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X-Files 5x10 Chinga

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1 00:00:07,991 --> 00:00:09,993 [ Footsteps Approaching ] 2 00:00:13,997 --> 00:00:15,915 [ Car Door Opens ] 3 00:00:15,915 --> 00:00:19,886 OKAY, SWEETHEART. WE'RE JUST GOING IN FOR A FEW THINGS. 4 00:00:19,886 --> 00:00:21,721 WE WON'T BE LONG. OKAY, POLLY ? 5 00:00:23,907 --> 00:00:27,293 MOMMY NEEDS SOME GROCERIES, OKAY ? 6 00:01:10,670 --> 00:01:12,989 I DON'T LIKE THIS STORE, MOMMY. 7 00:01:12,989 --> 00:01:14,991 WE'RE ONLY GONNA BE A MINUTE. 8 00:01:14,991 --> 00:01:16,993 I WANNA GO HOME. 9 00:01:19,579 --> 00:01:21,648 [ Doll ] LET'S HAVE FUN. 10 00:01:26,803 --> 00:01:29,639 HELP, MELISSA. [ Woman Gasping ] 11 00:01:38,164 --> 00:01:40,166 WE'RE GOING HOME, POLLY. 12 00:01:40,166 --> 00:01:43,169 PLEASE, DON'T DO THIS TO MOMMY. [ Glass Shatters ] 13 00:01:43,169 --> 00:01:44,604 [ Clattering ] 14 00:01:48,591 --> 00:01:51,027 [ Sobbing ] 15 00:01:51,027 --> 00:01:53,997 [ Customers Crying Out ] 16 00:02:03,623 --> 00:02:05,425 [ Groans ] 17 00:02:06,993 --> 00:02:08,728 [ People Groaning, Shouting ] 18 00:02:23,009 --> 00:02:25,512 IT'S DAVE DOWN AT THE SUPR SAVR. 19 00:02:25,512 --> 00:02:27,514 SEND WHOEVER YOU GOT ON DUTY. 20 00:02:28,348 --> 00:02:30,450 I WANT TO PLAY. 21 00:02:42,996 --> 00:02:44,497 [ Grunts ] 22 00:02:46,749 --> 00:02:50,236 [ Screaming ] 23 00:03:56,935 --> 00:03:58,937 [ Bell Dinging ] 24 00:04:06,278 --> 00:04:09,281 [ Phone Ringing ] 25 00:04:18,290 --> 00:04:20,792 [ Ringing Continues ] 26 00:04:25,797 --> 00:04:27,799 SCULLY. 27 00:04:27,799 --> 00:04:30,686 HEY, SCULLY, IT'S ME. MULDER, I THOUGHT WE HAD AN AGREEMENT. 28 00:04:30,686 --> 00:04:32,688 WE WERE BOTH GONNA TAKE THE WEEKEND OFF. 29 00:04:32,688 --> 00:04:35,674 RIGHT. RIGHT, I KNOW. BUT-BUT I-I JUST RECEIVED... 30 00:04:35,674 --> 00:04:37,943 SOME INFORMATION ABOUT-- ABOUT A CASE. 31 00:04:37,943 --> 00:04:41,279 A CLASSIC X-FILES. CLASSIC. I WANTED TO SHARE IT WITH YOU. 32 00:04:41,279 --> 00:04:44,282 MULDER, I'M ON VACATION. THE WEATHER IS CLEAR. 33 00:04:44,282 --> 00:04:48,587 I'M LOOKING FORWARD TO HITTING THE ROAD AND BREATHING IN SOME OF THIS FINE NEW ENGLAND AIR. 34 00:04:48,587 --> 00:04:52,457 - YOU DIDN'T RENT A CONVERTIBLE, DID YOU ? - WHY ? 35 00:04:52,457 --> 00:04:55,060 ARE YOU AWARE OF THE STATISTICS OF DECAPITATION ? 36 00:04:56,411 --> 00:04:58,413 MULDER, I'M HANGING UP. 37 00:04:58,413 --> 00:05:01,667 I'M TURNING OFF MY CELL PHONE. I'M BACK IN THE OFFICE ON MONDAY. 38 00:05:01,667 --> 00:05:04,486 YOU SHOULDN'T TALK AND DRIVE AT THE SAME TIME, EITHER. 39 00:05:04,486 --> 00:05:06,822 ARE YOU AWARE OF THE STATISTICS-- HELLO ? [ Line Disconnects ] 40 00:05:13,645 --> 00:05:15,530 [ Tires Screeching ] 41 00:05:22,487 --> 00:05:24,723 [ Tires Screeching ] 42 00:05:37,502 --> 00:05:39,721 SIR ? 43 00:05:41,306 --> 00:05:45,894 SIR, WHAT HAPPENED ? I-I THINK WE NEED A DOCTOR. 44 00:05:47,979 --> 00:05:50,849 [ Sobbing ] 45 00:06:06,865 --> 00:06:10,001 [ Sobbing Continues ] WHO ARE YOU ? 46 00:06:10,001 --> 00:06:12,904 I'M-- 47 00:06:12,904 --> 00:06:15,907 MY NAME IS SCULLY. I'M-- I'M AN F.B.I. AGENT. 48 00:06:16,408 --> 00:06:17,909 WHAT HAPPENED TO YOU ? 49 00:06:17,909 --> 00:06:22,380 I-I DON'T KNOW. BUT DAVE, THE BUTCHER-- 50 00:06:22,380 --> 00:06:25,617 I THINK HE'S DEAD. [ Panting ] 51 00:06:41,016 --> 00:06:44,820 [ Man, Woman Moaning On TV ] 52 00:06:47,823 --> 00:06:50,325 [ Phone Ringing ] 53 00:06:52,327 --> 00:06:54,329 MULDER. [ Scully ] MULDER, IT'S ME. 54 00:06:54,329 --> 00:06:56,331 [ Moaning Continues ] I THOUGHT YOU WERE ON VACATION. 55 00:06:56,331 --> 00:06:58,333 I AM. I'M UP IN MAINE. 56 00:06:58,333 --> 00:07:00,335 I THOUGHT YOU SAID YOU DIDN'T WANT TO BE DISTURBED. 57 00:07:00,335 --> 00:07:02,838 YOU WANTED TO GET OUT OF YOUR HEAD FOR A FEW DAYS. 58 00:07:02,838 --> 00:07:07,342 I DON'T. I MEAN, I DO. I-- [ Moaning Continues ] 59 00:07:07,342 --> 00:07:09,344 WHAT ARE YOU WATCHING, MULDER ? 60 00:07:09,344 --> 00:07:12,347 IT'S THE "WORLD'S MOST DEADLIEST SWARMS." UM-- 61 00:07:12,848 --> 00:07:15,350 YOU SAID YOU WERE GONNA BE UNREACHABLE. WHAT'S GOING ON ? 62 00:07:15,851 --> 00:07:20,138 I, UH-- I'M AT A MARKET HERE. 63 00:07:20,138 --> 00:07:22,641 I'M JUST TRYING TO GIVE THE LOCAL P.D. A HANDLE HERE. 64 00:07:22,641 --> 00:07:24,442 A HANDLE ON WHAT ? 65 00:07:24,943 --> 00:07:26,945 WELL, I'M NOT QUITE SURE HOW TO DESCRIBE IT, MULDER. 66 00:07:27,445 --> 00:07:30,448 I DIDN'T WITNESS IT MYSELF, BUT THERE SEEMS TO BE SOME KIND... 67 00:07:30,448 --> 00:07:34,169 OF AN OUTBREAK OF PEOPLE ACTING IN A VIOLENT, INVOLUNTARY WAY. 68 00:07:34,169 --> 00:07:38,356 - TOWARDS WHO ? -TOWARD THEMSELVES. 69 00:07:38,356 --> 00:07:40,642 THEMSELVES ? YEAH. 70 00:07:40,642 --> 00:07:43,211 BEATING AT THEIR FACES, CLAWING AT THEIR EYES. 71 00:07:43,211 --> 00:07:45,497 ONE MAN IS DEAD. DEAD HOW ? 72 00:07:45,497 --> 00:07:47,732 SELF-INFLICTED, IT APPEARS. 73 00:07:47,732 --> 00:07:51,553 HUH. IT SOUNDS TO ME LIKE THAT'S, UH, WITCHCRAFT... 74 00:07:51,553 --> 00:07:54,289 OR MAYBE SOME SORCERY THAT YOU'RE LOOKING FOR THERE. 75 00:07:54,789 --> 00:07:57,809 NO, I DON'T THINK IT'S WITCHCRAFT, MULDER, OR SORCERY. 76 00:07:57,809 --> 00:08:00,095 I'VE HAD A LOOK AROUND, AND I DON'T SEE ANY EVIDENCE... 77 00:08:00,095 --> 00:08:02,247 OF ANYTHING THAT WARRANTS THAT KIND OF SUSPICION. 78 00:08:02,247 --> 00:08:04,149 MAYBE YOU DON'T KNOW WHAT YOU'RE LOOKING FOR. 79 00:08:04,649 --> 00:08:08,336 LIKE EVIDENCE OF CONJURY OR THE BLACK ARTS OR SHAMANISM, 80 00:08:08,837 --> 00:08:12,340 DIVINATION, WICCA OR ANY KIND OF PAGAN OR NEO-PAGAN PRACTICE, 81 00:08:12,340 --> 00:08:15,977 CHARMS, CARDS, FAMILIARS, BLOODSTONES OR HEX SIGNS... 82 00:08:15,977 --> 00:08:18,313 OR ANY OF THE RITUAL TABLEAU ASSOCIATED... 83 00:08:18,313 --> 00:08:22,217 WITH THE OCCULT, SANTERIA, VOUDOM, MACUMBA OR ANY HIGH OR LOW MAGIC. 84 00:08:22,217 --> 00:08:25,337 - SCULLY ? - YES ? 85 00:08:25,337 --> 00:08:27,272 MARRY ME. 86 00:08:27,272 --> 00:08:30,675 I WAS HOPING FOR SOMETHING A LITTLE MORE HELPFUL. 87 00:08:30,675 --> 00:08:33,879 SHORT OF LOOKING FOR A LADY WEARING A POINTY HAT, RIDING A BROOMSTICK, 88 00:08:33,879 --> 00:08:36,248 I THINK YOU'VE PRETTY MUCH GOT IT COVERED THERE. 89 00:08:36,748 --> 00:08:38,250 THANKS ANYWAY. 90 00:08:45,824 --> 00:08:49,427 - WHO'S THAT WOMAN RIGHT THERE ? - MELISSA TURNER. 91 00:08:49,427 --> 00:08:52,147 SHE'S THE ONLY ONE I'VE SEEN WHO LOOKS UNAFFECTED. 92 00:08:52,147 --> 00:08:54,966 WHAT'S YOUR POINT ? 93 00:08:56,451 --> 00:08:58,770 YOU MIGHT WANT TO TALK TO HER. 94 00:09:05,360 --> 00:09:07,362 MS. SCULLY. 95 00:09:08,363 --> 00:09:10,198 YOU STAYING IN TOWN ? YES. 96 00:09:10,198 --> 00:09:12,884 I'M ON VACATION. WHY ? 97 00:09:12,884 --> 00:09:14,736 WHAT YOU SAID BACK THERE ABOUT MELISSA TURNER... 98 00:09:15,236 --> 00:09:18,139 KIND OF PUT A SPIN ON THIS WHOLE BUSINESS HERE TODAY. 99 00:09:18,139 --> 00:09:21,760 HOW'S THAT ? WELL, MELISSA'S CAUSED SOME STIR. 100 00:09:21,760 --> 00:09:23,561 PEOPLE HERE SAY SHE'S A WITCH. 101 00:09:25,297 --> 00:09:27,799 IT'S NOT THE FIRST TIME FOR THAT ACCUSATION IN THESE PARTS. 102 00:09:27,799 --> 00:09:29,701 UH, YEAH. 103 00:09:30,201 --> 00:09:32,604 TO BE HONEST WITH YOU, CAPTAIN BONSAINT, UM, 104 00:09:33,104 --> 00:09:35,440 I'M NOT MUCH OF A BELIEVER IN WITCHCRAFT. 105 00:09:35,440 --> 00:09:40,795 YOU KNOW, I'M NOT EITHER. I USED TO JUST THINK IT'S 'CAUSE MELISSA WAS PRETTY AND SINGLE. 106 00:09:41,296 --> 00:09:44,316 THREATENIN', YOU KNOW ? BUT NOW YOU'RE NOT CONVINCED ? 107 00:09:44,316 --> 00:09:47,802 WELL, YOU KNOW, I APPRECIATE THE TROUBLE YOU WENT TO, 108 00:09:48,303 --> 00:09:51,806 AND I SURE DO HOPE THERE'S A REASONABLE EXPLANATION, LIKE YOU SAID. 109 00:09:51,806 --> 00:09:56,428 JUST THIS ONE THING GONNA MAKE IT HARD TO PERSUADE FOLKS TO YOUR THINKIN'. 110 00:09:56,928 --> 00:10:01,182 WHAT ONE THING IS THAT ? WHO SHE'S BEEN CARRYING ON WITH. 111 00:10:01,182 --> 00:10:03,885 "WHO SHE'S BEEN CARRYING ON WITH" ? 112 00:10:03,885 --> 00:10:07,989 UH, YEAH. WITH DAVE, THE BUTCHER. 113 00:10:15,680 --> 00:10:18,016 [ Melissa ] HELLO ? HEY, IT'S BUDDY. 114 00:10:18,016 --> 00:10:20,835 OH, HI. ARE YOU OKAY, MELISSA ? 115 00:10:20,835 --> 00:10:23,922 I'M FINE. WHY DO YOU ASK ? WHO'S THAT, MOMMY ? 116 00:10:23,922 --> 00:10:27,475 j&j&j&j& [ "Hokey Pokey" On Record Player ] 117 00:10:27,475 --> 00:10:30,979 I KNOW YOU WERE HERE, MELISSA, DOWN AT THE SUPR SAVR. 118 00:10:30,979 --> 00:10:35,016 I DON'T KNOW WHAT YOU'RE TALKING ABOUT, BUDDY. 119 00:10:35,016 --> 00:10:37,519 - HANG UP, MOMMY. - MELISSA, 120 00:10:37,519 --> 00:10:39,671 TURN THE MUSIC DOWN. 121 00:10:41,473 --> 00:10:43,725 THERE'S SOME TALK THAT YOU'RE INVOLVED IN WHAT HAPPENED HERE TODAY. 122 00:10:43,725 --> 00:10:45,994 I'M NOT INVOLVED IN ANYTHING. 123 00:10:45,994 --> 00:10:49,731 I KNOW THAT. WOULD YOU LISTEN TO ME ? I-I-I'M NOT SAYING THAT YOU ARE. 124 00:10:49,731 --> 00:10:51,700 WHAT ARE YOU SAYING, BUDDY ? [ Polly ] MOMMY ! 125 00:10:52,200 --> 00:10:54,202 I WANT TO HELP YOU, BUT YOU GOTTA KEEP IT A SECRET, 126 00:10:54,703 --> 00:10:56,955 OR WE'RE BOTH GONNA BE ANSWERING QUESTIONS. 127 00:10:56,955 --> 00:10:59,307 NOW, I GOT SOMETHING TO TELL YOU. 128 00:10:59,808 --> 00:11:02,143 WHAT ? SOMETHING BAD. 129 00:11:02,143 --> 00:11:04,429 WHAT IS IT, BUDDY ? 130 00:11:06,715 --> 00:11:08,216 DAVE'S DEAD. 131 00:11:09,651 --> 00:11:12,153 OH, MY GOD ! 132 00:11:12,153 --> 00:11:15,490 I GOTTA SEE YOU RIGHT AWAY. MELISSA-- I CAN'T. 133 00:11:15,490 --> 00:11:18,276 YOU NEED A FRIEND MORE THAN EVER. 134 00:11:18,276 --> 00:11:20,678 j&j&j&j& [ Continues ] LET'S HAVE FUN. 135 00:11:20,678 --> 00:11:24,582 YOU CAN'T COME HERE, BUDDY. WHY ? TELL ME WHY. 136 00:11:24,582 --> 00:11:26,584 I CAN'T EXPLAIN IT TO YOU NOW. 137 00:11:26,584 --> 00:11:29,087 I'M COMING OVER THERE, MELISSA. 138 00:11:29,087 --> 00:11:32,424 YOU SHOULDN'T BE ALONE. j&j& YOU PUT YOUR BACKSIDE IN j&j& 139 00:11:32,424 --> 00:11:35,026 j&j& AND YOU SHAKE IT ALL ABOUT j&j& 140 00:11:35,026 --> 00:11:38,630 j& j&j& YOU DO THE HOKEY POKEY AND YOU TURN YOURSELF AROUND j& 141 00:11:38,630 --> 00:11:40,915 j&j& j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 142 00:12:14,365 --> 00:12:16,617 [ Scully ] THE BACK DOOR'S WIDE OPEN. 143 00:12:21,422 --> 00:12:23,307 [ Bonsaint ] MELISSA ? 144 00:12:28,112 --> 00:12:29,980 THE SHEETS ARE STILL WET. 145 00:12:43,594 --> 00:12:45,596 CHIEF ? 146 00:12:51,235 --> 00:12:53,237 TAKE A LOOK AT THIS. 147 00:12:57,708 --> 00:12:59,710 WHAT THE DEVIL'S THIS FOR ? 148 00:12:59,710 --> 00:13:02,213 IT LOOKS LIKE SHE WAS AFRAID OF SOMETHING. 149 00:13:02,213 --> 00:13:04,215 WHATEVER IT IS, SHE'S RUN OFF IN A HURRY. 150 00:13:04,715 --> 00:13:07,218 LAUNDRY'S OUT, DOOR'S UNLOCKED. 151 00:13:07,218 --> 00:13:09,220 BEATS ME. [ Sighs ] 152 00:13:10,721 --> 00:13:13,591 YOU KNOW HER ? MELISSA TURNER ? 153 00:13:13,591 --> 00:13:15,960 MM-HMM. ABOUT AS LOCAL AS YOU CAN GET. 154 00:13:15,960 --> 00:13:19,847 BORN AND RAISED HERE. MARRIED A FISHERMAN. 155 00:13:19,847 --> 00:13:24,184 WIDOWED LAST YEAR AFTER A BOATING ACCIDENT. 156 00:13:24,184 --> 00:13:27,988 DON'T KNOW IF THE LITTLE GIRL, POLLY, EVER REALLY UNDERSTOOD. 157 00:13:27,988 --> 00:13:29,740 TOYS IN THE ATTIC. 158 00:13:29,740 --> 00:13:33,377 THE DAUGHTER'S AUTISTIC ? THAT'S WHAT THEY SAY. 159 00:13:33,377 --> 00:13:35,763 THERE WAS THE INCIDENT LAST YEAR OVER AT THE DAY CARE CENTER. 160 00:13:36,263 --> 00:13:37,982 PROPRIETOR SLAPPED POLLY ACROSS THE FACE. 161 00:13:37,982 --> 00:13:40,217 SLAPPED HER ? WHAT FOR ? 162 00:13:40,217 --> 00:13:44,672 SHE SAID POLLY THREW A TANTRUM SO FIERCE, THERE WAS NOTHIN' ELSE SHE COULD DO. 163 00:13:44,672 --> 00:13:48,459 NEXT THING SHE KNEW, SHE'S ON THE GROUND. LITTLE GIRL KNOCKED HER SILLY. 164 00:13:48,459 --> 00:13:50,794 THE LITTLE GIRL DID ? WELL, THAT'S HER STORY. 165 00:13:50,794 --> 00:13:53,697 POLLY NEVER TOUCHED HER AS FAR AS I COULD FIGURE. 166 00:13:54,198 --> 00:13:57,701 OH, IT WAS A REAL DRAMA, THOUGH. THE LADY WHO RAN THE SCHOOL LOST HER LICENSE. 167 00:13:57,701 --> 00:14:02,039 PEOPLE CALLIN' THE KID ALL MANNER OF NAMES, SAYIN' MELISSA'S A WITCH. 168 00:14:03,807 --> 00:14:06,927 POLLY NEVER WENT BACK TO SCHOOL A DAY SINCE. THIS, UH-- 169 00:14:06,927 --> 00:14:10,364 THIS AFFAIR THAT THE MOTHER WAS HAVING WITH THE BUTCHER ? 170 00:14:10,364 --> 00:14:13,000 DAVE. OH, I MIGHT HAVE GIVEN YOU THE WRONG IMPRESSION. 171 00:14:13,000 --> 00:14:15,002 THAT WASN'T REALLY AN AFFAIR. 172 00:14:15,502 --> 00:14:18,255 ALTHOUGH, DAVE DID MAKE QUITE A FOOL OF HIMSELF AND HIS WIFE. 173 00:14:18,255 --> 00:14:21,825 SO, IT WAS UNREQUITED ? YOU COULD SAY THAT. 174 00:14:21,825 --> 00:14:24,445 TO THE EXTENT THAT SHE'D HAVE TO NAIL A WINDOW SHUT ? 175 00:14:24,445 --> 00:14:26,964 OH, HE WASN'T THAT BIG A FOOL. 176 00:14:26,964 --> 00:14:29,133 YOU KNOW, 177 00:14:29,133 --> 00:14:32,953 MAYBE SHE WASN'T AFRAID OF SOMETHIN'... GETTIN' IN. 178 00:14:32,953 --> 00:14:34,788 MAYBE SHE WAS AFRAID OF SOMETHIN' GETTIN' OUT. 179 00:14:34,788 --> 00:14:37,041 LIKE WHAT ? 180 00:14:39,343 --> 00:14:41,211 JUST A THOUGHT. 181 00:14:46,383 --> 00:14:48,986 WHAT DO YOU THINK OF THAT, HUH ? 182 00:15:02,700 --> 00:15:04,835 WHY DON'T YOU LEAVE TOWN ? 183 00:15:04,835 --> 00:15:08,589 I'VE GOT NOWHERE TO GO, BUDDY. I LIVE ON A SHOESTRING AS IT IS. 184 00:15:08,589 --> 00:15:12,226 LISTEN TO ME. I'VE GOT SOME MONEY PUT AWAY. 185 00:15:12,226 --> 00:15:15,062 BUDDY, I CAN'T. 186 00:15:15,062 --> 00:15:18,565 I'VE HAD MY EYE ON YOU FOR MORE YEARS THAN I CARE TO REMEMBER. 187 00:15:18,565 --> 00:15:21,568 I MISSED MY CHANCE THE FIRST TIME AROUND. I'VE BEEN WAITING IN THE WINGS. 188 00:15:21,568 --> 00:15:25,055 NOW, I'M SORRY ABOUT THINGS. TRULY I AM. 189 00:15:25,055 --> 00:15:28,258 BUT YOU NEED SOMEBODY WHO CAN PROVIDE. 190 00:15:28,258 --> 00:15:32,446 DON'T, BUDDY, PLEASE. DON'T BECAUSE YOU DON'T WANT TO, 191 00:15:32,446 --> 00:15:34,198 OR JUST BECAUSE YOU'RE TOO PROUD ? 192 00:15:34,198 --> 00:15:36,767 YOU DON'T UNDERSTAND. 193 00:15:39,636 --> 00:15:42,139 WHAT DON'T I UNDERSTAND ? 194 00:15:43,140 --> 00:15:45,642 WHAT HAPPENED IN THE SUPR SAVR, 195 00:15:45,642 --> 00:15:47,644 WHAT HAPPENED TO DAVE-- 196 00:15:47,644 --> 00:15:49,480 I COULDN'T STOP IT. 197 00:15:49,480 --> 00:15:52,933 WHAT DO YOU MEAN ? 198 00:15:52,933 --> 00:15:54,735 I'VE SEEN THINGS. 199 00:15:54,735 --> 00:15:56,954 I WANT MORE CHERRIES. 200 00:15:56,954 --> 00:16:00,958 - WHAT'S THAT, SWEETIE ? - I WANT MORE CHERRIES. 201 00:16:00,958 --> 00:16:03,343 I SAW DAVE DEAD... 202 00:16:03,343 --> 00:16:05,229 BEFORE HE WAS DEAD. 203 00:16:05,229 --> 00:16:10,467 I SAW HIM IN FROZEN FOODS ALL CUT AND BLOODY. 204 00:16:10,467 --> 00:16:14,171 AND IT'S NOT THE FIRST TIME. 205 00:16:14,171 --> 00:16:16,824 MY HUSBAND-- 206 00:16:16,824 --> 00:16:19,093 I SAW HIM... 207 00:16:19,093 --> 00:16:22,096 IN A WINDOW, DEAD BEFORE IT HAPPENED. 208 00:16:22,096 --> 00:16:23,981 YOU KNOW, WITH THE HOOK. 209 00:16:23,981 --> 00:16:26,967 YOU'RE GONNA HAVE TO GO ASK YOUR MOMMY FOR SOME MORE MONEY, HON. 210 00:16:27,468 --> 00:16:31,021 - I JUST CAN'T GIVE THEM AWAY. -[ Man ] WINDOW ORDER. 211 00:16:35,159 --> 00:16:37,828 LET'S HAVE FUN. 212 00:16:42,950 --> 00:16:46,370 MOMMY, I WANT MORE CHERRIES. 213 00:16:46,370 --> 00:16:48,272 WE GOTTA GO NOW, POLLY. 214 00:16:56,513 --> 00:16:59,450 TAKE THIS, MELISSA. 215 00:16:59,450 --> 00:17:02,286 IT'S TO A PLACE WE USE FOR HUNTING UP NEAR SCHOODIC LAKE. 216 00:17:02,286 --> 00:17:05,722 MOMMY ? MOMMY ? OR ELSE THERE'S GONNA BE TROUBLE, MORE THAN YOU NEED. 217 00:17:09,393 --> 00:17:11,929 - MOMMY ! - [ Screaming ] 218 00:17:15,332 --> 00:17:18,435 [ Screaming Continues ] 219 00:17:31,615 --> 00:17:33,834 IS THAT YOU, JACK ? 220 00:17:33,834 --> 00:17:37,554 UH, YEAH, IT'S ME, JANE. COME IN ? 221 00:17:42,609 --> 00:17:44,611 WHO HAVE YOU GOT WITH YOU ? 222 00:17:44,611 --> 00:17:47,564 MS. FROELICH, MY NAME'S DANA SCULLY. I'M WITH THE F.B.I. 223 00:17:47,564 --> 00:17:50,250 I JUST HAPPENED TO BE HERE ON VACATION, AND, UH-- 224 00:17:50,751 --> 00:17:52,419 SO ? 225 00:17:52,920 --> 00:17:55,923 SO, I JUST-- I'M HELPING OUT THE CHIEF HERE. 226 00:17:55,923 --> 00:17:58,292 DID YOU TALK TO HER ? WHO ? 227 00:17:58,292 --> 00:18:02,763 OH, PLEASE. MELISSA TURNER. 228 00:18:02,763 --> 00:18:05,098 THAT WHORE'S A WITCH, SURE AS I'M STANDIN' HERE. 229 00:18:05,098 --> 00:18:09,686 SHE'S DESCENDED FROM THE HAWTHORNES IN SALEM AND THE ENGLISHES TOO. 230 00:18:09,686 --> 00:18:11,688 SHE COMES FROM A CURSED LINEAGE, 231 00:18:11,688 --> 00:18:13,557 AND NOW SHE'S PASSING IT ON TO THE WHELP. 232 00:18:15,025 --> 00:18:18,295 GOD SAVE THAT LITTLE GIRL IF SOMEBODY DON'T DO SOMETHIN'. 233 00:18:18,295 --> 00:18:20,063 LORD KNOWS I TRIED. 234 00:18:20,063 --> 00:18:23,350 JANE, IF WE COULD JUST COME IN FOR A FEW MINUTES AND TALK. 235 00:18:23,350 --> 00:18:28,105 I FOUND OUT LAST YEAR HOW MUCH GOOD TALKIN' TO YOU DOES, JACK BONSAINT. 236 00:18:28,105 --> 00:18:31,558 I EXPLAINED EVERYTHING, AND THE CITY CLOSED ME DOWN ANYWAY. 237 00:18:31,558 --> 00:18:34,695 OUR GREAT-GREAT-GRANDFATHERS KNEW HOW TO TREAT WITCHES. 238 00:18:34,695 --> 00:18:37,197 THEY WOULD HAVE DRIVEN THE DEMON OUT OF THAT LITTLE GIRL... 239 00:18:37,197 --> 00:18:40,400 AND GIVEN THAT SLANTARD OF A MOTHER JUST WHAT SHE'S GOT COMING. 240 00:18:43,270 --> 00:18:47,241 NEW ENGLAND HOSPITALITY. I'VE HEARD ABOUT IT MY WHOLE LIFE. 241 00:18:47,241 --> 00:18:50,110 FINALLY GOT A CHANCE TO EXPERIENCE IT FOR MYSELF. 242 00:18:58,886 --> 00:19:02,890 YOU SEE WHAT I'M UP AGAINST HERE, PUBLIC SENTIMENT AND ALL. 243 00:19:02,890 --> 00:19:05,809 THIS FAMILY TREE OF MELISSA TURNER'S. UH, YEAH. 244 00:19:05,809 --> 00:19:08,245 IT'S ALL TALK, ISN'T IT ? 245 00:19:08,245 --> 00:19:10,964 WELL, I NEVER REALLY ASKED. WHY ? 246 00:19:10,964 --> 00:19:14,635 WELL, I THINK YOU NEED TO BRING HER IN TO STRAIGHTEN THIS OUT. 247 00:19:15,903 --> 00:19:19,456 UNDER WHAT PRETEXT ? THAT SHE MIGHT KNOW SOMETHING. 248 00:19:19,456 --> 00:19:21,675 ABOUT WHAT ? 249 00:19:21,675 --> 00:19:26,296 WELL, ABOUT WHAT I'M SURE IS A PERFECTLY REASONABLE EXPLANATION FOR ALL THIS. 250 00:19:26,296 --> 00:19:29,049 UH, YEAH. 251 00:19:32,436 --> 00:19:34,271 I WISH I COULD HELP YOU OUT. 252 00:19:36,173 --> 00:19:41,361 YOU KNOW, I'M JUST... ON VACATION. 253 00:19:49,469 --> 00:19:51,204 [ Car Door Closes ] 254 00:19:51,204 --> 00:19:53,106 [ Engine Starts ] 255 00:20:10,340 --> 00:20:13,326 HI. WHERE ARE YOU HEADED THIS TIME OF NIGHT ? 256 00:20:13,326 --> 00:20:15,478 WE WERE INVITED UP TO A PLACE NEAR THE LAKE. 257 00:20:15,478 --> 00:20:17,814 UH-HUH. A FRIEND GAVE US THE KEY. 258 00:20:17,814 --> 00:20:21,501 YOU GOT GEAR ? FOOD AND WATER ? WE'LL BE ALL RIGHT. 259 00:20:21,501 --> 00:20:25,405 I JUST WANT TO MAKE SURE OF THAT, MA'AM. WINTER'S IN FULL FORCE UP THERE. 260 00:20:25,405 --> 00:20:28,691 POWER'S IFFY. JUST YOU AND THE LITTLE ONE ? 261 00:20:28,691 --> 00:20:32,795 FOR NOW. I WANNA GO HOME, MOMMY. 262 00:20:32,795 --> 00:20:35,365 WE'RE GONNA GO CAMPING, POLLY. 263 00:20:35,365 --> 00:20:39,652 I WANT MY BED. I WANT MY RECORDS. LET'S HAVE FUN. 264 00:20:39,652 --> 00:20:42,655 I'LL JUST TAKE YOUR LICENSE NUMBER, THEN. 265 00:20:49,612 --> 00:20:53,049 - [ Gasps ] - HELP ME. 266 00:20:56,202 --> 00:20:57,820 HEY ! 267 00:21:13,269 --> 00:21:17,056 j& [ Record Player ] j&j& YOU DO THE HOKEY POKEY AND YOU TURN YOURSELF AROUND j& 268 00:21:17,056 --> 00:21:20,059 j&j& THAT'S WHAT IT'S ALL ABOUT j&j& j&j& LEFT FOOT j&j& 269 00:21:20,059 --> 00:21:24,063 j&j& YOU PUT YOUR LEFT FOOT IN YOU PUT YOUR LEFT FOOT OUT j&j& HELLO ? 270 00:21:24,063 --> 00:21:27,967 j&j& YOU PUT YOUR LEFT FOOT IN AND YOU SHAKE IT ALL ABOUT j&j& 271 00:21:28,468 --> 00:21:32,171 j& j&j& YOU DO THE HOKEY POKEY AND YOU TURN YOURSELF AROUND j& 272 00:21:32,171 --> 00:21:34,173 j&j& THAT'S WHAT IT'S ALL ABOUT j&j& j&j& RIGHT ARM j&j& 273 00:21:34,173 --> 00:21:37,176 WHO'S THERE ? IS ANYONE THERE ? j&j& YOU PUT YOUR RIGHT ARM IN j&j& 274 00:21:37,176 --> 00:21:39,178 j&j& YOU PUT YOUR RIGHT ARM OUT j&j& 275 00:21:39,178 --> 00:21:42,682 j&j& YOU PUT YOUR RIGHT ARM IN AND THEN YOU SHAKE IT ALL ABOUT j&j& 276 00:21:42,682 --> 00:21:45,184 j&j&j&j& 277 00:21:45,184 --> 00:21:46,903 [ Record Crackling ] 278 00:21:46,903 --> 00:21:48,938 j&j&j&j& 279 00:21:48,938 --> 00:21:53,309 j&j& LEFT ARM j&j& j&j& YOU PUT YOUR LEFT ARM IN YOU PUT YOUR LEFT-- j&j& 280 00:21:53,309 --> 00:21:57,447 [ Doll ] I WANT TO PLAY. j&j& THAT'S WHAT IT'S ALL-- j&j& 281 00:21:57,447 --> 00:22:00,817 [ Skipping ] j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 282 00:22:00,817 --> 00:22:03,186 j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 283 00:22:03,186 --> 00:22:06,673 j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 284 00:22:06,673 --> 00:22:09,175 I'M NOT AFRAID OF YOU. j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 285 00:22:09,175 --> 00:22:12,495 j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 286 00:22:12,495 --> 00:22:15,965 j&j& THAT'S WHAT IT'S ALL ABOUT j&j& [ Whimpering, Shuddering ] 287 00:22:16,466 --> 00:22:18,334 j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 288 00:22:18,334 --> 00:22:20,570 j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 289 00:22:20,570 --> 00:22:23,840 [ Screaming ] j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 290 00:22:23,840 --> 00:22:27,343 j& [ Skipping Stops ] j&j& THE HOKEY POKEY j& 291 00:22:27,343 --> 00:22:30,847 j& j&j& THE HOKEY POKEY j& 292 00:22:30,847 --> 00:22:34,851 j&j& YOU DO THE HOKEY POKEY j&j& 293 00:22:34,851 --> 00:22:37,353 j&j& j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 294 00:22:38,855 --> 00:22:40,356 ] j&j&j&j& [ Ends 295 00:22:42,925 --> 00:22:45,795 j&j&j&j& [ Classical ] 296 00:22:52,302 --> 00:22:53,803 [ Sighs ] 297 00:22:56,306 --> 00:22:59,309 [ Phone Ringing ] 298 00:23:00,810 --> 00:23:03,313 [ Groans ] 299 00:23:05,148 --> 00:23:08,084 j&j&j&j& [ Continues ] 300 00:23:28,104 --> 00:23:30,106 j&j&j&j& [ Volume Decreases ] 301 00:23:38,264 --> 00:23:40,266 [ Sighs ] 302 00:23:50,760 --> 00:23:52,628 [ Car Door Opens ] 303 00:23:52,628 --> 00:23:54,497 [ Police Radio Chatter ] 304 00:23:54,497 --> 00:23:56,466 j&j&j&j& [ Continues ] 305 00:24:02,271 --> 00:24:05,274 [ Chattering ] 306 00:24:18,788 --> 00:24:21,791 [ Chattering Continues ] 307 00:24:31,884 --> 00:24:34,387 LOOKS LIKE SHE DIED BY HER OWN HAND. 308 00:24:34,387 --> 00:24:37,390 A BIG SLICE UNDER THE CHIN OPENED UP THE ARTERY. 309 00:24:37,390 --> 00:24:39,642 WITH WHAT ? BUDDY, SHOW HER THE THING. 310 00:24:39,642 --> 00:24:41,961 [ Phone Ringing ] 311 00:24:45,882 --> 00:24:47,633 JACK BONSAINT. 312 00:24:51,754 --> 00:24:53,756 UH, YEAH. 313 00:24:59,262 --> 00:25:01,264 WHO ? OH, OKAY. 314 00:25:01,264 --> 00:25:03,266 PUT HIM THROUGH. 315 00:25:03,266 --> 00:25:05,268 IT'S FOR YOU. 316 00:25:08,771 --> 00:25:10,273 [ Loud Tapping Sound ] HELLO ? 317 00:25:10,773 --> 00:25:13,526 - [ Mulder ] HEY, MORNING, SUNSHINE. -MULDER ? 318 00:25:13,526 --> 00:25:16,963 YEAH. I WAS, UH, A LITTLE WORRIED ABOUT YOU. 319 00:25:16,963 --> 00:25:18,965 I WAS WONDERING IF YOU NEEDED MY HELP UP THERE. 320 00:25:18,965 --> 00:25:20,967 NEEDED YOUR HELP ON WHAT ? 321 00:25:20,967 --> 00:25:23,469 I LEFT YOU A MESSAGE AT THE MOTEL. YOU DIDN'T GET IT ? 322 00:25:23,970 --> 00:25:26,472 I WAS UP AND OUT THIS MORNING. [ Tapping Continues ] 323 00:25:26,472 --> 00:25:28,474 MULDER ? YEAH ? 324 00:25:28,474 --> 00:25:30,977 WHAT'S THAT NOISE ? WHERE ARE YOU ? I'M AT HOME. 325 00:25:30,977 --> 00:25:34,480 THEY'RE DOING CONSTRUCTION RIGHT OUT THE WINDOW. HOLD ON A SECOND. 326 00:25:34,480 --> 00:25:37,984 HEY, FELLAS, CAN YOU JUST KEEP IT DOWN FOR A SECOND MAYBE ? 327 00:25:39,385 --> 00:25:41,387 THANK YOU ! 328 00:25:44,390 --> 00:25:46,392 YEAH, HEY, I WAS THINKING ABOUT THIS CASE. 329 00:25:46,392 --> 00:25:51,230 MAYBE IT'S NOT WITCHCRAFT AFTER ALL. MAYBE THERE'S A SCIENTIFIC EXPLANATION. 330 00:25:51,230 --> 00:25:55,134 "A SCIENTIFIC EXPLANATION" ? YEAH, A MEDICAL CAUSE. 331 00:25:55,134 --> 00:25:58,354 SOMETHING CALLED CHOREA. DANCING SICKNESS. 332 00:25:58,354 --> 00:26:02,258 YEAH, ST. VITUS'S DANCE. IT AFFECTS GROUPS OF PEOPLE, 333 00:26:02,258 --> 00:26:07,180 CAUSING UNEXPLAINED OUTBURSTS OF, UH, UNCONTROLLABLE JERKS AND SPASMS. 334 00:26:07,180 --> 00:26:10,183 YEAH, AND IT HASN'T BEEN SEEN OR DIAGNOSED SINCE THE MIDDLE AGES. 335 00:26:10,183 --> 00:26:12,068 MMM. 336 00:26:12,068 --> 00:26:15,505 [ Groans ] 337 00:26:15,505 --> 00:26:18,007 YOU'RE OBVIOUSLY NOT A FAN OFAMERICAN BANDSTAND,SCULLY. 338 00:26:18,007 --> 00:26:20,943 MULDER ? THANKS FOR THE HELP. YEAH ? 339 00:26:20,943 --> 00:26:23,196 [ Line Disconnects ] HELLO ? 340 00:26:23,196 --> 00:26:26,599 THAT YOUR PARTNER ? YEP. 341 00:26:26,599 --> 00:26:29,602 I'M SORRY FOR EAVESDROPPIN', BUT HAS HE MAYBE GOT SOME INSIGHT ON THIS ? 342 00:26:29,602 --> 00:26:32,104 NO. I SEE. 343 00:26:32,104 --> 00:26:34,607 j&j&j&j& [ Record Player ] 344 00:26:39,061 --> 00:26:42,565 j&j& YOU PUT YOUR RIGHT FOOT IN YOU PUT YOUR RIGHT FOOT-- j&j& 345 00:26:42,565 --> 00:26:44,567 j&j&j&j& [ Turns Off ] 346 00:26:45,067 --> 00:26:48,120 YOU KNOW, CHIEF BONSAINT-- UM, JACK-- 347 00:26:48,120 --> 00:26:50,122 CAN I CALL YOU JACK ? 348 00:26:50,122 --> 00:26:53,125 I'VE BEEN THINKING THAT MAYBE-- 349 00:26:53,125 --> 00:26:55,995 MAYBE WE NEED TO EXPLORE OTHER POSSIBILITIES. 350 00:26:55,995 --> 00:26:58,214 I'M NOT SURE I UNDERSTAND. 351 00:26:58,214 --> 00:27:03,052 WELL, MAYBE WE NEED TO KEEP OUR MINDS OPEN TO... 352 00:27:03,052 --> 00:27:04,921 EXTREME POSSIBILITIES. 353 00:27:06,372 --> 00:27:09,375 OKAY, BUT, UH, AREN'T YOU ON VACATION ? 354 00:27:12,245 --> 00:27:15,731 [ Record Player ] j&j& YOU PUT YOUR WHOLE SELF IN YOU PUT YOUR WHOLE SELF OUT j&j& 355 00:27:16,232 --> 00:27:20,269 j&j& YOU PUT YOUR WHOLE SELF IN AND YOU SHAKE IT ALL ABOUT j&j& 356 00:27:20,269 --> 00:27:24,273 j& j&j& YOU DO THE HOKEY POKEY AND YOU TURN YOURSELF AROUND j& 357 00:27:24,273 --> 00:27:27,276 j&j& THAT'S WHAT IT'S ALL ABOUT j&j& j&j& BACKSIDE j&j& 358 00:27:27,276 --> 00:27:30,780 j&j& YOU PUT YOUR BACKSIDE IN YOU PUT YOUR BACKSIDE OUT j&j& 359 00:27:31,280 --> 00:27:35,284 j&j& YOU PUT YOUR BACKSIDE IN AND YOU SHAKE IT ALL ABOUT j&j& 360 00:27:35,284 --> 00:27:38,621 j& j&j& YOU DO THE HOKEY POKEY AND YOU TURN YOURSELF AROUND j& 361 00:27:38,621 --> 00:27:42,575 j&j& THAT'S WHAT IT'S ALL ABOUT j&j& j&j& HOKEY POKEY j&j& 362 00:27:42,575 --> 00:27:46,579 j&j& YOU DO THE HOKEY POKEY j&j& [ Footsteps ] 363 00:27:47,079 --> 00:27:50,082 j&j& THE HOKEY POKEY j&j& 364 00:27:50,082 --> 00:27:53,369 j&j& YOU DO THE HOKEY POKEY j&j& 365 00:27:53,369 --> 00:27:56,005 j&j& j&j& THAT'S WHAT IT'S ALL ABOUT j&j& 366 00:27:56,005 --> 00:27:58,858 ] j&j&j&j& [ Ends 367 00:27:58,858 --> 00:28:01,627 [ Scratching ] 368 00:28:08,633 --> 00:28:12,354 - [ Gasps ] - LET'S HAVE FUN. 369 00:28:12,354 --> 00:28:14,489 [ Gasping ] [ Scratching Continues ] 370 00:28:17,475 --> 00:28:19,261 j&j&j&j& [ Resumes ] 371 00:28:22,764 --> 00:28:25,684 j&j&j&j& [ Continues, Indistinct ] 372 00:28:32,190 --> 00:28:33,942 [ Buddy's Voice ] MELISSA, 373 00:28:33,942 --> 00:28:36,811 HELP ME. [ Sobbing Continues ] 374 00:28:36,811 --> 00:28:39,497 NO ! 375 00:28:46,922 --> 00:28:49,674 AH. OH, MY GOD ! 376 00:28:49,674 --> 00:28:51,810 [ Sighs ] 377 00:28:53,311 --> 00:28:56,314 THAT LOOKS LIKE SOMETHING OUT OF JULES VERNE. 378 00:28:56,815 --> 00:28:58,316 WE'RE SUPPOSED TO EAT THAT ? 379 00:28:58,316 --> 00:29:00,151 A LITTLE LATE FOR ANYTHING ELSE. 380 00:29:02,888 --> 00:29:06,992 NOW, YOU SAID YOU HAD SOME OTHER DIRECTIONS YOU WERE LOOKIN' AT ? 381 00:29:06,992 --> 00:29:08,827 I'VE BEEN THINKING ABOUT MELISSA TURNER. 382 00:29:09,327 --> 00:29:11,580 NOW, YOU SAID THAT HER HUSBAND DIED IN A BOATING ACCIDENT ? 383 00:29:11,580 --> 00:29:13,798 UH, YEP. 384 00:29:13,798 --> 00:29:16,234 WELL, WAS THERE ANYTHING STRANGE ABOUT THAT ? 385 00:29:16,234 --> 00:29:19,020 ABOUT THE WAY THAT IT HAPPENED ? 386 00:29:19,020 --> 00:29:24,276 WELL, IT WAS NEVER QUITE EXPLAINED TO ANYONE'S SATISFACTION, ACTUALLY. 387 00:29:24,276 --> 00:29:27,245 - HOW'S THAT ? - HOW THE MAN GOT A GRAPPLING HOOK... 388 00:29:27,245 --> 00:29:29,998 POKED CLEAN THROUGH HIS SKULL. 389 00:29:29,998 --> 00:29:32,884 WAS MELISSA EVER QUESTIONED ABOUT THAT ? 390 00:29:32,884 --> 00:29:35,353 MELISSA ? 391 00:29:35,353 --> 00:29:38,356 NO, I DON'T SEE HOW SHE'D BE INVOLVED. 392 00:29:39,858 --> 00:29:42,427 THE BOAT HE DIED ON IS RIGHT OVER THERE, IF YOU'RE AT ALL WONDERIN'. 393 00:29:45,864 --> 00:29:48,300 I SAW THAT MAN IN THE MARKET. 394 00:29:54,472 --> 00:29:56,758 I WANT POPCORN, MOMMY. 395 00:30:02,547 --> 00:30:06,051 j&j&j&j& 396 00:30:06,051 --> 00:30:09,271 OKAY. 397 00:30:09,271 --> 00:30:12,907 j& j&j& YOU PUT YOUR RIGHT FOOT IN YOU PUT YOUR RIGHT FOOT OUT j& 398 00:30:12,907 --> 00:30:15,193 j&j& YOU PUT YOUR RIGHT FOOT IN j&j& [ Gasps ] 399 00:30:15,193 --> 00:30:17,846 WHAT ARE YOU DOIN' HERE ? BUDDY. 400 00:30:18,346 --> 00:30:20,682 HOW COME YOU'RE BACK IN TOWN ? YOU'VE GOTTA GET OUTTA HERE. 401 00:30:20,682 --> 00:30:23,885 I CALLED THE RANGERS. THEY SAID YOU TRIED TO KILL A MAN. 402 00:30:23,885 --> 00:30:27,689 YOU ALMOST RAN HIM OVER. YOU CAME BACK HERE TO KILL HER TOO, DIDN'T YOU ? 403 00:30:27,689 --> 00:30:31,226 I DIDN'T TRY TO KILL ANYBODY. JANE FROELICH. 404 00:30:31,226 --> 00:30:35,497 IT ISN'T ME, BUDDY. YEAH, WELL, WE'RE GONNA SEE ABOUT THAT. 405 00:30:35,497 --> 00:30:38,833 YOU'RE COMING WITH ME. j&j& THAT'S WHAT IT'S ALL ABOUT RIGHT ARM j&j& 406 00:30:38,833 --> 00:30:41,036 j& j&j& YOU PUT YOUR RIGHT ARM IN j& 407 00:30:41,036 --> 00:30:43,238 j&j& YOU PUT YOUR RIGHT ARM OUT j&j& AND YOUR LITTLE BRAT. 408 00:30:43,238 --> 00:30:46,691 j&j& YOU PUT YOUR RIGHT ARM IN AND THEN YOU SHAKE IT ALL ABOUT j&j&j&j& 409 00:30:46,691 --> 00:30:48,994 j&j&j&j& 410 00:30:48,994 --> 00:30:52,430 I WANT TO PLAY. 411 00:30:52,430 --> 00:30:56,217 [ Seagulls Cawing ] [ Ship Horn Blaring In Distance ] 412 00:30:56,217 --> 00:30:59,204 "WHAT HAPPENED ?" 413 00:30:59,204 --> 00:31:02,207 YOU ASK THAT QUESTION AROUND HERE, YOU GET AS MANY STORIES AS-- 414 00:31:02,207 --> 00:31:04,209 AS FISHERMEN. 415 00:31:04,209 --> 00:31:08,963 YOU WERE ON BOARD THE NIGHT THAT HE DIED. WHAT DO YOU THINK ? 416 00:31:08,963 --> 00:31:11,599 I TOLD MY STORY TO THE CHIEF. 417 00:31:13,668 --> 00:31:16,354 PEOPLE'S STORIES CHANGE. 418 00:31:18,807 --> 00:31:21,643 [ Sighs ] FOLKS BLAME THE WIDOW. 419 00:31:21,643 --> 00:31:23,878 WHO DO YOU BLAME ? 420 00:31:26,748 --> 00:31:28,583 HE WAS WILD FOR HER. 421 00:31:28,583 --> 00:31:32,504 HE WORKED VERY HARD TO BUILD THAT LITTLE HOUSE FOR HER. 422 00:31:32,504 --> 00:31:37,592 WHEN THAT DAUGHTER CAME, YOU NEEDED A MOP TO WIPE THE SMILE OFF HIS FACE. 423 00:31:37,592 --> 00:31:41,096 WE'D SET OUT TO SEA ON THE GIRL'S LAST BIRTHDAY. 424 00:31:41,096 --> 00:31:45,100 HE WAS COUNTING THE HOURS BEFORE HE'D BE HOME AGAIN. 425 00:31:45,100 --> 00:31:49,020 HEY, LOOK WHAT DAVY JONES SENT MY LITTLE POLLY. 426 00:31:52,240 --> 00:31:54,292 CATCH OF THE DAY. [ Chuckles ] 427 00:31:56,561 --> 00:31:58,563 YEAH. 428 00:32:00,565 --> 00:32:02,067 THREE DAYS LATER... 429 00:32:02,067 --> 00:32:05,887 HE WAS DEAD. AND YOU KNOW WHAT KILLED HIM. 430 00:32:07,872 --> 00:32:10,875 THE EYES PLAY TRICKS AT NIGHT. 431 00:32:11,376 --> 00:32:14,262 WATER UP AGAINST THE HULL MAKING NOISES. 432 00:32:15,764 --> 00:32:18,266 SOMETIMES YOU HEAR THINGS. 433 00:32:20,769 --> 00:32:22,270 [ Doll ] LET'S HAVE FUN. 434 00:32:22,771 --> 00:32:24,272 WHAT THE HELL WAS THAT ? 435 00:32:33,648 --> 00:32:36,451 [ Door Opens ] 436 00:32:38,119 --> 00:32:40,538 WHAT IS IT ? 437 00:32:42,040 --> 00:32:43,942 [ Door Closes ] 438 00:32:45,226 --> 00:32:47,912 [ Doll ] I WANT TO PLAY. 439 00:33:01,276 --> 00:33:04,479 [ Gasps ] OH, MY GOD ! 440 00:33:04,479 --> 00:33:07,165 LIKE I SAID, THE EYES PLAY TRICKS. 441 00:33:07,165 --> 00:33:09,083 BUT YOU SAW SOMETHING... 442 00:33:09,584 --> 00:33:11,586 IN THAT GROCERY STORE. 443 00:33:11,586 --> 00:33:14,339 THAT LITTLE GIRL AND HER DOLLY. 444 00:33:14,339 --> 00:33:17,992 THE MOMENT I SAW THEM... I KNEW. 445 00:33:20,245 --> 00:33:23,131 [ Phone Ringing ] 446 00:33:27,135 --> 00:33:29,103 - SCULLY. - OH, HEY. I-- 447 00:33:29,103 --> 00:33:32,073 - I THOUGHT YOU WEREN'T ANSWERING YOUR CELL PHONE. - THEN WHY'D YOU CALL ? 448 00:33:32,073 --> 00:33:36,494 I, UH-- I HAD A NEW THOUGHT ABOUT THIS CASE YOU'RE WORKING ON. 449 00:33:36,995 --> 00:33:38,997 THERE'S A VIRAL INFECTION THAT'S SPREAD BY SIMPLE TOUCH. 450 00:33:38,997 --> 00:33:44,002 MULDER, ARE THERE ANY REFERENCES IN OCCULT LITERATURE... 451 00:33:44,002 --> 00:33:48,740 TO OBJECTS THAT HAVE THE POWER TO DIRECT HUMAN BEHAVIOR ? 452 00:33:48,740 --> 00:33:51,342 WHAT TYPES OF OBJECTS ? 453 00:33:51,342 --> 00:33:54,529 UM, LIKE A DOLL, FOR INSTANCE. 454 00:33:54,529 --> 00:33:57,765 - YOU MEAN LIKE CHUCKY ? - YEAH, KIND OF LIKE THAT. 455 00:33:57,765 --> 00:34:02,237 WELL, YEAH, THE TALKING DOLL MYTH IS WELL ESTABLISHED IN LITERATURE, 456 00:34:02,237 --> 00:34:04,239 ESPECIALLY IN NEW ENGLAND. 457 00:34:04,239 --> 00:34:09,961 THE FETISH-- OR JUJU-- IS BELIEVED TO PASS ON MAGICAL POWERS ON TO ITS POSSESSOR. 458 00:34:10,461 --> 00:34:12,714 SOME OF THE EARLY WITCHES WERE CONDEMNED... 459 00:34:12,714 --> 00:34:15,683 FOR LITTLE MORE THAN PROCLAIMING THAT THESE OBJECTS EXISTED. 460 00:34:15,683 --> 00:34:21,389 THE SUPPOSED WITCH HAVING PREMONITORY VISIONS AND THINGS-- WHY DO YOU ASK ? 461 00:34:21,389 --> 00:34:23,591 I WAS JUST CURIOUS. 462 00:34:23,591 --> 00:34:26,277 YOU DIDN'T FIND A TALKING DOLL, DID YOU, SCULLY ? 463 00:34:26,277 --> 00:34:28,663 NO. NO, OF COURSE NOT. UH-- 464 00:34:28,663 --> 00:34:31,883 I WOULD SUGGEST THAT YOU CHECK THE BACK OF THE DOLL FOR A-- 465 00:34:32,383 --> 00:34:35,119 A PLASTIC RING WITH A STRING ON IT. 466 00:34:35,119 --> 00:34:38,223 THAT WOULD BE MY FIRST-- HELLO ? [ Line Disconnects ] 467 00:34:40,491 --> 00:34:42,877 LET'S GO TALK TO MELISSA TURNER. 468 00:34:45,747 --> 00:34:47,966 [ Scraping Sounds ] 469 00:34:47,966 --> 00:34:50,134 [ Shouting ] WHERE'S MY POPCORN ? 470 00:34:53,538 --> 00:34:55,790 IT'S COMING, POLLY. 471 00:34:55,790 --> 00:34:58,626 [ Scraping Sounds Continue ] 472 00:35:06,634 --> 00:35:08,853 WHERE'S MY POPCORN ? 473 00:35:08,853 --> 00:35:10,855 IT'S COMING. 474 00:35:32,126 --> 00:35:34,912 [ Hammering ] 475 00:35:55,883 --> 00:35:58,653 [ Polly ] MOMMY. 476 00:36:03,608 --> 00:36:05,560 I CAN'T SLEEP. 477 00:36:06,944 --> 00:36:08,946 YOU GO BACK TO BED, POLLY. 478 00:36:08,946 --> 00:36:11,199 IT'S WAY PAST YOUR BEDTIME. 479 00:36:11,199 --> 00:36:13,067 NO MORE POUNDING. 480 00:36:13,067 --> 00:36:15,369 GO BACK TO BED, SWEETHEART. 481 00:36:18,139 --> 00:36:20,908 - LET'S HAVE FUN. - [ Gasps ] 482 00:36:20,908 --> 00:36:23,544 HELP ME. 483 00:36:30,585 --> 00:36:33,087 EVERYTHING'S GONNA BE ALL RIGHT, SWEETIE. 484 00:36:33,087 --> 00:36:35,590 NOW JUST GO BACK TO BED. 485 00:36:52,673 --> 00:36:54,175 THAT'S BUDDY'S CAR. 486 00:37:15,112 --> 00:37:18,015 [ Liquid Sloshing ] 487 00:37:32,413 --> 00:37:33,915 [ Knocking On Door ] 488 00:37:33,915 --> 00:37:36,334 MELISSA. 489 00:37:41,222 --> 00:37:43,457 YOU SEE ANYTHING ? UH-UH. 490 00:37:48,362 --> 00:37:49,864 MELISSA ! 491 00:37:59,841 --> 00:38:03,544 [ Knocking Continues ] MELISSA ! 492 00:38:03,544 --> 00:38:05,129 MOMMY ! 493 00:38:10,151 --> 00:38:12,653 DON'T PLAY WITH MATCHES. 494 00:38:14,155 --> 00:38:16,457 YOU GO BACK TO BED, POLLY ! [ Knocking Continues ] 495 00:38:16,457 --> 00:38:18,409 MELISSA ! 496 00:38:20,061 --> 00:38:21,863 GO ON NOW ! 497 00:38:28,502 --> 00:38:31,422 [ Knocking Continues ] 498 00:38:39,130 --> 00:38:41,632 [ Scully ] MELISSA ! 499 00:38:41,632 --> 00:38:44,352 MELISSA ! BONSAINT ! 500 00:38:48,706 --> 00:38:50,892 DON'T PLAY WITH KNIVES. 501 00:38:50,892 --> 00:38:53,210 MOMMY ? 502 00:38:53,210 --> 00:38:57,064 SHE'S GOT THE DOOR NAILED SHUT. SHE'S TRYING TO KILL HERSELF. 503 00:38:57,064 --> 00:39:00,434 [ Pounding On Window ] MELISSA ! 504 00:39:10,561 --> 00:39:14,348 MOMMY ! MOMMY, NO MORE POUNDING ! 505 00:39:20,104 --> 00:39:22,340 LET'S PLAY WITH THE HAMMER. 506 00:39:22,340 --> 00:39:24,108 [ Scully ] MELISSA ! 507 00:39:38,673 --> 00:39:40,775 GET AWAY FROM ME ! 508 00:39:43,945 --> 00:39:47,031 PUT IT DOWN, MELISSA ! 509 00:39:50,034 --> 00:39:52,486 I DON'T LIKE YOU ANYMORE. 510 00:39:52,486 --> 00:39:54,705 -[ Melissa Screams ] - [ Breathing Heavily ] 511 00:39:57,625 --> 00:40:00,311 - GIVE ME THE DOLL, POLLY. - I WANT TO PLAY. 512 00:40:01,612 --> 00:40:04,382 [ Hammer Lands Blow ] [ Melissa Screams ] 513 00:40:04,382 --> 00:40:07,885 - POLLY, GIVE ME THE DOLL ! -[ Doll ] I WANT TO PLAY. 514 00:40:08,986 --> 00:40:13,207 POLLY, GIVE ME THE DOLL. I WANT TO PLAY. 515 00:40:13,207 --> 00:40:16,911 [ Melissa Screams ] I WANT TO PLAY. I WANT TO PLAY. 516 00:40:16,911 --> 00:40:19,280 I WANT TO PLAY. I WANT TO PLAY. 517 00:40:19,780 --> 00:40:22,283 I WANT TO PLAY. I WANT TO PLAY. 518 00:40:22,283 --> 00:40:24,018 - I WANT TO-- - [ Screams ] 519 00:40:24,018 --> 00:40:26,971 - [ Gasping ] -[ Buttons Beeping ] 520 00:40:26,971 --> 00:40:30,024 I WANT TO PLAY. I WANT TO PLAY. 521 00:40:30,024 --> 00:40:32,593 I WANT TO PLAY. I WANT TO PLAY. I-- 522 00:40:36,998 --> 00:40:39,367 [ Sobbing Continues ] 523 00:41:12,767 --> 00:41:14,602 [ Door Opens ] 524 00:41:15,803 --> 00:41:18,072 OH, HEY, SCULLY. HOW YOU DOIN' ? 525 00:41:19,774 --> 00:41:23,861 - HOW YOU FEELIN' ? RESTED ? - I FEEL FINE. 526 00:41:26,080 --> 00:41:29,166 WHAT ? THAT POSTER. 527 00:41:29,166 --> 00:41:31,402 WHERE'D YOU GET IT ? 528 00:41:31,402 --> 00:41:35,539 OH, I GOT IT DOWN ON "M" STREET AT SOME HEAD SHOP ABOUT FIVE YEARS AGO. 529 00:41:35,539 --> 00:41:38,809 HMM. WHY ? 530 00:41:38,809 --> 00:41:43,064 NO, I JUST... WANTED TO SEND ONE TO SOMEBODY. 531 00:41:43,064 --> 00:41:45,866 YOU DO ? MM-HMM. 532 00:41:45,866 --> 00:41:48,369 WHO ? [ Clears Throat ] 533 00:41:48,369 --> 00:41:50,955 - WHO ? - OH, JUST... 534 00:41:51,455 --> 00:41:53,958 SOME GUY. 535 00:41:53,958 --> 00:41:56,844 JACK. "M" STREET ? 536 00:41:56,844 --> 00:41:59,797 YEAH. DOES THIS HAVE SOMETHING TO DO WITH THAT CASE YOU WERE WORKING ON ? 537 00:41:59,797 --> 00:42:02,983 WHAT CASE ? UH, YEAH. YES, IT DOES. 538 00:42:02,983 --> 00:42:06,320 - DID YOU SOLVE IT ? - ME ? NO. 539 00:42:06,320 --> 00:42:08,322 NO, I WAS-- I WAS ON VACATION. 540 00:42:08,322 --> 00:42:12,960 JUST... GETTING OUT OF MY OWN HEAD FOR A FEW DAYS. 541 00:42:12,960 --> 00:42:16,363 WHAT ABOUT YOU ? DID YOU, UM, GET ANYTHING DONE WHILE I WAS GONE ? 542 00:42:16,363 --> 00:42:20,267 OH, GOD, IT'S AMAZING WHAT I CAN ACCOMPLISH WITHOUT INCESSANT MEDDLING... 543 00:42:20,267 --> 00:42:22,269 OR QUESTIONING INTO EVERYTHING I DO. 544 00:42:22,269 --> 00:42:24,271 IT'S JUST-- 545 00:42:36,333 --> 00:42:40,121 THERE'S... GOT TO BE AN EXPLANATION. 546 00:42:40,121 --> 00:42:42,973 OH, I DON'T KNOW. 547 00:42:42,973 --> 00:42:45,843 I THINK SOME THINGS ARE BETTER LEFT UNEXPLAINED. 548 00:43:16,040 --> 00:43:18,042 HMM. 549 00:43:26,350 --> 00:43:28,352 I WANT TO PLAY. 550 00:44:08,008 --> 00:44:10,611 [ Child ] I made this !
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