( Orchestral music plays )
Dispatcher: Brown and Walker, bring the train out from 1 6 track.
(Music) lf you're feeling all right, and you think you're on (Music)
(Music) Somebody let me know (Music)
(Music) Everybody in the place put a whistle in your face (Music)
(Music) Scream it out and say, yo! Hit it! (Music)
(Music) You don't stop the rocking rhythm that makes your fingers pop (Music)
(Music) l said hip-hop, now, thanks a lot (Music)
(Music) Come on, everybody, give me what you got (Music)
(Music) I'm going to tell you a little story about the Sugar Hill Gang (Music)
(Music) With the pow-pow boogie, the big bang-bang. (Music)
Narrator: They call themselves ''writers'' because that's what they do.
They write their names, among other things, everywhere--
names they've been given or have chosen for themselves.
Most of all, they write in and on subway trains
which carry their names from one end of the city to the other.
It's called, "bombing,"
and it has equally assertive counterparts
in rap music and break dancing.
(Music) Scream it out and say, "I am!" (Music)
(Music) I am! (Music)
- (Music) Somebody! (Music) - (Music) Somebody! (Music)
Graffiti writing in New York is a vocation.
It's traditions are handed down
from one youthful generation to the next.
To some, it's art. To most people, however,
it is a plague that never ends,
a symbol that we've lost control.
I'm Detective Bernie Jacobs.
I, in conjunction with my partner
Detective Jim McHugh, are the crime prevention coordinators
for the New York City Transit Police Department.
Graffiti, as the name itself,
is not an art.
Graffiti is the application
of a medium to a surface.
I will show you graffiti,
such as the letters on the end
of that car directly in back of me.
Is that an art form? I don't know.
I'm not an art critic-- critic,
but I can sure as hell tell you that that's a crime.
At the Grand Concourse 1 49th Street station in the Bronx,
graffiti writers gather
at what they call, ''The Writers' Bench. ''
SE3: They're saying that the kids run the subways,
that the system is out of control,
that 1 5- or 1 6-year-old kids are running the system
and that graffiti is the symbol of that.
No, I ain't running the system, I'm bombing the system.
They're trying to make it look like graffiti writers break windows and everything.
- It ain't like that. - You know who be doin' that?
Niggers who be high when they come from school are the ones.
And it's in the graffiti artists' favour
to be as cool, calm and collected
about putting his art on the train as he can.
You know, he wants to get in
and get out without even being noticed,
except for the work that's going to come out to the public,
you know, that Monday.
CES: Yeah, we gotta start to rock some straight letters.
- This one came out all right. - Yeah, that's the first.
That's about the third "Skeme" piece I did this year.
And that's the Tick-Tack I did in Gun Hill.
What did you do last night, man?
We did two whole cars. It was me, Dez and Mean 3.
And in the first car, in small letters, it said,
"All you see is"
and then big block silver letters, it said,
- ''Crime in the city, '' right? - It took up the whole car?
Yeah, it was a whole car, and it was a scroll-like,
you know, one of them scrolls?
In the next car it was a Skeme that had a cop character.
You know, a police nigger
with a stick, you know, and a badge--
Barbara Andadcio: Society should go down in the subway and lock them up,
because they don't have any business down there.
It is dangerous down there.
People that work down there 25 and 30 years...
But his contention is that he's immortal, I guess,
Like most 17 year olds are immortal, right?
It's a matter of getting a tag on each line and each division.
You know, it's called, going all-city.
People see your tags in Queens, Uptown, Downtown-- all over.
( laughing )
Really, I can only laugh to keep from crying,
because what happens is that he really--
I don't really think he knows how silly that sounds.
He's going all-city. I mean, to what end?
And when I ask him, he says to me,
"Well, just so people see it and they know who I am.''
Nobody knows who he is and so they see it--
No, it's not a matter of, ''So they know who I am.''
So they see it. And after they see it, so what?
It's a matter of bombing, knowing that I can do it.
Every time I get into a train, almost every day I see my name.
I say, ''Yeah, you know it. I was there, I bombed it.''
It's for me. It's not for nobody else to see.
l don't care-- l don't care about nobody else seeing it,
or the fact if they can read it or not.
It's for me and other graffiti writers, that we can read it.
These other people who don't write, they're excluded.
l don't care about them, you know?
They don't matter to me. It's for us.
Iz the Wiz: ''CC'' starboard bowl
Quik: Slow it down. Slow it down.
Min: What is it? You tell me.
- Nice and slow. - Iz: This is it!
This is it!
This is it!
( yelling )
Here we go! Here we go!
This is it! This is it!
Give me that towel! Give me that towel!
That ''Cathy'' came out nice. That y wasn't wack.
( Quik applauds )
( starts and stops music )
rapping and breaking became the prime expressions
of a new young people's subculture called ''hip-hop. ''
Graffiti is the written word.
There is the spoken word of rap music...
( rap music playing )
and then there's the acrobatic body language of dances like ''breaking. ''
Frosty Freeze: It started in the Bronx and part of Harlem.
It started in Freeze's house.
His mom used to break.
Don't be talking about my mother, now.
Just don't talk about my mother.
Boy, you're acting stupid now.
Breaking is when you don't have nothing to do,
everybody just standing around and getting high.
You make up your own freezes.
You got names for them.
- Like what? - Like the baby.
That's the baby.
A dead freeze, like this.
Crazy Legs: That's one of them old, ancient--
That ain't one of the old, 'cause l was the first one to do it.
How ancient can you get?
- The one when you go like this? - It's called the hump.
- The headache. - No, that's the headache.
And the other one is the hump.
When you got a headache, you go like that, you know?
When you hump, you go like that.
Yo, man, this place is bombed.
Iz: This is the transit system.
They don't like it to be defaced.
They will, at times, try and...
go to the extreme in trying to apprehend you.
The subway system is a very old one
and I've personally explored some tunnels
and I've found rooms with maps that were so old,
might have been like the first train line that New York City had.
Call it what you want,
it's just a lot of rock, a lot of steel,;
it's a tomb, a dungeon, under the city.
A lot of trains, a lot of fun.
A lot of art. Art that's going to be
a part of New York City's history forever.
Sach: Oh, wow! Check it out, a whole car!
Check it out, man! Sach, quick.
Look at that!
A lot of writers have been down here. You can tell.
Graffiti all over the place.
Years ago, it was pretty much a secret.
It was secretly done. People wondered and wished they could do it.
Now, most people do it.
When all the toys are home sleeping...
cuddling to their pillows.
They usually have curfews. Come down...
in the wee hours of the night after the workers done their job,
the sweepers did the sweeping they had to do...
l just take my time and be creative.
Dondi: l think it's something you can never recapture again
once you experience it.
You have, like, live third rails,
and like, crazy cops who come and chase you out.
Even the smell you get when you first smell trains
in a yard, it's like...
it's a good smell to, like,
a dedicated graffiti writer, l guess.
When you're first against a train,
everything seems so big, like...
wow! It's like you're in a yard of metal giants.
l mean, everything is so hard,
and so steel, you're just there.
You're like a little dude in the midst of all this metal,
and like, you're here to produce something.
Well, you're here to try to produce something.
Well, I've seen comparable graffiti.
Not necessarily these particular ones.
Each of these costs us a million dollars, in a sense,
because others went out and tried to copy.
It isn't worth it.
Well, it is one of the quality-of-life offences.
And you can't just take one of those quality-of-life offences;
it's like three-card-monte
and pick pocketing and shoplifting
and graffiti defacing our public and private walls.
They're all in the same area of destroying our lifestyle
and making it difficult to enjoy life.
And l think it has to be responded to.
So I've told you the response that l think a repeater,
three-time repeater, should get would be five days in jail.
Now, obviously, a murderer,
if you believe in the death penalty as I do,
you want to have the option of executing a murderer.
You wouldn't do that to a graffiti writer.
Man: l saw you at work over here
and l just want to find out what you're filming.
Interviewer: We're making a film on subway graffiti in New York.
Why did you take this particular neighbourhood here?
Is there more graffiti here than other places?
l hope not.
We're here because one of the best
graffiti writers lives around here.
He writes ''Seen. ''
- What is it? - S-E-E-N.
( ''The Wanderer'' plays )
- That's his name? - Yes, that's what he writes.
- Or is it a nom de plume? - It is a nom de plume.
l see. You wouldn't tell me his real name?
- No. - Why not?
Would he get in trouble, or wouldn't he be glorified by it?
(Music) Oh, I'm the type of guy who'll never settle down (Music)
(Music) Where pretty girls are, well, you know that I'm around (Music)
(Music) l kiss 'em and l love 'em (Music)
(Music) 'Cause to me they're all the same (Music)
(Music) l hug 'em and l squeeze 'em (Music)
(Music) They don't even know my name (Music)
(Music) Yeah, I'm a wanderer (Music)
(Music) Yeah, I'm a wanderer (Music)
(Music) l roam around, around, around, around (Music)
- Yeah, go ahead and go -
( saxophone solo plays )
(Music) 'Cause I'm a wanderer (Music)
(Music) Yeah, I'm a wanderer (Music)
(Music) l roam around, around, around, around, around (Music)
(Music) 'Cause I'm a wanderer (Music)
(Music) Yeah, I'm a wanderer. (Music)
Seen: All right, there's about four numerous reasons why...
l ain't painting right now.
To make a long story short,
I'm on what they call a six-month probation.
l call it a six-month vacation, never mind probation.
Now they got a graffiti squad on this line,
which there really was never, really.
Since they come on this line, it's been harder to piece.
It ain't like the old days when the train pulled into the yard on a Friday night,
that train wouldn't pull out until Monday morning.
Now, when you go to piece a train,
you put an outline on the train and you can say goodbye,
the train pulls out 1 0 minutes later.
Or, if you're ready to put an outline,
you gotta chase the train down the track to put an outline on the piece.
It just ain't the same anymore. They don't know what they're doing no more.
Late, as usual.
But I'm here. l show up, though.
l show up. Let me see.
Well, why don't you do this one on that side of the wall?
- You know what I'm saying? - These two?
- No. This one-- - It's going to be crowded.
We're going to have plenty of room.
- The bottom of the piece? - The bottom of the piece, l say, about here.
''The United Artists'' will go a little bit below the top,
'cause you're going to have it on a wave. Big letters.
l want you to start from about here. Maybe even here.
Start it from here. Listen to me. From here.
You understand what I'm saying to you?
( paint spraying )
l still think it's too big.
Now, your first outline is needed, always needed.
This way you know what you're filling in.
No matter how good you are, you can't just go on in
and just start filling in-- in the air.
You've got to have your first outline.
Once your first outline is done, then your fill-in,
that takes away your first outline.
You don't need your first because now you got your fill-in.
From your fill-in, you put your colors and then your 3-D.
lf you want background, you put your cloud or whatever.
How's this, Nick? I'm throwing a few connections here.
I'm going to make it look like yours.
What do you think? I'll make a few bits.
All right. Huh?
Bits. Bits. l don't know. Little doodads here and there.
Yeah, now it's shaping up.
l have about a hundred outlines, but I've shaped it up.
Nicky, Nicky, come on!
You gonna save me room or what?
l didn't do that to yours. Get out of there! Go on!
Woman: He's making a mess in this house.
He cannot sit down without,
you know, doing graffiti on something.
- All right-- - He really can't.
When you're talking on the phone,
you don't doodle on the paper?
- l don't doodle. - Yes, you do.
- l do not doodle. - You do doodle on the paper.
l just write my name while I'm talking on the phone. What's that?
I'm just writing something.
You're telling me that you write your name while you're talking on the phone.
In the meantime, you have destroyed your room.
- You have destroyed your room. - Testing out my paints.
You have no respect for anything.
Don't tell me about testing out your paints.
Ain't we putting red, yellow, or red, orange and yellow here?
No, the brown's got to be brown.
l ain't putting no browns there. Ain't no way.
Red, orange and yellow. You want it to stand out.
The whole thing. Around the whole works-- red, orange, yellow.
Remember how l did the ''Mad Seen'' with the wall
and the color went all around the thing?
The ''Mad Seen,'' the one on the 5s?
With the walls all falling down. The one l did myself.
- No. - All right.
Let me explain.
Yellow, orange and a little bit of red--
yellow and orange around the whole thing and then,
we'll put browns and beiges in the 3-D. Believe me.
I'll show you. Not around the fade.
Fade into the yellow, but a trim over it--
a cheap trim. I'll show you after.
I'll show you after. All right?
I'll never steer you wrong, Nick.
Rustoleum, Krylon, Wet-look,
Epoxy, Red Devil...
When you hold a can of Rustoleum in your hand,
it's like holding three other shit brands in your hand.
It lasts, it covers,
and it's not aerosol like Krylon.
It just comes out in a mist. This comes out like paint.
Mayor Koch: The schools have courses in art.
How about the mothers and fathers of this city
saying to the kids, ''That's the wrong thing to do''?
You listen to them talk, they sound ridiculous.
He's king of the yakkety-yak yard.
Who died and left him king of any yard?
He owns nothing in the subway, you know?
( laughs )
l love robbing paint.
l know, you know, everybody knows how you rob it.
He gets me souped up and sometimes I'll go and get
15 cans at a time, you know.
Stuffing it in your coat, in your shirt,
down the back of your pants. It's mainly with the big coat
and like 15 cans,
you figure it out, it's like over $50.
You're going into stores--
we could go one day and get 100 cans at a time.
It's easy. For me, anyway.
It's harder on black kids
or Spanish kids, 'cause everybody thinks
a graffiti writer is black and Puerto Rican,
and that's, you know, it's wrong.
A lot of white people are writin'.
What you've got is a whole miserable subculture.
Zephyr: l was raised on the Upper East Side of Manhattan.
l went to a sort of strict prep school in the Bronx, right?
Riverdale Country School.
In attending that school,
l had to walk past the 1 yard
on 242nd Street every day.
From where l stood, I'd watch the trains pull in and out.
l thought, ''How could a human being
have his name on every car?''
You know, that these guys
must either live in there, be allowed to live in there,
or just be...
allowed to go off like that, right?
They're trespassing it; they're beating the system;
they're getting their names up, right?
We've drenched the city with our names, right?
We're trying our damndest.
( lengthy instrumental intro )
(Music) Pump, pump, pump me up (Music)
(Music) Like the man with the super ''S'' on his cape (Music)
(Music) Jump through the pump and do great (Music)
(Music) I'm DJ Rockin' and l can pass the test (Music)
(Music) Get down rappers from east to west (Music)
(Music) This party, please, that party, please (Music)
(Music) I'll pump them with the greatest of ease (Music)
(Music) This is DJ Rockin' with the master beat (Music)
(Music) With the boogie and the sound that moves the feet (Music)
- - Somebody say-- - - Get up! Get up!
- - Somebody say-- - - Get up! Get up!
(Music) You party good you're going down (Music)
(Music) You compliment this funky sound (Music)
(Music) Pump-pump-pump-pump me up! (Music)
a freshly painted...
and we spent about three hours in it.
- That's impossible. - No, it's not.
We were tagging with the Units,
then the ''Minis,'' then the Marvies,
then the ''Pilots,'' then the Flo-pens
and we were doing clouds
around the tags and 3-Ds on the tags--
for the Double-Rs, to have a clean car back then,
it was... we just had an orgasm.
(Music) Pump-pump-pump me up! (Music)
Narrator: 1 97 0--
the idea of getting your name up,
not just in your neighbourhood, but everywhere,
was invented by a kid named Taki,
who lived on 1 83rd Street in Washington Heights.
Taki 1 83.
As soon as everybody understood that it was a name,
they realized that Taki was famous.
Wasp: Taki 1 83 was the first guy.
Even though they say Julio 204 started before him.
But he was the one who made it famous.
Then, after him, in them times, it was Papo 184.
Then came out Junior 1 61,
Cay 1 61, they were bombing, too.
Stitch came out around 1 97 1.
He was all-city, too.
Barbara, Eva 62, they were girls.
Everybody was writing.
That was what everybody was talking in them days.
- - Somebody say-- - - Get up! Get up!
- - Somebody say... - - Get up! Get up!
l got into graffiti, just like riding the trains, when l was younger.
You know, looking at the old writers' shit, you know?
A lot of new writers around,
you talk to them about a lot of old writers,
they don't know what you're talking about.
l started in 1973 or 197 4,
of initial bombing,
very important years of graffiti bombing.
lf it wasn't for those years,
l don't think we would get where we are today.
That was the life back then. That was happening.
Everybody was pioneering back then.
That's when all your developing happened-- your bubble letters,
all that kind of stuff. Your wild styles.
(Music) Pump-pump-pump-pump me up! (Music)
Crash: The wild styles.
Noc: You don't have to do straight letters to have style.
Anything that comes in your imagination
adds onto your own individual style.
Everybody's got their own arrow.
l like that, though.
Various arrow some guys have on-the-letter arrow--
that was like connection.
Some people had different arrows
just going right through their pieces.
- The funk is here so you can go groove -
- We want to make your body move -
(Music) Pump-pump-pump-pump me up! (Music)
Colors, designs, style, technical advanced...
- Get loose. - Get loose.
And when they see you got a vicious style,
they be wanting to get loose about it,
and that's what keep it going.
- That's what sparks graffiti. - Keep sparkin' it.
You know, l know a lot of good writers,
and all the writers that l knew,
they used to get up, so they used to tell me,
''Trap, why don't you get up?''
And l started getting up with them,
we started doing pieces.
Then l met Dez--
One day, l came to the Bench and l seen him sitting there,
looking at the pieces.
You could tell a writer, you know?
You go to the Bench and you see him
as the trains go by, he be going like this,
you know, he have ink stains on his clothes.
He gave me outlines and stuff to practice--
l can't let him go for at least five minutes,
or he'll destroy the piece.
You know? l turn around,
''Trap, what you doing? l want to do my own piece.''
l said, ''Yeah, but, you know, follow the outline.''
What's up, man?
You know it. Chillin', man!
Slick Rick! Slick Rick!
And the Acey Base!
For about two and a half years l was upstate
from like the beginning of 1 97 0 to '72.
What's up? Hey, what's up?
When l came home, l ain't know nothing about
no writing, no graffiti, 'cause l wasn't about it.
All right, you know it.
What's up, man?
So, when l got home, l seen writing on the train.
l said, ''What's this stuff here?
Those niggers doing their names big.''
Said, ''Let me do one at least.''
'Cause l was down with art already.
And l did me a piece for people in general
to get to know who l am.
l said, ''Oh, that looks all right.
I'ma go every Sunday now.''
Next thing l know, l started getting better and better.
And as l realized, l knew to get better, l said, ''Oh, man,
I'm going to bring out the computer rock.''
And then that's when l really got loose,
'cause then niggers was saying, ''Yo, who's that guy?''
Then one day, these news reporters people was on train station--
we was going by and we seen them.
We seen them filming our whole car.
We went up to them, and l remember, l said,
''Who you think probably done that right there?''
Just to be curious to see what they'd say.
And they say, ''l don't know, but whoever done it,
that's remarkable talent.
l ain't never seen nothing like this before. ''
l said, ''lf l told you l did it, would you believe me?''
He say, ''l don't know. l can't say,
but l believe so, 'cause you don't know
what you can believe these days.''
l said, ''l did.'' And then he said,
''l don't believe that. You only got one arm.''
l said, ''That don't mean nothing.
l do things that people don't realize l can do with this.
Being that I'm like this, you know?''
And then he said, ''l hear you there, sonny.''
And l say, ''l ain't no sonny.
l just was asking you a question, sir,
that's all l wanted to know, to see your feelings about it.''
( whistling )
- Do you want to dance? -
You getting some candy?
Ain't getting nothing?
Gimme some candy, man. Ain't got no candy?
Hey, Gigolo! Whatcha know?
Where that nigger at?
Yeah, yeah, yeah, l can dig it.
We goin' on the other side, right?
- What happpenin'? - The Beatmaster.
- Do you want to dance? -
- Are you willing to take a chance? -
- Look at that eye. - Word.
Look at that eagle. Word.
l said look at that eye.
You know where he got that from, right?
From Vaughn Bode and who? Frank Frazetta!
The Beat master.
The letters is breakin' out.
''The epic adventures of a new kind of hero.''
That's what we're going to be. The extraterrestrial brothers.
You know what I'm saying? Extra terrest!
Knowing we the best. Know what I'm sayin'?
( train whistle blowing )
- It's a Dezzy Dez and a Kasey Kase -
- And D-5, we're going to rock the place -
- And if you're based in the place -
- You will get disgraced, because we are the crew -
- That we got the place -
- Rock-sock-it, rock-it-in-a-pocket -
- A sock-sock-it, rock-it-in-a-pocket -
- l say, pushed that girl in front of the train -
- Took her to the doctor, sewed her arm on again -
- Stabbed that man right in his heart -
- Gave him a transplant for a brand new start -
- Can't cut through the park -
(Music) 'Cause it's crazy after dark (Music)
(Music) Keep my hand on my gun, they got me on the run (Music)
(Music) l feel like a outlaw broke my last glass jaw (Music)
(Music) Hear them say, ''You want some more?'' Living on a seesaw (Music)
(Music) Broken glass everywhere, people pissing on the stairs (Music)
(Music) You know, they just don't care, l can't take the smell (Music)
(Music) Can't take the noise, got no money to move out, l guess l got no choice (Music)
(Music) Rats in the front room, roaches in the back (Music)
(Music) Junkies in the alley with a baseball bat (Music)
(Music) l tried to get away but l couldn't get far (Music)
(Music) 'Cause a man with a tow-truck repossessed my car (Music)
(Music) Don't push me 'cause I'm close to the edge (Music)
(Music) I'm trying not to lose my head (Music)
- Ha-ha-ha! -
Kase: Well, l know one thing about graffiti, man.
Niggers say it played out, niggers say this, niggers say that.
But, it's going to keep going on.
'Cause l might be old and quit, but you coming up,
younger niggers is coming up, it's going to keep going and keep going, you know?
'Cause you going to be a king soon, too, you know?
Dez: He's like a son to me, in a way, you know.
l look out for him and he looks out for me.
l won't let nothing happen to him, you know?
He won't let nothing happen to me if he could help it.
l know for his age,
he's 1 4 now,
and I'm 16.
About the time he get my age,
he be one of the best people out.
lf he continues to go on in the years,
he can be another Picasso.
( laughs )
(Music) Get funky in the place (Music)
(Music) Get funky in the place (Music)
(Music) Life ain't no more a joke, it's a serious thing (Music)
(Music) When you're dealing with the answers that you can't explain (Music)
(Music) It's the funky beat and there's the funky beat (Music)
(Music) And there's the funk, the funk and the funky beat (Music)
(Music) E-yah (Music)
(Music) Like a little jelly bean I'm a sweet like a candy cane (Music)
(Music) l make you get down this is number one stain (Music)
(Music) On the train just groovin' like a seesaw (Music)
(Music) They're a-breakin' up, yeah, yeah... (Music)
Narrator: The idea of style and competing
for the best style is the key to all forms of rocking.
(Music) He can own the freak a-like a little deak-deak (Music)
(Music) You're rockin' on (Music)
With the rap M.C., it's rocking the mike...
for the B-boys, it's rocking your body in break dancing.
Or for writers, rocking the city with your name on a train.
(Music) Get funky in the place (Music)
(Music) Get funky in the place... (Music)
( boombox playing )
Lennie Len: Right now, he's doing the footwork
when original breaking came out.
There he's doing the baby and the turtle.
- The back bridge. - Yeah.
He did the head spin and then just went up.
l got a certain backspin that l made up.
Want me to show you it?
l started off doing like this...
and landing like that.
So, then, l just...
decided not to do the freeze and keep on spinning.
So it goes like this.
l put my arm right here and it's easy.
And l push my arm and swing my left leg--
my right leg-- both of 'em around.
Other crews, they're not as good as us,
'cause we have the breaking form.
- Crazy Legs: Original style. - Yeah, original style.
Other crews like ''Dynamic Rockers,''
- they bite, usually-- - Yeah, they bite!
Let me tell you about these people, Dynamic Rockers.
One-two-one. Party people in the place!
Rock Steady against Dynamic Rockers!
Rock on till the break of dawn!
Crazy Legs in the housel
Crazy Legs: This goes back...
when l used to go to the roller-skating rink,
United Skates of America in Queens, right?
l used to go over there to break against all of them and take them all out.
You know, burn 'em, make 'em look stupid.
And they had no kind of style at all.
They was beginners.
l been breaking way before them.
MC: (Music) A-rock-on the kid the Crazy Legs... (Music)
Frosty Freeze: We started doing better routines than they were.
They got to a point where they got mad at us
because we was taking them out with our moves.
Then, that started getting out of hand,
because they had the crowd and we didn't.
MC: Yo! Whoever ain't in Rock Steady or Dynamic,
get behind the barriers!
Yo! Both rockin' crews, can you please listen?
Nobody's listening to me.
We're not going to start until you move.
Rockers, get ready.
( music playing )
Frosty Freeze: Up-rock is just like humiliating.
Doing things in peoples' faces and all that.
And down-rocking, as you know,
is trying to see who can compete against whose moves on the floor.
MC rapping: (Music) l was lookin' out on the 33rd floor (Music)
(Music) All of the sudden, there was a knock on my door (Music)
(Music) It was ''Son of Sam'' with a .44 (Music)
(Music) He blew a hole straight through my door (Music)
(Music) So l went to the back to get the gun (Music)
(Music) l was out two bullets, had only one (Music)
(Music) l shoot the shit, l shot him in his eye (Music)
(Music) Never saw a white man jump so high. (Music)
MC: So who won the rocking contest?
( crowd chants ) Rock Steady! Rock Steady!
You all know who took them out right?
Put it this way, we're out of sight and they bite.
They bit my turtle into a hop--
Oh, man. l could've cried when l seen that.
You know, that faggot that was flying around there
with his funny legs and shit?
- He's in gymnastics. - So what? So what?
That's not even breaking. That's all fairy flying.
l call that fairy flying.
MC: Who goes for Rock Steady?
( crowd cheering )
The Dynamic Rockers?
( heightened cheering )
Hold it. Hold it down.
It was a tie. It was a tie.
(Music) Ahh...yes...well (Music)
(Music) Are we back for more? (Music)
(Music) They're here (Music)
- (Music) D-L-B (Music) - (Music) Ha-ha-ha-ha (Music)
- - Tito! - - (Music) Ha-ha-ha-ha (Music)
- (Music) Mike Cee (Music) - (Music) Hey girl! Hey girl! (Music)
- (Music) Peso! (Music) - (Music) D-L-Bl (Music)
(Music) Rockin' it, rockin' it yes, he is rockin' it (Music)
(Music) Tito is rockin' it yes, he is rockin' it (Music)
(Music) Mike Cee, yes, he is rockin' it (Music)
(Music) Peso, rockin' it yes, he is rockin' it (Music)
(Music) We're all rockin' it, you should be rockin' it (Music)
(Music) Rockin' it, rockin' it. (Music)
Woman: How do you fill up a train like that?
You can't do it overnight.
Do you wait for the same train
coming back into the same station?
No, you get the parked train, and you just---
- Oh, you mean you go to the subway yard. - Yeah.
Does your mother wonder why you come home with that all over your face?
No, she knows l write the graffiti.
l told her, l say I'm going up on the trains.
I'm gonna go write some graffiti.
- Does she worry you might get caught? - Yeah.
She says ''lf the cops call, don't come running to me.''
l never realized it meant so much to them.
l just thought they were writing...
just writing anything.
But l guess it has a deep meaning.
- Huh? - What kind of deep meaning?
Well, like he said...
he's writing his girlfriends' name.
He's Dust, whatever that means.
What is Dust supposed to mean?
It's just a name. It's a word, you know.
See, it's a game.
They give you a name, and they say,
''Here, take this name and do something with it.''
Like, he got the name Seen.
He can walk around, just say, ''My name is Seen,''
and say, ''Yeah, l seen that there. l seen it there.''
It's a name. It's just like...
I'll give you a name and you say,
''How big could you get this name up? How high?''
( train noise )
Trains are routinely washed,
but because of the graffiti problem,
we have to use a graffiti removal solution,
which, at best, is detrimental
to the physical make-up of the train itself.
This is what I'm assigned.
The car wash.
8:00 a.m., Jamaica Yard. Hold your nose.
Detective Jacobs: We spend a lot of money
replacing broken and damaged side windows.
We cannot use...
acrylic plastic windows in the train,
because the same graffiti removal solution
fogs the windows.
Richard Ravitch: The problem often is,
that often it doesn't produce a sparkling clean car,
but rather, a sort of vomitous color,
which some of the graffiti artists argue
is less attractive than what they consider to be their artwork.
So, it's altogether sort of an unsatisfactory result.
Motorman: Watch out. You might get wet now.
Watch your shoes.
It's not the best smelling stuff,
but so far, it hasn't hurt me.
You know, it hasn't bothered me.
Some fellows, it bothers.
( motorman coughs )
That's my money that's being diverted
from providing me with good,
safe, secure, rapid transit.
Look at this junk. Graffiti doesn't make your life better;
it just makes your neighbourhood look worse.
You know how l made something out of my life?
- By using my hands. - But only in the ring.
Don't use them to mess up the walls with graffiti.
I've practiced all my life to make moves like that.
And l worked every day to be a singer.
So, if you really want to make something out of your life,
- Use your head. - Or your voice.
But don't waste your time making a mess.
Harold Levine: Make your mark in society, not on society.
This happens to be a poster that is...
the first in a series.
It's going to be used in New York City's subways and buses,
where we've used Hector Camacho who's a boxer,
North American lightweight champ,
and Alex Ramos, boxer, leading middleweight contender.
''Take it from the champs,
graffiti is for chumps.
Make your mark in society, not on society.''
It's really very clever.
''Put your mark on society,
in doing something in society.''
I've screwed it up a little bit,
but, nevertheless, you got the message.
Reporter: Realistically, do you think it will work?
You say realistically, I'm hopeful that it will work.
Nobody thought that we would be as successful as we were
in the campaign against the drought and water conservation;
nevertheless, that worked.
I'm hopeful we will have equal success here.
Time will tell.
Mr. Mayor, are those posters graffiti-proof?
Time will tell.
( laughter )
What you doing, B? Fresh?
- It's fresh. - One of my little signature series.
Word. Lord, you getting fresh on a nigger, man.
That nigger's still got the touch, boy.
Butchy-butch, with the tiger stylez
l see you did the ''Kase'' with a ''C'' this time.
Yeah, he know who l am, though, anyway.
The king of what? The king of style.
Sure, l got styles already that's more complex
that nobody know about.
l mean, super-duty tough work.
See, this is just semi-like, what l would call it.
But, if l really get into it and start camouflaging it,
l don't think you even be able to read it.
- Don't go nowhere... -
Throw a little semi thing here.
It wasn't no severely bad accident,
just that l got burnt by wires, that's all.
A long time ago. Electrical wires.
And then they rushed me to the hospital
and they just had to amputate,
'cause my tissues and muscles was burnt bad.
And l was young, l was playing and l wasn't,
you know, too sure-- l knew what l was doing,
but l just didn't know should l grab the wire or not,
l don't know if l grabbed it or not,
but l know l just, you know, got hurt.
'Cause it had knocked me out, so l didn't remember.
But that don't mean nothing in general.
It's just, that was a bad thing to happen at the time.
But that's why people are amazed about me now,
'cause of going through that, and then dealing with what I'm dealing with,
even though it's common littery bull-crap in a way.
People look at a person, ''What, you write on trains?
Oh, you vandalism,'' and all that.
Yeah, l vandalism. All right.
But still, in general, l know what I'm doing.
l did something to make your eyes open up, right?
So why are you talking about it for?
( slow Latin funk music playing )
Cap: From here up...
nobody goes but me.
It's my lay-ups. Definitely.
'Cause this is a beautiful spot to do pieces on.
Ain't hardly no writers know about this place.
Niggers know. Believe it.
Niggers know. Heh-heh-heh.
Yo. Here. Take the cans.
l am not a graffiti artist.
I'm a graffiti bomber.
There's two styles of graffiti that are trying to,
you know, co-exist with each other.
But it ain't gonna work like that.
Blood wars, buddy. Blood wars.
Min: That's why graffiti's ruined.
That Cap ruined the 2s and 5s.
the 2s and 5s used to go to the 2 yard.
It would be a masterpiece art gallery of burners
from all these dudes from the Bronx and Brooklyn
with def wild styles.
Now you go to the 2 yard, it's all destroyed.
This guy named Cap with his Lucille Ball hairdo
is going over all your burners.
Hey, what's up, Shy?
I've seen your new pieces on the 2s and 5s.
They went over that.
- That Shy-Min. - Yeah, l know.
- Cap. - Cap.
l wouldn't have minded if he would've went over one of my old cars,
but that was fresh. It was a brand new burner.
It only ran for two days, you know?
He didn't give it a chance to run on the line.
Just like... pow!
They went over it, and now l feel...
that hurt me, you know?
and Seen was with him, and PJ,
and then l called Seen up and he denied it.
l can't afford to get involved.
There's a war going on, as you should know...
PJ and Cap--
He just crossed me out anyway.
l don't know why.
Brand new car, too, he wasted.
Let's say this, l stand behind them,
if they had a good cause for the situation.
as far as it is now...
they have no cause behind it.
They're just doing it for the hell of it...
which that ain't me, because l wouldn't want people to go over my pieces,
so l wouldn't go over them.
Shy: He's disrespecting the line,
which no other guy was doing that years ago.
All he does is silver throw-ups.
You got fresh colored pieces, full top-to-bottoms.
And he'll just laugh at you. ''It's just a throw-up.
I've got a million of 'em running.''
He's a jealous toy, that's all, 'cause he can't do a burner.
- He can't do shit. - He can't even do a straight letter.
- He went over this? - Yeah.
He did a Cap up over me and a MPC over this,
and wrote war next to Fat Albert.
You can't never make up for that.
That's never forgive action.
lf you're a toy, you gotta be stopped.
This guy's a toy and he's big
and he's still gotta be stopped.
Gotta break his arms.
But how come we waited all this long?
How come there's so many writers that he went over
and we're not in his neighbourhood with crews?
Because nobody wants to get united.
We gotta get together, bro'.
Everybody that says, ''We're gonna get down,'' right?
But nobody comes, man.
What we gotta do is meet everybody
on 1 49th Street at the Bench. At the Grand Concourse.
We should forget our bullshit worries that we got with each other,
unite and get this toy, 'cause he's dogging everybody...
( echoes ) ...everybody.
Cap, l don't know, some big white boy.
l don't know him, l don't want to know him.
Yeah, that's why he's doing.
He's trying to get attention and revenge,
'cause people go over his throw-ups. People who do burners--
you see a throw-up, you're going to go over it.
Who thinks Cap's throw-ups are worth being on a train?
( together ) Nobody!
- Pistol: What you write, bro'? - l write Mare, man.
Pistol: Mear, M-E-A-R?
- M-A-R-E, Mar? - Yeah.
Mar is M-A-R.
But no, seriously, you gotta kill them dudes for doing that.
Who's Cap? Cap is right here?
( together ) No!
Cap: People don't know what l look like until now.
Till they start going to the movies.
They're going to see my face. Big deal.
Anybody tries to screw around with me and my friends,
l go over everything they got forever.
Everybody, from Brooklyn to Manhattan. Everybody.
And that's the way it is.
Especially with me. The object is more.
Not the biggest and the beautifullest, but more.
It's like a little piece on every car...
is what counts.
Not one whole car on every
30 cars that goes by.
Once you start going over someone, you can't stop.
So, I'm gonna live.
Dust started pulling some shit with me.
I'm telling you,
he's lucky we didn't catch him by that wall.
lf we would've been there, even if you was shooting the movie,
it would've just been boom-boom-boom!
And that's the way it would've went.
It's gonna get crossed off, l guarantee, by tomorrow,
once they find out it's here.
Help me with the 3-D, Nicky. Come on.
The piece has got a lot of colors to go in there yet.
But with the color, we could do that with no problem.
l could do it before it gets dark.
No problem. Colors, colors, colors!
Cap: That was a beautiful wall.
l really liked that.
People like that, they deserve getting
everything they got crossed out...
Man: For the past 20 years,
there really hasn't been anything hot.
There have been no movements since Pop Art.
Any retailer, and let's face it,
a gallery is indeed a retailer,
they're always looking for something hot that they can merchandise
and sell to the public.
It's almost as though
these pieces were peeled off the train and put onto canvas,
so you have the same energy, you have the same coloring,
you have the same intensity and the same big piece
that you would see on a train.
The real subway graffiti that's done on the trains
is slowly dying out, and this is taking its place.
The lifespan of an average piece today
only lasts a few months.
This is something that could last a lifetime.
Woman: ''Blondie'' seems to be an important figure within
the graffiti art style.
Cain has used her in a very photographic way.
Noc, shows her...
I'm a colorist myself. I'm an artist.
And it's exciting.
The color is exciting, the movement is exciting.
It combines all kinds of movement.
Man: We had ABC-TV.
We had CBS here tonight.
We're going to be on the news tonight at eleven.
National Public Radio.
Do it up, baby.
l love it.
I'm Ron Powers. I'm a reporter with the Associated Press.
- How long would it take you to do something like this? - On a train?
Depends on what your schedule is.
l can't let my mother know that I'm going to the trains,
so l have to be back early.
Woman: But l did meet a guy here
who's an art critic from the news,
and he says he gets so goddamn mad
every time he sees this,
that he walked up to one of the artist
at the show tonight and said,
''How would you feel if l took a can
and wrote on your graffiti?''
And the artist said to him, ''l kill you, man.''
As an investment,
l feel so strongly that
if you get in on the bottom of anything,
it's got to be a good investment.
This is definitely going someplace.
But l think that graffiti on the subway cars
were a symbol of New York
for foreign people,
especially French people.
And l think it's a little sad
if graffiti is going to be only
on canvas, and not anymore on trains.
Forget about the trains.
Who wants to be dirty and hot at the same time?
That's right. I'm into making money.
It feels good.
You go to school and the teacher says,
''It's not worth anything.
You don't make any money from graffiti.''
And you tell them, ''When was the last time
you made $2,000 in a month, huh?''
And you go, ''Okay, now you failed.''
All right, the thought has crossed my mind,
if something should happen, I'll go along with it,
but if it doesn't, it's no thing to me,
because that's not what I'm out here for.
I'm out here to bomb, period. That's what l started for.
l didn't start writing to go Paris.
l didn't start writing to do canvases.
l started writing to bomb. To destroy all lines.
- That's what I'm doing. - How long do you think you'll do it?
Till I'm finished.
Now that you've heard that, you understand what I'm saying to you
when l say l don't understand him.
He's out there to bomb, destroy all lines.
What have the lines ever done to him?
They made me pay 75c.
- When do you pay 75c? - Never but--
l don't even know what you're talking about.
( cheering, music playing )
We're on the Staten Island Ferry.
This is the New York Harbor.
This is to signify we're leaving New York
with this package of artists
to go out and play at places
where, individually, they never would play.
It will be in Washington DC, Pittsburgh, Chicago, Madison,
Minneapolis, Iowa City, Detroit and Toronto.
Being professional, what does that mean?
Getting paid for what you do. Professional.
Frosty Freeze: Having your own style.
Skippy Dee: Doing your own moves.
Don't let nobody else bite your moves.
Doing it for a long time. Being the best.
- (Music) Special-K (Music) - (Music) Sunshine (Music)
(Music) Kool Mo-Dee (Music)
(Music) All time feel the heartbeat (Music)
(Music) Feel the heartbeat we're the treacherous three (Music)
(Music) We got a new heartbeat (Music)
(Music) Get loose, get loose Mo-Dee get loose (Music)
(Music) Just one heartbeat show 'em you got juice (Music)
- (Music) Have fun (Music) - (Music) Have fun (Music)
- (Music) Have fun (Music) - (Music) Ha-ha-have fun (Music)
(Music) Party people got a brand new treat (Music)
(Music) Off the well known tune we call heartbeat (Music)
(Music) But we jazzed it up and we broke it down (Music)
(Music) And came out with a brand new funky sound (Music)
(Music) Now, l came here to get this straight (Music)
(Music) Our heartbeat's not on a normal break (Music)
(Music) 'Cause when we get excited our adrenaline flows (Music)
(Music) And this is the way our heartbeat goes (Music)
(Music) A hop-skip-and-a-jump but l play no bump (Music)
(Music) Bump-bump-bump-bump bumpety-bump (Music)
(Music) It's a brand new treat and it sounds so sweet (Music)
(Music) The rapping, the music our new heartbeat (Music)
(Music) So feel the heartbeat, so feel the heartbeat (Music)
(Music) We're the treacherous three, we got a new heartbeat (Music)
(Music) Hah! (Music)
Consider us the professionals.
Woman: l think it's about time the politicians came down
and looked and saw what is on these trains.
It is just awful.
It shouldn't be that way.
It should be cleaned, and the ones that are caught,
they should clean it-- the ones they catch doing that.
What's the sense of paying 75c
when you have to ride graffiti trains, you know?
It gives a terrible impression of the city.
And if you think the outside is bad--
I've been riding them, like l say, for 40 years--
the inside is just unbelievable.
It's a violation of public property.
l think it's disgusting.
They should get somebody to clean up the place.
We move three and a half million people a day.
They have rights, too.
( train screeching to stop )
The people see the outside of the cars
when the trains are going-- pull into the station,
or when they're passing on the express track.
And then it's generally a blur.
But l don't think the public finds that nearly
as intrusive and ugly
as they do the inside graffiti.
- He hates the insides. - Yeah, he hates the insides.
He said if there's any possible way
of we giving him some kind
of suggestion of how to get rid of the inside,
he said there might be a chance of "negotiating"
with the outside.
- "Negogiading?" - Something like that.
l met with a group of them one day.
More out of intellectual curiosity
as to who they were and what made them tick.
l found them surprisingly articulate.
They expressed a strong sense
that if their outside paintings
were left untouched,
that the public would be impressed.
We came up to him with a proposal to paint
10 cars inside and out
and let it run in the major stations.
And let people vote on it, let's say a two-week period,
and after the two-week period,
they'll have the results in the paper,
and l think the MTA will be embarrassed.
l thought there was no basis whatsoever
in which it was proper
for anyone to touch our property
in an unauthorized fashion.
They got guys out there that are mugging people in the subways,
stabbing people, throwing people onto the tracks and all that,
and they're wasting their bullshit money trying to get us.
With all respect, l think you are close
to falling into the trap
of the 1960s culture,
which says this society has left
these kids with not enough to do.
lf the kids have energy and want to do something,
we'll give them all brooms,
we'll give them all sponges,
and they can do something that is publicly productive,
useful and that would earn for them the respect
and approbation of their fellow citizens.
It isn't the energy that is misplaced,
it's the value system that is misplaced.
( Wagnerian orchestral music plays )
l think it's great for the riding public
to be up on the station, one cold and dreary day
and see a nice white,
shiny car come pulling up to the station.
The public has knocked us for so long,
that we are doing nothing. It couldn't be done.
We proved that we done it.
We painted 409 cars in approximately eight weeks.
24 hours a day, seven days a week
and not one day did we miss that production schedule.
Our personal pride was hurt.
A lot of people been knocking the transit authority,
and we wanted to show them that we could do something.
lf the Japanese can do it, we can do it.
Man: The stuff is like razor blades--
about two inches long and there's one of these every two inches.
There's really not too much protective clothing
you can wear to prevent yourself from getting cut.
And once you do fall into it,
it's so structured that it collapses upon you
and the more you try to move, the worse off you become.
It's like in the movies, like in ''Apocalypse Now,''
they used it to protect their lines and their barricades.
They want to hold back the enemy from destroying our trains.
Mayor Koch: About three years ago,
l decided to suggest
to Dick Ravitch
that they put a dog
in the yard to keep
the graffiti vandals out.
The MTA rejected it
and they said,
no, that if you put a dog in the yard,
the dog would step on the third rail.
Now, l don't happen to think that dogs step on the third rail,
but l said in response to that,
''lf you think the dog will step on the third rail,
then build two fences and have the dog run between
the two fences and that will keep people out
and protect the dog from stepping on the third rail. ''
And the response was, ''Maybe somebody will climb
over the fence and the dog will bite them.''
l said, ''l thought that was what the dog was for.''
But if you're afraid of having the dog bite such a vandal,
and here l called upon my prodigious memory, l said,
''What you should do then, instead of using a dog,
is to use a wolf, and have a wolf
run between the two fences.
Because there is no recorded case in history
where a wolf has ever attacked
a human being unless the wolf were rabid-- mad.''
As a result of telling that story
l embarrassed the MTA into building the fence
around the first of 19 yards.
And it was so successful
they now claim it as their own idea
and they're building 18 more fences.
( Wagnerian orchestral music plays )
Iz: l think it's stupid.
The idea of having all this barbed wire
and fences and protection.
Trains are still going to get written on.
They invented the white elephant.
It's still got--
well, they weren't bombed,
but they had little mosquito bites. call it what you want.
They were still written on.
They're still not spotless, completely.
''Dump Koch.'' Well, there you go.
That is the highest praise imaginable because,
obviously, I'm getting to them.
There always will be graffiti. It's a part of New York.
It'll be there forever.
Someone will always want to jump down on the track,
or while the train's moving and just take out
a can of paint or a marker and put up their initial.
He still shows me all his things,
which l don't even want to see.
But we still talk.
He tells me just about everything that goes on.
Other than that, l wouldn't really be able to tell you so much.
And, sometimes-- knowing all this,
it just really only makes me that much more fearful for him.
l felt that l just had to let her know,
'cause sometimes when it's time to go bombing,
you got to go late-- in the middle of the night.
You've got to leave the house at 2:00
just to go bombing so you don't get caught.
You know, she got to know where I'm going,
can't just say I'm going to a party.
No party's going to start at 2:00.
Not every kid would tell his mother where he's going.
Yeah, well, I'd rather let my mother know what's going on,
you know, than keep her in the dark.
lf l get busted, cops call,
''Excuse me, we have your son for graffiti.''
And I'd rather let her know that l was doing it
so she's prepared to come and get me out.
But, I'm never getting busted,
so we don't have to worry about that.
Dondi: l mean, an adult,
l just couldn't see an adult ever
putting that much energy into something that
isn't going to pay, or is going to risk their life
or have the possibility of them getting arrested.
l see myself eventually growing out of graf
and getting married
and living the lifestyle, you know,
and making good money, like that.
And when life is at its best,
you don't really want to run around in the trains.
I'm sure I'll come back every now and then,
just to let people know I'm still around.
Oh, no. When l come back, l take over.
And that's it. After that.
- And after that-- - You want the prince of the 6s?
I'm king right here. I'm the prince of the 6s.
He's later. You know, he's one of the has-beens--
I'm what they call a has-been, and he's a wannabe.
- So they consider you a king? - Put it this way:
l am a king. l could say--
King of what?
l want to tell you, l am the king of bombing.
You got to be able to take over a line with insides,
take it over with throw-ups, top-to-bottoms,
you got to do everything.
lf you specialize in one thing,
you really can't call yourself an all-out king.
Who's king? You're looking at him, right here.
The original. Know what I'm saying?
Kingdom Islam; Nation god,
for I'm the one that rocks so far.
Always rocking the jazziest car, know what I'm saying?
The only and the original Magnetic King,
and that's the one that's still sitting here doing his thing.
You know it. We all alive.
This is the original old master killer
of the "Manila Thrilla," right here
that you're looking at. The original king and love to do his thing.
Don't shout, don't run, don't hide, don't sky.
This is me coming to you natural and live.
Ha, Ha! CB without the mike.
SNL Best Of Eddie Murphy 1998
S Diary 2004
Sahara (with Michael Palin) ep1
Sahara (with Michael Palin) ep2
Sahara (with Michael Palin) ep3
Sahara (with Michael Palin) ep4
Sahara (with Michael Palin) video diary bonus
Sahara interview with Michael Palin
Salaam Bombay CD1
Salaam Bombay CD2
Salaam Cinema 1995
Salems Lot 2004 CD1
Salems Lot 2004 CD2
Salesman - Albert and David Maysles (1969)
Salo Or The 120 Days Of Sodom
Salton Sea The
Salvatore Giuliano (Francesco Rosi 1961) CD1
Salvatore Giuliano (Francesco Rosi 1961) CD2
Samsara 1991 CD1
Samsara 1991 CD2
Samurai - Miyamoto Musashi - 03 - Duel at Ganryu Island
Samurai 2 (1955)
Samurai 3 - Duel At Ganryu Island 1956
Samurai Assassin 1965
Sanbiki No Samurai 1964
Sand Pebbles The CD1
Sand Pebbles The CD2
Sands of Iwo Jima
Santa Claus 2
Sante Trap The
Saragossa Manuscript The (1965) CD1
Saragossa Manuscript The (1965) CD2
Satans Brew 1976
Saturday Night Fever CD1
Saturday Night Fever CD2
Satyajit Ray - Apu Trilogy 2 Aparajito (1957)
Sauvage Innocence 2001 CD1
Sauvage Innocence 2001 CD2
Savage Innocents The 1959
Savage The (2003)
Save The Green Planet (2003) CD1
Save The Green Planet (2003) CD2
Saving Private Ryan CD1
Saving Private Ryan CD2
Saving Private Ryan CD3
Saving Silverman (R Rated Version)
Say It Isnt So 2001
Scalphunters The (1968)
Scanners 1981 CD1
Scanners 1981 CD2
Scar The (1976) CD1
Scar The (1976) CD2
Scarecrow - (Kakashi) 25fps 2001
Scarlet Empress The (1934)
Scarlet Empress The - Criterion Collection
Scary Movie 2
Scene At The Sea A (Japanese)
Scenes From A Marriage (1973) CD1
Scenes From A Marriage (1973) CD2
Scenes from a Marriage CD1
Scenes from a Marriage CD2
Scenes from a Marriage CD3
Scenes from a Marriage CD4
Scenes from a Marriage CD5
Scenes from a Marriage CD6
Schippers van de Kameleon CD1
Schippers van de Kameleon CD2
School Of Flesh The
School of Rock
Scooby-Doo - A Gaggle of Galloping Ghosts
Scooby-Doo - Thats Snow Ghost
Scooby-Doo - The Headless Horseman of Halloween
Scooby-Doo - Vampires Cats and Scaredy Cats
Scooby-Doo - Which Witch is Which
Scooby-Doo 2 Monsters Unleashed
Scooby-Doo and the Legend of the Vampire
Scooby Doo Project The
Scorpion King The
Scream 3 CD1
Scream 3 CD2
Secret Agents 2004
Secret Agents Into the Heart of the CIA
Secret Ballot 2001
Secret Lives of Dentist The
Secret Window 2004
Secret life of Walter Mitty The (1947)
Secret of My Success 1987 CD1
Secret of My Success 1987 CD2
Secret of the Ooze The
Secret of the Sword
Secrets of Women
Seducing doctor Lewis
See Spot Run
See no Evil Hear no Evil
Seinfeld Chronicles The
Sense and Sensibility (1995)
Seppuku (aka Harakiri) CD1
Seppuku (aka Harakiri) CD2
Serpents Egg The
Setup The (Robert Wise 1949)
Seven (1995) CD1
Seven (1995) CD2
Seven Brides for Seven Brothers
Seven Days in May (1963)
Seven Samurai (1956)
Seven Year Itch The
Seven Years in Tibet CD1
Seven Years in Tibet CD2
Seventh Seal The - Criterion Collection
Seventh Sign The
Sex Is Comedy
Sex Lies And Videotape CD1
Sex Lies And Videotape CD2
Sex and Lucia (Unrated Spanish Edition)
Sex and Zen
Sex and the City 3x13 - Escape From New York
Sex and the City 3x14 - Sex And Another City
Sex and the City 3x15 - Hot Child in the City
Sex and the City 3x16 - Frenemies
Sex and the City 3x17 - What Goes Around Comes Around
Sex and the City 3x18 - Cock A Doodle Do
Sex is zero
Sex lives of the potato men
Sexo Con Amor 2003
Sexy Beast 2000
Shadow The Universal
Shadow of a Doubt
Shadow of the Vampire
Shadows In Paradise
Shadows and Fog
Shakespeare In Love
Shall We Dance
Shanghai Knights CD1
Shanghai Knights CD2
Shaolin Soccer UnCut (2001) CD1
Shaolin Soccer UnCut (2001) CD2
Shaolin Temple CD1
Shaolin Temple CD2
Shaolin Temple The 1979
Shape Of Things The
Shark Tale CD1
Shark Tale CD2
Sharp Guns (2001)
Shaun of the Dead (2004)
Shelter Island 2003
Sherlock Holmes - Hound of the Baskervilles
Sherlock Holmes - The Eligible Bachelor
Sherlock Holmes - The Last Vampyre
Sherlock Holmes - The Master Blackmailer
Sherlock Holmes - The Pearl Of Death 1944
Sherlock Holmes - The Sign of Four
Sherlock Holmes 1x01 - A Scandal In Bohemia
Sherlock Holmes 1x02 - The Dancing Men
Sherlock Holmes 1x03 - The Naval Treaty
Sherlock Holmes 1x04 - The Solitary Cyclist
Sherlock Holmes 1x05 - The Crooked Man
Sherlock Holmes 1x06 - The Speckled Band
Sherlock Holmes 1x07 - The Blue Carbuncle
Sherlock Holmes 1x08 - The Copper Beeches
Sherlock Holmes 1x09 - The Greek Interpreter
Sherlock Holmes 1x10 - The Norwood Builder
Sherlock Holmes 1x11 - The Resident Patient
Sherlock Holmes 1x12 - The Red Headed League
Sherlock Holmes 1x13 - The Final Problem
Sherlock Holmes And The House Of Fear 1945
Sherlock Holmes And The Spider Woman 1944
Sherlock Holmes And The Voice Of Terror 1942
Sherlock Holmes Faces Death 1943
Sherlock Holmes Returns
Sherlock Holmes The Eligible Bachelor
Sherlock Holmes The Scarlet Claw 1944
Sherlock Holmes in Washington 1943
Shes All That
Shes So Lovely
Shes out of control
Shes the One
Shield The 2x01 - The Quick Fix
Shield The 2x02 - Dead Soldiers
Shield The 2x03 - Partners
Shield The 2x04 - Carte Blanche
Shijushichinin No Shikaku (1994 aka 47 Ronin)
Shiki-Jitsu (Hideaki Anno 2000)
Shin Zatoichi monogatari (1963)
Shinjuku - Triad Society (Takashi Miike 1995) CD1
Shinjuku - Triad Society (Takashi Miike 1995) CD2
Ship of Fools CD1 (Stanley Kramer 1965)
Ship of Fools CD2 (Stanley Kramer 1965)
Shiver Of The Vampires The
Shocking Asia CD1
Shocking Asia CD2
Shogun 1980 Part 1
Shogun 1980 Part 2
Shogun 1980 Part 3
Shogun 1980 Part 4
Shogun 1980 Part 5 and 6
Shogun 1980 Part 7 and 8
Shogun 1980 Part 9 and 10
Shop Around The Corner The 1940
Short Circuit 2
Short Cuts CD1
Short Cuts CD2
Short Film About Killing A (1988)
Short Film About Love A (1988)
Short Film About Love A 1988
Shot In The Dark A
Show Me Love
Shredder (Greg Huson 2003)
Shriek if You Know What I Did Last Friday the 13th
Shuang tong (2002)
Sib - The Apple
Siburay Bate Cafe
Sicilian The 1987 CD1
Sicilian The 1987 CD2
Siege The (1998)
Silence of the Lambs The
Silencers The (Phil Karlson 1966)
Silent Trigger 1996
Silver Streak 1976
Simon and Garfunkel - The Concert in Central Park
Simon of the Desert
Simpsons 01x01 - Simpsons Roasting Over An Open Fire
Simpsons 01x02 - Bart The Genius
Simpsons 01x03 - Homers Odyssey
Simpsons 01x04 - Theres No Disgrace Like Home
Simpsons 01x05 - Bart the General
Simpsons 01x06 - Moaning Lisa
Simpsons 01x07 - The Call of the Simpsons
Simpsons 01x08 - The Telltale Head
Simpsons 01x09 - Life on the Fast Lane
Simpsons 01x10 - Homers Night Out
Simpsons 01x11 - The Crepes Of Wrath
Simpsons 01x12 - Krusty Gets Busted
Simpsons 01x13 - Some Enchanted Evening
Simpsons The 05x01 - Homers Barbershop Quartet
Simpsons The 05x02 - Cape Feare
Simpsons The 05x03 - Homer Goes To College
Simpsons The 05x04 - Rosebud
Simpsons The 05x05 - Tree House Of Horror
Simpsons The 05x06 - Marge On The Lam
Simpsons The 05x07 - Barts Inner Child
Simpsons The 05x08 - Boy Scoutz N The Hood
Simpsons The 05x09 - The Last-Temptation Of Homer
Simpsons The 05x10 - $pringfield
Simpsons The 05x11 - Homer The Vigilante
Simpsons The 05x12 - Bart Gets Famous
Simpsons The 05x13 - Homer And Apu
Simpsons The 05x14 - Lisa Vs Malibu Stacy
Simpsons The 05x15 - Deep Space Homer
Simpsons The 05x16 - Homer Loves Flanders
Simpsons The 05x17 - Bart Gets An Elephant
Simpsons The 05x18 - Burns Heir
Simpsons The 05x19 - Sweet Seymour Skinners Baadasssss Song
Simpsons The 05x20 - The Boy Who Knew Too Much
Simpsons The 05x21 - Lady Bouviers Lover
Simpsons The 05x22 - Secrets Of A Successful Marriage
Sin noticias de Dios
Sinbad - Legend Of The Seven Seas
Since Otar Left 2003
Since You Went Away CD1
Since You Went Away CD2
Sinful Nuns of Saint Valentine
Singin in the Rain
Singing Detective The
Singles (2003) CD1
Singles (2003) CD2
Sink The Bismarck
Sinnui yauman II
Sister Act 2 - Back in the Habit CD1
Sister Act 2 - Back in the Habit CD2
Six Days Seven Nights
Six Degrees of Separation (1993)
Six Feet Under
Six String Samurai
Six Strong Guys (2004)
Sixteen Candles CD1
Sixteen Candles CD2
Sixth Sense The
Skammen (Shame Bergman 1968)
Skazka o tsare Saltane
Skulls The (Collectors Edition)
Sky Captain and the World of Tomorrow
Slap Shot 2
Sleepers (1996) CD1
Sleepers (1996) CD2
Sleepless in Seattle
Sleepy Hollow 1999
Sleuth (Mankiewicz 1972) CD1
Sleuth (Mankiewicz 1972) CD2
Sliding Doors 1992
Sling Blade CD1
Sling Blade CD2
Small Change (FranÇois Truffaut 1976)
Small Time Crooks 2000
Smell of Fear The
Smokey and the Bandit
Snake Of June A (2002)
Snake Pit The
Snatch - Special Edition
Snow White And The Seven Dwarfs 1937
So Close 2002
Sobibor 14 Octobre 1943
Solaris (Tarkovsky) CD1
Solaris (Tarkovsky) CD2
Solaris - Criterion Collection
Solaris 2002 - Behind the Planet
Solaris 2002 Inside
Soldaat Van Oranje 1977 CD1
Soldaat Van Oranje 1977 CD2
Soldiers Story A (Norman Jewison 1984)
Solomon and Sheba CD1
Solomon and Sheba CD2
Sombre 25fps 1998
Some Kind of Monster CD1
Some Kind of Monster CD2
Something The Lord Made CD1
Something The Lord Made CD2
Somethings Gotta Give CD1
Somethings Gotta Give CD2
Son In Law
Song of the South
Soul Guardians The (1998) CD1
Soul Guardians The (1998) CD2
Soul Keeper The (2003)
Sound of Music The
South Park - Bigger Longer and Uncut
South Park 01x01 - Cartman Gets An Anal Probe
South Park 01x02 - Weight Gain 4000
South Park 01x03 - Volcano
South Park 01x04 - Big Gay Als Big Gay Boatride
South Park 01x05 - An Elephant Makes Love to a Pig
South Park 01x06 - Death
South Park 01x07 - Pinkeye
South Park 01x08 - Jesus VS Satan
South Park 01x09 - Starvin Marvin
South Park 01x10 - Mr Hankey the Christmas Poo
South Park 01x11 - Toms Rhinoplasty
South Park 01x12 - Mecha Striesand
South Park 01x13 - Cartmans Mom is a Dirty Slut
Soylent Green 1973
Spanish Prisoner The CD1
Spanish Prisoner The CD2
Spark the Lighter
Spartacus 2004 CD1
Spartacus 2004 CD2
Spartacus Fixed 1960
Spartan 2004 CD1
Spartan 2004 CD2
Spawn (Directors Cut)
Species 3 CD1
Species 3 CD2
Speed 2 - Cruise Control
Spellbound (Hitchcock 1945)
Spider Man 2 CD1
Spider Man 2 CD2
Spies Like Us 1985
Spirit of the Beehive
Spirited Away CD1
Spirits of the Dead 1968 CD1
Spirits of the Dead 1968 CD2
Spongebob Squarepants The Movie
Springtime In A Small Town
Spun (Unrated Version)
Spy Who Came In from the Cold The
Spy Who Loved Me The
Spy Who Shagged Me The - New Line Platinum Series
St Johns Wort - (Otogiriso) 25fps 2001
Stage Beauty 2004
Stage Fright 1950
Stalker 1979 CD1
Stalker 1979 CD2
Star Trek Generations CD1
Star Trek Generations CD2
Star Wars - Episode II Attack of the Clones
Star Wars - Episode IV A New Hope
Star Wars - Episode I The Phantom Menace
Star Wars Episode 4 (A New Hope) CD1
Star Wars Episode 4 (A New Hope) CD2
Star Wars Episode 5 (Empire Strikes Back) CD1
Star Wars Episode 5 (Empire Strikes Back) CD2
Star Wars Episode 6 (Return of the Jedi) CD1
Star Wars Episode 6 (Return of the Jedi) CD2
Stargate SG1 1x01 Children of the Gods
Stargate SG1 1x02 The enemy Within
Stargate SG1 1x03 Emancipation
Stargate SG1 1x04 The Broca Divide
Stargate SG1 1x05 The First Commandment
Stargate SG1 1x06 Cold Lazarus
Stargate SG1 1x07 The Nox
Stargate SG1 1x08 Brief Candle
Stargate SG1 1x09 Thors Hammer
Stargate SG1 1x10 The Torment of Tantalus
Stargate SG1 1x11 Bloodlines
Stargate SG1 1x12 Fire and Water
Stargate SG1 1x13 Hathor
Stargate SG1 1x14 Singularity
Stargate SG1 1x15 The Cor AI
Stargate SG1 1x16 Enigma
Stargate SG1 1x17 Solitudes
Stargate SG1 1x18 Tin Man
Stargate SG1 1x19 There but for the Grace of God
Stargate SG1 1x20 Politics
Stargate SG1 1x21 Within the Serpents Grasp
Stargate SG1 2x01 The serpents lair
Stargate SG1 2x02 In the line of duty
Stargate SG1 2x03 Prisoners
Stargate SG1 2x04 The gamekeeper
Stargate SG1 2x05 Need
Stargate SG1 2x06 Thors chariot
Stargate SG1 2x07 Message in a bottle
Stargate SG1 2x08 Family
Stargate SG1 2x09 Secrets
Stargate SG1 2x10 Bane
Stargate SG1 2x11 The tokra part 1
Stargate SG1 2x12 The tokra part 2
Stargate SG1 2x13 Spirits
Stargate SG1 2x14 Touchstone
Stargate SG1 2x15 The fifth race
Stargate SG1 2x16 A matter of time
Stargate SG1 2x17 Holiday
Stargate SG1 2x18 Serpents song
Stargate SG1 2x19 One false step
Stargate SG1 2x20 Show and tell
Stargate SG1 2x21 1969
Stargate SG1 3x01 Into The Fire II
Stargate SG1 3x02 Seth
Stargate SG1 3x03 Fair Game
Stargate SG1 3x04 Legacy
Stargate SG1 3x05 Learning Curve
Stargate SG1 3x06 Point Of View
Stargate SG1 3x07 Deadman Switch
Stargate SG1 3x08 Demons
Stargate SG1 3x09 Rules Of Engagement
Stargate SG1 3x10 Forever In A Day
Stargate SG1 3x11 Past And Present
Stargate SG1 3x12 Jolinars Memories
Stargate SG1 3x13 The Devil You Know
Stargate SG1 3x14 Foothold
Stargate SG1 3x15 Pretense
Stargate SG1 3x16 Urgo
Stargate SG1 3x17 A Hundred Days
Stargate SG1 3x18 Shades Of Grey
Stargate SG1 3x19 New Ground
Stargate SG1 3x20 Maternal Instinct
Stargate SG1 3x21 Crystal Skull
Stargate SG1 3x22 Nemesis
Stargate SG1 4x01 Small Victories
Stargate SG1 4x02 The Other Side
Stargate SG1 4x03 Upgrades
Stargate SG1 4x04 Crossroads
Stargate SG1 4x05 Divide And Conquer
Stargate SG1 4x06 Window Of Opportunity
Stargate SG1 4x07 Watergate
Stargate SG1 4x08 The First Ones
Stargate SG1 4x09 Scorched Earth
Stargate SG1 4x10 Beneath The Surface
Stargate SG1 4x11 Point Of No Return
Stargate SG1 4x12 Tangent
Stargate SG1 4x13 The Curse
Stargate SG1 4x14 The Serpents Venom
Stargate SG1 4x15 Chain Reaction
Stargate SG1 4x16 2010
Stargate SG1 4x17 Absolute Power
Stargate SG1 4x18 The Light
Stargate SG1 4x19 Prodigy
Stargate SG1 4x20 Entity
Stargate SG1 4x21 Double Jeopardy
Stargate SG1 4x22 Exodus
Stargate SG1 5x01 Enemies
Stargate SG1 5x02 Threshold
Stargate SG1 5x03 Ascension
Stargate SG1 5x04 Fifth Man
Stargate SG1 5x05 Red Sky
Stargate SG1 5x06 Rite Of Passage
Stargate SG1 5x07 Beast Of Burden
Stargate SG1 5x08 The Tomb
Stargate SG1 5x09 Between Two Fires
Stargate SG1 5x10 2001
Stargate SG1 5x11 Desperate Measures
Stargate SG1 5x12 Wormhole X-Treme
Stargate SG1 5x13 Proving Ground
Stargate SG1 5x14 48 Hours
Stargate SG1 5x15 Summit
Stargate SG1 5x16 Last Stand
Stargate SG1 5x17 Failsafe
Stargate SG1 5x18 The Warrior
Stargate SG1 5x19 Menace
Stargate SG1 5x20 The Sentinel
Stargate SG1 5x21 Meridian
Stargate SG1 5x22 Revelations
Stargate SG1 6x01 Redemption Part 1
Stargate SG1 6x02 Redemption Part 2
Stargate SG1 6x03 Descent
Stargate SG1 6x04 Frozen
Stargate SG1 6x05 Nightwalkers
Stargate SG1 6x06 Abyss
Stargate SG1 6x07 Shadow Play
Stargate SG1 6x08 The Other Guys
Stargate SG1 6x09 Allegiance
Stargate SG1 6x10 Cure
Stargate SG1 6x11 Prometheus
Stargate SG1 6x12 Unnatural Selection
Stargate SG1 6x13 Sight Unseen
Stargate SG1 6x14 Smoke n Mirrors
Stargate SG1 6x15 Paradise Lost
Stargate SG1 6x16 Metamorphosis
Stargate SG1 6x17 Disclosure
Stargate SG1 6x18 Forsaken
Stargate SG1 6x19 The Changeling
Stargate SG1 6x20 Memento
Stargate SG1 6x21 Prophecy
Stargate SG1 6x22 Full Circle
Stargate SG1 7x01 Fallen
Stargate SG1 7x02 Homecoming
Stargate SG1 7x03 Fragile Balance
Stargate SG1 7x04 Orpheus
Stargate SG1 7x05 Revisions
Stargate SG1 7x06 Lifeboat
Stargate SG1 7x07 Enemy Mine
Stargate SG1 7x08 Space Race
Stargate SG1 7x09 Avenger 2 0
Stargate SG1 7x10 Birthright
Stargate SG1 7x10 Heroes II
Stargate SG1 7x11 Evolution I
Stargate SG1 7x12 Evolution II
Stargate SG1 7x13 Grace
Stargate SG1 7x14 Fallout
Stargate SG1 7x15 Chimera
Stargate SG1 7x16 Death Knell
Stargate SG1 7x17 Heroes I
Stargate SG1 7x19 Resurrection
Stargate SG1 7x20 Inauguration
Stargate SG1 7x21-22 The Lost City I n II
Starship Troopers (Special Edition)
Starship Troopers 2
Story Of A Kiss
Strange aventure de Docteur Molyneux
Street Of Love And Hope (Nagisa Oshima 1959)
Street of shame (Akasen chitai)
Streetcar Named Desire A
Summer Tale A 2000
Sunday Lunch (2003)
Super 8 Stories
Superman IV - The Quest for Peace
Surviving the Game
Swedish Love Story A (1970) CD1
Swedish Love Story A (1970) CD2
Sweetest Thing The (Unrated Version)
Swordsman III - The East is Red
Sylvester - Canned Feud (1951)
Sylvester - Speedy Gonzales (1955)
Sylvester and Elmer - Kit for Cat (1948)
Sylvester and Porky - Scaredy Cat (1948)
Sylvester and Tweety - Canary Row (1950)
Sylvester and Tweety - Putty Tat Trouble (1951)
Sylvester and Tweety - Tweetys SOS (1951)