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Close Encounters of the Third Kind

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Are we the first?
Are we the first to arrive here?
Is the interpreter with you?
I'm not a professional interpreter.|My occupation is cartography.
I'm a mapmaker.
Can you translate French into English|and English into French?
Yes, I explained to the team leader at|Villa Hermosa.
I'm just a little taken by surprise.
-Etes-vous Monsieur Loglin?|-Laughlin, oui.
Oh, Laughlin. Pardon.
They're all there! All of them!
Check for landing marks!
Mr. Lacombe wants the numbers|off the engine blocks!
Number 445529, check!
Approximately 46 gallons|in the right tank!
447149, check!
Tell me something.|What's happening here?
-It's flight number 19!|-19 what?
It's that training mission from the|naval air station at Fort Lauderdale.
They were doing target runs|on an old hulk.
Who flies crates like these anymore?
No one! These planes were reported|missing in 1945.
But it looks brand-new!
Where's the pilot?
I don't understand!
Where's the crew?!
How the hell did it get here?!
He says this guy's local.
He was here last night.|He saw it happen.
He says the sun came out last night.
He says it sang to him.
Ernie, keep an eye on that point-out.
He's on 122.5.
I'll be right back.
Indianapolis Centre, you have any|traffic for Air East 31 ?
Air East 31 , negative.
The only traffic I have is|a TWA L-1011 in your 6:00 position...
...range 15 miles...
...and an Allegheny DC-9 in your 12:00|position, 50 miles.
Stand by. I'll take a look at|broadband, over.
Air East 31 has traffic 2.:00,|slightly above and descending.
Air East 31 , roger.
I have a primary target|about that position now.
I have no known traffic.
Stand by, I'll check low, over.
Check and see if they know who it is.
Centre, Air East 31.
The traffic's not lower than us.
He's 1.:00 now,|still above me and descending.
Air East 31 ,|can you say aircraft type?
Negative, Centre, no distinct outline.
To tell you the truth,|the target is rather brilliant.
It has the brightest anti-collision|lights I think I've ever seen.
Alternating white to red.
The colours are striking.
Centre, this is TWA 517.
Traffic now looks like|extra-bright landing lights.
I thought Air East|had his landing lights on.
It could be a satellite.
I have a primary target now|in your 10:00 position...
...five miles, over.
Affirmative, 31.
The traffic is proceeding northeast.|No altitude readout.
Roger, Centre. It doesn't appear|he'll be a problem.
He's going to descend|about 1500 feet below me.
Wait a second!
Stand by, one.
Okay, Centre, Air East 31.|The traffic has turned.
He's heading for my windshield.|We're turning immediately.
Descend and maintain flight level 310.
Break Allegheny,|turn right 30 degrees.
Get on the horn to the 45th Recon Wing|and see what they're testing up there.
Do you have test operations|in restricted area 2508?
Air East 31, roger.
The traffic is luminous and|exhibiting non-ballistic motion.
Roger. Continue descent|at your discretion.
Okay, Centre. Descent|at pilot's discretion is approved.
The traffic is approaching head-on,|ultra-bright and really moving.
And right by us! Right now!|Now that was really close.
Air East 31 is out of 340....
Ask if they want to report officially.
TWA 517, do you want to report a UFO?|Over.
TWA 517, do you want to report a UFO?|Over.
Negative. We don't want to report.
Air East 31 ,|do you wish to report a UFO? Over.
Negative. We don't want|to report one either.
Air East 31 , do you wish to file a|report of any kind? Over.
I wouldn't know what kind|of report to file, Centre.
Air East 31 , me neither.
I'll try to track traffic|to destination, over.
Dad, do my problems for me.
I don't have to do your problems for|you. You do your problems for you.
That's why I graduated,|so I don't have to do problems.
I don't understand these fractions.
All right. What's one-third of 60?
That's a fraction.|I don't understand it.
All right, look.
Let's say...
...that this boxcar is 60 feet long.
And one-third is across|this switch here.
And now another train is coming.
How far do you have to move|this boxcar off the track... that the other train|doesn't smash it?
Quickly, Brad, there are thousands|of lives at stake.
Brad, any answer.
Remember last weekend... promised everybody a movie|this weekend?
And you also promised Goofy Golf.
Roy, what is all this stuff|on my table?
I thought I told you|this was for my stuff.
I mean, you can have that table.
I don't want this on my table.
This can cause tetanus!
-What is this?!|-You know what's playing?
Pinocchio!|The kids have never seen Pinocchio.
You guys have never seen it.|You'll love it.
I don't believe this.
Who wants to go see|some dumb cartoon rated G for kids?
-How old are you?|-Eight.
-You want to be 9?|-Yeah.
Then you're gonna see Pinocchio|tomorrow night.
That's a wonderful way|to win over your children.
I'm not serious. I'm just saying|that I grew up with Pinocchio.
And if kids are still kids,|they're gonna eat it up.
Okay, I'm wrong.|I'm Wrong Roy, all right?
Toby! You are close to death!|Come out here!
I'll give you your choice.|I'm not gonna be biased in any way.
You can either play Goofy Golf, which|means a lot of waiting and pushing...
...or you can see Pinocchio...
...which is a lot of furry animals and|magic and a wonderful time.
-Now, let's vote.|-Golf!
All right, everybody to bed!
No way! Dad said we could finish|watching The Ten Commandments!
Roy, that movie is four hours long.
I told them|they'd watch only five commandments.
Hi, Ronnie, it's Earl.
We got a big problem.|I need your old man in the field.
Roy can't drive at night without me.
We're experiencing an overall outage!
Wait, I can't-- Honey!
Jiminy Cricket.|It's Earl on the phone.
Neary. Get into your truck|and report to line N in Tolono.
We're losing power across the grid.|Has the outage hit you yet?
Hey! Lights!
Help! I'm lost.
You're gonna cough up a little|Tolono, right?
Cough up Tolono|on lnterstate Highway 90.
A little familiar landmark|of some sort.
-Cornbread Road, south of 20.|-Cornbread?
Power must have been restored.
Couple hundred neighbours think|it's Saturday night.
Dispatch, this is 411.
Do you want me to disregard|that Tolono call?
You're in the middle of the road,|jackass!
Can you tell me where Cornbread is?|Turkey!
834...834.... F-27.
M-Mary-10 through M-Mary-12. Okay.
Stoppage in the single circuits|will lead you right to nowhere.
What do you guys got out there?
I don't believe this!
My God! It's as big as a house!
Shaped like a barn.
This is absolutely crazy.
Just off the Telemark Expressway|and east toward Harper Valley.
Watch out!
Oh, my God! Lady!
Are you okay? I'm sorry.
I didn't see him.|He was in the middle of the road.
Hello! Here!
What's the matter with you?
Barry, come back here!
Ice cream!
This is nuts.
Wait a minute!
What are you guys doing? Hey!
That's Ohio!|That's a quarter!
Jesus, look at those suckers.|They're glued to the road!
Honey, wake up!
Ronnie, wake up!|You're not gonna believe what I saw!
Don't! Not now.
No, listen!|I never would have believed it!
There was this--|In the cab there was this whole--
It went-- It was-- There was a red|whoosh that--
Ike called you.
And McGovern.
They want you to call.|They couldn't reach you.
I turned the radio off.
Don't do that. The phone rang|off the hook.
It woke Sylvia up two times already.|You'd better call them.
You know those pictures in National|Geographic, the aurora borealis?
This is better than that. Come on!
Come on, Ronnie, get up.
-What's wrong?|-Nothing. I don't know.
-Get up!|-Is it an accident?
It's not an accident.|You wanted out of the house, right?
Not at 4:00 in the morning.
Ronnie, I need you|to see something with me.
It's really important.
Okay. All right.|What about the kids?
The kids! I'll get the kids.
Sylvia, we're going on an adventure.
Toby! Brad! Come on! Get up.
It's better than Goofy Golf!
I'm going as fast as I can!
Come on.
Hi, Mrs. Harris.
Roy, there's Mrs. Harris.
There better be a good reason|for this...
...because it doesn't make sense!
All right, Roy, I really think|you've proved your point.
You're sunburned. Look at you.
Honey, what is that?
Roy, what did it look like?
It was like an ice-cream cone.
What flavour?
It was orange.|It wasn't like an ice-cream cone.
It was more like a shell.
Like a taco?
Was it like one of those Sara Lee|moon-shaped cookies?
Those crescent cookies?
Don't you think I'm taking this|really well?
I remember coming to places like|this just to look at each other.
I don't believe it.|I don't believe it!
I don't believe it.
It's the Cotopaxi.
-Why is it here?|-Beats the shit out of me.
Is this the bathroom?
This is not your toy to play with|every time I turn around.
He looks like a 50l50 Bar.
All right, out of this house.|All of you. Out of my house.
I'm sorry, but you're|not to play with this!
Get out while I clean up your mess!
Thank you very much.
I found this overnight tanning stuff.
I want you to spray it on half|your face, so it's all one colour.
It makes my face look yellow.|What does this remind you of?
Then we'll tell everybody|you fell asleep...
...under the sun lamp|on your right side.
What for?
Dad, can I ask you a question?
Are they for real?
That's what for.
No, they are not for real.
Go outside and have a hot dog, okay?
Ronnie, don't tell him that.
Don't talk about this until you know|what you're talking about.
If I can't talk about it,|how will I know what's going on?
Mom, I believe in them.
I believe in them too.
No, you don't.
Dad says we do.
No, he does not.
Do you, Roy?
All I want to do is know|what's going on.
Nothing's going on!|It's just one of those things.
Which things? Which things?
-I don't want to hear about this.|-This is very important!
I won't let it lay here.|I'm gonna call somebody!
I'm not listening. I'm not listening.
I saw something last night|that I can't explain.
I saw something last night|I can't explain.
I'm going out there again tonight.
No, you're not.
Yes, I am.
No, you're not.
Yes, I am.
No, you're not.
Do they live on the moon?
They got bases there so at night|they can come through your window.
This isn't a moonburn, goddamn it!
-You came through my window last.|-You hurt me!
-You took all my covers.|-Roy's not like that.
He loves his work. Don't say that!
What did he do?|He was with us all night!
I won't have to go tonight.
He is not like that at all!
Stop yelling at me!
Can't you tell him about this?
I can't believe it.
Roy... got fired.
They didn't even want to talk to you.
Where were the sounds coming from?
Where did these sounds come from?|Tell us, please.
Good evening, ladies and gentlemen.
I beg your pardon,|but my English is not good too.
I want to share with you now...
...the breakthrough|that happened in lndia.
We think it means something.
We think it is important.
To help you learn, I am using the hand|sign created by Zoltán Kodály.
Kodály developed these signs|to teach music to deaf children.
Hi, how are you? You came here too?
Yes. Jillian Guiler.
Roy Neary.|Sorry about what happened.
-Good night!|-What?
Look at you.
You got the same burn.
Yeah, but it's better on you.|You got it all over at least.
I gotta tan the other side tonight.
How's the kid? I'm really sorry.
I'll be right back.
Raise your head a bit|and give me a smile.
He's a little young for a record,|don't you think?
I know this sounds crazy, but|ever since yesterday on the road...
...l've been seeing this shape.
In shaving cream and pillows....
Damn it, I know this!|I know what this is.
This means something.
This is important.
Here they come!
Get the camera!
Out of the northwest!
It's like Halloween for grownups.
Trick or treat.
Wait a minute!
The patterns are.:
-We received two 15-minute broadcasts.|-Non-random signals?
104 rapid pulses. After a five-second|interval, 40 pulses.
Another five-second break,|and 30 pulses.
Silence, then a new set of numbers.|40, break five. 36, break five. Ten.
-104 rapid pulses.|-Lord!
Wait 60 seconds and the|whole doggone thing repeats.
-Where are the signals from?|-The neighbourhood.
Light-travel time, roughly 7 seconds.
Well within the plane|of the ecliptic.
Are these non-random signals here, 40,|36, 10, in response to that?
They should be. We've sent|this combination out for weeks.
All we're getting back|are numbers.
This could mean the lndia sounds|reached a dead end.
They don't mean a thing.
There's so much we don't know.
How about where the signals originate?
Excuse me.
What letter is 104?
Excuse me.
Before I got paid to speak French...
...l used to read maps.
This first number is a longitude.
Two sets of three numbers.
Degrees, minutes and seconds.
The first number has three digits,|and the last two are below 60.
It's not in the right ascension|and declination on the sky.
These have to be Earth coordinates.
There's a globe in the office.
This is what we need.
Maybe there's a release pin|underneath here.
That's a $2500 globe!|What are you doing?
All right, everybody, quiet down!|Hold it down!
The antenna. How dumb!
-Which way's it pointing?|-Northeast.
That's Wyoming.
We'll need a geodetic survey map|of Wyoming.
I want it to the square yard.
The Army has a geodetic|survey map of Wyoming.
Oh, my God!
You can come and play now.
You can come and play now.
Come in through the door.
Mom, look! The sun's here!
Oh, my God!
Go away!
Clean everything up!
-Mom, let me listen!|-Wait a minute!
Mom, look!
Come in through the door.
May we have a statement?
The report you gave to the police|was spectacular.
We need it for the 6:00 news.
They got him.
Is it true you're leaving|to look for your son?
-Has there been a ransom note?|-Where will you start looking?
His name is Barry.
Where is your husband now,|Mrs. Guiler?
Are you involved in any|kind of parapsychologies?
Turn around, please. Turn around!
You gave the police a report.|Would you mind repeating it?
Folks, you can go in now. Room 3655.
Ladies and gentlemen,|this is a flying saucer.
That's the one I saw!
I swear that's the same one!|It's the one I saw!
It's made of pewter, made in Japan...
...and thrown across the lawn|by one of my children.
I wanted to point out that we're|not all " polished brass" about this.
And also point out that last year...
...Americans shot more than seven|billion photographs... a record of $6.6 billion|for film equipment and processing.
Now, with all those|shutters clicking...
...where is the indisputable|photographic evidence?
I've been in the news|business for a long time.
We never took a picture|of a plane crash as it happened...
...or an automobile accident|and get it on the 6:00 news.
There are lots of ideas|that would be fun to believe in.
Mental telepathy...
...time travel...
...even Santa Claus.
I know it's no fun to go home and|say, "Guess what happened today?
I was in the shopping centre,|and there was this bright light...
...and I rushed outside...
...and it was an aeroplane."
Excuse me, sir.|I didn't want to see this.
I sure wish I had.
For 15 years I've been looking...
...for these damn silly lights|in the night sky.
I've never found any.
I'd like to, because|I believe in life elsewhere.
Why don't you admit...
...that the Air Force is conducting|tests in the Foothills area?
It would be easy to say yes to that.
But I'm not going to mislead you.|This is not the case.
I don't know what you saw.
You can't fool us by agreeing with us.
No, come on!
I saw Bigfoot once.
1951 . Back in Sequoia National Park.
Had a foot on her, 37 inches.|Heel to toe.
Made a sound I would not want|to hear twice in my life.
I believe I've encountered|that gentleman myself.
I was sitting on the porch,|looking through the screen.
I seen this big white dot in the sky.
It turned red and blue and green.
UFOs do not represent a direct|physical threat to national security.
We do not support them,|and we encourage you not to.
Let's get in touch with|the forest service...
...or we'll end up in a wilderness|area with vehicular traffic.
And that's strictly sacred-cow stuff|for those folks in Wyoming.
If this mission is fully developed...
...l get white knuckles thinking about|what might be ahead for those folks.
Your flight will be at 20:00 hours.
We have a limo that'll take you|to the heliport now.
And transportation will be provided|on the other end.
-I like the flash flood idea.|-Where will you get the water?
We'll tell them one of the reservoirs|is going to burst.
There's not enough water in those|reservoirs!
Wait! Contaminated water|affects people, crops, animals.
-Yeah, epidemic.|-What kind of disease?
A plague epidemic.
Nobody will believe a plague.
-Anthrax.|-Ranching country.
There are a lot of sheep in the hills.
Good, I like that.
-It'll create a panic.|-But it may not evacuate everybody.
There's always some joker|who thinks he's immune.
I need something so scary it'll|clear 300 square miles...
...of every living Christian soul.
Help yourself.
I hate these potatoes.|There's a dead fly in my potatoes.
It's okay.
Well, I guess you've noticed...
...something is a little strange|with Dad.
It's okay, though.
I'm still Dad.
I can't describe it,|what I'm feeling...
...and what I'm thinking.
This means something.
This is important.
That's not right.
It's not right.
That's not right.
What is it?
What is it?!
It's not fair.
Tell me.
Open the door, please.
Open this door!
Open this door!
I don't think I know|what's happening to me.
Look, Roy. What it is,|is family therapy.
I mean, we all go. We all talk.
No one is singled out.|Maybe it's not your fault anyway.
It's waterproof. It still works.
Promise me you'll go!
You crybaby! You crybaby!
-You crybaby!|-Get out of here!
Get out!
Come on, you guys.
You crybaby!
-Be quiet!|-Stop it!
I don't understand it!
-Neither do l.|-Get out!
Go to your room and close the door.
I'm really scared.|I want you to help me.
All this bullshit!|It's turning this house upside down!
I just hate you! That's why!
Hold me. Put your arms|around me. It'll really help me.
It'll really help me.
Listen! Listen!|Don't you see what's happening?
None of our friends call us anymore!
You're out of work! You don't care!
You're ruining us! You're ruining us!
-Ronnie, just hold on.|-No!
Hold on.
Ronnie, open the door now.|Come on.
Well, what do you know?|It's disintegrated.
Happy birthday, you thing from|another world, you.
Thank you!
Well, I guess he's had enough.
Are you going to yell at me?
Everything's fine.
All this stuff is coming down.
It's all gonna be like it was.
That's the last straw!|Now I use my secret weapon!
Roy, I'm sorry about last night.|Roy!
Roy, what are you doing?
The plants are fine there!
Can you hear me?
Wait! What are you doing?
You're gonna love it!
-What do you mean?|-You'll really love this.
Roy, what are you doing?
Oh, Roy!
My God!
Come on, men!
Dad, after this, can we|throw dirt in my window?
Stop it.
Stop. Stop it.
If I don't do this, that's when|I'm gonna need a doctor.
What are you doing?
-I got it.|-What are you doing?
I figured it out, that's all.|Will you just listen?
You ever look at something crazy, and|then see it another way and it's not?
No, I haven't.
Come on, Ronnie. Just listen.
-I don't know what you're doing.|-Close your eyes.
Close your eyes and hold your breath,|everything will be really pretty.
You're scaring us now.
Don't be scared. Don't be scared.|I feel really good.
Everything's gonna be all right.
I haven't felt this good in years.
Everything's gonna be okay.|I can feel it.
-Now what else? What else?|-Like this? Like this?
Like this?
Chicken wire.
Whatever you're doing,|it's against the law!
He's putting it back, Mrs. Harris.
I'll pay you for this.
Take it. Take it.
I'm perfectly fine.
Let go of this fence.|Come with me.
Do you want me to hit you?|Let go of that fence!
Toby! Listen to me. Listen to me.
Come on, right now.|We're going.
-I want to stay here!|-Let go of the fence! Come on.
-Where we going?|-Where we going?
-Where are we going?|-Just get in the car.
-Where are we going?|-Quietly, quickly, get in.
Get in there, Toby.
-Dad needs some more help!|-Lock the doors!
Dad needs some more help!
Quiet! Just lock the doors.
Roll up those windows.
Dad needs some more help!
Honey, where you going?
-What?|-Where are you going?
Taking the kids to my sister's.
That's crazy.|You're not even dressed.
You said what?
Ronnie, wait!
Ronnie, hold it.
Will you hold it one minute?
What is wrong with me today?
Who is it, please?
It's the mailman. There's a package|for Julie Anderson.
You can just leave it at the door!
I can't do that.|I'm supposed to C. O.D.
And besides... and I have to have|a little talk...
...about Kim.
Like sands through the hourglass... are the Days of Our Lives.
Here comes the king|Here comes the big number one
Budweiser beer|The king is second to none
When you say Bud|The king is coming
Let's hear the call
When you say Bud|You've said it all
When you say Bud|You've said it all
Good evening. At the top of the news|tonight, a rail disaster.
At Devil's Tower, Wyoming...
...a trainload of dangerous|chemical gas went off the rails...
...and forced the widest|area evacuation...
... in the history of these|controversial rail shipments.
Whenever you want me to.|Tomorrow is fine.
I can do other things.
I'm trying to be.
Yes, I am.
The Army and National Guard are|supervising the evacuation.
I am an adult, okay?|Even though there's no such thing.
It was a joke!
--the danger will be over|within 72 hours.
Ronnie, anything you want.
Anything you want, I'll do.
For how long?
All of you?
No. Ronnie, I want to talk|about this in person.
This is not-- We can't talk|about this on the telephone.
Ronnie! Don't hang up!|Just don't--
Devil's Tower, Wyoming was|the first national monument...
... erected in this country by|Theodore Roosevelt in 1915.
Thousands of civilian refugees|are fleeing the area...
...spurred by rumours that the|overturned tanker cars... Walkashi Needles Junction were|filled to capacity with nerve gas.
Fortunately,|there have been no fatalities.
--evacuate this area,|which soon...
... will become the "hot zone, "|depending on the prevailing winds.
This is as close to the disaster|as we've been allowed to get.
--due to a strong prevailing|north-south wind.
Army engineers and the|Wyoming National Guard...
...are making every effort to|contain the leaking toxins...
...and evacuate an area of almost|200 square miles.
Everyone is being warned.:|Stay out of the area.
Everyone, please,|stay out of the area.
--thousands of others|are homeless.
U.S. Army Materiel Command has|issued these new area restrictions.:
All roadways north of Crowheart on|lnterstate 25.
All roads leading into the|Grand Tetons west of Meteste.
All multilane undivided|full traffic interchange...
...railroad, local and historic|stage roads south of Cody.
Why aren't there fat lines|instead of these thin ones?
You're going the wrong way!
Turn back around. Back this way.
What's the matter with you?
Yes, sir. Sorry, officer.
It's just a rental, officer.
My fault! My fault!
Starting with the letter "F, "|as in "Frank"...
... to the letter "J" as in "Jack"...
...please find your way to the loading|platform for immediate boarding.
You'll be real disappointed|and sorry...
...if you don't have an early warning|system, such as a bird, a gas mask.
Why, even my dog has a gas mask.
And any of you folks are|worth more than a dog.
I don't care where you go,|just get behind the barricade!
Why are we here?
The only way there is across country.|We'll break through the fence.
-Let's go.|-All right, hold on.
The police dragged the river for him.
I told them he wasn't in the river.|He wasn't.
Then they went around to every house|within five miles...
...looking inside backyard|refrigerators.
They asked if I'd seen any strangers|in the neighbourhood.
I don't believe it's real.
I don't believe it's real!
It's real.
Let's get down there. Get some gas|and get down in there.
What are those?
Look, I guarantee you.|This whole thing is a put-on.
What do you want?|Get your hands off!
-How are you feeling?|-I feel fine!
According to my birds, the bad air|is from you guys farting around!
-Move them out!|-What's happening?
Where are we going?
Where are you taking her?
Hold it! Why can't we go together?
Watch your step.
We have very little time, Mr. Neary.|This is Mr. Lacombe.
We need answers from you that are|honest, direct and to the point.
Where is Jillian?
Do you realize the danger you|and your friend have risked?
In coming here, you've|exposed yourself to toxic gas.
Well, I'm alive.
We're talking.
This is true, Mr. Neary.
But if the wind blew from|the south instead of the north...
...this conversation would not be|taking place.
There's nothing wrong with the air.
What makes you say that?
I just know.|There's nothing wrong with it.
Go outside and make me a liar.
I want to talk to the man in charge.
Mr. Lacombe is the highest authority.
He isn't even an American.
Mr. Neary, are you an artist|or a painter?
Have you been hearing a persistent|ringing in your ears?
Almost an agreeable ringing?
Having headaches, migraines?
An irritation in your eyes|and your sinuses?
Do you have hives?|Do you have allergies?
And burning on your face|and on your body?
-Yes. Who are you people?|-Look at this.
I got one like it in my living room.|Who are you?
Monsieur Neary, please,|one more question.
Have you recently had|a close encounter?
A close encounter|with something very unusual?
Who are you people?
-These people strangers to you?|-Yeah. Except for her.
And the two of you felt compelled|to be here?
Yeah, you might say that.
-But what did you expect to find?|-An answer.
That's not crazy, is it?
Hold it, hold it, hold it.
Is that it?
Is that all you're going to ask me?
I got a couple of thousand|goddamn questions.
I want to speak to someone in charge.|I want to lodge a complaint.
You have no right to make people crazy.
You think I investigate every|Walter Cronkite story there is?
If this is just nerve gas, how come I|know everything in such detail?
I've never been here before.
How come I know so much?
What the hell is going on|around here?!
Who the hell are you people?!
Is that it?! Answer me!
I didn't come this far to get|taken on any bus ride home!
Five minutes. Five!
We're gonna hold|for a couple of minutes.
You brought 12 people to|the decontamination camp...
...instead of the evacuation centre|where they belong. Why?
-Because this means something.|-This means something.
These people have come from|all over their country... a place they've been told|will endanger their lives.
Because somebody could be trying|to subvert this whole operation... sending in fanatics, cultists|and Christ knows what all.
This is a small group of people...
...who have shared a vision in common.
It's still a mystery to me|why they are here.
Even they do not know why.
Don't! You'll be poisoned!
Listen, there's nothing wrong|with the air around here.
The Army's getting us out because|they don't want any witnesses.
If the Army doesn't want us here,|it's none of our business.
We wanted to see the mountain.|It was a coincidence when I painted it.
You can take it off!
The air here is better|than in Los Angeles.
Listen. How many of you people are|for getting out of here?
I don't know what's happening either.|I must find out.
For every one of these anxious,|anguished people who've come here...
...there must be hundreds more touched|by the vision who never made it here.
Simply because they never watch|the television.
Or perhaps they watched it, but never|made the psychic connection.
It's a coincidence.|It's not scientific.
Listen to me, Major Walsh... is an event sociological.
Wait a minute!
-My name's Neary!|-Larry Butler!
-How are you?|-Okay! You?
-Fine, fine!|-That's good!
Everybody keep their masks on until|you're out of here and out of danger.
Listen, we want to get out of here!|What's the matter with you?
I'll have the rest of them|off the mountain in one hour.
Major, I want you to use infrared...
...and get me a photo analysis of|the northern face.
Yes, sir, it's already been ordered.
Major Walsh, listen.
I don't like to do this. We're in|enough trouble with these cattlemen.
If you can't get these folks|out of the area by 20.:00 hours...
...start dusting with EZ-4.
What's EZ-4?
It's a sleep aerosol. Same stuff we|used with the livestock.
Comes out of Riot Control.
They'll sleep for six hours and|wake up with a headache, that's all.
We didn't choose this place.|We didn't choose these people.
They were invited!
They belong here more than we.
I shouldn't have given up jogging.
See that notch in the mountain?|We'll make it in no time.
Here come three more.
The authority in this park...
...has been superseded by|the United States government.
There's a ravine leading straight up.
-It's an easier climb.|-It's no good.
When you get to the top, it's|a 300-foot drop down. Get down!
What do you think it's like|on the other side?
There's a box canyon on the other side|with ravines and trails...
...if you take this incline|to the right.
I never imagined that.|I only painted one side.
-There was no canyon in my doodles.|-Next time, sculpt.
You give us a lot of credit.|That's an hour's climb.
Come on, let's go.
The authority in this park...
...has been superseded by|the United States government.
You are entering a military|reservation...
...and subject to military law.
Call the bastard.
Bahama, this is Pyramid. Over.
Go ahead.
Nothing to report at midstation.
Up ahead there's thousands|of places to hide.
We'll need three times the men|to cover this in one hour.
Get everybody off the northern face,|call the other side...
...and tell them we're gonna dust.
Get down!
You are entering a military|reservation...
...and subject to military law.
Larry! Larry, come on!
Larry! Don't let them see you!|Get down!
They're just crop-dusting.|Los Angeles!
Don't stop!
Don't look back! Come on, come on!
Hurry! We're only 10 feet|from the top.
Just a few more feet! We can|slide down the other side!
Come on, hurry. I'll come down.
Don't come down.
Come on, come on. Come on!
Don't worry. We'll make it.
Come on. Move it. Move your ass!
Come on. Come on, please.
Hold it!
Jump! Jump!
-Do you see that?|-Oh, yes.
Is it on?|Check the speaker system here.
I want this up all the way.
Are you reading me on this one?
How about here?
-Testing. Testing.|-Okay, one, two, three, four.
Testing. Testing.
One, two, three, testing.
Gentlemen, ladies. Take your|positions, please.
This is not a drill.
I repeat, this is not a drill.
Could we have the lights|in the arena down 60%, please?
I don't think we could ask for|a more beautiful evening, do you?
Okay, watch the skies, please.
We now show uncorrelated targets|approaching from the north-northwest.
We're the only ones who know.|The only ones.
You see that?
All ground personnel not|D-class approved...
...please evacuate the centre|approach marker.
Audio analysis personnel, behind|the double yellow line.
ITC, stereo, time and resistance.
Auto ready?
Tone interpolation on interlock.|Altitude and tabling.
ARP and interlock now.
Speed set at seven and a half.
All positive functions, standing by.
Go ahead.
Okay. Start with the tone.
Up a full tone.
Down a major third.
Now drop an octave.
-Cool blue.|-Go.
Up a perfect fifth.
Nothing. Nothing at all.
Give me a tone.
-" Re" to the second.|-Up a full tone.
-" Mi" to the third.|-Down a major third.
-" Do" to the first.|-Drop an octave.
" Do" up a perfect fifth.
"Sol" to the fifth.
I know that.
Kick that mule!
Let's go!
I'm very happy tonight.
-Congratulations.|-Thank you.
Not a Merle Haggard, but it was great.
Mr. Lacombe?
What is it? What's happening?
Come on. Come on, let's go.
Keep down.
They're talking way over my head.
Duck, duck!
Photo one.
Fantastic! Keep those reloads coming.
-You want to see better?|-I can see fine.
-We can't stay here.|-I can.
-Why?|-Because Barry's not here.
I'm just not ready.
I can't stay.|I've gotta get down there.
I know.
This is data control to|all personnel.
We monitor no biologic hazards.
Range safety clear.
Oh, my God.
Oh, my God!
Holy shit.
There is a safety hazard zone...
... extending 25 metres from the ship.
Special teams are exempt and|should be aware of low gravity.
Expect some dizziness,|and look out for a static charge.
All departments at operational|during this phase...
...signify by beeping twice.
If everything's ready here on|the dark side of the moon... the five tones.
Give her six quavers, then pause.
She sent us four quavers...
...a group of five quavers,|a group of four semiquavers.
All these phrases have|in common are five signals.
-I hope somebody's taking all this down.|-What are we saying to each other?
It seems they're trying to teach us|a basic tonal vocabulary.
It's the first day of school.
Take everything from the lady.|Follow her pattern note for note.
We have a translation interlock|on their audio signal.
We're taking over|this conversation now.
Let's go! Come on!
I am Claude Lacombe.
Frank Taylor...
...Lieutenant, United States|Navy Reserve...
Lieutenant, welcome home.
This way to debriefing.
Harry Ward Craig...
...Captain, United States Navy...
...043431 .
Captain, would you come right this way?
Welcome back, Navy. Welcome back.
-Craig, Harry Ward.|-" Captain, United States Navy...
...0434311 ."
Disappeared off Chicken Shoals,|flight 19.
Matthew McMichael, Lieutenant,|United States Naval Reserve...
...0909411 .
Good to have you back.
Furlow, Otis B...
...Lieutenant J. G.,|United States Navy.
They haven't even aged.|Einstein was right.
Einstein was probably one of them.
Erickson, David A...
...Lieutenant J. G.,|United States Navy...
... 0639552.
Henkle, Robert F...
...Lieutenant J. G.,|United States Navy....
Monsieur Neary...
...what do you want?
I just want to know that|it's really happening.
I went up in the air,|and I saw our house.
I saw you going up in the air.|Did you see me running after you?
All right, now we have to talk.
He wants to speak about|Mr. Neary's case.
Swensen, Matthew Daniel...
...reported missing April 1976.
-Are they going away?|-Yes.
Wait a second, wait.
He says these are ordinary people|under extraordinary circumstances.
Delores, Rudolph E...
...reported missing.:|December '51, Bisbee...
Monsieur Neary...
...l envy you.
I'm told we can count on your|complete cooperation.
-What's your blood type?|-I don't know.
-What's your birth date?|-December 4th, 1944.
Have you been inoculated against|smallpox, diphtheria?
Is there any liver disease|in your family?
May the Lord be praised at all times.
May God help us and grant us|a happy journey.
Show us Your ways.
And lead us along Your paths.
God has given you|His angels charge over you.
Grant these pilgrims, we pray,|a happy journey...
...and peaceful days, so that with|Your holy angel as a guide...
... they may safely reach their|destination....
Subtitles by|Hollywood
Caccia alla volpe - After The Fox
Cactus Flower CD1
Cactus Flower CD2
Cage The
Caine Mutiny Court Martial 1988
Caine Mutiny The
Caja 507 La
Calamity Jane
Calcium Kid The
Calender Girls
Callas toujours La 1958
Camille Claudel
Campanadas a medianoche 1965 CD1
Campanadas a medianoche 1965 CD2
Candyman 2 Farewell to the Flesh
Cannonball 1976
Cant Buy Me Love
Cant Hardly Wait
Cant Stop The Music 23,976fps 1980
Cantando Dietro I Paraventi
Cape Fear (1991) CD1
Cape Fear (1991) CD2
Capitaine Conan - Bertrand Tavernier (1996)
Captain Pantoja And The Special Services 2000 CD1
Captain Pantoja And The Special Services 2000 CD2
Captain Ron
Captain Ron 1992
Captains Paradise The 1953
Capturing The Friedmans 2003
Car Wash 1976
Carabiniers Les (Jean-Luc Godard 1963)
Caramuru A Invencao Do Brasil
Caretaker The 1963
Caretaker The 1963 Commentary
Carmen (1984) CD1
Carmen (1984) CD2
Carne Tremula (1997)
Carne trmula
Carolina 2003
Cartouche (23.976)
Casa De Los Babys 2003
Casablanca CD1
Casablanca CD2
Casino (1995) CD1
Casino (1995) CD2
Cassandra Crossing CD1
Cassandra Crossing CD2
Casseta and Planeta - A Taza do Mundo  Nossa - Feedback Overflow
Casshern CD1
Casshern CD2
Cast Away
Cast a Giant Shadow
Castle in the Sky
Cat Ballou
Cat In The Hat The
Cat People Directors Cut
Cat on a hot tin roof
Catch Me If You Can
Cats Eye (Stephen Kings)
Cats Meow The CD1
Cats Meow The CD2
Cats and Dogs
Cellular 2004
Celluloid Closet
Celos (1999) - Jealousy
Cenetentola La
Central do Brasil
Cercle rouge Le 1970 CD1
Cercle rouge Le 1970 CD2
Chaikovsky 1969 CD1
Chaikovsky 1969 CD2
Chain Reaction
Chalte Chalte
Chamber The
Champion CD1
Champion CD2
Changing Lanes
Charisma (K Kurosawa 1999)
Charisma (Karisuma)
Charlie - The Life And Art Of Charles Chaplin
Charlies Angels
Charlies Angels - Full Throttle
Chase The
Chasing Amy
Chasing Liberty
Chatos Land
Cheaper by dozen
Cheats The 2002
Chelsea Girls 1966 CD1
Chelsea Girls 1966 CD2
Cheong Feng (1999) - Mission The
Cheonnyeon Ho 2003 CD1
Cheonnyeon Ho 2003 CD2
Cher - Live In Concert
Cherry Falls
Chicago CD1
Chicago CD2
Chicken Run (2000)
Chihwaseon CD1
Chihwaseon CD2
Children Of Dune Part 1
Children Of Dune Part 2
Children Of Dune Part 3
Children of Heaven The
Children of a Lesser God
Children of the Damned
Childs Play 1988
Childs Play 2 1990
Childs Play 3
Chimes at Midnight
China Moon
China Strike Force 2000
Chineese Ghost Story A 3
Chinese Ghost Story
Chinese Odyssey A
Chinese Roulette
Chitty Chitty Bang Bang
Choose Me (1984)
Chori Chori 1956
Choristes Les
Choses Secretes
Christiane F
Christine CD1
Christine CD2
Christmas Carol A
Christmas Story A
Christmas Vacation (National Lampoons)
Chronicles of Riddick The - Dark Fury
Chunhyang 2000 CD1
Chunhyang 2000 CD2
Cider House Rules The
Cinderella 2000
Cinderella Story A
Citizen Kane
Citizen Ruth
City By The Sea
City Hall
City Heat
City Of God 2003 CD1
City Of God 2003 CD2
City Of The Living Dead 1980
City of Lost Children The CD1
City of Lost Children The CD2
City of No Limits The (Antonio Hernandez 2002)
City on fire 1987
Civil Brand 2003
Clan Des Siciliens Le - Henri Verneuil 1969
Clash of the Titans CD1
Clash of the Titans CD2
Class Trip 1998
Classic The (Korean) CD1
Classic The (Korean) CD2
Clearing The
Cleo De 5 ŕ 7
Cleopatra 1963 CD1
Cleopatra 1963 CD2
Cleopatra 1963 CD3
Cleopatra 1999 CD1
Cleopatra 1999 CD2
Cliffhanger (Collectors Edition)
Cliffhanger CD1
Cliffhanger CD2
Clockers CD1
Clockers CD2
Clockwork Orange A
Close Encounters of the Third Kind
Close Encounters of the Third Kind (The Collectors Edition)
Closet The
Club Dread
Coast Guard 2002 CD1
Coast Guard 2002 CD2
Cobra Verde CD1
Cobra Verde CD2
Coca-Cola Kid The 1985
Cock - A Broken Leghorn (1959)
Cock - The Foghorn Leghorn (1948)
Cockleshell Heroes The
Cold Comfort Farm 1995
Cold Mountain 2003 CD1
Cold Mountain 2003 CD2
Cold Mountain CD1
Cold Mountain CD2
Cold Mountain CD3
Collateral 2004
Collateral Damage
Collector The
Colour Of The Truth
Coma (1978)
Comandante (Oliver Stone 2003)
Come And See CD1
Come And See CD2
Commitments The
Como Agua Para Chocolate
Company Man
Company Of Wolves The CD1
Company Of Wolves The CD2
Company The CD1
Company The CD2
Con Air
Conan The Barbabian (uncut)
Conan the Barbarian
Conan the Destroyer
Confessions of Sorority Girls
Confessions of a Dangerous Mind
Confessions of a Teenage Drama Queen
Connie and Carla
Conquest of the Planet of the Apes
Conspiracy Theory 1997
Control 2004
Conversation The CD1
Conversation The CD2
Cook The Thief His Wife And Her Lover The 1989
Cookies Fortune 1999
Cookout The
Cool Hand Luke 1967
Cool World
Cooler The
Cooley High
Cop Land
Corbeau Le
Corky Romano
Couch Trip The 1988
Counterfeit Traitor The 1962 CD1
Counterfeit Traitor The 1962 CD2
Countess Dracula (1970)
Country of my Skull
Cousin Bette
Cover Girl (Charles Vidor+1944)
Cowboy (Delmer Daves 1958)
Coyote - Dont Give Up the Sheep (1953)
Coyote - Fast and Furry-ous (1949)
Coyote Ugly
Craddle 2 The Grave
Cranes Are Flying The (1957)
Cravan vs Cravan
Crazy Beautiful
Crazy People 1990
Crazy in Alabama
Creature from the Black Lagoon
Crew The
Cries And Whispers (Bergman Ingmar)
Crime Scene Investigation 3x01 - Revenge Is Best Served Cold
Crime Scene Investigation 3x02 - The Accused Is Entitled
Crime Scene Investigation 3x03 - Let The Seller Beware
Crime Scene Investigation 3x04 - A Little Murder
Crime Scene Investigation 3x05 - Abra Cadaver
Crime Scene Investigation 3x06 - The Execution Of Catherine Willows
Crime Scene Investigation 3x07 - Fight Night
Crime Scene Investigation 3x08 - Snuff
Crime Scene Investigation 3x09 - Blood Lust
Crime Scene Investigation 3x10 - High And Low
Crime Scene Investigation 3x11 - Recipe For Murder
Crime of Padre Amaro The
Criminal Lovers (1999)
Crimson Pirate The
Crimson Rivers 2 - Angels Of The Apocalypse
Crimson Rivers 2 Angels of the Apocalypse
Crimson Tide
Criss Cross
Cristina Quer Casar
Critters 2 The Main Course 1988
Crocodile Dundee in Los Angeles
Cronos 1993
Crouching Tiger Hidden Dragon
Crow The
Crow The - City Of Angels 1996
Cruel Intentions 3
Crumb (1994)
Cube2 Hypercube 2002
Cube Zero
Cure (Kiyoshi Kurosawa) CD1
Cure (Kiyoshi Kurosawa) CD2
Curse The
Custer of the west
Cut Runs Deep The 1998
Cutthroat Island (1995)