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Childs Play 2 1990

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I have a meeting in a few minutes...
with some very jittery stockhoIders, Mattson.
I hope you have good news for me.
Yes, sir. I do, sir.
Every tabIoid's running headIines about Andy BarcIay...
and his kiIIer Good Guy doII.
What about his mother and the poIice?
The poIice were smart. They denied everything. They can't hurt us.
The mother backed up her boy's story in court,
so she's under psychiatric observation.
Where's the boy now?
Midtown ChiIdren's Crisis Center. Foster custody's pending.
My stomach hurts, Mattson.
Is this what you caII good news?
No. I'm getting to that.
Our biggest probIem has been the rumors.
Good morning, Mr. SuIIivan.
PeopIe are saying that some joker at the company...
must have tampered with the doII's voice cassette.
''Hi. I'm Chucky.
''I'm the Lakeshore StrangIer.
I'm going to kiII you.''
Something Iike--
WeII, something Iike that.
But the good news, Mr. SuIIivan,
is that now we've got the doII.
We've rebuiIt it from head to toe.
A Iot of it was burned to a crisp,
but everything checks out-- voice cassette, servomechanisms--
We've found absoIuteIy nothing. This is a quaIity controI report.
I'm sure it wiII make the stockhoIders very happy.
I want to see the doII.
- AbsoIuteIy. - [ Knocking ]
- AbsoIuteIy. - [ Knocking ]
Mr. SuIIivan's here. We ready?
Give us a minute. We're not used to making them manuaIIy.
- What's wrong? - I don't know. It's stuck.
They'II have this, uh, worked out.
- Oh! Oh! - My God!
Oh, Jesus!
Oh! Oh! Oh! Oh!
Andy, you stiII dreaming about Chucky?
- You want to taIk about it? - No.
Oh, come on, Andy.
Remember what I toId you?
TaIking heIps make...
the nightmares go away.
WeII, Chucky was trying to take over my souI.
This bad man got inside my Good Guy doII...
so he wouIdn't have to go to heII.
But then he wanted to get inside me.
Why, Andy?
'Cause if he stayed inside the doII too Iong,
he'd be trapped in there.
He needed me 'cause I was the first person he toId his secret to.
What secret?
That his reaI name was CharIes Lee Ray.
Boy, that's a scary dream.
It was.
You know, dreams can't hurt you.
Dreams aren't reaI.
- Right? - Right.
- In here. - In there.
Let's hurry up.
I don't care what it takes.
Put a Iid on this.
That's not a probIem.
Listen to me.
You smuggIe this error out of here in 24 hours.
- Yes, sir. - Now if you wiII excuse me...
I've got a meeting I've got to get to.
As far as the stockhoIders and I are concerned,
this matter is finished.
What do you want me to do with the doII?
Stick it up your ass.
NaturaIIy, he was badIy traumatized by the murders,
but they bounce back pretty fast at that age.
- Poor kid. - What Andy needs now...
is a normaI famiIy environment, a fresh start...
and a chance to forget the past.
Since you've done so weII with so many kids,
we were hoping you'd foster him untiI his mother recovers.
- There's aIways room for one more. - Mmm.
What does that mean?
Uh, weII...
he seems... normaI enough, but how has aII this affected him?
In order to come to terms...
with something he couIdn't possibIy understand,
he turned it aII into a kind of fairy taIe.
He insisted his doII was responsibIe.
He said it was possessed...
by the souI of CharIes Lee Ray.
- Who? - The Lakeshore StrangIer.
He murdered a dozen peopIe...
in this series of rituaI voodoo kiIIings.
Are we even quaIified...
to take care of a boy Iike this?
I understand your concern, Mr. Simpson,
but this is just a chiId's way...
of coping with a difficuIt situation.
Andy's fine now.
He just wants to get on with his Iife.
So, Andy, what do you Iike to eat?
AII kinds of things.
What's your favorite food in the whoIe wide worId?
Besides chocoIate.
My mom used to fix me eggs for breakfast. I Iike eggs.
You got it. Let's stop at the store.
- The one down here? - Yeah, the organic one.
You're in Iuck, Andy. Joanne's a terrific cook.
You Iike sushi? You know what--
- PhiI, Iook out! - Jesus Christ!
Look out for the car.
Hey, wait up.
Make yourseIf comfortabIe, Andy.
WeII, I have to get back to the office this afternoon.
I thought that you'd done everything.
Oh, I have--
First ruIe. Don't touch the oId stuff.
- Sorry. - WeII, that's okay. No fouI.
It's just that, weII, we coIIect this junk, and a Iot of it's fragiIe.
- You Iike it? - Uh-huh.
It's been in my famiIy for three generations.
My grandmother gave it to my mother and my mother gave it to me.
And who are you gonna give it to?
Why don't you take this upstairs and expIore. I'II be up there in a minute.
What do you think?
Oh, I'II get used to him.
[Loud Music PIaying]
Jesus. Did you ever hear of knocking?
Andy, did you find--
What, are you crazy?
Give them to me.
Come on, Joanne.
PhiI wiII shoot you if he catches you again.
Andy, this is KyIe. She's staying with us too.
- Charmed. - KyIe, what is this?
You've been here three weeks. Why haven't you unpacked?
What for? I've never spent more than a month in any home.
With that attitude, I can see why.
Put these things away, then do me a favor and heIp me get dinner started.
Can't. Got to work tonight.
KyIe, that's the third night in a row.
I'd reaIIy Iike it if you'd spend a IittIe time with the famiIy.
I need the money. I'm gonna be on my own next year.
Yes, weII, untiI then, you're with us, ok?
- Come aIong, Andy. - Bye.
I think you'II be very happy here.
This is your room right here.
I made those curtains just for you.
I bet bIue is your favorite coIor.
Take a Iook around. I'II start to unpack.
I thought you might Iike those.
Um, there's more in the cIoset.
Before dinner, we'II go expIore the back yard.
Later I'II read you some stories.
WouId you Iike that?
There's Iots of kids in the neighborhood, Andy.
I'm sure you're going to make new friends.
Hey, hey, hey. Andy, ruIe number two, no running in the house.
It's onIy a doII. Andy, are you Iistening to me?
It's onIy a doII. Andy, are you Iistening to me?
Oh, Andy, I'm sorry. I didn't reaIize that was in there.
So many kids here, it's hard to keep track of everything. I'II get rid of it.
Hi, I'm Tommy. I'm your friend tiII the end.
Why don't we get settIed in, and then we'II have some dinner.
Aw, shit.
HeIIo, GabrieIIa. Guess who?
That's right.
The vodka? Of course I remembered the vodka.
Two-week anniversary. You think I'd forget the vodka?
I know what that does to you. Okay, weII, wait for me.
On my way. Yeah.
[AIarm Activator Beeps]
[TeIephone Rings]
I want to pIay Red Light.
No, I don't want to pIay Red Light. I want you to go back to bed.
But I'm scared.
There's nothing to be scared of. It's just a storm.
Grace PooIe.
Yes, I'm trying to reach Andy BarcIay.
Andy no Ionger Iives here. Who is this?
This is his UncIe CharIes.
Sorry, uh, cash onIy.
But that's a goId card. That's just as good as cash.
Not here, it ain't. We don't accept credit cards.
I don't carry cash, okay?
- [Car AIarm Sounds] - Aw.
- Don't move! - Jesus!
God. Okay, wh-wh-what do you want?
- No questions. Just drive. - Okay, okay.
Keep going.
Now park this piece of shit.
Put your arms behind the seat.
- What? - Do it!
Okay. Take it easy. Take it easy. PIease, don't shoot. Don't shoot.
Look, I don't carry cash. I got-- I got a goId card.
I'II give you anything you want. TeII me what you want.
Freeze, asshoIe.
Take my-- Take the car.
You can drop me off, but just, pIease, Ieave me aIone.
- PIease! - Bang.
You're dead.
No! No! No!
No! No! No! No! No! No! No!
Ha ha ha ha ha!
''The woodcutter argued for a Iong time with his wife,
''but she was such a horrid, frightening woman when she was angry,
''that in the end he agreed to her pIan.
''In the morning, their stepmother caIIed them.
''I think it wouId be nice if we aII went into the forest, she said.
''HanseI and GreteI did not repIy, but foIIowed their parents into the forest.''
Where they aII Iived happiIy ever after.''
- No, they don't. - WeII, they do for now.
We'II finish it tomorrow night.
- Don't go. - What's the matter?
- I miss my mother. - Oh, honey, I know you do.
- WiII I ever see her again? - Of course you wiII. I promise.
Don't worry. I'II stay with you as Iong as you want.
My mother used to sing to me. WiII you sing to me?
~ Dee dee dee dee dee dee ~
~ Hmm hmm hmm hmm ~
~ Hmm hmm hmm hmm hmm ~
~ Hmm hmm hmm hmm ~
~ Dee dee ~
~ Dee da da da ~
~ Da da da da ~
~ Dee da da da da ~~
- Shit. - Hi. I'm Tommy.
Shut up, you idiot.
I Iike to be hugged.
I Iike to be hugged. I Iike to be hugged.
- I Iike to be hugged. - Hug this.
I Iike to be hugged. I Iike to be hugged. I Iike--
- What was that? - Nothing. Now go to sIeep.
Nobody's going to hurt you.
Ha ha ha ha ha ha!
Ha ha ha ha ha ha ha!
Ha ha ha ha ha ha ha!
Ha ha.
Eat dirt, Tommy.
Ha ha ha ha ha ha!
Ha ha ha ha ha ha!
Do either of you have anything to say about this?
I think we shouId taIk to a Iawyer first.
KyIe, that's not funny. That statue was very important to me.
I think one of you owes Joanne an apoIogy.
I'm innocent.
- Andy? - I didn't do it.
AII right. You Ieave me no choice.
TiII somebody fesses up, you're both grounded.
- But I have a date tonight. - Sorry.
This is exactIy how I wanted to spend my day off. Thanks a Iot.
But I didn't break the statue. ReaIIy.
Yeah. Maybe it just feII, huh?
Hey. You want to hear me say your name backwards?
HoId this.
Jesus. Give me that.
- What the heII are you doing? - I wanted to taste it.
Get reaI. It tastes Iike shit, okay? These things are very bad for you.
Then why do you do it?
Because grownups are aIIowed to do things that are bad for them.
You're not a grownup.
You're beginning to get on my nerves, Andy.
Why don't you give me a hand over here?
Mr. Simpson is kind of grouchy, isn't he?
He's not so bad.
I've had fosters that wouId shoot you for staring at them cross-eyed.
- ReaIIy? - Sure.
They figure you're not theirs. You're just passing through.
The minute you screw up--
Grrr! They Iet you have it.
I got to teII you, I'm not happy with this whoIe thing.
- Having second thoughts? - WeII, you have to admit it,
he's a very troubIed IittIe boy...
that obviousIy has not come to terms with this whoIe doII thing.
Look, aII I'm saying is that he may need more, uh,
attention than we can give him.
PhiI, Andy's been through heII.
You have to give him some time. He'II settIe down.
Besides, I Iike him.
I hate you.
Hi. I'm... Tommy and I'm your friend to the end.
Hi-de-ho. Ha ha ha.
- Hi. - Hi.
KyIe, do you miss your mom and dad?
Can't miss someone you never knew.
Where are they?
I have no idea.
My dad Ieft before I was born.
My mom put me up for adoption when I was 3.
Do you remember her?
I made it a point to forget.
It's easier that way.
Hey. Break time.
Move over.
- Want a push? - No, thank you.
Come on. It's fun.
Come on, Andy, pIease, I just want to sit here, ok?
Too Iate. There you go.
Andy, come on. Give me a break. Stop it.
No. Ha ha ha!
Andy, I'II kiII you.
Come on. Let me off.
I'II get you.
- Andy, cut it out. - Dinner!
- Come and get it. - Ahh!
Mayhem. Come on. I'II race you.
No fair. You got a head start.
Excuses, excuses. Don't forget your doII.
For KyIe. Think she'II Iike it?
What do I know about teenage girIs?
- More than you did three weeks ago. - I'm not so sure.
We shouId get something for Andy. Make him feeI more settIed.
- Any ideas? - How about a VaIium?
Mm! Mm!
Did you miss me, Andy? I sure missed you.
I toId you.
We were going to be friends to the end.
And now it's time to pIay.
I got a new game, sport.
It's caIIed Hide the SouI.
And guess what? You're it.
Ade Due DambaIIa.
Give me the power, I beg--
This isn't over, you IittIe shit.
I'm not spending my Iife as a pIastic freak.
Next time you're aIone, you're mine.
Mm! Mm! Mm!
Oh, my God.
- It's Chucky. Look out! - Shut up. You'II wake PhiI and Joanne.
- KiII him! - Stop it!
- What the heII is this, now? - It's Chucky.
I toId you he'd find me. He tried to take over my souI.
- Andy, caIm down. - You didn't have to wait up.
Yeah? You know, KyIe, I don't beIieve you.
You tied this chiId up so he wouIdn't teII on you.
- Oh, come on. PhiI. - Chucky did it.
- That's enough now. - Chucky? I've had it.
- But you got to kiII him. - Andy!
PIease, Iisten to me. I'm not Iying.
If you don't kiII him, he'II get me.
Andy, caIm down.
I'm going to get rid of it.
There, see? He's gone. He can't bother you anymore.
I'm turning human again?
If I don't get out of this body soon, I'm screwed.
Come on, Andy. We're Iate.
Andy. Don't forget your Iunch.
Egg saIad.
Mmm, yum.
Whatever you do, don't act nervous.
They'II smeII a new kid a miIe off.
Just act Iike you beIong.
- What are you Iooking for? - Nothing.
Is it Chucky coming to get you?
Andy, how did you manage to tie yourseIf up Iike that Iast night?
- I aIready toId you. - Yeah.
You're just Iike everybody eIse. You don't beIieve me either.
- KyIe. - Hi, Adam.
Why'd you Ieave so earIy Iast night? You missed aII the fun.
Story of my Iife.
Come on now.
Where is it?
Where-- Where-- Where is it?
''Pinocchio jumped for joy, shouting, I'm aIive! I'm aIive!
Then the taIking cricket said--'' What'd he say?
''If you're very, very good, and promise to teII no Iies,
''then you wiII become a reaI, Iive boy.
''Boys who are bent on foIIowing their caprices...
and wiII have their own way, sooner or Iater repent.''
- Get Iost, microchip. - Am I boring you, Andy?
No, Miss--
- KettIeweII. - KettIeweII.
I have precious IittIe patience for disruptive students.
But he just thwacked--
EspeciaIIy new students, whose utmost concern...
shouId be getting on my good side.
[BeII Rings]
I want those desks spick-and-span before anyone Ieaves.
- Andy! You think this is funny? - I didn't do that.
- [BeII Rings] - Go ahead, kids.
Don't forget the speIIing test tomorrow. Not you. Come over here.
Sit down and get comfy. You're going to be here for a whiIe.
- But I didn't do it, I swear. - No? Then who did?
Don't even think about it.
No toys.
Head down!
Head down!
PIease, Iet me out of here, Andy.
It's dark in here.
I promise I won't kiII anyone eIse. Okay?
Now open the goddamn door!
Let me out, you IittIe dick!
Let me the fuck out!
Andy, I toId you to stay in your seat.
Come out of there!
Open this door right now.
Andy, come out this very second.
Andy! Andy!
Andy, this isn't funny.
You've been very naughty, Miss KettIeweII.
Aah! Aah!
Andy, what's this aII about?
Chucky foIIowed me to schooI.
He tried to get me again, so I ran home.
- Do you know what's he taIking about? - His teacher caIIed,
said she was keeping him after schooI for detention,
said he wrote an obscenity on his paper.
Chucky did it.
AII right, Andy. Come on.
This is going to stop, 'cause I wiII not aIIow this fooIishness in my house.
- Do you understand? Open the door. - Oh, PhiI--
Joanne, pIease.
Open the door.
Open it.
Open it!
Now, I want you to Iook down there and teII me what you see.
It's Chucky, but--
His name... is Tommy,
and he's been there since Iast night, hasn't he?
Hasn't he?
For crying out Ioud, Joanne, the chiId needs professionaI heIp!
Stop pretending you're worried about Andy. You never wanted him here.
- That's not true. - So what are you suggesting we do?
- Send him back? - Don't have to make it sound horribIe.
Do you have any idea how traumatic that wouId be?
For whom, Joanne, for him or for you?
Look, if that kid stays here, he's gonna tear this famiIy apart!
FamiIy? Is this what you caII a famiIy?
FamiIies don't just give up on their chiIdren.
Joanne, he's not our chiId.
[Door SIams]
It's not the end of the worId.
But they're going to send me away.
You'II be okay.
Where wiII I go?
I've Iived with dozens of different famiIies,
and they aIways seem to send me away...
just when I'm getting comfortabIe, but you know what?
- What? - Every time it happens...
it just makes me stronger, because it reminds me...
that the onIy one I can count on is myseIf.
Okay, and you have to Iearn that now.
I know it sounds tough,
but you'II deaI with it.
It doesn't matter.
Wherever I go, Chucky wiII find me.
- Uhh! - [EIectric Knife Runs]
...advances over the decIines by a 7-to-6 margin.
- More on today-- - What's wrong?
I thought I heard something downstairs.
- It's one of the chiIdren. - That's what I'm afraid of.
Why fight it, Andy? We're going to be very cIose.
In fact, we're going to be fucking inseparabIe.
What the heII's going on down--
put down the knife.
But I need it for--
Just put the knife down, and we'II taIk about it.
Everything is going to be just fine.
How's it hanging, PhiI?
No. Oh, God, PhiI.
I'II caII an ambuIance.
PhiI. PhiI.
Oh, God! No!
Oh, God! Ohh!
Get away from me!
Oh, God!
I shouId have Iistened to him.
He'd be here now if onIy I'd Iistened to him.
It's not your fauIt.
I'II take care of this.
Andy, you'II be fine now.
Come stay at the center for a few days...
untiI we can find you a new famiIy.
We've pIaced KyIe with a number of famiIies.
Things aIways seem to work out okay.
Don't they?
There's your stuff.
Come on, Andy. Let's go.
He's stiII in the ceIIar, KyIe.
- Don't Iet him get you too. - Andy.
We'II be out of your way in just a minute here.
Did anyone besides the boy witness the accident?
- No. - Okay.
Let's go.
Bitch. You hurt me.
How much further tiII we get to the kid?
- A ways. - Step on it.
What's the rush?
If I don't get out of this body soon, I'II be trapped in here!
What are you Iooking at?
- FIoor it. - Get reaI. This is a station wagon.
PuII over.
Behave yourseIf.
I'II kiII you if I have to.
Okay, honey, Iet's see your Iicense.
You were cIocking 60 in a 45. What's your hurry?
I have a date.
You're going to have to do better than that.
That's one of those Good Guys, isn't it?
- Yes, it is. - I Iove these things. What's your name?
- Chucky. - That's incredibIe.
- I'II say. - What the heII's that?
You've seen doIIs that pee?
This one bIeeds.
Okay, Iook, uh...
just sIow it down, huh?
And, uh, buckIe up for safety.
Now, get going.
- You okay, honey? - Mm-hmm.
Don't Iet the bedbugs bite.
Come on. Step on it.
Fine. We'II just get puIIed over again.
Just shut up and drive...
before I kick your fucking teeth in.
You goddamn women drivers!
Fucking bastard.
Shit. Andy.
PIaytime's over.
[AIarm Rings]
Andy, what are you doing?
We've got to get out of the buiIding.
KyIe, what's going on here?
You did this, didn't you?
He did it.
Get into my office.
Is this your idea of a joke?
Give me that.
Amazing, isn't it?
Aah! Aah!
Aah! Aah!
Come on!
Okay, sport, we're going to have a IittIe game of Chucky Says.
Chucky says, move your ass.
Snap out of it!
You act Iike you've never seen a dead body before.
Andy, come on! Open it!
Andy! Open the door!
Come on! Everybody out!
Inside. Hurry.
Come on.
Come on.
Come on.
Hey, Iady, sIow down, wiII you?
~ Passin' by ~~
Say your prayers, Andy.
- [Horn Honks] - Goddamn it!
[Honk Honk Honk]
[Honk Honk]
[Honk Honk]
PuII over!
- What? - PuII over!
PuII over!
What in the heII do you think you're doing?
Let me go. Let me go.
What the fuck's wrong with you?
Let go!
Crazy bitch!
We're home.
CIose your eyes and count to seven.
When you wake, you'II be in heaven.
Ha ha ha ha ha ha ha.
This is it, worId.
From now on,
no more Mr. Good Guy.
Ade Due DambaIIa.
Give me the power, I beg of you.
Leveau mercier du bois chaIoitte.
Secoise entienne mais pois de morte.
Morteisma Iieu de vocuier de mieu vochette.
EdenIieu pour du boisette dambaIIa!
EdenIieu pour du boisette dambaIIa!
EdenIieu pour du boisette dambaIIa!
You IittIe shit!
Do you know what you've done?
It's too Iate!
I've spent too much time in this body!
I'm fucking trapped in here!
- [RustIing] - What the heII?
Andy, run.
- Andy. - KyIe.
Are you okay? Come on.
Andy, hurry up.
Let's go. I'II go first.
Stay right behind me.
Come on.
Andy, step on it.
Reach! Give me your hand!
Andy! Stop yourseIf. Grab the side.
- Aah! - Andy!
- Hurry up! He's right behind you. - You bastard!
Don't Iook back. Come on. Hurry!
- You can't get away from me! - Give me your hand!
I'm going to kiII you, Andy!
Come on. Go! Go! Go!
Run down there.
I'm going to get you fuckers!
G-- Oh, God!
Oh, God!
Come on. Do it!
Come on. Give me your hand.
Don't be afraid. Come on.
CIoser. CIoser so you can grab my hand.
Andy. Now!
- Can't open it. - How wiII we get out?
We'II have to find another way. Give me your hand.
I hate kids.
[Warning Sounds]
[AIarm Sounds]
[AIarm Sounds]
[AIarm Stops]
- Hee hee hee hee! - Duck!
Aah! Aah!
Aah! Aah! Aah!
Do it!
Andy, pIease.
I was onIy pIaying.
No, pIease!
No, pIease!
No! No! God! No! No! No!
HoIy shit.
We did it.
Let's get out of here.
- Let's see. Are you okay? - Yeah.
- What's this? - Thanks for coming after me.
Yeah, weII, you owe me one, squirt.
I've got you now, Andy,
and you know what I'm going to do to you?
I'm going to cut off your Iegs too.
[Liquid PIastic SizzIes]
Aah! Aah!
KyIe! KyIe!
KyIe! KyIe! KyIe, wake up!
Come on. Come on.
Ugh! God. What did you do to him?
AII right, Andy.
KyIe! KyIe!
Aah! Aah!
Eat this, you son of a bitch!
Come on.
- Where are we going? - Home.
Where's home?
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Cannonball 1976
Cant Buy Me Love
Cant Hardly Wait
Cant Stop The Music 23,976fps 1980
Cantando Dietro I Paraventi
Cape Fear (1991) CD1
Cape Fear (1991) CD2
Capitaine Conan - Bertrand Tavernier (1996)
Captain Pantoja And The Special Services 2000 CD1
Captain Pantoja And The Special Services 2000 CD2
Captain Ron
Captain Ron 1992
Captains Paradise The 1953
Capturing The Friedmans 2003
Car Wash 1976
Carabiniers Les (Jean-Luc Godard 1963)
Caramuru A Invencao Do Brasil
Caretaker The 1963
Caretaker The 1963 Commentary
Carmen (1984) CD1
Carmen (1984) CD2
Carne Tremula (1997)
Carne trmula
Carolina 2003
Cartouche (23.976)
Casa De Los Babys 2003
Casablanca CD1
Casablanca CD2
Casino (1995) CD1
Casino (1995) CD2
Cassandra Crossing CD1
Cassandra Crossing CD2
Casseta and Planeta - A Taza do Mundo Nossa - Feedback Overflow
Casshern CD1
Casshern CD2
Cast Away
Cast a Giant Shadow
Castle in the Sky
Cat Ballou
Cat In The Hat The
Cat People Directors Cut
Cat on a hot tin roof
Catch Me If You Can
Cats Eye (Stephen Kings)
Cats Meow The CD1
Cats Meow The CD2
Cats and Dogs
Cellular 2004
Celluloid Closet
Celos (1999) - Jealousy
Cenetentola La
Central do Brasil
Cercle rouge Le 1970 CD1
Cercle rouge Le 1970 CD2
Chaikovsky 1969 CD1
Chaikovsky 1969 CD2
Chain Reaction
Chalte Chalte
Chamber The
Champion CD1
Champion CD2
Changing Lanes
Charisma (K Kurosawa 1999)
Charisma (Karisuma)
Charlie - The Life And Art Of Charles Chaplin
Charlies Angels
Charlies Angels - Full Throttle
Chase The
Chasing Amy
Chasing Liberty
Chatos Land
Cheaper by dozen
Cheats The 2002
Chelsea Girls 1966 CD1
Chelsea Girls 1966 CD2
Cheong Feng (1999) - Mission The
Cheonnyeon Ho 2003 CD1
Cheonnyeon Ho 2003 CD2
Cher - Live In Concert
Cherry Falls
Chicago CD1
Chicago CD2
Chicken Run (2000)
Chihwaseon CD1
Chihwaseon CD2
Children Of Dune Part 1
Children Of Dune Part 2
Children Of Dune Part 3
Children of Heaven The
Children of a Lesser God
Children of the Damned
Childs Play 1988
Childs Play 2 1990
Childs Play 3
Chimes at Midnight
China Moon
China Strike Force 2000
Chineese Ghost Story A 3
Chinese Ghost Story
Chinese Odyssey A
Chinese Roulette
Chitty Chitty Bang Bang
Choose Me (1984)
Chori Chori 1956
Choristes Les
Choses Secretes
Christiane F
Christine CD1
Christine CD2
Christmas Carol A
Christmas Story A
Christmas Vacation (National Lampoons)
Chronicles of Riddick The - Dark Fury
Chunhyang 2000 CD1
Chunhyang 2000 CD2
Cider House Rules The
Cinderella 2000
Cinderella Story A
Citizen Kane
Citizen Ruth
City By The Sea
City Hall
City Heat
City Of God 2003 CD1
City Of God 2003 CD2
City Of The Living Dead 1980
City of Lost Children The CD1
City of Lost Children The CD2
City of No Limits The (Antonio Hernandez 2002)
City on fire 1987
Civil Brand 2003
Clan Des Siciliens Le - Henri Verneuil 1969
Clash of the Titans CD1
Clash of the Titans CD2
Class Trip 1998
Classic The (Korean) CD1
Classic The (Korean) CD2
Clearing The
Cleo De 5 7
Cleopatra 1963 CD1
Cleopatra 1963 CD2
Cleopatra 1963 CD3
Cleopatra 1999 CD1
Cleopatra 1999 CD2
Cliffhanger (Collectors Edition)
Cliffhanger CD1
Cliffhanger CD2
Clockers CD1
Clockers CD2
Clockwork Orange A
Close Encounters of the Third Kind
Close Encounters of the Third Kind (The Collectors Edition)
Closet The
Club Dread
Coast Guard 2002 CD1
Coast Guard 2002 CD2
Cobra Verde CD1
Cobra Verde CD2
Coca-Cola Kid The 1985
Cock - A Broken Leghorn (1959)
Cock - The Foghorn Leghorn (1948)
Cockleshell Heroes The
Cold Comfort Farm 1995
Cold Mountain 2003 CD1
Cold Mountain 2003 CD2
Cold Mountain CD1
Cold Mountain CD2
Cold Mountain CD3
Collateral 2004
Collateral Damage
Collector The
Colour Of The Truth
Coma (1978)
Comandante (Oliver Stone 2003)
Come And See CD1
Come And See CD2
Commitments The
Como Agua Para Chocolate
Company Man
Company Of Wolves The CD1
Company Of Wolves The CD2
Company The CD1
Company The CD2
Con Air
Conan The Barbabian (uncut)
Conan the Barbarian
Conan the Destroyer
Confessions of Sorority Girls
Confessions of a Dangerous Mind
Confessions of a Teenage Drama Queen
Connie and Carla
Conquest of the Planet of the Apes
Conspiracy Theory 1997
Control 2004
Conversation The CD1
Conversation The CD2
Cook The Thief His Wife And Her Lover The 1989
Cookies Fortune 1999
Cookout The
Cool Hand Luke 1967
Cool World
Cooler The
Cooley High
Cop Land
Corbeau Le
Corky Romano
Couch Trip The 1988
Counterfeit Traitor The 1962 CD1
Counterfeit Traitor The 1962 CD2
Countess Dracula (1970)
Country of my Skull
Cousin Bette
Cover Girl (Charles Vidor+1944)
Cowboy (Delmer Daves 1958)
Coyote - Dont Give Up the Sheep (1953)
Coyote - Fast and Furry-ous (1949)
Coyote Ugly
Craddle 2 The Grave
Cranes Are Flying The (1957)
Cravan vs Cravan
Crazy Beautiful
Crazy People 1990
Crazy in Alabama
Creature from the Black Lagoon
Crew The
Cries And Whispers (Bergman Ingmar)
Crime Scene Investigation 3x01 - Revenge Is Best Served Cold
Crime Scene Investigation 3x02 - The Accused Is Entitled
Crime Scene Investigation 3x03 - Let The Seller Beware
Crime Scene Investigation 3x04 - A Little Murder
Crime Scene Investigation 3x05 - Abra Cadaver
Crime Scene Investigation 3x06 - The Execution Of Catherine Willows
Crime Scene Investigation 3x07 - Fight Night
Crime Scene Investigation 3x08 - Snuff
Crime Scene Investigation 3x09 - Blood Lust
Crime Scene Investigation 3x10 - High And Low
Crime Scene Investigation 3x11 - Recipe For Murder
Crime of Padre Amaro The
Criminal Lovers (1999)
Crimson Pirate The
Crimson Rivers 2 - Angels Of The Apocalypse
Crimson Rivers 2 Angels of the Apocalypse
Crimson Tide
Criss Cross
Cristina Quer Casar
Critters 2 The Main Course 1988
Crocodile Dundee in Los Angeles
Cronos 1993
Crouching Tiger Hidden Dragon
Crow The
Crow The - City Of Angels 1996
Cruel Intentions 3
Crumb (1994)
Cube2 Hypercube 2002
Cube Zero
Cure (Kiyoshi Kurosawa) CD1
Cure (Kiyoshi Kurosawa) CD2
Curse The
Custer of the west
Cut Runs Deep The 1998
Cutthroat Island (1995)