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Battlestar Galactica 01x13 - Kobols Last Gleaming Part 2

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NARRATOR: Previously on Battlestar Galactica.
[Dramatic instrumental music]
Just do it.
CRASHDOWN: Boomer, this could be it.
This is the little planet that solves all of our problems.
ELOSHA: What did you see?
ROSLIN: A dome-like structure with six roads leading out of it.
This planet is Kobol.
Organise a ground survey team. Three Raptors.
- They're everywhere! - We're not getting out of here!
We need a way to take out the base ship before we can attempt a rescue.
If you go back to Caprica and bring me the arrow...
I will show us the way.
What are you doing, Starbuck?
Galactica. Apollo. She just jumped away.
- Where the hell did she go? - Home.
[All coughing]
CRASHDOWN: This is it! Now, come on!
Now come on! Everybody up!
CRASHDOWN: Come on! Go!
CRASHDOWN: Come on, move! Out!
TYROL: Come on, get him out of the chair.
CRASHDOWN: Look at me. TYROL: I got him!
CRASHDOWN: For gods' sakes, hurry! TYROL: Come on!
TYROL: I got his legs. CRASHDOWN: I got him!
TYROL: Put him on your shoulder.
CRASHDOWN: Doc! Come on, Doc!
[Ethereal music]
NO. 6: Take my hand.
Gaius, take my hand.
Hey, come on! Wake up! Stay with me! We gotta go!
Stay with me, Doc! Come on!
CALLY: Come on! Bring him outside! It's gonna blow!
[All screaming]
CRASHDOWN: Get down!
Stay down.
TYROL: How's he? You okay?
We got full tanks. Let's see what we get. Getting them down.
[Solemn instrumental music]
[Baltar exclaims in pain]
CALLY: You all right? You okay?
CRASHDOWN: Get the supplies before they burn. Go.
CALLY: Right away.
TYROL: We crashed both tanks. The gas is gone. It's all gone.
[Solemn instrumental music continues]
[Theme music]
It's a museum. So what?
It's more than that. It's the home of the arrow of Apollo.
HELO: What the hell is that? BOOMER 1: You never liked history.
Come on, Helo. It's supposed to be the only clue as to the location of Earth.
Earth? What are you talking about?
Who's going to Earth? It doesn't even exist.
I'm trying to get back to Galactica.
What I need from you is a way off this planet, and a way back to my ship.
If you don't do that, I'll blow your head off.
Why don't you just shut up for a change?
You're only alive because I've kept you alive.
If it wasn't for me, you'd be dead by now.
So whether you like it or not, I'm your only hope of getting off this planet.
So if I were you, I'd take that tough guy attitude of yours and shove it up your ass.
We can't move around the city during daylight.
So we hole up and we wait till dark.
[Wind whistling]
She's crossed the line before, but this is so far beyond the pale...
She wouldn't have done this on her own. She was coerced.
No one coerces Starbuck. Believe me, I've tried.
Commander, I have the President on the line.
ADAMA: Bear witness. Put on your headset.
ADAMA: Madam President, moments ago, Lt. Thrace took the Cylon Raider...
- on an unscheduled and unauthorised jump. - Yes.
Do you have any knowledge of this incident?
Let's save some time here, Commander. The question you really want to ask me...
is whether or not I asked Lt. Thrace to take the Raider to Caprica.
ROSLIN: The answer to your question is yes.
[Ominous instrumental music]
- You and I had talked about this. - Yes, we had.
ADAMA: We both decided it was a military decision.
My responsibility as President is first and foremost...
to protect and preserve this fleet and its future.
In the end, that outweighs any other consideration. It has to.
By taking the Raider...
you've placed our people on the surface of Kobol in direct danger.
ROSLIN: I'm very aware of the danger our men and women are in on Kobol.
I am also deeply aware of the danger this civilisation will be in...
if I ignore the pursuit of this arrow.
I'm going to have to ask you for your resignation, Madam President.
Then I'm terminating your presidency as of this moment.
Commander Adama, I will exercise the authority of this office...
until I am unable to do so.
So if you want to stage a coup...
you're gonna have to come over here and arrest me.
- I don't want any bloodshed. - Of course you don't. Neither do I.
Neither does the press. They're here, by the way.
[Whispering] The press.
They're recording every minute.
[Ominous instrumental music intensifies]
- What is it, Captain? - Isolate Colonial One.
Mr. Gaeta.
Jam any transmissions in or out of Colonial One immediately.
- Yes, sir. - Prepare a strike team.
As long as she's President, she's dangerous.
If she can turn Starbuck against us, she's capable of anything.
Yes, sir.
- She's bluffing. - Well, let's hope so.
There's also a Cylon base ship out there to deal with.
Leave that to me.
This government survived a Cylon attack. It will survive William Adama.
ROSLIN: I think he's bluffing.
But just in case, we need to be prepared.
I know their security detail. They will defend that ship.
We'll have to take her down compartment by compartment.
ADAMA: Mr. Gaeta? GAETA: Sir.
Am I correct in assuming that I have two Cylon transponders left?
Yes, sir. But only one of them is fully functional.
One will do.
Now I need a pilot.
BOOMER: Sir. ADAMA: As you were.
- How are you feeling? - It looks worse than it is, sir.
Things are moving very quickly and I need every pilot.
I'm ready, sir.
I have a very special mission for you and I won't kid around.
- It's high risk, extremely high risk. - I understand.
ADAMA: I need you to light-jump to Kobol and take care of this base star.
We're placing a Cylon transponder aboard your Raptor.
In theory, it should allow you to approach the base star without getting fired upon.
But we'll still be ID'd as Colonial Raptors once we're in visual range.
For all they know, you could be two Cylon agents...
returning with a captured Raptor.
ADAMA: Once you're inside the defence perimeter...
I need you to make them think you want to dock.
You have to fire your nuke into the loading bay...
and then jump back home immediately. Do you understand?
I understand.
I can do it, sir. I know I can.
You have to.
Yes, sir.
[Fast-paced instrumental music]
[Starbuck panting]
STARBUCK: This doesn't look good.
Please tell me this was not all for nothing.
[Exclaiming in exasperation]
I'm good.
I am really good.
I'm home.
Wow, I'm home.
[Monitor beeping]
[Ominous instrumental music]
Gaeta, please tell me that you're right about this transponder thing.
[Ominous instrumental music intensifies]
[Boomer 1 tapping foot]
Stop. Stop that.
I'm nervous.
Like anything scares you.
Things scare me, Helo. I have feelings.
You have software.
I don't know if you can hear this or not, Helo...
but what we had between us was important. It was very important.
- Why? - Because it was the next step.
Because it brings us closer to God.
Don't mock the gods. It's a human belief. I'm human. They're our gods.
But beyond that, I just want you to know that I genuinely feel something for you.
I don't care.
I don't love you.
I loved what I thought was you.
Helo, I think there's something else that you should know.
[Climactic instrumental music]
I'm pregnant.
APOLLO: [On radio] Galactica, Apollo. We have visual on Colonial One.
Tell Apollo he's cleared to begin the assault...
to contact us when he has soft-seal on the hull.
Aye, sir.
Commander, Boomer and Racetrack are in the air, ready for their jump to Kobol.
Put them through down here.
ADAMA: Boomer, Galactica Actual.
I just wanted to say good luck, good hunting...
and I have complete faith in the both of you.
Thank you, Actual. We won't let you down.
Racetrack, start the jump clock.
Clock is running.
APOLLO: Galactica. Apollo. We have soft-seal.
I know Commander Adama and I'm counting on the fact...
that when push comes to shove, he is the kind of man...
who will not want bloodshed.
Nevertheless, this may not be the safest place.
Billy, how many civilians are in the cargo hold?
There is room in the cargo hold and I implore you to find refuge there...
with the other civilians. This is my choice.
ROSLIN: This is my choice.
- You do not have to come with me. - We stand with our president.
[Phone buzzing]
Security commander reports sounds of someone cutting through the hull.
The Raptors are cutting through the hull, sir.
Get the President on the line.
[Solemn instrumental music]
You think this thing is working?
[Electronic beeping]
We're about to find out.
[Exclaiming in relie]
- I guess so. - Yeah.
[Clearing throat]
- How are we doing on that? - It's not responding, sir.
Are you even trained to use this thing?
CRASHDOWN: How's he doing, Chief?
[Tyrol sighs heavily]
Not doing so good. I don't now if his lungs are burned or what.
Well, he's a tough kid. He's gonna pull through.
Get those wounds looked at, Chief.
TYROL: Yeah. Lieutenant?
TYROL: Shouldn't we be moving out?
- Do you have a plan for tactical deployment? - Plan for tactical deployment, Chief?
Get to the high ground. It'll be our best chance of being seen by a search party.
High ground is also our best chance of being seen by the Cylons.
TYROL: They're flying around, sir. They might land the troops...
before we get rescued.
CRASHDOWN: That's true. TYROL: Yeah.
Sir, if I may...
suggest that we take cover on the ground...
maybe somewhere we won't be seen from the air?
Okay, yeah. Chief, that's...
Carry on, Chief.
Launch the nuke and prepare to jump.
[Tense instrumental music]
The bomb release is jammed. I can't free it.
[Alarm beeping]
We can dock inside the ship.
- Excuse me? - They think we're Cylons. They'll let us dock.
We can release the bomb manually and drop the nuke inside the ship itself.
- It'll work. I know it. - Oh, my gods.
[Tense instrumental music continues]
[Racetrack sighing in fear]
TYROL: Petard, Felix?
TYROL: Wanna give me a hand here, please? FELIX: Yes, sir.
TYROL: Cally, how's he doing? CALLY: Not good, sir.
TYROL: Get a blanket on him. Keep him warm.
NO. 6: How are you?
[Solemn instrumental music]
BALTAR: Alive.
You saved me.
You saved my life.
- Care to return the favour? - Are you in need of saving?
You wondered why you were chosen?
Why God chose you above all other humans to survive and serve His purpose?
Now is the time to find out why.
[Solemn instrumental music continues]
[Guns cocking]
[Tense instrumental music]
Lords of Kobol, hear our prayer.
Bring us out of the darkness and into the light.
Give us the strength to show mercy to those who are merciless...
The President says she will not yield.
...hearts that they may find peace...
The President says she will not yield.
So be it.
[Whispering] Come on, D, tell me he's not actually gonna do this.
[Whispering] Tell me she's not gonna make him do it.
Redeem our hearts that they may find peace in the midst of war.
[Loud banging]
[Whispering] What's going on?
They're in.
ROSLIN: Quickly.
[Tense instrumental music continues]
Sir, they're in.
[Suspenseful instrumental music]
[Solemn instrumental music]
Pretty, isn't it?
[Starbuck groans]
Hello, Lieutenant.
Something I can help you with?
[lntense instrumental music]
[Eerie instrumental music]
I'm setting her down.
Open the hatch.
BOOMER: I'll release the bomb.
BOOMER: Keep the engines ready for takeoff the second I get back.
- Yes, sir. - Close the hatch after me.
- lf I'm not back in five minutes, just go. - You got it.
[Hatch door opening]
[Hatch door closing]
[Ominous instrumental music]
[Breathing heavily]
BOOMER: Oh, my God.
[Tense instrumental music]
NO. 6: Welcome back to Caprica, Lieutenant.
Like what we've done with the place?
[lntense instrumental music]
[Starbuck grunting]
[Starbuck exclaiming in pain]
[lntense instrumental music continues]
BOOMER 2: Sharon.
[Chilling instrumental music]
RACETRACK: What the frack are you doing? Where are you going?
Son of a bitch.
[Panting] Okay, okay.
ALL: Sharon.
[Climactic instrumental music]
This isn't happening.
Come on, Starbuck.
[Starbuck grunting]
[Gripping instrumental music]
Got anything left?
[Starbuck exclaiming in pain]
[Starbuck screams maniacally]
Madam President, no one needs to get hurt here.
Then why don't you get off my ship, Colonel?
I'm placing you under arrest.
- No. We're not doing this. - I'm in command here, Captain.
- Colonel, this is wrong. - You're relieved. Fall back.
Madam President, I wish to...
APOLLO: Men, lay down your weapons. TIGH: Have you lost your fracking mind?
Colonel, tell these Marines to fall back.
[Tense instrumental music]
TIGH: This is mutiny. You know that. APOLLO: Yes, I do.
APOLLO: But you can tell my father I'm listening to my instincts.
And my instincts tell me we cannot sacrifice our democracy...
just because the President makes a bad decision.
Put your guns down.
- Madam President, stand back. - Put your gun down, Captain.
I will not have bloodshed, neither your men nor my people...
on the Colonial One. Put your gun down. All of you.
Please, put your gun down.
TIGH: Let's go.
MARINE: Let's go, Captain.
Let's go.
[Chilling instrumental music]
BOOMER 2: You're confused. And scared.
But it's okay.
I'm not a Cylon.
I'm Sharon Valerii. I was born on Troy.
My parents were Katherine and Abraham Valerii.
You can't fight destiny, Sharon. It catches up with you.
No matter what you do.
BOOMER 3: Don't worry about us. BOOMER 4: We'll see you again.
- We love you, Sharon. - And we always will.
[Tense instrumental music]
RACETRACK: Boomer! BOOMER: Come on, let's go!
RACETRACK: What took you so long? BOOMER: Go!
RACETRACK: Where's your helmet?
Go back. Don't turn around.
[Ship rumbling]
[Ominous instrumental music]
He put his weapon right to my head.
Said to tell you he was following his instincts...
whatever the hell that means.
ADAMA: Bring him here. TIGH: What about Roslin?
We put her in the brig.
Dradis contacts! It's Boomer and Racetrack, sir.
Put them on the speakers.
BOOMER: [On PA system] Galactica, Boomer. Mission accomplished.
Repeat: Mission accomplished. The base star is history!
[All cheering and clapping]
There's some good news. Bring them home, D.
It's good to hear your voice, Boomer. Come on home.
[Starbuck groaning]
[Starbuck exclaiming in pain]
HELO: It's okay.
I can't believe it.
You are like the last person I expected to see.
[Starbuck panting heavily]
I could say the same thing about you.
- You okay? - Yeah, thank you.
[Starbuck exclaiming in pain]
I missed you.
Hey, I...
[Starbuck panting hysterically]
STARBUCK: She's a Cylon! HELO: No!
You can't! She's pregnant.
[Screaming] No!
[Light orchestral music]
- I know this place. - Of course you do.
Go inside.
[Orchestral music swells]
I don't understand.
Life has a melody, Gaius.
A rhythm of notes that become your existence...
once they're played in harmony with God's plan.
It's time to do your part and realise your destiny.
Which is what, exactly?
You are the guardian and protector of the new generation of God's children.
The first member of our family will be with us soon, Gaius.
It's time to make your choice.
But I don't understand what you're talking about.
I don't understand.
Come. See the face of the shape of things to come.
[Orchestral music continues]
Isn't she beautiful, Gaius?
[Baltar exclaiming in wonder]
Open the cell.
Close the cell.
MARINE: Well done, Lieutenant. BOOMER: Thanks.
GAETA: Hey, nice work. BOOMER: Thanks. What's going on?
GAETA: A lot happened while you were gone.
GAETA: Congrats. BOOMER: Thanks.
Congratulations to both of you.
You carried out a very difficult and dangerous mission...
and you did it...
despite any personal misgivings you may or may not have had.
And for that, I'm very proud.
ADAMA: Thank you. RACETRACK: Thank you, sir.
- Thank you, sir. - Thank you.
[Gripping instrumental music]
[Haunting music]
APOLLO: Someone get a doctor!
[Alarm blaring]
Hold his head.
[Sombre instrumental music]
[Theme music]
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Big Sleep The
Big clock The 1948
Big girls dont cry
Biker boyz
Billy Elliot
Billy Madison 1995
Biloxi blues
Bingwoo 2004 CD1
Bingwoo 2004 CD2
Bio Dome
Bio Hunter
Bio Zombie
Bionicle 2 A Legends of Metru-Nui
Bionicle Mask Of Light 2003
Birch Tree Meadow The
Bird People in China The 1998 CD1
Bird People in China The 1998 CD2
Bird on a wire
Bishops Wife The 1947 CD1
Bishops Wife The 1947 CD2
Bite the bullet
Bitter Sugar (Azucar amarga)
Black Angel
Black Sabbath
BlackAdder 1x1 - The Foretelling
BlackAdder 1x2 - Born to be King
BlackAdder 1x3 - The Archbishop
BlackAdder 1x4 - The Queen of Spains Beard
BlackAdder 1x5 - Witchsmeller Pursuivant
BlackAdder 1x6 - The Black Seal
BlackAdder 2x1 - Bells
BlackAdder 2x2 - Head
BlackAdder 2x3 - Potato
BlackAdder 2x4 - Money
BlackAdder 2x5 - Beer
BlackAdder 2x6 - Chains
BlackAdder 4x1 - Captain Cook
BlackAdder 4x2 - Corporal Punishment
BlackAdder 4x3 - Major Star
BlackAdder 4x4 - Private Plane
BlackAdder 4x5 - General Hospital
BlackAdder 4x6 - Goodbyeee
BlackAdder Christmas Carol 1988
BlackAdder The Cavalier Years
BlackAdder the Third 3x1
BlackAdder the Third 3x2
BlackAdder the Third 3x3
BlackAdder the Third 3x4
BlackAdder the Third 3x5
BlackAdder the Third 3x6
Black Adder V - Back and Forth
Black Christmas
Black Hawk Down
Black Mask
Black Mask 2
Black Orpheus
Black Rain CD1
Black Rain CD2
Black Sheep
Black Widow 1987
Black and White (1998)
Blackout The 1997 CD1
Blackout The 1997 CD2
Blade 3 - Trinity
Blade Of Fury
Blade Runner (1982 Original Cut) CD1
Blade Runner (1982 Original Cut) CD2
Blade Runner Directors Cut
Blair Witch Project The
Blame It On Rio
Blast From The Past 1999
Blast from the Past
Blazing Saddles
Blazing Sun (1960) CD1
Blazing Sun (1960) CD2
Bless The Child
Blind Beast
Blind Chance (1987) CD1
Blind Chance (1987) CD2
Blind Spot Hitlers Secretary (2002)
Blind date
Blob The 1988
Blood Crime
Blood Wedding (1981)
Blood Work
Blood and Black Lace
Blow 2001 CD1
Blow 2001 CD2
Blow Dry 2001
Blown Away 1994 CD1
Blown Away 1994 CD2
Blue (Derek Jarman)
Blue Car
Blue Collar Comedy Tour The Movie
Blue Max The CD1
Blue Max The CD2
Blue Moon
Blue Planet The 1
Blue Planet The 2 - The Deep
Blue Planet The 3 - Open Ocean
Blue Planet The 4 - Frozen Seas
Blue Spring 2001
Blue Velvet
Blue juice 1995
Blue thunder
Blues Brothers The (1980) CD1
Blues Brothers The (1980) CD2
Blues Harp
Boat Trip - Feedback Overflow
Bob Le Flambeur 1955
Bob Marley Story - Rebel Music
Bob and Carol and Ted and Alice
Body Double
Body Heat
Body The
Boiler Room
Bola El
Bone Collector The
Bonnie and Clyde
Book of Fate The
Book of Pooh The
Boondock Saints The
Boot Das 1981 CD1
Boot Das 1981 CD2
Born Romantic
Boucher Le
Bourne supremacy The-1CD
Boxcar Bertha
Boy Who Saw The Wind The
Boys and Girls
Boyz N the Hood
Branca de Neve
Bread and Roses
Breakfast Club The
Breakfast at Tiffanys
Breakin all the rules
Breaking Away
Bride with White Hair The
Bridge Man The CD1
Bridge Man The CD2
Bright Future
Broadway Danny Rose
Brother (Takeshi Kitano)
Brother Sun Sister Moon 1972
Brother from Another Planet The 1984
Brotherhood Of The Wolf
Brothers The
Buena Estrella La (Lucky Star)
Buffalo Soldiers
Bug 1975
Bugs Bunny - Baseball Bugs (1946)
Bugs Bunny - Big Top Bunny (1951)
Bugs Bunny - Bugs Bunny Gets the Boid (1942)
Bugs Bunny - Bugs Bunny and the Three Bears (1944)
Bugs Bunny - Bugs and Thugs (1954)
Bugs Bunny - Bully for Bugs (1953)
Bugs Bunny - Frigid Hare (1949)
Bugs Bunny - Hair-Raising Hare (1946)
Bugs Bunny - Haredevil Hare (1948)
Bugs Bunny - Long Haired Hare (1949)
Bugs Bunny - My Bunny Lies Over the Sea (1948)
Bugs Bunny - Rabbits Kin (1952)
Bugs Bunny - Tortoise Wins by a Hare (1943)
Bugs Bunny - Wabbit Twouble (1941)
Bugs Bunny - Water Water Every Hare (1952)
Bugs Bunny - Whats Up Doc (1950)
Bugs Bunny and Daffy Duck - Rabbit Fire (1951)
Bugs Bunny and Daffy Duck - Rabbit Seasoning (1952)
Bugs Bunny and Elmer - Rabbit of Seville (1950)
Bugs Bunny and Taz - Devil May Hare (1954)
Bugs Bunny and Yosemite Sam - Ballot Box Bunny (1951)
Bugs Bunny and Yosemite Sam - Big House Bunny (1950)
Bugs Bunny and Yosemite Sam - Bunker Hill Bunny (1950)
Bugs Bunny and Yosemite Sam - High Diving Hare (1949)
Bugs Life A
Bullet Ballet
Bullet in the Head
Bulletproof Monk 2003
Bullets Over Broadway
Bully (Unrated Theatrical Edition)
Burning Paradise (Ringo Lam 1994)
Burnt Money
Butch Cassidy and the Sundance Kid A Special Edition
Butchers Wife The