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Blazing Sun (1960) CD2

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I'm going to change.
(Speaking Italian)
Marge?
I must see him about this letter.
He owes money on the boat.
I'm broke. I'm in an awful spot.
I'm going back to Paris.
Be reasonable. I'll show him the letter.
(Horn Honking)
(Bell Pealing)
Mr. Ripley! Mr. Ripley, your passport.
So you want to sell your boat.
But you still owe us 500,000 lire.
And you also want an advance.
I'll have to talk to the manager.
Please sign this sale order.
I'm afraid it's late in the season.
I'll mail it to you.
Fine. You're still at Mongibello?
No, I'm in Rome. Hotel Excelsior.
Well, good-bye, Mr. Greenlaff.
- Greenleaf. - Greenleaf. So sorry. Greenleaf.
(Bell Tolling)
I reserved a room by phone.
My name is Philippe Greenleaf.
Please write your address, sir.
If there are any calls, I'll be in my room. Philippe Greenleaf.
Hello?
Hello?
Hello, Marge?
Phil, where are you?
- In Rome. - Where are you staying?
Write me at American Express.
- I had to hear the sound of your voice. - Let me come.
No!
Why are you running away from me?
It's best that we don't see each other for a little while.
- Is she a brunette? - Here we go again!
- The earring girl? - If you start, I'll hang up!
I'll never see you again. I hate you!
- I was unfaithful to you with Tom. - What?
With Tom, I said!
- Anything else? - Yes, the shipyard wants to be paid.
As for me, I'm leaving for Paris.
I won't let you.
I'm going back if I have to crawl.
- Did you see him? - Yes, he gave me a letter for you.
What is he doing?
Whom does he see?
Is he happy?
I don't know. I don't lead his life for him.
I only see him once in a while.
Don't lie.
Marge.
You've changed too.
I don't understand this.
If you wrote to me, would you type your letter?
Wouldn't you just sign your first name?
He's still angry.
- Take it easy. - It's so dull.
It's not like him.
You didn't get along very well.
But now he praises you.
Swear to me he's not in San Francisco.
Come on, Marge.
I'm sorry. You're my only link to Phil.
If you lost track of him, what would I do?
Don't be foolish.
You must be fed up with both of us.
Do you know Naples?
I'll show you the old quarter. You'll like it.
Then we'll cash the travelers' checks.
I'll go change.
- Coming with me? - No, I'd rather wait.
I'll only be a minute.
Tom?
Let's have a drink.
Yes, in the old quarter.
I'll write Phil a note. Will you give it to him?
Meanwhile, I'll go for a walk.
Mr. Greenleaf. Mr. Greenleaf.
Good morning. I have reserved 12 rooms.
You'll find your keys at the desk.
Mr. Greenleaf?
(Speaking Italian)
Boris, did you hear? Philippe is here!
- (Chime Ringing) - (Man) Mr. Greenleaf?
Mr. Greenleaf? Mr. Greenleaf? Telephone.
Boris?
Booth five, Mr. Greenleaf.
He's in room 423.
I'm going to call and tell Marge.
- Mongibello 224, please. - Yes, madame.
I've received your order to sell the boat.
Naturally, you won't use her anymore.
No, no, no.
- Hello? - Yes, uh...
- Booth eight, madame. - Thank you.
I am moving today.
I've rented an apartment at 90 Via Savoia.
- Via Savoia. - That's it. Good-bye, and thanks.
Good-bye, Mr. Greenleaf.
- (Doorbell Rings) - Come in!
Here are your newspapers.
- You'll like it here. It's very quiet. - I hope so.
I always say, new curtains...
make all the difference.
- (Woman Yelling) - I'm coming!
Mamma mia. No one ever leaves me in peace.
Beautiful, isn't it?
Very beautiful.
Can I move things around?
Just make yourself at home.
- This too? - Oh, yeah. Yeah.
Oh, there's a wire.
(Chuckles)
(Typewriter Tapping)
"Dear Marge. We may as well call it quits.
I have hesitated for a long time..."
- (Doorbell Rings) - Come in.
(Ringing Continues)
What a pain.
Hello! Oh, it's you.
Where's Phil?
- Out eating lunch. - Where?
That little place near the Piazza del Popolo.
Okay, I'm going. Still on the move.
Is he coming or going?
- I don't know. - How are things?
Not bad.
Say, how did you get my... I mean, his address?
From the shipyard.
I've got a boat, too, you know.
What are you doing here?
I just came to say hello.
Look at those paintings! What taste!
I see you're wearing his shirt.
Yes. I didn't have any clean laundry.
What about Phil and Marge?
- Are they busting up? - Who told you that?
Oh, these things get around.
Did he really throw her manuscript overboard?
(Laughs) Philippe!
What a stink! Phil is fantastic.
- Why has he gone into hiding? - He's not hiding.
Oh, yes, he is.
It's understandable to avoid Marge. But me?
He didn't even bother to drop me a line.
- Look, I'm not Phil. - I'm going to that restaurant.
He'd better be there.
You must be his ghost. You write his letters.
- Why do you say that? - I thought I heard someone typing.
By the way, Marge is in Rome,
at the Hotel Minerva.
- Any message for her? - No.
Good-bye.
His shoes too. Amazing.
Mr. Greenleaf! Mr. Greenleaf!
Mr. Greenleaf!
- Is he Signor Greenleaf? - Certainly.
I'll deliver it.
(Footsteps On Stairs)
Say, Tom. You're quite a guy!
(Grunts)
Didn't you see the sign?
You're not allowed to park here.
Is that your car?
Move along. Find another place.
- Was the chicken good? - Very good.
(Grunts)
(Grunts)
(Panting)
(Footsteps Approaching)
(Footsteps Continue)
(Door Opens)
(Door Closes)
(Groans)
Sober up! Wake up, will you?
(Horn Honks)
(Engine Starts, Revs)
(Dog Barking)
- (Horn Honks) - (Dog Barks)
- (Thud) - (Dog Barks)
Why, they'll pin it on Philippe!
I'm in the clear.
- Concierge. - Yes?
Does Mr. Greenleaf live here? Police.
- Has he lived here long? - No, only two weeks.
Has he had many visitors?
- No, just one. Third floor. - Which apartment?
Drive around the block.
I want you to pick up two suitcases.
Over there.
Please hurry.
I want to withdraw money from my account.
Over there, sir.
- Hello. - Hello, sir.
- I want ten million lire. - Ten million?
Your passport, please.
All right, Mr. Greenleaf. We can do that.
Please sign here.
Just a moment.
You'll only have $450 left in your account.
I know.
Your passport.
I'd like to call 86.27.17.
I'll get my mail and be right back.
Second booth.
(No Audible Dialog)
(Phone Ringing)
Hello, Philippe? Hello, Philippe?
- Yes. - Is that you, Philippe? It's Tom.
- Tom who? - Ripley. Ripley!
Is Mr. Greenleaf there?
Giovanni, take this down.
Mr. Greenleaf just stepped out.
He'll be right back. Could you drop in?
Sorry, I can't. I just got in.
Tell him to call me at the Hotel Paradiso.
- Hotel what? - Hotel Paradiso.
- Thank you. - Thank you!
- (Knock At Door) - Yes, come in.
I hope I'm not disturbing you.
I'm Inspector Riccordi.
Glad to meet you. Please sit down.
- What can I do for you? - Oh, well, we'll see.
I would like to ask you a few questions.
- What's it all about? - Did you see the newspapers?
- No, not yet. - Freddy Miles has been murdered.
- Freddy? - You knew him?
Yes, but not very well. He was a friend of Philippe's.
Later I will tell you what happened, Mr. Risley.
I can't believe it.
Is Philippe Greenleaf a friend of yours?
Yes.
An old friend?
Yes, you might say so.
I knew him in San Francisco. Then I saw him here.
Where is he?
I thought he was in Rome.
Have you seen him recently?
- No, I've been on a trip. - Where to?
Oh, all over Italy. Mainly the north.
I plan to do some traveling.
I must ask you to remain in Rome, Mr. Risley.
Ripley.
Do you have your passport?
No, it's at the desk.
Were Miles and Greenleaf on good terms?
Do you know more about Freddy Miles?
No.
But Marge knew him much better than I did.
- Who is Marge? - A friend of Philippe's. His fiancee.
Tomorrow, we'll ask you to identify the body.
Do you think Mr. Greenleaf killed Mr. Miles?
What a wild idea!
- Do you recognize him? - Yes.
- Oh, it's frightful. - Did he have enemies?
Enemies? Of course not. He wouldn't hurt a fly.
It's tragic. I'll never get over it.
(Policeman) I'm sorry Mr. Greenleaf isn't here.
- Any sign of him? - No. What about you?
No.
Could he be hiding?
- Hiding from whom? - Oh, I was just wondering.
He was seen leaving with Miles. They were both high.
They could hardly stand up.
We dance, we slave, but where will it get us?
We'll all end up like this.
(Speaking Italian)
(Horn Honks)
Be careful! This is no time to get killed!
Sit down over there.
Spaghetti for everybody, and a bottle of Rufino.
Two bottles.
- Marge... - What a day he picked to disappear!
He's insane. What will the police think of him?
- You mean Phil? - Of course.
If he's innocent, if he didn't kill anyone...
- Kill anyone? - Those things happen.
I'm sure he's innocent.
You don't have to say it.
If you only knew what this does to me.
I can't help it.
When I think of Philippe, who may be out with a girl...
It's better to be a lady-killer than a killer, no?
He doesn't even know they suspect him. (Cries Out)
He'll turn up one day.
How do you know? (Groaning)
- Marge? - Yes?
You still love him.
In your letter, you said, "I love you no matter what happens."
- What letter? - The one I got...
...yesterday morning.
You mean the one I wrote to Phil?
- Marge? - Yes?
I... I saw him, but I swore I'd say nothing.
So he gave you my letter.
Yes. So that you couldn't be involved.
- Why didn't he destroy it? - He just couldn't.
Not so loud.
Forgive me. I couldn't help reading it.
Here it is.
Poor Freddy! When I read his horoscope,
I knew right away he would die a violent death.
(Boris) But he never believed it.
He was always smiling.
(Woman) And Philippe liked him so much.
Poor Philippe. I'm so worried about him.
Marge, I know where Philippe is.
He can't stay in Rome.
- He's hiding. - Where is he?
He took a train to Mongibello this morning.
All this excitement makes me hungry.
Oh, thank you!
(Woman On P.A. Announcing Departures)
"Dear Mother. I cannot go on living.
"Forgive me. I leave everything to Marge.
Your loving son, Philippe Greenleaf."
"For Marge."
(Man, Shouting) Philippe!
Philippe!
Philippe! Old friend!
Hey, wake up!
(Laughing, Shouting)
Hey, Phil! Open up!
Sorry, but I've got to work!
Work?
You never did a day's work in your life!
- Open the door! - No!
Then I'll bust it open!
O'Brien, don't be an imbecile!
(Speaking English) God is within!
Your genius is within!
(Laughing)
Excuse me, Miss. Police.
Please.
(Clatter)
"Police Still Hunt Philippe Greenleaf'
- (Knock At Door) - Come in.
Who is it?
May I come in?
It's not nice to tell lies.
You didn't tell me you saw Philippe Greenleaf.
I didn't lie.
You knew we were looking for him...
and that he is in Mongibello.
I could arrest you for withholding information.
You're lucky I'm a good guy.
- May I have a glass of water? - Of course.
(Glass Clinking)
Strange, how I keep coming back here.
It must be my instinct.
What do you mean?
My nose.
We're like bloodhounds.
- You said you were touring Italy. - Yes.
The lakes, Turin, Milan,
Pisa, Florence?
- That's right. - We found no trace of you in any hotel.
I slept in my car.
It's cheaper.
We know Greenleaf killed Miles.
The fingerprints we found in Miles'car...
match the fingerprints in Greenleaf's apartment.
We almost got him last night at Mongibello.
He vanished, and left a will.
He's killed himself,
or else he's putting on an act.
I don't know the answer yet.
Can I leave Rome now?
I don't mind, as long as you stay in Italy.
I have no objections.
Bon voyage.
(Door Closes)
- Good morning, Mr. Ripley. - Good morning, Raffaello.
Take these to the Miramar, eh?
- Here. - Thanks, sir.
(People Chattering, Fireworks Exploding)
&& (Marchers Singing)
(Knock At Door)
&&(Street Band)
(Church Bells Tolling)
In other words, you didn't make a cent.
Boris was sublime!
But the audience sat on their hands.
With $10,000, we can start all over.
I've already given you $30,000.
Oh, not that much.
Let's say $27,000.
- Let me congratulate you. - How are things?
- Not bad. - Sit down.
What brings you here again?
Mongibello is on my way to southern Italy.
So I decided to say hello to Marge.
- She never goes out. - What do you mean?
We haven't seen her for days.
She won't see anyone.
I think she'll never get over it.
Do you know Phil left her all his money?
- You mean it? - He was so strange.
He treated her terribly. Then he left her everything.
I guess he felt guilty.
His parents were shocked.
You can't take a girl away from her family...
and then ruin her life.
The old man is coming.
- What old man? - Phil's father.
He wants to see Marge and straighten things out.
Yes. So I can't see her?
I doubt it.
Thanks. I won't take any more of your time.
Good-bye. No, no. Don't get up.
(Imitating Philippe) My darling. My love.
- (Gasps) - Oh, Marge!
(Swinging Door Banging)
(Banging)
(Banging Continues)
It's thoughtful of you to go into mourning...
for Freddy.
Phil wouldn't have killed himself...
if I had been in Rome.
Stop fooling yourself.
It was you who kept me away from him.
Philippe didn't love you.
It's not true! His will proves it.
That's no proof.
Marge...
You know I'm right.
Why didn't he marry you?
I don't know how...
I don't know how to tell you this.
I'm so clumsy.
I'm going back to the States.
I came to say good-bye.
Tom!
Don't go.
Play.
Play.
For me.
&& (Humming)
(Knocking)
Is anyone home?
- Who is it? - (English) Is Miss Marge in?
She's at the beach.
- Good day. - How do you do?
- Good day. - Good day.
This is Mr. Lee. He wants to buy the boat.
Miss! Miss, your appointment.
Mr. Greenleaf is here.
I forgot all about the time!
- What? - Mr. Greenleaf is here.
He's waiting for me. It's awful.
What brings him here?
The sale of the boat.
I must be there too.
- Want to come? - No, I'd rather wait.
I'm sure he'll want to see you.
You know, he's a very fine man.
He wrote me, "I can assure you,
"that we have no intention...
of contesting my son's will."
- I'll wait for you. - I won't be long.
- Waiter! - Yes, sir!
- Don't you feel well? - What?
- Don't you feel well? - That sun is really hot.
But I never felt better in my life.
- I want a drink. - What will it be?
The best you have.
The best.
The best. The best.
(Winch Motor Droning)
Let's look over the boat.
It's really a wonderful buy.
It's just a formality.
I'm sure the hull is perfect.
You see, she needs no work at all.
(Marge Screaming)
(Man) Madame.
(Speaking Italian)
- What is it? Yes. - Do you know him?
- Call him to the phone. - Why?
- I told you to call him. - What telephone?
- Hurry up. - What's he done?
- Hurry. - Mister Ripley!
Mister Ripley!
Telephone!
B-Happy
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Big
Big Blue The CD1
Big Blue The CD2
Big Bounce The
Big Chill The
Big Daddy
Big Deal on Madonna Street (1958)
Big Fat Liar
Big Fish 2003
Big Hit The
Big Lebowski The
Big Mommas House
Big Nihgt
Big Shot - A Confessions of a Campus Bookie 2002
Big Sleep The
Big clock The 1948
Big girls dont cry
Biker boyz
Billy Elliot
Billy Madison 1995
Biloxi blues
Bingwoo 2004 CD1
Bingwoo 2004 CD2
Bio Dome
Bio Hunter
Bio Zombie
Bionicle 2 A Legends of Metru-Nui
Bionicle Mask Of Light 2003
Birch Tree Meadow The
Bird People in China The 1998 CD1
Bird People in China The 1998 CD2
Bird on a wire
Bishops Wife The 1947 CD1
Bishops Wife The 1947 CD2
Bite the bullet
Bitter Sugar (Azucar amarga)
Black Angel
Black Sabbath
BlackAdder 1x1 - The Foretelling
BlackAdder 1x2 - Born to be King
BlackAdder 1x3 - The Archbishop
BlackAdder 1x4 - The Queen of Spains Beard
BlackAdder 1x5 - Witchsmeller Pursuivant
BlackAdder 1x6 - The Black Seal
BlackAdder 2x1 - Bells
BlackAdder 2x2 - Head
BlackAdder 2x3 - Potato
BlackAdder 2x4 - Money
BlackAdder 2x5 - Beer
BlackAdder 2x6 - Chains
BlackAdder 4x1 - Captain Cook
BlackAdder 4x2 - Corporal Punishment
BlackAdder 4x3 - Major Star
BlackAdder 4x4 - Private Plane
BlackAdder 4x5 - General Hospital
BlackAdder 4x6 - Goodbyeee
BlackAdder Christmas Carol 1988
BlackAdder The Cavalier Years
BlackAdder the Third 3x1
BlackAdder the Third 3x2
BlackAdder the Third 3x3
BlackAdder the Third 3x4
BlackAdder the Third 3x5
BlackAdder the Third 3x6
Black Adder V - Back and Forth
Black Christmas
Black Hawk Down
Black Mask
Black Mask 2
Black Orpheus
Black Rain CD1
Black Rain CD2
Black Sheep
Black Widow 1987
Black and White (1998)
Blackout The 1997 CD1
Blackout The 1997 CD2
Blacula
Blade
Blade 3 - Trinity
Blade Of Fury
Blade Runner (1982 Original Cut) CD1
Blade Runner (1982 Original Cut) CD2
Blade Runner Directors Cut
Blair Witch Project The
Blame It On Rio
Blast From The Past 1999
Blast from the Past
Blazing Saddles
Blazing Sun (1960) CD1
Blazing Sun (1960) CD2
Bleeder
Bless The Child
Blind Beast
Blind Chance (1987) CD1
Blind Chance (1987) CD2
Blind Spot Hitlers Secretary (2002)
Blind date
Bliss
Blob The 1988
Blood Crime
Blood Wedding (1981)
Blood Work
Blood and Black Lace
Blow 2001 CD1
Blow 2001 CD2
Blow Dry 2001
Blown Away 1994 CD1
Blown Away 1994 CD2
Blue (Derek Jarman)
Blue Car
Blue Collar Comedy Tour The Movie
Blue Max The CD1
Blue Max The CD2
Blue Moon
Blue Planet The 1
Blue Planet The 2 - The Deep
Blue Planet The 3 - Open Ocean
Blue Planet The 4 - Frozen Seas
Blue Spring 2001
Blue Velvet
Blue juice 1995
Blue thunder
Blues Brothers The (1980) CD1
Blues Brothers The (1980) CD2
Blues Harp
Boat Trip - Feedback Overflow
Bob Le Flambeur 1955
Bob Marley Story - Rebel Music
Bob and Carol and Ted and Alice
Body Double
Body Heat
Body The
Boiler Room
Bola El
Bone Collector The
Bonnie and Clyde
Book of Fate The
Book of Pooh The
Boondock Saints The
Boot Das 1981 CD1
Boot Das 1981 CD2
Born Romantic
Boucher Le
Bounce
Bourne supremacy The-1CD
Boxcar Bertha
Boy Who Saw The Wind The
Boys and Girls
Boyz N the Hood
Branca de Neve
Bread and Roses
Breakfast Club The
Breakfast at Tiffanys
Breakin all the rules
Breaking Away
Bride with White Hair The
Bridge Man The CD1
Bridge Man The CD2
Bright Future
Broadway Danny Rose
Brother (Takeshi Kitano)
Brother Sun Sister Moon 1972
Brother from Another Planet The 1984
Brotherhood Of The Wolf
Brothers The
Buddy
Buena Estrella La (Lucky Star)
Buffalo Soldiers
Bug 1975
Bugs Bunny - Baseball Bugs (1946)
Bugs Bunny - Big Top Bunny (1951)
Bugs Bunny - Bugs Bunny Gets the Boid (1942)
Bugs Bunny - Bugs Bunny and the Three Bears (1944)
Bugs Bunny - Bugs and Thugs (1954)
Bugs Bunny - Bully for Bugs (1953)
Bugs Bunny - Frigid Hare (1949)
Bugs Bunny - Hair-Raising Hare (1946)
Bugs Bunny - Haredevil Hare (1948)
Bugs Bunny - Long Haired Hare (1949)
Bugs Bunny - My Bunny Lies Over the Sea (1948)
Bugs Bunny - Rabbits Kin (1952)
Bugs Bunny - Tortoise Wins by a Hare (1943)
Bugs Bunny - Wabbit Twouble (1941)
Bugs Bunny - Water Water Every Hare (1952)
Bugs Bunny - Whats Up Doc (1950)
Bugs Bunny and Daffy Duck - Rabbit Fire (1951)
Bugs Bunny and Daffy Duck - Rabbit Seasoning (1952)
Bugs Bunny and Elmer - Rabbit of Seville (1950)
Bugs Bunny and Taz - Devil May Hare (1954)
Bugs Bunny and Yosemite Sam - Ballot Box Bunny (1951)
Bugs Bunny and Yosemite Sam - Big House Bunny (1950)
Bugs Bunny and Yosemite Sam - Bunker Hill Bunny (1950)
Bugs Bunny and Yosemite Sam - High Diving Hare (1949)
Bugs Life A
Bullet Ballet
Bullet in the Head
Bulletproof Monk 2003
Bullets Over Broadway
Bully (Unrated Theatrical Edition)
Burning Paradise (Ringo Lam 1994)
Burnt Money
Butch Cassidy and the Sundance Kid A Special Edition
Butchers Wife The