Download over 80'000'000 DVD movies!!!
Searh and Download Over 80 Million DVD Quality Movies!!!

Subtitles for Piano Lesson The.

English Subtitles for DivX Movies.


Select one of the letters to view a proper section of titles list:

# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z



Piano Lesson The

Click here to download subtitles file for the movie "Piano Lesson The"

Click here to download the movie "Piano Lesson The"


Ads:



I...
DON'T WANT NO SUGAR IN MY COFFEE
IT MAKES ME MEAN, LORD, IT MAKES ME MEAN
I DON'T WANT
NO SUGAR IN MY COFFEE
IT MAKES ME MEAN, LORD, IT MAKES ME MEAN
I GOT A BULLDOG
HE WEIGH 500
IN MY BACKYARD, LORD, IN MY BACKYARD
I GOT A BULLDOG
HE WEIGH 500
IN MY BACKYARD, LORD, IN MY BACKYARD
OH, WHEN HE BARK
HE ROAR LIKE THUNDER
UP IN THE CLOUDS, LORD, UP IN THE CLOUDS
OH, WHEN HE BARK
HE ROAR LIKE THUNDER--
HIT THAT BRAKE, MAN. WHAT'S WRONG?
HEH HEH...
HA HA HA HA...
YOU THINK THAT FUNNY, HUH?
YOU DO THINK THAT'S FUNNY?





WHEN YOU FINISH YOUR LESSON,
SEE IF YOUR UNCLE DOAKER
NEED ANYTHING FROM THE STORE.
THEN GO CHANGE YOUR CLOTHES.
YES, MA'AM.
WE NEED SOME WATER.
I AIN'T GOING NOWHERE.
YOU GO.
I AIN'T GOING BY MYSELF.
WE COULD STAY HERE.
IF YOU TOOK CARE OF YOUR TRUCK,
WE WOULDN'T BE HERE.
WE'D BE IN PITTSBURGH.
AT MY SISTER'S HOUSE!
EATIN' FRIED CHICKEN AND CORNBREAD.
HEY, LYMON,
WAIT UP!
YOU DON'T KNOW HOW TO FIND NO WATER.
WHEN YOU AND AVERY GOING TO GET MARRIED?
I AIN'T SAID NOTHING ABOUT GETTING MARRIED.
THAT'S WHAT THE MATTER IS.
MAYBE YOU OUGHT TO BE SAYING SOMETHING ABOUT IT.
WHO BROUGHT THE LIE?
ONLY IN OUR DOOR
I DON'T KNOW
WHO BROUGHT THE LIE?
WHO BROUGHT THE LIE?
ONLY IN OUR DOOR
ONLY IN OUR DOOR
WHO BROUGHT THE LIE?
SOMEBODY TELL ME...



YOU WATCH, LYMON.
SOON AS BERNIECE SEE ME, SHE GONNA TRY AND START SOMETHING.
YEAH, YEAH, YEAH. THIS IS IT.

HEY, BERNIECE!

HEY, BERNIECE!
WHAT IF THEY ASLEEP?
THEY AIN'T ASLEEP.
HEY, DOAKER!

HEY, DOAKER!

HEY, DOAKER!

WHO IS IT?
OPEN THE DOOR. IT'S ME, BOY WILLIE!
WHO?
BOY WILLIE. OPEN THE DOOR!
WHY,
WHAT YOU DOING UP HERE?
I THOUGHT YOU WAS IN MISSISSIPPI.
I TOLD YOU, LYMON.
LYMON THOUGHT YOU MIGHT BE ASLEEP.
YOU REMEMBER LYMON JACKSON FROM DOWN HOME?
THIS MY UNCLE DOAKER.
WHAT YOU DOING UP HERE?
ME AND LYMON SELLING WATERMELON.
THAT'S LYMON'S TRUCK.
WHERE BERNIECE?
BERNIECE UP THERE ASLEEP.
WELL, LET HER GET UP.
ME AND LYMON BEEN RIDING TWO DAYS IN THAT TRUCK.
LEAST SHE COULD GET UP AND SAY HI.
HEY, BERNIECE!
SHE GOT TO WORK IN THE MORNING.
SHE CAN GET UP.
IT'S BEEN THREE YEARS SINCE I SEEN HER.
WHAT YOU DOING MAKING ALL THAT NOISE?
HE-E-EY, BERNIECE!
IT'S 5:00 IN THE MORNING.
CAN'T COME IN LIKE NORMAL FOLK?
I AIN'T DONE NOTHING.
YOU START THAT NOISE BEFORE YOU IT THE DOOR.
I WAS GLAD TO SEE DOAKER.
YOU DIDN'T HAVE TO COME DOWN.
I COME 1,800 MILES TO SEE MY SISTER.
I FIGURE SHE MIGHT WANT TO SAY HI,
YOU CAN GO BACK UPSTAIRS.
HEY, YOU REMEMBER LYMON JACKSON?
HOW YOU DOING, BERNIECE?
YOU LOOK JUST LIKE I THOUGHT.
ME AND LYMON SELLING WATERMELONS.
WE GOT A TRUCK OUT THERE.
DOAKER, WHERE YOUR BOTTLE?
ME AND LYMON CELEBRATING
THE GHOSTS OF THE YELLOW DOG GOT SUTTER.
SAY HE DROWNED IN HIS WELL.
WHEN DID THIS HAPPEN?
ABOUT THREE WEEKS AGO.
WE WAS OVER IN STONER COUNTY WHEN WE HEARD.
WE LAUGHED.
A BIG OLD 340-POUND MAN FALL DOWN HIS WELL.
REMINDED ME OF HUMPTY DUMPTY.
EVERYBODY'S SAYING
THE GHOSTS OF THE YELLOW DOG PUSHED HIM.
I DON'T WANT TO HEAR THAT NONSENSE.
SOMEBODY DOWN THERE PUSHING THEM PEOPLE IN THEY WELLS.
ONLY THING I WANT TO KNOW IS WHEN YOU AND LYMON GOING BACK.
LYMON SAY HE'S STAYING.
SOON AS WE SELL THEM WATERMELONS,
I'M GOING ON BACK.
THAT'S WHAT YOU NEED TO DO, AND QUICK.
COME IN DISRUPTING THIS HOUSE...
I'M SURPRISED YOU AIN'T WOKE MARETHA UP.
WAKE HER AND SAY I'M HERE--
I AIN'T WAKING HER.
YOU AND LYMON SELL THEM WATERMELONS AND GO ON BACK.
[MOUTHING HER WORDS]
I SEE BERNIECE STILL ACTS STUCK UP.
YOU HEAR FROM WININ' BOY?
THAT'S MY UNCLE.
OH, HE COME THROUGH HERE ABOUT A YEAR AGO.
HAD A SACK OF MONEY AND AIN'T OFFERED NOTHING.
BERNIECE ASKED FOR $3.00, AND HE GOT MAD AND LEFT.
HE STILL MAKING THEM RECORDS?
HE MADE ONE OR TWO RECORDS A LONG TIME AGO.
THAT'S THE ONLY ONES I KNOW.
LET HIM TELL IT, HE A BIG RECORDING STAR.
IS THAT THE PIANO?
YEAH, THAT'S IT, LYMON.
YOU SEE HOW IT GOT ALL THEM CARVINGS ON IT?
THAT'S WHAT I WAS TALKING ABOUT.
YOU NEVER FIND YOU ANOTHER PIANO LIKE THAT.
YEAH. THAT LOOK REAL NICE.
I TOLD YOU.
MM-HMM.
SEE HOW IT'S POLISHED?
MY MAMA USED TO POLISH IT EVERY DAY.
YEAH. THAT'S REAL NICE.
I TOLD YOU.
MM-HMM.
HEY, DOAKER,
SUTTER'S BROTHER SELLING THE LAND.
SAY HE'LL SELL IT TO ME.
HE WANT TO SEE ME WITH IT. ASK LYMON.
HOW MUCH LAND SUTTER GOT LEFT?
GOT 100 ACRES.
GOOD LAND.
BROTHER DON'T WANT THE BOTHER.
TOLD ME HE LET ME HAVE IT FOR $2,000 CASH MONEY.
TOLD HIM TO GIVE ME TWO WEEKS.
THAT'S WHY I COME UP HERE--
SELL ALL THEM WATERMELONS,
GET BERNIECE TO SELL THAT PIANO,
PUT THAT WITH THE PART I DONE SAVED.
AH, DOAKER...
I WALK IN THERE,
TIP MY HAT...
LAY MY MONEY DOWN ON THE TABLE,
GET MY DEED,
AND WALK ON OUT.
THIS TIME...
I GET TO KEEP ALL THE COTTON.
HMM.
BERNIECE AIN'T GONNA SELL THAT PIANO.
I'M GOING TO TALK TO HER, NOW.
SHE BEEN PLAYING ON IT?
YOU KNOW SHE WON'T TOUCH THAT PIANO.
SHE AIN'T TOUCHED IT SINCE YOUR MAMA DIED.
THAT'S OVER SEVEN YEARS NOW.
SHE SAY IT'S GOT BLOOD ON IT.
SHE GOT MARETHA PLAYING ON IT, THOUGH.
MARETHA DON'T NEED NO PIANO.
SHE CAN PLAY ON THE GUITAR.
YOU'LL HAVE A HARD TIME GETTING BERNIECE TO SELL THAT PIANO.
YOU KNOW AVERY BROWN.
HA HA HA!
HE FOLLOWED BERNIECE UP HERE
TRYING TO GET HER TO MARRY HIM AFTER CRAWLEY GOT KILLED.
CALL HIMSELF A PREACHER NOW.
I KNOW AVERY. LYMON KNOW HIM, TOO.
AVERY THINK ALL WHITE MEN IS BIG SHOTS.
HE DON'T KNOW SOME WHITE MEN AIN'T GOT WHAT HE GOT.
THAT'S WHY I KNOW BERNIECE AIN'T SELLING THAT PIANO.
HE WANTED TO SELL IT TO HELP START HIS CHURCH.
SENT THE MAN AROUND AND EVERYTHING.
WHAT MAN?
SOME WHITE FELLA GOING TO ALL THE COLORED PEOPLE'S HOUSES
LOOKING TO BUY UP MUSICAL INSTRUMENTS.
HOW MUCH HE OFFER HER FOR IT?
NOW, YOU KNOW ME.
SHE DIDN'T SAY, AND I DIDN'T ASK.
IT WAS A NICE PRICE, THOUGH.





BERNIECE!

WHAT IS IT?

BERNIECE, WHAT'S THE MATTER?
YOU ALL RIGHT?
SUTTER...
SUTTER IS STANDING AT THE TOP OF THE STEPS.
BOY WILLIE!
WHAT'S WRONG WITH HER, DOAKER?
SHE SAYS SHE SEEN SUTTER'S GHOST
STANDING AT THE TOP OF THE STAIRS.
SEEN WHAT?
SUTTER?
SHE AIN'T SEEN NO SUTTER.
YOU WANT SOME WATER, BERNIECE?
GET SOME WATER, BOY WILLIE.
NO NEED. SHE AIN'T SEEN NOTHING.
LET BERNIECE TELL IT.
WHAT HAPPENED?
I AIN'T STOPPING HER.
I START TO COME BACK DOWN HERE,
AND SUTTER WAS STANDING IN THE HALL.
WHAT HE LOOK LIKE?
HE LOOK LIKE SUTTER.
HE LOOK LIKE HE ALWAYS LOOK.
OH, SUTTER COULDN'T FIND HIS WAY FROM BIG SANDY TO LITTLE SANDY.
HOW HE GONNA FIND PITTSBURGH?
SUTTER NEVER HEARD OF PITTSBURGH.
GO ON, BERNIECE.
THE MAN AIN'T NEVER LEFT SUNFLOWER COUNTY WHEN HE WAS LIVING.
HE GONNA COME WAY UP HERE NOW THAT HE'S DEAD?
DON'T PAY BOY WILLIE NO MIND.

HE WAS STANDING THERE.
HE HAD HIS HAND ON TOP OF HIS HEAD,
LIKE IF HE TOOK HIS HAND DOWN,
HIS HEAD MIGHT HAVE FALLEN OFF.
DID HE HAVE ON A HAT?
HE JUST HAD ON THAT BLUE SUIT,
STANDING THERE HOLDING ONTO THE TOP OF HIS HEAD...
CALLING BOY WILLIE'S NAME.
WH-WHAT HE CALLING MY NAME FOR?
I BELIEVE YOU PUSHED HIM DOWN THAT WELL.
OH, NOW, WHAT KIND OF SENSE THAT MAKE?
YOU TELLING ME I'M GOING TO GO OUT THERE,
HIDE IN THE WEEDS WITH ALL THEM DOGS HE GOT ROUND THERE,
I'M GONNA HIDE AND WAIT
TILL I CATCH HIM LOOKING DOWN HIS WELL,
THEN I'M GONNA RUN OVER AND PUSH HIM IN,
A GREAT BIG, OLD 340-POUND MAN?
WELL, WHY HE CALLING YOUR NAME?
HE LOOKING DOWN HIS WELL.
HOW HE KNOW WHO PUSHED HIM?
OH...
WHERE WAS YOU WHEN SUTTER FELL IN?
WHERE WAS DOAKER?
THE GHOSTS OF THE YELLOW DOG PUSHED HIM.
THAT'S WHAT EVERYBODY SAY.
SAYING HE LOOKING FOR ME...
THAT'S NOTHING BUT IN BERNIECE'S HEAD.
NO TELLING WHAT SHE'S LIABLE TO COME UP WITH NEXT.
YOU JUST BRING TROUBLE WITH YOU EVERYWHERE YOU GO.
IF IT WASN'T FOR YOU, MY HUSBAND WOULD STILL BE ALIVE.
I AIN'T HAVE NOTHING TO DO WITH CRAWLEY GETTING KILLED.
THAT WAS HIS OWN FAULT.
GO ON AND LEAVE.
LET SUTTER GO LOOKING SOMEWHERE ELSE FOR YOU.
SUTTER LOOKING FOR THAT PIANO.
THAT'S WHAT HE LOOKING FOR.
HE HAD TO DIE TO FIND WHERE THAT PIANO WAS.
IF I WAS YOU, I'D GET RID OF IT.
THAT'LL MAKE HIM LEAVE--
GET RID OF THAT PIANO.
I WANT YOU AND LYMON GONE ALONG WITH YOUR CONFUSION.
NOT TILL WE SELL THEM WATERMELON.
WHY DON'T YOU JUST GO OUT THERE AND SELL THEM?
WE WAITING TILL THE PEOPLE GET UP.
COME ON, DOAKER.
COME WALK UP HERE WITH ME.
LET ME GET MARETHA STARTED.
I GOT TO GET READY MYSELF.
IF YOU SEE SUTTER UP THERE,
TELL HIM I'M DOWN HERE WAITING ON HIM.
WISH I COULD SEE SUTTER.
THEN I PUT A WHOPPIN' ON HIM.
HE-E-EY, SUGAR!
COME GIVE BOY WILLIE A HUG.
DON'T BE SHY.
DOAKER, LOOK AT HER.
SHE DONE GOT BIGGER.
YEAH. SHE GETTING UP THERE.
HOW YOU DOING, SUGAR?
FINE.
THIS IS YOUR UNCLE BOY WILLIE FROM DOWN SOUTH.
THAT THERE LYMON. HE MY FRIEND.
HI. HOW YOU DOING?
YOU LOOK JUST LIKE YOUR MAMA.
I REMEMBER YOU WAS WEARING DIAPERS.
HEY, YOU GONNA COME DOWN SOUTH AND SEE ME?
UNCLE BOY WILLIE GONNA GET HIM A FARM...
YOU COME DOWN THERE,
I'LL TEACH YOU HOW TO RIDE A MULE.
HOW TO KILL A CHICKEN, TOO.
I SEEN MY MAMA DO THAT.
AIN'T NOTHING TO IT.
JUST GRAB HIS NECK AND TWIST IT.
YOU GET A GOOD GRIP AND JUST WRING HIS NECK, THROW HIM IN THAT POT.
YOUR MAMA GOT YOU PLAYING ON THAT PIANO?
YOU LIKE THAT?
YOU LIKE PLAYING ON THE PIANO?
IT'S ALL RIGHT.
YOU JUST GOT TO READ THE NOTES, AND THEY HARD TO SEE.
THEN UNCLE BOY WILLIE GONNA BUY YOU A GUITAR.
LET UNCLE DOAKER TEACH YOU TO PLAY THAT.
YOU DON'T NEED TO READ NO PAPER TO PLAY GUITAR.
MARETHA...
I GOT TO GET READY TO GO.

HERE COME AVERY NOW.
I SEE YOU OUT THERE MESSING WITH THE LADIES.
HEY, DOAKER.
AVERY.
LOOK AT HIM, LYMON. LOOK AT HIM!
HE DON'T KNOW WHAT TO SAY!
HEY, BOY WILLIE!
HA HA HA!
IS THAT LYMON?
LYMON JACKSON!
YEAH. YOU KNOW LYMON.
WHAT Y'ALL DOING UP HERE?
MUST BE YOUR TRUCK FULL OF WATERMELONS.
YEAH. THAT'S LYMON'S TRUCK.
HEY, HEY, DOAKER SAY YOU A PREACHER NOW.
WELL...
WHAT, WE SUPPOSED TO CALL YOU REVEREND AVERY?
I KNOW WHEN YOU WERE DOWN PLANTING COTTON,
YOU WASN'T THINKING ABOUT NO REVEREND THEN.
AVERY A PREACHER SO HE DON'T HAVE TO WORK.
AVERY WORKING.
AVERY GOT A GOOD JOB.
HE WORKING IN ONE OF THEM SKYSCRAPERS.
I'M RUNNING A ELEVATOR.
GOT A PENSION AND EVERYTHING.
THEY EVEN GIVE YOU A TURKEY ON THANKSGIVING.
BERNIECE BE DOWN IN A MINUTE.
Y'ALL GOING TO THE BANK?
YEAH, I'M GOING DOWN THERE,
LOOKING FOR A LOAN TO EXPAND MY CHURCH.
HOW YOU GET TO BE A PREACHER, AVERY?
IT COME TO ME IN A DREAM.
GOD CALLED ME,
SAID HE WANTED ME TO BE A SHEPHERD FOR HIS FLOCK.
THAT'S WHAT I CALL MY CHURCH--
THE GOOD SHEPHERD CHURCH OF GOD IN CHRIST.
TELL THEM WHAT YOU TOLD ME-- ABOUT THE THREE HOBOS.
WELL...
I WAS SITTING IN THIS RAILROAD YARD,
JUST WATCHING TRAINS GO BY.
THE TRAIN STOPPED, AND THESE THREE HOBOS GOT OFF,
TOLD ME TO COME GO ALONG WITH THEM.
THEY GIVE ME A CANDLE, SAID TO LIGHT IT,
BUT TO MAKE SURE IT DIDN'T GO OUT.
THEN THEY TOOK ME TO THIS PLACE
FILLED WITH ALL KINDS OF PEOPLE,
ONLY THEY ALL HAD SHEEP HEADS
AND WAS MAKING NOISE LIKE SHEEP MAKE.
THEN THEY SHOWED ME THESE THREE DOORS
AND SAID TO PICK ONE.
I WENT THROUGH ONE OF THEM DOORS.
THAT FLAME LEAPT OFF THAT CANDLE.
SEEMED LIKE MY HEAD CAUGHT FIRE.
I LOOKS AROUND, FOUR OR FIVE OTHER FELLAS THERE.
THEN WE HEARD A VOICE
TELL US TO LOOK OUT ACROSS THIS VALLEY.
WE LOOKED, AND THE VALLEY WAS FULL OF WOLVES.
THE VOICE TOLD US THE SHEEP PEOPLE
HAD TO GO OVER TO THE OTHER SIDE,
AND SOMEBODY HAD TO TAKE THEM.
THEN I HEARD ANOTHER VOICE SAY,
"WHO SHALL I SEND?"
NEXT THING I KNEW, I SAID, "HERE I AM. SEND ME."
AND THAT'S WHEN I MET JESUS.
HE SAID, "IF YOU GO,
I'LL GO WITH YOU."
AND SOMETHING TOLD ME TO SAY,
"WELL, COME ON. LET'S GO."
THAT'S WHEN I WOKE UP.
I KNEW THEN I'D BEEN FILLED WITH THE HOLY GHOST,
CALLED TO BE A SERVANT OF THE LORD.
IS WE GONNA TAKE THE STREETCAR?
ME AND AVERY DROPPING YOU OFF AT THE SETTLEMENT HOUSE.
DON'T GO SHOWING YOUR COLOR, HEAR?
HOW YOU DOING, AVERY?
YOU LOOK NICE.
THANK YOU.
DOAKER, I SEE YOU LATER.
HEY, BERNIECE.
WHAT'S THE NAME OF THAT MAN AVERY SENT PAST HERE,
SAY HE WANTS TO BUY THE PIANO?
HUH.
I KNEW IT.
I KNEW IT WHEN I FIRST SEEN YA.
I KNEW YOU WAS UP TO SOMETHING.
SUTTER'S BROTHER SELLING THE LAND,
SAY HE GONNA SELL IT TO ME.
I NEED TO SELL THE PIANO
TO GET ME THE MONEY TO BUY SUTTER'S LAND.
I AIN'T SELLING THE PIANO.
THAT'S ALL THERE IS TO IT.
IF THAT'S WHY YOU COME HERE,
YOU DONE COME HERE FOR NOTHING.
WELL, ALL RIGHT.
HEY, DOAKER.
MM-HMM.
IF BERNIECE DON'T WANT TO SELL THAT PIANO,
I'M A-GO AHEAD AND CUT IT IN HALF AND SELL MY HALF.
THAT'S YOUR GENERATOR.
YOU NEED A NEW GENERATOR.
CAN'T FIX THAT.
GOT TO PUT A NEW ONE IN THERE.
I'LL HAVE IT READY FOR YOU TOMORROW.
NO. WE GOT TO HAVE IT FIXED TODAY.
WELL, I CAN'T FIX IT WITHOUT THE PART,
AND CAN'T GET THE PART UNTIL TOMORROW.
AND THAT'LL COST YOU $10.
LYMON.
HMM.
GIVE THE MAN $10.
WHAT? WHY I ALWAYS GOT TO PAY?
HERE YOU GO.
COME ON.
LET'S GO SEE AVERY.
WE WERE JUST TALKING ABOUT YOU, WININ' BOY.
WHEN YOU LEFT OUT OF HERE WITH THAT MONEY,
WE THOUGHT WE WOULDN'T SEE YOU NO MORE.
BOY WILLIE SAID WE'D SEE YOU WHEN YOU GOT BROKE.
BROKE? WHAT YOU MEAN BROKE?
I GOT A WHOLE POCKET FULL OF MONEY.
YOU WAIT TILL HE COME IN HERE.
I'M GOING TO TELL HIM ABOUT HISSELF.
THEY BEEN TRYING TO SELL THEM WATERMELONS.
THEIR TRUCK KEEP BREAKING DOWN.
AS SOON AS HE GET THAT TRUCK EMPTY
TO SET THAT PIANO UP IN THERE,
HE GOING TO TAKE IT AND SELL IT.
BERNIECE AIN'T GOING TO SELL THAT PIANO,
AND I CAN'T UNDERSTAND HOW HE DON'T KNOW THAT.
WELL, IT AIN'T DONE NOTHING BUT CAUSE TROUBLE.
SHE NEED TO GET RID OF IT.
HOW LONG YOU BEEN IN KANSAS CITY?
SINCE I LEFT HERE. YEAH.
GOT TIED UP WITH SOME OLD GAL DOWN THERE.
OH...
YOU KNOW CLEOTHA PASSED?
YEAH, I HEARD THAT.
I WAS SORRY TO HEAR THAT.
HER FRIEND WROTE ME,
THE NAME OF WILLA DEAN PURTER.
I WAS DOWN IN KANSAS CITY.
AND SHE SAYS SHE KNOWS COUSIN RUPERT, TOO.
UH-HUH.
IT SAYS "DEAR WININ' BOY,
"I AM WRITING THIS LETTER TO LET YOU KNOW
"MISS CLEOTHA HOLMAN PASSED ON SATURDAY, THE 1st OF MAY.
"SHE DEPARTED THIS WORLD IN THE LOVING ARMS
"OF HER SISTER MISS ALBERTA SAMUELS.
"I KNOW YOU WOULD WANT TO KNOW THIS,
"AND I'M WRITING AS A FRIEND OF CLEOTHA.
"THERE HAVE BEEN MANY HARDSHIPS
"SINCE LAST YOU'VE SEEN HER,
"BUT SHE SURVIVED THEM ALL
"AND TO THE END WAS A GOOD WOMAN,
"WHOM I HOPE HAVE GOD'S GRACE
"AND IS IN HIS PARADISE.
"I PRAY THIS REACHES YOU ABOUT CLEOTHA.
MISS WILLA DEAN PURTER, A FRIEND."
MAN, THAT HIT ME SO.
THEY WAS NAILING HER COFFIN SHUT
BY THE TIME I GOT THE LETTER.
NOW, THAT JUST BUSTS ME ALL UP INSIDE.
SO, I SAID LET ME GO SEE FAMILY.
SO I STOPPED BY HERE TO SEE YOU AND BERNIECE.
CLEOTHA ALWAYS DID HAVE A NICE WAY ABOUT HER.
OH, MAN, THAT WOMAN WAS SOMETHING.
I USED TO THANK THE LORD. YEAH.
I LOOKED OVER MY LIFE,
I SAID, "WELL, I HAD CLEOTHA."
WHEN THERE WAS NOTHING FOR ME,
I SAID "WELL, THANK GOD.
AT LEAST I HAD THAT."
AND IF EVER I GO ANYWHERE IN THIS LIFE,
I'D A-KNOWN A GOOD WOMAN.
HMM.
BOY WILLIE, HOW HIGH YOU THINK THAT IS?
THERE GO AVERY.
LOOK AT HIM. LOOK AT HIM.
HE WASN'T EXPECTING TO SEE US.
BOY WILLIE, WHAT YOU DOING DOWN HERE?
JUST STOPPED BY TO SEE YOU.
TAKE US FOR A RIDE.
I CAN'T HAVE NO COMPANY ON MY JOB.
YOU GOING TO GET ME FIRED.
COME ON, LYMON.
NO. THAT ROPE MIGHT BREAK.
AVERY, AIN'T YOU SCARED THAT ROPE GOING TO BREAK?
MORNING, SIR.
MORNING.
I'LL BE BACK. WAIT FOR ME.
MORNING, SIR.
MORNING TO YOU, AVERY.
YEAH. THIS IS NICE, AVERY.
I CAN SEE HOW THEY GIVE YOU A TURKEY ON THANKSGIVING.
WHOO.
WHOO, IT RUN FAST, TOO.
I AIN'T KNOW IT RUN THIS FAST.
BOY WILLIE, COME BACK HERE.
DON'T WORRY. I'LL BE BACK.
HEY, LYMON!

BOY WILLIE, I'M NOT ALLOWED NO COMPANY ON MY JOB.
I'M WORKING. I AIN'T GOT TIME TO TALK.
I JUST STOPPED BY TO FIND OUT THE NAME OF THAT MAN
WHO WANTS TO BUY THE PIANO.
YOU SENT HIM BY THE HOUSE.
I FORGOT HIS NAME.
HE GAVE BERNIECE A CARD,
BUT I BELIEVE SHE THROWED IT AWAY.
THAT'S A WHILE BACK.
I CAN'T RECALL HIS NAME.
SEE YOU LATER, AVERY.
COME ON, LYMON.

OH, LOOKIE HERE.
WININ' BOY, WHAT YOU DOING HERE?
WHERE YOU COMING FROM?
I BEEN DOWN IN KANSAS CITY.
HEY, YOU REMEMBER LYMON JACKSON?
YEAH. YEAH.
THIS IS MY UNCLE WININ' BOY.
I USED TO KNOW HIS DADDY.
HEY, DOAKER SAY BERNIECE ASKED YOU FOR $3.00,
AND YOU GOT MAD AND LEFT.
BERNIECE RULES TOO MUCH FOR ME.
THAT'S WHY I LEFT.
OH, NO. IT WASN'T ABOUT NO $3.00.
HEY, DOAKER TELL YOU ABOUT SUTTER?
THE GHOSTS OF THE YELLOW DOG GOT HIM THREE WEEKS AGO.
BERNIECE DONE SEEN HIS GHOST AND EVERYTHING.
NOW, HOW MANY THAT MAKE
THAT THE GHOSTS OF THE YELLOW DOG DONE GET?
I DON'T KNOW.
MUST BE ABOUT 9 OR 10.
BERNIECE DON'T BELIEVE IN THE GHOSTS OF THE YELLOW DOG.
BERNIECE AIN'T GOT TO BELIEVE IT.
GO DOWN THERE IN SUNFLOWER COUNTY
AND ASK THEM WHITE FOLKS.
SEE IF THEY BELIEVE IT.
I DON'T CARE IF BERNIECE BELIEVE IT OR NOT.
I DONE BEEN WHERE THE TRACKS OF THE SOUTHERN RAILROAD
CROSSED THE TRACKS OF THE YELLOW DOG
AND CALLED OUT THE NAMES OF THE GHOSTS.
THEY TALK BACK TO YOU.
NOW, YOU DONE BEEN THERE FOR REAL, WININ' BOY?
1930.
JULY 1930.
I STOOD RIGHT THERE ON THAT SPOT.
IT DIDN'T SEEM LIKE NOTHING WAS GOING RIGHT.
I WENT DOWN NEAR THE GHOSTS,
CALL ON THEM TO HELP ME.
I WENT DOWN THERE AND STOOD RIGHT THERE ON THAT SPOT
AND CALLED OUT THE NAMES OF THE GHOSTS.
I DIDN'T WANT TO LEAVE.
THE LONGER I STOOD THERE,
THE BIGGER I GOT.
I SEEN THE TRAIN COMING,
AND IT SEEMED LIKE I GOT BIGGER THAN THE TRAIN.
STARTED NOT TO MOVE.
SOMETHING TOLD ME TO GET OUT OF THE WAY.
WHEN I WALKED AWAY FROM THERE,
I WAS FEELING LIKE A KING.
HAD A STROKE OF LUCK.
I DON'T CARE IF BERNIECE BELIEVE IT OR NOT.
I KNOW 'CAUSE I BEEN THERE.
BERNIECE DON'T BELIEVE IN NOTHING.
SHE JUST THINK SHE BELIEVE.
LET'S NOT GET ON BERNIECE NOW.
DOAKER TELLS ME THAT YOU'RE GOING TO BUY SUTTER'S LAND.
HOW DO YOU KNOW HE AIN'T SOLD THAT LAND?
HE SAY HE WAITING ON ME.
HE GOING TO SELL THAT LAND
TO THE FIRST ONE WITH MONEY.
THAT'S WHO I'M GOING TO BE.
YOU AIN'T GOT TO KNOW HE'S WAITING ON ME.
THE MAN SAY HE WAITING ON ME.
UH-UH, DOAKER. COME ON.
GIVE ME A DRINK.
I SEE WININ' BOY GOT HIS GLASS.

WI-I-NIN' BOY.
HEY, DOAKER TELL ME THEY HAD YOU AND LYMON
IN THE PENITENTIARY ON PARCHMENT FARM,
HAD YOU ALL DOWN THERE ON MY OLD STOMPING GROUND.
YEAH. THEY LOOKING FOR LYMON DOWN THERE NOW.
ROUNDED HIM UP, PUT HIM IN JAIL FOR NOT WORKING.
MM-HMM. FOUND ME $100.
MR. STOVALL COME AND PAID MY $100,
AND THE JUDGE SAY I GOT TO WORK FOR HIM
TO PAY HIM BACK HIS $100.
I TOLD THEM I'D RATHER TAKE MY 30 DAYS.
THEY WOULDN'T LET ME DO THAT.
AS SOON AS STOVALL TURNED HIS BACK, LYMON WAS GONE.
I'M STAYING UP HERE.
I AIN'T GOING BACK.
THEY TREAT YOU BETTER HERE.
I AIN'T WORRIED ABOUT NOBODY MISTREATING ME.
THEY TREAT YOU LIKE YOU LET THEM.
THEY MISTREAT ME, I MISTREAT THEM.
AIN'T NO DIFFERENCE IN ME AND THE WHITE MAN.
I'LL TELL YOU THE DIFFERENCE BETWEEN COLORED AND WHITE.
THE COLORED MAN CAN'T FIX NOTHING WITH THE LAW.
NOW, THAT'S THE DIFFERENCE
BETWEEN THE COLORED AND THE WHITE.
IT DON'T MATTER TO ME WHAT THE LAW SAY.
I TAKE A LOOK AT IT FOR MYSELF.
THAT'S WHY YOU GOING TO END UP
BACK DOWN THERE ON THE PARCHMENT FARM.
I AIN'T THINKING ABOUT NO PARCHMENT FARM.
YOU LIABLE TO GO BACK BEFORE I DO.
THEY HAD LYMON DOWN THERE SINGING BERTA, BERTA.
WHY YOU GOING TO TELL THAT LIE, BOY WILLIE?
AND HE SAY, HE SAY, HE SAY...
OH, LORD
BERTA
BERTA
OH, LORD, GAL
WELL, NOW
GO 'HEAD AND MARRY
DON'T YA WAIT ON ME
OH AHH
GO 'HEAD AND MARRY
DON'T YA WAIT ON ME
WELL, NOW
MIGHT NOT WANT YA
WHEN I
I GO FREE
OH AHH
MIGHT NOT WANT YA
WHEN I
I GO FREE
WELL, NOW
HMM
COME ON, DOAKER. DOAKER KNOW THIS ONE.
OH, LORD, GAL
OH AHH
OH, LORD, BERTA, BERTA
OH, LORD, GAL
RAISE 'EM UP!
RAISE 'EM UP HIGHER
LET 'EM DROP ON DOWN
OH AHH
RAISE 'EM UP HIGHER
LET 'EM DROP ON DOWN
WELL, NOW
I'M ON OLD PARCHMENT
GOTTA WORK OR LEAVE
OH AHH
I'M ON OLD PARCHMENT
GOTTA WORK OR LEAVE
WELL, NOW
OH, ALBERTA, BERTA
OH, LORD, GAL
OH AHH
OH, ALBERTA, BERTA
OH, LORD, GAL
WELL, NOW
WHEN YOU MARRY
DON'T YA MARRY A FARMIN' MAN
OH AHH
EVERY DAY MONDAY
HO HA
IN YOUR HAND
WELL, NOW
WHEN YOU MARRY
MARRY A RAILROAD MAN
OH AHH
EVERY DAY SUNDAY
DA DA
IN YOUR HAND
WELL, NOW
OH, ALBERTA, BERTA
OH, LORD, GAL
OH AHH
OH, ALBERTA, BERTA--

COME ON. PLAY SOME PIANO.
LYMON WANT TO HEAR YOU PLAY.
I GIVE THAT PIANO UP.
THAT'S A NICE PIANO.
IF I KNEW HOW, I WOULD PLAY IT. OTHERWISE I'D SELL IT.
YOU CAN GET A NICE PRICE FOR THAT PIANO.
NOW, I'M GOING TO TELL YOU SOMETHING.
NOW, LYMON DON'T KNOW THIS,
BUT I'LL TELL YOU WHY ME AND WININ' BOY SAY
BERNIECE AIN'T GOING TO SELL THAT PIANO.
SHE...AIN'T GOT TO SELL IT.
I'M GOING TO SELL IT.
NOW, BERNIECE AIN'T GOT NO MORE RIGHTS
TO THAT PIANO THAN I DO.
I'M TALKING TO THE MAN.
NOW LET ME TALK TO THE MAN.
SEE, NOW, TO UNDERSTAND WHY WE SAY THAT,
TO UNDERSTAND ABOUT THAT PIANO,
WELL, YOU GOT TO GO BACK TO SLAVERY TIME.
SEE, OUR FAMILY WAS OWNED
BY A FELLOW NAMED ROBERT SUTTER.
NOW, THAT WAS SUTTER'S GRANDFATHER.
ALL RIGHT.
THE PIANO WAS OWNED
BY A FELLOW NAMED JOE NOLANDER.
NOW, HE WAS ONE OF THE NOLANDER BROTHERS
FROM DOWN IN GEORGIA.
NOW, MISS OPHELIA--
THAT WAS SUTTER'S WIFE'S NAME--
SHE FANCIED HERSELF A PLAYER OF THE PIANO,
HAVING TAKEN IT UP WHEN SHE WAS A LITTLE GIRL.
IT WAS COMING UP ON THEIR WEDDING ANNIVERSARY.
SUTTER FIGURED HE'D GET HER THIS PIANO FOR A PRESENT.
THE ONLY THING WITH HIM,
SUTTER AIN'T HAD NO MONEY.
BUT HE HAD SOME SLAVES.
TOLD MR. NOLANDER HE'D GIVE HIM
ONE AND A HALF SLAVES FOR THAT PIANO.
MR. NOLANDER TOLD HIM, SAY, O.K.,
BUT HE WANTED TO HAVE THE PICK OF THE LITTER.
HE DIDN'T WANT SUTTER TO GIVE HIM JUST ANY OLD BODY.
SO SUTTER LINED UP HIS SLAVES,
AND OUT THE WHOLE BUNCH,
MR. NOLANDER PICKED MY GRANDMOTHER BERNIECE.
NOW, THAT'S WHO BERNIECE IS NAMED AFTER.
AND HE PICKED MY DADDY
WHEN HE WASN'T NOTHING BUT A LITTLE BOY,
9 YEARS OLD.
SO SUTTER TRADED MAMA BERNIECE
AND MY DADDY FOR THAT PIANO.
AND MR. NOLANDER CARRIED THEM
DOWN TO HIS PLACE IN GEORGIA.
PAPA WILLIE BOY STAYED ON THERE AT SUTTER'S.
AND HE NEVER DID SEE HIS FAMILY AGAIN.
MISS OPHELIA WAS AS HAPPY AS SHE COULD BE
PLAYING ON THAT PIANO.
SHE'D GET UP IN THE MORNING,
GET ALL DRESSED UP, SIT DOWN,
AND PLAY ON THAT PIANO.
ALL RIGHT.
TIME GO ALONG.
TIME GO ALONG.
MISS OPHELIA GOT TO MISSING MY GRANDMOTHER,
THE WAY SHE WOULD COOK AND CLEAN THE HOUSE
AND TALK WITH HER AND WHATNOT.
SHE MISSED HAVING MY DADDY
TO FETCH THINGS FOR HER.
SHE ASKED TO SEE
IF SHE TRADE THE PIANO BACK FOR HER SLAVES.
WELL, MR. NOLANDER SAID NO.
A DEAL WAS A DEAL.
WELL, HIM AND SUTTER HAD A BIG FALLING OUT ABOUT IT,
AND MISS OPHELIA TOOK SICK TO THE BED.
THAT'S WHEN SUTTER CALLED MY GRANDDADDY UP TO THE HOUSE.
NOW, OUR GRANDDADDY'S NAME WAS BOY WILLIE.
NOW, THAT'S WHO BOY WILLIE'S NAMED AFTER.
HE WAS A WORKER OF WOOD.
HE COULD MAKE YOU ANYTHING YOU WANTED OUT OF WOOD.
YES.
SO SUTTER CALLED MY GRANDFATHER UP TO THE HOUSE
AND TOLD HIM TO CARVE MY GRANDMAMA'S
AND MY DADDY'S PICTURE ON THE PIANO FOR MISS OPHELIA.
AND HE TOOK AND CARVED THIS.
SEE THAT RIGHT THERE?
THAT'S MY GRANDMOTHER BERNIECE.
AND HERE HE PUT A PICTURE OF MY DADDY.
NOW, HE MADE THEM UP OUT OF HIS MEMORY.
THE ONLY THING, HE DIDN'T STOP THERE.
HE CARVED ALL THIS.
HE GOT A PICTURE OF HIS MAMA, MAMA ESTHER,
AND HIS DADDY BOY CHARLES.
NOW, THAT WAS THE FIRST BOY CHARLES.
HE PUT HERE, ON THE SIDE, ALL KINDS OF THINGS.
SEE THAT?
THAT'S WHEN HIM AND MAMA BERNIECE GOT MARRIED.
THEN CALL IT JUMPIN' THE BROOM.
AND HERE HE GOT WHEN MY DADDY WAS BORN.
AND HE GOT HERE MAMA ESTHER'S FUNERAL.
AND HERE HE GOT MR. NOLANDER
TAKING MAMA BERNIECE AND MY DADDY
AWAY TO HIS PLACE DOWN IN GEORGIA.
HE GOT ALL KINDS OF THINGS
OF WHAT HAPPENED WITH OUR FAMILY.
WHEN SUTTER SEEN THE PIANO
WITH ALL THEM CARVINGS ON IT,
HE GOT MAD.
HE DIDN'T ASK FOR ALL THAT.
WHEN MISS OPHELIA SEEN IT, SHE GOT EXCITED.
NOW SHE HAD HER PIANO AND HER SLAVES, TOO.
SHE TOOK BACK TO PLAYING ON IT
AND PLAYED ON IT RIGHT UP TO THE DAY SHE DIED.
ALL RIGHT.
NOW...
OUR BROTHER BOY CHARLES--
THAT'S BOY WILLIE AND BERNIECE'S DADDY--
NOW, I'LL TELL YOU WHAT KIND OF MAN HE WAS.
HE WAS THE OLDEST OF US THREE BOYS.
HE'S DEAD, BUT HE WOULD'VE BEEN 57 IF HE LIVED.
HE DIED IN 1911 WHEN HE WAS 31 YEARS OLD.
BOY CHARLES USED TO TALK
ABOUT THAT PIANO ALL THE TIME.
HE NEVER COULD GET IT OFF HIS MIND.
EVEN YEARS LATER, HE WAS STILL TALKING ABOUT IT.
HE'D BE TALKING ABOUT TAKING IT OUT OF SUTTER'S HOUSE.
IT WAS THE STORY OF OUR WHOLE FAMILY.
AS LONG AS THE SUTTERS HAD IT, THEY HAD US.
WE WERE STILL IN SLAVERY.
ME AND WININ' BOY WOULD TRY
TO TALK HIM OUT OF IT,
BUT IT WOULDN'T DO ANY GOOD.
SO ON THE 4th OF JULY IN 1911,
WHEN THE SUTTER FAMILY WAS AT THE COUNTY PICNIC,
WE WENT ON IN THERE WITH HIM
AND TOOK THAT PIANO OUT OF SUTTER'S HOUSE.
ME AND WINING BOY CARRIED IT INTO THE NEXT COUNTY
TO BOY WILLIE'S MAMA, MAMA OLA, AND HER PEOPLE.
I DON'T KNOW WHAT HAPPENED
WHEN SUTTER CAME HOME AND FOUND THE PIANO GONE...
BUT SOMEBODY WENT UP TO BOY CHARLES' HOUSE
AND SET IT AFIRE.
BUT HE WASN'T IN THERE.
HE MUST HAVE SEEN IT COMING
'CAUSE HE WENT DOWN AND CAUGHT THE 357 YELLOW DOG.
NOW, HE AIN'T KNOWED THEY WAS GOING TO COME DOWN
AND STOP THE TRAIN.
THEY STOPPED THE TRAIN
AND FOUND BOY CHARLES IN THE BOXCAR
WITH FOUR OF THEM HOBOS.
THEY MUST HAVE GOTTEN MAD
WHEN THEY COULDN'T FIND THE PIANO,
'CAUSE THEY SET THE BOXCAR AFIRE.
THEY KILLED EVERYBODY.
NOW, NOBODY KNOW WHO DONE THAT.
SOME PEOPLE SAY IT WAS SUTTER
BECAUSE IT WAS HIS PIANO.
SOME PEOPLE SAY IT WAS SHERIFF CARTER,
BUT DON'T NOBODY KNOW FOR SURE.
ABOUT TWO MONTHS AFTER THAT,
ED SANDERS FELL DOWN HIS WELL,
JUST UP AND FELL DOWN HIS WELL FOR NO REASON.
PEOPLE SAY IT WAS THE GHOSTS OF THOSE MEN
WHO BURNT UP IN THE BOXCAR
THAT PUSHED HIM IN HIS WELL.
THEY STARTED CALLING THEM
THE GHOSTS OF THE YELLOW DOG.
NOW, THAT'S HOW ALL THAT GOT STARTED.
AND THAT'S WHY WE SAY
BERNIECE AIN'T GOING TO SELL THAT PIANO.
'CAUSE HER DADDY DIED OVER IT.
YEAH, WELL, THAT'S ALL IN THE PAST.
IF MY DADDY HAD SEEN WHERE HE COULD'VE TRADED THAT PIANO IN
FOR SOME LAND OF HIS OWN,
IT WOULDN'T BE SITTING UP HERE NOW.
HE SPENT HIS WHOLE LIFE
FARMING ON SOMEBODY ELSE'S LAND.
DOAKER, I AIN'T GOING TO DO THAT.
AND THE ONLY THING MY DADDY HAD TO GIVE ME WAS THAT PIANO.
HE DIED OVER GIVING ME THAT.
I AIN'T GOING TO LET IT SIT THERE AND ROT
WITHOUT TRYING TO DO SOMETHING WITH IT.
AND, DOAKER, YOU KNOW I'M RIGHT.
I AIN'T SAID NOTHING
ABOUT WHO'S RIGHT OR WHO'S WRONG.
I WAS JUST TELLING THE MAN ABOUT THE PIANO.
I WAS TELLING HIM WHY WE SAY BERNIECE AIN'T SELLING IT.
YOU OUGHT TO STAY HERE WITH ME.
YOU STAY, LYMON. YOU STAY.
STAY HERE AND MAKE IT YOUR OWN WAY.
I'M GOING BACK AND LIVE MY LIFE
THE WAY I WANT TO LIVE IT.
HEY, LET'S SEE WHAT WE GOT HERE.
I AIN'T PLAYED THIS THING FOR A WHILE.
[DOAKER] YOU PLAYED IT THE LAST TIME YOU CAME.
WE COULDN'T GET YOU OFF OF IT.
GO ON, PLAY SOMETHING.
I'M A RAMBLIN' GAMBLIN' MAN
I GAMBLED IN MANY TOWNS
I RAMBLED THIS WIDE WORLD OVER
AND I RAMBLED THIS WORLD AROUND
I HAD MY UPS AND DOWNS THROUGH LIFE
LORD, BITTER TIMES I SAW
I NEVER KNEW IT WASN'T MEASLY WORDS
TILL I LAND ON ARKANSAS
WELL, I WORKED SIX MONTHS FOR A RASCAL
JOE HERRIN WAS HIS NAME
WELL, IF HE HAD THE OLD COME DODGER
THAT WAS AS HARD AS ANY ROCK
THE TRUTH IS ALL GOT LOOSER
AND MY KNEES ARE GETTING NUMB
WELL, THAT WAS A TIME OF A HECK I GOT
IN THE STATE OF ARKANSAS
COME ON, BOY WILLIE.
TRAVELIN' MAN
YES, I'VE TRAVELED ALL AROUND THE WORLD
YES, I'M A TRAVELIN' MAN
YES, I'VE TRAVELED FROM LAND TO LAND
YES, SIR, I'M A TRAVELIN' MAN
YES, I'VE TRAVELED ALL AROUND THE WORLD
WELL, NOW, IT AIN'T NO USE
FIGHTING OLD NEWS
I'M A TRAVELIN' MAN
I KNOW THAT AIN'T WININ' BOY SITTING THERE.
BERNIECE.
YOU ALL HAD THIS PLANNED. YOU HAD THIS PLANNED.
I DIDN'T KNOW HE WAS GOING TO BE HERE.
NO. NO.
GO ON UPSTAIRS AND CHANGE YOUR CLOTHES.
YEAH.
I'M GOING TO FIX YOU SOMETHING TO EAT.
ALL RIGHT.
MM-MM.
GET UP ON THIS SIDE OF THE PIANO
AND LET ME SEE SOMETHING.
WHAT YOU DOING?
SEEING HOW HEAVY THIS PIANO IS.
YOU AIN'T TAKING THAT PIANO OUT OF HERE.
1, 2, 3.
YOU'RE GOING TO PLAY AROUND WITH ME
ONE TOO MANY TIMES, BOY WILLIE.
SET THAT PIANO BACK OVER THERE.
I NEED THIS PIANO TO GET ME SOME MONEY
TO BUY SUTTER'S LAND.
MONEY CAN'T BUY WHAT THAT PIANO COST.
YOU CAN'T SELL YOUR SOUL FOR MONEY.
I AIN'T TALKING ABOUT SELLING MY SOUL.
I'M TALKING ABOUT TRADING THAT PIECE OF WOOD
FOR SOME LAND.
LAND IS THE ONLY THING
GOD AIN'T MAKING NO MORE OF.
YOU CAN ALWAYS GET YOU ANOTHER PIANO.
WININ' BOY, WANT ME TO FRY YOU SOME PORK CHOPS?
YEAH!
I'M GOING TO TELL YOU THE WAY I SEE IT NOW.
THE ONLY THING MAKE THAT PIANO WORTH SOMETHING
IS THEM CARVINGS PAPA WILLIE BOY PUT ON THERE.
THAT WAS MY GREAT-GRANDDADDY.
NOW, PAPA BOY CHARLES
BROUGHT THAT PIANO INTO THE HOUSE.
I'M SUPPOSED TO BUILD ON WHAT THEY LEFT ME.
ALL RIGHT.
IF YOU SAY TO ME,
"BOY WILLIE, I'M USING THE PIANO.
"I GIVE OUT LESSONS ON IT
THAT HELP ME MAKE MY RENT,"
THEN THAT'D BE SOMETHING ELSE.
BUT DOAKER SAY YOU AIN'T TOUCHED THE PIANO
THE WHOLE TIME IT'S BEEN HERE,
SO WHY YOU WANT TO STAND IN MY WAY?
NOW, I WANT TO GET SUTTER'S LAND
WITH THAT PIANO, BERNIECE.
I'M THE KIND OF MAN MY DADDY WAS.
HE WOULD'VE UNDERSTOOD THAT.
NOW, BERNIECE...
I'M SORRY IF YOU CAN'T SEE IT THAT WAY.
BUT THAT'S WHY I'M GOING TO TAKE THAT PIANO OUT OF HERE,
AND I'M GOING TO SELL IT!
YOU AIN'T TAKING THAT PIANO OUT OF MY HOUSE.
LOOK AT THAT PIANO.
LOOK AT IT!
MAMA OLA POLISHED THIS PIANO WITH HER TEARS
FOR 17 YEARS.
FOR 17 YEARS, SHE RUBBED ON IT
TILL HER HANDS BLED.
THEN SHE RUBBED THE BLOOD
AND MIXED IT UP
WITH THE REST OF THE BLOOD ON IT.
EVERY DAY THAT GOD BREATHED LIFE INTO HER BODY,
SHE RUBBED AND CLEANED
AND POLISHED AND PRAYED OVER IT.
"PLAY SOMETHING FOR ME, BERNIECE."
"PLAY SOMETHING FOR ME, BERNIECE."
EVERY DAY.
"I CLEANED IT UP FOR YOU.
PLAY SOMETHING FOR ME, BERNIECE."
YOU'RE ALWAYS TALKING ABOUT YOUR DADDY.
BUT YOU AIN'T NEVER STOPPED TO LOOK
AT WHAT HIS FOOLISHNESS COST YOUR MAMA.
17 YEARS WORTH OF COLD NIGHTS
IN HER EMPTY BED.
AND FOR WHAT?
FOR A PIANO?
FOR A PIECE OF WOOD?
TO GET EVEN WITH SOMEBODY?
I LOOK AT YOU, AND YOU'RE ALL THE SAME.
YOU, PAPA BOY CHARLES,
WININ' BOY,
DOAKER,
CRAWLEY!
YOU'RE ALL ALIKE,
ALL THIS THIEVING AND KILLING
AND THIEVING AND KILLING.
AND WHATEVER THEY DO,
MORE KILLING,
MORE THIEVING.
I AIN'T NEVER SEEN IT COME TO NOTHING.
PEOPLE GETTING BURNT UP.
PEOPLE GETTING SHOT.
PEOPLE FALLING DOWN THEIR WELLS.
IT DON'T NEVER STOP.
I AIN'T NEVER KILLED NOBODY.
I CAN'T SPEAK FOR NOBODY ELSE,
BUT I AIN'T NEVER KILLED NOBODY.
YOU KILLED CRAWLEY
JUST AS SURE AS YOU PULLED THE TRIGGER.
YOU SEE, THAT'S IGNORANT.
THAT'S DOWNRIGHT FOOLISH
FOR YOU TO SAY SOMETHING LIKE THAT, BERNIECE.
CRAWLEY TRIED TO BE A BIG MAN
AND BULLY THEM FELLAS,
AND THEY CUT HIM DOWN.
THAT WAS HIS OWN FAULT.
IT'S THE SMART MAN THAT LIVES TO FIGHT ANOTHER DAY.
CRAWLEY AIN'T KNOW YOU STOLE THAT WOOD.
WE AIN'T STOLE NO WOOD, BERNIECE.
ME AND LYMON WAS HAULING WOOD FOR JIM MILLER,
KEEPING US A LITTLE BIT ON THE SIDE.
WE DUMPED THAT LITTLE BIT OFF DOWN BY THE CREEK
UNTIL WE HAD ENOUGH TO MAKE A LOAD.
WE TOLD HIM ABOUT THE WOOD.
WE SAID SOME FELLAS MIGHT TRY TO BEAT US TO IT.
HE WENT TO GET HIS .38.
THAT'S WHAT CAUSED ALL THE TROUBLE.
IF CRAWLEY AIN'T HAD THAT GUN,
HE'D BE ALIVE TODAY.
HE LIKE TO GOT ME AND LYMON KILLED.
THEY SHOT LYMON IN HIS STOMACH.
HE HAD IT HALFWAY LOADED WHEN THEY COME UP ON US.
WE TRIED TO GET AWAY.
WE DUCKED AROUND THAT BEND IN THE CREEK,
BUT THEY WAS THERE, TOO.
BOY WILLIE SAID, "LET'S GIVE IN,"
BUT CRAWLEY STARTED SHOOTING, AND THEY SHOT BACK.
ALL I KNOW IS, CRAWLEY WOULD BE ALIVE
IF YOU HADN'T COME AND GOT HIM.
MY HUSBAND IS DEAD AND IN THE GROUND,
AND YOU'RE STILL WALKING AROUND.
HE WENT OFF TO LOAD SOME WOOD WITH YOU,
AND HE AIN'T NEVER COME BACK!
I AIN'T HAVE NOTHING TO DO WITH CRAWLEY GETTING KILLED.
IT WAS HIS OWN FAULT.
HE AIN'T HERE, IS HE?
I SAID HE AIN'T HERE!
HE AIN'T HERE, IS HE?
DON'T DO THIS.
HE AIN'T HERE, IS HE? HE AIN'T HERE!
COME ON.
HE AIN'T HERE!
LET IT GO. IT AIN'T HIS FAULT.
HE AIN'T HERE, IS HE?
I AIN'T RESPONSIBLE. HE AIN'T HERE, IS HE? IS HE?



I'M GONNA LEAVE JACKSON, MISSISSIPPI
GO TO MEMPHIS
DOUBLE ON BACK TO JACKSON
COME ON DOWN TO HATTIESBURG
CHANGE CARS ON THE YELLOW DOG...
WATERMELON!
WATERMELON!
RED TO THE RIND!
WATERMELON!
HEY, PEOPLE, FRESH WATERMELON.
WATERMELON, SWEET AND GREEN
BEST WATERMELON YOU EVER SEEN
GET A HIGHBALL, PASS ON THROUGH
HOP ON, SIR
GRAND, PARSON, 31st STREET DEPOT
ARE YOUR WATERMELONS SWEET?
IS THEY SWEET?
LADY, WHERE WE GROW THESE WATERMELONS,
WE PUT SUGAR IN THE GROUND.
I NEVER HEARD OF SUCH A THING.
WE PUT IT IN THE GROUND WITH THE SEED.
TASTE IT.
MMM.
IT'S SWEET.
I'LL TAKE TWO OF THEM.
OH, YOU WANT TWO.
TWO WATERMELONS FOR THE LADY.
TWO WATERMELONS COMING UP.
ONE WATERMELON'S AWFUL SWEET
TWO WATERMELONS CAN'T BE BEAT
THREE IS BETTER AND FOUR IS BEST
SOMEBODY CALL ME AND BUY THE REST
GIVE THIS LADY A WATERMELON.
GIVE THIS LADY A WATERMELON.
HERE YOU GO, LADY.
ALL RIGHT.
GIVE ME THAT MONEY, MA'AM.

HERE YOU GO, JAMES.

HEY, MISTER.


I THOUGHT YOU TOOK THAT SUIT TO THE PAWNSHOP.
I WENT DOWN THERE.
THE MAN SAY THE SUIT IS TOO OLD.
LOOK AT THIS SUIT.
THIS IS 100% GENUINE SILK.
HOW IS A SILK SUIT GOING TO GET TOO OLD?
THERE'S ANOTHER PAWNSHOP ON WILEY.
I CARRIED IT UP THERE.
HE DIDN'T WANT IT EITHER.
HE DON'T TAKE NO CLOTHES.
THE ONLY THING HE TAKE
IS GUNS, RADIOS, AND MAYBE A GUITAR OR TWO.
SO MARETHA'S SCARED TO SLEEP UP THERE NOW.
BERNIECE FIGURES IF BOY WILLIE LEAVE,
SUTTER'S GHOST WILL FOLLOW.
SHE DON'T KNOW.
I SEEN SUTTER'S GHOST BEFORE BOY WILLIE COME.
SAY WHAT?
YEAH,
I WAS IN MY ROOM,
AND I HEARD THAT PIANO PLAYING.
I THOUGHT IT WAS BERNIECE,
BUT SHE DON'T PLAY THAT KIND OF MUSIC.
I COME OUT, AND I DIDN'T SEE NOBODY.
BUT THEM PIANO KEYS WAS MOVING A MILE A MINUTE.
WELL, I'LL TELL YOU OUTRIGHT,
IF I SEE SUTTER'S GHOST,
I'LL BE ON THE FIRST PLANE THAT GOT WHEELS ON IT.
HOW WE DO?
CHARGE 'EM A QUARTER MORE.
ALL RIGHT.
WATERMELON!
WATERMELONS!
WE GOT WATERMELONS OUT HERE!
WHAT TIME BERNIECE GET HOME?
I DON'T SEE HOW I LET HER
GET AWAY FROM ME THIS MORNING.
WHAT KIND OF BUSINESS YOU GOT WITH BERNIECE?
MY BUSINESS.
I AIN'T ASK YOU WHAT KIND OF BUSINESS YOU GOT.
BERNIECE AIN'T GOT NO MONEY
IF THAT'S WHY YOU WAS TRYING TO CATCH HER.
SHE HAVING A HARD ENOUGH TIME TRYING TO GET BY.
LET ME HAVE $5.00.
I GIVE YOU A DOLLAR BEFORE YOU LEFT.
YOU AIN'T TAKING MY $5.00
AND GAMBLE IT AND DRINK IT UP.
OH, LET ME HAVE $5.00.
I'LL GIVE IT BACK TO YOU.
MAKE IT 7.00?
TAKE THIS $5.00,
AND BRING MY MONEY BACK HERE, TOO.
HEY!
OOH, BOY!
THEY WAS LINING UP FOR THEM, BOY!
WE COULDN'T SELL THEM FAST ENOUGH.
OOH, I GOT SOMETHING FOR LYMON.
I AIN'T NEVER SEEN NOBODY
SNATCH A DOLLAR FASTER THAN BOY WILLIE.
HEY, LYMON.
LOOK AT THIS.
WHOA!
THIS IS 100% GENUINE SILK.
PUT IT ON. SEE HOW IT FIT YOU.
YEAH!
I GOT THAT IN CHICAGO.
YOU CAN'T GET CLOTHES LIKE THIS
NOWHERE BUT IN NEW YORK OR CHICAGO.
YOU CAN'T GET CLOTHES LIKE THAT HERE IN PITTSBURGH.
FOLKS HERE IN PITTSBURGH
AIN'T NEVER SEEN CLOTHES LIKE THIS.
YEAH, THIS IS NICE.
THIS FEEL REAL NICE AND SMOOTH.
YEAH.
OOH!
THAT'S A $55 SUIT.
WHOA.
THAT'S THE KIND OF SUIT THE BIG SHOTS WEAR.
YOU NEED A PISTOL AND A POCKETFUL OF MONEY
TO WEAR A SUIT LIKE THAT.
I'LL LET YOU HAVE IT...
FOR $3.00.
THE WOMEN WILL FALL OUT THEIR WINDOWS
THEY SEE YOU IN A SUIT LIKE THAT.
GIVE ME $3.00, GET DRESSED,
AND GET YOU A WOMAN.
THAT LOOK NICE, LYMON.
PUT ON THE PANTS.
LET ME SEE IT WITH THE PANTS.
YEAH.
NOW, DON'T THAT LOOK NICE?
GO ON, GIVE ME $3.00.
I GOT A SHIRT TO GO WITH IT.
IT COST YOU A DOLLAR EXTRA.
FOR $4.00, YOU GOT THE WHOLE DEAL.
$4.00 FOR EVERYTHING, THE SUIT AND THE SHIRT?
THAT'S CHEAP.
ALL RIGHT. YOU GOT SOME SHOES?
UH-UH.
WHAT SIZE SHOES YOU WEAR?
SIZE 9.
THAT'S WHAT SIZE I GOT.
YOU CAN HAVE THEM FOR $3.00.
WHERE THEY AT?
THEY NICE SHOES, TOO.
THEY GOT A POINTED TOE.
BOY WILLIE, LET'S GO OUT TONIGHT.
HA HA HA!
MAYBE GO TO A PICTURE SHOW AND FIND SOME WOMEN.
DOAKER, I GOT THE NAME OF THAT MAN
SAY HE WANT TO BUY THE PIANO.
THE MAN FIXING THE TRUCK GAVE ME HIS NAME.
IT AIN'T GOING TO DO YOU NO GOOD.
HERE YOU GO.
SIZE 9.
ALL RIGHT, PUT THEM ON.
AH.
THAT'S THE KIND STAGGER LEE WORE.
YEAH, THAT'LL COST YOU $3.00.
HMM. UNH!
[GRUNTING]
WHOO!
YOU SURE THESE SIZE 9?
YOU CAN LOOK AT MY FEET
AND SEE WE WEAR THE SAME SIZE.
GO ON AND TAKE THEM.
$2.00.
COME ON, BOY WILLIE,
LET'S GO FIND SOME WOMEN.
HEY, YOU LOOK LIKE YOU'RE READY TO RAILROAD SOMEONE.
I GOT TO MAKE THAT RUN.
OVERNIGHT TO PHILADELPHIA.
HOW I LOOK?
WHOA-OH!
HA HA HA!
YOU LOOK LIKE A MILLION DOLLARS.
DON'T HE LOOK GOOD, DOAKER?
OH, BOY.
YOU WANT TO PLAY SOME CARDS?
COME ON, LET'S PLAY SOME CARDS.
WE AIN'T GOING TO PLAY NO CARDS WITH YOU.
LYMON, DON'T YOU PLAY NO CARDS WITH WININ' BOY.
HE'LL TAKE ALL YOUR MONEY.
YOU GOT A MAGIC SUIT THERE.
YOU'LL GET YOU A WOMAN EASY
WITH A SUIT LIKE THAT.
BUT YOU GOT TO KNOW THE MAGIC WORDS.
YOU KNOW THE MAGIC WORDS
TO GET YOU A WOMAN?
UH-UH. I TALK TO THEM,
SEE IF I LIKE THEM, THEY LIKE ME.
THAT MAN DON'T NEED YOU
TO TELL HIM NOTHING ABOUT NO WOMEN.
WOMEN THESE DAYS AIN'T GOING TO FALL
FOR THAT KIND OF STUFF YOU TALKING.
YOU GOT TO BUY THEM A PRESENT.
THAT'S WHAT THEY'RE LOOKING FOR.
COME ON, I'M READY. YOU READY, LYMON?
UH-HUH.
LET'S GO FIND SOME WOMEN.
HEH HEH HEH.
I'M GOING TO WALK OUT WITH YOU.
I WANT TO SEE THEM WOMEN
FALL OUT THEIR WINDOWS
WHEN THEY SEE LYMON.

DON'T MESS WITH THAT MAN'S SHOES.
HEY, YOU LOOK GOOD.

ALL RIGHT, I GOT TO GO THIS WAY.
Y'ALL STAY OUT OF TROUBLE.
LIKE I TOLD YOU,
THEY'RE GOING TO FALL OUT OF THEIR WINDOWS.
ALL RIGHT.
WOW!
BOY WILLIE.
WHOO!
YOU GET THE TICKETS, LYMON.
COME ON, BOY WILLIE. COME ON.

SIT DOWN THERE!
HEY, SIT DOWN, MAN!
SHH!
HEY, WININ' BOY'S BACK IN TOWN.
[WOMAN] HEY, WININ' BOY, OVER HERE, BABY!
HEY, WININ' BOY, GOOD TO SEE YOU AGAIN.
HOW'S IT GOING, HUH?
WININ' BOY.
HEY, WININ' BOY.
OH, 'TIS THEE, OH
TO PUT IT RIGHT


WHO IS IT?
IT'S ME--AVERY.
AVERY, I WAS JUST GETTING READY TO TAKE MY BATH.
WHERE BOY WILLIE?
I SEE THAT TRUCK ALMOST EMPTY.
THEY WAS GONE WHEN I GOT HOME.
BOY WILLIE AROUND HERE ABOUT TO DRIVE ME CRAZY.
THEY SELL THEM WATERMELONS, HE BE GONE SOON.
BERNIECE, I BE SITTING AT HOME AND GET TO THINKING,
I'M DOWN THERE AND YOU UP HERE.
NOW, YOU KNOW HOW I FEEL ABOUT YOU.
I GET TO THINKING HOW THAT LOOK
TO HAVE A PREACHER THAT AIN'T MARRIED.
IT'D MAKE FOR A BETTER CONGREGATION
IF THE PREACHER WAS MARRIED.
I'M FIXIN' TO TAKE MY BATH.
I AIN'T GOT MUCH IN THE WAY OF COMFORTS.
I GOT A HOLE IN MY POCKET WHERE MONEY'S CONCERNED,
BUT I NEVER FOUND A WOMAN I CARE ABOUT
LIKE I CARE ABOUT YOU.
I NEED THAT.
I NEED SOMEBODY ON MY BOND SIDE.
I NEED A WOMAN THAT FITS IN MY HANDS.
AVERY, I'M NOT READY TO GET MARRIED NOW.
YOU'RE TOO YOUNG A WOMAN TO CLOSE UP.
I AIN'T SAID NOTHING ABOUT CLOSING UP.
I GOT A LOT OF WOMAN LEFT IN ME.
SO WHERE'S IT AT?
WHEN'S THE LAST TIME YOU LOOKED AT IT?
THAT'S A NASTY THING TO SAY.
YOU CALL YOURSELF A PREACHER.
YOU TELLING ME A WOMAN AIN'T NOTHING
UNLESS SHE GOT A MAN?
YOU CAN WALK OUT WITHOUT ME, WITHOUT A WOMAN,
AND YOU STILL A MAN. THAT'S ALL RIGHT FOR YOU.
BUT EVERYBODY GOING TO BE WORRIED ABOUT BERNIECE.
"HOW BERNIECE GOING TO TAKE CARE OF HERSELF?"
"HOW SHE GOING TO RAISE THAT KID WITHOUT A MAN?"
EVERYBODY TELLING ME I CAN'T BE A WOMAN WITHOUT A MAN.
WELL, YOU TELL ME, AVERY. YOU KNOW.
HOW MUCH WOMAN AM I?
IT WASN'T ME, BERNIECE.
YOU CAN'T BLAME ME FOR CRAWLEY OR NOBODY ELSE.
I AIN'T BLAMING NOBODY FOR NOTHING.
I'M JUST STATING FACTS.
THIS IS A BIG WORLD.
LIFE'S GOT ALL KINDS OF TWISTS AND TURNS,
BUT THAT DON'T MEAN YOU STOP LIVING.
YOU CAN'T GO THROUGH LIFE CARRYING CRAWLEY'S GHOST WITH YOU.
CRAWLEY'S BEEN DEAD THREE YEARS.
THREE YEARS, BERNIECE.
I KNOW HOW LONG CRAWLEY BEEN DEAD.
YOU AIN'T GOT TO TELL ME THAT.
WELL, I'M STANDING HERE NOW, BERNIECE,
BUT I DON'T KNOW HOW MUCH LONGER
I'M GOING TO BE STANDING HERE WAITING ON YOU.
AVERY, IT'S JUST THAT
I GOT SO MANY OTHER THINGS ON MY MIND RIGHT NOW.
AFTER I COME HOME YESTERDAY,
ME AND BOY WILLIE WERE ARGUING ABOUT THE PIANO,
AND MARETHA SAW SUTTER'S GHOST AT THE TOP OF THE STEPS.
SHE'S SCARED TO SLEEP UP THERE NOW.
MAYBE IF YOU BLESSED THE HOUSE, HE'LL GO AWAY.
I DON'T KNOW, BERNIECE.
I DON'T KNOW IF I SHOULD FOOL AROUND
WITH SOMETHING LIKE THAT.
I KEEP TELLING MYSELF THAT WHEN BOY WILLIE LEAVES,
SUTTER'S GHOST WILL LEAVE, TOO.
NOW HE TALKING ABOUT SELLING THE PIANO.
MAYBE IF BOY WILLIE SEE YOU WAS DOING SOMETHING WITH IT.
IF YOU TOLD HIM YOU WAS PUTTING IT IN THE CHURCH
AND START A CHOIR.
WHEN MY MAMA DIED, I CLOSED THE LID ON THAT PIANO,
AND I AIN'T OPENED IT SINCE.
SHE USED TO HAVE ME PLAYING ON IT.
I USED TO THINK THEM PICTURES COME TO LIFE AT NIGHT
AND WALK AROUND THE HOUSE.
SOMETIMES AT NIGHT, I COULD HEAR MY MAMA TALKING TO THEM.
I SAID THAT WASN'T GOING TO HAPPEN TO ME.
I DON'T PLAY ON THAT PIANO
'CAUSE I DON'T WANT TO WAKE THEM SPIRITS.
THEN THEY'LL BE WALKIN' AROUND THIS HOUSE.
NOW, YOU GOT TO PUT ALL THAT BEHIND YOU, BERNIECE.
NOW, EVERYBODY GOT STONES IN THEY PATHWAYS.
YOU GOT TO STEP OVER 'EM OR WALK AROUND 'EM.
NOW, YOU PICKING 'EM UP AND CARRYING 'EM WITH YOU.
YOU COULD WALK OVER THERE RIGHT NOW AND PLAY THAT PIANO.
YOU COULD WALK OVER THERE RIGHT NOW.
GOD WILL WALK OVER THERE WITH YOU.
COME ON, BERNIECE.
PLAY THAT OLD SHIP OF ZION.
YOU CAN WALK OVER HERE...
AND CLAIM IT AS AN INSTRUMENT OF THE LORD.
YOU COULD WALK OVER HERE RIGHT NOW...
AND MAKE THIS INTO A CELEBRATION.
AVERY...
BIBLE SAYS, "THE LORD IS MY REFUGE AND MY STRENGTH."
WITH THE STRENGTH OF GOD,
YOU CAN PUT THE PAST BEHIND YOU.
WITH THE STRENGTH OF GOD, YOU CAN DO ANYTHING.
AVERY, JUST LEAVE.
LET ME FINISH MY BATH.
I'LL SEE YOU TOMORROW.
O.K., BERNIECE.
I'M GOING TO GO HOME...
AND READ UP ON MY BIBLE.
AND TOMORROW...
GOOD LORD, GIVE ME STRENGTH.
I'M GOING TO COME BY AND BLESS THIS HOUSE...
AND SHOW YOU THE POWER OF THE LORD.
NOW, IT'S GOING TO BE ALL RIGHT, BERNIECE.
GOD SAID HE'LL SOOTHE THE TROUBLED WATER.

YOU'RE CRAZY.
COME ON IN.
THIS IS MY SISTER'S HOUSE.
IT AIN'T GOING TO BITE YOU.




WELL, PUT SOME LIGHT ON!
I CAN'T SEE!
ALL YOU NEED TO SEE IS ME.
IF YOU CAN'T SEE ME,
YOU CAN FEEL ME IN THE DARK.
HOW'S THAT, SUGAR?
OH, COME ON NOW.
GIVE ME A LITTLE OLD KISS.
BOY WILLIE, WHAT YOU DOING DOWN HERE?
YOU KNOW I DON'T ALLOW THAT IN MY HOUSE.
TAKE YOUR COMPANY SOMEWHERE ELSE.
ALLOW WHAT? WE JUST SITTING HERE TALKING.
I'M SORRY, MISS, BUT HE KNEW I DON'T ALLOW THAT.
OH, YOU AIN'T GOT TO TELL ME BUT ONCE.
I DON'T STAY NOWHERE I AIN'T WANTED.
YOU AIN'T GOT TO BE LIKE THAT, BERNIECE,
EMBARRASSING ME IN FRONT OF MY COMPANY.
COME ON!
TAKE ME HOME!
GO ON, BOY WILLIE. GO ON WITH YOUR...COMPANY.


BOY WILL--
HOW ARE YOU DOING, BERNIECE?
I THOUGHT YOU'D BE ASLEEP.
BOY WILLIE BEEN BACK HERE?
HE JUST LEFT A MINUTE AGO.
I WAS WITH THIS WOMAN.
SHE JUST WANTED TO DRINK UP ALL MY MONEY,
SO I COME BACK LOOKING FOR BOY WILLIE.
YOU JUST MISSED HIM.
THEY GOT SOME NICE-LOOKING WOMEN IN THIS CITY.
I'M GOING TO LIKE IT UP HERE REAL GOOD.
BOY WILLIE MET A REAL NICE ONE.
WISH I'D MET HER BEFORE HE DID.
HE JUST LEFT OUT OF HERE WITH SOME WOMAN.
WHAT DID SHE LOOK LIKE?
WAS SHE REAL DARK-SKINNED, ABOUT THIS HIGH?
GOT NICE HIPS ON HER?
SHE HAD ON A RED DRESS--
THAT'S HER! THAT'S GRACE!
SHE REAL NICE.
MM-HMM. I SEEN HER BEFORE BOY WILLIE,
ONLY HE BEAT ME TO HER.
DOAKER SAY HE HAD TO MAKE A TRIP.
HE HAD TO MAKE A TRIP.
HE'S STILL COOKING FOR THE PENNSYLVANIA RAILROAD--
THIS IS USUALLY MY TIME I GET PEACE AND QUIET.
MARETHA'S ASLEEP.
SHE LOOK JUST LIKE YOU.
GOT THEM BIG EYES.
SHE SURE IS PRETTY.
BOY WILLIE SAY YOU STAYING.
WHAT YOU GOING TO DO IN THE BIG CITY?
YOU THOUGHT ABOUT THAT?
THEY'LL NEVER GET ME BACK DOWN THERE.
I FIGURE I FIND ME A JOB,
TRY TO GET SET UP, SEE WHAT THE YEAR BRING.
IT'S NOT A BAD CITY
ONCE YOU GET TO KNOW YOUR WAY AROUND.
WININ' BOY TOLD ME I WEAR THIS SUIT,
I'D FIND ME A WOMAN.
HE WAS ALMOST RIGHT.
YOU DON'T NEED TO BE OUT THERE IN THEM SALOONS.
AIN'T NO TELLING WHAT YOU'RE LIABLE TO RUN INTO OUT THERE.
I DON'T KNOW WHAT THEM WOMEN OUT THERE BE THINKING ABOUT.
MOSTLY THEY BE LONELY,
LOOKING FOR SOMEBODY TO SPEND THE NIGHT WITH THEM.
SOMETIME IT MATTER WHO IT IS, SOMETIME IT DON'T.
I USED TO BE THE SAME WAY.
NOW IT GOT TO MATTER.
WE THE ONLY TWO PEOPLE LIKE US IN THE WORLD.
WE GOT TO SEE HOW WE FIT TOGETHER.
A WOMAN WHO DON'T WANT TO TAKE THE TIME TO DO THAT,
I DON'T BOTHER WITH THEM.
HOW COME YOU AIN'T MARRIED?
I GET A JOB, A LITTLE PLACE,
AND GET SET UP TO WHERE I COULD MAKE A WOMAN COMFORTABLE,
I MIGHT GET MARRIED.
AVERY NICE.
YOU OUGHT TO GO ON AHEAD AND GET MARRIED.
YOU'D BE A PREACHER'S WIFE AND NOT HAVE TO WORK.
I HATE LIVING BY MYSELF.
I DIDN'T WANT TO BE NO STRAIN ON MY MAMA,
SO I LEFT HOME ABOUT 16.
EVERYTHING I TRIED JUST DIDN'T SEEM TO WORK OUT.
NOW I'M TRYING THIS.
YOU KEEP ON TRYING. IT'LL WORK OUT FOR YOU.
YOU EVER GO DOWN THERE TO THE PICTURE SHOW?
I DON'T GO IN FOR ALL THAT.
IT AIN'T LIKE GAMBLING OR SINNING OR NOTHING.
AIN'T NOTHING WRONG WITH IT.
I STAY HOME MOST OF THE TIME AND TAKE CARE OF MARETHA.
WELL, IT'S GETTING KIND OF LATE.
WAS YOU IN BED?
I AIN'T MEAN TO BE KEEP YOU UP.
YOU AIN'T KEEPING ME UP.
YOU GOT ON THAT NIGHTGOWN.
I LIKES WOMEN WEAR THEM FANCY NIGHTCLOTHES.
IT MAKES THEIR SKIN LOOK PRETTY.
I--I GOT THIS AT THE 5-AND-10-CENT STORE.
IT AIN'T SO FANCY.
I DON'T TOO OFTEN GET TO SEE A WOMAN DRESSED LIKE THAT.
WININ' BOY TOLD ME THIS WAS A MAGIC SUIT.
I'M GONNA PUT IT ON AGAIN TOMORROW,
SEE IF IT BRING ME A WOMAN LIKE HE SAID.
I ALMOST FORGOT I HAD THIS.
SOME MAN SOLD ME THIS FOR A DOLLAR.
SAID IT'S THE SAME KIND OF PERFUME
THE QUEEN OF FRANCE WEARED, MM-HMM.
I SMELLED IT. IT SMELLED GOOD TO ME.
HERE, YOU SMELL IT. SEE IF YOU LIKE IT.
I WAS GONNA GIVE IT TO DOLLY,
BUT I AIN'T LIKE HER TOO MUCH.
SMELLS NICE.
I WANT TO GIVE IT TO YOU.
MAKE YOU SMELL NICE.
HE TELL ME YOU SUPPOSED TO PUT IT RIGHT HERE,
BEHIND YOUR EAR.
SAY IF YOU PUT IT THERE,
IT MAKE YOU SMELL NICE ALL DAY.
THERE.
YOU SMELL REAL GOOD NOW.
YOU SMELL REAL GOOD...
FOR LYMON.
BERNIECE.
LYMON.
LYMON, COME ON. GET UP.
LEAVE ME ALONE.
COME ON.
WHAT YOU WANT?
COME ON, LET'S GO.
I CALLED THE MAN ABOUT THE PIANO.
HE SAID BRING IT ON OUT.
WHY DIDN'T HE PICK IT UP?
I DIDN'T WANT A PROBLEM WITH BERNIECE.
THIS WAY, WE JUST TAKE IT OUT THERE.
HE SAY HAVE IT TO HIM BY 6:00.
COME ON, LET'S GO.
ALL RIGHT. LOOK OUT.
COME ON, LYMON.
JUST MOVE YOUR END OUT
SO WE CAN WORK IT TOWARDS THE DOOR.
GET A REAL GOOD GRIP.
YOU JUST GET THAT SIDE.
WAIT TILL I SAY READY.
YOU GOT A REAL GOOD GRIP?
YEAH! JUST PUSH THAT SIDE!
ALL RIGHT, ON 3.
1...
2...
3!
IT'S GONNA TAKE MORE THAN ME AND YOU
TO MOVE THIS PIANO.
WE CAN DO IT. COME ON.
HEY, DOAKER. HOW DID THIS PIANO GET IN THE HOUSE?
BOY WILLIE, WHAT YOU DOING?
I'M CARRYING THIS PIANO OUT THE HOUSE.
WHAT'S IT LOOK LIKE? TRY IT AGAIN.
GO ON LET THE PIANO SIT THERE
TILL BERNIECE COME HOME.
YOU AIN'T GOT NOTHING TO DO WITH THIS.
THIS MY BUSINESS.
THIS IS MY HOUSE,
AND I AIN'T GONNA LET YOU OR NOBODY ELSE
CARRY NOTHING OUT OF IT.
THIS IS MY PIANO!
THIS AIN'T GOT NOTHING TO DO WITH YOU.
I SAY LEAVE IT THERE TILL BERNIECE COME HOME.
SHE GOT PART OF IT, TOO.
LEAVE IT THERE TILL YOU SEE WHAT SHE SAYS.
I DON'T CARE WHAT BERNIECE SAY!
COME ON, LYMON. I GOT THIS SIDE.
HOW WE GETTING IT IN THE TRUCK?
LEAVE THAT PIANO SET OVER THERE TILL BERNIECE COME BACK.
I DON'T CARE WHAT YOU DO WITH IT THEN.
BUT YOU LEAVE IT SIT OVER THERE RIGHT NOW.
ALL RIGHT.
I'M A-TELL YOU THIS, DOAKER.
I'M GOING OUT OF HERE.
I'M GOING TO GET ME SOME ROPE,
FIND ME A PLANK AND SOME WHEELS,
THEN I'M COMING BACK.
WHEN I COME BACK,
I'M GOING TO CARRY THAT PIANO OUT OF HERE,
SELL IT, AND GIVE BERNIECE HALF THE MONEY.
YOU SEE, NOW, THAT'S WHAT I'M GONNA DO,
AND YOU OR NOBODY ELSE GONNA STOP ME.
COME ON, LYMON.
LET'S GO GET SOME ROPE AND STUFF.
I'LL BE BACK, DOAKER.
MY LORD.
THEN, AFTER THAT,
ALL THEM WHITE FOLKS DOWN THERE
STARTED FALLING DOWN THEIR WELLS.
EVERYBODY SAID
THE GHOSTS OF THE YELLOW DOG PUSHED THEM.
WHY DO THEY CALL THEM THAT?
BECAUSE THE YAZOO DELTA RAILROAD
GOT YELLOW BOXCARS.
SOMETIMES,
THE WAY THE WHISTLE BLO-O-OW,
SOUND LIKE AN OLD DOG HOWLING.
SO THE PEOPLE CALL IT
THE YELLOW DOG.
MARETHA.
GET READY FOR ME TO DO YOUR HAIR.
YES, MA'AM.
BOY WILLIE, I TOLD YOU TO LEAVE MY HOUSE.
I AIN'T PLAYING, BOY WILLIE.
I GOT CRAWLEY'S GUN UPSTAIRS.
HE DON'T KNOW IT, BUT I AM THROUGH WITH IT.
WHERE'D LYMON GO?
BOY WILLIE SENT HIM FOR SOME ROPE
JUST BEFORE YOU COME IN.
I AIN'T STANDING, BOY WILLIE, ON LYMON OR THE ROPE.
MARETHA, GO ACROSS THE STREET,
GET A PAN OF HAIR GREASE.
COME STRAIGHT BACK. DON'T PLAY AROUND.
BE CAREFUL CROSSING THE STREET.
ROWRR! HA HA HA!
BOY WILLIE, I TOLD YOU TO LEAVE MY HOUSE.
ALL RIGHT, JUST A MINUTE.

THERE. NOW I'M OUT OF YOUR PART OF THE HOUSE.
SOON'S LYMON COME BACK WITH THAT ROPE,
I'M GOING TO TAKE THAT PIANO AND SELL IT.
YOU AIN'T TOUCHING THAT PIANO.
I'M CARRYING IT OUT, BIG AND BOLD LIKE MY DADDY'D HAVE DONE,
COME TIME TO GET SUTTER'S LAND.
WHY DON'T Y'ALL STOP?
BOY WILLIE, GO AND LEAVE HER ALONE.
YOU KNOW HOW BERNIECE GET.
I AIN'T THINKING ABOUT BERNIECE.
YOU SAY AVERY GOING TO STOP BY?
HA! WHAT AVERY GOING TO DO?
AVERY CAN'T DO NOTHING WITH ME.
I WISH HE'D SAY SOMETHING TO ME ABOUT THIS PIANO.
BERNIECE AIN'T SAID ABOUT THAT.
LIGHT THAT STOVE AND SET THAT COMB TO GET HOT.
GET SOMETHING TO PUT AROUND YOUR SHOULDERS.

HOW DO YOU DO?
PASTOR.
OW!
BE STILL. IF YOU WAS A BOY,
I WOULDN'T HAVE TO DO THIS.
WHY DO YOU WANT TO TELL HER THAT?
YOU GOT NOTHING TO DO WITH HER.
HOW THAT'S GOING TO MAKE HER FEEL?
IF YOU WANT TO SAY SOMETHING, TELL HER ABOUT THAT PIANO.
YOU AIN'T TOLD HER, LIKE IT'S SOMETHING TO BE ASHAMED OF.
YOU OUGHT TO MARK DOWN ON A CALENDAR
THE DAY PAPA BOY CHARLES BROUGHT THAT PIANO INTO THE HOUSE,
AND EVERY YEAR, WHEN IT COME UP, THROW A PARTY.
THAT WAY, SHE KNOW WHERE SHE AT IN THE WORLD.
YOU GOT HER THINKING SHE ALL WRONG IN THE WORLD,
LIKE THEY AIN'T NO PART OF IT BELONG TO HER.
YOU LET ME TAKE CARE OF MY CHILD.
WHEN YOU GET ONE OF YOUR OWN, YOU CAN TEACH IT WHAT YOU WANT.
WHAT I WANT TO BRING A CHILD INTO THIS WORLD FOR?
I AIN'T GOT NO ADVANTAGES TO OFFER NOBODY.
MANY IS THE TIME I LOOKED AT MY DADDY
AND SEEN HIM STARING OFF AT HIS HANDS.
I GOT A LITTLE OLDER, I KNOWED JUST WHAT HE WAS THINKING.
HE'S SITTING THERE SAYING...
"I GOT THESE BIG OLD HANDS,
"BUT WHAT I'M GOING TO DO WITH THEM?
"I CAN TAKE AND BUILD SOMETHING WITH THESE HANDS,
BUT WHERE'S THE TOOLS?"
"ALL I'VE GOT IS THESE HANDS."
NOW, IF HE HAD HIS OWN LAND, HE WOULDN'T HAVE FELT THAT WAY.
IF HE HAD SOMETHING UNDER HIS FEET BELONGED TO HIM,
HE COULD STAND UP TALLER. THAT'S WHAT I'M TALKING ABOUT.
IF YOU GOT A PIECE OF LAND,
EVERYTHING ELSE'LL FALL RIGHT INTO PLACE.
ALL YOU GOT GOING FOR YOU IS TALK.
YOUR WHOLE LIFE, ALL YOU HAD IS TALK.
STRAIGHTEN UP, MARETHA. DON'T BEND DOWN LIKE THAT.
ALL I'M TRYING TO DO IS MARK MY PASSING ON THE ROAD,
JUST LIKE YOU WRITE IT ON A TREE.
"BOY WILLIE WAS HERE!"
THAT'S ALL I'M TRYING TO DO.
MY HEART SAY FOR ME TO SELL THAT PIANO, GET ME SOME LAND
TO MAKE A LIFE FOR MYSELF TO LIVE IN MY OWN WAY.
OTHER THAN THAT, I AIN'T THINKING
ABOUT NOTHING BERNIECE GOT TO SAY.

HERE WE GO!
LYMON, I WAS JUST--
WHY, I THOUGHT YOU WAS LYMON.
LYMON?
HEY, BERNIECE...
LOOK WHO HERE.
COME IN, AVERY. DON'T PAY BOY WILLIE NO MIND.
DON'T PAY NEITHER ONE OF THEM NO MIND.
THEY BEEN ARGUING ALL DAY.
WELL, HOW'S EVERYBODY IN HERE?
BERNIECE SAY YOU WAS COMING TO BLESS THE HOUSE.
YEAH. SHE ASKED ME TO SEE IF I COULD GET RID OF SUTTER'S GHOST.
THERE AIN'T NO GHOST IN THIS HOUSE. THAT'S ALL IN BERNIECE'S HEAD.
GO UP AND SEE IF YOU SEE HIM.
I'LL GIVE YOU $100 IF YOU SEE HIM.
THAT'S HER IMAGINATION.
BOY WILLIE, THIS GOT NOTHING TO DO WITH YOU.
LET HIM GO AHEAD AND DO WHAT HE GOING TO DO.
I AIN'T STOPPING HIM.
AVERY AIN'T GOT NO POWER TO DO NOTHING.
OH, I AIN'T GOT NO POWER.
WELL, GOD'S GOT THE POWER.
NOW, GOD'S GOT POWER OVER EVERYTHING IN HIS CREATION.
GOD CAN DO ANYTHING.
GOD'S GOT A WONDERFUL POWER.
HE'S GOT POWER OVER LIFE AND DEATH.
NOW, JESUS RAISED LAZARUS FROM THE DEAD.
THEY WAS GETTING READY TO BURN HIM. AND JESUS, HE TOLD HIM, "SON,
"RISE UP AND WALK," AND HE GOT UP AND WALKED!
AND THE PEOPLE REJOICED IN THE POWER OF GOD.
NOW, I AIN'T WORRIED ABOUT HIM
CHASING AWAY NO LITTLE OLD GHOST.


HEY, WHERE YOU BEEN? I BEEN WAITING-- GIVE ME THAT ROPE.
I RAN INTO GRACE, BOUGHT HER A DRINK.
SHE SAID SHE'LL GO TO THE PICTURES WITH ME.
HI, BERNIECE.
GET UP ON THIS SIDE OF THE PIANO!
WILLIE, DON'T START NOTHING NOW. LEAVE THE PIANO ALONE.
GET THAT BOARD, LYMON. STAY OUT OF THIS, DOAKER!
YOU JUST CAN'T TAKE THE PIANO.
BERNIECE AIN'T SAID NOTHING ABOUT SELLING THAT PIANO.
SHE AIN'T GOT TO SAY NOTHING.
LYMON, WE GOT TO LIFT ONE END AT A TIME.
WHAT ABOUT THE ROPE?
LET ME WORRY ABOUT THAT. JUST GET UP ON THE SIDE WITH ME.
BOY WILLIE! BERNIECE.
WHY DON'T Y'ALL SIT DOWN AND TALK THIS OUT?
AIN'T NOTHING TO TALK OUT.
I'M THROUGH TALKING TO BERNIECE.
COME ON, LYMON, TIE THIS ROPE ONTO THE LEG.
WAIT A MINUTE. BERNIECE,
YOU TELL BOY WILLIE TO TAKE THIS PIANO?
HE AIN'T TAKING NOTHING OUT OF THIS HOUSE BUT HISSELF.
COME ON, LYMON, GET UP HERE!
BERNIECE, I GOT TO DO THIS NOW.
BOY WILLIE SAID HE'LL GIVE YOU HALF THE MONEY.
GO ON. JUST... GO ON, LYMON.
I DONE TOLD BOY WILLIE WHAT TO DO.
BOY WILLIE... SURE YOU WANT TO DO THIS?
THE WAY I FIGURE-- MAYBE I'M WRONG--
BUT I FIGURE, SHE'LL SHOOT YOU FIRST.
WELL...
SHE...
IS JUST GOING TO HAVE TO SHOOT ME.
MOMMY, PLEASE-- GO AWAY, MARETHA--

HEY, I STOPPED AT THAT SEAFOOD PLACE.
FOLKS TALKING ABOUT PAT'S DAY RAID IS COMING.
WININ' BOY, SIT DOWN SOMEWHERE.
OUT DRINKING ALL DAY, COME HOME SMELLING.
SIT DOWN OUT OF THE WAY.
YOU KNOW BERNIECE DON'T LIKE ALL THAT DRINKING.
OH, I AIN'T DISRESPECTING BERNIECE.
BERNIECE, AM I DISRESPECTING YOU?
I'M JUST TRYING TO BE NICE.
AW, I'VE BEEN WITH STRANGERS ALL DAY,
THEY TREAT ME LIKE FAMILY.
I COME HERE TO FAMILY, YOU TREAT ME LIKE A STRANGER.
WHY DON'T YOU GO LAY DOWN?
OH, I AIN'T--
I'M GOING TO PLAY ME SOME PIANO!
WE'RE FIXING TO MOVE THE PIANO--
NO, NO, NO-- OH, COME ON!
WAIT A MINUTE, NOW. I WROTE THIS SONG FOR CLEOTHA.
I WROTE THIS IN MEMORY OF CLEOTHA.

HEY, PRETTY WOMAN
WHAT'S THE MATTER WITH YOU NOW?
THAT A STORMLESS NIGHT
DROVE THE LINE ALL DOWN
TELL ME, HOW LO-O-ONG...

I'VE GOT TO WAIT FOR YOU
CAN I GET IT NOW
OR MUST I HESITATE?
IT TAKES A HESITATING STOCKING
AND A HESITATING SHOE
IT TAKES A HESITATING WOMAN
FOR TO SING THE BLUES
TELL ME, TELL ME HOW LONG
YEAH, I GOT GOT TO WAIT
CAN I KISS YOU NOW
OR MUST I HESITATE?
YEAH, YEAH-- COME ON NOW,
COME ON, WE YEAH, GOT TO MOVE YEAH-- THIS PIANO--
YOU'RE NOT MOVING THIS PIANO.
GET OUT OF THE WAY NOW.
IF YOU TAKE THIS PIANO,
YOU'LL HAVE TO TAKE ME WITH IT.
GET HIM. I AIN'T PLAYING.
I'LL GET HIM.
COME ON, WININ' BOY.
THEY GOT TO TAKE ME WITH IT.
GET THAT END, LYMON.

NO WAY THIS THING GOING TO MOVE.
IS LYMON HERE?
LYMON.
I THOUGHT YOU WAS COMING BACK.
I AIN'T SITTING IN THAT TRUCK ALL DAY.
I SAID I'D BE BACK.
LYMON. YOU HAVE TO TAKE YOUR COMPANY SOMEPLACE ELSE.
AIN'T WE GOING TO THE MOVIES?
I GOT TO HELP MOVE THE PIANO.
I AIN'T WAITING! YOU SAID YOU WAS COMING RIGHT BACK.
MOVE A PIANO? I KNEW I SHOULDN'T HAVE COME.
YOU JUST LIKE ALL THE OTHERS--

SOMETHING AIN'T RIGHT HERE.
I KNEW I SHOULDN'T HAVE COME BACK IN HERE--

AAH! WAIT--
BE RIGHT BACK. GOT TO TAKE GRACE HOME.
LYMON, NO!

DOAKER! UH-HUH.
DID YOU FEEL THAT?
UH-HUH.
BERNIECE, DON'T YOU FEEL COLD?
I BELIEVE THAT WAS SUTTER.
AVERY, GO AHEAD, BLESS THE HOUSE.
YOU NEED TO BLESS THAT PIANO.
LET HIM BLESS EVERYTHING. UPSTAIRS, KITCHEN,
GO ON. BLESS IT ALL!
HE NEED TO BLESS BERNIECE'S HEAD, THAT'S WHAT!
BERNIECE, HOLD THIS CANDLE.
AND WHATEVER YOU DO,
YOU MAKE SURE IT DON'T GO OUT.
AIN'T NO GHOSTS IN THIS HOUSE.
OH, HOLY FATHER,
WE GATHER HERE THIS EVENING IN THY HOLY NAME
TO CAST OUT THE SPIRIT OF ONE JAMES SUTTER.
MAY THIS VIAL OF WATER
BE EMPOWERED WITH THY SPIRIT.
MAY EACH DROP OF IT BE A WEAPON
AND A SHIELD AGAINST THE PRESENCE OF ALL EVIL.
AND MAY IT BE A CLEANSING
AND A BLESSING OF THIS HUMBLE ABODE.
WHERE THERE IS GOOD,
SO SHALL IT CAUSE EVIL TO SCATTER
TO THE FOUR WINDS.
GET THEE BEHIND ME, SATAN.
GET THEE BEHIND THE FACE OF RIGHTEOUSNESS
AS WE GLORIFY HIS HOLY NAME.
GET THEE BEHIND THE HAMMER OF TRUTH,
BREAKING DOWN THE WALLS OF FALSEHOOD.
FATHER, FATHER, PRAISE, PRAISE.
ALL THIS OLD PREACHING STUFF,
JUST TELL HIM TO LEAVE.
AS IT IS WRITTEN,
I WILL SPRINKLE CLEAN WATER UPON YOU,
AND YOU SHALL BE CLEAN
FROM ALL YOUR UNCLEANLINESS,
AND FROM ALL YOUR IDOLS WILL I CLEANSE YOU.
ALSO WILL I GIVE YOU...
HEY, SUTTER!
HEY, SUTTER!
GET OUT OF THIS HOUSE!
YOU WANT WATER? I'LL GIVE YOU WATER.
GET OUT OF THIS HOUSE!
HEY, SUTTER, HERE'S SOME WATER FOR YOU!
HEY, COME ON!

SUTTER.
SUTTER, OUT OF MY WAY!
DON'T GO UP THERE!
WILLIE!

COME ON, AVERY. DON'T STOP NOW.
BERNIECE, I CAN'T.
AVERY, COME ON, AVERY.
BERNIECE, I CAN'T DO IT.


SUTTER!
SUTTER!
OH, MAMA BERNIECE!
SUTTER!
OH, MAMA ESTHER!
HELP ME!
PAPA BOY CHARLES...
I WANT YOU TO HELP ME.

I WANT YOU TO HELP ME!
I WANT YOU TO HELP ME!
MAMA!
I WANT YOU TO HELP ME!
HELP ME!
THANK YOU, FATHER.

BOY WILLIE.


PAPA BOY CHARLES!
MAMA!
MAMA BERNIECE, HELP ME!
HELP ME!
BERNIECE, IT'S O.K., BERNIECE.
BOY WILLIE'S O.K.

IT'S ALL RIGHT.
EVERYTHING'S GOING TO BE ALL RIGHT.

OH, MAMA BERNIECE.
THANK YOU, PAPA BOY CHARLES.
THANK YOU. THANK YOU.
THANK YOU, MAMA. OH, LORD, THANK YOU.
OH, OH, THANK YOU. THANK YOU.

THANK YOU.

THANK YOU.
THANK YOU.
COME ON, BOY.
ALL RIGHT, ALL RIGHT, BERNIECE.
TAKE CARE, YOU HEAR?
TAKE CARE OF THIS OLD BROTHER.
HEY, BABY, THERE.
YOU KEEP PLAYING THAT PIANO, HEAR?
ALL RIGHT, YOU HAVE A SAFE TRIP.
SAY HELLO TO ALL THE FOLKS DOWN THERE FOR ME.
SOONER THAN YOU THINK.
COME HERE, SUGAR!


O.K.
ALL RIGHT, NOW.
YOU TAKE CARE OF YOURSELF, HEAR?
O.K.
AND WRITE.
BERNIECE, IF YOU AND MARETHA DON'T KEEP PLAYING ON THAT PIANO,
AIN'T NO TELLING.
ME AND SUTTER BOTH LIABLE TO BE BACK.



ALL RIGHT, LYMON.
P S 2004
P T U
Pact of Silence The
Padre padrone (Paolo Taviani & Vittorio Taviani 1977 CD1
Padre padrone (Paolo Taviani & Vittorio Taviani 1977 CD2
Paid In Full
Paint Your Wagon 1969 CD1
Paint Your Wagon 1969 CD2
Palabras Encadenadas
Pale Rider CD1
Pale Rider CD2
Palookaville
Pan Tadeusz
Pan Wolodyjowski CD1
Pan Wolodyjowski CD2
Panda Kopanda (Panda! Go Panda!)
Pandoras Box 1929 CD1
Pandoras Box 1929 CD2
Panic Room 2002
Paparazzi
Paper The 1994
Papillon
Paradine Case The (1947)
Paradise Found
Paradise Hawaiian Style - Elvis Presley (Michael D Moore 1966)
Paradise Villa 2000
Paragraph 175 (Rob Epstein Jeffrey Friedman 1999)
Paraiso B
Parallax View The 1974
Paran Deamun (1998)
Parapluies de Cherbourg Les
Paraso B
Pardes
Parent Trap The CD1
Parent Trap The CD2
Paris - When It Sizzles (1964)
Paris Texas CD1
Paris Texas CD2
Parole officer The
Party7 2000
Pasolini Volume 2
Passage to India CD1
Passage to India CD2
Passion 1982 30fps
Passion Of The Christ The
Patch of Blue
Pather Panchali (Satyajit Ray 1955)
Pathfinder 1987
Patlabor - The Movie - 1990
Patlabor The Movie 3 CD1
Patlabor The Movie 3 CD2
Patriot
Patton CD1of3 1970
Patton CD2of3 1970
Patton CD3of3 1970
Paul McCartney Back In The US CD1
Paul McCartney Back In The US CD2
Pauline At The Beach
Pauline and Paulette
Pauly Shore is Dead
Payback 1999
Peace Hotel The (1995)
Pearl Harbor
Pearls and Pigs
Peculiarities of National Hunting
Pee-wees Big Adventure (1985)
Peep Show 1x1
Peep Show 1x2
Peep Show 1x3
Peep Show 1x4
Peep Show 1x5
Peep Show 1x6
Peeping Tom (1960)
Peking Opera Blues (1986)
Pelican Brief The
Pennies from Heaven (1981)
Pepe le Moko
Peppermint Frapp 1967
Perfect Blue
Perfect Murder A
Perfect Score The 2004
Perfect World A
Persona
Persuasion CD1
Persuasion CD2
Pet Sematary
Petek13th part 7 A new blood
Peter Pan
Peter Pan (2003)
Peters Friends
Petes Dragon (1977)
Petrified Forest The 1936
Peyton Place CD1
Peyton Place CD2
Phantom The
Phantom of the Paradise
Phenomena CD1
Phenomena CD2
Phenomenon
Philadelphia
Philadelphia Story The 1940
Phone - Byeong-ki Ahn 2002
Phone Booth
Phouska I (The Bubble 2001)
Pi
Pianist The
Piano Lesson The
Piano The
Pickpocket
Pickup On South Street 1953
Piece of the Action A 1977 CD1
Piece of the Action A 1977 CD2
Pieces Of April
Pietje Bell
Pink Panther The - A Shot In The Dark (1964)
Pitfall The (Otoshiana 1962)
Planet Of The Apes (1969)
Planet of the Apes 1968
Planet of the Apes 2001
Planets The 1 - Different Worlds
Planets The 2 - Terra Firma
Planets The 3 - Giants
Planets The 4 - Moon
Planets The 5 - Star
Planets The 6 - Atmosphere
Planets The 7 - Life
Planets The 8 - Destiny
Planta 4
Plastic Tree CD1
Plastic Tree CD2
Platee CD1
Platee CD2
Platonic Sex CD1
Platonic Sex CD2
Platoon (Special Edition)
Play It Again Sam
Playing By Heart
Playtime CD1
Playtime CD2
Please Teach Me English (2003) CD1
Please Teach Me English (2003) CD2
Plumas de Caballo
Plunkett and Macleane
Pocahontas
Pocketful of Miracles CD1
Pocketful of Miracles CD2
Pod Njenim Oknom (Beneath Her Window)
Podium
Poika ja ilves
Point Break - CD1 1991
Point Break - CD2 1991
Pokemon - Movie 1 - Mewtwo Strikes Back
Poker (2001) CD1
Poker (2001) CD2
Pokrovsky Gates The 25fps 1982
Pola X 1999 CD1
Pola X 1999 CD2
Police Academy (1984)
Police Academy 2 Their First Assignment 1985
Police Academy 3 Back in Training 1986
Police Academy 4 - Citizens on Patrol 1987
Police Story (2004) CD1
Police Story (2004) CD2
Police Story 2
Poltergeist
Poltergeist 2 The Other Side 1986
Poltergeist 3 (1988)
Polyester
Poolhall Junkies
Pork Chop Hill
Porky - Awful Orphan (1949)
Porky - Dough for the Do Do (1949)
Porky - Porky Chops (1949)
Porky - The Wearing of the Grin (1951)
Porkys
Pornographer The
Pornography 2003
Pornostar (Poruno Suta)
Port of Call (1948)
Portrait of a Lady The
Poseidon Adventure The
Poslusne hlasim (1957)
Possession (2002)
Possible Loves - Eng - 2000
Post Coitum 2004
Postman Blues (1997)
Posutoman Burusu
Powder
Power Play (2002)
Practical Magic
Predator (1987)
Prem Rog
Presidents Analyst The (1967)
Presidio The
Pressure
Prevrashcheniye (Metamorphosis)
Prick Up Your Ears
Pride and Prejudice
Pride and Prejudice CD1
Pride and Prejudice CD2
Pride and Prejudice CD3
Pride and Prejudice CD4
Pride and Prejudice CD5
Pride and Prejudice CD6
Pride and Prejudice The Making of
Pride and the Passion The
Prime of Miss Jean Brodie The CD1
Prime of Miss Jean Brodie The CD2
Prince and the Showgirl The
Princess Blade The
Princess Bride The
Princess Diaries The CD1
Princess Diaries The CD2
Princess Mononoke
Princess Of Thieves
Princess and the Warrior The
Prisoner of Second Avenue The
Private Life of Sherlock Holmes The (1970)
Private Parts
Producers The
Profondo rosso
Project A CD1
Project A CD2
Propaganda
Psycho (1960)
Psycho - Collectors Edition
Public Enemy (2002 Korean) CD1
Public Enemy (2002 Korean) CD2
Public Enemy The
Pulp Fiction (1984)
Pump Up The Volume
Pumping Iron (1977)
Punch-Drunk Love
Punisher The (2004)
Punisher The 1989
Pupendo (2003) CD1
Pupendo (2003) CD2
Purple Rose Of Cairo The
Purple Sunset (2001)
Pusher
Pusong Mamon CD1
Pusong Mamon CD2
Pygmalion
Pyrokinesis (2000)