dress,
cut down so low in front you can see her kneecaps.
- lt's a stunning dress. - Would you wear it?
Well, l'm not the kneecap type. She's a pretty girl. Why hide it?
Don't worry about that.
She'd like to wear it where everybody could see her, in the Yankee Stadium.
She's a tramp!
l tell you now so you won't have to ask.
You love her very much, don't you?
What do you know about it?
You're stuck on her.
Otherwise, you'd walk off and forget her.
l...
l guess so.
That's some confession to make, isn't it?
Here. Let me fasten the end of this.
(gasps of amazement)
- What's that? - lt's 8.30.
Look out the window.
Oh!
- Let's go out with the others. - l can't see anybody now. l...
l feel goofy after what happened.
Let me tell you something.
You're young. You're in love.
Well, l'll give you a warning.
Don't let it get out of hand like those Falls out there.
Up above it...
Did you ever see the river up above the Falls?
lt's calm and easy.
lf you throw in a log itjust floats around.
Let it move further down and it gets going fast.
lt hits some rocks and in a minute it's in the lower rapids
and nothing in the world, including God himself, can keep it from going over the edge.
ltjust goes.
Don't worry. l'm one of those logs thatjust hang around in the calm.
- (door opens) - Hi.
Hey, Polly, come on. You're missing the big show.
- Got myself a ringside table. - Oh.
Look at those. Couple of colours l never heard of before.
- This is my husband, Mr Loomis. - Hello.
- You got yourself quite a girl. - Well, she'll do for a while.
Hi.
We better be going.
- What's that? - Oh, it's a 1907 Maxwell.
You make different models from little kits.
Look kind of nice on a mantel... if you have a mantel.
- lt's cute. - Be all right if l don't foul it up.
l generally foul things up.
- Don't be silly. - l have lately, anyway.
Everything l touch, ever since Duluth.
l met her in a big beer hall. She was the most popular waitress they had.
l guess it was the way she put the beer on the tables.
Until then l ran a good sheep ranch. Then all of a sudden the sheep went dumb, or l did.
That winter the sheep kept dying.
- Everybody gets a run of bad luck. - That won't cover it.
l rented it to another rancher. He had worse winters and made out all right.
She was bored with the ranch. We spent half our time in town in bars and nightclubs.
After that l fouled up a couple more jobs.
Then Korea. l wentjust to show her l was young enough.
They sent me home with battle fatigue!
So don't tell me l can't foul up a 1907 Maxwell!
Didn't do any good to fix that hand. You like to suffer.
Maybe.
- My wife told you l was neurotic. - She just said you weren't feeling well.
- She'd like everybody to believe l'm crazy. - Don't be silly. Why?
l don't know, but she's got a reason. You can bet on that.
She's got a reason.
Occupational therapy!
(hums to the tune of "Kiss")
Hello? ls this the bus terminal? What time do the buses leave tomorrow for Ottawa?
No, no, no. You got the wrong number.
This is McGrand's Boarding House.
Why don't you look up the right number before you dial?
l'm sorry.
Mrs McGrand, that wasn't for me?
Nope. Someone for that bus terminal again. lt's the fourth time in two days.
Must have changed the number or something.
Hello. You called.
Listen, it's got to be tomorrow. Do you hear me? Tomorrow.
He just made a big row in front of everyone.
After this, nothing's going to surprise anyone. lt's made to order.
Can you get him there?
There's always a way to handle George. Be at the place as soon as it opens.
OK, kid. lt's a date.
Good luck, darling.
(whistles to the tune of "Kiss")
- ln Chicago you know what we're gonna do? - No.
We're going straight to Marshall Field.
l'm gonna buy you the slinkiest, meanest, laciest evening gown they've got.
- Price no object. - Yeah?
And when we're all set to step, who'll pull one of his jealous fits and lock the door?
Oh, no. No more of that stuff. You wait and see.
l'll take you to any dance place you want and we'll have fun, the both of us.
You know what l'm gonna do?
Take lessons. Arthur Murray in six hours can have you doing the rumba, the samba...
Georgie, this is quite a change. What brought this on?
You know what.
- lt's getting late. Hand me my slip. - l hate to move.
When we have a fight and make up that way, l never wanna leave your side.
Give me some orange juice, Georgie.
- You know, l'm sorry we're leaving today. - Just as well.
Wish we'd brought the car.
Driving home, we could take our time on the road and stop anyplace we please.
- Why are you getting dressed up? - To pick up the bus tickets.
Pick up the tickets? We'll buy them when we get to the terminal.
l'm not gonna stand all the way. l want reservations.
There are no reservations. We just go early and get aboard early.
You're getting all dressed up to go out and buy tickets.
Why?
- Where are you going? - Here we go again.
l'm not going to the bus station. Do you feel any better?
- You smell cheap. l know what that means. - Sure. l'm meeting somebody.
Just anybody handy, as long as he's a man.
How about the ticket seller? l could grab him on my way out.
Or one of the kids with the phonograph.
Anybody suits me. Take your pick.
OK, OK, so l don't know this guy.
This guy you sing to, hum to.
Oh...
Build your Maxwell. l'll be back.
(bells chiming a tune)
(whistling to the tune of "Kiss")
(door opens, man stops whistling)
How do you like that? You know what they say now?
Mr Kettering probably won't be back till Tuesday.
lf l'd only known that bef...
Hold it, kid. The sun's just right.
Now, swing around. We'll get a profile.
Come on, Polly. Profile.
That's it. Now inhale.
You've got nothing to hide. lnhale.
That's right.
What...?
Oh. Just a minute, please.
Would you mind? Your shadow.
- Sorry, but have you seen my husband? - No, l haven't.
- lsn't he in the cabin? - That's just it.
You see, l left for the bus station and when l got back... Mr Qua hasn't seen him either.
Oh, he probably went across the street to get a magazine.
He wouldn't do that. We have to be at the bus station at 11 o'clock.
Well, you've still got 40 minutes.
l shouldn't have left him alone, especially after last night.
He was so upset and everything.
Well, you saw it.
l'm sorry.
There's nothing to worry about. He's over on the other side getting one for the road.
l don't know. l think l'd be worried.
(Ray) All right, now get back into that same pose again.
OK.
Oh, Sam! Bring in the Missing Persons file.
Right, sir.
- Anything important? - Might be. What have we got that's recent?
Uh... A Mrs Verna McGuire.
Her daughter has been missing since yesterday.
She's always missing. Some fraternity house. What else?
Mm...
A man called George Loomis, a transient.
We got a call at four. People named Cutler phoned in for his wife.
Call back. Tell them to meet me at Table Rock House, souvenir shop.
Very well, sir.
- Afternoon. Which of you is Mrs Loomis? - l am.
l'm Starkey, from the police station.
Where is he? You know something about my husband?
- You're the Cutlers? - Yes.
- You've heard something about him? - Just that he is your husband.
ls there any chance he could have come here today?
- Here? - Yes, here.
No, not possibly. He hates the Falls.
- What are we doing here? - Wasting your time, l hope.
- Hello, Mr Starkey. - Did you check again?
Yes, sir, l did, and there's still one missing.
And over here...
Let me see 'em.
- Remember anything at all about the man? - No, sir, l don't.
Ever seen these before?
They're his.
Why is everyone standing around? Do something! Look for him!
Find him!
Listen, Mrs Loomis, you'd better go home.
Have you got anyone to take care of you? Any friends?
No. Well, that is, no one except these people.
- No one. - No one? What about down below...
- Will you people take her home? - Sure.
Come on.
(bells chiming to the tune of "Kiss")
You've been very kind, but thanks, l'd rather walk.
Hold on. Wait a minute.
l think we've got him. Yes. On the far side.
lt's hard to say. l imagine he's pretty beat up.
OK, we'll run him down to the morgue.
- Why didn't your friends bring you? - l'm all right. Where is he?
- Listen, this isn't going to be pleasant. - l don't expect it to be.
Please wait.
Mrs Loomis, do you identify this body as that of your husband George Loomis?
(whimpers)
Hold her.
- l'm sorry. - That's all right.
l put in everything l thought she'd need.
(moans incoherently)
No.
Get away.
l wanna get away.
What's all this? l want to talk to her.
Come around in the evening. She'll be out till then.
Please.
- (man) Business pretty good? - (Mr Qua) Booked up for a month ahead.
- How many you accommodate here? - About 50.
- How's the food? - lt's good.
- Here she is anyway. Hi, Mrs Cutler. - Hi.
Well, well, well, hello there.
Hey! Cinch to see you belong to the Shredded Wheat family. l'm Jess Kettering.
- l want you to meet the big boss. - How do you do?
Sorry we weren't here when you arrived. We'd have had red carpet over the bridge!
Oh, here's a little spinach for you, by way of apology.
Hey... Hey, where's that prize-winning husband of yours?
What a boy! Turkey stuffed with Shredded Wheat.
Had it right the next day and l loved it!
You better move out of range, dear. Jess likes to make his point.
Well, this is very sweet of you. They're just lovely. Thank you.
- lsn't my husband back yet? - He's been in and out all morning.
We'll take you along in our car. Leave word for that no-good husband to join us.
Before we're through you'll see the Cave of the Winds, Goat lsland, the Old Fort.
And we're gonna get in the best fishing you ever did. Just wait till you see our boat...
Now, Kettering, Mrs Cutler would rather wait for her husband.
Speaking of Niagara, you and l could do with a shower. We've been driving since six.
The minute Ray gets back, we'll call you.
You bet. Well, toodle-oo for now. Pip-pip!
Come on, mama!
Oh, not that way, Mrs Cutler. l put your things in Cabin B.
l told your husband l won't charge you one cent more. You've waited long enough.
Thank you.
The key's in the door.
Mrs Cutler! What is it?
Mrs Cutler!
Mrs Cutler!
- What's the matter? - l don't know. l heard a yell a minute ago.
Polly?
Are you in there, Polly?
Polly!
What's the matter, honey? What's the screaming about?
Get organised, baby. What's wrong?
- l was half-asleep... - Yes?
Now, look, darling, it was probably just a nightmare.
Now calm yourself down. l'll get you a glass of water.
lt's all right. She's OK.
Ray, don't!
- Don't go in there, Ray. - Honey, wake up.
He's in there. He's alive. He was standing right here looking at me.
Polly, who was looking at you?
- Mr Loomis. - Mr Loomis?
- No, Ray... - No, Polly. l gotta prove it to you.
Well, where is he? Under the icebox? Under the sink?
Oh, Polly.
Mr Loomis. lf l hear that name once more, l'll start yelling myself.
No wonder it got you. We wait three years for a honeymoon, then spend it with spooks.
Here. Drink this.
Mr Loomis! From the time we get here we're patting his hand, burying him.
And her, running around sobbing, asking if we'll pick out a tombstone.
Why, it's enough to drive anybody nuts!
Well, we're gonna kiss off this place right now.
Give me a hand with this stuff, will ya, honey?
Sport clothes! All we needed here was a couple of shrouds.
Sorry, Winnie.
What's this thing?
Oh, the flowers. The Ketterings brought them.
- The Ketterings? - Yes. They stopped by.
- Here? - Yes.
- We're supposed to have dinner with them. - What do you know? JC Kettering himself?
Yes.
Well, it's out. The way you feel, the whole idea's silly.
Old JC, king of the VPs.
- He seems to think you're hot stuff, too. - He does?
Well, that doesn't alter this one way or the other.
Still, we have to eat somewhere. Just a bite, maybe.
l'll tell you what, you lie down, l'll get a shave and we'll decide later, OK?
Now lie down.
(water running)
Hello. Police Department?
Will you put me through to Mr Starkey, please?
Well, do you know where l can reach him? l'm Mrs Cutler.
No, l can't be reached either. We're going out with some people to see the Falls.
But would you tell Mr Starkey when he gets back to stay there?
l've gotta talk to him. lt's about Mr Loomis.
Yes. (hangs up phone)
All right. Everybody, listen to me.
That's it. The Cave of the Winds.
At great risk to life and limb, these bridges were built in 1885.
A world-famous attraction ever since.
Now button up your coats real good and follow me. Let's go.
lt wasn't 1885. lt was 1881.
Don't pay attention to him. l'll show you. Come on, Ray boy. Follow me.
Let them do the mountain climbing. We're gonna go back and have a smoke.
After all, it's just a lot of water.
l think l'll stay here. You go on ahead.
lf you don't mind, l will.
(Ray) Oh, Polly!
Polly, come on down.
You killed that man.
What was l supposed to do? He came after me with a wrench.
After that, it was a case of who killed who.
lf it was self-defence, go to the police.
ln the tunnel l found his claim check.
That meant l could put on his shoes and walk out of there officially dead.
- For all the good that'll do. - At least l can go somewhere,
find ajob, get organised, if you'll help me.
- Help you? - You're the only one who knows l'm alive.
Your wife knows it. They found the body.
When she gets out of the hospital, she'll tell.
Hospital?
Rose won't talk. She'd have to say to the police
"l had a plan to kill my husband, but it backfired."
No, not Rose. She'll go to a new town, drift up to the right bar stool...
(Ray) Polly!
What about it? Please.
Polly!
l'd do the same for you if it meant as much.
Let me stay dead.
Take your hands off me.
- (Mrs Kettering) Polly! - (Mr Kettering) Polly!
- (Polly) Here l am. - (Mr Kettering) We got a lot more to see.
(bells chiming a tune)
(bells chiming to the tune of "Kiss")
(Kettering chuckles)
Well, kids, sleep well tonight. We've gotta be out on my boat at the crack of dawn.
Oh, Jess, do we have to get up before the fish do? Why not 8 or 9 o'clock?
Nonsense. Ray wants all the time on that river he can get.
- He's a real fisherman. Eh, boy? - Well, l sure like it a lot.
l hope we're not putting you out. You've been so nice to us.
Putting us out? Listen, l've been wanting to meet Ray boy here for quite a while.
OK, 5 o'clock in the morning, right here.
"Olive oil", as the French say!
Thanks a lot.
Bye. Bye, Mrs Kettering.
Sure did have a good time.
Here, honey. You take this and l'll check on the mail.
- Hello. - Hello.
l've been using your view.
- ls anything wrong? - You just stole my question.
My sergeant took a message. You wanted to see me about the Loomis case.
lt was urgent.
The sergeant's exaggerating. lt wasn't that important. Just a silly question.
l hoped maybe that you had heard from Mrs Loomis.
How could l? She'll be unconscious for the rest of the day.
Mrs Cutler, the doctor says only panic or fear could have broken through that drug.
What scared her so much that she came to and skipped?
- Skipped? - Yeah, disappeared from the hospital.
No mail, but old...
What is this? lf it's another funeral, have the corpse leave his name at the desk!
Loomis is trying to kill his wife. He's alive.
Polly, you ought to have your head examined.
She had a nightmare. She thinks this Loomis is alive, that he was here.
l thought we had this out.
lt wasn't a nightmare. He is alive and his wife knows it, too.
Oh, please, Polly! Mr Starkey, l'm sick of this thing. Look what it's done to her.
lf you've got a problem, take it someplace else. We're washed up! We're through with it.
Good night. Thank you, sir.
l bought two tickets for Chicago. Can l have a refund on one?
Sure.
- That's $12.50. - Thanks.
Well, are they gonna keep us here all day?
There'll be a delay. The police are checking up on everybody's lD.
Checking up? Why? The bus is supposed to leave at 5.55.
- At this rate, we'll never get home. - They're looking for some dame.
The bus'll make up for lost time once we get started.
(woman sarcastically) "Let's visit Niagara Falls."
(man) l'm sorry l ever mentioned it.
Hop in.
Can you get me to the bus station on the American side?
lf you're not in too much of a hurry. They've got a roadblock at the bridge.
- Smugglers or something. - That's no good, then.
And the sidewalk? Can l get through that way?
Could be. Take that walk over there, just to the right side of the gate.
Thanks.
(guide) The tower is under control of both countries,
but Americans claim them bells don't play "The Star-Spangled Banner"
- as well as they do "God Save the Queen". - (chuckling)
Right over there on June 30th, 1859, Blondin, a French tightrope walker,
made his famous walk over the Falls.
lf you'll follow me, l'll show you a little better where it happened.
Hello? Hello? Police!
Too bad.
They can't play it for you now, Rose.
Georgie...
(gasps)
l loved you, Rose. You know that.
Ray boy, grab these cans. You and l will get the gas.
Boss, you run and get some liver.
Polly-O, you run up and get five or six bottles of beer.
All right now, everybody rush around. Do yourjob. Jump to it.
Just trying to get things organised.
At home with the kids he tries to organise pillow fights.
- Come on, honey. Cheer up. - l'm all right.
Come on, kids. We haven't got all day. Those fish are dying to get at our bait.
(laughs)
This Canadian town of Chippewa. Great Revolutionary War battles.
The British whipped us. (laughs)
All right now. Very nice people.
Polly, get the beer in there, huh? Boss, you gotta get the liver down here.
- You the one who phoned? - Yeah. l heard about it on the news later.
There was a fella here seemed a lot like that Loomis they're looking for. Had a scar.
- How long ago? - Maybe 10 o'clock.
He come and asked could he rent a boat. l didn't have nothing till 3 o'clock.
- He's trying to reach the American side. - Yeah. Notice which way he went?
No, l was working on some tackle. But he seemed awful anxious to get himself a boat.
Thanks. lf he shows up again, phone us.
Right.
(horn sounds continuously)
Hey! What's wrong over there?
Hey!
(horn stops)
Get off this boat!
Get off the boat!
You're insane. You must be insane. Where do you...
Get off!
(motor starts)
Hey!
Hey! Hey, you!
Hey!
Hello? Give me the police.
No. No, l don't know whose boat it is.
He shoved off toward the river. There's some girl on the boat.
Yeah. Yeah.
Sorry. You wouldn't get off. Are you all right?
Of course l'm all right.
You turn this boat around.
- Go to the police and give yourself up. - lt's a little late for that now.
Talk to the police. Tell them it wasn't your fault.
You should've done it two days ago. Are you afraid to defend yourself?
l can't.
Not any more.
l... killed Rose.
- Any other boat in the inlet? - No, there's nothing fast enough.
Sorry.
United States River Patrol.
Morris, on United States River Patrol, where are you? Come in.
River Patrol. Morris speaking. We're abeam of Navy lsland.
Try to intercept a power launch.
She's a 20-footer, probably on her way to Buffalo.
George Loomis is aboard.
Yes, sir.
(siren)
He isn't crazy enough to head downstream, is he?
(engine splutters, then stops)
(siren)
Where is he trying to go?
l guess he's making a run for Gill Creek.
Mr Starkey, this is Morris on the launch speaking.
- Something wrong up ahead. - Starkey here.
Lost headway. Engine trouble or something. They're in the drift.
There must be some gas on board.
l don't think so.
- They're being pulled into the current. - A 12-knot drift.
- What does that mean? - lt means they're in real trouble.
You can't. You'll be torn to pieces.
Can't you tell 'em to hurry up on that police boat? Can't they get there?
Morris, on United States River Patrol, can you reach them?
No, sir. We're 1,000 yards past the limit now. We're turning back.
Scuttle it.
Scuttle it.
lf we can take on enough water, she'll ground.
(helicopter)
(siren)
- What's the story? - Take it easy, fellas. No photographs.
- The car is waiting. - Here, dear.
Well, goodbye, Mr Starkey.
And thank you.
You've seen enough of the Falls for one trip, but don't cross us off your list. Goodbye.
Goodbye, and my thanks.
l bet that was the first time anyone ever used "Scuttle it" as a prayer.
And had it answered.
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ENGLlSH SDH
NYPD Blue
Na Cha The Great
Na Tum Jaano Na Hum
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Natural City
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Navigators The
Navigators The 2001
Near Dark
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Needing You
Negotiator The CD1 1998
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Nell (1994)
Nelly and Monsieur Arnaud
Nest The 2002
Net The
Network 1976
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Neverending Story
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New Nightmare
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Ningen Gokaku (Kiyoshi Kurosawa 1998]
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