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Back to the Future III

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[Mysterious instrumental music]
[Crashing lightning bolts]
[Dramatic instrumental music]
[Doc screaming]
[Doc shouting gleefully]
[Dramatic instrumental music]
- Doc!|- What?
Relax, Doc. It's me! It's Marty.
It can't be.|I just sent you back to the future.
You did send me back to the future,|but I'm back.
I'm back from the future.
Great Scott!
[Thunder rumbling]
[Rain falling]
[Thunder cracking loudly]
[Soft instrumental music]
[Soft instrumental music continues]
BUFFAL0 B0B: Hey, kids, what time is it?|KIDS: Howdy Doody timel
SINGING 0N TV: "It's Howdy Doody time"|D0C: Great Scott!
[Singing on TV continues]
Howdy Doody time?
Date: Sunday, November 13, 1955, 7:01 a.m.
Last night's time travel experiment|was apparently a complete success.
Lightning struck the clock tower|at 10:04 p. M...
...sending the necessary 1.21 gigawatts...
...into the time vehicle,|which vanished in a flash of light...
...leaving a pair of fire trails behind.|I assumed Marty and the time vehicle...
...were transported forward through time|to the year 1985.
After that, I can't recall what happened.
In fact, I don't even remember|how I got home.
Perhaps the gigawatt discharge|and the temporal displacement field...
...generated by the vehicle caused|a disruption of my own brain waves...
...resulting in a condition of momentary amnesia.
I now recall that moments|after the time vehicle disappeared...
...into the future...
...I saw a vision of Marty|saying he had come back from the future.
Hey, Doc.
Undoubtedly, this was some residual image.
[Doc screaming]
Doc, calm down. It's me. It's Marty.
It can't be you. I sent you back to the future!
That's right, but I came back again|from the future. Don't you remember?
You fainted. I brought you home.
This can't be happening! You can't be here!
It doesn't make sense!|I refuse to believe you are here!
MARTY: I am here, and it does make sense.|I came back to 1955 again with you.
The you from 1985|is waiting to get a book from Biff!
0nce I got the book,|the you from 1985 were in the DeLorean...
...and it got struck by lightning,|and you got sent back to 1885!
D0C: 1885?
It's a very interesting story, future boy...
...but there's one thing that doesn't make sense.
If the me of the future is now in the past,|how could you possibly know about it?
You sent me a letter.
D0C:|"Dear Marty, if my calculations are correct...
" will receive this letter immediately after|the DeLorean's struck by lightning.
"First, let me assure you I am alive and well.
"I've been living happily|these past eight months in the year 1885.
"The lightning bolt that hit the DeLorean...
"...caused an overload|which scrambled the time circuits...
"...activated the flux capacitor|and sent me back to 1885.
"The overload shorted out the time circuits...
"...and destroyed the flying circuits.|Unfortunately, the car will never fly again."
It actually flew?
Yeah. We had a hover conversion done|in the early 21st century.
"I set myself up as a blacksmith|as a front...
"...while I attempted to repair the damage|to the time circuits.
"Unfortunately, this proved impossible...
"...because suitable replacement parts|will not be invented until 1947.
"However, I've gotten quite adept|at shoeing horses and fixing wagons."
1885! Amazing!
I actually end up as a blacksmith|in the 0ld West.
Pretty heavy.
D0C: "I have buried the DeLorean|in the abandoned Delgado Mine...
"...adjacent to the old Boot Hill Cemetery|as shown on the enclosed map.
"Hopefully, it should remain undisturbed|and preserved until you uncover it in 1955.
"Inside, you will find repair instructions.
"My 1955 counterpart..." That's me.
"Should have no problem repairing it|so that you can drive it back to the future.
"0nce you have returned to 1985,|destroy the time machine."
- Destroy it?|- It's a long story, Doc.
"I repeat, do not attempt|to come back here to get me.
"I am perfectly happy living in the fresh air...
"...and wide-open spaces.
"I fear that unnecessary time travel...
"...only risks further disruption|of the space-time continuum.
"And please take care of Einstein for me."
MARTY: He's your dog, Doc.|Einstein is what you call your dog in 1985.
"I know you will give him a good home.
"Remember to walk him twice a day|and that he only likes canned dog food.
"These are my wishes.|Please respect and follow them.
"And so, Marty, I now say farewell|and wish you Godspeed.
"You've been a good,|kind, and loyal friend to me...
"...and you made a real difference|in my life.
"I will always treasure our relationship|and think of you with fond memories...
"...warm feelings and a special place|in my heart.
"Your friend in time, Doc Emmett L. Brown.
"September 1, 1885."
I never knew I could write|anything so touching.
I know, it's beautiful.
[Dog whining]
It's all right, Copernicus. Everything will be fine.
I'm sorry.|It's all my fault you're stuck back there.
I never should've let Biff get to me.
There are plenty worse places to be|than the 0ld West.
I could have ended up in the Dark Ages.
They probably would have burned me|at the stake as a heretic.
Let's look at the map.
According to this, the time vehicle|is sealed off in a side tunnel.
We may have to blast.
MARTY: Whoa!
I think you woke up the dead with that blast.
Take this camera. I want to document everything!
D0C: This reminds me of the time I attempted|to reach the center of the Earth.
I'd been reading my favorite author,|Jules Verne.
I spent weeks preparing that expedition.|I didn't even get this far.
0f course, I was only 12 at the time.
You know, it was the writings of Jules Verne...
...that had a profound effect on my life.
When I was 11, I first read|20,000 Leagues Under the Sea.
It was then that I realized|I must devote my life to science.
MARTY: Check it out. Look at this.
D0C: My initials!
Just like in|Journey to the Center of the Earthl
That means the time machine|must be right through this walll
D0C: It's been buried in here for 70 years,|two months and 13 days.
MARTY: "As you see, the lightning bolt|shorted out the time-circuit control chip.
"The attached..."
"Schematic diagram will allow you|to build a replacement unit...
"...with 1955 components, thus restoring|the time machine to perfect working order."
Unbelievable that this little piece of junk|could be such a big problem.
No wonder this circuit failed.|It says, "Made in Japan."
What do you mean, Doc?|All the best stuff is made in Japan.
[Motor grinding]
D0C: You know, when I was a kid,|I always wanted to be a cowboy.
Now, knowing I'm spending my future|in the past... sounds like a wonderful way|to spend my retirement years.
It just occurred to me, since I end up in 1885...
...perhaps I'm now in the history books.|I wonder.
Could I look myself up|in the old newspaper archives?
MARTY: I don't know.
You always say it's not good|to know too much about your own destiny.
You're right, Marty. I know too much already.
Better that I not attempt to uncover|the circumstances of my own future.
Copernicus. Come on, boy!
MARTY: I'll get him.
Come on. Let's go home, boy.
What's wrong?
What's wrong, Copernicus?
Come on, let's go.
MARTY: [Desperate] Doc, come here!
What's wrong?|You look like you've seen a ghost.
You're not far off, Doc.
Great Scott!
Check this out.
"Died September 7, 1885."|That's one week after you wrote the letter!
"Erected in eternal memory|by his beloved Clara."
Who the hell is Clara?
- Please don't stand there!|- Right. Sorry.
I have to get another picture.
D0C: "Shot in the back by Buford Tannen|over a matter of $80"?
What kind of a future do you call that?
MARTY:|"Buford Tannen was a notorious gunman...
"...whose short temper and a tendency to drool...
"...earned him the nickname 'Mad Dog. '
"He was quick on the trigger|and bragged he had killed 12 men...
"...not including Indians or Chinamen."
D0C: Does it name me? Am I one of the 12?|MARTY: Wait.
"This claim cannot be proven|since precise records were not kept...
"...after Tannen shot a newspaper editor...
"...who printed an unfavorable story|about him in 1884."
MARTY: That's why we can't find anything.|D0C: Look.
D0C: William McFly and family.|Your relatives?
MARTY: My great-grandfather's name|was William. That's him. Good-looking guy.
D0C: McFlys, but no Browns.
Maybe it was a mistake.|Maybe that grave wasn't yours.
There could've been|another Emmett Brown in 1885.
Did you have any relatives here back then?
The Browns didn't come to Hill Valley|until 1908. Then they were the von Brauns.
My father changed our name|during World War I.
MARTY: Look.
[Doc gasps]
Great Scott, it's me!
Then it is true, all of it.
It is me who goes back there and gets shot.
It's not gonna happen, Doc.
After you fix the time circuits|and put new tires on the DeLorean...
...l'm going back to 1885,|and I'm bringing you home.
D0C: The clothes fit?
MARTY: Everything except the boots.|They're kind of tight.
Are you sure this stuff is authentic?
0f course.|Haven't you ever seen a Western?
Yeah, I have.
Clint Eastwood never wore anything like this.
- Clint who?|- Right. You haven't heard of him yet.
You have to wear the boots.
You can't wear those futuristic things|back in 1885.
You shouldn't be wearing them|here in 1955.
- As soon as I get there, I'll put them on.|- 0kay.
I think we're about ready.|I put gas in the tank.
Your future clothes are packed.
Just in case,|fresh batteries for your walkie-talkies.
What about that floating device?
MARTY: Hoverboard.|D0C: All right.
It's gonna be a long walk|back to Hill Valley from here.
It's still the safest plan.
We can't risk sending you back|into a populated area...
...or to a spot that's geographically unknown.
You don't want to crash into some tree|that existed in the past.
This was all completely open country... you'll have plenty of runout space|when you arrive.
Remember, where you're going,|there are no roads.
There's a small cave over there which will be|a good place to hide the time vehicle.
The new time-circuit control tubes|are warmed up.
Time circuits on.
I wrote the letter on September 1,|so we'll send you to...
...September 2, that's a Wednesday.|September 2, 1885, 8:00 a.m.
I get shot on Monday the 7th.|You have five days to locate me.
According to my letter, I'm a blacksmith,|so I probably have a shop somewhere.
All you got to do is drive the time vehicle...
...directly toward that screen,|accelerating to 88 miles an hour.
MARTY: Wait a minute.
If I drive straight towards the screen,|I'll crash into those Indians.
D0C:|Marty, you're not thinking fourth dimensionally.
You'll instantly be transported to 1885|and those Indians won't even be there.
Good luck, for both of our sakes.
See you in the future.
- You mean the past.|- Exactly.
[Adventurous instrumental music]
[Engine starting]
D0C: Happy trails, Marty!
[Revving engine]
D0C: Ready, Marty?
- Set!|- Hi-ho, Silver.
[Revving engine]
[Shouting in Spanish]
[Adventurous instrumental music]
[lndians whooping]
[lndian drum beat pounds rhythmically]
[Fast-paced instrumental music]
MARTY: The cave!
[Bugle playing battle call]
Shit! The cavalry!
[Cavalry shouting]
[Bugle playing battle call]
[Liquid pouring]
Damn, I ripped the fuel line.
[Bear moaning]
[Marty screams]
[Sheep bleating]
Maggie! Fetch some water!|We got a hurt man here.
MARTY: Mom, is that you?|MAGGIE: There, there.
You've been asleep for nearly six hours.
I had this horrible nightmare.
I dreamed I was in a Western.
I was being chased by all these Indians...
...and a bear.
MAGGIE: You're safe and sound now|here at the McFly farm.
"McFly farm"?
[Marty shouts]
You're my...
You're my...
- Who are you?|- The name is Maggie McFly.
And that's Mrs. McFly,|and don't you be forgetting the "Mrs."
MAGGIE: What might your name be, sir?|MARTY: It's...
Clint Eastwood.
You hit your head, Mr. Eastwood.
Not too serious, but lucky for you|Seamus found you when he did.
Me husband.
[Baby squealing]
You'll be excusing me, while I tend to William.
MAGGIE: That's okay, Will.
[Baby crying]
MARTY: That's William?|MAGGIE: Aye.
William Sean McFly,|the first of our family to be born in America.
MAGGIE: It's okay, Will.|This here is Mr. Clint Eastwood visiting.
He sure likes you.
I've got supper.
SEAMUS: I'm not one to pry|into a man's personal affairs...
...but exactly how is it|you came to be way out here...
...without a horse, or boots, or a hat?
Well, my... broke down and a bear ate my boots...
...and I just forgot my hat.
How could you forget a thing like your hat?
- Would you like some water?|- Yeah.
I'll tell you what I'll do, Mr. Eastwood.
I'll help you find your blacksmith friend.
You can stay the night in the barn...
...and tomorrow I'll take you|as far as the railroad tracks.
You can follow them straight into town.
I'll even give you a hat.
That's great. Thanks.
[Baby crying]
[Seamus exclaiming appreciatively]
SEAMUS: That's my William.
Wee Willy.
I think you'll find the barn comfortable.
Never had any complaints about it|from the pigs.
MAGGIE: Seamus.
MAGGIE: A word with you.|SEAMUS: Aye.
SEAMUS: Will you hold him for a minute?
Are you sure you're not bringing a curse|on this house taking him in like that?
- He's such a strange young man.|- Aye, but I've just got a feeling about him.
Looking after him is the right thing to do.|That's important.
MARTY: Hey, buddy.
Look how the baby takes to him.
Little Will never takes to strangers.
It's almost as if he's connected to us.
MARTY: Hey, Will.
So you're my great-grandfather.
The first McFly born in America.
[Sound of trickling]
And you peed on me.
[Marty panting]
[Dramatic instrumental music]
[Chickens clucking]
MAN 1: Give us some soap.|MAN 2: Here you go.
[Piano music plays]
[Heavy thudding]
[Horse snorts]
[Donkey braying]
[Gun fires]
Take a look and see|what just breezed in the door.
I didn't know the circus was in town.
Must have got that shirt off a dead Chinese.
[Men laughing]
What will it be, stranger?
I'll have...
MARTY: ... ice water.|0LD MAN: Ice water?
[Men laughing]
BARMAN: Water?
You want water, you better dunk your head|in the horse trough out there.
In here, we pour whiskey.
- Excuse me.|- For what?
MARTY: I'm trying to find a blacksmith.
TANNEN: Hey, McFly!
Thought I told you never to come in...
You ain't Seamus McFly.
You look like him, though,|especially with that dog-ugly hat.
[All laughing]
You kin to that hay barber?
- What's your name, dude?|- Marty...
Clint Eastwood.
- What kind of stupid name is that?|- He's the runt of the litter.
Boys, would you look-see|at these pearly whites?
I ain't seen teeth that straight|that weren't store-bought.
Take a gander at them moccasins.|What kind of skins is them?
THUG 1: What's that writing mean?|THUG 2: "Nike"? Is that Indian talk?
Bartender, I'm looking for that no-good,|cheating blacksmith.
- You seen him?|- No, sir, Mr. Tannen. I have not.
You're Mad Dog Tannen.
TANNEN: "Mad Dog"?
I hate that name.
I hate it, you hear?
Nobody calls me "Mad Dog"!
Especially not some duded-up,|egg-sucking gutter trash.
Dance! Come on!
TANNEN: Come on, runt!|You can dance better than that!
[Marty whoops]
- You better run, squirrel.|- Get him!
[Dramatic instrumental music]
[Women shrieking]
[Marty shouts]
[Marty screaming]
[Thugs whooping gleefully]
TANNEN: We got ourselves a new courthouse.|It's high time we had a hanging!
[Marty grunting]
[Thugs cheering]
THUG 1: Look at him sway.
TANNEN:|Yeah, haven't had a hanging in a long time!
D0C: I shoot the fleas off a dog's back|at 500 yards, Tannen...
...and it's pointed at your head!
TANNEN: You owe me money, blacksmith.|D0C: How do you figure?
My horse threw a shoe.
You done the shoeing,|so that makes you responsible.
Since you never paid me for the job,|I'd say that makes us even.
I was on my horse when it happened,|and I got throwed off!
That caused me to bust a perfectly|good bottle of fine Kentucky redeye.
The way I figure it, blacksmith,|you owe me $5 for the whiskey...
...and $75 for the horse!
That's the $80.
If your horse threw a shoe,|bring him back and I'll reshoe him.
I shot that horse!
- That's your problem, Tannen.|- Wrong. That's yours.
From now on,|you better be looking behind you when you walk.
Because one day you're gonna get|a bullet in your back.
Marty, I gave you explicit instructions|not to come here...
...but to go directly back to 1985.
I know, but I had to come.
It's good to see you, Marty.
D0C: You've got to do something|about those clothes.
- Dressed like that, you're liable to get shot.|- 0r hanged.
D0C: What idiot dressed you in that outfit?
You did.
D0C: "Shot in the back by Buford Tannen|over a matter of $80"?
"September 7"?
That's this Monday!
Now I wish I'd paid him off.
Who's this "beloved Clara"?|I don't know anyone named Clara.
I don't know, Doc.
I thought maybe she was a girlfriend of yours.
My involvement in such a social relationship... in 1885...
...could result in a disruption|of the space-time continuum.
As a scientist...
...I can never take that risk.
Certainly not after|what we've already been through.
MAY0R: Emmett! Hello, Emmett.|D0C: Hubert.
It's the mayor.
Excuse me, Emmett.
Do you remember last week|when you volunteered... meet the new schoolteacher|at the station?
D0C: Yes, quite so.
We just got word she's coming in tomorrow.
Here are the details for you.
MAY0R: Thanks for all your help.|D0C: Anytime, Hubert.
MAY0R: 0h!
Her name's Miss Clara Clayton.
[Machine chugging loudly]
MARTY: Well, Doc... we know who Clara is.
Marty, it's impossible.
The idea that I could fall in love|at first sight is romantic nonsense.
There's no scientific rationale|for that concept.
It's not science.
You meet the right girl, it hits you like lightning.
Please, don't say that.
That's the way it was for me and Jennifer.
We couldn't keep our eyes off each other.
God, Jennifer, I hope she's all right.
I can't believe we just left her on the porch.
Don't worry. She'll be fine.
When you burned the almanac in 1955,|the normal timeline was restored.
0nce we're back in 1985... just have to go to her house|to wake her up.
D0C: Turn that valve over there,|all the way to the right.
Yeah, pull it all the way around.
Let's gol
D0C: Ice tea?|MARTY: No, thanks.
It's a refrigerator.
I guess Miss Clayton|will have to find other transportation.
If I never meet her, there's no possibility|of a romantic infatuation.
- You're the doc.|- All right.
D0C:|We'll get the DeLorean and get back to the future.
I tore a hole in the gas tank|when I was landing... we'll have to patch it up|and get some gas.
You mean, we're out of gas?
MARTY: Yeah. It's no big deal.|We've got Mr. Fusion, right?
Mr. Fusion powers the time circuits|and the flux capacitor.
But the internal combustion engine|runs on ordinary gasoline.
It always has.
There won't be a gas station around here|until sometime in the next century.
Without gasoline,|we can't get the DeLorean up to 88 mph.
[0minous instrumental music]
MARTY: So what do we do?
[Adventurous instrumental music]
- Twenty-four!|- It's no use, Marty!
Even the fastest horse in the world|won't run more than 35, 40 miles an hour!
MARTY:|Bartender said that's the strongest stuff they got.
Try it, Marty.
[Engine stalling]
[Engine chugging]
Give it more gas!
[Engine dies]
D0C: Damn!
It blew the fuel injection manifold.|Strong stuff, all right.
It will take me a month to rebuild it.
A month?
- You're gonna get shot on Monday!|- I know!
I wish...
I've got it! We can roll it down a steep hill!
We'll never find a smooth enough surface.|Unless...
0f course! Ice!
We'll wait until winter|when the lake freezes over.
MARTY: Winter? What are you saying?|Monday is three days away!
All right. Let's just think|this thing through logically.
We know it won't run under its own power.|We know we can't pull it.
But if we could figure out a way... push it up to 88 miles an hour...
[Train whistle blowing]
That's it.
How fast can she go?|Why, I've had her up to 55 myself.
I heard that Fearless Frank Fargo|got one of these up to near 70...
...out past Verde Junction.
Do you think it's possible to get it up to 90?
Ninety? Tarnation.|Who would ever need to be in such a hurry?
Just a little bet he and I have, that's all.
Theoretically speaking, could it be done?
I suppose, if you had a straight|stretch of track with a level grade...
...and you weren't hauling no cars...
...and if you could get the fire hot enough.
I'm talking about hotter than the blazes|of Hell itself.
It might be possible to get her up that fast.
When does the next train come through?
Monday morning at 8:00.
Here. This spur that runs|off the main line 3 miles out to Clayton Ravine.
It's a long stretch of level track|that will still exist in 1985.
This is where we'll push the DeLorean|with the locomotive.
Funny. This map calls Clayton Ravine|"Shonash Ravine."
That must be the old Indian name for it.|It's perfect.
A long run that goes|across the bridge over the ravine...
...over near that Hilldale housing development.
Right, but according to this map...
...there is no bridge.
MARTY:|Well, Doc, we can scratch that idea.
We can't wait for this thing to get finished.
D0C: Marty, it's perfect.
D0C:|You're not thinking fourth dimensionally.
MARTY:|Right. I have a problem with that.
D0C:|Don't you see? The bridge will exist in 1985.
It's safe and still in use.
As long as we get the DeLorean|up to 88 miles an hour...
...before we hit the edge of the ravine...
...we'll instantaneously arrive at a point|in time where the bridge is completed.
We'll have track under us|and coast safely across the ravine.
MARTY: What about the train?|D0C: It will be a spectacular wreck.
Too bad no one will be around to see it.
[Woman screaming]
CLARA: Help me!|D0C: Great Scott!
[Horses neighing]
[Suspenseful instrumental music]
CLARA: Hurry!
D0C: Jump!
[Clara shouts]
[Clara panting]
Thank you, sir. You saved my...
Emmett Brown at your service, Miss...
Clara Clayton.
What a beautiful name.
[Soft instrumental music]
D0C: May I help you inside with these?
That won't be necessary. I can take care of it.
- You've done more than enough already.|- But it's really no trouble.
She says it's fine, and we have to get going.
Ma'am, good luck|with your school teaching and everything.
I'll straighten everything out|for the buckboard rental.
Don't worry about that.|I feel somewhat responsible for what happened.
That would be very gentlemanly of you,|Mr. Brown. Emmett.
You know, I'm almost glad|that snake spooked those horses.
0therwise, we might never have met.
I suppose it was destiny.
Thank you for everything.
You're quite welcome.
I will see you again, won't I?
0f course. You'll see lots of me.|I have a shop in town.
I'm the local scientist, I mean, blacksmith.
What sort of science?
Astronomy? Chemistry?
Actually, I'm a student of all sciences.
Doc, we have to get going.
Yes. Excuse us, Clara.
We have to get going.
What do you mean,|you'll be seeing lots of her?
I might see her again just in passing.
Did you see the way she was looking at you?
She did have quite a scare, right?
Miss Clayton almost ended up|at the bottom of Clayton Ravine.
Holy shit.|Clayton Ravine was named after a teacher.
- They say she fell in there 100 years ago.|- 100 years ago!
- That's this year!|- Every kid knows that story.
We all have teachers we'd like to see|fall into the ravine.
Great Scott!
Then she was supposed to go over|in that wagon.
Now I may have seriously altered history.
Look, Doc, what's the worse that can happen?
So they don't name the ravine after her.
Let's get the DeLorean ready|and get out of here.
I wish I'd never invented|that infernal time machine.
It's caused nothing but disaster.
Doc, this is Marty.
Do you read me? Over.
Check, Marty.
MARTY: Great. These things still work.
All right. 0nce more,|let's go over the entire plan and layout.
- I apologize for the crudity of this model...|- Yeah, it's not to scale. It's okay.
All right. Tomorrow night, Sunday...
...we load the DeLorean|onto the tracks here, on the spur... the abandoned silver mine.
The switch track is where the spur runs|off the main line...
...three miles out to Clayton... Shonash Ravine.
The train leaves the station|at 8:00 Monday morning.
We'll stop it, uncouple the cars,|throw the switch track and then hijack...
...borrow the locomotive and use it|to push the time machine.
According to my calculations we'll reach|88 mph just before we hit...
...the edge of the ravine,|at which point we'll be transported back to 1985...
...and coast safely across the completed bridge.
What does this mean? "Point of no return."
That's our fail-safe point.
Till there, we have time to stop the locomotive|before it plunges into the ravine.
But once we pass this windmill,|it's the future or bust.
D0C: Here you go.|Connect that to the positive terminal.
D0C: All right, you all set?|MARTY: Yeah. Go!
D0C: Train pulling out of the station!
Coming up to the switch trackl
Stop at the switch trackl
Throw the switchl
Pull up to the DeLoreanl
Pushing the DeLorean...
...up to 88 miles per hour!
[Whistle blowing]
It couldn't be simpler.
[Door creaking]
CLARA: Emmett?
It's Clara.
Quick, cover the DeLorean!
CLARA: Hello.|D0C: Why, hello.
D0C: This is quite a surprise.
I hope I'm not disturbing anything.
We were just doing a little model railroading.
When my bags were thrown from the wagon... telescope was damaged.
Since you mentioned an interest in science...
...I thought you might be able to repair it for me.
I would pay you, of course.
I wouldn't think of charging you for this.
Let's have a look at it.
CLARA:|I think a lens may be out of alignment because...
...if you move it this way the image turns fuzzy.
But if you turn it the other way...
Everything becomes...
[Clearing throat]
I could repair it right away|and have it for you tonight.
Tonight is the town festival.
I wouldn't dream of having you work|on my telescope during such an occasion.
You are planning on attending, aren't you?
- Actually, ma'am...|- Yes, of course. The festival.
In that case,|I'll see you this evening at the festival.
CLARA: Mr. Eastwood.|MARTY: Ma'am.
Thank you for taking care of my telescope.
D0C: You're quite welcome.
It's a nice telescope.
Ladies and gentlemen... mayor of Hill Valley... gives me great pleasure|to dedicate this clock... the people of Hill County!
May it stand for all time!
Tell me when, gentlemen.
[Drum-roll plays]
CR0WD: Three! Two! 0ne!
[Band plays]
[All applauding]
MAY0R: Let the festivities begin!
In a way, it's fitting that you and I|are here to witness this.
It's too bad I didn't bring my camera.
Ready, gentlemen?
The only problem is,|we'll never be able to show it to anybody.
Smile, Doc.
[Man shouting gleefully]
[Band plays folk music]
[People whooping]
What great music!
Yeah, it's got a beat, and you can dance to it.
Step right up and test your mettle|with the latest products...
...from Col. Samuel Colt's Patent|Firearms Manufacturing Company...
...of Hartford, Connecticut.
Now, take this model, for example.
The new,|improved and refined Colt Peacemaker...
...selling to you tonight for the low price of $12.
- Good evening.|- 'Evening.
You look very nice.
Thank you.
Would you like...
- Would you care to...|- I'd love to.
Young man, you want to give it a try?
MARTY: No, thanks.
Doc, this...
- Sonny boy!|- Doc can dance?
SALESMAN: I just told you that even a baby|could handle this weapon.
SALESMAN: Surely you're not afraid to try.|MARTY: I'm not afraid of nothing.
Come on, then.|Just step up here like a man.
Now, young man, what you do|is just ease that hammer back and...
...squeeze off a round.
Right on out there and be real smooth.
That's the way you do it.
- Can I try that again?|- Yeah, go ahead.
Tell me one thing.|Where did you learn to shoot like that?
Buford, you sure that blacksmith|will be at this shindig?
Sure he's here. Everybody's here tonight.
You'll have to check your firearms|if you want to join in on the festivities.
[Tannen laughing]
TANNEN: Who's gonna make us, tenderfoot?|MARSHAL: I am.
TANNEN: Marshal Strickland.|I didn't know you was back in town.
If you can't read the sign,|I presume you can read this.
Pretty tough hombre when you're pointing|a gun at a man's back.
Just like you, I take every advantage I can get.
You gonna check your iron?
I was just joking with your deputy.
0f course, I'm gonna check my iron.
TANNEN: We all were, weren't we, boys?|THUGS: Yeah, right.
DEPUTY: Tannen.
Your knife, too.
TANNEN: Smile, Marshal.
After all, this is a party.
0nly party I'll be smiling at... the one that sees you at the end of a rope.
Have fun!
[Horses neighing]
That's how you handle them.|Never give them an inch...
...and maintain discipline at all times.
Remember that word: discipline.
I will, Pa.
W0MAN: Thank you very much.
Mr. Eastwood, nice to see you.
I see you got yourself|some respectable clothes and a fine hat.
A couple people didn't like the way|the other one looked on me.
That one suits you.
- It's very becoming.|- Thanks.
"Frisbee." Far out.
- What was the meaning of that?|- It was right in front of him.
[Music stops]
[All cheering and applauding]
- That's mine!|- Not anymore.
- Give me that.|- There he is, Buford.
- Where?|- There.
THUG 1: Dancing with that piece of calico.
THUG 2: What are you gonna do, boss?
I figure if I bury this muzzle deep enough|in his back nobody will hear the shot.
Careful. You've only got one bullet with that.
I only need one.
[Band playing folk music]
I told you to watch your back, smithy.
You're early.
It's a Derringer. Small but effective.
The last time I used it, fella took two days to die.
Bled to death inside. It was real painful.
That means you'll be dead|by about supper time Monday.
Excuse me. I don't know|who you think you are, but we're dancing.
Look what we have here.
TANNEN: Ain't you gonna introduce me?|I'd like a dance.
I wouldn't give you the pleasure.|You'll have to go ahead and shoot.
- All right.|- I'll dance with him.
TANNEN: Boys, keep the blacksmith company|while I get acquainted with the filly!
[Tannen whoops excitedly]
I don't dance very well|when my partner has a gun in his hand.
You'll learn.
Maybe I'll just take|my $80 worth out of her!
Leave her alone!
Yeah, I bet there's something you can do|that's worth $80.
I believe you've underestimated me, mister.
Have I?
[Tannen grunts loudly]
[Clara grunts]
D0C: Stop it!
D0C: Damn you!
TANNEN: No, I damn you!
I damn you to helll
- You.|- Lighten up, jerk!
Mighty strong words, runt!
You man enough to back them up|with more than just a pie plate?
Just leave my friends alone.
What's wrong, dude? You yellow?
That's what I thought. A yellow-belly.
Nobody calls me yellow.
TANNEN: Then let's finish it. Right now.
Not now, Buford. Marshal's got our guns.
Like I said, we'll finish this tomorrow!
Tomorrow we're robbing the Pine City stage.
What about Monday?|We doing anything Monday?
Monday would be fine.|You can kill him on Monday.
I'll be back this way on Monday.|We'll settle this then.
Right there, out in the street... front of the Palace Saloon.
Yeah, right. When?
MARTY: High noon?|TANNEN: Noon?
I do my killing before breakfast. 7:00!
8:00. I do my killing after breakfast.
D0C: [Whispering] Marty!
MARSHAL: Break it up.
What's all this about?|You causing trouble here, Tannen?
TANNEN: No trouble, Marshal.
Just a little personal matter|between me and Eastwood.
This don't concern the law.
MARSHAL: Tonight, everything concerns the law.|Break it up.
Any brawling, it's 15 days in the county jail.
All right, folks. This is a party.|Come on! Let's have some fun!
[People cheering]
[Band resumes]
8:00 Monday, runt.
If you ain't here, I'll hunt you|and shoot you down like a duck.
It's "dog." Shoot him down like a dog.
Let's go, boys!
Let these sissies have their party!
What are you doing, saying you'll meet Tannen?
Don't worry about it.|Monday morning we'll be gone.
Theoretically, yes. But what if the train's late?
- We'll discuss this later.|- We'll discuss it now.
- Thank you for your gallantry.|- Ma'am.
Had you not interceded,|Emmett might have been shot.
Marty... Clint, I'm gonna take Clara home.
- Right. Good night.|- You sure set him straight.
I'm glad somebody finally stood up|to that son of a bitch.
You're all right in my book.|I'd like to buy you a drink.
You don't have to buy me anything.|It was no big deal...
You can have this brand-new|Colt Peacemaker and gun belt, free of charge.
I want everybody to know|the gun that shot Buford Tannen...
...was a Colt Peacemaker!
No problem. Thanks a lot.
0f course, if you lose, I'm taking it back.
Thanks again.
SEAMUS: You had him.
You could have walked away and nobody|would have thought less of you.
All it would have been was words,|hot air from a buffoon.
Instead, you let him rile you...
...into playing his game, his way, by his rules.
Seamus, relax. I know what I'm doing.
- He reminds me of poor Martin.|- Aye.
- Who?|- Me brother.
Wait a minute.|You have a brother named Martin McFly?
Had a brother.
Martin used to let men|provoke him into fighting.
He was concerned people|would think him a coward if he refused.
That's how he got a knife shoved through|his belly in a saloon in Virginia City.
Never considered the future, poor Martin.|God rest his soul.
Sure, and I hope you're|considering the future, Mr. Eastwood.
I think about it all the time.
CLARA:|That crater all by itself, like a starburst.
D0C: Yeah.|CLARA: That one's called Copernicus.
Listen to me. I feel like I'm teaching school.
Please, continue the lesson.
I never found lunar geography so fascinating.
You're quite knowledgeable.
When I was 11, I had diphtheria.|I was quarantined for three months.
My father brought this telescope|and put it next to my bed... I could see everything out the window.
Do you think we'll ever travel to the moon...
...the way we travel|across the country on trains?
Definitely. Although not for 84 years,|and not on trains.
We'll have space capsules sent aloft|with rockets...
...devices that create giant explosions|so powerful they just...
That they break the pull of gravity|and send the projectile to outer space.
I read that book, too!
You're quoting Jules Verne,|From the Earth to the Moon.
You've read Jules Verne?
- I adore Jules Verne.|- So do I.
20,000 Leagues Under the Sea.|My absolute favorite.
The first time I read that as a little boy,|I wanted to meet Captain Nemo.
Don't tease. You couldn't have read that|when you were a boy.
It was only first published 10 years ago.
Yes. I meant it made me feel like a boy.
I never met a woman|who liked Jules Verne before.
I never ever met a man like you before.
[Clock cuckooing]
[Bell rings]
[0bject rolling]
[Marty groaning]
[Marty sighs]
Hope you know what you're doing.
[0minous instrumental music]
You talking to me?
You talking to me, Tannen?
I'm the only one here.
Go ahead! Make my day.
[Horse neighs]
PASSERBY: Good morning.|MARTY: 'Morning.
Man:|Have a cigar. Anything I can do for you today?
- No, that's fine.|- Good luck tomorrow.
- We'll be praying for you.|- Thanks.
Good morning.|Interest you in a new suit for tomorrow?
I'm fine. Thanks.
MARTY: What are you doing?|D0C: Nothing.
I was just out enjoying the morning air.
It's really lovely here in the morning.|Don't you think?
Yes. We've got to load the DeLorean|and get ready to roll.
Look at that, the tombstone.
D0C: Let me see that photograph again.
My name, it's vanished.
MARTY: That's great, Doc.
We're going back to the future tomorrow,|so everything's being erased.
D0C: But only my name is erased.
The tombstone itself and the date still remain.|That doesn't make sense.
We know this photograph represents|what will happen...
...if the events of today continue|to run their course into tomorrow.
- Right. So?|- Excuse me, Mr. Eastwood.
- I just need to take your measurements.|- Look, pal, I don't want to buy a suit.
- This is for your coffin.|- My coffin?
The odds are running 2-1 against you.
Might as well be prepared.
So it may not be my name...
...that's going to be on this tombstone.|It may be yours.
- Great Scott.|- I know, this is heavy.
D0C: Why are you wearing that gun? You're|not considering going up against Tannen?
Tomorrow morning I'm going|back to the future with you.
But if Buford Tannen comes looking for trouble,|I'll be ready for him.
You heard what that son of a bitch called me.
You can't lose your judgment over names.
That's exactly what causes you|to get in that accident in the future.
What? What about my future?
I can't tell you. It might make things worse.
Wait a minute.
What is wrong with my future?
We all have to make decisions|that affect the course of our lives.
You've got to do what you've got to do...
...and I've got to do what I've got to do.
- Marty.|- Yeah?
I've made a decision.
I'm not going with you tomorrow.
I'm staying here.
What are you talking about?
There's no point in denying it.
- I'm in love with Clara.|- 0h, man.
We don't belong here.
Neither one of us.
It could still be you that gets shot tomorrow.
This tombstone could still be in your future.
Marty, the future isn't written.
It can be changed. You know that.
Anyone can make their future|whatever they want it to be.
I can't let this one little photograph|determine my entire destiny.
I have to live my life|according to what I believe is right... my heart.
Doc, you're a scientist.
So you tell me.|What's the right thing to do, up here?
[Suspenseful instrumental music]
You're right, Marty.
- That worked great.|- I've at least got to tell her good-bye.
Come on, Doc.
Think about it. What will you say to her?
"I've got to go back to the future"?|She won't understand that.
Hell, I'm in it with you,|and I don't even understand it.
[Tender instrumental music]
Maybe we...
Maybe we can just take Clara with us.
To the future?
As you reminded me, I'm a scientist,|so I must be scientific about this.
I cautioned you about disrupting|the continuum for your own benefit.
Therefore, I must do no less.
We shall proceed as planned,|and as soon as we return to 1985...
...we'll destroy this infernal machine.
Traveling through time|has become much too painful.
[Knocking on door]
It's Emmett, Clara.
Emmett, won't you come in?
No, I better not. I...
What's wrong?
I've come to say good-bye.
Good-bye? Where are you going?
I'm going away.
I'm afraid I'll never see you again.
Clara, I want you to know|that I care about you deeply.
But I've realized that I don't belong here,|and I have to go back where I came from.
Where might that be?
I can't tell you.
Then wherever you're going, take me with you.
I can't, Clara.
I wish it didn't have to be this way...
...but believe me when I tell you|that I'll never forget you...
...and that I love you.
CLARA:|I don't understand what you're trying to say.
I don't think there's any way|that you can understand it.
Please, I have to know.
If you sincerely do love me,|then tell me the truth.
All right then.
I'm from the future.
I came here in a time machine|that I invented...
...and tomorrow I have to go back|to the year 1985.
Yes, Emmett.
I do understand.
I understand that because you know|I'm partial to the writings of Jules Verne... concocted those mendacities|in order to take advantage of me.
I've heard some whoppers in my day...
...but the fact that you'd expect me|to believe this... so insulting and degrading!
All you had to say is, "I don't love you|and I don't want to see you anymore."
That, at least, would have been respectful!
But that's not the truth.
[Somber instrumental music]
[Sobbing softly]
[Saloon music playing]
PATR0N: Good to see you, too.
Emmett. What can I get you, the usual?
No, Chester, I'll need something|a lot stronger than that tonight.
- Sarsaparilla.|- Whiskey, Chester.
Whiskey? Are you sure?
You know what happened to you|on the Fourth of July.
BARMAN: 0kay, I ain't your papa.
Just don't want to see you do the wrong thing.
You can leave the bottle.
It's a woman, right?
I knew it. I've seen that look|on a man's face...
...a thousand times all across the country.
All I can tell you, friend,|is you'll get over her.
Clara was one in a million.
0ne in a billion. 0ne in a googolplex.
The woman of my dreams,|and I've lost her for all time.
I can assure you, sir, there are other women.
Peddling this barbed wire|across the country...
...has taught me one thing for certain...'s that you never know|what the future might bring.
The future. I can tell you about the future.
[Horse neighs]
Man, did I sleep.
What time is it, Doc?
TANNEN: Wake up!
Get upl Let's gol
I got me a runt to kill.
THUG 2:|It's still early, boss. What's your hurry?
I'm hungry.
And in the future, we don't need horses.
We have motorized carriages|called automobiles.
If everybody's got one of these auto whatsits...
...does anybody walk or run anymore?
0f course they run, but for recreation, for fun.
Run for fun?|What the hell kind of fun is that?
[Laughing hysterically]
How much has he had?
None. That's the first one,|and he hasn't touched it yet.
He just likes to hold it.
[Man laughing]
What are you doing?
I've lost her, Marty.|There's nothing left for me here.
That's why you gotta come back with me.
- Where?|- Back to the future!
- Right! Let's get going!|- Great.
Gentlemen, excuse me.|My friend and I have to catch a train.
Here's to you, blacksmith.
- And to the future.|- Amen.
- Amen.|- Emmett, no!
MARTY:|Come on, Doc. Wake up! Wake up, Doc!
- How many did he have?|- Just the one.
- Just the one? Come on, Doc.|- There's a fellow that can't hold his liquor.
- Get me some black coffee!|- Joey, coffee!
[Clock bell ringing]
[Dramatic instrumental music]
CLERK: Ma'am?
- How far does the 8:00 train go?|- San Francisco is the end of the line.
I'll take a one-way ticket.
To sober him up in a hurry,|you need something a lot stronger than coffee.
What do you suggest?
Joey, let's make some wake-up juice.
MARTY: Come on, Doc, swallow.
In about 10 minutes...
...he's gonna be as sober as a priest on Sunday.
Ten minutes!
Why do we cut these things so damn close?
BARMAN:|Here, stick this clothespin on his nose.
When he opens up his mouth,|go ahead and pour it on down his gullet.
Stand back.
[Doc screaming]
- He's still out!|- That was just a reflex action.
It'll take a few more minutes|for the stuff to clear up his head.
[Bell ringing]
MARTY: Come on, Doc. Wake up, buddy.
Wake up, Docl
Seamus?|Wouldn't expect to see you here this morning.
Aye. Something inside me told me|I should be here... if my future had something to do with it.
He'll come around in a minute. Come on.
Come on, Doc. Let's go!|Let's wake up now, buddy.
TANNEN: Are you in there, Eastwood?
It's 8:00 and I'm calling you out.
MARTY: It's not 8:00 yet!
TANNEN: It is by my watch!
Let's settle this once and for all, runt!
0r ain't you got the gumption?
I'm not really feeling up to this today.
- So I'll have to forfeit.|- Forfeit?
What's that mean?
- It means that you win without a fight.|- Without shooting? He can't do that.
You can't do that!
You know what I think?
I think you ain't nothing but a gutless,|yellow turd!
I'm giving you to the count of 10|to come out here and prove I'm wrongl
Doc, come on, sober up, buddy.
TANNEN: Two!|MAN: You better get out there, son.
I got $20 gold bet on you, so don't let me down.
TANNEN: Three!
MAN 2: I got $30 gold bet against you,|so don't let me down.
MAN 3: You better face up to it, son,|because if you don't go out there...
MARTY: What?|TANNEN: Five!
- What if I don't go out there?|- You're a coward.
And you'll be branded a coward|for the rest of your days!
MAN 3:|Everybody everywhere will say Clint Eastwood... the biggest yellow-belly in the West!
TANNEN: Eight!
I already got a gun.
Do you hear me, runt?
I said that's 10,|you gutless, yellow pie-slinger!
He's an asshole!
I don't care what Tannen saysl
I don't care what anybody else says either.
MARTY: Doc, you okay?|D0C: I think so.
What a headache!
- You got a back door to this place?|- It's in the back.
Let's go.
Are you coming out here|or do I have to come in after you?
The thing I really miss here is Tylenol.
Reach, blacksmith!
[Train whistle blowing]
[Bell ringing]
GENTLEMAN:|Yes, sir, that poor fellow last night...
...had the worst case of broken heart|I have ever seen.
When he said he didn't know|how he could live the rest of his life...
...knowing how much hurt|he'd caused that little girl...
...I really felt for him, I did, right here.
TANNEN: Listen up, Eastwood!
I aim to shoot somebody today,|and I prefer it'd be you.
But if you're just too damn yellow...'ll just have to be your blacksmith friend.
Forget about me, Marty, and save yourself!
You got one minute to decide.|You hear me, runt? 0ne minute!
[Train whistle blowing distantly]
I've never seen a man so broken up|over a woman.
What did he say her name was?|Cara? Sara?
- Clara.|- Clara.
- Excuse me.|- Ma'am?
Was this man tall,|with great big brown puppy-dog eyes...
...and long silvery, flowing hair?
You know him.
[Clara panting]
[Brakes scraping loudly]
[All shrieking]
[Dramatic instrumental music]
Time's up, runt!
[Clock bells ringing]
[Gun cocks]
Prepare to meet your maker, blacksmith.
MARTY: Right here, Tannen!
[Suspenseful instrumental music]
I thought we could settle this like men.
You thought wrong, dude.
TANNEN: Thank you.
[Tannen shrieking]
[Tannen grunts]
[Dramatic instrumental music]
[Tannen grunts]
[Tannen groaning]
[Crowd laughing]
That was good.
You know what I think?
- I think Buford's going to jail.|- Yeah.
Get him out of that shit.
Get them!
DEPUTY: Buford Tannen, you're under arrest|for robbing the Pine City stage.
You got anything to say?
I hate manure.
[Whistle blowing]
- The train!|- Can we make it?
We'll have to cut them off at Coyote Pass.
[Dramatic instrumental music]
B0Y: Hey, mister. Mr. Eastwood.
- Here's your gun, mister.|- Thanks, kid.
It's worth $12. Never been used.
SEAMUS: Maybe I'll trade it for a new hat.|MARTY: Right! Take care of that baby!
I will!
[Dramatic instrumental music]
CLARA: "Time machine."
[Dramatic instrumental music]
Come on!
MARTY: Go!|D0C: Give me your hand!
[Both grunting]
[Marty shouting]
Come on!
Come on, Marty.
Come on. Let's go!
Masks on.
D0C: Reach!|ENGINEER: Is this a holdup?
D0C: It's a science experiment.
Stop the train just before you hit|the switch track up ahead.
[Brakes whining]
MARTY: Doc!|D0C: Uncouple the cars from the tender!
[Engine chugging]
[Chugging grows faster]
[Whistle blowing]
I've wanted to do that all my life.
[Suspenseful instrumental music]
[Uplifting instrumental music]
MARTY: What are these things?
My version of Presto Logs.|Compressed wood with anthracite dust...
...chemically treated to burn hotter and longer.
I use them so I don't have to stoke my forge.
These three will ignite sequentially...
...make the fire hotter,|kick up the boiler pressure...
...and make the train go faster.
[Dramatic instrumental music]
[Train whistle blowing]
Ready to roll!
[Whistle blowing]
[Chugging growing faster]
[Suspenseful instrumental music]
CLARA: Emmett!
D0C: Marty, are the time circuits on?
Input the destination time:
0ctober 27, 1985, 11:00 a.m.
MARTY: Check. We're cruising|at a steady 25 miles an hour.
D0C: I'm throwing in the Presto Logs.
[Fire roaring loudly]
The new dashboard gauge|will tell us the boiler temperature.
It's color-coded to indicate|when each log will fire.
Green, yellow and red.
Each detonation will be accompanied|by a sudden burst of acceleration.
Hopefully we'll hit 88 miles per hour|before the needle gets much past 2,000.
Why? What happens after it hits 2,000?
The whole boiler explodes!
[Clara shrieks]
MARTY: We just hit 35!|D0C: Okay, Marty.
I'm coming aboard!
[Dramatic instrumental music]
[Clara shouting over noise]
Come on.
MARTY: You better hold onto something!|The yellow log is about to blow!
We just passed 40!
[lntense instrumental music]
[Faint shouting of Clara]
We just passed 45! Go for it!
MARTY: Fifty.
[Train whistle blowing]
I love you!
MARTY: What's happening?|D0C: It's Clara! She's on the train!
Clara? Perfect.
She's in the cab! I'm going back for her!
The windmill!
Doc! We're going past 50! You'll never make it!
Then we'll have to take her back with us!|Keep calling out the speed!
Clara, climb out here to me!
- I don't know if I can!|- You can do it!
D0C: Just don't look down!
That's it!
Sixty miles an hour!
[Dramatic instrumental music]
You're doing fine! Nice and steady!
Come on!
- Just a little further!|- I can't! I'm scared!
MARTY: Seventy!|D0C: Keep coming, Clara!
D0C: Come on! You're doing fine!
Come onl Nice and easyl
Don't look downl That's itl You're doing finel
The red log is about to blow!
[Clara screaming]
[Marty exclaiming]
CLARA: Emmett!
CLARA: I'm trying to reach you!
D0C: Clara, hold on!|CLARA: I can't!
I'll slip you the Hoverboard!
Marty, watch out!
CLARA: Emmett, help!
Hold on!
MARTY: Ready, Doc?
Catch itl
[Sparks crackling]
[lntense instrumental music]
[Explosion resounds]
[Explosions bursting]
[Crossing bell ringing]
[Car honks]
[Wheels scraping on tracks]
[Train whistle blowing]
[Sad instrumental music]
[Machine buzzing intermittently]
Well, Doc...'s destroyed.
Just like you wanted.
[0minous instrumental music]
- Hey, butthead, get away...|- Watch it, Biff!
I didn't mean to scare you.|I didn't recognize you.
- What the hell are you doing?|- Just putting on the second coat.
You going cowboy?
DAVID:|Come on, guys. We'll be late for brunch.
Dad, they won't hold your reservations all day.
MR. MCFLY: I can't find my glasses.
MR. MCFLY: Have you seen them?|MRS. MCFLY: They're in your suede jacket.
Marty? What's wrong?|We thought you went to the lake.
- You wore that to the lake?|- Thank God you guys are back to normal.
Who are you supposed to be? Clint Eastwood?
Right. I have to go get Jennifer.
- I really like that hat.|- Thanks, Biff.
[Mysterious instrumental music]
MARTY: Jennifer.
[Tender instrumental music]
[Jennifer sighs]
I had the worst nightmare.
JENNIFER: That dream I had is so real.
It was about the future.
About us.
And you got fired.
Wait a minute.|What do you mean, I got fired?
Hilldalel This is where we live.
I mean, this is where we're going to live.
It was a dream, wasn't it?
[Power of Love playing loudly]
[Kids laughing]
NEEDLES: The big M.
- How's it hanging, McFly?|- Hey, Needles.
Nice set of wheels.|Let's see what she can do.
NEEDLES: Next green light.|MARTY: No, thanks.
What's the matter? Chicken?
[Kids cheering]
- Marty, don't.|- Grab hold of something.
KID: Come on!|NEEDLES: Get on!
[Engines revving]
Yeah, go!
[Tires squealing]
[Jennifer shrieks]
JENNIFER: Did you do that on purpose?
Yeah. You think I'm stupid enough|to race that asshole?
[Horn honking]
[Brakes screeching]
[Tires squealing]
Jeez! I would have hit that Rolls-Royce.
It erased.
JENNIFER:|You're right. There's not much left.
Doc's never coming back.
I'll sure miss him, Jen.
[Crossing bell ringing]
What the hell?
[Train chugging slowly]
[Machines powering down]
- Doc!|- Marty!
- Doc!|- Marty!
It runs on steam!
[Tender instrumental music]
Meet the family. Clara, you know.
- Hi, Marty!|- Ma'am!
These are our boys:
Jules and Verne.
Boys, this is Marty and Jennifer.
- Doc, I thought I'd never see you again.|- You can't keep a good scientist down.
I had to come back for Einstein...
...and I didn't want you to be worried about me.
I brought you a little souvenir.
It's great, Doc.
JENNIFER: Dr. Brown, I brought this note|back from the future...
...and now it's erased.
0f course it's erased.
What does that mean?
It means your future hasn't been written yet.
No one's has.
Your future is whatever you make it.|So make it a good one, both of you.
We will, Doc!
Stand back!
All right, boys, buckle upl
MARTY:|Where are you going now? Back to the future?
No. Already been there.
[Dramatic instrumental music]
[Train whistle blowing]
[Climactic instrumental music]
[Double Back plays by ZZ Top]
[Back to the Future theme music plays]
Subtitles by S0FTITLER
BBC - The Blue Planet (1 of 8) - Ocean World
BBC - The Blue Planet (2 of 8) - The Deep
BBC - The Blue Planet (3 of 8) - Open Ocean
BBC - The Blue Planet (4 of 8) - Frozen Seas
BBC - The Blue Planet (5 of 8) - Seasonal Seas
BBC - The Blue Planet (6 of 8) - Coral Seas
BBC - The Blue Planet (7 of 8) - Tidal Seas
BBC - The Blue Planet (8 of 8) - Coasts
Babi Leto - Autumn Spring (2002)
Baby Doll
Baby Geniuses 2 2004
Babylon 5 - 2x01 - Points of Departure
Babylon 5 - 2x02 - Revelations
Babylon 5 - 2x03 - The Geometry of Shadows
Babylon 5 - 2x04 - A Distant Star
Babylon 5 - 2x04 - The Long Dark
Babylon 5 - 2x06 - Spider in the Web
Babylon 5 - 2x07 - Soul Mates
Babylon 5 - 2x08 - A Race Through Dark Places
Babylon 5 - 2x09 - The Coming of Shadows
Babylon 5 - 2x10 - Gropos
Babylon 5 - 2x11 - All Alone in the Night
Babylon 5 - 2x12 Acts of Sacrifice
Babylon 5 - 2x13 - Hunter Prey
Babylon 5 - 2x14 - There All the Honor Lies
Babylon 5 - 2x15 - And Now For A Word
Babylon 5 - 2x17 - Knives
Babylon 5 - 2x18 - Confessions and Lamentations
Babylon 5 - 2x19 - Divided Loyalties
Babylon 5 - 2x20 - The Long Twilight Struggle
Babylon 5 - 2x21 - Comes the Inquisitor
Babylon 5 - 2x22 - The Fall Of Night
Babylon 5 - 3x03 - A Day in the Strife
Babylon 5 - 3x05 - Voices of Authority
Babylon 5 - 3x06 - Dust to Dust
Babylon 5 - 3x07 - Exogenesis
Babylon 5 - 3x08 - Messages from Earth
Babylon 5 - 3x09 - Point of No Return
Babylon 5 - 3x10 - Severed Dreams
Babylon 5 - 3x11 - Ceremonies of Light and Dark
Babylon 5 - 3x12 - Sic Transit Vir
Babylon 5 - 3x13 - A Late Delivery From Avalon
Babylon 5 - 3x14 - Ship of Tears
Babylon 5 - 3x16 - War Without End (Part I)
Babylon 5 - 3x17 - War Without End (Part II)
Babylon 5 - 3x18 - Walkabout
Babylon 5 - 3x19 - Grey 17 is Missing
Babylon 5 - 3x20 - And the Rock Cried Out No Hiding Place
Babylon 5 - 3x21 - Shadow Dancing
Babylon 5 1x01 Midnight on the Firing Line
Babylon 5 1x02 Soul Hunter
Babylon 5 1x03 Born to the Purple
Babylon 5 1x04 Infection
Babylon 5 1x05 The Parliament of Dreams
Babylon 5 1x06 Mind War
Babylon 5 1x07 The War Prayer
Babylon 5 1x08 And The Sky Full Of Stars
Babylon 5 1x09 Deathwalker
Babylon 5 1x10 Believers
Babylon 5 1x11 Survivors
Babylon 5 1x12 By Any Means Necessary
Babylon 5 1x13 Signs and Portents
Babylon 5 1x14 TKO
Babylon 5 1x15 Grail
Babylon 5 1x16 Eyes
Babylon 5 1x17 Legacies
Babylon 5 1x18 A voice in the wilderness - Part 1
Babylon 5 1x19 A voice in the wilderness - Part 2
Babylon 5 1x20 Babylon squared
Babylon 5 1x21 The Quality Of Mercy
Babylon 5 1x22 Crysalis
Babylon 5 3x01 Matters of Honor
Babylon 5 4x01 - The Hour of the Wolf
Babylon 5 4x02 - What Ever Happened to Mr Garibaldi
Babylon 5 4x03 - The Summoning
Babylon 5 4x04 - Falling Towards Apotheosis
Babylon 5 4x05 - The Long Night
Babylon 5 4x06 - Into the Fire
Babylon 5 4x07 - Epiphanies
Babylon 5 4x08 - The Illusion of Truth
Babylon 5 4x09 - Atonement
Babylon 5 4x10 - Racing Mars
Babylon 5 4x11 - Lines of Communication
Babylon 5 4x12 - Conflicts of Interest
Babylon 5 4x13 - Rumors Bargains and Lies
Babylon 5 4x14 - Moments of Transition
Babylon 5 4x15 - No Surrender No Retreat
Babylon 5 4x16 - The Exercise of Vital Powers
Babylon 5 4x17 - The Face of the Enemy
Babylon 5 4x18 - Intersections in Real Time
Babylon 5 4x19 - Between the Darkness and the Light
Babylon 5 4x20 - Endgame
Babylon 5 4x21 - Rising Star
Babylon 5 4x22 - The Deconstruction of Falling Stars
Babys Day Out
Bachelor Party
Bachelor and the Bobby-Soxer The
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Back To The Future 1
Back To The Future 1 (dc)
Back To The Future 1 (hi)
Back To The Future 2
Back To The Future 2 (hi)
Back To The Future 3
Back To The Future 3 (hi)
Back to School (Alan Metter 1986)
Back to the Future II
Back to the Future III
Backfield in Motion
BadBoys TrueStory 2003 CD1
BadBoys TrueStory 2003 CD2
Bad Company
Bad Guy 2001
Bad Santa
Bad Santa (unrated)
Bad Seed The 1956
Bad Timing (Nicolas Roeg 1980)
Bad and the Beautiful The
Badboys II
Baise Moi
Balanta 1992 (The Oak)
Ballad Of A Soldier 1959
Balseros 2002
Bamba La (1987)
Band of Brothers 01 - Currahee
Band of Brothers 02 - Day of Days
Band of Brothers 03 - Carentan
Band of Brothers 04 - Replacements
Band of Brothers 05 - Crossroads
Band of Brothers 06 - Bastogne
Band of Brothers 07 - The Breaking Point
Band of Brothers 08 - The Last Patrol
Band of Brothers 09 - Why We Fight
Band of Brothers 10 - Points
Band of Outsiders
Bande des quatre La 1988 CD1
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Bao biao (1969) - Have sword Chang Cheh
Bao lian deng (1999)
Bar El Chino 2003
Baramui Fighter CD1
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Barberella - A Queen Of The Galaxy
Bare Bea 2004
Barefoot Gen 1983
Barrio 1947 25fps
Basara The Princess 1992 CD1
Basara The Princess 1992 CD2
Basic Instinct
Batman - Mystery of the Batwoman
Batman - The Movie
Batman 1989 CD1
Batman 1989 CD2
Batman and Robin
Batoru Rowaioru II - Requiem (2003) CD1
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Batteries Included
Battle Cry CD1
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Battle Hymn 1957
Battle Royale (2000) Directors Cut CD1
Battle Royale (2000) Directors Cut CD2
Battle Royale 2 (2003)
Battle for the Planet of the Apes
Battle of Algiers The (Gillo Pontecorvo 1965) CD1
Battle of Algiers The (Gillo Pontecorvo 1965) CD2
Battle of Britain CD1
Battle of Britain CD2
Battle of the Bulge CD1
Battle of the Bulge CD2
Battlefield Baseball
Battlefield Earth
Battlestar Galactica 01x01 - 33
Battlestar Galactica 01x01 - Litmus
Battlestar Galactica 01x01 - Water
Battlestar Galactica 01x03 - Bastille Day
Battlestar Galactica 01x04 - Act of Contrition
Battlestar Galactica 01x05 - You Cant Go Home Again
Battlestar Galactica 01x07 - Six Degrees of Seperation
Battlestar Galactica 01x08 - Flesh and Bone
Battlestar Galactica 01x09 - Tigh Me Up, Tigh Me Down
Battlestar Galactica 01x10 - The Hand of God
Battlestar Galactica 01x11 - Colonial Day
Battlestar Galactica 01x12 - Kobols Last Gleaming Part 1
Battlestar Galactica 01x13 - Kobols Last Gleaming Part 2
Baxter 1989
Beach The
Bean - The Ultimate Disaster Movie
Beast Cops
Beast From 20,000 Fathoms The 1953
Beast Within The
Beast of War The
Beating Of The Butterflys Wings The 2000
Beatles Anthology The Episode1
Beatles Anthology The Episode2
Beatles Anthology The Episode3
Beatles Anthology The Episode4
Beatles Anthology The Episode5
Beatles Anthology The Episode6
Beatles Anthology The Episode7
Beatles Anthology The Episode8
Beatles Anthology The Special Features
Beatles The - A Hard Dayss Night
Beatles The First US Visit The
Beau Pere - Stepfather - Bertrand Blier 1981
Beautiful Creatures
Beautiful Girls
Beautiful Thing
Beautiful Troublemaker The (1991) CD1
Beautiful Troublemaker The (1991) CD2
Beautiful Troublemaker The (1991) CD3
Beautifull Mind A CD1
Beautifull Mind A CD2
Beauty And The Beast
Beauty and the Beast (Disney Special Platinum Edition)
Beavis and Butt-head Do America (1996)
Bedford Incident The
Bedroom Key The CD1
Bedroom Key The CD2
Before Night Falls 2000 CD1
Before Night Falls 2000 CD2
Before Sunrise
Before Sunset 2004
Beguiled The
Behind Enemy Lines 2001
Behind The Sun (Walter Salles 2001)
Being John Malkovich
Being There (1979) CD1
Being There (1979) CD2
Belle Epoque CD1
Belle Epoque CD2
Belle and La Bete La (1946)
Bellinin And The Spynx CD1
Bellinin And The Spynx CD2
Bells Of St Marys The (1945)
Belly Of The Beast
Belly of an Architect The
Ben-Hur CD1
Ben-Hur CD2
Bend It Like Beckham
Bend of the River 1952
Beneath the Planet of the Apes
Benny and Joon
Best years of our lives 1946
Bet on My Disco
Better Off Dead 1985
Better Than Chocolate
Better Tomorrow 2 A CD1
Better Tomorrow 2 A CD2
Better Tomorrow 3 A
Better Way To Die A
Between Heaven and Hell
Beverly Hillbillies The 1993
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Beyond Borders CD1
Beyond Borders CD2
Beyond The
Beyond The Clouds
Bez konca (No End 1985) CD1
Bez konca (No End 1985) CD2
Biches Les (Claude Chabrol 1968)
Bicho de sete cabezas
Bichunmoo CD1
Bichunmoo CD2
Big Blue The CD1
Big Blue The CD2
Big Bounce The
Big Chill The
Big Daddy
Big Deal on Madonna Street (1958)
Big Fat Liar
Big Fish 2003
Big Hit The
Big Lebowski The
Big Mommas House
Big Nihgt
Big Shot - A Confessions of a Campus Bookie 2002
Big Sleep The
Big clock The 1948
Big girls dont cry
Biker boyz
Billy Elliot
Billy Madison 1995
Biloxi blues
Bingwoo 2004 CD1
Bingwoo 2004 CD2
Bio Dome
Bio Hunter
Bio Zombie
Bionicle 2 A Legends of Metru-Nui
Bionicle Mask Of Light 2003
Birch Tree Meadow The
Bird People in China The 1998 CD1
Bird People in China The 1998 CD2
Bird on a wire
Bishops Wife The 1947 CD1
Bishops Wife The 1947 CD2
Bite the bullet
Bitter Sugar (Azucar amarga)
Black Angel
Black Sabbath
BlackAdder 1x1 - The Foretelling
BlackAdder 1x2 - Born to be King
BlackAdder 1x3 - The Archbishop
BlackAdder 1x4 - The Queen of Spains Beard
BlackAdder 1x5 - Witchsmeller Pursuivant
BlackAdder 1x6 - The Black Seal
BlackAdder 2x1 - Bells
BlackAdder 2x2 - Head
BlackAdder 2x3 - Potato
BlackAdder 2x4 - Money
BlackAdder 2x5 - Beer
BlackAdder 2x6 - Chains
BlackAdder 4x1 - Captain Cook
BlackAdder 4x2 - Corporal Punishment
BlackAdder 4x3 - Major Star
BlackAdder 4x4 - Private Plane
BlackAdder 4x5 - General Hospital
BlackAdder 4x6 - Goodbyeee
BlackAdder Christmas Carol 1988
BlackAdder The Cavalier Years
BlackAdder the Third 3x1
BlackAdder the Third 3x2
BlackAdder the Third 3x3
BlackAdder the Third 3x4
BlackAdder the Third 3x5
BlackAdder the Third 3x6
Black Adder V - Back and Forth
Black Christmas
Black Hawk Down
Black Mask
Black Mask 2
Black Orpheus
Black Rain CD1
Black Rain CD2
Black Sheep
Black Widow 1987
Black and White (1998)
Blackout The 1997 CD1
Blackout The 1997 CD2
Blade 3 - Trinity
Blade Of Fury
Blade Runner (1982 Original Cut) CD1
Blade Runner (1982 Original Cut) CD2
Blade Runner Directors Cut
Blair Witch Project The
Blame It On Rio
Blast From The Past 1999
Blast from the Past
Blazing Saddles
Blazing Sun (1960) CD1
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Bless The Child
Blind Beast
Blind Chance (1987) CD1
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Blind Spot Hitlers Secretary (2002)
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Blob The 1988
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Blood Wedding (1981)
Blood Work
Blood and Black Lace
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Blown Away 1994 CD1
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Blue (Derek Jarman)
Blue Car
Blue Collar Comedy Tour The Movie
Blue Max The CD1
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Blue Moon
Blue Planet The 1
Blue Planet The 2 - The Deep
Blue Planet The 3 - Open Ocean
Blue Planet The 4 - Frozen Seas
Blue Spring 2001
Blue Velvet
Blue juice 1995
Blue thunder
Blues Brothers The (1980) CD1
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Blues Harp
Boat Trip - Feedback Overflow
Bob Le Flambeur 1955
Bob Marley Story - Rebel Music
Bob and Carol and Ted and Alice
Body Double
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Body The
Boiler Room
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Bone Collector The
Bonnie and Clyde
Book of Fate The
Book of Pooh The
Boondock Saints The
Boot Das 1981 CD1
Boot Das 1981 CD2
Born Romantic
Boucher Le
Bourne supremacy The-1CD
Boxcar Bertha
Boy Who Saw The Wind The
Boys and Girls
Boyz N the Hood
Branca de Neve
Bread and Roses
Breakfast Club The
Breakfast at Tiffanys
Breakin all the rules
Breaking Away
Bride with White Hair The
Bridge Man The CD1
Bridge Man The CD2
Bright Future
Broadway Danny Rose
Brother (Takeshi Kitano)
Brother Sun Sister Moon 1972
Brother from Another Planet The 1984
Brotherhood Of The Wolf
Brothers The
Buena Estrella La (Lucky Star)
Buffalo Soldiers
Bug 1975
Bugs Bunny - Baseball Bugs (1946)
Bugs Bunny - Big Top Bunny (1951)
Bugs Bunny - Bugs Bunny Gets the Boid (1942)
Bugs Bunny - Bugs Bunny and the Three Bears (1944)
Bugs Bunny - Bugs and Thugs (1954)
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Bugs Bunny - Frigid Hare (1949)
Bugs Bunny - Hair-Raising Hare (1946)
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Bugs Bunny - Rabbits Kin (1952)
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Bugs Bunny - Wabbit Twouble (1941)
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Bugs Bunny - Whats Up Doc (1950)
Bugs Bunny and Daffy Duck - Rabbit Fire (1951)
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Bugs Bunny and Elmer - Rabbit of Seville (1950)
Bugs Bunny and Taz - Devil May Hare (1954)
Bugs Bunny and Yosemite Sam - Ballot Box Bunny (1951)
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Bugs Life A
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Bullets Over Broadway
Bully (Unrated Theatrical Edition)
Burning Paradise (Ringo Lam 1994)
Burnt Money
Butch Cassidy and the Sundance Kid A Special Edition
Butchers Wife The