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Point Break - CD2 1991

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So, l started trailing him.
The Zen surf master?
Bodhi, yeah. l'm on him all day, right?
He goes to Tower Records, buys some|CDs, has lunch at Patrick's Roadhouse,...
..he goes into the Assured Trust|Savings and Loan.
Did he rob it?
Cute! He's inside 20 minutes.|The other guy, Roach, waited in the truck.
They were scoping it out, right?
Well, they were scoping it out|or cashing a cheque.
Wait. Then they go back home|and they box up all their shit.
See, summer's over.
They load it in Bodhi's truck|and they take it to a public storage unit.
l lost them after that, but the house|is empty. They're definitely outta here.
Goddamn it! Why didn't you call me?|They're probably halfway to Maui.
Uh-uh, no. They've got to pick up|some travelling money first.
Assured Trust tomorrow, next day latest.|l definitely got a feeling on this.
Last time you had a feeling,|l had to kill a guy.
l hate that. lt looks bad on my report.
Angelo, l'm right this time.|We can still win this one.
OK.
Tomorrow morning, first thing,|we'll be at the bank like stink on shit.
(laughs) This Calvin and Hobbes is funny.
Oranges, sir?
- You want some oranges?|- (Utah) No.
No. We got a lot. No, thanks. Good luck.
God!
(laughs) ..for his turkey cemetery?!
lt's time for lunch.
Angelo, it's 10.30!
Around that corner is a sandwich shop.|They sell meatball sandwiches.
Best l've ever tasted.|Would you go get me two?
Come on, partner. Two.
Thank you.
Utah? Get me two.
Hi. How ya doing?
Hi. Two meatball sandwiches, a tuna|on wheat and two lemonades, please.
(woman) OK, that's two meatballs,|one tuna on wheat,...
..two lemonades. That's $7.84.
- Thank you.|- (woman) Uh-huh.
(laughs) Oh, boy!
God, you scared me!
Here.|Yours is the one that looks like a road kill.
A road kill?
- Enjoy.|- Thank you very much.
- Here's your lemonade.|- Thanks.
Did you see that Lincoln pull up?
l'm so hungry l could eat the ass|off a dead rhino. l should've asked for three.
What Lincoln?
Goddamn!
FBl! Freeze!
l got him! l got him!
No!
Freeze!
(fires)
Fuck!
Get in! Get in!
- Jesus Christ!|- Go! Go!
Go!
Gimme a fuckin' break! l am going!
- l don't see 'em! Where'd they go?|- l don't fuckin' believe this!
We're losing 'em!
- You're losing 'em!|- l'm not!
Over to the right!
- lt's coming up.|- Punch it! Punch it! Punch it!
- Where is he, Dick?|- He's still behind us.
(man) Hang on, you guys.
This car's a piece of shit.
Oh, shit!
They're on the left!
- l think we lost 'em. l can't see 'em.|- Tell me where he is.
Oh, fuck. Watch out!
- We got you!|- You ain't got shit!
Damn it! Come on, come on!
(engine splutters)
OK, guys, emergency sanitation.
Back up, buddy! Try it, man. Just try it.
What about the old Chevy?
- This guy down here.|- l got him. l got the gun.
- Get away from the car! Move it!|- Get in.
Wait, wait, wait.
Don't do it, man. Don't be stupid. Run!
Why's he taking so long?
Come on!
We gotta go now! What's his problem?
Come on!
(engine revs)
- Let's go!|- Oh! Shit!
Fuck!
(explosion)
Look out!
Hey!
GET THE FUCK OUT OF THlS HOUSE!
WHAT D'YOU THlNK YOU'RE DOlNG?
HEY! HEY! HEY!
(snarling)
(yelp)
(yells in pain)
(howl ofrage)
Say again, 41.
Roger that.|Cal. plate - 562, Sam, lda, X-ray. Base out.
Nothing?
Nothing.
Johnny,|l wanna see you in my office right now.
Unit 23. See the manager, 4650 Wilshire.
l want you to know something.|When you shoot, you don't miss.
l missed.
No. l believe you're either scared...
..or you're getting too goddamn close|to this surfing guru buddy ofyours.
l don't believe you're scared.
Hey, go home and get some rest.|You look like hammered shit.
lf l get anything|that resembles your boy, l'll beep you.
Now go home.
(Angelo) Damn!
(Tyler) What's the other guy look like?
Never saw him. lt was a basic hit-and-run.
You look like you got in a train wreck.
Stupid jerkjust kept driving?
Ouch! Baby, l'm sorry.
Johnny, what is it with you?|You've got that look again.
As ifyou're about|to tell me something and then you don't.
Or you can't.
There's something l want to tell you.
lt's important. lt could|really affect things between you and me.
Man!
This is harder than l thought.
God, men are so bad at this.
Shhh. Some other time.
- You act like nothing happened!|- Relax, Nathanial.
Don't tell me to relax, Bodhi!|He's a fucking federal agent!
l should've|shot him when l had the chance.
l'll deal with that fuckin' cop.
No, Rosie.
We have hit 30 banks in three years|and they haven't been able to touch us.
All this does is up the stakes ofthe game.
Fuck the stakes, Bodhi! The only person|this is a game to is you. This is real!
This is serious shit and l am scared. OK?
So l say we get|the fuck outta here now, tonight, OK?
You run, you die.
(Bodhi) Come on, think about it.
This was never about money for us.|lt was about us against the system.
That system that kills the human spirit.|We stand for something.
To those dead souls inching along|the freeways in their metal coffins,...
..we show them|that the human spirit is still alive.
So, you trust me?
OK.
Then don't worry about this guy.|l know exactly what to do with him.
(gunshot)
A lawyer!
You lied to me!
Tyler, put the gun down.
l bet you lied about everything.
l bet you lied about your parents!
You just tell me the truth, Johnny.
Did your parents die in a car accident?
DlD THEY?!
They live in Columbus, Ohio.
l work Bank Robbery. The guys l'm after|are surfers. l needed you at first,...
- ..but after that...|- Fuck you!
Don't you have a soul?
(drops gun)
Goddamn you to hell!
Tyler...
TYLER, WAlT!
TYLER!
- (answering machine) Leave a message.|- (Utah) Tyler, look, l fucked up. OK?
l know l fucked up.
l wanted to tell you, but l couldn't.
l was afraid you'd leave.|Good guess, huh ?
Fuck!|Why can't l ever say what l really mean?
(Utah) llied to you.|l'm an asshole, butlneedyou, Tyler.
l wantyou to knowl've neverknown|anyone like you before in mylife...
..and lhope you change yourmind.
(buzzer)
Tyler, wait. l'm coming.
Howdy, bro.
So, come on, we're rollin'.
What's going on, Bodhi?
What happened?|Cut yourself shaving?
l don't think l wanna surf right now.
Surf? No, this is really different, Johnny,|you are gonna love it.
So, we gotta get your stuff|and get outta here.
(Bodhi) OK. Uh, socks,...
..shirt.
Uh,... boots. Here we go.
OK, put the stuff on in the truck.|We gotta go. Life is short.
You are gonna love this!
Yo!
All right, let's unload.
- Take this, too.|- Thank you, sir. There you go.
Ever done this before?
No, but l've seen it on TV.
lt's 100% pure adrenaline.
Other guys snort for it, jab a vein for it.|All you gotta do is jump.
l'm sure it's a blast,|but l screwed my knee up yesterday.
Yeah, l noticed you limping, but don't|worry cos we're not gonna land on land.
Well, fine then. l feel so much better(!)
OK, let's fly.
Three minutes.
This is a ceremony we always do at the end|of the summer. One last speed star.
By the way, you might wanna|pull that little orange thing sometime.
The life you save may be your own.
So, uh... who packed my chute?
l did. Why? You don't trust me?
You gotta earn trust.
OK, we'll earn it together. Here, take mine.
Hey, Johnny, that's not a good idea.
Bodhi's packs are pretty shitty.|They only open about halfthe time.
Less!
Bullshit.
Why don't you take|young Grommet's? How'd that be?
Nah, you don't want this one, man.|This one's set for a neck-breaker.
You'd probably|be better offwith something like this.
Are we gonnajump orjerk off?
That's my man!
Let's do it!
You're about to jump out of a perfectly|good aeroplane. How you feel about that?
(joyful whooping)
Shit! Whoa, shit!
Whoa-ho-ho!
Sex with the gods!
You can't beat this!
This is fucking beautiful!
Whoo-hoo-hoo!
Ha-ha!
Whew!
Whoa! Yeah! Yeah! Yeah!
Hah!
Come on, Johnny.
That's it, Johnny. Go for it.
Come on, Johnny!
You can do it. Come on!
Use your arms. Fly like an eagle, baby.
Whoo!
Keep coming.
All right!
- Johnny, you did it.|- You're a speed star.
We're going like a bat out o' hell.
Whoo!
How do you like it, Johnny?
Amazing.
Fucking amazing!
This is so beautiful.|l love this ground-rush shit.
OK. Break!
Great, isn't it?
You're doing good.
A thousand feet, pull.
After you, Alphonse. l insist.
Pull the ripcord now.
You first.
OK!
Son of a bitch!
(laughs)
Jesus Christ.
l gotta be losing it.
lt's the closest you'll ever get to God.
lt's like the palm ofyour hand, man.|Zoom! Coming right at you.
- Unbelievable.|- Totally indescribable.
- We did pull pretty low.|- You'll never be the same again.
- Didn't l tell you Johnny'd be just fine?|- Yeah. Damn perf!
Johnny, just drop your chute right there.
Pack offyour shoulders.
- Step back out of it.|- l'll pack that for you, Bodhi.
OK. Thanks.
Johnny, come here.|There's something you need to see.
Hop in.
OK.
What's this?
This is an insurance policy.
lt will sting a bit,|but it's for your own growth. Press play.
(growls)
Fuck you!
(Tyler screams)
(Tyler) FUCK YOU!
She is a wild one,|isn't she, Special Agent Utah?
You're a fuckin' dead man!
Hold it, man. Think it through, man.
l'm the only one that knows where she is.|l'm the only one,...
..so let me talk. Let me talk.
Talk.
She'll be fine. Rosie won't do anything...
..as long as l meet him|at a certain place and time in six hours.
You call him right now|and tell him to let her go!
Sorry, l can't do it, bro.|They're on the road,...
..and where they're going,|there are no phones, so you are outta luck.
(coughs)
Oh, man.
l hate this, Johnny. l really do.
l hate violence.
That's why l need Rosie.|l could never do that.
l could never hold a knife to Tyler's throat.|She was my woman.
We shared time.
But Rosie is a... mechanism, you know?
Once you set him in motion,|he will not stop.
He's, like, got this gift of blankness.
But when three o'clock comes|he will gut her like a pig...
..and try not to get any on his shoes.
There's nothing|l can do about it unless l get there.
So l guess that makes us partners...
..because we both have the same goal:|to get me where l need to go, right?
We're wasting time.
(laughs)
That's what l love about you, Johnny.|You are just as sharp as a razor.
Murphy, take the plane|down to Santa Monica, top up the tanks.
- OK, you guys, it's party time. Move it!|- Right. We're on it.
All l'm asking for|is 90 seconds ofyour life, Johnny.
You see? lt's basic dog psychology.
lf you scare them and get them|peeing down their leg, they submit.
Yet ifyou project weakness, you draw|aggression. That's how people get hurt.
You see, fear causes hesitation...
..and hesitation|will cause your worst fears to come true.
So it's simple.|You project strength to avoid conflict.
Peace through superior firepower.
Oh...
There. Can't have you walking through|those doors with your dick in your hand.
l can't do this.
Sure you can.
Who knows?|You might like it. lt's a killer rush.
Bodhi,|this is your fuckin' wake-up call, man!
l am an FBl agent!
l know, man. lsn't it wild?
But that's what makes it great, Johnny.
We can exist on a different plane,|we can make our own rules.
Why be a servant to the law|when you can be its master?
Fuckin' A!
l love this fuckin' job.
OK, 90 seconds, door to door.
lt's a small price to pay|for someone who loves you.
She does, you know?
lt's not her style to fall so hard.|l don't think she did with me.
OK, Mr Carter.
LBJ.
Mr Nixon.
Well, sorry, Johnny.|Looks like you don't get to be president!
l'm ready.
Rock and roll!
Everybody freeze!
- OK. On the floor now!|- On the floor right now! Do it.
Hold it! Where you going?
Everybody down! Let's go!
(Utah) On the floor, asshole!
l'll blow out your fuckin' kneecaps,|then you'll be on the floor.
A kick in the ass, ain't it, man?
Hey, look. You're on TV. Smile.
Could be a little hard to play FBl now, huh?
Can we just get the goddamned money|and get out of here!
Nobody move. Heads down, eyes down.
Good afternoon, ladies and gentlemen.|May l have your attention, please?
We are the Ex-Presidents and, as you can|see, we are, in fact, robbing your bank.
So with a little co-operation|l won't have to blow your heads off.
So l need just a couple of minutes|of your lives and we're gone.
Dick, go to the vault.
Uh... you, Miss Jennings, would you be a|dear and open the gate for my associate?
Mr Duggan's got the keys.
We never go to the vault!
Just do it!
Lyndon, go with them.|Get in the vault, man. Go! Go!
Who's Mr fuckin' Duggan?!
Mr Duggan, do you wanna|open the vault or do you want me to do it?
Do whatever they want, Teri.
Take the fucking keys! Take 'em!
Move it!
Open the damned door!
l'll fuckin' blow|your fuckin' head off! Move it!
Come on! Come on!
Get outta the way!
OK. All right.
Go for the big bag.
What we doin' in a fuckin' vault?!
This is a bad idea.
- (screams)|- On the ground. Don't look at me!
You're blowing it, man. You're breaking|your own rules and pulling too much time.
Jimmy, how we doing?
65. What's happening?
Don't worry, man, it's fine. lt's great.
Fuck! Fuck!
(Hey, l'm a cop.)
OK!
Son of a bitch!
(laughs)
Jesus Christ.
l gotta be losing it.
lt's the closest you'll ever get to God.
lt's like the palm ofyour hand, man.|Zoom! Coming right at you.
- Unbelievable.|- Totally indescribable.
- We did pull pretty low.|- You'll never be the same again.
- Didn't l tell you Johnny'd be just fine?|- Yeah. Damn perf!
Johnny, just drop your chute right there.
Pack offyour shoulders.
- Step back out of it.|- l'll pack that for you, Bodhi.
OK. Thanks.
Johnny, come here.|There's something you need to see.
Hop in.
OK.
What's this?
This is an insurance policy.
lt will sting a bit,|but it's for your own growth. Press play.
(growls)
Fuck you!
(Tyler screams)
(Tyler) FUCK YOU!
She is a wild one,|isn't she, Special Agent Utah?
You're a fuckin' dead man!
Hold it, man. Think it through, man.
l'm the only one that knows where she is.|l'm the only one,...
..so let me talk. Let me talk.
Talk.
She'll be fine. Rosie won't do anything...
..as long as l meet him|at a certain place and time in six hours.
You call him right now|and tell him to let her go!
Sorry, l can't do it, bro.|They're on the road,...
..and where they're going,|there are no phones, so you are outta luck.
(coughs)
Oh, man.
l hate this, Johnny. l really do.
l hate violence.
That's why l need Rosie.|l could never do that.
l could never hold a knife to Tyler's throat.|She was my woman.
We shared time.
But Rosie is a... mechanism, you know?
Once you set him in motion,|he will not stop.
He's, like, got this gift of blankness.
But when three o'clock comes|he will gut her like a pig...
..and try not to get any on his shoes.
There's nothing|l can do about it unless l get there.
So l guess that makes us partners...
..because we both have the same goal:|to get me where l need to go, right?
We're wasting time.
(laughs)
That's what l love about you, Johnny.|You are just as sharp as a razor.
Murphy, take the plane|down to Santa Monica, top up the tanks.
- OK, you guys, it's party time. Move it!|- Right. We're on it.
All l'm asking for|is 90 seconds ofyour life, Johnny.
You see? lt's basic dog psychology.
lf you scare them and get them|peeing down their leg, they submit.
Yet ifyou project weakness, you draw|aggression. That's how people get hurt.
You see, fear causes hesitation...
..and hesitation|will cause your worst fears to come true.
So it's simple.|You project strength to avoid conflict.
Peace through superior firepower.
Oh...
There. Can't have you walking through|those doors with your dick in your hand.
l can't do this.
Sure you can.
Who knows?|You might like it. lt's a killer rush.
Bodhi,|this is your fuckin' wake-up call, man!
l am an FBl agent!
l know, man. lsn't it wild?
But that's what makes it great, Johnny.
We can exist on a different plane,|we can make our own rules.
Why be a servant to the law|when you can be its master?
Fuckin' A!
l love this fuckin' job.
OK, 90 seconds, door to door.
lt's a small price to pay|for someone who loves you.
She does, you know?
lt's not her style to fall so hard.|l don't think she did with me.
OK, Mr Carter.
LBJ.
Mr Nixon.
Well, sorry, Johnny.|Looks like you don't get to be president!
l'm ready.
Rock and roll!
Everybody freeze!
- OK. On the floor now!|- On the floor right now! Do it.
Hold it! Where you going?
Everybody down! Let's go!
(Utah) On the floor, asshole!
l'll blow out your fuckin' kneecaps,|then you'll be on the floor.
A kick in the ass, ain't it, man?
Hey, look. You're on TV. Smile.
Could be a little hard to play FBl now, huh?
Can we just get the goddamned money|and get out of here!
Nobody move. Heads down, eyes down.
Good afternoon, ladies and gentlemen.|May l have your attention, please?
We are the Ex-Presidents and, as you can|see, we are, in fact, robbing your bank.
So with a little co-operation|l won't have to blow your heads off.
So l need just a couple of minutes|of your lives and we're gone.
Dick, go to the vault.
Uh... you, Miss Jennings, would you be a|dear and open the gate for my associate?
Mr Duggan's got the keys.
We never go to the vault!
Just do it!
Lyndon, go with them.|Get in the vault, man. Go! Go!
Who's Mr fuckin' Duggan?!
Mr Duggan, do you wanna|open the vault or do you want me to do it?
Do whatever they want, Teri.
Take the fucking keys! Take 'em!
Move it!
Open the damned door!
l'll fuckin' blow|your fuckin' head off! Move it!
Come on! Come on!
Get outta the way!
OK. All right.
Go for the big bag.
What we doin' in a fuckin' vault?!
This is a bad idea.
- (screams)|- On the ground. Don't look at me!
You're blowing it, man. You're breaking|your own rules and pulling too much time.
Jimmy, how we doing?
65. What's happening?
Don't worry, man, it's fine. lt's great.
Fuck! Fuck!
(Hey, l'm a cop.)
(So?)
(l'm a cop.)
(No,... don't.)
(You got a gun on your ankle?)
(Yeah.)
(When l make a move, you back me up.)
- (Please, don't. You don't have to.)|- (You'll back me up.)
(Don't do it. Don't do anything.)
(No, don't! Don't!)
(Please, put it away.|Please, put it away. Put it away.)
Hurry up!
Let's go, we gotta go!
Fuckin' move!
(woman screams)
Federal agent. Undercover!
(screaming)
Nobody fuckin' move!
(whimpers)
You OK? Hang on, little bro.
Come on,|we are outta here. We are outta here.
Hang on, little brother. Just hang on, man.
No, man. No!
(stops breathing)
Are you outta your fuckin' mind?
What's the matter with you?! ls that what|you want? Did you get what you wanted?
You can't take him with. LET'S GO!
Goddamn it, who's in charge ofthis|camera crew? This is a crime-scene area!
Get 'em the fuck outta here!
You have the right to remain silent.
Anything you say, can and will be|used against you in a court of law.
lf you so desire, an attorney|will be provided for you, free of cost.
Do you understand|these rights l've just given you, Utah?
D'you understand! Understand|the rights l've just read you, Utah?!
He understands his goddamned rights!|Jesus Christ, kid, are you OK?
Stand up. Get these cuffs off him.
Leave 'em on! Your partner's|an accessory to murder, you understand?
There are three dead people.|One's a police officer.
Let me show you something, pal.|How does that sit in your stomach?
Take your hands off me right now.
Come on.
Listen, look at me. Look at me!
Don't send him in|with the black and whites, let me ride him in.
Yeah, sure, Angelo, why not?
That's why|l put you two together to begin with.
You deserve each other.|You're just as bad as he is...
..only you're a little fatter,|slower and more pathetic.
lt's like the blind leading the blind.
Harp, l was in this Bureau when you were|still popping zits on your funny face...
..and jackin' offto the lingerie section|of the Sears catalogue!
ls that right, Pappas?
Yes, that's right, and there's one thing|l've learnt that you still haven't got.
Oh, yeah?|Why don't you astonish me, shit face?
Respect for my elders, plain and simple.
- Come on, kid, let's go.|- (man) Holy shit.
l know where they're going.
l figured you did.
Santa Monica airport. Fast!|But we've got one minor problem.
What?
We can't arrest them or shoot them.
What?!
(brakes screech)
Did you set the altimeter?
- One thousand.|- What?
One thousand.
Check the rigging, OK?
Whoa, whoa, whoa.
Fuckin' FBl.
l'm not armed.
(cocks gun)
But you're not alone.
Good guess.
There's a gun on you right now.
Where's Roach?
He's around somewhere.
Listen, Johnny, we are in kind of a hurry.|What do you need?
You gotta tell me where she is.
And let my policy expire? Good idea.
Look, Bodhi, people are dead.|The ride is over.
Oh, no, no. l say when it's over.
The guy you killed was an off-duty cop.|They'll nail you wherever you land.
There's a new thing called radar.|Maybe you've heard of it.
- What is your...|- (engine)
Nathanial, get in there.
(Nathanial) Get back in the cockpit. Move!
l know you, man.
When they fall on you,|you won't back down.
They'll have to burn your ass to the ground!
Uh-huh. And shit happens.
Look, you got a death wish, fine,|but don't take Tyler with you.
l'm begging you.
Tell me where she is, then l walk away.
You walk away?
l walk away.
That is beautiful, Johnny.
ANGELO, DON'T FlRE!
THEY'LL KlLL HER. NO!
Get out ofthe way, kid! Goddamn it!
Damn.
NOOOOO!
Jesus Christ!
- Angelo.|- l don't have much...
- Come on, man, just hang on.|- l really fucked up.
Just hang on. You'll be all right.
l'm not flying you guys to San Felipe.
- Get in the plane. Start those engines.|- Good(!) Tell him where we're going.
Let's go, man.
We are gonna ride this all the way, Johnny,|you and me. So let's go.
Get the fuck up! Tyler's waiting.
Start the engines now!
(sirens)
Go!
GO! GO! GO! GO! GO!
Rosie? Yo, Rosie, this is Air Force One.|Do you read me? Do you read me? Over.
Look, we've been|over Mexico for the last half-hour.
Can l quit mowing the lawn here?
Getting more bushes|in the wheels than l usually like.
Shut your mouth and take it|to 4,000 feet on this heading, all right?
l don't think that's such a good idea, man.|We'll pop up on their screens.
Doesn't matter, we're almost there.|Just gotta get you to a safe jump altitude.
Let's get your rig on.
Hey, man, l'm cold. Really cold.
l'll get yourjacket.|Here's yourjacket. Easy.
Oh, fuck!
l know, l know, l know.
Easy. Easy. One arm at a time.
l can't get it, l can't get it.
(coughs)
No, man! No, no, no!
Johnny, throw me that money bag.
NOW!
You're cold because all the blood|is running out ofyour body, Roach.
You're going to be dead soon.
l hope it was worth it.
Don't listen to him, he's just scared.
Just keep thinking about|all those senoritas and margaritas...
..that are|gonna nurse you back to health, OK?
What the fuck are you looking at?
There you go.
Rosie! Rosie, this is Air Force One.|Do you copy? Do you copy? Over.
(Rosie) Copy. We have a visual on you.
Tell him to release Tyler.
Do it! Do it now!
You won, you got what you wanted.
What ifyour chute fails?|Cancel the order.
She's served her purpose.
Do it, man. You owe me that much.
- OK, you ready?|- Yeah.
On three.
One, two,... three.
Easy. Come on, a little more.
- Get your chute clear. OK?|- OK.
l'll see you on the ground, all right?
l'll see you in hell, Johnny.
Oh!
l know it's hard for you. You want me|so bad it's like acid in your mouth,...
..but not this time.
Adios, amigo.
Fucker!
God! Wha...?
- Pull the chute, Bodhi.|- You are crazy.
- Pull the fuckin' chute!|- Why don't you pull it?
No games, Bodhi! Pull the cord now!
Nah, you pull it.
Go ahead, Johnny, pull it.
You gotta drop the gun, right?
lf you use your other hand,|what you gonna hold on with?
Pull it right now, or l blow|your fuckin' head off and pull it myself.
- lt's the only way it's gonna happen. Do it.|- Swear to God, l will.
Do it, man, or you're gonna die, Johnny.
Six seconds,|we're gonna be meat waffles.
Five... four...
- You're fuckin' crazy! PULL lT! PULL lT!|- ..three... two...
- ..one...|- Shit!
Shit!
(both shout)
(coughs)
Jesus Christ, Bodhi.
God.
Damn, you are one radical son of a bitch.
l'm outta here, Johnny.
(yells in pain)
(screams)
That knee again, huh?
Too bad. Looks like|this time you won't be getting your man.
This game we both lose.
Let her go.
Let her go!
Johnny, l...
Shh. Some other time.
Come on, we're out of here.
Yo, Johnny!
l'll see you in the next life!
(whoops)
l can't leave him. We gotta bury him.
There's no time, man.
(radio) ..the cyclone warning is for coastal|areas between Torquayand Cape Ottway.
Experts are saying this couldbe one of|the worststorms in Australia's history.
Heavy rains will continue into the night...
..with destructive winds|reaching up to 150km perhour.
The centre ofthe cyclone|is now expected to cross the coast...
..at Bells Beach early tomorrowmorning.
Residents are advised|to prepare for evacuation.
(man) What d'you wanna do now?
l wanna get out ofthis wet. l'm freezing.
Sorry, mate.
Anybody been out there?
No-one's been out and no-one's going out.
You gotta be fucking crazy, man.|Death-on-a-stick out there, mate.
Coming down, man.
(surf thunders)
Lose something, bro?
Special Agent Utah.|l knew l could count on you.
l've been to every city in Mexico.
Came across an unclaimed piece|of meat in Baja, turned out to be Rosie.
Guess he picked|a knife fight with somebody better.
Found a passport ofyours in Sumatra,|missed you by about a week in Fiji.
But l knew|you wouldn't miss a 50-year storm, Bodhi.
Yeah.
Too bad. You finally get your waves|and it's totally closed out.
Just waiting for my set.
You gotta go down.
You crossed the line|and people trusted you and they died.
Yeah, it went bad, went real bad.
Life sure has a sick sense of humour,|doesn't it?
- Still surfing?|- Every day.
Come on, Bodhi. lt's time to go.
You know you gotta go back with me.
(laughs)
Sorry, my friend.
Come on!
SHlT! NO!
NO!!
l told them...
..you'd go quietly.
(helicopter)
NO!
You know|there's no way l can handle a cage, man.
l don't care. You gotta go down.
lt's gotta be that way.
OK, man. OK.
l'm screwed.
l'm gonna go to jail and l'll pay,|and Johnny Utah gets his guy. Right?
Good for you. That's real good.
You're gonna be a big hero now.
But look at it, Johnny. Look at it!
This is|a once-in-a-lifetime opportunity, man.
Just let me go out there, let me get|one wave before you take me. One wave.
Where am l gonna go, man?
Cliffs on both side.|l'm not gonna paddle to New Zealand!
My whole life|has been about this moment, Johnny.
Come on, compadre.
Come on.
COME ON!
Via con Dios!
What the fuck, Utah?
You let him go!
No, l didn't.
No way! The guy's nuts.
We'll get him when he comes back in.
He's not coming back.
DVD Subtitles: Visiontext Ltd
P S 2004
P T U
Pact of Silence The
Padre padrone (Paolo Taviani & Vittorio Taviani 1977 CD1
Padre padrone (Paolo Taviani & Vittorio Taviani 1977 CD2
Paid In Full
Paint Your Wagon 1969 CD1
Paint Your Wagon 1969 CD2
Palabras Encadenadas
Pale Rider CD1
Pale Rider CD2
Palookaville
Pan Tadeusz
Pan Wolodyjowski CD1
Pan Wolodyjowski CD2
Panda Kopanda (Panda! Go Panda!)
Pandoras Box 1929 CD1
Pandoras Box 1929 CD2
Panic Room 2002
Paparazzi
Paper The 1994
Papillon
Paradine Case The (1947)
Paradise Found
Paradise Hawaiian Style - Elvis Presley (Michael D Moore 1966)
Paradise Villa 2000
Paragraph 175 (Rob Epstein Jeffrey Friedman 1999)
Paraiso B
Parallax View The 1974
Paran Deamun (1998)
Parapluies de Cherbourg Les
Paraso B
Pardes
Parent Trap The CD1
Parent Trap The CD2
Paris - When It Sizzles (1964)
Paris Texas CD1
Paris Texas CD2
Parole officer The
Party7 2000
Pasolini Volume 2
Passage to India CD1
Passage to India CD2
Passion 1982 30fps
Passion Of The Christ The
Patch of Blue
Pather Panchali (Satyajit Ray 1955)
Pathfinder 1987
Patlabor - The Movie - 1990
Patlabor The Movie 3 CD1
Patlabor The Movie 3 CD2
Patriot
Patton CD1of3 1970
Patton CD2of3 1970
Patton CD3of3 1970
Paul McCartney Back In The US CD1
Paul McCartney Back In The US CD2
Pauline At The Beach
Pauline and Paulette
Pauly Shore is Dead
Payback 1999
Peace Hotel The (1995)
Pearl Harbor
Pearls and Pigs
Peculiarities of National Hunting
Pee-wees Big Adventure (1985)
Peep Show 1x1
Peep Show 1x2
Peep Show 1x3
Peep Show 1x4
Peep Show 1x5
Peep Show 1x6
Peeping Tom (1960)
Peking Opera Blues (1986)
Pelican Brief The
Pennies from Heaven (1981)
Pepe le Moko
Peppermint Frapp 1967
Perfect Blue
Perfect Murder A
Perfect Score The 2004
Perfect World A
Persona
Persuasion CD1
Persuasion CD2
Pet Sematary
Petek13th part 7 A new blood
Peter Pan
Peter Pan (2003)
Peters Friends
Petes Dragon (1977)
Petrified Forest The 1936
Peyton Place CD1
Peyton Place CD2
Phantom The
Phantom of the Paradise
Phenomena CD1
Phenomena CD2
Phenomenon
Philadelphia
Philadelphia Story The 1940
Phone - Byeong-ki Ahn 2002
Phone Booth
Phouska I (The Bubble 2001)
Pi
Pianist The
Piano Lesson The
Piano The
Pickpocket
Pickup On South Street 1953
Piece of the Action A 1977 CD1
Piece of the Action A 1977 CD2
Pieces Of April
Pietje Bell
Pink Panther The - A Shot In The Dark (1964)
Pitfall The (Otoshiana 1962)
Planet Of The Apes (1969)
Planet of the Apes 1968
Planet of the Apes 2001
Planets The 1 - Different Worlds
Planets The 2 - Terra Firma
Planets The 3 - Giants
Planets The 4 - Moon
Planets The 5 - Star
Planets The 6 - Atmosphere
Planets The 7 - Life
Planets The 8 - Destiny
Planta 4
Plastic Tree CD1
Plastic Tree CD2
Platee CD1
Platee CD2
Platonic Sex CD1
Platonic Sex CD2
Platoon (Special Edition)
Play It Again Sam
Playing By Heart
Playtime CD1
Playtime CD2
Please Teach Me English (2003) CD1
Please Teach Me English (2003) CD2
Plumas de Caballo
Plunkett and Macleane
Pocahontas
Pocketful of Miracles CD1
Pocketful of Miracles CD2
Pod Njenim Oknom (Beneath Her Window)
Podium
Poika ja ilves
Point Break - CD1 1991
Point Break - CD2 1991
Pokemon - Movie 1 - Mewtwo Strikes Back
Poker (2001) CD1
Poker (2001) CD2
Pokrovsky Gates The 25fps 1982
Pola X 1999 CD1
Pola X 1999 CD2
Police Academy (1984)
Police Academy 2 Their First Assignment 1985
Police Academy 3 Back in Training 1986
Police Academy 4 - Citizens on Patrol 1987
Police Story (2004) CD1
Police Story (2004) CD2
Police Story 2
Poltergeist
Poltergeist 2 The Other Side 1986
Poltergeist 3 (1988)
Polyester
Poolhall Junkies
Pork Chop Hill
Porky - Awful Orphan (1949)
Porky - Dough for the Do Do (1949)
Porky - Porky Chops (1949)
Porky - The Wearing of the Grin (1951)
Porkys
Pornographer The
Pornography 2003
Pornostar (Poruno Suta)
Port of Call (1948)
Portrait of a Lady The
Poseidon Adventure The
Poslusne hlasim (1957)
Possession (2002)
Possible Loves - Eng - 2000
Post Coitum 2004
Postman Blues (1997)
Posutoman Burusu
Powder
Power Play (2002)
Practical Magic
Predator (1987)
Prem Rog
Presidents Analyst The (1967)
Presidio The
Pressure
Prevrashcheniye (Metamorphosis)
Prick Up Your Ears
Pride and Prejudice
Pride and Prejudice CD1
Pride and Prejudice CD2
Pride and Prejudice CD3
Pride and Prejudice CD4
Pride and Prejudice CD5
Pride and Prejudice CD6
Pride and Prejudice The Making of
Pride and the Passion The
Prime of Miss Jean Brodie The CD1
Prime of Miss Jean Brodie The CD2
Prince and the Showgirl The
Princess Blade The
Princess Bride The
Princess Diaries The CD1
Princess Diaries The CD2
Princess Mononoke
Princess Of Thieves
Princess and the Warrior The
Prisoner of Second Avenue The
Private Life of Sherlock Holmes The (1970)
Private Parts
Producers The
Profondo rosso
Project A CD1
Project A CD2
Propaganda
Psycho (1960)
Psycho - Collectors Edition
Public Enemy (2002 Korean) CD1
Public Enemy (2002 Korean) CD2
Public Enemy The
Pulp Fiction (1984)
Pump Up The Volume
Pumping Iron (1977)
Punch-Drunk Love
Punisher The (2004)
Punisher The 1989
Pupendo (2003) CD1
Pupendo (2003) CD2
Purple Rose Of Cairo The
Purple Sunset (2001)
Pusher
Pusong Mamon CD1
Pusong Mamon CD2
Pygmalion
Pyrokinesis (2000)