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Talented Mr Ripley The

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{y:i}From the silence
{y:i}From the night
{y:i}Comes a distant
{y:i}Lullaby
{y:i}Soul|{y:i}Surrendering your soul
{y:i}The heart in you not whole
{y:i}For love
{y:i}For love
{y:i}Walked out
{y:i}Cast into the dark
{y:i}Branded with a mark
{y:i}Of shame
{y:i}Of Cain
{y:i}[Man Narrating]|{y:i}If I could just go back.
{y:i}If I could rub everything out,
{y:i}starting with myself.
{y:i}Starting with borrowing|{y:i}a jacket.
Oh, such fleeting|paradise
Such innocent|delight
To love
Be loved
A lullaby
Then silence
- [ Woman ] Frances, that was lovely.|- I'm so glad. Thank you.
[ Man ]|Congratulations.
Marvelous.|Most enjoyable.
Herbert Greenleaf.|My wife, Emily.
Thank you.|Tom Ripley.
- How do you do ?|- You were at Princeton.
Most likely you'll know our son,|Dick. Dickie Greenleaf.
{y:i}[Emily] I couldn't help|{y:i}noticing your jacket.
Yes.
Class of'56.
How is Dickie ?
{y:i}[Frances]|{y:i}We've enjoyed meeting you.
I do hope that you'll|come out and see us.
- Thank you. That's very kind.|- Both of you.
- Herbert ?|- Yes, yes. I very much hope so.
Of course, Dickie's idea|of music is jazz.
- Oh, dear.|- He has a saxophone.
To my ear,|jazz is just noise.
Just an insolent noise.
- Very nice to meet you.|- And you.
- Sir.|- We'll see you at the shipyard.
- I hope to.|- Good.
I have to run !|I'm very late !
- Ah, you were great !|- You were great.
Darling couple,|aren't they ?
Yes, they are.|Exceptional young man.
- Thanks a lot for the jacket.|- Thanks for filling in for me.
Take care of that wrist.|Bye, Fran.
Believe me.|Buy I.B.M. now, before it splits.
You'll make yourself|a fortune.
You think so ?
[ Chattering, indistinct ]
{y:i}[Piano]
Sorry.|Sorry.
Sorry.
{y:i}[Mr. Greenleaf] Youíve probably|{y:i}heard Dickie's been living in Italy.
Mongibello.|South of Naples.
No kind of place|at all.
- Good morning, sir.|- Frank.
Marge,|his young lady,
is supposedly writing|some kind of book.
God only knows|what he does.
By all accounts, they spend the whole|time on the beach or in a sailboat.
That's my son's talent--|spending his allowance.
Could you ever conceive|of going to Italy, Tom ?
Persuade my son|to come home ?
{y:i}I'd pay you...
a thousand dollars.
Well, I have always wanted|to go to Europe, sir, but--
Good. Now you can go|for a reason.
{y:i}[Man Vocalizing]
[Jazz ]
Count Basie.
{y:i}Duke Ellington ?|{y:i}I don't know.
I don't know.
I don't know.
Dizzy Gillespie.
{y:i}My funny Valentine
My funny Valentine.
{y:i}- [Man, Woman Arguing.: Faint]|{y:i}-Sweet, funny Valentine
I don't even know|if this is a man or a woman.
{y:i}-[Continues]|{y:i}- [Crashing]
{y:i}[Arguing Continues]
Charlie Parker ?
Charlie Parker.|I know it. It's Bird.
Yes !
{y:i}-[Ends]|- Ugh.
- Here. I'll take it.|- Thanks.
That thousand bucks|should come in handy.
- Yes, sir.|- I'll get that.
- Thank you.|- Sir. You're gonna have a great trip.
{y:i}Mr. Greenleaf is personal|{y:i}friends with the Cunard people.
{y:i}[Opera.: German]
I can tell you, the Greenleaf name|opens a lot of doors.
[ Horn Sounding ]
{y:i}[Man Speaking Italian|{y:i}Over P.A. ]
{y:i}- [Ripley] Do you speak English ?|{y:i}- [Man] What you name, please ?
{y:i}- Ripley.|{y:i}- Follow me. No problem.
- Here, Signor Ripley.|- Okay.
Uh, there.|That one.
- This one.|- Wait, is that all ? Count them.
{y:i}Attenzione.|Just one suitcase, Signor Ripley ?
- Si.|- Attenzione.
[ Man Speaking Italian ]
[ Italian ]
- What's your secret ?|- Excuse me ?
No, itís just that--|You are American, aren't you ?
No, itís just that--
I have so much luggage,|and you're so, um, streamlined.
It's, you know,|humiliating.
[ Italian ]
I'm Meredith,|by the way.
- Hello, I'm Dickie.|- Meredith Randall.
- Um, Dickie Greenleaf.|- Hello.
You're not|the shipping Greenleafs.
Oh, trying not to be.
Trying to jump ship.
So, uh, did they put|your cases in the wrong pile ?
Itís just that, uh,|you were in the "R" stand.
I thought|I saw you there.
My father wants me|back in New York.
He builds boats.|I'd rather sail them.
So I travel|under my mother's name.
- Which is--|- Emily.
I'm just kidding.
You know,|the funny thing is,
I'm not Randall either.
I'm Logue.
- As in--|- As in the textile Logues.
Trying to|shrug off the dress.
- I travel under my mother's name too.|- Randall.
Right.
- So, Rome, Rome, Rome.|- Oh.
- We're partners in disguise. Bye.|- Bye.
[ Shouting in Italian ]
[ Driver Singing in Italian ]
[ Chattering in Italian ]
[ Italian ]
{y:i}[Bus Motor Starts]
- [Bus Drives Away]|- [Women Chattering]
{y:i}[Ripley Speaking|{y:i}Italian Slowly]
{y:i}ďThe fiancťe has|{y:i}a face. ď
{y:i}[Resumes Speaking Italian]
[ Italian Continues ]
{y:i}Bird.
{y:i}ďThis is my face. ď
[ Italian ]
{y:i}[People Chattering in Italian]
{y:i}[Woman] So I guess you didn't|{y:i}look at my new chapter.
I will, Marge.|I promise.
Itís just been too hot.
If I make dinner at my place tonight,|maybe you could look at it then.
Dickie Greenleaf?
- Who's that ?|- It's Tom. Tom Ripley.
Tom Ripley ?
- We were at Princeton together.|- Okay.
Did we know each other ?
Hello.|Well, I knew you, so...
I suppose|you must have known me.
Princeton's like a fog.
America's like a fog.
This is Marge Sherwood.|Tom-- Sorry, what is it ?
- Ripley.|- How do you do ?
How do you do, Marge ?
- What are you doing in Mongi ?|- Nothing.
Nothing much.
{y:i}Just passing through.
- Passing through ?|- Yeah.
You're so white.
Did you ever see a guy|so white, Marge ?
Gray, actually.
Itís just an undercoat.
- Say again ?|- You know, a primer.
That's funny.
{y:i}Margie likes that|{y:i}'cause she's so white too.
Yes, I do,|and you're not funny.
You should come and have lunch|with us before you go.
- Yes, Dickie ?|- Sure, anytime.
Well,
coincidence.
I don't remember him.
That's so funny.
Silvana ! Hey !
I've been looking all over for you.
{y:i}Whereíve you been hiding ?
Today you're looking for me. Where've|you been the rest of the week ?
You're always working.|Come on. Get on.
{y:i}With the American girl ?
- Hold on to me.|- I hate you.
- Huh ?|- I hate you!
{y:i}[Marge]|{y:i}Did you suddenly forget where I lived?
I know. I'm late.|I'm a swine.
- It's 4:00.|- I just woke up.
- Ohh.|- I'm sorry. I'm sorry.
- You just woke up.|- Fausto and I took the boat out.
We were fishing, and then it was dawn,|and we caught absolutely nothing.
Mmm, yes, well,|we ate everything without you.
- We ?|- Yes.
- Tom Ripley's here.|- Who ?
- Tom. Hello.|- Hi.
-Hello.|-How are you? Thought you'd disappeared.
- We were gonna send out a search party.|- No.
- No, still here.|- Tom was telling me about his journey.
{y:i}[Giggling] Made me laugh so hard|{y:i}I almost got a nosebleed.
- Is that good ?|- Shut up.
I'm sorry.|I'm sorry.
I'm despicable.|But I love you.
- Do you love me ? Do you love me ?|- I'm intruding.
Can you mix|a martini ?
- Sure.|- [ Sighs ] I'll do it.
- Ohh.|- I make a fabulous martini.
[ Laughing ]
Everybody should have|one talent. What's yours ?
Forging signatures,
telling lies, impersonating|practically anybody.
That's three. Nobody should have|more than one talent.
{y:i}Okay,|{y:i}do an impression.
- Now ?|- Yeah.
[ As Mr. Greenleaf]|The only talent my son has...
{y:i}is for cashing|{y:i}his allowance.
- What ?|- Oh, I like to sail.
Believe me,|I love to sail.
- Instead, I make boats.|- Stop !
- Other people sail them.|- It's too much !
You're making all the hairs|on my neck stand up.
Oh, yes. Jazz.|Oh, jazz. Let's face it.
Itís just, uh--|Itís just insolent noise.
I feel like he's here.
- Horrible, like the old bastard's here.|- Good.
That's brilliant.
Brilliant !|How do you know him ?
Oh, I met him in New York.
Marge !|Marge, this is scary.
You've got to hear this.|Meet my father,
Herbert Richard Greenleaf l.
Pleasure to meet you.|Dickie's made a fine catch.
- Uncanny !|- I know Emily thinks so.
- I don't get it.|- It's uncanny.
Could you ever conceive|of going to Italy, Tom,
{y:i}and, uh, bringing him back ?
- What ?|- I'd pay you.
If you would go|to Italy,
persuade my son to come home,|I'd pay you a thousand dollars.
{y:i}[Dickie]|{y:i}Iím never going back.
To actually hire somebody|to come all the way here...
to drag me back home--
Got to be a little|insane, doesn't he ?
- Ciao, Fausto.|- [ Italian ]
- This is Tom.|- Ciao, Tom.
[ Italian ]
- I'm never going back.|- No, I think--
Your mother, her illness,|I think that's--
It's got nothing to do|with my mother.
She's had leukem--|This is what makes me boil about him.
He wants me back.|He wants me back.
- It's got nothing to do with my mother.|- Look, I don't know--
Go back.|Go back to New York.
Or call him, if you can find|a telephone that works,
and tell him wild horses wouldn't|drag me back to him or his shipyard.
- Hi, Tom.|- Hi.
Marge, Tom's saying good-bye.
Oh, I'll come down.
So, uh, did you|speak to my father ?
Oh, you were right...|about the telephones.
- I told you.|- There are no lines.
- There's some problem.|- That's Italy.
Tom. You're off ?|What are your plans ?
Oh, back, I suppose,|as slow as I can. Oh !
This bag !
Hey.|You like jazz.
I love jazz.
This is the best.
Baker, Rollins.
Marge says she likes jazz,|but she thinks Glenn Millerís jazz.
- I never said that !|- [Tom] Bird.
Thatís jazz.
Bird ? Ask me|the name of my sailboat.
I don't know. What's the name|of your sailboat ?
Look ! Look !|{y:i}Bird !
{y:i}[Marge]|{y:i}Which is ridiculous. Boats are female.
Everyone knows you can't|call a boat after a man.
- He's not a man. He's a god.|- Okay, we're going to Naples.
{y:i}There's a club--|{y:i}It's not a club, it's a cellar.
-It's vile.|{y:i}-Yes, it's vile. You don't have to come.
It's great. It's-- It's great.|You're gonna love it.
How are you ?
{y:i}-[Ends]|{y:i}- [People Applauding]
Oh !
[ Italian ]
That'd be cool.|Bring him up.
[ Italian ]
Tom Ripley !
Come on !|Get on up here !
- Yeah !|- [ Italian ]
I'll tell you when|to join the chorus.
Come on.
Okay.|Together !
[ Italian ]
{y:i}[Dickie] I bumped into|{y:i}an old friend from Princeton,
- a fellow called Tom Ripley.|- [Keyboard Clacking]
{y:i}He says he's going to haunt me|{y:i}until I agree...
{y:i}to go back to New York...
with him.
Afternoon.
What time is it ?
- Oh, God.|- ďGo back to New York with him. ď
- Here--|- You always type your letters ?
- That should be two T's.|- I can't write, and I can't spell.
It's the privilege|of a first-class education.
Your room's|upstairs at the back.
I think Ermalinda|made up the bed. Ermalinda !
[ Both Speaking Italian ]
- This is so good of you.|- Don't say it again.
Now that you're a double agent|and we're going to string my dad along,
what if we were to buy|a car with your expense money ?
- Okay.|- Great.
- Hello, Tom.|- Hello.
Marge, Marge,|what do you think ?
Little Ciquencento|with my dad's money ?
Oh, please, Dickie.|You can't even drive a car.
- [Tom] You can't even drive.|- What we need urgently is an icebox.
What do you think ? Agree with me,|and I'll be your friend for life.
- I absolutely agree with Marge.|- Hmm.
Icebox. Icebox.
{y:i}[Bell Tolling]
{y:i}[Marge]|{y:i}So, what, is he gonna move in with you ?
It'll just be for a little while.|He can be-- He makes me laugh.
{y:i}- Okay, darling.|{y:i}- Promise you'd say ?
- No, I like him.|- Marge, you like everybody.
{y:i}Don't like you.|{y:i}[Chuckles]
{y:i}Then I'll go to your place|{y:i}and you can move in with Tom.
[ Imitating Marge ]|I like him.
[ Imitating Dickie ]|Marge, you like everybody.
[ Imitating Marge ]|No, I like him.
[ Imitating Dickie ]|Marge, you like everybody.
{y:i}[Dickie] Now you'll find out why Miss|{y:i}Sherwood always shows up for breakfast.
It's not love.|It's my coffee machine.
{y:i}[Marge] Ever since Ermalinda|{y:i}showed him how to make his own espresso,
{y:i}he feels like quite|{y:i}the grownup.
-I bought the coffee machine.|{y:i}-[Marge] Oh, darling, is that for me ?
This is for Tom,|because he didn't complain.
{y:i}[Tom]|{y:i}That ring is superb.
Oh, Tom, I love you.|See ?
Ooh ! I had to promise,|capital "P," never to take it off.
-Otherwise, I'd give it to you.|-Isn't it great ? I found it in Naples.
I had to bargain for it|for about two weeks.
I hope it wasn't cheap,|Marge.
- Oh, it was.|- [ Chuckles ]
I have to get a birthday present for|Frances, so perhaps you could help me.
- Who's Frances ?|- My fiancťe.
Engaged ?|You're a dark horse, Ripley.
- Who is she ?|- Your parents met her.
Oh, God.|Oh, I can just imagine.
"If only Dickie|would settle down.
Doesn't every parent|deserve a grandchild ?"
{y:i}Oh, God.|{y:i}Never. Never.
I swear on your ring, Marge,|I'm never going back.
- [ Tom ] Say when to pull.|- [ Dickie ] Pull now. Pull.
It's not pulling.|I'm doing it wrong.
- Better now, huh ?|- Okay, okay, okay.
We'll make a sailor|of you yet.
You're doing really well.
- All right. Bar's open.|- Yes, please.
- Hey, can we sail to Venice ?|- Sure. I love Venice.
"See Venice and die."|Isn't that right ? Or is it Rome ?
- Is it Rome ?|- I have to see Venice.
You do something and die, don't you ?|Okay. Venice is on the list.
And Rome.
Do you ski ?
Ah, no, no.|Don't tell me.
You're a lost cause.|That's the next thing to deal with.
{y:i}Christmas, weíre planning|{y:i}a skiing trip to Cortina.
- Excellent skiing. Excellent. Marge.|- Yes ?
{y:i}Unbelievable.|{y:i}Tom can't ski either.
- We'll have to teach him that too.|- Thank you.
{y:i}Such low class, Marge.|{y:i}Does this guy know anything ?
Good thing we're not|getting married soon.
We'd have to invite Tom|on our honeymoon.
{y:i}[Marge] Oh, I hated New York.|{y:i}That whole Park Avenue crowd.
{y:i}So I fled to Paris|{y:i}to work on my book.
And I was always going|to this cafe in Monmartre...
with Jean-Jaques.
And Dickie would play|"My Funny Valentine."
{y:i}It was only later that I found out|{y:i}he only knows about six songs.
Anyway, I looked forward|to seeing him, I suppose.
[ Speaking Italian ]
{y:i}[Men Chattering in Italian]
Hey, hey, Signor Greenleaf !
{y:i}You're not at my place by 7.:00,|{y:i}Tom and I are running off together.
- Okay, fine.|- [Man] Oh, Dickie !
[ Indistinct ]
Oh, hold on.|Hold on.
Silvana, Silvana
You make me smile
I need|to talk to you.
{y:i}[Continues]
- [ Dickie ] You're breaking my ribs !|- What ?
You're breaking my ribs !
But don't
Change a hair for me
Not if you care
{y:i}For me
Stay, little Valentine
Stay
Each day
Is Valentine's Day
Ohh !|[ Kisses ]
I could fuck this icebox,|I love it so much.
So, what did you actually|do in New York ?
Played piano in a few places.|I told you.
Well, that's one job.|You told me a lot of jobs.
Few places.|That's a few jobs.
The mysterious Mr. Ripley.
Marge and I spend|hours speculating.
Anyway, I don't even want|to think about New York.
Are you ready ?
- Cold beer. Thank you, Dad.|- Okay.
Copy out from here.
- You bring this with you to Europe ?|- You gonna write something ?
{y:i}I love the fact that you brought|{y:i}Shakespeare with you but no clothes.
Ermalinda says you wash out the same|shirt every night. Is that true ?
No. I have more|than one shirt.
She can do that for you.
Anyway, just wear|some of my stuff.
{y:i}Wear anything you want.|{y:i}Most of it's ancient.
Now your signature.
Not Dickie.|Your signature.
Without the glasses,|you're not even ugly.
I don't need them|because I never read.
- How do I look ?|- Like Clark Kent.
- Now Superman.|- Superman.
- Okay.|- I know.
{y:i}It's like a kid's. See this, the ďSĒ|{y:i}and the ďTĒ ? Fine, vulnerable.
That's pain.|That's secret pain.
Well, that must be a very deep secret,|'cause I don't know about it.
Hmm. There's nothing more|naked than your handwriting.
See how nothing's|quite touching the line ?
- That's vanity.|- Well, we certainly know that's true.
[ Dickie ]|Do you have any brothers ?
No.
{y:i}No brothers,|{y:i}no sisters.
Me neither.
Nor does Marge.
All only children.
What does that mean ?
Means we've never|shared a bath.
And I'm cold.|Can I get in ?
No.
I didn't mean|with you in it.
{y:i}Okay.
Get in. I'm like|a prune anyway.
It is me.|It's an old picture.
Every time ! "Is it you ?|It doesn't look like you."
God !
Letters-- Greenleaf|and for Ripley.
Ooh. Fran. "I miss you.|When are you coming home ?
Stop telling me what|an incredible time you're having.
- How much you love Dickie.|- Whoo !
And Marge|and Mongibello."
And this one, I think,|is from your father.
{y:i}[Dickie Vocalizing: Jazz]
- Let me see it. What does he say ?|- He's getting impatient.
He wants me to reassure him that you're|going to be home by Thanksgiving.
You've got to get|a new jacket. Really.
{y:i}You must be sick|{y:i}of wearing the same clothes.
I can't. I can't keep spending|your father's money.
I love how|responsible you are.
{y:i}My dad should make you|{y:i}chief accountant or something.
{y:i}Or when I take over,|{y:i}which is never, I will.
Okay. When you take over,|which is never, I'll accept.
Let me buy you a jacket. When we|get to Rome, there's a great place--
- Battistoni.|- Battistoni.
[ Italian ]
{y:i}Roma, we're taking Tom|{y:i}to Roma
Weíre going to a-Roma
[ Chattering in Italian ]
{y:i}Buongiorno.|Nice sweater.
Where do we get|a carrozza for the Forum ?
- Can we just hire any of them ?|- Relax.
Relax !
Itís just there's so much|to do in a single day.
The most important question is where to|eat. I hope Freddie made a reservation.
Freddie ?
Freddie.|Freddie Miles.
Freddie's organizing|the Cortina skiing trip.
Oh.
Oh, here he is.
[ Tires Screech ]
- Frederico !|- Comestai ?
- [ Italian ]|- [ Italian ]
Oh, God, don't you want to fuck|every woman you see just once ?
- Only once ?|- Absolutely. Once. Ciao.
- Tom Ripley, Freddie Miles.|- Tom.
I mean, hey, if I'm late,|think what her husband's saying.
- You look gorgeous.|- As always.
So, mangiare.
{y:i}Si. I got us a table|outside at Fabrizio's. Tommy.
{y:i}[Dickie]|{y:i}Outstanding. I tell you,
- I'm so cabin-crazy with Mongi.|- I know. I was there.
{y:i}[Jazz]
{y:i}Look, Tom, we got to go to a club|{y:i}and meet some friends of Freddieís.
The best thing is, if you want|to be a tourist, grab a cab now,
{y:i}and I'll meet you|{y:i}at the railway station.
What club ?
Freddie's arranged it|with some of the skiing crowd.
Come if you want, but I thought|you wanted to go sightseeing.
I do, and then maybe get the jacket|and what have you.
Dick !|You gotta hear this.
Listen, just take|one of mine when we get back.
Don't worry about it.
Come on !
{y:i}Ciao.|Have fun, okay ?
{y:i}[Knocking]
You said to make sure you didn't|miss the train. Leaves at 8:00.
[ Snickers ]
Have a good time.
See ya, Tommy.
[ Whistles ]
{y:i}[Whistle Blows]
{y:i}If I meant|{y:i}anything to her
{y:i}I'd be brave, and hereís|{y:i}the song I'd bring to her
{y:i}I'd sing to her
May I be the only one
To say I
Really fell in love|the day I
First set eyes on you
- May I|- What are you doing ?
Oh. I was just|amusing myself.
- Sorry.|- I wish you'd get out of my clothes.
- Do you have my shoes on too ?|- You said I could pick out a jacket--
Did you get undressed|in your own room ?
Thought you missed|the train.
{y:i}Freddie drove me back|{y:i}in his car.
- Is Freddie here ?|- He's downstairs.
I was just fooling around.
Don't say anything.|I was just fooling around.
Sorry.
{y:i}[Freddie]|{y:i}God. A corduroy jacket in Italy.
- [Marge] Good morning, Tom.|- Morning.
- [ Chuckles ]|- Come join us.
{y:i}Hey. I want this job|{y:i}of yours, Tommy.
I was just saying,|you live in Italy,
you stay at Dickie's house,|you eat Dickie's food,
{y:i}you wear his clothes,|{y:i}and his father picks up the tab.
{y:i}[Chuckles]|{y:i}If you get bored,
you let me know,|'cause I'll do it.
{y:i}- I'll do it.|{y:i}- [Dickie] To the mainland!
You really should go in.|It's marvelous.
I'm fine.
[ Dickie Shouting ]
Are you okay ?
Sure.
The thing with Dickie--
It's like the sun shines|on you, and it's glorious.
And then he forgets you|and it's very, very cold.
So I'm learning.
When you have his attention, you feel|you're the only person in the world.
That's why|everybody loves him.
{y:i}It's always the same. Whenever|{y:i}someone new comes into his life--
Freddie, Fausto,|Peter Smith-Kingsley.
He's wonderful.|Have you met him ?
Especially you.
And thatís just the boys.
[ Dickie,|Freddie Shouting ]
Come get him !|Come get him !
Tell me, why is it|that when men play,
they always play|at killing each other ?
{y:i}[Dickie] He's drowning me!|{y:i}He's drowning me!
- I'm sorry about Cortina, by the way.|- What about Cortina ?
Didn't--|Didn't-Didn't Dick say ?
{y:i}[Sighs] He spoke to Freddie,|{y:i}and-and apparently...
it's not going|to work out.
{y:i}It's because|{y:i}everyone else can ski,
{y:i}and it affects|{y:i}where you stay, and--
[ Dickie ]|Come on, Freddie.
At least stick around for|the Festival of the Madonna.
{y:i}- The whole town comes out--|{y:i}- I donít think so.
{y:i}I have my own, uh, Madonna back in Rome.|{y:i}Why donít you come back with me ?
A lot of ladies.|Ooh.
[ Chuckles ]
- Oh, God.|- You want to take over ?
Yeah, sure.
Just point her at Capri.|Avoid the rocks.
Where are you going ?
Marge maintenance.
Aye-aye.
{y:i}[Marge, Dickie Murmuring]
[ Marge ]|Don't.
[ Scoffs ]
- [ Marge ] Dickie--|- [ Dickie Moaning ]
{y:i}Tommy.|{y:i}How's the peeping ?
Tommy,|how's the peeping ?
{y:i}Tommy, Tommy,|{y:i}Tommy, Tommy, Tommy.
{y:i}[Chanting, indistinct]
{y:i}[People Applauding]
{y:i}[Chanting Continues]
{y:i}[Chanting Continues]
[ Screaming in Italian ]
[ People Shouting ]
Is someone getting|an ambulance ?
- Is someone getting an ambulance ?|- [ Wailing ]
{y:i}[People Chanting]
{y:i}[Chanting Continues]
[ Shouting, indistinct ]
What's the fight about ?|That's her fiancť, isn't it ?
- I don't know. Why are you asking me ?|- Are they blaming him ?
How can it take an hour|to find an ambulance ?
She was already dead, darling,|wasn't she ? So I suppose--
I don't know why people say|this country is civilized.
- Dickie !|- It isn't. It's fucking primitive.
I'll go see|what's the matter.
I'll go.
{y:i}[Saxophone]
{y:i}[Tom]|{y:i}I know why youíre upset.
I know about|Silvana, Dickie.
I know about|you and Silvana.
What about us ?
You don't have|to clean up ! Really !
- Like what ?|- Forget it.
She was pregnant.|Did you know that ?
Silvana was pregnant.
{y:i}Do you know what that means|{y:i}in a place like this ?
I'm prepared|to take the blame.
- What are you talking about ?|- You've been so good to me.
You're the brother I never had.|I'm the brother you never had.
{y:i}I would do anything|{y:i}for you, Dickie.
She came to me for help.
She needed money.
I didn't help her.|I didn't help her.
{y:i}Now sheís drowned herself,|{y:i}and it's my fault.
I'm not going|to say anything--
{y:i}to Marge, to the police|{y:i}or anybody.
It's a secret|between us, Dickie.
And I'll keep it.
{y:i}[Tom Reading] ďDear Tom.|{y:i}in view of the fact Dickie shows...
{y:i}no more signs of coming home than|{y:i}before you went--Ē blah, blah, blah--
Um--
"I hope that the trip has|afforded you some pleasure...
despite the failure|of its main objective.
You no longer should consider yourself|obligated to us in any way."
Can't blame him.
{y:i}You could hardly expect this|{y:i}to go on forever, Tom.
Well, you can write again.
- Especially now we're brothers.|- I can't.
How can l,|in all decency.
{y:i}You said it yourself.|{y:i}Itís my dad's money you're spending.
We've had a great run|though, haven't we ?
Well, we'll still go to Venice.|We could stick to that plan.
I don't think so, Tom.
{y:i}You canít pay|{y:i}your own way, can you ?
{y:i}Itís time we all moved on.
I'm sick of Mongi.|Especially now, with everything--
I really want to move|to the north.
I need to check out|San Remo next week.
{y:i}Find somewhere new|{y:i}to keep the boat.
It would be great, though,|if you came with me to San Remo.
There's a great jazz festival.|We could say good-bye in style.
What do you think ?
Our last trip !
Sure.
{y:i}[Speaking Italian]
Why do you do|that thing with your neck ?
What thing ?
On trains, you always|do that thing.
Spooky.
Spook-- k-k--|k-k-- k-k--
[ Imitating|Jazz Percussion ]
Spooky.
{y:i}[Cymbals]
[Jazz ]
Oh !
Didn't I tell you|San Remo was crazy ?
This is more like it !|Come on !
[ Ends ]
{y:i}Grazie.
To Mongibello|and the happiest days of my life.
To Mongi.|You're cheerful tonight.
I'm suddenly quite happy|to be going back.
Did I know you|at Princeton, Tom ?
I don't think I did,|did I ?
- Why are you asking all of a sudden ?|- No reason.
Because you're leaving, I guess.|I don't think you were there.
- Why ?|- I mean it as a compliment.
You've got|such great taste.
Most of the thugs at Princeton|had tasted everything and had no taste.
I used to say,|"the cream of America: rich and thick."
Freddie's|the perfect example.
Then I'll take it|as a compliment.
I knew it !|I knew it.
Marge and I had a bet.
Do you even like jazz,
or was that|for my benefit ?
- I've gotten to like it.|- Oh, yes !
{y:i}Iíve gotten to like everything|{y:i}about the way you live.
It's one big love affair.
If you knew my life|back home in New York--
I'm thinkin'|of givin' up the sax.
What do you think|about the drums ?
- What ?|- So cool.
I'm gonna rent a boat tomorrow,|take a look around.
This is how I found|my place in Mongi.
Took a boat out...
around the bay,
first thing I liked,
I got it.
- Whoa !|- Come on, Dickie. Donít go crazy.
- Dickie. Slow down !|- [ Laughing ] Hold on.
Wait a minute !|It's gonna tip ! Oh, God !
Stop it ! Somebody !|Somebody ! Stop it !
[ Shouting ]
Oh, I love it here !
I love it here !|I'm gonna move here !
Beautiful.
[ Imitating Cymbal|Percussion ]
I want to tell you|my plan.
- So tell me.|- Well, I thought...
I'd come back in the new year|under my own steam.
- Really ? To Italy ?|- Of course.
And I figured,|just for argument's sake,
say I got a place.
Or say we split|the rent on a house,
I could get a job,|or, better still,
if I got a place in Rome,|and then when we're there,
we could be there, and when we're here,|we could be here.
- I don't think so.|- Particularly with the Marge problem.
You just blame me.
- Marge and I are getting married.|- How ?
- How ?|- Yesterday, you were ogling girls.
Today you're getting married ?|That's absurd.
- I love Marge.|- You love me. You're not marrying me.
- Tom, I don't love you.|- No, I don't mean that as a threat.
To be honest, I'm-Iím a little|relieved you're going.
I think we've seen enough|of each other for a while.
- What ?|- You can be a leech !
You know that !
{y:i}And... itís boring.
You can be quite boring.
The funny thing is,|I'm not pretending...
to be somebody else,|and you are.
-Boring.|{y:i}-Iíve been absolutely honest with you...
about my feelings.
- Boring.|- But you-- First of all,
I know there's something.
That evening, when we played chess,|for instance, it was obvious.
- What evening ?|- It's too dangerous for you to take on.
{y:i}Oh, no, no.|{y:i}We're brothers.
Hey. And then you do this sordid thing|with Marge-- fucking her...
{y:i}on the boat, while we|{y:i}all have to listen,
{y:i}which was|{y:i}excruciating.
And you follow your cock around like a--|And now you're getting married.
{y:i}No, Iím bewildered.|{y:i}Forgive me.
You're lying to Marge and then|you're getting married to her.
You're knocking up Sylvana, ruining|everybody-- You want to play the sax.
You want to play the drums. Which is it,|Dickie ? What are you actually--
Who are you ? Huh ?|Some third-class mooch ? Who are you ?
Who are you to say|anything to me ?
Who are you|to tell me anything ?
Actually, I really, really do|not want to be on this boat with you.
- I can't move without you moving.|- Shut up. Shut up.
It gives me the creeps.|You give me the creeps.
- You shut up.|- I can't move without "Dickie, Dickie,"
Like a little girl|all the time.
Shut up !
Oh, God, Dickie.
- God's sake.|- Oh-- Oh God !
Okay. Okay.
We have to get you-- Okay--|[ Screams ]
I'm gonna kill you !|Kill you !
[ Screaming ]
You're dead !
Stop ! Stop !|Please ! Please !
- [ Screaming ]|- Stop it ! Stop !
- Dickie, let go !|- Iíll kill you!
Stop ! Stop !|Stop !
Stop ! Stop !|Stop !
[ Panting ]
Hi. Can I have|my key, please ?
Of course.
You must be very cold.|Uh, Signor Greenleaf, yes ?
No. I'm--
{y:i}[Keyboard Clacking]
- Hello, Marge.|- [ Screams ]
Tom !|[ Chuckles ]
You startled me !
- Sorry. How are you ?|- You're back!
- Your book going well ?|- Yes.
I'm on a good streak,|thank you.
I was just...|Looking at you. So quiet.
[ Chuckles ]|Where's Dickie ?
I think he's planning on staying|in Rome for a few days.
Rome ? Ahh.|Did he say why ?
I don't understand Dickie.|Your guess is as good as mine.
What does that mean ?
Oh, one day I'm invited skiing,|the next day I'm not.
{y:i}One day, we're one family,|{y:i}then the next day he wants to be alone.
{y:i}You tell me.
Is that what he said ?|He wants to be alone ?
He was thinking of you.|He asked me to deliver this.
Thank you.|[ Chuckles ]
{y:i}He knows|{y:i}I love this.
- But why it couldn't have waited. I--|- Errand number one.:
deliver Marge's perfume.
Errand number two:
pack some clothes|and his precious saxophone.
How long is he staying for ?
Search me.|I guess we're abandoned.
Goddamn it !
[ Tom ]|Are you okay?
{y:i}There was a letter from Dickie|{y:i}in with my perfume.
You realize it's more|than just a few days.
He's thinking of moving to Rome.|[ Sniffles ]
{y:i}The thing is,
the night before|he left, we--
we talked about|moving together...
{y:i}somewhere north,|{y:i}and I suppose I...
put some pressure on him|about getting married.
I just--|[ Sobs ]
I just might have|scared him off.
There's a side to him...
when our heads|are on the pillow...
I know no one else sees|that's so tender.
I think I should come with you|to Rome and confront him.
He hates|being confronted.
I think youíre right.
{y:i}Grazie.|Checking in.
Checking in.
- Signor Ripley ?|- It's me.
Signor Greenleaf.
Of course.|Welcome back.
Thank you.
[ Woman ] Pronto ?
Yes, I'd like to telephone|the Hotel Goldoni.
- Si, signor.|- I want to speak to Thomas Ripley.
- Ripley ? Subito.|- Yes. Grazie.
{y:i}- [Phone Buzzes]|{y:i}- Pronto.
Signor Greenleaf,|Signor Ripley's not there.
- He's not there ?|- No, signor.
Well, I would like|to leave a message.
- He's not there ? I'll leave a message.|- No, signor.
- Got your call.|- Got your call.
- Dinner tonight...|- Dinner tonight...
- sounds fine.|- sounds fine.
- Ripley. Ripley.|- Ripley.
- Dickie Greenleaf.|- [ Woman ] Dickie Greenleaf.
- Yes. Greenleaf.|- Greenleaf.
At the Grand.
{y:i}[Tom] And Iíd like to have|{y:i}this wallet embossed.
I don't know|the word in Italian.
Embossed. Of course,|Signor Greenleaf.
Thank you.
Dickie !|It's--
- Oh, my gosh.|- Meredith.
- Ciao !|- Ciao. Come in. Come in.
But you're going skiing|with those Yankees, aren't you ?
- What ?|- At Christmas. To Cortina.
- With Freddie Miles.|- How did you know that ?
Oh ! Everybody|knows Freddie Miles.
Is Freddie in Rome ?
- Now ?|- Yeah.
Oh, I don't think so.
But l-- But I've met him,|of course, and we've chatted.
And I know about you...
and Marge in Mongi.
What an unreliable|rat you are.
Well, Freddie said|you were a rat.
And I thought|to myself,
"Ah, now I know why|he travels under 'R."'
I've left Marge,|Meredith.
And Mongi.
- So the rat's here in Rome.|- Oh, I'm sorry.
Oh, don't be sorry, no.|I've never been happier.
I-- I feel like|I've been handed a new life.
The truth is that if youíve had money|your entire life,
either you despise it,|which we do-- agreed ?
You're only truly comfortable|around other people...
who have it|and despise it.
I know.
I've never admitted that|to anyone.
[ Chattering in Italian ]
{y:i}[Meredith] Because my friend|{y:i}Mr. Greenleaf, Signor Greenleaf and I,
{y:i}are on a little spending spree.
- [Man] I see.|- We're behaving very badly.
{y:i}Oh, I love Italian money. So dark.|{y:i}Doesn't make you feel guilty.
- Gr-r-razie.|- Thank you.
I don't want too many large bills.|No one will change them.
{y:i}Tutto bene,|Signor Greenleaf.
[ Counting in Italian ]
{y:i}[Italian]
- I really like this too.|- I think I'm having that too.
[ Italian ]
- Tomorrow.|- [ Italian ]
- Arrivederci.|- Arrivederci. Oops !
- Ciao.|- Ciao.
I know you're a jazz fiend,|but do you absolutely hate the opera ?
I've--|I've...
been trying to give|my tickets away.
It's tomorrow. But if|you were prepared to be dragged--
You could drag me.
[ Opera: Italian ]
{y:i}[Shot Fires]
{y:i}[Body Thuds]
{y:i}[Audience Applauding]
Feodor Chaliapin.|It's the whole Russian baritone.
Thank you so much|for inviting me tonight.
Can you bear it ?|We hear you are a friend of Freddie's.
He has "I hate opera"|tattooed on his chest.
There's room for a whole|libretto on Freddie's chest.
I'm sure|we've met before.
I was sure we'd met before.|Weren't you, Ted ?
Dick is Herbert|Greenleaf's boy.
- I know.|- Yes, I think we have.
One minute you people are children,|and the next you're getting tattooed.
- Cheers.|- Cheers.
Cheers.
- Excuse me.|- Prego.
Oh !|Excuse me.
- Hello.|- Hello.
- Tom !|- Marge !
How are you ?|What are you doing in Rome ?
- Is he here ? Are you with Dickie ?|- No. Um, no.
Um, hello.|Um, I'm Tom Ripley.
Peter Smith-Kingsley. I've heard|all about you from Marge and Dickie.
- Ditto.|- No-No glasses.
So, where are you hiding him ?|He's impossible, isn't he ?
Is he really not here ?
Marge, you know Dickie has|"I hate opera" tattooed on his chest.
- I thought you were going to Venice.|- Yes, what happened with that ?
I heard you were|desperate to come.
I was rather looking forward|to rowing you around.
- [Bell Ringing]|- I am. I really am.
I've been traveling, and I just can't|seem to get that far north.
Well, you should hurry,|before we sink.
{y:i}Look, let me give you|{y:i}the telephone number.
There. Oh, look.|There's Meredith.
{y:i}Meredith. What's her name,|{y:i}Marge ? The textile people.
Um, come on. Some of us|spent Christmas at her house.
I don't know her.
He hasn't called.|He's hardly written.
Just these cryptic|notes, you know ?
- You donít just dump people.|- [Bell Rings]
{y:i}Look, will we see you later,|{y:i}or are you with people ?
- Uh, I can't later.|- Well, how about tomorrow ?
{y:i}Yes, uh,|{y:i}maybe in the morning ?
Do you know Cafe Dinelli|at the Piazza di Spagna ?
- I know the Piazza. What time ?|- 1 0:30 ?
- We'll be there.|- Okay.
So I'll see you|in the morning, Marge ?
{y:i}10.:30 ?|{y:i}Very nice to meet you.
{y:i}[Peter]|{y:i}And you.
Come on.
Come on.|Let's go back in.
I don't understand why|Tom's still in Rome.
- [ Whispering ] Let's go.|- I thought you were enjoying yourself.
Let's take a carrozza|and look at the moon.
Are you crazy ?|It's freezing out there.
Come on. I need to talk to you.|Just the two of us.
{y:i}[Meredith]|{y:i}Okay.
[ Meredith ]|Don't worry, please.
Don't worry.
You're such a pal|to understand. I--
It's like Marge is here|right now. I look at you,
{y:i}and I see her face.
And I can't-- No matter|what I'm feeling towards you--
No. I absolutely...|understand. Of c--
Otherwise, you'd be|fighting me off.
Beating you away.
But will you meet me|tomorrow ?
Just to say good-bye properly,|you know, in the daylight,
so it's not just this.
Of course. Meredith, I'm sorry.|Of course I'll meet you.
You should always|save pain for daylight.
Why don't we have coffee|in the morning at Dinelli's ?
Uh, by the Spanish Steps.
Exactly. 1 0:30 ?
- 1 0:1 5.|- Okay.
Okay.
{y:i}[Bell Tolling]
{y:i}[Tolling Continues]
[ Italian ]
[ Chattering, indistinct ]
- [ Peter ] Grazie.|- Peter ?
{y:i}Hello.|{y:i}It's Meredith Logue.
{y:i}[Peter] Of course it is.|{y:i}Meredith, hello. Sorry.
- I was half asleep. How are you ?|- How are you ?
This is Marge Sherwood.|Meredith Logue.
How do you do ?
{y:i}Do join us, wonít you ?|{y:i}Weíre just waiting for a friend.
I-- I won't, actually.|I think there's--
- Did we see you at the opera last night ?|- Uh--
Are you waiting for Dickie ?
Dickie ? Do you-- Do you--|Do you know Dickie ?
You were at the opera.|Oh, that explains-- Yes, I was there.
I was there with Dickie.
[ Exhales ]|I knew it.
{y:i}I told you.
Marge, I don't know you,|so I've got no right to--
Dickie loves you.|He's-- Well--
I think youíll find|he's on his way home to you.
[ Sighs ] Well, how-how-how|would you know that ?
He... told me everything.
No, I was supposed to meet him|1 5 minutes ago, so, uh,
I'm gonna go now,|I think.
God, unless he meant us|to meet.
{y:i}Thatíd be a little cruel,|{y:i}wouldn't it ?
{y:i}No, no, we're|{y:i}meeting another friend.
- Tom Ripley.|- Do you know Tom Ripley ?
No, no. I've heard about him,|of course, but I didn't meet him, no.
- [Italian]|- Not for me. No, grazie.
Hope I didn't|complicate matters.
God, nothing, nothing...|untoward happened.
{y:i}No, there is nothing to prevent you|{y:i}from welcoming him back,
from marrying him.
Good-bye.|I'm happy to put a face to a name.
Good-bye, Peter.|Please, don't get up.
[ Marge ] Now I don't know what to|think. Do you think he's coming back ?
Sorry. Sorry.|Had to renew my papers.
Never one stamp when they|can make you line up for three.
- Have you been waiting long ?|- Not at all.
- Morning, Tom.|- Hi. Sorry.
{y:i}You okay ? You look like|{y:i}youíve seen a ghost.
Dickie was at the opera|last night.
I don't believe that. Uh--|Wild horses couldn't drag Dickie--
[ Laughs ] Well, he was there|with someone, you know,
so I suppose she must|have dragged him.
It's not fair.
I think I'm going back to Mongi.|I think Dickie's coming home.
Really ? l-- Well,|thatís just swell.
No, you know, you're|way ahead of me. Great.
That was rather moving|when I heard-- I'm sorry.
Meredith is the American girl|I saw at the opera last night.
- Sheís been seeing something of Dickie.|- Oh, my God.
{y:i}But the point is,|{y:i}Dickie-- and we all know this.
Dickie loves Marge.|And he misses her.
I feel guilty.|Marge doesn't understand this,
but whenever Dickie does|something, I feel guilty.
[ Chuckles ]|As if that makes sense.
[ Italian ]
[ Italian ]
{y:i}[Choir Singing|{y:i}in Italian]
{y:i}[Ends]
{y:i}[Knocking At Door]
- [Knocking]|- [Piano: Stops]
{y:i}[Freddie]|{y:i}Dickie.
- [Knocking]|- Dickie, come on. It's me.
It's Freddie.|Let me in.
{y:i}Dickie.
Hello, Freddie.|It's Tom.
{y:i}Um, where's Dickie ?
How are you ?
I'm good. Uh, yes, thank you.|He's gone. He went to dinner.
- He's at Otello's. You know Otello's ?|- No, no, no.
I-l don't think he's|at dinner at 6:30 P.M.
If you said he was still at lunch,|maybe I'd believe you.
You know ? [ Laughs ]|Incredible.
I mean, the guy just, you know,|disappeared off the face of the earth.
I guess.
The landlady,|as far as I could tell--
{y:i}The landlady said|{y:i}he was here right now.
Search the place.
I-l just don't-- I don't know why you'd|imagine that Dickie would hide from you.
Because he's been|hiding from me.
- What happened at Christmas ?|- What about Christmas ?
{y:i}He was supposed to come skiing.|{y:i}I didn't get a cable...
or a call or a little note|or a--
- [ Grunts ]|- Frankly, a fart.
Well, he's been very involved|with his music.
Um, I think his theory... is...
that you have to go into a cocoon,|uh, before you can be a butterfly.
Which is horseshit.|[ Mutters ]
You hear him play this thing ?|Well, he can't.
How did you find him ?
{y:i}It's such an out-of-the-way apartment.|{y:i}Can I fixyou a drink ?
No, thanks.|At the American Express.
[ Strikes Random Keys ]
Some kid.|[ Strikes Keys ]
Are you living here ?
No, no. I'm staying here|for a few days.
- But--|- [Strikes Keys]
It's a new piano.|Probably shouldn't--
[ Striking Keys ]
- Probably shouldn't--|- [Strikes Keys]
Did this place come furnished ?
{y:i}It doesn't|{y:i}look like Dickie's, uh--
It's really horrible,|isn't it ?
{y:i}It's so, uh, bourgeois.
Oh, that's a, uh--|You should-- Watch that.
Excuse--|Excuse me.
Excuse me.
In fact, the only thing that looks|like Dickie... is you.
- Hardly.|- Hmm.
Have you done something|to your hair ?
Is there something|you'd like to say, Freddie ?
- What ?|- You have something you'd like to say ?
I think I'm saying it.
{y:i}Somethingís going on.
Either he's converted|to Christianity,
or there's something else.
Well, I would suggest you|ask Dickie that yourself.
Otello's is on della Croce|just off the Corso.
{y:i}Is it on della Croce|{y:i}just off the Corso ?
{y:i}Sure. You're|{y:i}a quick study, arenít you ?
Last time you didn't know|you ass from your elbow.
Now you're giving me directions.
{y:i}Thatís not fair. You probably|{y:i}do know your ass from your elbow.
I'll see you.
{y:i}[Door Opens, Closes]
[ Italian ]
{y:i}[Freddie]|{y:i}No Dickie Greenleaf. Thomas Ripley.
{y:i}Si.|{y:i}[Italian]
{y:i}Ciao, Dickie.
Dickie doesn't|play the piano.
{y:i}[Freddie]|{y:i}Tommy.
{y:i}Tommy!
{y:i}Tommy!
{y:i}[Freddie Groaning]
{y:i}[Tom Grunting]
{y:i}[Man And Woman Chattering]
Oh ! [ Laughs ]|You're making me laugh.
No. Youíre just so drunk.|Oh. Youíre just--
What can you do, eh ?|You should see my other friends.
- What canyon do ?|- [ Italian ]
Yes.|Such a pig.
- [ Laughs ]|- [ Italian ]
[ Imitating Freddie ] Hey, if I'm drunk,|think what her husband's saying.
- La polizia.|- Dickie Greenleaf?
- Yes.|- Inspector Roverini.
- Can we come in ?|- Please.
It's a terrible shock,|huh ?
W-What time did Signor Miles|leave yesterday ?
Oh, um, I can't be certain|exactly. I--
8:00, 9:00.
[ Italian ]
We'd both taken on, uh,|far too many drinks.
But it was dark. It was certainly dark|when l-- when I walked him to his car.
So he drove away,|and, uh, you did what ?
- I went to bed.|- [ Italian ]
Freddie's a big man, but I'm in trouble|after a couple of drinks.
I've been suffering all--
Who found him ?
[ Italian ]|You understand, I must ask you...
to stay in Rome,|Signor Greenleaf.
Yes, if it's gonna help,|certainly.
{y:i}So, the doctor, he has to make|{y:i}the, um--
- [ Italian ]|- [ Italian ]
- Postmortem.|- Yeah, exactly.
But, you know,|his first conclusion...
was that Signor Miles was killed|not later than 7:00 yesterday evening.
Well, he certainly wasn't dead|when he drove away in his car.
No.
[ Chattering ]
[ Italian ]
[ Italian ]|It's okay.
- Okay ?|- Si, si.
- Did he kill Freddie ?|- Marge. When did you get here ?
Tell me the truth.|Did he kill Freddie ?
I'd swear he didn't.|Of course he didn't.
I tried again.|Waiting here, watching for him.
Instead, it's you.|Whenever I look for Dickie, I find you.
What happened to your face ?
Dickie--|Dickie did it.
- Dickie ?|- My face. There was an argument.
I-- I said some things|I shouldn't have said and l--
About you. About the appalling way|he's treating you, all of us.
{y:i}And the next thing I know,|{y:i}he's launched himself at me.
- Are you getting on ?|- What ?
Get on.|I'll take you to him.
[ Italian ]
[ Engine Stops ]
- Where does he live ?|- We passed it a few blocks back.
It's where the police were.|The Palazzo Gioia.
Look, they don't even know I'm in Rome,|and I'm not gonna incriminate Dickie.
Well, perhaps|I shouldn't go either.
No. Well, go if you want to, but just|don't talk to the police about my face.
If they know he hit me and his temper,|then he could've hit Freddie.
I'll catch up|with you later.
[ Engine Starts ]
[ Italian ]|Signor Greenleaf !
It's Signor Greenleaf !|{y:i}Presto, presto !
[ Shouting in Italian ]
Open the door !
Open up !
- [ Italian ]|- I live here !
Mr. Greenleaf !
Can we go up ?|Do you mind ?
Of course.|What happened to your face ?
My scooter. I fell off|getting chased by photographers.
The telephone, the press,|I've been-- I'm feeling hounded.
Do you think you could|not give out my address ?
Never. We've had many requests,|and we say no, even to your fiancťe.
I really don't want|to see anybody.
- Even your fiancťe ?|- Even her.
{y:i}[Man Speaking Italian]
- What about Thomas Ripley ?|- What about Tom Ripley ?
You and Signor Ripley went to San Remo.|Is that right ?
Yes, we-- We went to San Remo.|That was months ago.
November, I thought.|Was it ?
- Did you speak to Tom ?|- November 7 is my information.
{y:i}I donít remember|{y:i}the exact date.
- When did you last see Signor Ripley ?|- A few days ago.
- Does he stay with you here ?|- No.
{y:i}No.
Here is a pattern.|Two days ago,
Freddie Miles is dead,|hmm ?
{y:i}He leaves your apartment,
and he's murdered.
Yesterday, a little boat|is found in San Remo full of rocks.
{y:i}And the owner tells the police|{y:i}it was stolen on November 7.
{y:i}We look at hotel records...
and we see...
Dickie Greenleaf|is staying in San Remo.
And then our boatman remembers|two Americans taking a boat.
That is not a pattern.|That's a coincidence.
There must be 50 hotels|in San Remo.
There were probably a hundred people|renting a boat that day.
Thirty-one people.
Thirty-one people.
Thirty-one, yeah.
[ Italian ]
- Marge Sherwood.|- That is Miss Sherwood now.
Let her in.
Let her in.|What's the difference ? Let her in.
No ! Actually--|Actually, no.
I would-- I would|really appreciate it...
{y:i}if you would ask Miss Sherwood|{y:i}to come back later.
[ Italian ]
Thank you.
May I ask you--
Why would you speak to your friend|and not your fiancťe ?
Well, l--|I think I just said.
{y:i}Um, Mr. Ripley was|{y:i}handling some business for me.
{y:i}Nor does Mr. Ripley|{y:i}want to marry me...
and ask me every single day|if I'll marry him and when.
Do you keep a photograph|of Signor Ripley ?
I'm not in the habit of carrying|around photographs of my male friends.
Now I think I've upset you.
Sorry. My English,|perhaps, is coarse.
It is a little coarse,|yes.
I'm sorry.
{y:i}But you-- No one has seen|{y:i}Signor Ripley since San Remo.
- I have.|- You have, yes.
And so has Miss Sherwood.|Ask her. And, um,
if I can remember the name|of the hotel he was staying at--
Um, the Goldoni.|Tom was staying at the Goldoni.
Goldoni. The Goldoni.|Good, good, but--
Yes, you are right.
You are right.|A coincidence.
{y:i}[Siren Wailing, Distant]
[ Sighing ] I look forward|to our next meeting.
Hmm ? When I will be|more careful with my English.
{y:i}[Roverini] Ah. I have a witness|{y:i}who thinks they saw two men...
{y:i}getting into Mr. Miles' car.
{y:i}And she wants to identify you|{y:i}in a confronto.
Lineup. Tomorrow, then ?
Uh, tomorrow.
[ Chuckles ]
- Buon giorno, Miss Sherwood.|- Buon giorno.
{y:i}He's in, but I really don't think|{y:i}he wants to meet anybody.
{y:i}[Knocking]
Dick ?
Dickie ?
{y:i}I know you can hear me.
[ Sighing ]
I was gonna say that I would count to|three, and if you didn't open the door--
But I won't count anymore.
On you.
I won't count on you|anymore.
Whatever it is you've done|or haven't done,
you've broken my heart.
{y:i}That's one thing|{y:i}I know you're guilty of.
And I don't know why.|[ Sobbing ]
I don't know why.|I just don't know why.
{y:i}[Footsteps Receding]
{y:i}[Typewriter Keys Clattering]
{y:i}[Thunder Rumbling]
{y:i}[Tom's Voice]|{y:i}My dear Tom.
{y:i}Iím getting out of this.
{y:i}Freddie's death. Silvana.
{y:i}Iíve thought about going to the police,|{y:i}but I canít do it.
{y:i}I canít face it.
{y:i}I canít face anything anymore.
{y:i}I canít face anything anymore.
{y:i}I wish I could give you|{y:i}the life I took for granted.
{y:i}[Typewriter Bell Dings,|{y:i}Clattering Continues]
{y:i}You've always understood|{y:i}whatís at the heart of me, Tom.
{y:i}Marge never could.
{y:i}I suppose that's why|{y:i}Iím writing this to you,
{y:i}the brother I never had.
{y:i}The only true friend|{y:i}I ever had.
{y:i}in all kinds of ways,
{y:i}you're much more like the son|{y:i}my father wanted.
{y:i}I realize you can|{y:i}change the people,
{y:i}change the scenery,
{y:i}but you can't change|{y:i}your own rotten self.
{y:i}Now I can't think what to do|{y:i}or where to go.
{y:i}Iím haunted by everything|{y:i}Iíve done and canít undo.
{y:i}Iím sorry.
{y:i}Iíve made a mess of being|{y:i}Dickie Greenleaf, haven't I ?
{y:i}Tom !
I'll see you over there !
{y:i}[Bell Tolling]
I'm so sorry to put you|through this, Peter.
I just can't face going to the police|by myself when my Italian's so rotten.
Don't be so daft.|It's fine.
I'm delighted you finally|made it to Venice.
I'm delighted, contrary to rumor,|that you're still in one piece.
- What rumor ?|- Oh, you know.
That Dickie murdered you|and is traveling under your passport.
I know. It's ridiculous.
{y:i}[Man Shouting in Italian]
[ Shouting Continues ]
{y:i}[Phone Ringing]
Welcome to Venice.
God, this place reeks, doesn't it ?|Can you smell it ?
Anyway, I've got to|the bottom of the delay, finally.
We're waiting|for someone from Rome.
What do you mean ?|They've sent for someone from Rome ?
- Well, yes. That's good, isn't it ?|- No, I thought...
that didn't happen in Italy,|that each region is separate.
I was sure that--|I've read that--
You've read the papers.|You know what a big deal it's been.
- American tourist murdered.|- Actually, can we not do this now ?
- The stench really is--|- [Man Speaking Italian]
[ Italian ]
[ Continues in Italian ]
He's taken over the case, 'cause they're|annoyed that the previous chap...
{y:i}let Dickie disappear|{y:i}when he was, um,
{y:i}the only suspect|{y:i}in Freddieís murder.
[ Italian ]
In Rome,|about three weeks ago.
I knew that one.
Um--|[ Italian ]
[ Italian ]
Are you a homosexual ?|Interesting non sequitur.
No.
- No.|- Oh.
By the way, um, officially|there are no Italian homosexuals.
Makes Michelangelo and|Leonardo very inconvenient.
Eh ?
Tell him...|I have a fiancťe.
And Dickie has a fiancťe.
And that Freddie Miles|probably had a string of them.
[ Italian ]
{y:i}Mamma mia.|[ Italian ]
- [Inspector Laughing]|- [ Chuckling ]
- What did he say ?|- He says "so many fiancťes."
[ Italian ]
{y:i}Heís asking... if you|{y:i}killed Freddie Miles...
{y:i}and then killed Dickie Greenleaf.
No ! No, I did not kill Freddie Miles|and then kill Dickie Greenleaf.
{y:i}Is he accusing me ?|{y:i}Ask him if he's accusingme.
The way it works here,|it's better to be less volatile.
- But itís absurd!|- [ Italian ]
[ Italian ]
[ Italian ]
They found this|in Dickie's place in Rome.
- You opened this ?|- Of course.
It's a suicide note.
You asked me all these questions and you|already read this suicide note ?
I don't believe that letter.|Do you ?
Dickie's letter.|Do you believe it ?
I don't know|what to believe.
Can you imagine, though, if he did|kill Freddie, what that must be like ?
Just to wake up every morning.|I mean, how can you ?
Just wake up and be a person ?|Drink your coffee.
Well, whatever you do,|however terrible, however hurtful,
it all makes sense,|doesn't it, in your head.
You never meet anybody|who thinks they're a bad person.
No, I know, but you're still tormented.|You must be. You've killed someone.
Don't you just take the past|and put it in a room in the basement,
and lock the door|and never go in there ?
- That's what I do.|- God, yes.
But, of course, in my case,|it's probably a whole building.
- [ Piano: Stops ]|- And then you meet someone special,
and all you want to do|is toss them the key.
Say "Open up. Step inside."
But you can't...
- [Resumes]|- because it's dark...
and there are demons.
And if anybody saw|how ugly it is--
Now that's the music talking.
It's harder to be bleak if youíre|playing "Knees Up, Mother Brown."
I keep wanting to do that.
Fling...|the door open.
{y:i}[Resumes]
Just let the light in,|clean everything out.
If I could take a giant eraser|and rub out everything,
starting with myself--
{y:i}The thing is, Peter, if--
- Hmm ?|- If--
If--
No key, huh ?
{y:i}[Boy Singing in Latin]
[ Continues ]
- Marge.|- Peter.
- So good to see you.|- Hello, Marge.
Tom.
- I see you found Peter.|- I think we sort of found each other.
- Where's Dickie's father ?|- He's not coming till the morning.
Evidently his stomach. I don't think|the food here is agreeing with him.
Oh, I was looking forward|to seeing him.
Dickie hasn't killed himself.|I'm sure of that.
There's a private detective|on the case now.
A Mr. MacCarron|Dickie's father's employed.
- That's a terrific idea.|- He's American.
He's already discovered|that Dickie cashed checks for $1 ,000...
the day before|he disappeared.
[ Man ]|Signora.
Is that what you do|before you jump into the Tiber ?
{y:i}I donít think so.
- Is this you ?|- No, it's Tom's.
Splendid, eh ?
Golly.|Who's paying for this ?
Peter found it for me.
I can afford it because|it's damp and... falling down.
- Tom's transformed it.|- This is spectacular.
That's why|Tom wanted you to stay.
{y:i}It's better than trying|{y:i}to squeeze into my room.
{y:i}And I know|{y:i}how you hate hotels.
A hotel would have been fine.
We'll have to tell Mr. Greenleaf|how far his dollar stretched.
- [ Chuckles ]|- What's funny ?
I was just thinking about when|Tom first came to Mongibello.
- And look at you now.|- Look at me what ?
To the manor born.
{y:i}[Bell Tolling]
{y:i}[Tom]|{y:i}Mr. Greenleaf?
{y:i}[Continues]
Mr. Greenleaf?
Tom. How are you ?|You look well.
- Thank you, sir. I am well.|- Far cry from New York.
- Yes, it is.|- Marge.
Good morning.|Unusual weather.
- Very.|- And you, sir. Any better ?
Pretty good.|Sticking with hot water.
- Where's Mr. MacCarron ?|- San Remo.
{y:i}The police are amateurs.
{y:i}Well, my boy, it's come|{y:i}to a pretty pass, hasn't it ?
What is the detective|hoping to find in San Remo ?
{y:i}Heís being thorough.|{y:i}Iím learning about my son, Tom.
Now he's missing,|I'm learning a great deal about him,
and I hope that you can|fill in some more blanks for me.
Marge has been good enough|to do that about Mongibello.
I'll try my best, sir. Obviously,|I'll do anything to help Dickie.
{y:i}-[Continues]|{y:i}- Good. This theory,
{y:i}the letter|{y:i}he left for you.
{y:i}The police think that's|{y:i}a clear indication...
he was planning on doing something,|uh, to himself.
I just don't believe that.
You don't want to, dear.
I'd like|to talk to Tom alone.
{y:i}Perhaps this afternoon.|{y:i}Would you mind?
Marge, what a man may say|to his sweetheart...
and what he'll admit|to another fellow--
Such as ?
{y:i}[Continues]
[ Clears Throat ]|What a waste of lives and opportunities.
I'd pay that fellow a hundred dollars|right now to shut up !
No, Marge doesn't|know the half of it.
And his passport photo.
Did you hear ? To scratch out|his own face like that ?
Can you imagine ?
Frame of mind|you'd have to be in ?
"I've thought about going to the police,|but I can't face it.
I can't face|anything anymore."
I feel guilty. I feel|like I pushed him away.
I feel like I spoke|and he heard you.
Well,|[ Clears Throat ]
if we all pushed him away,|what about him pushing us away ?
You've been a great friend|to my son.
Everything is|someone else's fault.
{y:i}We all want to sow|{y:i}wild oats,
but somebody's got to--|got to--
What is the word ?
You know, the moment|someone confronts him,
he lashes out.
He always has.
You know, people always say|that you can't choose your parents,
but you can't choose|your children.
{y:i}- [Knocking]|{y:i}- [Freddie's Voice] Dickie.
{y:i}[Dickie's Voice] You can be a leech.|{y:i}You can be quite boring.
- [Tom's Voice] Stop it !|- [Dickie's Voice] It's boring.
- [Knocking]|- [ Voices Overlapping, indistinct]
{y:i}[Tom Screaming]|{y:i}Stop, stop, stop !
- Stop, stop, stop !|- [Freddie's Voice] Tommy, Tommy.
{y:i}[Dickie's Voice]|{y:i}Like a little girl.
- Like a little girl.|- [Knocking]
{y:i}[Knocking]
- [Knocking]|- Coming.
- Sorry. I was asleep.|- Finally.
- I must have fallen asleep.|- Did Dickie's dad go ?
You look ghastly, Tom.|Did you have a nightmare ?
- He's having an early night.|- Oh, poor man.
{y:i}You know, we were banging|{y:i}on that door forever.
{y:i}[Marge]|{y:i}Uh-oh.
- I think I've broken a strap.|- Not guilty.
- I'll fix some drinks.|- [ Marge Giggling ]
Ah !|You walk in Venice.
Are you okay ?
I'm fine.
- Did you want me to stick around ?|- No, it's okay.
I could come back.
Your key.
{y:i}- [Knocking At Door]|{y:i}- [Marge] Tom ?
Marge, I'm in the bath.|I won't be long.
{y:i}Tom, I have to speak to you.|{y:i}Itís urgent.
Coming.
- I found Dickie's rings.|- What ?
You have Dickie's rings.
I can explain.
{y:i}Dickie promised me he would|{y:i}never take off this ring.
Let me put some clothes on|and we'll talk about this.
- I have to tell Mr. Greenleaf.|- Marge, you're being hysterical.
He promised me, "I swear, I will never|take off this ring until we get--"
- Shut up !|- [ Gasping ]
I'm wet, Marge.|I've lost my towel.
{y:i}And Iíd really like|{y:i}to put some clothes on.
Go and pour us both a drink.
Pour us a drink.
Marge ?
Where are you going ?
I wasn't snooping.|I just--
I was looking for a needle|and thread to mend my bra.
That scent you're wearing.
I bought that|for you.
The thing about Dickie--
{y:i}So many things.
That day when he was late|coming back from Rome,
I tried to tell you this.
He was with another girl.|I'm not talking about Meredith, either.
Another girl|that we met in a bar.
{y:i}He couldn't be faithful|{y:i}for five minutes.
{y:i}So when he makes a promise,
it doesn't mean what it means|when you make a promise...
or I make a promise.
He has so many realities, Dickie,|and he believes them all.
He lies. He lies.
And that's his-- Half the time|he doesn't even realize he's doing it.
And today,
I really started wondering whether|he may have killed Freddie.
{y:i}He would get so crazy|{y:i}if anybody would contradict him.
Well, you know that.|You know that.
{y:i}You know that.
{y:i}And thatís the irony, Marge.
I loved you.
You may as well know, Marge.|I loved you.
{y:i}I donít know, maybe it's|{y:i}grotesque of me to say this now,
{y:i}so just... write it on apiece|{y:i}of paper or something...
{y:i}and put it in your purse|{y:i}for a rainy day.
"Tom loves me. Tom loves me."
- Why do you have Dickie's rings ?|- I told you.
- He gave them to me.|- Why ? When ?
{y:i}I feel as if you haven't been listening|{y:i}to anything Iíve been saying to you.
I don't believe you.|I don't believe you.
- It's all true.|- I don't believe...
a single word you've said.|[ Gasping, Shuddering ]
You're shivering, Marge.|Look at you.
{y:i}Marge, can I hold you ?
Will you let me hold you ?
- [ Screaming ]|- Marge ?
- Peter ! Thank God you're here.|- Whatís going on ?
{y:i}Get me out of here.|{y:i}Get me out of here. Please!
- [Peter] Tom, are you okay ?|- [Marge Sobbing]
You try.|You try talking to her.
- [Peter] Tom ?|- I give up.
{y:i}Tell me whatís going on.|{y:i}Tom !
- [Tom] What did I ever do to her?|- Listen--
{y:i}Have her tell you one thing|{y:i}that Iíve ever done to her.
You can't be angry|with her.
She's confused, and she needs|someone to blame.
So she blames you.
I'll go back home|and talk to her.
As for you,
either get a safety razor|or grow a beard.
{y:i}[Knocking]
- Is Mr. Greenleaf here ?|- Mr. Ripley ?
- Yes.|- I'm Alvin MacCarron.
{y:i}[Marge] I donít know,|{y:i}I donít know. I just know it.
{y:i}[Mr. Greenleaf] Marge, there's female|{y:i}intuition and then there are facts.
- Tom.|- Sir.
Marge, you should have waited.|I didn't--
{y:i}Didn't Peter say Iíd|{y:i}come by and pick you up ?
Marge has been telling us|about the rings.
{y:i}Yes, I feel ridiculous|{y:i}I didn't mention them yesterday.
I clean forgot.|Ridiculous.
Perhaps you didn't mention them because|there's only one conclusion to be drawn.
{y:i}Iím going to take Marge for a walk.|{y:i}Tom, Mr. MacCarron needs to talk to you.
There's no need. We could go|to the bar. There's no need.
No, no.
{y:i}I think you should|{y:i}stay here.
{y:i}[Door Opening, Closing]
I could probably|see my room from here.
I can see my house.
When you see where you live from a|distance, it's like a dream, isn't it ?
I don't care for B.S.
I don't care to hear it.|I don't care to speak it.
- Okay.|- Did you know that at Princeton...
Dickie Greenleaf|half-killed a boy ?
{y:i}At a party over some girl.
{y:i}Kicked the kid several times|{y:i}in the head, put him in the hospital.
Boy had a wire fixed in his jaw,|lost some hearing.
{y:i}Why do you think Dickie's father|{y:i}sent him to Europe in the first place ?
The Rome police didn't think|to ask Mr. Greenleaf.
Nor did they think to check|on whether a Thomas Ripley...
{y:i}had ever been a student|{y:i}at Princeton University.
Oh, I turned up|a Tom Ripley...
who had been a piano tuner|in the music department.
You see, in America,
we are taught to check a fact|before it becomes a fact.
We're taught to nose around.
When a girl drowns herself,
find out if|that girl is pregnant.
{y:i}Find out if Dickie|{y:i}had an embarrassment there.
Mr. Greenleaf appreciates your loyalty.|He really does.
Marge--|She has a hundred theories.
There are a few things|that she doesn't know.
We hope she never knows.
I hope she never knows.
Three different people...
saw Dickie|get into Freddie's car.
One man,|who will not testify...
because he was jumping somebody|else's wife at the time,
saw Dickie removing license plates|from a red sports car.
The police know about this man because|he happens to be a policeman.
I found these in the basement|of Dickie's apartment.
They belong to Freddie's car.
Mr. Greenleaf has asked me...
to lose these in the canal|this evening.
{y:i}[Bell Tolling]
Mr. Greenleaf feels that|there was a silent promise...
in Dickie's letter to you|which he intends to honor.
{y:i}He also intends to transfer|{y:i}a good portion...
of Dickie's income from his trust|into your name.
{y:i}He does not intend...
{y:i}to give the Italians any|{y:i}information about Dickie's past.
He's rather hoping that...|you will feel the same.
- Thank you so much, Tom.|- Sir.
Good-bye.
Marge, I feel I never should have said|those things to you the other evening.
I was pretty flustered,|and the rings-- And you looked so--
I don't know.
But I hope that note goes|in your purse to New York...
for a rainy day.
- What are you gonna do now, Tom ?|- I don't know.
Peter has a concert in Athens|next month,
so he asked me to come along|and help out.
He says good-bye.
By the way, he was|in rehearsal so he couldn't--
Why do I think there's|never been a Ripley rainy day ?
What ?
I know it was you.|I know it was you.
I know it was you !|I know it was you !
- Marge, Marge. Please !|- I know you killed Dickie !
- Marge !|- I know ! No !
[ Sobbing ]|I know it was you !
Marge.|Marge, please.
It's not Tom.|Really.
{y:i}[Tom And Peter]| We are called gondoleri
{y:i}But thatís a vagary|{y:i}Itís quite honorary
The trade that we ply
Ask me what I want to change|about this moment.
I don't know. What do you want|to change about this moment ?
Nothing.
[ Peter ]|I'm freezing. Coming down ?
Later. I want|to catch the sunset.
- You're mad. [ Chuckling ]|- I am.
{y:i}[Meredith]|{y:i}Dickie ?
{y:i}Dickie ?
{y:i}Dickie !
[ Italian ]
Oh, my God.
Hello, Meredith.
I was looking at you.
{y:i}Your clothes.|{y:i}I wouldn't have known you.
{y:i}Well, you spotted me,|{y:i}so you get the reward.
- What ?|-Just kidding.
- Are you alone ?|- Oh.
{y:i}Hardly.|{y:i}Couldn't be less alone.
- Aunt Joan.|- And "co."
A lot of "co."
Oh, God.
{y:i}You know, seeing you again, l--
I've thought about you...
so much.
And I've thought about you.
Yeah, well, when I've thought about you,|I was mostly hating you.
Where have you been hiding ?
I haven't been hiding.
I've been in police custody.
They've been trying to|flush out Freddie's killer.
- You're kidding.|- They're giving me this vacation,
which is why|the getup.
Which is why|you haven't heard from me.
You know, the whole world|thinks you killed Freddie.
- Oh ! It's terrible.|- I know.
Listen, I can't|talk now. Um, later ?
Later ? Later ?
So--
[ Laughs ]
Are you traveling|under "R" ?
[ Laughs ]|You know what ? I am.
[ Laughing ]
Dickie, are you with Peter|Smith-Kingsley ? I bet you are.
My aunt|thought she saw him.
Peter Smith-Kingsley ?|No, l--
I haven't seen him|in months.
No, I'm alone.
{y:i}[Knocking At Door]
Hi.
- How was it ?|- It was good.
But I'll tell you something.
I want us to stay in here|for the rest of the trip.
[ Chuckles ]
Was that Meredith ?
Was who Meredith ?
Meredith Logue. You were kissing|someone. It looked like Meredith.
I came out to find you.
Oh, hardly kissing.
- Kissing off.|- It didn't look that way.
You know ?|From a distance ?
I lied... to her.
{y:i}She thought she'd seen you.
Why lie ?
[ Chuckling ] Dickie and Peter|together. Thatís just too good gossip.
Or Tom and Peter, even.
That would be|even better gossip.
Really ? Why ?
{y:i}[Sighing]
I-l, um-- [ Sighing ]|I'm completely lost.
I know.
I'm sorry, Peter.
I'm lost.
I'm gonna be stuck|in the basement, aren't I ?
{y:i}Aren't I ?
That's my--
Terrible...
and alone...
and dark.|[ Chuckles ]
And I've lied...
about who I am...
and where I am.
Now no one'll ever find me.|[ Chuckling ]
What do you mean,|lied about who you are ?
I always thought|it'd be better...
to be a fake somebody...
than a real nobody.
{y:i}What are you talking about ?|{y:i}You're not a nobody.
That's the last thing|you are.
{y:i}Peter.|{y:i}[Sighing]
Tell me some good things|about Tom Ripley.
No, don't get up.|Don't get up. Don't get up.
Just--
Just tell me some nice things...|about Tom Ripley.
[ Chuckling ]
"Good things|about Tom Ripley."
That could take me|some time.
Tom is talented.|Tom is tender.
Tom is beautiful.
[ Crying And Chuckling ]|You're such a liar.
Tom is--|Tom is a mystery.
{y:i}[Peter's Voice]|{y:i}Tom is not a nobody.
{y:i}Tom has secrets|{y:i}he doesn't want to tell me,
{y:i}and I wish he would.
{y:i}Tom has nightmares.
{y:i}Thatís not a good thing.
{y:i}Tom has someone to love him.
{y:i}That is a good thing.
{y:i}Mmm. [Chuckling]|{y:i}Tom is crushing me.
{y:i}[Whispering]|{y:i}Tom is crushing me.
{y:i}- [Tom Sobbing]|{y:i}- Tom. Tom, you're crush--
{y:i}- [Peter Coughing, Gagging]|{y:i}- [Tom Sobbing] Oh, God!
{y:i}Oh, God!
{y:i}- [Gagging Continues]|{y:i}- Oh, God!
{y:i}[Sobbing Continues]
{y:i}Oh, God! Peter.
You don't know
What love is
Until you know the meaning|{y:i}of the blues
Till you love the love
You had to lose
You don't know
What love is
You don't know how lips hurt
Until youíve kissed
{y:i}And had to pay the cost
Until youíve|{y:i}flipped your heart
{y:i}And found you've lost
You don't know what love is
You know
{y:i}Howa lost heart feels
The very thought|{y:i}of reminiscing
{y:i}And how those lips
With a taste for tears
{y:i}Soon lose their taste
{y:i}For kissing
You don't know
{y:i}How hearts burn
{y:i}A love that cannot live
{y:i}But never dies
Until youíve reached dawn
With sleepless eyes
You don't know
What love is
You don't know
What love is
{y:i}And donít know
What love is
You don't know
You don't know
What love is
TLF - The In-Laws
Taarzan
Tabutta Rovasata 1996 CD1
Tabutta Rovasata 1996 CD2
Tai Chi II
Taipei 21
Tais Toi 2003
Take Care of My Cat CD1
Take Care of My Cat CD2
Take My Eyes 2003
Take the money and run
Taken 2002 ep01
Taken 2002 ep02
Taken 2002 ep03
Taken 2002 ep04
Taken 2002 ep05
Taken 2002 ep06
Taken 2002 ep07
Taken 2002 ep08
Taken 2002 ep09
Taken 2002 ep10
Taking Lives (2004)
Tale of two sisters A CD1
Tale of two sisters A CD2
Talented Mr Ripley The
Talk Radio (1988)
Talk to Her (Hable con Ella)
Tamarind Seed The CD1
Tamarind Seed The CD2
Taming Of The Shrew The (1967)
Tango
Tango and Cash
Tape
Target 2004
Targets - Peter Bogdanovich 1968
Tarzan 1999
Taste Of Cherry The 1997 CD1
Taste Of Cherry The 1997 CD2
Taste of Honey A
Taste the blood Of Dracula
Tati Danielle
Taxi
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Taxi 3
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Taxi para 3
Tea House Mouse
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Teachers Pet
Team America
Team Spirit 2 2003
Tears Of The Sun
Teenage Caveman
Teenage Mutant Ninja Turtles - The Movie
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Teenage Mutant Ninja Turtles 3
Tehzeeb
Tell Me Something
Temps Du Loup Le
Ten Commandments The
Ten Minutes Older - The Cello
Tenant The
Teorema 1968
Terminator 1 Special Edition
Terminator 3 - Rise of the Machines
Terror Train
Tesis 1996
Tess CD1
Tess CD2
Tess CD3
Testament
Texas Chainsaw Massacre The
Texas Chainsaw Massacre The(2003)
Texas Rangers
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The Corrs - Live at Lansdowne Road - Dublin
The Corrs - Live from Wembley Arena - London
The Corrs - MTV Unplugged
The Hire (Ambush) (Director John Frankenheimer) vo
The Hire (Beat The Devil) (Director Tony Scott) vo
The Hire - Season 2x1 - Hostage
The Hire - Season 2x2 - Ticker
The Hire - Season 2x3 - Beat the Devil
The History of the World - Part I
The Three Faces of Eve
Theres Something About Mary
They Call Me MISTER Tibbs CD1
They Call Me MISTER Tibbs CD2
They Call Us Misfits 1968
They Came to Cordura
They Drive by Night
Thin Red Line The
Thing The (1982 John Carpenter)
Thing from Another World The
Things Are Tough All Over
Thinner (Stephen Kings)
Third Man The
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Thirteen Days
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This Girls Life
This girls life 2004
Thomas Crown Affair The
Thought Crimes (2003)
Thrashin 1986
Three Amigos
Three Colors Red
Three Colours Blue
Three Colours White
Three Days of the Condor
Three Kings 1999
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Three Men and a Baby (1987)
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Three To Tango 1999
Thrill of It All The
Thriller - A Cruel Picture (1974)
Through a Glass Darkly
Thunder Road (1958)
Thunderbirds
Thunderbirds Commentary
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Thunderpants
Thursday
Tian di xiong xin
Tie Me Up Tie Me Down
Tiempo de tormenta
Tierra (J Medem 1996)
Tieta
Tiger on the Beat (1988)
Tigger Movie The
Tillsammans
Time After Time CD1
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Time Bandits
Time Machine The
Time Machine The Tuxedo The
Time Out (2001) CD1
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Time and Tide
Timecop 1994
Timecop 2 2003
Timeline
Timemachine The
Timothy Learys - How To Operate Your Brain (1993)
Tin Men
Tin Star The (Anthony Mann 1957)
Tingler The
Tipping The Velvet
Tiptoes 2003
Titan A E
Titus 1999 CD1
Titus 1999 CD2
Tjeye Illusion
To Catch a Thief 1995
To Die For
To End All Wars CD1
To End All Wars CD2
To Kill A Mockingbird (1962)
To have and have not 1944
Tokyo Drifter
Tokyo Joe
Tokyo Raiders
Tokyo Story 1953 CD1
Tokyo Story 1953 CD2
Tokyo eyes 1998
Tom And Huck
Tomb Raider
Tomb Raider 2 CD1
Tomb Raider 2 CD2
Tomie
Tomie - Replay
Tonari no Totoro
Toolbox Murders The
Top Gun
Topsy-Turvy
Tora-San Our Lovable Tramp (1969 Yamada Japanese)
Torpedo bombers (Torpedonosty)
Total Recall 1990
Totmacher Der 1995
Touch Of Pink A
Touch of Class A
Touch of Evil (1958)
Touch of Spice A
Touch of Zen A (1969) CD1
Touch of Zen A (1969) CD2
Tower of London
Towering Inferno The CD1
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Tracker The
Trading Places
Tragedy of Macbeth The 1971
Trail Of The Pink Panther
Train The CD1
Train The CD2
Train The CD3
Transformers The Movie 1986
Transporter The
Trapped
Treasure Planet
Tree With the Wooden Clogs The 1978 CD1
Tree With the Wooden Clogs The 1978 CD2
Tremors 3 Back to Perfection
Trespass CD1
Trespass CD2
Trip The (1967)
Triple Agent
Tristana 1970
Trois 2 - Pandoras Box 2002
Tron
Trouble In Paradise (1932)
Trouble With Harry The (Hitchcock 1955)
Trouble with Angels The 1966
Troy 2004 CD1
Troy 2004 CD2
True Confessions
True Lies 1994
True blue
Tuck Everlasting
Tucker The Man and His Dream 1988
Tupac Resurrection
Turn Left Turn Right
Tuxedo The
Tvilling 25fps
Twentieth Century 1934
Twins
Twins Effect 2 2004
Twins Effect The
Twisted
Twister
Two Brothers
Two Can Play That Game
Two Champions Of Shaolin