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Suddenly one day, Neil or somebody said "Ringo's gone on holiday" I felt two things. I felt I wasn't playing great and the other three were really happy and I was an outsider So I decided, fuck it, I'm leaving I went to see John, who was living in my apartment in Montagu Square I knocked on the door and said "Hi" "I'm leaving the group because I feel unloved and out of it "I'm not playing well and you three are really close" And he said "I thought it was you three" Then I went over to Paul's, knocked on his door and said the same thing: "I'm leaving the band. You three guys are really close and I'm out of it" And he said "I thought it was you three" So we had to reassure him that we did think he was great You know, that's what it's like in life You never stop and say "Hey, I think you're great" I don't think we'd ever done any of that with Ringo and he felt insecure, so we had to-and he left So we had to say "You're great, man, you're the best" Then he said "Oh, thank you." I think he was pleased to hear that I knew we were just in a messed up stage, all of us It wasn't just me, the whole thing was going down I came back into the studio and George had had it decked out with flowers Flowers everywhere and John had sent me telegrams saying: "You're the best rock drummer, come on home!" I felt good about myself again and we'd got through that little crisis It was great, and then the White Album really took off Like Yer Blues was great We all left the studio and went to a little room, so there's no separation There was lots of group activity going down. I loved the White Album There was a lot more individual stuff For the first time I think people were accepting that it was individual I remember having three studios operating at the same time Paul was doing some overdubs in one, John was doing something in another I was doing horns on something else in another studio because maybe they'd set a release date and time was running out Hey, I'm getting cramp If we do that again... are we ready, we'll sing the song I wanna hear that... I wanna hear that OK, Robert? - Take 29 Reach for this one. Were any of them any good? I'll just be singing to guide you... Can you turn it down in my cans a bit? The last mistake was entirely when I just took my mind off it for a second A lot of the recordings would have a basic idea, then a jam session to end it which sometimes didn't sound too good But this is a fairly small criticism When they did the White Album George Martin Record Producer I thought we should have made a very good single album rather than a double I agree, we should have put it out as two separate albums the White and the Whiter album A lot of information on a double album What do you do when you've got all them songs? You want to get rid of them so you can do more songs There was a lot of ego in that band and a lot of songs should have been elbowed or made into B sides I think it could have been made a fantastically good album if it had been condensed a bit But a lot of people think it's still the best album they made It's not my view but... horses for courses You can always say that, you know. 'Perhaps' I'll go with, not 'definitely' I think it's fine. The fact that it's got so much is one of the things that's cool It's varied stuff, Rocky Raccoon, Piggies... Happiness is a Warm Gun, that kind of stuff I think it's a fine album I'm not a great one for 'maybe it was too many of that... ' It was great, it sold, it's the bloody Beatles' White Album, shut up! There was a little trauma with a song called Revolution I thought it was 'au courant' as they say It was about what was going on at the time and I wanted it to be a single I said "Put this out. We should say something and this is what I want to say" And they said "No, it's too slow" Neil Aspinall Head of Apple The Apple boutique closed down I think we just got to the point where we didn't want it any more We ended up selling Marks and Spencer underwear Not the image we started with of Simon and Marijke, all these colourful clothes Great sixties hippy gear Then to make it pay we ended up selling... St Michael underwear... and it wasn't the image we wanted Apple Shop Giveaway London 31st July 1968 We came up with the idea to give it all away and stop fucking about with psychedelic clothes shops We just gave it to the people who showed up on the day You could have one item each, not take two, in the spirit of the thing Well, they cleaned out the shop Only one free dress for each customer But I think personally it was a good way to do it We weren't seriously in the rag trade. It was "Look, it didn't work, so..." "That's it!" We went round the night before we gave everything away and took what we felt we wanted I didn't go Derek Taylor Apple Press Officer I saw a half-acquaintance outside Apple and said "Where are you going?" He said "I'm going to join the queue to get some of those clothes" I thought that was awful I didn't want them to close the shop and wrote an impassioned open letter: "Dear boys, you know, if you do this..." and a lot of other hoo-ha because I dreaded to see the thing falling apart Frost On Sunday 8th September 1968 Beautiful... absolute poetry Welcome back to Part III with the greatest tea-room orchestra in the world Are you in colour? - No, black and white at the moment But as you can see, making their first audience appearance for over a year Ladies and gentlemen, the Beatles! I was driving out to John's house after John and Cynthia had got divorced I was just going out to say hello to Cynthia and Julian I came up with these words in my mind as if talking to Julian... Hey Jules, don't take it bad. Take a sad song and make it better So I got the first idea on the way out there with this 'Hey Jules' as I thought it was going to be called It seemed a bit of a mouthful so I changed it to Jude I liked the song a lot and I played it to John and Yoko when I'd finished it I actually had finished but I thought there was a little more to go with the words: The movement you need is on your shoulder I'm playing it and I say to John "I'll fix that" - He said "What?" I said "The movement you need is on your shoulder... "I've used the word 'shoulder' once and anyway it's stupid, I'll change it" He said "You won't, that's the best line in the song" He said "I know what it means. It's great" The great thing about John. I'd have knocked it out, he'd say it's great I'd see it through his eyes and go "Oh, OK" So that is the line now, when I do that song That's the line when I think of John and sometimes get a little emotional This was the period when everything was going up and up and rosy Then suddenly it started to go down like everything goes in a cycle Once it starts going down, as anybody can tell you... when you get knocked to the ground, they start kicking you The world was a problem but we weren't That was the best thing about the Beatles Until we started to break up like White Album and stuff then even the studio got a bit tense It was evident on the White Album I think it was evident in India when George and I stayed there and Paul and Ringo left and it was a slow death It was like the wind-down to a divorce A divorce usually doesn't just happen, there's months and years of misery They were going through a very revolutionary period at that time They were trying to think of something new They actually had a good idea which I thought was well worth working on They wanted to write an album completely and rehearse it then perform it in front of a large audience, a live album of new material We started rehearsing at Twickenham Film Studio and I went with them Twickenham Film Studios London I'm not sure whether everybody was behind the idea of going to Twickenham They decided to film whatever they were doing and they were going to start making a new album The original idea was that you'd see the Beatles rehearsing, jamming, making up stuff getting their act together and then finally we'd perform somewhere as the big end of show concert Michael Lindsay-Hogg was going to direct it This should be built like a film set so you can glide all over the place on tracks with your cameras Go places that TV cameras don't go You can come down from that roof on one long shot, down on a thing Slowly like a chair-lift Right down into Ringo's face on the one shot from right back there Have all sorts of cranes and lifts for your cameras to float around us Just all that flowing movement and then the songs Just stay with us and that will create your sets, with cameras hanging all over I thought, it's a new year and we've got a new approach but it soon became apparent that it wasn't anything new It was just going to be painful again The days were long and they could get boring Twickenham wasn't conducive to a great atmosphere. We were just in a big barn I'd just spent six months producing a Jackie Lomax album and hanging out with Bob Dylan and The Band in Woodstock, having a great time For me to come back into the winter of discontent with the Beatles in Twickenham it was very unhealthy and unhappy It was just a dreadful feeling, and being filmed all the time like that I just wanted them to go away... and we'd be there at 8.00 in the morning You couldn't make music at 8.00 in the morning in a strange place with people filming you and coloured lights As everybody knows, we never had much privacy They were filming us rehearsing There was a bit of a row going on between Paul and I You can see it where he's saying "Well, don't play this", or something I'm saying "You know I'll play what you want, or I won't play if you don't want "Just make up your mind." That kind of stuff was going on They were filming and recording us having a row. It was terrible But it's complicated in the bit... - It's not complicated I'll play the chords if you like I'm trying to help you, but I always hear myself annoying you OK, look, look, I'm not trying to say that You're doing this as though I'm trying to say... And what we said the other day, you know, I'm not trying to get you I really am trying to just say... Iook, lads, the band... Shall we try it like this? It's funny how it only occurs... It's like, should we play guitar all the way through Hey Jude... I don't mind, I'll play whatever you want me to play or I won't play at all if you don't want me to play What it is that pleases you, I'll do it I thought, I'm quite capable of being relatively happy on my own I'm not able to be happy in this situation, I'm getting out of here The whole pressure of it finally got to us So like people do when they're together, they start picking on each other It was "You got the tambourine wrong so my life's a misery." It became petty But the manifestations were on each other as we were the only ones we had It was wait a minute, George has left and this isn't good enough I'm not sure what happened. Maybe Neil or one of the people looking after us would probably ring George and say "They're sorry, it was a mistake" I remember being called to a meeting in Elstead in Surrey It was Ringo's house that he'd bought from Peter Sellers It was decided it would be better if we got back together and finished the record Also, Twickenham Studio was very cold and not a nice atmosphere so we abandoned that and went to the Savile Row recording studio In the end we recorded in the Apple studios in Savile Row There was a guy called Magic Alex, who was a great friend of John's John thought he was the bee's knees because he gave John electronic toys He said EMI was no good and he could build a better studio. Well, he didn't Hello. I'm Alexis from Apple Electronics I would like to say hello to all my brothers around the world and to all the girls and all the electronic people around the world And that is Apple Electronics When we finally got him to do a recording studio... We had a 16-track studio and we walked in there, it was chaos We had to rip it all out and start again He had 16 little speakers all around the room There wasn't anything he did-except a toilet with a radio in it or something So we just took the same portable equipment in there But the studio itself, the actual room to play in there was much cosier and much more at home Apple Recording Studio Savile Row London I think everyone was getting a little tired of us by then because we were taking a long time and there were many heated discussions Billy Preston was a great help, a very good keyboard guy His work on Get Back alone justified him being there He was an amiable fellow, very nice He was a kind of emollient, if you like He helped to lubricate the friction that had been there It's interesting to see how people behave nicely when you bring a guest in They don't want everybody to know they're so bitchy This happened back in the White Album when I brought Eric Clapton in to play on While My Guitar Gently Weeps Suddenly everybody's on their best behaviour So I put a message out to find if Billy was in town and told him to come into Savile Row, which he did Straight away there was 100o/o improvement in the vibe in the room Everybody was happier also to have somebody else playing in the band Every number's got a piano part Normally we overdub it... but this time we want to do it live We were working on a good track and that always excited us His part was also part of it Suddenly, when we were working on something good the bullshit went out of the window We got back down to doing what we did really, really well I think it works OK with just the two verses... Sweet Loretta Martin, the first verse - Just have two for now I'll sing it and shout where I think it should go. If you disagree, I'll change it Maybe if we had an intro, a verse and a chorus... To me the Beatles were always a great little band Nothing more, nothing less, for all our success When we sat down to play, we played good from the very beginning From when we first got Ringo into the band, and before But when we first got Ringo, the band really gelled. We played good! We've never had too many of those times where it's just not working We had them like any other band but for a great little rock'n'roll band - we could play any little blues or rock'n'roll thing-and it seemed to work The original idea to rehearse all these new songs and then make an album in a live show never really happened because the album became us in the studio As we rehearsed the songs, they were recorded They were talking about doing a concert on a boat or in an amphitheatre in Greece or maybe at the Roundhouse in London There were lots of ideas about where they should maybe do a concert and nothing was ever really agreed What do we want to do? - I'll tell you what We're still rehearsing and we'll get it together So then you must collect... We'll all collect our thoughts on what we want You still expect us to be on the chimney with a lot of people or something like that Or even a stage at the Saville or anything We won't worry about that so don't give us that one 'Expecting' is not a word we use any more... 'thinking about' 'Praying' What about the move tomorrow, do you want to... No, let's decide on that a bit later, let's keep off that We're getting into too diverse... we'll do the numbers, we're the band Whatever, I'll do it... if we've got to go on the roof But I mean... I don't want to go I would like to I'd like to go on the roof - It diverts people That's all right. Anyway, we won't discuss it I want to record them as tracks and I want to do 14 numbers Any time is paradise when I'm with you That was looking for an end to the film and it was "How are we going to finish, there's not going to be a big concert" By then it was looking like... can we do this, finish in two weeks' time? Then it was suggested that we go up on the roof and do a concert there, then we could all go home 30th January 1969 And in the end it started to filter up from our roadie, Mal who crept in, trying to keep out of the camera: "Police are complaining. You've got to stop." We said "We're not stopping" He said "The police are going to arrest you" "Good end to the film. Let 'em do it. Great!" We thought that's an end: "Beatles busted on rooftop gig" The thing on the roof that always I feel let down about were the police Someone called the police and I was playing away and I thought, oh great! I wanted the cops to drag me off - "Get off those drums!" We were being filmed and it would have been really great Well, they didn't. They just bumbled in: "You've got to turn that sound down" It could have been fabulous By the time we got to Let It Be we couldn't play the game any more It had come to the point where it was no longer creating magic and the camera in the room with us made us aware that it was phoney situation In fact what happened was when we got in there we showed how the break-up of a group works We didn't realise we were actually breaking up as it was happening Just the same as it was before The year before when we were last in the studio There was a lot of... kind of trivia and games that were being played I think it shows as an absolute fact that we were going different places I've mentioned it before, the energy for the Beatles was waning We put in 1000o/o but it was dwindling now "Oh dear, do we have to turn up?" "Do we have to do that thing again!" "I want to do this and John wants to do that" And George was off and people were... you know, we had families I remember thinking of it like army buddies One of the songs we used to love in the past was Wedding Bells Those wedding bells are breaking up that old gang of mine... and this idea that you'd been army buddies but one day... you kiss the army goodbye and get married and act like normal people It was like that for the Beatles, we always knew that day had to come London, weepy time down south The last bachelor Beatle was no longer a bachelor 12th March 1969 Paul McCartney married New Yorker Linda Eastman at Marylebone Registrar's office Paul's new step-daughter Heather was one of the shrieking, sobbing, devoted fans who surged round the newly-weds as they made for their car London bobbies and photographers tangled with tear-stained teenagers bidding farewell to the bachelordom of the Beatle who resisted marriage so long At last the new threesome found sanctuary in their car But clearly Paul's plan for a quiet wedding had gone drastically wrong Exit the McCartneys, a very popular group And they chose Paul's wedding day to bust me George was in my office Pattie rang, saying that Sgt Pilcher, if that was his name... was swarming all over the house in Esher George said to me "What should I do? What should I tell Pattie?" I said just tell them where the stuff is because they'll find it anyway Save yourself a lot of hassle He said he had a bit of grass and maybe some hash in a box on the mantelpiece So he rang Pattie and told her to tell them where it was By which time they had found a chunk this big in a boot in his wardrobe Sgt Pilcher was gaining great notoriety by busting pop stars such as George, Mick, Keith and John - always was the same cop Nobody realised, nobody put two and two together There was a kind of social pecking order that was in the pop world The drug squad decided to go round and this fellow thought he was Oliver Cromwell He decided to go round and clean up what was going on They busted Donovan first Anybody who was in England at that time will remember Then they bust the Rolling Stones and they worked their way up They they busted John and Yoko and me Sgt Pilcher's successful career with the drug squad was short-lived He was later sent to prison for perjury Sentencing Pilcher to 4 years in prison, Mr Justice Melford Stevenson said: But now my life has changed in oh so many ways We wanted to get married on the cross-Channel ferry That was the romantic part - when we went to Southampton She couldn't get on because she wasn't English and couldn't get a day visa Anyway you can't get married. The Captain's not allowed to do it any more We called Peter Brown from Paris. "We want to get married, where can we go?" He said "Gibraltar's the only place" So "OK, let's go" and it was beautiful When John hooked up with Yoko so intensely it was obvious there could be no looking back after that I always felt he had to clear the decks of us in order to give her enough attention It takes a lot to live with four people for years and years, which is what we did We'd call each other every name under the sun We'd got to blows, we'd been through the whole damn show We knew where we were at, we still do We've been through the mill together for more than ten years We've been through our therapy together many times, you know On a lot of days, even with all the craziness, it really worked still Instead of working every day, it worked two days a month There were still good days We were still really close friends then it would split off again into some madness It was quite obvious that the Beatles became... The thing that it started out being... gave us a vehicle to be able to do so much when we were younger, and we grew right through that But it got to a point where it was stifling us, there was too much restriction It had to self-destruct It's easy for people to say about Apple and the Beatles "Why didn't you...?" You sit there with millions of dollars and try and work it out It's so easy afterwards to say "Why didn't you?" With Apple we were great creators and we could do all of that but nobody had half an idea about a budget So we were spending more than we were earning There was nobody managing Apple It was wasting away all this money Nobody had any ability to be a business manager So it was a question of who was going to do it I was doing it but only on the basis that I'll do it until you find somebody you want to do it. Because I didn't That's why somebody like Allen Klein had the opportunity to say he could do it, but so did a lot of other people Klein had been managing the Rolling Stones... and I believe Donovan... and John had met him He came in one day and said: "I'm going to get Klein to manage me, and that's what's happening" And Allen was... a human being the same as Brian was a human being It was the same thing with Brian in the early days, it was assessment I make a lot of mistakes character-wise but now and then I make a good one The alternative to Klein was possibly Lee Eastman but I'm not at all sure that Paul wanted Lee Eastman to be a manager in the sense that Brian Epstein had been a manager or Allen Klein to be a manager like Brian Epstein had been a manager I put forward Lee Eastman, Linda's dad as a possible sort of lawyer and possibly someone to do it But they said no, he would be too biased for you and against us Oh yeah, we had great arguments with Paul We felt the three of us have gone this way, why don't you? So there it was, and it was a three-to-one situation In the Beatles, if any one doesn't agree with the plan it was always vetoed, it was very democratic that way So the three-to-one thing was very awkward Things would happen like... at Olympic Studio one evening we were supposed to be doing Abbey Road and we all showed up at the studio ready to record and Allen Klein showed up as part of the party with his henchman They said "You've got to sign a contract for Klein to take to his Board" I said "It's Friday night, he doesn't work on a Saturday "Anyway, Allen Klein's a law unto himself, he doesn't have to report "We can easily do this on Monday. Let's do our session now "You're not going to push me into this." They said "You're stalling" They said "He wants 20o/o" I said "Tell him he can have 15o/o." They said "You're stalling" I said "No, I'm working for us. We're a big act" My exact words: "We're a big act, the Beatles. He'll take 15o/o" I think they were so intoxicated with him that they said: "He must have 20o/o and he's got to report to his Board tomorrow "Sign now or never" I said "Right, that's it. I'm not signing now" There was a big argument and they all went, leaving me at the studio What changed at Apple after he arrived? Everything! It was a completely different situation First and foremost, Paul wasn't there Let It Be was such an unhappy record, even though it has some great songs and I really thought that was the end of the Beatles I thought, what a shame to go out like this But Paul rang. "We're making another record, would you produce it?" My immediate answer was "Only if you let me produce it the way we used to" "We want to do that." "John included?" He said "Yes, honestly" So I said "If you really want that, let's get together again" And it was a very happy record - everybody knew it was to be the last I think the deal was that through Let It Be I left and we got back just to finish it, to make it tidy Then everybody decided we ought to do one better album I think it shows on the record that when we were excited the track's exciting It really all comes together It doesn't matter what we're going through individually on the bullshit level When it gets to the music you can see that it's really cool, we'd all put in 1000o/o Nobody was sure it was going to be the last one, but everybody felt it was The Beatles had gone through so much, and it was a long time They'd been incarcerated together for nearly a decade It was a very happy album. Everybody worked frightfully well And that's why I'm very fond of it There was always a possibility that we could have carried on We weren't sitting in the studio saying "OK, this is it "Last record, last track, last take" But when we'd finished Abbey Road the game was up, we all accepted that It was magical There were some really loving, caring moments between four people A hotel room here and there A really amazing closeness, just... four guys who really loved each other. It was pretty sensational They gave their money and they gave their screams but the Beatles gave their nervous systems which is a much more difficult thing to give I'm really glad that most of the songs dealt with love, peace, understanding Hardly any said "Go on kids, tell them to sod off, leave your parents" It's all very "all you need is love" or John's "give peace a chance" There was a very good spirit behind it all It's just natural. It's not a great disaster People talk as if it's the end of the earth. It's only a rock group that split up You have all the old records there if you want to reminisce 22nd August 1969 That's what they ask you. On tours round the world and press conferences: "Getting the Beatles back together?" You say "What are you talking about?" They say "How about Julian?" I feel sorry for him in the middle of all that Or Sean or somebody Well, let me ask you this way: "Are you getting back together?" No! And yet with Free as a Bird we somehow did, yeah Subtitles: Screentext |
B-Happy BBC - The Blue Planet (1 of 8) - Ocean World BBC - The Blue Planet (2 of 8) - The Deep BBC - The Blue Planet (3 of 8) - Open Ocean BBC - The Blue Planet (4 of 8) - Frozen Seas BBC - The Blue Planet (5 of 8) - Seasonal Seas BBC - The Blue Planet (6 of 8) - Coral Seas BBC - The Blue Planet (7 of 8) - Tidal Seas BBC - The Blue Planet (8 of 8) - Coasts Baader Babi Leto - Autumn Spring (2002) Baby Doll Baby Geniuses 2 2004 Babylon 5 - 2x01 - Points of Departure Babylon 5 - 2x02 - Revelations Babylon 5 - 2x03 - The Geometry of Shadows Babylon 5 - 2x04 - A Distant Star Babylon 5 - 2x04 - The Long Dark Babylon 5 - 2x06 - Spider in the Web Babylon 5 - 2x07 - Soul Mates Babylon 5 - 2x08 - A Race Through Dark Places Babylon 5 - 2x09 - The Coming of Shadows Babylon 5 - 2x10 - Gropos Babylon 5 - 2x11 - All Alone in the Night Babylon 5 - 2x12 Acts of Sacrifice Babylon 5 - 2x13 - Hunter Prey Babylon 5 - 2x14 - There All the Honor Lies Babylon 5 - 2x15 - And Now For A Word Babylon 5 - 2x17 - Knives Babylon 5 - 2x18 - Confessions and Lamentations Babylon 5 - 2x19 - Divided Loyalties Babylon 5 - 2x20 - The Long Twilight Struggle Babylon 5 - 2x21 - Comes the Inquisitor Babylon 5 - 2x22 - The Fall Of Night Babylon 5 - 3x03 - A Day in the Strife Babylon 5 - 3x05 - Voices of Authority Babylon 5 - 3x06 - Dust to Dust Babylon 5 - 3x07 - Exogenesis Babylon 5 - 3x08 - Messages from Earth Babylon 5 - 3x09 - Point of No Return Babylon 5 - 3x10 - Severed Dreams Babylon 5 - 3x11 - Ceremonies of Light and Dark Babylon 5 - 3x12 - Sic Transit Vir Babylon 5 - 3x13 - A Late Delivery From Avalon Babylon 5 - 3x14 - Ship of Tears Babylon 5 - 3x16 - War Without End (Part I) Babylon 5 - 3x17 - War Without End (Part II) Babylon 5 - 3x18 - Walkabout Babylon 5 - 3x19 - Grey 17 is Missing Babylon 5 - 3x20 - And the Rock Cried Out No Hiding Place Babylon 5 - 3x21 - Shadow Dancing Babylon 5 1x01 Midnight on the Firing Line Babylon 5 1x02 Soul Hunter Babylon 5 1x03 Born to the Purple Babylon 5 1x04 Infection Babylon 5 1x05 The Parliament of Dreams Babylon 5 1x06 Mind War Babylon 5 1x07 The War Prayer Babylon 5 1x08 And The Sky Full Of Stars Babylon 5 1x09 Deathwalker Babylon 5 1x10 Believers Babylon 5 1x11 Survivors Babylon 5 1x12 By Any Means Necessary Babylon 5 1x13 Signs and Portents Babylon 5 1x14 TKO Babylon 5 1x15 Grail Babylon 5 1x16 Eyes Babylon 5 1x17 Legacies Babylon 5 1x18 A voice in the wilderness - Part 1 Babylon 5 1x19 A voice in the wilderness - Part 2 Babylon 5 1x20 Babylon squared Babylon 5 1x21 The Quality Of Mercy Babylon 5 1x22 Crysalis Babylon 5 3x01 Matters of Honor Babylon 5 4x01 - The Hour of the Wolf Babylon 5 4x02 - What Ever Happened to Mr Garibaldi Babylon 5 4x03 - The Summoning Babylon 5 4x04 - Falling Towards Apotheosis Babylon 5 4x05 - The Long Night Babylon 5 4x06 - Into the Fire Babylon 5 4x07 - Epiphanies Babylon 5 4x08 - The Illusion of Truth Babylon 5 4x09 - Atonement Babylon 5 4x10 - Racing Mars Babylon 5 4x11 - Lines of Communication Babylon 5 4x12 - Conflicts of Interest Babylon 5 4x13 - Rumors Bargains and Lies Babylon 5 4x14 - Moments of Transition Babylon 5 4x15 - No Surrender No Retreat Babylon 5 4x16 - The Exercise of Vital Powers Babylon 5 4x17 - The Face of the Enemy Babylon 5 4x18 - Intersections in Real Time Babylon 5 4x19 - Between the Darkness and the Light Babylon 5 4x20 - Endgame Babylon 5 4x21 - Rising Star Babylon 5 4x22 - The Deconstruction of Falling Stars Babys Day Out Bachelor Party Bachelor and the Bobby-Soxer The Back To Bataan Back To The Future 1 Back To The Future 1 (dc) Back To The Future 1 (hi) Back To The Future 2 Back To The Future 2 (hi) Back To The Future 3 Back To The Future 3 (hi) Back to School (Alan Metter 1986) Back to the Future II Back to the Future III Backfield in Motion BadBoys TrueStory 2003 CD1 BadBoys TrueStory 2003 CD2 Bad Company Bad Guy 2001 Bad Santa Bad Santa (unrated) Bad Seed The 1956 Bad Timing (Nicolas Roeg 1980) Bad and the Beautiful The Badboys II Badlands Baise Moi Balanta 1992 (The Oak) Ballad Of A Soldier 1959 Balseros 2002 Bamb Bamba La (1987) Bamboozled Bananas Banchikwang Band of Brothers 01 - Currahee Band of Brothers 02 - Day of Days Band of Brothers 03 - Carentan Band of Brothers 04 - Replacements Band of Brothers 05 - Crossroads Band of Brothers 06 - Bastogne Band of Brothers 07 - The Breaking Point Band of Brothers 08 - The Last Patrol Band of Brothers 09 - Why We Fight Band of Brothers 10 - Points Band of Outsiders Bande des quatre La 1988 CD1 Bande des quatre La 1988 CD2 Bao biao (1969) - Have sword Chang Cheh Bao lian deng (1999) Bar El Chino 2003 Baramui Fighter CD1 Baramui Fighter CD2 Baran Barberella - A Queen Of The Galaxy Bare Bea 2004 Barefoot Gen 1983 Barfly Barocco Barrabas Barrio 1947 25fps Basara The Princess 1992 CD1 Basara The Princess 1992 CD2 Basic Instinct Batman - Mystery of the Batwoman Batman - The Movie Batman 1989 CD1 Batman 1989 CD2 Batman and Robin Batoru Rowaioru II - Requiem (2003) CD1 Batoru Rowaioru II - Requiem (2003) CD2 Batteries Included Battle Cry CD1 Battle Cry CD2 Battle Hymn 1957 Battle Royale (2000) Directors Cut CD1 Battle Royale (2000) Directors Cut CD2 Battle Royale 2 (2003) Battle for the Planet of the Apes Battle of Algiers The (Gillo Pontecorvo 1965) CD1 Battle of Algiers The (Gillo Pontecorvo 1965) CD2 Battle of Britain CD1 Battle of Britain CD2 Battle of the Bulge CD1 Battle of the Bulge CD2 Battlefield Baseball Battlefield Earth Battlestar Galactica 01x01 - 33 Battlestar Galactica 01x01 - Litmus Battlestar Galactica 01x01 - Water Battlestar Galactica 01x03 - Bastille Day Battlestar Galactica 01x04 - Act of Contrition Battlestar Galactica 01x05 - You Cant Go Home Again Battlestar Galactica 01x07 - Six Degrees of Seperation Battlestar Galactica 01x08 - Flesh and Bone Battlestar Galactica 01x09 - Tigh Me Up, Tigh Me Down Battlestar Galactica 01x10 - The Hand of God Battlestar Galactica 01x11 - Colonial Day Battlestar Galactica 01x12 - Kobols Last Gleaming Part 1 Battlestar Galactica 01x13 - Kobols Last Gleaming Part 2 Baxter 1989 Bazaar Beach The Bean - The Ultimate Disaster Movie Beast Cops Beast From 20,000 Fathoms The 1953 Beast Within The Beast of War The Beating Of The Butterflys Wings The 2000 Beatles Anthology The Episode1 Beatles Anthology The Episode2 Beatles Anthology The Episode3 Beatles Anthology The Episode4 Beatles Anthology The Episode5 Beatles Anthology The Episode6 Beatles Anthology The Episode7 Beatles Anthology The Episode8 Beatles Anthology The Special Features Beatles The - A Hard Dayss Night Beatles The First US Visit The Beau Pere - Stepfather - Bertrand Blier 1981 Beautiful Creatures Beautiful Girls Beautiful Thing Beautiful Troublemaker The (1991) CD1 Beautiful Troublemaker The (1991) CD2 Beautiful Troublemaker The (1991) CD3 Beautifull Mind A CD1 Beautifull Mind A CD2 Beauty And The Beast Beauty and the Beast (Disney Special Platinum Edition) Beavis and Butt-head Do America (1996) Bedazzled Bedford Incident The Bedroom Key The CD1 Bedroom Key The CD2 Beethoven Before Night Falls 2000 CD1 Before Night Falls 2000 CD2 Before Sunrise Before Sunset 2004 Beguiled The Behind Enemy Lines 2001 Behind The Sun (Walter Salles 2001) Being John Malkovich Being There (1979) CD1 Being There (1979) CD2 Belle Epoque CD1 Belle Epoque CD2 Belle and La Bete La (1946) Bellinin And The Spynx CD1 Bellinin And The Spynx CD2 Bells Of St Marys The (1945) Belly Of The Beast Belly of an Architect The Below Belphegor Ben-Hur CD1 Ben-Hur CD2 Bend It Like Beckham Bend of the River 1952 Beneath the Planet of the Apes Benny and Joon Bernie Best years of our lives 1946 Bet on My Disco Better Off Dead 1985 Better Than Chocolate Better Tomorrow 2 A CD1 Better Tomorrow 2 A CD2 Better Tomorrow 3 A Better Way To Die A Betty Between Heaven and Hell Beverly Hillbillies The 1993 Beverly Hills Ninja Beyond Borders CD1 Beyond Borders CD2 Beyond The Beyond The Clouds Bez konca (No End 1985) CD1 Bez konca (No End 1985) CD2 Biches Les (Claude Chabrol 1968) Bicho de sete cabezas Bichunmoo CD1 Bichunmoo CD2 Big Big Blue The CD1 Big Blue The CD2 Big Bounce The Big Chill The Big Daddy Big Deal on Madonna Street (1958) Big Fat Liar Big Fish 2003 Big Hit The Big Lebowski The Big Mommas House Big Nihgt Big Shot - A Confessions of a Campus Bookie 2002 Big Sleep The Big clock The 1948 Big girls dont cry Biker boyz Billy Elliot Billy Madison 1995 Biloxi blues Bingwoo 2004 CD1 Bingwoo 2004 CD2 Bio Dome Bio Hunter Bio Zombie Bionicle 2 A Legends of Metru-Nui Bionicle Mask Of Light 2003 Birch Tree Meadow The Bird People in China The 1998 CD1 Bird People in China The 1998 CD2 Bird on a wire Bishops Wife The 1947 CD1 Bishops Wife The 1947 CD2 Bite the bullet Bitter Sugar (Azucar amarga) Black Angel Black Sabbath BlackAdder 1x1 - The Foretelling BlackAdder 1x2 - Born to be King BlackAdder 1x3 - The Archbishop BlackAdder 1x4 - The Queen of Spains Beard BlackAdder 1x5 - Witchsmeller Pursuivant BlackAdder 1x6 - The Black Seal BlackAdder 2x1 - Bells BlackAdder 2x2 - Head BlackAdder 2x3 - Potato BlackAdder 2x4 - Money BlackAdder 2x5 - Beer BlackAdder 2x6 - Chains BlackAdder 4x1 - Captain Cook BlackAdder 4x2 - Corporal Punishment BlackAdder 4x3 - Major Star BlackAdder 4x4 - Private Plane BlackAdder 4x5 - General Hospital BlackAdder 4x6 - 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Baseball Bugs (1946) Bugs Bunny - Big Top Bunny (1951) Bugs Bunny - Bugs Bunny Gets the Boid (1942) Bugs Bunny - Bugs Bunny and the Three Bears (1944) Bugs Bunny - Bugs and Thugs (1954) Bugs Bunny - Bully for Bugs (1953) Bugs Bunny - Frigid Hare (1949) Bugs Bunny - Hair-Raising Hare (1946) Bugs Bunny - Haredevil Hare (1948) Bugs Bunny - Long Haired Hare (1949) Bugs Bunny - My Bunny Lies Over the Sea (1948) Bugs Bunny - Rabbits Kin (1952) Bugs Bunny - Tortoise Wins by a Hare (1943) Bugs Bunny - Wabbit Twouble (1941) Bugs Bunny - Water Water Every Hare (1952) Bugs Bunny - Whats Up Doc (1950) Bugs Bunny and Daffy Duck - Rabbit Fire (1951) Bugs Bunny and Daffy Duck - Rabbit Seasoning (1952) Bugs Bunny and Elmer - Rabbit of Seville (1950) Bugs Bunny and Taz - Devil May Hare (1954) Bugs Bunny and Yosemite Sam - Ballot Box Bunny (1951) Bugs Bunny and Yosemite Sam - Big House Bunny (1950) Bugs Bunny and Yosemite Sam - Bunker Hill Bunny (1950) Bugs Bunny and Yosemite Sam - High Diving Hare (1949) Bugs Life A Bullet Ballet Bullet in the Head Bulletproof Monk 2003 Bullets Over Broadway Bully (Unrated Theatrical Edition) Burning Paradise (Ringo Lam 1994) Burnt Money Butch Cassidy and the Sundance Kid A Special Edition Butchers Wife The |