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I guess you wanna get your steel guitars|and everything set up on stage. Claire, get up and turn those stage|lights on and get these boys going. Chicken wire? What do you say|we have a sound check? Excuse me, sonny. I'll give this|to you. You're the tallest one. Okay. What is it? That there is a list|of the songs... that you boys|will be playing tonight. I don't think we know|any of the songs on this list. This list doesn't mean anything.|They're just requests. Do our regular set.|First tune. "Give Me Some Loving."|One, two... One, two, three, four. Shit! What are those damn freak|pecker heads playing? Good evening, ladies and gentlemen.|We're glad to be here tonight. We're the Good Old Blues Brothers|Boys Band from Chicago. We hope you'll like our show.|I'm Elwood. This is my brother Jake. {y:i}Well, my temperature's rising|{y:i}And my feet on the floor {y:i}Crazy people knockin'|{y:i}'Cause they want some more {y:i}Let me in, baby|{y:i}I don't know what you got {y:i}Better take it easy|{y:i}'Cause this place is hot {y:i}And I'm so glad we made it That ain't no Hank Williams song! {y:i}Give me some loving Get off the stage! {y:i}Every day Why'd they turn off the lights? - Maybe they blew a fuse.|- I don't think so. Those lights are off on purpose. We gotta figure out something|these people like, and fast! I got it. Remember the theme|from "Rawhide"? Old favourite. Rowdy Yates. - What key?|- "A". Good country key. "Rawhide" in "A". {y:i}Rollin', rollin' {y:i}Though the streams are swollen {y:i}Keep them dogies rollin' {y:i}Rawhide {y:i}Through rain and wind and weather|{y:i}Hell-bent for leather {y:i}Wishin'my gal was by my side {y:i}All the things I'm missin' {y:i}Good vittles, love and kissin' {y:i}Are waiting at the end of my ride {y:i}- Move 'em on|{y:i}- Head 'em up {y:i}- Head 'em out|{y:i}- Move 'em on {y:i}- Move 'em on|{y:i}- Head 'em up {y:i}Rawhide|{y:i}Cut 'em out {y:i}Ride 'em in {y:i}Cut 'em out {y:i}Ride 'em in, rawhide Theme from the TV show "Rawhide".|Thank you. We'd like to do a favourite of the horn|section. We hope it's one of yours. {y:i}Sometimes it's hard|{y:i}to be a woman {y:i}Giving all your love {y:i}To just one man {y:i}And if you love him {y:i}Oh, be proud of him {y:i}'Cause after all {y:i}He's just a man {y:i}Stand by your man {y:i}Give him two arms to cling to {y:i}And something warm to come to {y:i}When nights are cold and lonely {y:i}Stand by your man {y:i}And tell the world you love him {y:i}Keep giving all the love you can {y:i}Stand by your man {y:i}Stand by your man {y:i}And show the world you love him {y:i}Keep giving all the love you can {y:i}Baby {y:i}Stand by {y:i}Your man {y:i}Well, folks, it's time|{y:i}to call it a night. {y:i}But do what you feel, |{y:i}and keep both feet on the wheel. {y:i}You don't have to go home|{y:i}but you can't stay here. {y:i}So, till next time: {y:i}- Move 'em on|{y:i}- Head 'em up {y:i}- Head 'em up|{y:i}- Move 'em on {y:i}Rawhide {y:i}- Cut 'em out|{y:i}- Ride 'em in {y:i}- Ride 'em in|{y:i}- Cut 'em out {y:i}Ride 'em in, rawhide Let's get the hell out of here. Shit, I wanna tell you, that's some|of the best goddam music we've had... at the Country Bunker|in a long time. Well, sorry we couldn't remember|"The Wreck of the Old 97". Why, hell! You guys can learn it|next time when you come back. Bob, about our money for tonight. That's right. Two hundred dollars... and you boys drank|$300 worth of beer. When we first came in... the bar lady never charged us|for the first round. So, like, we figured|beer was complimentary for the band. Well, I'll just go out|and take up a collection from the boys. I sure would appreciate it. I say this trip is nowhere, man. I say we gotta quit. What? Quit? I wish you guys|would make up your mind. Otherwise I gotta call Mr Ronzini at|the Holiday Inn to get our old gig back. Back at the Armada Room? Listen, they want us|to pay for the beer we drank. So you'd better split. The next gig is gonna be dynamite! Huge! You'll see. I say we give the Blues Brothers|just one more chance. Why not? If the shit fits, wear it! Scoot over, goddam it! Boys look a little upset. Hey, man. Don't worry.|We got a couple of days. We'll get the Penguin's tax money. I mean, look. We got an appointment|to see Mr Sline tomorrow. Everything's gonna be all right. Let's skate. Goddam it. Excuse me. Are you|the Good Ole Boys? That's right. I'm Tucker McElroy,|lead singer, driver of the Winnebago. I'd like to talk to you,|but we're running very late. I'm Jacob Stein, American Federation|of Musicians Union, Local 200. I've been sent here to see|if you're carrying your permits. Our what? Your union cards.|May I see your cards, please? Suppose we ain't got no union cards,|and we go in and start playing anyway? What you gonna do about that?|You gonna stop us? Stein! You gonna look funny trying to eat|corn on the cob with no fucking teeth! Listen, let me talk to Bob,|the owner. See if we can put your band|on contract waivers for tonight. I don't want you to move|from this spot. Just let me handle this. We'll talk to Bob. Get in the car and start her up. You know you boys owe me|a lot of money for that beer you drank! - Goddam it!|- Bob, we loved playing here tonight. My brother's writing out an|American Express traveller's check... to cover the bar tab. I sure would appreciate it. I'd better check up, see how he's doing.|I have to sign it too. I usually sit in the car and write it|out on the glove compartment lid. Need a pencil. - Were them guys from the union?|- What the hell, "union"? Those boys skipped out of here|owing me a lot of money for beer. What the hell are you guys|all dressed up for? We're the Good Ole Boys! You're the Good Ole Boys? "A.F.M." Shit! Our Lady of Blessed Acceleration,|don't fail me now! I don't believe it!|It's that shit-box Dodge again. The bastards are ours now! Holy shit! Boys, you in big trouble. Maury, you owe me. We'll play anywhere, anytime,|for anybody. Put us in the Double Up Lounge, or|the Morgan Park Theatre, or the Crystal. We always knocked them dead|in those joints. Discos. They're all discos. Singles. Mixed singles.|Gay singles. These people like to dance|with each other. We are a dance band. I don't know, boys.|I just don't know. Times have changed,|you know what I mean? What are you guys gonna do?|The same act? You wear|the same "farkakte" suits. You'll scare people away. Don't you ever wear blue jeans|or jump suits... like Wayne Cochran|and the C.C. Riders? You gotta come through for us. We need 5,000 bucks fast. Five thousand bucks? Who do you think you are?|The Beatles? You know the size hall you gotta work|to take in that kind of money? We'll fill any hall in the country. You guys familiar|with the Palace Hotel ballroom? - Never heard of it.|- Nice place up north. Built in the '40s|on Lake Wazapamani. That seats 5,000. You guys fill that place,|you can make 5,000 bucks, easy. - Book us for tomorrow night.|- Hold it! Tomorrow night? A gig like that, you gotta prepare|the proper exploitation. I know about that stuff.|I been exploited all my life. Forget it. There's no way|with you guys. Forget about it. Say, how's Mrs Sline? I might have some information|she'd like to know. You blackmailing me? If you wanna put it that way.|Maury, we need this gig! We're on a mission from God. Get us the hall, and I guarantee|we'll pack them in for miles around. What do you say? Okay. I'll get you the Palace Hotel. I'll print up show bills. I'll make|the place look real pretty, okay? I don't think you guys|are gonna gross dollar one. But if you do, I want a taste|of the gig, okay? Thanks, Maury.|Let's go, boys! Listen, you boys heard me talk|about Jake and Elwood. They used to live here,|just like you. And I used to sing to them,|just like with you. Tonight Jake and Elwood are going out|to sing and play... to raise money|to help you children. Your lazy butts are in this too! So get up on that wagon. We're going up north|to put the word on the streets. {y:i}Tonight only, |{y:i}the fabulous Blues Brothers... {y:i}Rhythm and Blues Revue... {y:i}at the Palace Hotel ballroom,|{y:i}Route 16... {y:i}Lake Wazapamani. {y:i}The fabulous Blues Brothers... {y:i}Show Band and Revue. There you go, boy. All right, man! Check it out! - Tonight only!|- From Chicago! - The Blues Brothers.|- Rhythm and Blues Revue. One night only!|The fabulous... Blues Brothers Show Band|and Revue. {y:i}You! On the motorcycle! {y:i}You two girls! {y:i}- Tell your friends! |- Free parking. {y:i}Two-dollar cover charge only, folks! {y:i}- That's a lot of entertainment. |- For two dollars. Will you please put this in the window,|'cause it's real important. {y:i}Tonight only, from Chicago... {y:i}the fabulous Blues Brothers... {y:i}Rhythm and Blues Revue... {y:i}for your dancing pleasure. {y:i}And it's ladies'night tonight. {y:i}at the Palace Hotel ballroom. "Tonight only, the Blues Brothers... genuine Rhythm and Blues Show|and Revue. Palace Hotel ballroom.|Tonight only." How we doing? So far we covered Lake, McHenry... and part of Du Page County. Good. Let's get to the gig. What is it? We're out of gas. Oh, shit. Wow! A classic. What a room! This place is gonna swing tonight. It's a fucking barn.|We'll never fill it. We've gotta fill this hall tonight. A lot of young children|are depending on it. Young children?|What do you mean? Jake and Elwood are donating|the band's share of the door money... to pay the taxes|on the St. Helen's orphanage... in Calumet City. What? - We're out of gas.|- Yep. Mind if we fill her up? Nope. I said "we're" out of gas. Tanker truck's late.|Should have been here two hours ago. It's always late on Thursdays. I guess we'll have to wait. Excuse me, sir. Yes, you. Could you fill it up|with premium, and check under the hood? Sure. You want I should wash|the dead bugs off the windshield? No. I'm in kind of a hurry. Where in the hell are they? So maybe you'd like to come by|and see the show. I'm awfully sorry, but I do have|a prior dinner engagement. Thanks, Marvin. Get me Troopers Daniel and Mount. I don't see those Blues Brothers. We'll wait. Okay, you're all set. That'll be $94. Here's 95.|Thank you. Okay. And that's a dollar change. - Oh, keep the change.|- Thanks. So, look. If your date... don't work out tonight|for any reason... there's a motel|up on the interstate. Maybe we could, say, meet... around midnight? I'll think about it, Elwood, okay? Bye. Son of a bitch! Come on! We're really late.|You'd better step on it. I always like to perform|for angry mobs. You can't quit now. What can they be doing? My head hurts. That Night Train's a mean wine. You'd better get bright!|We got a show to do. Then we gotta figure out|some way to collect that gate money... get it to the County Assessor's office|as soon as they open in the morning. We want the show! Gentlemen, I'm leaving. Man, we were so close. Hey, you guys know|"Minnie The Moocher"? I knew a hooker once|named Minnie Mazola. No! The song "Minnie the Moocher". - Yeah. So what?|- Hit it! {y:i}Hey, folks, here's a story|{y:i}'bout Minnie the Moocher {y:i}She was a low-down hoochie coocher {y:i}She was the roughest, toughest frail {y:i}But Minnie had a heart {y:i}As big as a whale {y:i}She messed around|{y:i}with a bloke named Smokey {y:i}She loved him|{y:i}though he was cokey {y:i}He took her down to Chinatown {y:i}And he showed her how|{y:i}to kick the gong around {y:i}She had a dream|{y:i}about the King of Sweden {y:i}He gave her things|{y:i}that she was needin' {y:i}He gave her a home|{y:i}built of gold and steel {y:i}A diamond car|{y:i}with the platinum wheels This is glue. Strong stuff. What the hell are you doing? This can is from|a surplus disposal run. Fifteen overcharged ounces|of pure, uncompounded... isopropyl butane monosulfate. When combined with oxygen|and a little heat... it will cause a rapid expansion. {y:i}Poor Min, poor Min - Let's take them!|- Wait a minute. I've never even heard|these boys sing, all right? All right. They're not going no place. All right, cover all exits! Let's go!|Come on! Hurry up! Move it! Who wants an Orange Whip?|Orange Whip? Three Orange Whips. Excuse us. Good evening, ladies. One, two,|one, two, three, four. Now, ladies and gentlemen, it is the|distinct pleasure of the management... to present to you|the evening's star attraction. Here they are, back after|their exclusive three-year tour... of Europe, Scandinavia|and the subcontinent. Won't you welcome|from Calumet City, Illinois... {y:i}the show band|{y:i}ofJoliet Jake and Elwood Blues. The Blues Brothers! One, two.|One, two, three, four. We're so glad to see|so many lovely people here tonight. We'd like to welcome|all the representatives... of Illinois' law enforcement|community... who have chosen to join us in|the Palace Hotel ballroom at this time. We certainly hope you all|enjoy the show. And remember that|no matter who you are... and what you do|to live and survive... there's still some things|that make us all the same. You. Me. Them. Everybody. {y:i}Everybody {y:i}Needs somebody {y:i}Everybody {y:i}Needs somebody to love {y:i}Someone to love {y:i}Sweetheart to miss {y:i}Sugar to kiss {y:i}I need you, you, you {y:i}In the morning {y:i}When my soul's on fire {y:i}Sometimes I feel {y:i}I feel a little sad inside {y:i}When my baby mistreats me|{y:i}I never, never {y:i}Find a place to hide|{y:i}I need you {y:i}Sometimes I feel {y:i}I feel a little sad inside {y:i}When my baby mistreats me {y:i}I never, never find a place to hide|{y:i}I need you People, when you do find|that special somebody... you gotta hold that man,|hold that woman... Iove him, please him,|squeeze her, please her! Signify your feelings|with every caress. Because it's so important|to have that special somebody... to hold, kiss, miss... to squeeze and please! {y:i}Everybody needs somebody {y:i}Everybody {y:i}Needs somebody to love {y:i}Someone to love {y:i}Sweetheart to miss {y:i}Sugar to kiss {y:i}I need you, you {y:i}In the morning {y:i}When my soul's on fire {y:i}When there ain't no one around|{y:i}I need you Thank you.|That was for Wilson Pickett. This is dedicated|to the late, great Magic Sam. One, two.|One, two, three, four. {y:i}Come on|{y:i}Baby, don't you wanna go {y:i}Back to that same old place {y:i}Sweet home Chicago {y:i}Six and three is nine {y:i}Nine and nine is eighteen {y:i}Look there, brother, baby|{y:i}and see what I see - The Mafia's after us now.|- You guys were hot! You were great!|I've got to record you. - Bullshit.|- I don't bullshit. I'm president of Clarion Records... the largest recording company|on the eastern seaboard. - So what?|- Here's $10,000. An advance on your first|recording session. Is it a deal? Yeah. Sure, it's a deal. Yeah. Sure, it's a deal! Listen, all these cops out here...|they're waiting for us. We gotta get out with nobody|seeing us. You know a back door out? Sure. I used to be head bouncer here|back in the '70s. There's an electrical service duct|behind your drummer's riser. Do us a favour. Take $1,400 and give it|to Ray's Music Exchange... in Calumet City,|and give the rest to the band. - You got it.|- Thanks. Bye. Me and Elwood are gonna make a break|for it. You and the band keep playing. - Something's wrong.|- Where's Jake? Where'd they go? I sure hope this thing|leads someplace. Elwood, we're gone, man. Who is that girl? Well, Jake. You look just fine down there... slithering in the mud|like vermin. No problem. You're not gonna get away from me|this time. Check that out! Let's go! It's good to see you,|sweetheart! You contemptible pig. I remained celibate for you. I stood at the back|of a cathedral... waiting, in celibacy, for you... with 300 friends and relatives|in attendance. My uncle hired the best|Rumanian caterers in the state. To obtain the seven limousines... my father used up his last favours|with Mad Pete Trullo. So for me, for my mother... my grandmother, my father,|my uncle and for the common good... I must now kill you|and your brother. Oh, please don't kill us! You know I love you, baby! I wouldn't|leave you! It wasn't my fault! You miserable slug! You think you can talk your way|out of this? You betrayed me! No, I didn't. Honest! I ran out of gas! I had a flat tyre!|I didn't have money for cab fare! My tux didn't come back|from the cleaners. And old friend came in|from out of town! Someone stole my car! There was|an earthquake! A terrible flood! Locusts! It wasn't my fault,|I swear to God! Jake, honey. Let's go. Take it easy. You're now going to|totally demolish that car. You want to maybe consider|going after the Blues Brothers? It's 106 miles to Chicago. We got a full tank of gas,|half a pack of cigarettes... it's dark|and we're wearing sunglasses. Hit it. Shit, man. Can't this damn thing|go any faster than this? Bob, I think I've got|a little problem. Goddam, boy. Shit. Don't you say a fuckin' word. All units, we have a ten-seven-niner. Officers are in pursuit: a black-and-white|1974 Dodge sedan... {y:i}southbound on 47. {y:i}Respond to signal, ten-seven-niner. {y:i}Occupants of vehicle:|{y:i}one Joliet Jake Blues... {y:i}one Elwood Blues. {y:i}- Considered extremely dangerous. |- Gruppenfuehrer! Jake, I gotta pull over. Southbound on State Highway 47. Hi! Wanna hand me the mike? Thanks a lot. This is car...|What number are we? Five-five. Car 55. We're in a truck. Signal ten-seven-niner|still engaged. Vehicle travelling southbound|approaching Chicago city limits. Commander advises will contact|Chicago precincts... for a local intercept. Maintain pursuit. Use of unnecessary violence... in the apprehension|of the Blues Brothers has been approved. Well, this is definitely|Lower Wacker Drive. If my estimations are correct... we should be very close to|the Honourable Richard J. Daley Plaza. - That's where they got that Picasso.|- Yep. Son of a bitch! There they are. - Oh, no!|- What the fuck was that? The motor. It's thrown a rod. - Is that serious?|- Yep. Faster. Holy shit! I've always loved you. There it is! Come on! Sir, where's the office|of the assessor of Cook County? Down the hall. Turn right. Take the elevator to 1102. Thank you, sir. Excuse me.|Did you see two guys... with black suits and hats,|one carrying a briefcase? Yeah. I just sent them down there. Thank you. Hold the door. Let's go. Can I help you? - This is where they pay taxes, right?|- Right. This money is for|the year's assessment... on the St. Helen of the Blessed Shroud|Orphanage in Calumet City, Illinois. Five thousand bucks.|It's all there, pal. Stand back! Fire! And here is your receipt. {y:i}Warden threw a party|{y:i}in the county jail {y:i}Prison band was there|{y:i}and they began to wail {y:i}The band was jumping|{y:i}and the joint began to swing {y:i}You should of heard those|{y:i}knocked-out jailbirds sing {y:i}Let's rock {y:i}Everybody, let's rock {y:i}Everybody on the whole cell block {y:i}Was dancing to the jailhouse rock {y:i}Spider Murphy played|{y:i}the tenor saxophone {y:i}Little Joe was blowin'|{y:i}on the slide trombone {y:i}The drummer boy from Illinois|{y:i}went crash, boom, bang {y:i}The whole rhythm section|{y:i}was the Purple Gang {y:i}Let's rock|{y:i}Everybody, let's rock {y:i}Everybody on the whole cell block {y:i}Was dancing to the jailhouse rock {y:i}Sad Sack was sitting|{y:i}on a block of stone {y:i}Way over in the corner|{y:i}weeping all alone {y:i}The warden said|{y:i}Buddy, don't you be no square {y:i}If you can't get a partner|{y:i}use a wooden chair {y:i}Let's rock {y:i}Everybody, let's rock {y:i}Everybody on the whole cell block {y:i}Was dancing to the jailhouse rock Ripped with SubRip 1.14 and Verified by CdinT|(Cristi_Polacsek@SoftHome.net) I deliver perfection...|and don't brag about it! :D |
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A Hard Dayss Night Beatles The First US Visit The Beau Pere - Stepfather - Bertrand Blier 1981 Beautiful Creatures Beautiful Girls Beautiful Thing Beautiful Troublemaker The (1991) CD1 Beautiful Troublemaker The (1991) CD2 Beautiful Troublemaker The (1991) CD3 Beautifull Mind A CD1 Beautifull Mind A CD2 Beauty And The Beast Beauty and the Beast (Disney Special Platinum Edition) Beavis and Butt-head Do America (1996) Bedazzled Bedford Incident The Bedroom Key The CD1 Bedroom Key The CD2 Beethoven Before Night Falls 2000 CD1 Before Night Falls 2000 CD2 Before Sunrise Before Sunset 2004 Beguiled The Behind Enemy Lines 2001 Behind The Sun (Walter Salles 2001) Being John Malkovich Being There (1979) CD1 Being There (1979) CD2 Belle Epoque CD1 Belle Epoque CD2 Belle and La Bete La (1946) Bellinin And The Spynx CD1 Bellinin And The Spynx CD2 Bells Of St Marys The (1945) Belly Of The Beast Belly of an Architect The Below Belphegor Ben-Hur CD1 Ben-Hur CD2 Bend It Like Beckham Bend of the River 1952 Beneath the Planet of the Apes Benny and Joon Bernie Best years of our lives 1946 Bet on My Disco Better Off Dead 1985 Better Than Chocolate Better Tomorrow 2 A CD1 Better Tomorrow 2 A CD2 Better Tomorrow 3 A Better Way To Die A Betty Between Heaven and Hell Beverly Hillbillies The 1993 Beverly Hills Ninja Beyond Borders CD1 Beyond Borders CD2 Beyond The Beyond The Clouds Bez konca (No End 1985) CD1 Bez konca (No End 1985) CD2 Biches Les (Claude Chabrol 1968) Bicho de sete cabezas Bichunmoo CD1 Bichunmoo CD2 Big Big Blue The CD1 Big Blue The CD2 Big Bounce The Big Chill The Big Daddy Big Deal on Madonna Street (1958) Big Fat Liar Big Fish 2003 Big Hit The Big Lebowski The Big Mommas House Big Nihgt Big Shot - A Confessions of a Campus Bookie 2002 Big Sleep The Big clock The 1948 Big girls dont cry Biker boyz Billy Elliot Billy Madison 1995 Biloxi blues Bingwoo 2004 CD1 Bingwoo 2004 CD2 Bio Dome Bio Hunter Bio Zombie Bionicle 2 A Legends of Metru-Nui Bionicle Mask Of Light 2003 Birch Tree Meadow The Bird People in China The 1998 CD1 Bird People in China The 1998 CD2 Bird on a wire Bishops Wife The 1947 CD1 Bishops Wife The 1947 CD2 Bite the bullet Bitter Sugar (Azucar amarga) Black Angel Black Sabbath BlackAdder 1x1 - The Foretelling BlackAdder 1x2 - Born to be King BlackAdder 1x3 - The Archbishop BlackAdder 1x4 - The Queen of Spains Beard BlackAdder 1x5 - Witchsmeller Pursuivant BlackAdder 1x6 - The Black Seal BlackAdder 2x1 - Bells BlackAdder 2x2 - Head BlackAdder 2x3 - Potato BlackAdder 2x4 - Money BlackAdder 2x5 - Beer BlackAdder 2x6 - Chains BlackAdder 4x1 - Captain Cook BlackAdder 4x2 - Corporal Punishment BlackAdder 4x3 - Major Star BlackAdder 4x4 - Private Plane BlackAdder 4x5 - General Hospital BlackAdder 4x6 - 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Baseball Bugs (1946) Bugs Bunny - Big Top Bunny (1951) Bugs Bunny - Bugs Bunny Gets the Boid (1942) Bugs Bunny - Bugs Bunny and the Three Bears (1944) Bugs Bunny - Bugs and Thugs (1954) Bugs Bunny - Bully for Bugs (1953) Bugs Bunny - Frigid Hare (1949) Bugs Bunny - Hair-Raising Hare (1946) Bugs Bunny - Haredevil Hare (1948) Bugs Bunny - Long Haired Hare (1949) Bugs Bunny - My Bunny Lies Over the Sea (1948) Bugs Bunny - Rabbits Kin (1952) Bugs Bunny - Tortoise Wins by a Hare (1943) Bugs Bunny - Wabbit Twouble (1941) Bugs Bunny - Water Water Every Hare (1952) Bugs Bunny - Whats Up Doc (1950) Bugs Bunny and Daffy Duck - Rabbit Fire (1951) Bugs Bunny and Daffy Duck - Rabbit Seasoning (1952) Bugs Bunny and Elmer - Rabbit of Seville (1950) Bugs Bunny and Taz - Devil May Hare (1954) Bugs Bunny and Yosemite Sam - Ballot Box Bunny (1951) Bugs Bunny and Yosemite Sam - Big House Bunny (1950) Bugs Bunny and Yosemite Sam - Bunker Hill Bunny (1950) Bugs Bunny and Yosemite Sam - High Diving Hare (1949) Bugs Life A Bullet Ballet Bullet in the Head Bulletproof Monk 2003 Bullets Over Broadway Bully (Unrated Theatrical Edition) Burning Paradise (Ringo Lam 1994) Burnt Money Butch Cassidy and the Sundance Kid A Special Edition Butchers Wife The |