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Piece of the Action A 1977 CD2

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23.976
And I watch him. Some.
Mama says I have to be a man now.
But...
...sometimes I get scared.
Because it's hard sometimes.
She don't force me or nothing...
...but if I'm gonna be a man...
...then I gotta get me|a job and help out...
...or move...
...or something.
So...
...I got in this program...
...to get me a job.
You know, to help out...
...my family.
And so Mama can watch Timmy.
He almost hurt himself|a couple of times.
But he's really sweet.
And kind of a happy kid, you know?
And if I'm gonna be a man...
...I gotta get me a job.
Because of Timmy.
And Mama.
You know, Mangum...
...people laugh sometimes.
But they probably all like|Timothy as much as you do.
It's just their way, you know?
You really want a job, don't you?
Yes, I want the job.
Willie, you sure you can do the work?
-I'll learn it.|-I think you will.
You're all right, man.|You ought to have a chance.
Willie...
...go out to the coffee machine and bring|me a container of black coffee.
Go.
Anybody else?
Barbara?
Good morning.
Good morning.
I'm Barbara Hanley,|and I'd like a job.
And I'm not gonna smile,|because I don't feel like it.
You're not feeling well?
I don't feel like it, because I'm--
I'm mad.
Why are you mad, Barbara?
-I don't know.|-Why do you want to work here?
Let somebody else go.|I'm not ready for this.
Okay.
Bubba.
-Good morning.|-Good morning.
My name is Percy Watkins,|and I would like a job.
What makes you want|a job here, Percy?
Well, sir, I would like to have me a job|so I can buy me some grass!
Easy, son, easy!
Gonna spill my first aid kit.
I did so enjoy your visit.|Thanks for a happy birthday.
You take care of yourself|and come see us.
Bon voyage and have a safe trip.
There's something I want|you to remember: I love Nikki.
We got good eyes.|We can see you love the girl.
I can see you're happy, sugar.
You're gentle with her,|I'll grant you that.
I know what's bothering you,|and I respect you for it. It's just that...
...well, anyway, one day,|maybe Nikki and I....
Well, you see....
Maybe we'll get married.
Probably. I mean....
I mean, otherwise...
...how would it look to her sisters|when they come to visit?
Oh, Lord.
You see, this is all the family I've got.|Right here, right now.
So I guess I gotta do what's|right for the family.
You're all right, boy.
Come on, Emma, Daniel, let's go.|It's a long, dry trip. Come on.
-What's happening?|-Hey.
-Last night I had an idea.|-Good morning, gentlemen.
Good morning, Mr. Theodore.
Last night I had an--
Is it possible he could have|a deep telephone voice?
You never know these days.
I'm going to need your permission|to escalate my ultimate weapon.
-I don't go for violence.|-I'm not talking about violence.
I'm talking sex appeal.|I'm gonna use it on Miss French.
-Be serious.|-I am serious.
I'm serious.
She's got eyes for me.
Now, all I have to do|is take her out.
One thing leads to another,|and at the end of a week...
...anything I ask her about anybody,|she will tell me.
She will smack her mama|if I tell her to.
You're the one she'll smack.
I take it that you didn't turn up|anything on those names.
No. But his name's got to|be on that list somewhere.
Now, you give me permission|to work on Miss French...
...and I will uncover that dude,|and we will get away clean.
Now, just be cool.|Let me work on her.
Poor baby.
Don't be so modest, David.
Two mailroom jobs,|firm and committed? That is great.
We still have 28 more to go.
You'll get them, I know you will.|I have confidence in you.
Thank you.
-We're off to lunch, Marsha.|-Yes, Miss French.
Of course, there are problems|I had intended to discuss with you.
For instance, the board members,|the contributors, the sponsors.
I know nothing about the backgrounds|of the contributors and the sponsors.
The big corporations want|to know the names.
Let's meet.|I'll give you what I can.
Good, I'll pick you up at 7:30.
Then, after dinner at the Grotto,|we can go to the disco in Old Town.
I thought you meant|meet in my office.
With all the hustle and tension in there?|I got to meet my boss. That's you!
There's not much to know.|I was born four blocks away.
I'm 5'7", five pounds|overweight and divorced.
Divorced? Oh, some turkey|messed over you?
He wanted to fly airplanes,|and I wanted to do this.
-He still writes from overseas.|-You still carrying a torch?
This is a business meeting,|isn't it, Mr. Anderson?
I didn't know you before, now I know|you well enough to ask you to dinner.
For business.
You're persistent. You talk fast.|I hope the work goes as quickly.
-I work fast also.|-I've noticed.
I keep my business life|and my social life separate.
What if I said I was|a teenager looking for a job?
No.
-You ever hear of the Quantum Theory?|-Physics wasn't my best subject.
It's not physics.|It's a discotheque.
-A discotheque?|-Yes, a discotheque.
You know, like, you do the funky chicken,|the funky rhinoceros.
-I know, I know.|-Yeah. You do.
You think I'm an old spinster dedicating|her life to good works and no fun at all.
-I didn't say you was old.|-You're wrong.
-You are old?|-No, the other.
I'm sorry. I was wrong.
We'll go to dinner tonight|and down to the Quantum Theory.
No.
What is it that you have against me?
I'm rich, I'm suave...
...and I have a clean navel.
I'm full-blooded.
-How about if I'm a veteran?|-David Anderson, you're impossible.
You just have to get to know me.
Maybe I better.
I'm gonna go damp my hair.|I can feel it tightening.
-Excuse me.|-Yes, please.
David Anderson.
You haven't danced with me all night.
Now, if you don't dance with me,|I'll holler rape.
-Is that a request?|-What? The rape or the dance?
-Don't make no never mind to me.|-Don't make no never mind to me neither.
-Look out, now.|-Look out.
-What a lovely evening.|-Want to do it again?
Somebody?
-Is it serious?|-Kind of serious.
That's a fence I won't try to climb.|I hope that you're happy.
I hope that he's miserable,|but I hope you're happy.
Thanks, David. You're a very nice man.
If he ever hurts you, I'll personally|come in and beat him to death...
-...with one of Manny's teenage gorillas.|-I'll keep you posted.
Now, let's talk about common courtesy.
You know what courtesy is?
Respect.
That's all. Respect for other people.
And that comes from|respect for yourself.
You give respect so others will give|you respect. If they don't, it's on them.
How many here play basketball?
Hey, I'm bad, man.
All right.
Slam's my name.|That's my game.
-Denise, show that sucker.|-Yeah, show the dunk.
Earline the Pearline.|Now you see me, now you don't.
Can't miss you, the way|your sneakers smell.
Okay, okay, okay.
Now, someone feeds you a pass,|you score, you say:
"Hey, nice pass."|Now, that is a common courtesy.
Common, no big deal.
"Please" and "thank you"|are common courtesies.
Common, no big deal.
Nothing taken away from you.|But now let's discuss the psychology...
-...of common courtesy.|-Psychology!
The psychology of courtesy is...
...to encourage someone to give|you that pass, set that pick...
...so that you can take your best shot.
-Getting people to help you get over.|-Courtesy is to give and go.
-Give and get.|-I ain't playing with Denise.
She's a ball hog.
A job's like a ball team. You don't have|to like everybody you play with.
But the only way you'll get|your piece of the action...
...your championship ring, is....
Is for everybody to get one.
That's what winning is,|getting your piece of the action.
Now, we're gonna go|downtown, into the field...
...to practice common courtesy.
-All right!|-Oh, yeah!
Go to the corner, make a right turn.|It's about two blocks down.
-Hey.|-Yes?
I'm looking for the McNally|Association? Associates?
They're upstairs.|You delivering something?
No, I'm looking for a job.
Eighteenth floor.
-Hey, you got a light?|-No, I don't.
Good morning.
What can I do for you?
I'm going to inquire about a job.
What do you need?
Could you direct me to the offices|of McNally Associates, please?
-They're in 1805.|-Thank you.
-Excuse me, sir, do you have a light?|-Yeah. Sure.
Here you go.
-Thanks again.|-Don't mention it. Good luck with the job.
Okay, now, here's the play.
You give courtesy and kindness|and you get them back.
Barbara, it's your turn. Pick out anybody.|Get directions to Garfield Hays Monument.
-The what?|-Damn, Barbara.
The damn Garwood Hays Monument.|Don't you know nothing?
Lord have mercy!|Jesus, help my people!
-I never heard of the place!|-There is no such place.
There's no such monument,|but get the information anyway.
Get it out. But get it with kindness.|And courtesy.
-Okay.|-Okay? All right.
Now, you ready?
-Yeah.|-Okay, let's go.
-Go on, girl.|-All right.
Sir, could you help me, please?
-What do you want, kid?|-I think I'm lost.
I have to find|the Garfield Hays Monument.
You guys know where it is?
-No, boss.|-Boss, it's a quarter of.
Oh, see, they're waiting for me.|My mother, father and my little brother.
But I don't wanna keep you.
Boss, we better go.
Take your time. The little girl is lost!
I don't want to take your time, sir.
It's all right, kid. Now, let me see.
The Garfield Monument? Monument?
I've been there lots of times.|It's a big place.
Yeah, pretty big.
I played there when I was a kid.|I used to feed the pigeons.
You see down there?
See that policeman down there?
Tell you what, go ask the cop.|He'll tell you where it is.
Thank you very much.
-Have a nice day, now.|-Okay, little girl. Be careful, now.
Sweet kid.
-Hey! Hey!|-All right, Barbara.
All right, all right.|Okay, okay.
Now, we're heading back to the center.|Let's go, let's go. Back to the center.
-What'd you find out?|-Nice lady.
But what'd you find out|for you and me?
You? Hey, man, there's a chump|already in the picture.
-The names.|-I don't know the turkey's name.
I'm talking about the names|from the safe.
I figure if I get tickets for the ballet,|I'll be able to impress her with my class.
-Dave, it's been a bad day.|-I'm working on it.
-What about the child-care center?|-I think we need more participation...
...from the parents, you know,|because we....
-Morning.|-Morning.
-Morning.|-Morning.
Excuse me.
-Morning.|-Morning.
Yes.
-Everything okay?|-Yeah.
Good.
-I've changed my mind.|-About what?
I'm gonna climb that fence.
He's no more entitled|to you than I am.
I mean, who does he think|he is, anyway? I mean, who is he?
-Roger Lawrence.|-Roger Lawrence?
Roger Lawrence? Lila Lawrence?
I mean, what kind of name is that?|I mean, are you kidding me?
-No.|-You're not?
-No.|-Well, what does he do?
He's the regional sales director,|Pharaoh Products.
-Well, where is he?|-He's out of town. He's in D.C.
In Washington, D.C.? He's taking care|of business in Washington, D.C.?
Well, I'm taking care of business|right here. You know why?
-Meaning what?|-Meaning that I've changed my mind.
It means that I'm gonna be shooting at you.|It means that you are in a world of trouble.
And another thing, I'm getting four tickets|to the Dance Company of Harlem.
You are going with me.|Manny's going and Nikki's going.
Now, why? Because I'm from Tennessee|and when I get my Tennessee up...
...I will kick over a mountain,|kill a buffalo with this little finger.
No violence to yourself,|of course, my dear.
But I'm going across the hall,|I'm gonna get the 21 on the job...
...for the little lady and|gentlemen gorillas across the hall.
But at 7:30 p.m., I'm coming by|your place and I'm picking you up.
And 7:30 means 7:30, not CP time.|You understand?
Thank you.
{y:i}Lovely day, Miss Darren,|{y:i}don't you think?
{y:i}Bright and shiny, Mr. Anderson.
-Well, here we are.|-Again.
-May I show you to your door?|-This is my door.
No, I mean your other door.
Church people.
What's wrong with them?|Are they lonely?
They just ride up and|down in this building?
You know the people?
It's your building.
Are these statues, or what?
Good night.
Hey, come on! Get in line!
Get in line! Get in line|if you wanna get paid.
Please get in line. You do wanna|get paid, don't you?
So shut up!
{y:i}Oy vey!
-0-0-J....|-That's it!
That's it.
G....
-Come on, John. What takes you so long?|-Don't give me hassle.
Thank you.
Thank you.
Tape it soft.
-Get down this weekend.|-Slow.
Mr. Durrell, I don't understand how you can|do this or what it is you're really doing...
...but I think I like it.
And they tell me Mr. Anderson is doing|so well with finding jobs too.
Keep praying, Sarah. We still gotta|housebreak them. Time is short.
-I'll be burning incense night and day.|-A few candles wouldn't hurt.
Yes, Mr. Tillman, thanks. You will not|regret it. Can you call me Thursday?
Thank you, sir. Bye-bye.
Save me from committees!
Jobs 17, 18 and 19.
-You are working miracles.|-I am a captain of industry.
And I'm gonna go straight to the top,|and when I get there...
-...l'm taking you away from here.|-Thanks, captain, but no, thanks.
This is my thing. I went away to college|just so I could come back here...
...because of a truly beautiful woman.|That one right there.
-Who?|-Martha Burke.
She started the center.|She had the job I have now.
You know that kid Barbara that Manny|has so much trouble with?
-Yeah.|-That was me.
Always mad and never knowing why|until I met Mrs. Burke.
She turned my whole life around.
She got mad every time she saw|a kid's life being wasted.
This center was her passion.|She's dead now, but not really.
-Who's this gentleman with her?|-That's Mr. Burke. And that's the Hamiltons.
Mr. Burke. Is he connected|with the center in any way?
-No, it was her baby. You know him?|-I've seen him before.
You might've, if you've had any|trouble with the law.
Oh, really?
Why?
That's Detective Joshua Burke.|Just retired, I think.
Oh, really.
Hi, Dave. Come on in.|Honey!
You know a cat named|Joshua Burke?
Detective Joshua Burke,|just retired from the force.
His wife, Martha Burke,|died about three years ago.
Now, here's the bombshell.|Martha Burke was coordinator of the center.
-Our center?|-Yes, our center.
She started it. Her baby, her pet.|Now, four years ago, she took sick.
The woman who took over her job|was the woman she had trained.
Lila. Lila French.
Yes. I think Joshua Burke|is our man.
Let's check him out.|I took down his number.
Hello?
{y:i}Hello? Hello, who is this? Hello?
-Got him!|-Got him!
Now, I want him picked apart|from the day he was born.
We will find out something,|anything that will get him off of us.
I want him by the short hairs.
Give me a couple of days and you've|got him on a platter, short hairs and all.
Could you tell me where I could|find Miss French?
Right in there, miss.
City funded, yes, but the advantage is that|our kids are prescreened in the program.
Someone to see you, Miss French,|a Mrs. Quitman?
Yes, so they're already familiar|with your employee requirements.
And they want to work.
I'm Bea Quitman. I'm looking for|a Manuel Durrell. He's an old friend.
Manny's working in the field.|Would you like to leave a message?
I'm in from Copenhagen|just for the day.
I'm going to the Nash Corporation.
Hello. My name is Dave Anderson.|I work with Manny.
I got a bite on jobs 20 and 21|for the little gorillas.
-All right!|-Bye.
-I'm so disappointed.|-He'll be back by the end of the day.
Well, maybe I can get back later.
-It was nice meeting you.|-Nice meeting you.
$ 1.50.
-So?|-Yes, he works there.
-He'll be back later.|-That's nice.
-What about my grandson?|-Trust me, Grandma.
I trusted you, right?
Go.
Second car on the left.
Call Nikki, will you? And tell her to come|meet you at your house, all right?
-Lampkin called, job number 22.|-Great. Now, just call Nikki, will you?
-Okay, what's up?|-Nothing, just do what I tell you.
Okay, sure.
Name Mrs. Bea Quitman|mean anything to you?
-Yeah.|-She came in and asked for you, just left.
Got into a limo with five hood types,|two of them sitting in your car right now.
-Where's Bea?|-Drove off in a limo with the other three.
-They looking for you?|-Yeah.
Is it serious?
-Very.|-That's what I thought.
Don't get mad, but I had Lila call Nikki|to come over to her place.
That was good. Thanks.
Bea.
If she gave her right name,|she must be trying to tell me something.
Well, what are you going to do?
I'm gonna stay away from my car,|for one thing.
Until I find out what's going on.|And there's only one man who can tell me.
-Detective Joshua Logan Burke?|-Right.
I don't want you in on this, Dave.|It's my problem.
Detective Joshua Logan Burke|happens to be my problem also.
-Dave, I'm trying to keep you out of this.|-But you can't.
Detective Joshua Burke, I believe.
-Can I help you?|-You damn well better.
Come in.
And they drove off with Bea.
The other two are sitting|in my car now.
Can we use the phone?|I wanna check on the women.
If the neighbor told you I was a policeman,|it's not quite true. I retired a month ago.
This is no time for games. You've had us|jumping on that string for weeks.
Gently.
Mr. Durrell, is it?
Even if I knew what you were talking about,|what could I do?
Nikki's not there. Lila's been calling|ever since we left. No answer.
-We gotta go.|-Listen...
...l'll nose around,|see what I can come up with.
I'll be at Lila French's apartment.|You remember, your wife's replacement.
-Fairmont Avenue. It's listed.|-Yeah.
Miss McLean, there's a lady|waiting for you.
-For me?|-Yes.
Nikki?
Nikki?
Nikki?
Nikki?
-Yeah?|-"I want my money."
-All $475,000.|-You got Nikki?
Nikki and the old lady and you.
-You've got 18 hours.|-Listen--
{y:i}I'll call you at that place|{y:i}where you work.
You don't have to be circumspect,|Mr. Burke. They've told me everything.
Yes, everything.
What you've done isn't|very nice, Mr. Burke.
-I did it for her.|-No.
Martha Burke never used people|to get what she wanted.
Bruno called.
-He's got my woman.|-He wants his money.
And he wants you dead.
-What you gonna do?|-I want my woman free.
I've only got half the money.|I'll find the rest someplace...
...but I won't walk in there and give him|his money and my life without a chance.
I'm not gonna walk in there naked.|Now, you have got to get me an edge.
Burke, you owe me.
-For my woman.|-What are you asking me?
Look...
...Bruno has got to have some|kind of a weak link.
-Now, you're a cop.|-Was a cop.
But you still know how to get to things.|Hey, if I'm going down...
...Bruno is going down.
I don't know. I don't know.
Even if I came up|with some ideas...
...you'll probably need|a hell of a good safe man.
And that could get you killed|even before you met Bruno.
Burke, for my woman.
Wait here. I'll call you back.
Josh? You're looking good.
Ty, I gotta talk to you.
Well, what is it?
Ty...
...l'm gonna lay it on you.
What's the matter, you in trouble?
Ty, I need some information.|You gotta give it to me. You gotta.
Hey, you want help? You got it.|What do you need?
-I don't know what you're talking about.|-Yes, you do.
I know nothing. I....
Ty?
We're old friends, right?
I know about the gambling,|and I know about the loans from Bruno.
And you don't pay that money back, ever.
You pay him his way.|I know that.
-When did you...?|-I always knew.
Here's you, Ty, 19 years.|You got six years till you retire.
And I wish you well.
Ty, I got a short memory.|Soon as I hear what you got to tell me...
...l'll forget where it came from.
Ty, better them than you.
Oh, Jesus!
Let's have a cup of coffee.
Yeah?
Yeah?
What?
You serious?
Okay.
We gotta hit two places,|one you'll not believe.
Let's go.
-Hi.|-Hi.
This one's been taken care of.|We just cleaned it out.
Okay.
Let's go.
No, please. No, please.|No, no.
I could have opened|the gate for you.
Mr. Durrell, your class is ready.|It's a quarter after--
Sarah, would you take the class?|We're having an emergency.
Oh, certainly.|I'm sorry. Certainly.
-Yeah?|-You got my property?
-"Yeah".|-We make the exchange...
...underneath Lakeshore Drive|and Walker, 2:00.
-I'll be there.|-"Sure you will".
It's on.
-Let me go with you.|-No.
If they see you, they won't deal.
Just take care of Nikki.
-Where's my woman?|-Let me see the money.
Where is she?
Okay.
She'll be coming out of that|warehouse right over there.
Get in, con man.
Where's Manny?
No! I'm not going anyplace!|I want Manny! Manny!
So. Long time. Long time.
-You're a smart boy.|-I got your boy.
-What'd you say?|-I'm not a boy.
Look, I came here to give you this.
It's two-thirds of the money.|I'm short a third. You wanna count it?
Money isn't everything, you see?
You're an embarrassment to me.|Like a boil.
You interfere with the normal|flow of things, boy.
-Man.|-We'll see about that.
You're smart. I give you credit for that.|But now you're in trouble, see?
You shouldn't deal in other|people's money.
-You should take your own advice, Bruno.|-Mr. Bruno.
That was other people's money.|Money you took from poor people.
You preaching to me, con man?
I don't steal that money.|People give it to me.
-I provide a service.|-Dope is a service?
Gambling, whores? Twelve-year-old junkies|are informed consumers?
You got a lot of spunk, boy.|A lot of spunk.
You are not dealing with a boy,|titty-sucker.
Watch how you talk here.
Okay.
So I touched you and I touched you good.|All right, I owe you.
But you owe people. You owe a lot|of people in my neighborhood...
...so in a matter of touching other|people's money, we're even.
Right?
Right.
-Can I have him now, boss?|-No, let him talk.
It's his last testament.
Now, I wanna walk out of here|owing you nothing. Equal.
So why don't you count the money.
-I wanna talk a deal.|-Deal?
You believe that?
He wants to talk a deal.
Durrell, only deal you're gonna talk...
...is what kind of box|you want to be buried in.
Don't talk to me about deals, boy.
Get him out of here.|You know what to do.
That's gonna be|the death of you, Bruno.
-This?|-That!
That money? You don't understand.|This is nothing.
It's two-thirds of nothing!
It's pride.
Principle.
You don't understand that, smart boy.
You shouldn't get in places|where you are a lightweight.
Smart. Smart?!
You're stupid!|You think this is big money?
This is nothing! This is crap!|This is....
What is this?
That's a copy of your ownership|of Coryell Management Limited.
The Internal Revenue Service might be|interested in your imports and exports.
That might be the details|of your cigarette business.
That's a federal offense.|Interstate hijacking.
The stamps on the packs|are federal stamps.
Where did you get this?
From where you kept them,|in a safe at St. Ambrose Monastery.
That was good thinking.|Those nice monks don't know nothing.
Give them a contribution, and they let you|store things where the cops can't come in.
Nice thinking.
Check that one out.
I mean, that's important.
That's the deal between you and Foster|that got the Turk killed in Delaware.
Now, I know you're not connected...
...and the syndicate would just|as soon have you out of the way.
And that piece of paper will put|your behind deep in a marsh.
And you, Louie...
...you, Stosh...
...and you...
...but especially him.
-I'm gonna blow him away, boss.|-You hit my safe.
I hit two safes.
And I'm sure you've noticed|that those papers are copies.
I've got 25 sets...
...around town.
Now....
You boys wanna talk a deal|with a lightweight?
I wanna walk out of here|and go back to my life.
You hear me?
Back to my woman.
Durrell.
Twenty-five copies?
Around town.
So anything happens to you|happens to us?
That's right.
So....
You walk out clean, we're even. That's it?
And you stop dealing dope|in South Chicago.
Deal.
Where's Bea?
The old lady?
Back in Copenhagen.
-How'd you find her?|-I've got friends everywhere.
Remember that, boy.
Man.
What happens if you drop dead|of a heart attack or something?
Manny!
-Oh, baby! Are you all right?|-I'm fine.
-They didn't hurt you, did they?|-No, baby, I'm fine.
Well, what happened?
It's a standoff for now.
This center has too much excitement|for me. I'll have to get an honest job.
-Is there any money in this line of work?|-I guess we'll have to find out.
I don't care if you sharecrop, baby.|I can work.
Well, now, what you gonna do for me?
Well, first, we gonna get you|a high-school diploma.
Just a minute, now.|We still got this problem of--
Oh, my God,|Miss French! It's horrible!
Please come, Miss French!
I told him to stop bothering me!|I told him! I did!
Didn't I? Didn't I tell him?|I told him!
These commencement exercises|of the class of '77...
...which we had to give ourselves...
...are dedicated to Benjamin Banneker:
Free man, irrigation farmer...
...weather predictor,|author of an almanac...
...builder of the first|American-made clock...
...and chief surveyor|of the city of Washington, D.C...
...our nation's capital.
Our opening pageant...
...presented by Barbara Hanley|and Percy Watkins...
...exhibited a tableau in pantomime,|you understand?
Shut up, Gerald!|See, I told you not to let him do it.
-He always got to be a star.|-Quiet, y'all.
-Go ahead, Gerald.|-That's all.
I'd just ask our guests|to please excuse my colleagues...
...and let your patience overcome|the nausea and disgust...
...at the ignorance which is,|indeed, the curse of our people.
-Get back in line, son!|-Why would do you wanna do that?
The next section|of our program is awards. Willie?
The recipient of the|class gift award is Miss French.
Oh, thank you.
This gift was commissioned|by the entire class of '77.
The artist is Timmy Mangum,|my little brother.
Hey! Let's hear it for Timmy.
Miss Thomas, it is my honor|to present you with this.
The key to the block.
And this.
The collected works of Stevie Wonder!
{y:i}Thank you.
{y:i}Thank you.
Will you two cut that out?|Really!
Now, for Mr. Durrell|and Mr. Anderson...
...the joint incentive award.
We heard y'all call us "the gorillas."|That's cool.
Now, you can take this award|and spend it on the 23 rookie gorillas...
...you got coming in next week!
-Rookie gorillas?|-Rookie gorillas?
-Twenty-three, and they're volunteers.|-No.
I meant to tell you,|but all this excitement....
No, you didn't.
-No, no, no.|-It's honest work.
-No.|-No, no, no.
{y:i}Please.
-No.|-No.
Boy! Get on that.
That's it, girl.
Move it, y'all.
[ENGLISH]
P S 2004
P T U
Pact of Silence The
Padre padrone (Paolo Taviani & Vittorio Taviani 1977 CD1
Padre padrone (Paolo Taviani & Vittorio Taviani 1977 CD2
Paid In Full
Paint Your Wagon 1969 CD1
Paint Your Wagon 1969 CD2
Palabras Encadenadas
Pale Rider CD1
Pale Rider CD2
Palookaville
Pan Tadeusz
Pan Wolodyjowski CD1
Pan Wolodyjowski CD2
Panda Kopanda (Panda! Go Panda!)
Pandoras Box 1929 CD1
Pandoras Box 1929 CD2
Panic Room 2002
Paparazzi
Paper The 1994
Papillon
Paradine Case The (1947)
Paradise Found
Paradise Hawaiian Style - Elvis Presley (Michael D Moore 1966)
Paradise Villa 2000
Paragraph 175 (Rob Epstein Jeffrey Friedman 1999)
Paraiso B
Parallax View The 1974
Paran Deamun (1998)
Parapluies de Cherbourg Les
Paraso B
Pardes
Parent Trap The CD1
Parent Trap The CD2
Paris - When It Sizzles (1964)
Paris Texas CD1
Paris Texas CD2
Parole officer The
Party7 2000
Pasolini Volume 2
Passage to India CD1
Passage to India CD2
Passion 1982 30fps
Passion Of The Christ The
Patch of Blue
Pather Panchali (Satyajit Ray 1955)
Pathfinder 1987
Patlabor - The Movie - 1990
Patlabor The Movie 3 CD1
Patlabor The Movie 3 CD2
Patriot
Patton CD1of3 1970
Patton CD2of3 1970
Patton CD3of3 1970
Paul McCartney Back In The US CD1
Paul McCartney Back In The US CD2
Pauline At The Beach
Pauline and Paulette
Pauly Shore is Dead
Payback 1999
Peace Hotel The (1995)
Pearl Harbor
Pearls and Pigs
Peculiarities of National Hunting
Pee-wees Big Adventure (1985)
Peep Show 1x1
Peep Show 1x2
Peep Show 1x3
Peep Show 1x4
Peep Show 1x5
Peep Show 1x6
Peeping Tom (1960)
Peking Opera Blues (1986)
Pelican Brief The
Pennies from Heaven (1981)
Pepe le Moko
Peppermint Frapp 1967
Perfect Blue
Perfect Murder A
Perfect Score The 2004
Perfect World A
Persona
Persuasion CD1
Persuasion CD2
Pet Sematary
Petek13th part 7 A new blood
Peter Pan
Peter Pan (2003)
Peters Friends
Petes Dragon (1977)
Petrified Forest The 1936
Peyton Place CD1
Peyton Place CD2
Phantom The
Phantom of the Paradise
Phenomena CD1
Phenomena CD2
Phenomenon
Philadelphia
Philadelphia Story The 1940
Phone - Byeong-ki Ahn 2002
Phone Booth
Phouska I (The Bubble 2001)
Pi
Pianist The
Piano Lesson The
Piano The
Pickpocket
Pickup On South Street 1953
Piece of the Action A 1977 CD1
Piece of the Action A 1977 CD2
Pieces Of April
Pietje Bell
Pink Panther The - A Shot In The Dark (1964)
Pitfall The (Otoshiana 1962)
Planet Of The Apes (1969)
Planet of the Apes 1968
Planet of the Apes 2001
Planets The 1 - Different Worlds
Planets The 2 - Terra Firma
Planets The 3 - Giants
Planets The 4 - Moon
Planets The 5 - Star
Planets The 6 - Atmosphere
Planets The 7 - Life
Planets The 8 - Destiny
Planta 4
Plastic Tree CD1
Plastic Tree CD2
Platee CD1
Platee CD2
Platonic Sex CD1
Platonic Sex CD2
Platoon (Special Edition)
Play It Again Sam
Playing By Heart
Playtime CD1
Playtime CD2
Please Teach Me English (2003) CD1
Please Teach Me English (2003) CD2
Plumas de Caballo
Plunkett and Macleane
Pocahontas
Pocketful of Miracles CD1
Pocketful of Miracles CD2
Pod Njenim Oknom (Beneath Her Window)
Podium
Poika ja ilves
Point Break - CD1 1991
Point Break - CD2 1991
Pokemon - Movie 1 - Mewtwo Strikes Back
Poker (2001) CD1
Poker (2001) CD2
Pokrovsky Gates The 25fps 1982
Pola X 1999 CD1
Pola X 1999 CD2
Police Academy (1984)
Police Academy 2 Their First Assignment 1985
Police Academy 3 Back in Training 1986
Police Academy 4 - Citizens on Patrol 1987
Police Story (2004) CD1
Police Story (2004) CD2
Police Story 2
Poltergeist
Poltergeist 2 The Other Side 1986
Poltergeist 3 (1988)
Polyester
Poolhall Junkies
Pork Chop Hill
Porky - Awful Orphan (1949)
Porky - Dough for the Do Do (1949)
Porky - Porky Chops (1949)
Porky - The Wearing of the Grin (1951)
Porkys
Pornographer The
Pornography 2003
Pornostar (Poruno Suta)
Port of Call (1948)
Portrait of a Lady The
Poseidon Adventure The
Poslusne hlasim (1957)
Possession (2002)
Possible Loves - Eng - 2000
Post Coitum 2004
Postman Blues (1997)
Posutoman Burusu
Powder
Power Play (2002)
Practical Magic
Predator (1987)
Prem Rog
Presidents Analyst The (1967)
Presidio The
Pressure
Prevrashcheniye (Metamorphosis)
Prick Up Your Ears
Pride and Prejudice
Pride and Prejudice CD1
Pride and Prejudice CD2
Pride and Prejudice CD3
Pride and Prejudice CD4
Pride and Prejudice CD5
Pride and Prejudice CD6
Pride and Prejudice The Making of
Pride and the Passion The
Prime of Miss Jean Brodie The CD1
Prime of Miss Jean Brodie The CD2
Prince and the Showgirl The
Princess Blade The
Princess Bride The
Princess Diaries The CD1
Princess Diaries The CD2
Princess Mononoke
Princess Of Thieves
Princess and the Warrior The
Prisoner of Second Avenue The
Private Life of Sherlock Holmes The (1970)
Private Parts
Producers The
Profondo rosso
Project A CD1
Project A CD2
Propaganda
Psycho (1960)
Psycho - Collectors Edition
Public Enemy (2002 Korean) CD1
Public Enemy (2002 Korean) CD2
Public Enemy The
Pulp Fiction (1984)
Pump Up The Volume
Pumping Iron (1977)
Punch-Drunk Love
Punisher The (2004)
Punisher The 1989
Pupendo (2003) CD1
Pupendo (2003) CD2
Purple Rose Of Cairo The
Purple Sunset (2001)
Pusher
Pusong Mamon CD1
Pusong Mamon CD2
Pygmalion
Pyrokinesis (2000)