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You look smart, Mr Blackadder.|Going somewhere nice? - No, I'm off to the theatre.|- Don't you like it, then? No, I don't! A lot of stupid actors strutting around|shouting, with their chests thrust out so far, you'd think their nipples were attached|to a pair of charging elephants! And the worst thing about it|is having to go with Prince Mini-Brain! - Doesn't he like it, either?|- He loves it. The problem is|that he doesn't realise it's made up. Last year, when Brutus was about|to kill Julius Caesar, the Prince yelled out, "Look behind you, Mr Caesar!" I can't see the point in the theatre. All that sex|and violence - I get enough of that at home. Except for the sex, of course. I want you to give this palace a good clean. It's|so dirty, it'd be unacceptable to a dung-beetle that had lost interest in its career|and really let itself go. (GEORGE): Come on, Blackadder,|or we'll miss the first act! Coming, sir, as fast as I can! Stick the kettle on, Baldrick. Now, sir, give I this advice to thee:|Never, never, never trust thine enemy. Agh! Aaaaaagh! (MALE VOICE 1): Thy life is forfeit, sir...|(MALE VOICE 2): Aaagh... Thy life is forfeit, sir, and at an end,|like our poor play. We hope it pleased you, friends. Certainly not, you murdering rotter!|Guards, arrest that man! - Your Highness, it's only a play.|- What about the poor fellow who's dead? Saying "it's only a play" will not feed and clothe|the little ones he leaves behind. Call the militia! Sir, he's not dead.|See, he stands, awaiting your applause. Oh, I say, that's very clever.|He really isn't dead. Bravo! Bravo! - Blast, the Prince likes it!|- Shit, we'll close tonight. (SCREAMING AND COMMOTION)|Work for the weavers! Smash the Spinning Jenny! Burn the Rolling Rosalind! Destroy the Going Up|and Down a Bit and then Moving Along Gertrude! And death to the stupid Prince|who grows fat on the profits! I say, how exciting!|This play's getting better and better! Bravo! (BLACKADDER): It's not a play any more, sir. (BLACKADDER): Put the bomb down|and make your way quietly to the exit. Blackadder, your problem is, you can't tell|when something's real and when it's not. I must say, Blackadder, that was a close shave. Why on earth would an anarchist|possibly want to kill you ? - I think it might've been you he was after, sir.|- Hogwash! What on earth makes you say that? Well, my suspicions were first aroused by his use|of the words "Death to the stupid Prince". It was a bit rude, wasn't it? These are volatile times, Your Highness. The|American Revolution lost your father the Colonies, the French Revolution murdered brave King Louis|and there are tremendous rumblings in Prussia, although that might be something to do|with the sausages. The whole world cries out, "Peace, freedom,|and a few less fat bastards eating all the pie." Well, yes, quite, something must be done.|Any ideas? Yes, sir. Next week|is your royal father's birthday celebrations. I suggest that I write a brilliant speech|for you to recite, to show the oppressed masses|how unusually sensitive you are. Tell me about these "oppressed masses",|what are they so worked up about? Because they are so poor, they are forced to have children simply to provide|a cheap alternative to turkey at Christmas. Disease and depravation stalk our land|like...two giant stalking things. - And the working man is poised to overthrow us.|- Oh my God, and here he is! - Don't be silly, sir. That's Baldrick, my dogsbody.|- He looks like an oppressed mass to me. - Get him out of here at once!|- Shoo, Baldrick, carry on cleaning elsewhere. By the end of tonight, I want that dining table|so clean I can eat my dinner off it. Crikey, Blackadder, I'm dicing with death here. The sooner I can show|how unusually sensitive I am, the better. - Oh, I just had another brilliant thought.|- Another one, Your Highness? Yes, another one, actually! You remember that one I had about wearing|underwear on the outside to save on laundry bills? Why don't we ask those two actors we saw tonight|to teach me how to recite your speech? - Brilliant, eh?|- No, Your Highness, feeble. What? I would advise against it. It's a feeble idea. Well, tish and pish to your advice, Blackadder!|Get them here at once! I'm fed up with you treating me|as if I'm some kind of thickie. It's not me that's thick, it's you!|I'm the bloody Prince and you're only a butler. Now go and get those actors here this minute,|Mr Thicky-Black-Thicky-Adder-Thicky. - Mrs Miggins, I'm looking for a couple of actors.|- Well, you've come to the right place, Mr B. There's more Shakespearian dialogue in here|than there are buns. All my lovely actors pop in on their way|to rehearsals for a little cup of coffee and a big dollop of inspiration. You mean they actually rehearse? I thought they|got drunk, stuck on a silly hat and trusted to luck. Oh, no! There's ever so much hard work that goes|into the wonderful magic that is theatre today. Still I don't expect you'd know much about that,|being only a little butler. They do say, Mrs M,|that verbal insults hurt more than physical pain. They are of course wrong, as you'll soon discover|when I stick this toasting fork in your head. (VOICE FROM OUTSIDE): Ladies and gentlemen,|will you please welcome Mr David Keanrick. - And the fabulous Mr Enoch Mossop.|- (MRS M): Hurrah! Gentlemen, gentlemen! Settle down, settle down, settle down.|I'm sorry, no autographs. - The usual, Mrs M.|- Coming up, my lovely. Well, if I can just squeeze through|this admiring rabble. Gentlemen, I've come with a proposition. How dare you, sir. You think just because|we're actors we sleep with everyone. I think, being actors,|you're lucky to sleep with anyone. I come here on behalf of my employer,|to ask for some elocution lessons. I fear, sir, that is quite impossible. We are|in the middle of rehearsing our new play. We could not possibly betray our beloved audience|by taking time off. Oh no, mustn't upset the punters.|Bums on seats, laddie, bums on seats. And what play is this? It is a piece we penned ourselves, called "The Bloody Murder of the Foul Prince|Romero and His Enormous-Bosomed Wife". A philosophical work, then. Indeed yes, sir. The violence of the murder and the vastness of|the bosom are entirely justified artistically. - Right, I'll tell the Prince that you can't make it.|- Prince? Sorry, yes, didn't I mention that?|It's the Prince Regent. Shame you can't make it. No, no, no, please, no. Please wait, sir. Off, off! - I think we can find some time, Mr Keanrick.|- Definitely, Mr Mossop. No, you've got your beloved audience|to think about. - Sod the proles! We'll come.|- Yes, worthless bastards to a man. It's nice to see artistic integrity|thriving so strongly in the acting community. This afternoon at four, then, at the Palace. - Well, what do you think?|- Are you ill or something? No, I'm simply trying to look more like an actor. - I'm sure you don't need the false moustache.|- No? Ow! Egads, it's that oppressed mass again! That is Baldrick spring cleaning. Oh yes, so it is. - Finish the job later, Baldrick.|- The cleaning or the being strangled? Either suits me. This is all getting a bit hairy, isn't it? Are you sure|we can even trust these acting fellows? Last time, three of them murdered Julius Caesar,|and one of them was his best friend Brutus. As I've told you about eight times, the man|playing Julius Caesar was an actor called Kemp. - Really?|- Yes. Thundering gherkins! Brutus must have been|pretty miffed when he found out. What? That he hadn't killed Caesar after all,|just some poxy actor called Kemp. Do you think he went to Caesar's place|after the play and killed him then? Oh, God, it's pathetic! (KNOCKING) (KNOCKING CONTINUES) - Is that the door?|- Don't worry, it's just the actors. My uncle Baldrick was in a play once.|It was called Macbeth. - And what did he play?|- Second codpiece. Macbeth wore him in the fight scenes. So he was a stunt codpiece? Did he have a large part? Depends who's playing Macbeth. Incidentally, Baldrick, actors are very superstitious. On no account mention the word "Macbeth"|this evening, all right? It brings them bad luck|and it makes them very unhappy. - Oh, so you won't be mentioning it either?|- No. Well, not very often. You should have knocked. Our knocks, impertinent butler,|were loud enough to wake the hounds of hell. - Lead on, McDuff.|- I shall. Lest you continue in your quotation|and mention the name of the Scottish play. Never fear, I shan't do that. By the Scottish play,|I assume you mean Macbeth. Hot potato,|off his drawers, pluck to make amends. Ow! - What was that?|- We were exorcising evil spirits. Being but a mere butler,|you will not know the great theatre tradition that one does never speak|the name of the Scottish play. What, Macbeth? Hot potato, off his drawers,|pluck to make amends. Ow! You mean you have to do that|every time I say "Macbeth"? Hot potato, off his drawers,|pluck to make amends. Ow! Will you please stop saying that!|Always call it "the Scottish play". - You want me to say "the Scottish Play"?|- Yes! Rather than "Macbeth"? Hot potato, off his drawers,|pluck to make amends. Ow! For heaven's sake, what is all this hullabaloo,|all this shouting and yelling blue murder? It's like that play we saw the other day,|what was it called? Macbeth, sir. Hot potato, off his drawers,|pluck to make amends. Ow! - No, no, it was called Julius Caesar.|- Ah yes, of course, Julius Caesar. Not Macbeth. Hot potato, off his drawers,|pluck to make amends. Ow! - Are you sure you want these people to stay?|- I asked them, didn't I, Mr Thicky Butler. Your Royal Highness, may I say|what a great honour it is to be invited? - Why certainly.|- Thank you. What a great honour|it is to be invited here to make merry, in the halls|of our King's loins' most glorious outpouring. Ugh! Now, Your Highness,|shall we begin straight away? - Now, I've got this...|- Before we inspect the script, let us have a look at stance. The ordinary fellow stands like,|well, as you do now. Whereas your hero...stands thus. Right, sort of like this... Excellent, Your Highness. Even more so... Like that? (CREAKING NOISE) - What was that noise?|- It wasn't me. We are used to standing in this position. (ANOTHER CREAK) It came from over here. - Anarchist!|- Cleaner! So you've had a wash, that's no excuse! - That is Baldrick spring cleaning.|- But look, he's got a bomb! It's not a bomb, sir, it's a sponge. So it is.|Get it out of here at once before it explodes. Now, stance. I'm sorry about that.|I think we really had something there. Yes, Your Highness. Your very posture|tells me "Here is a man of true greatness". Either that, or|"Here are my genitals, please kick them." Sir, I really must ask that this ill-educated oaf|be removed from the room. Get out! Your presence here is as useful as fine|bone china at a tea-party for drunken elephants. Is that right? Well, yes, get out Blackadder,|and stop corking our juices. Certainly, Your Highness.|I'll leave you to dribble in private. - Something wrong, Mr B?|- I've had it up to here with that Prince. - One more insult, and I'll hand in my notice.|- Does that mean I'll be butler? Not unless some kindly surgeon cuts your head|open with a spade and sticks a new brain in it. I don't know why I put up with it.|Every year at the Guild of Butlers' Christmas Party I have to wear the red nose for winning the|"Who's got the stupidest master" competition. All I can say is, he'd better watch out! One more foot wrong and the contract between us|will be as broken as this milk-jug. - But that milk-jug isn't broken.|- You really do walk into these things. Excellent. And now, sir, at last, the speech. Right. No, Your Royal Highness.|What have you forgotten? If I stand any more heroically than this, I'm in danger of|seriously disappointing my future Queen. No, Your Highness,|not the stance, the rosr. - You want me to roar?|- Of course we wish you to roar. All great orators roar before commencing|their speeches. It is the way of things. Mr Keanrick, from your Hamlet, please. Ooooooo, to be or not to be. From your Julius Caesar. Ooooooo, friends, Romans, countrymen... From your leading character,|in a play connected with Scotland. That's Macbeth, isn't it? Hot potato, off his drawers,|pluck to make amends. Ow! Let's all roar together, shall we?|One, two, three... Oooooooo! Excellent, Your Highness.|Now, shall we try putting it all together? Rooooaaarr! Unaccustomed as I am... No, no, no. Alas, I fear you mew it like a frightened tree. May I see the speech? Who wrote this drivel? Is there a problem with the speech? Well, yes, there is a problem, actually.|The problem is that you wrote it, Mr Hopelessly-Drivelly-|Can't-Write-For-Toffee-Crappy-Butler-Weed! Whoops! Shall I get their supper, sir? Yes, preferably something that has first passed|through the digestive system of the cat. - And you'll have to take it up yourself.|- Why? Because I'm leaving, Baldrick.|I'm about to enter the job market. Right, let's see. Situations vacant: Mr and Mrs Pitt are looking for a baby-minder|to take Pitt the Younger to Parliament. Some fellow called George Stevenson|has invented a moving kettle, wants someone to help with the marketing.|Oh, there's a foreign opportunity here. Treacherous, malicious,|unprincipled cad, preferably non-smoker, wanted to be King of Sardinia.|No time wasters, please. Apply to: Napoleon Bonaparte, PO Box 1, Paris.|Right! We're on our way! Oh, sir, about costume... Any thoughts? Well, enormous trousers, certainly, and perhaps an Admiral's uniform, because|we know what all the nice girls love, don't we? I'll tell you what,|why don't I go and try them on for you? Help yourselves to wine. You'll need a stiff drink|when you see the size of these damn trousers. - Oh, my dear, what a ghastly evening!|- You're so right, love. Look, while he's gone,|why don't we have a quick read-through of "The Murder of Prince Romero|and His Enormous-Bosomed Wife"? Act 1, Scene 1? "Spring has come, with all its gentle showers.|Methinks it's time to hack the Prince to death." Baldrick, I would like to say how much I will|miss your honest and friendly companionship. Ah, thank you, Mr B. But as we both know, it'd be an utter lie. I will therefore confine myself to saying simply,|"Sod off", and if I ever meet you again, it'll be twenty billion years too soon. Goodbye,|you lazy, big-nosed, rubber-faced bastard. I fear, Baldrick, that you will soon be eating|those badly chosen words. I wouldn't bet you a single groat that you|could survive five minutes here without me. Come on, Mr B, it's not as though we're gonna get|murdered or anything the minute you leave, is it? Hope springs eternal, Baldrick. (BELL RINGS) Coming! - (MOSSOP): Let's kill the Prince.|- (KEANRICK): Who shsll strike first? Let me, and let this dagger's point|prick out his soft eyeball and sup with glee upon its exquisite jelly. Have you the stomach? I have not killed him yet, sir, but when I do, I shall have the stomach and the liver, too, and the floppily-doppilies in their horrid glue. What if a servant should hear us in our plotting? Then shall we have servant sausages for tea. And servant rissoles shall our supper be. Murder! Murder! The Revolution's started! - What?!|- A plot, a plot to kill you! Ah, so you've come clean at last, have you,|you bloody little poor person. Not me - the actors downstairs,|they're anarchists! I heard them plotting. They're gonna|poke out your liver, turn me into rissole, and then suck on your|exquisite floppily-doppilies. - What are we going to do?|- Mr Blackadder says, "when the going gets tough,|the tough hide under the table." - Blackadder, of course! Where is he?|- He's in Sardinia. - What? Why?|- You were rude to him, so he left. Oh no! What a mad, blundering, incredibly|handsome young nincompoop I've been. What are we to do? If we go downstairs,|they'll chop us up and eat us alive. We're doomed, doomed! (FOOTSTEPS APPROACHING) (GEORGE WHIMPERS) Good evening, Your Highness. Four minutes and 22 seconds, Baldrick.|You owe me a groat. Thank God you're here!|We desperately need you! Who, me, sir?|Mr Thicky-Black-Thicky-Adder-Thicky? Oh tish! Mr Hopelessly-Drivelly-|Can't-Write-For-Toffee-Crappy-Butler-Weed? Yes, well... Mr Brilliantly-Undervalued-Butler|who hasn't had a raise in a fortnight? Take an extra thousand... ..guineas per month? All right. What's your problem? The actors have turned out to be|vicious anarchists! They intend to kill us all! - What, are they going to bore us to death?|- No, stab us! Baldrick overheard them. - Are you sure they meant it, sir?|- Quite sure. - How far apart were their legs?|- This far. - And their nipples?|- That far. - They meant it, all right.|- All right, sir, I'll see what I can do. To torture him, I lust. Let's singe his hair,|and up his nostrils... ..hot bananas thrust. - Rehearsals going well, gentlemen?|- Begone! A mere butler with the intellectual capacity|of a squashed apricot can be of no use to us. Indeed yes, sir. Your participation is as irritating|as a potted cactus in a monkey's pyjamas. Well, in that case,|I won't interrupt you any longer. Sorry to disturb, gentlemen. Blackadder, thank God you're safe!|Well, what happened? Sir, there was no need to panic.|It was all perfectly straightforward. They're traitors, sir. They must be arrested,|brutally tortured and executed forthwith. Bravo! But Your Highness,|there's been a terrible mistake. That's what they were bound to say, sir. It was a play, sir, a play! Look, all the words|you heard were written down on that page. Text book stuff again, you see. The criminals'|vanity always makes them make one tiny mistake. Theirs was to have their entire conspiracy|printed and published in plain manuscript. - Take them away!|- Mercy, we beg for mercy! I have got only one thing to say to you...Macbeth! Hot potato, off his drawers,|pluck to make amends. Well done, Bladder! How can I ever thank you? You can start by not calling me "Bladder", sir.|Macbeth! Of course, Bladder. No sooner said than done.|No hard feelings? No, sir. It's good to be back in the saddle.|Did I say saddle? I meant harness. Bravo! So we're the best of friends|as ever we were. Hurrah! In fact, now that the evil Mossop and Keanrick|have got their comeuppance, the Drury Lane Theatre is free. I thought we might|celebrate by staging a little play that I've written. Excellent idea! And with my new-found acting|skills, might there be a part in it for me? I was hoping that you might play the title role. What a roaringly good idea!|What's the play called? "Thick Jack Clot Sits in the Stocks|and Gets Pelted with Rancid Tomatoes" Excellent! |
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The Deep Blue Planet The 3 - Open Ocean Blue Planet The 4 - Frozen Seas Blue Spring 2001 Blue Velvet Blue juice 1995 Blue thunder Blues Brothers The (1980) CD1 Blues Brothers The (1980) CD2 Blues Harp Boat Trip - Feedback Overflow Bob Le Flambeur 1955 Bob Marley Story - Rebel Music Bob and Carol and Ted and Alice Body Double Body Heat Body The Boiler Room Bola El Bone Collector The Bonnie and Clyde Book of Fate The Book of Pooh The Boondock Saints The Boot Das 1981 CD1 Boot Das 1981 CD2 Born Romantic Boucher Le Bounce Bourne supremacy The-1CD Boxcar Bertha Boy Who Saw The Wind The Boys and Girls Boyz N the Hood Branca de Neve Bread and Roses Breakfast Club The Breakfast at Tiffanys Breakin all the rules Breaking Away Bride with White Hair The Bridge Man The CD1 Bridge Man The CD2 Bright Future Broadway Danny Rose Brother (Takeshi Kitano) Brother Sun Sister Moon 1972 Brother from Another Planet The 1984 Brotherhood Of The Wolf Brothers The Buddy Buena Estrella La (Lucky Star) Buffalo Soldiers Bug 1975 Bugs Bunny - Baseball Bugs (1946) Bugs Bunny - Big Top Bunny (1951) Bugs Bunny - Bugs Bunny Gets the Boid (1942) Bugs Bunny - Bugs Bunny and the Three Bears (1944) Bugs Bunny - Bugs and Thugs (1954) Bugs Bunny - Bully for Bugs (1953) Bugs Bunny - Frigid Hare (1949) Bugs Bunny - Hair-Raising Hare (1946) Bugs Bunny - Haredevil Hare (1948) Bugs Bunny - Long Haired Hare (1949) Bugs Bunny - My Bunny Lies Over the Sea (1948) Bugs Bunny - Rabbits Kin (1952) Bugs Bunny - Tortoise Wins by a Hare (1943) Bugs Bunny - Wabbit Twouble (1941) Bugs Bunny - Water Water Every Hare (1952) Bugs Bunny - Whats Up Doc (1950) Bugs Bunny and Daffy Duck - Rabbit Fire (1951) Bugs Bunny and Daffy Duck - Rabbit Seasoning (1952) Bugs Bunny and Elmer - Rabbit of Seville (1950) Bugs Bunny and Taz - Devil May Hare (1954) Bugs Bunny and Yosemite Sam - Ballot Box Bunny (1951) Bugs Bunny and Yosemite Sam - Big House Bunny (1950) Bugs Bunny and Yosemite Sam - Bunker Hill Bunny (1950) Bugs Bunny and Yosemite Sam - High Diving Hare (1949) Bugs Life A Bullet Ballet Bullet in the Head Bulletproof Monk 2003 Bullets Over Broadway Bully (Unrated Theatrical Edition) Burning Paradise (Ringo Lam 1994) Burnt Money Butch Cassidy and the Sundance Kid A Special Edition Butchers Wife The |