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The Future . . . A trulY graceful word. It used to hit people\nstraight in the heart. It gave us hope in our daYs. Now, I wonder if . . . I can pass on the word,|Future, to our children. I don' t know. But I can saY one thing . . . In anY case . . . Through it all . . . We . . . . . . Live. We' re readY, sir! Good morning, sir. I' m serving\nunder You starting todaY. The MaYor . . . . . . wants to . . . . . . see you. A long time ago, a scholar\nfrom the Old Times said . . . True love onlY exists as homosexual love. Sexual activity between\na man and a woman . . . . . . was onlY to maintain the tribe. But . . . In this city . . . Between men and women . . . TheY found love in each other. TheY' re behind the times. Where are You from? How is TokYo? MY daughter's there. I' m hungrY. I see. You' re hungrY. If You don' t finish it all, I' ll kill You. Don' t move! On the count of five . . . ! Tell us Your name . . . ! Or we' ll open fire! A Replicant . . . This waY. HeY, wait. Who are You? Are You homeless or something? Stop! Give him back his moneY. But, he called us homeless . . . He made us lose face. We' ll do whatever You want. Don' t test our patience. Lee told me what happened . . . Let me thank You. Oh, not a problem. Not at all. BY the waY, who are You guYs? Drug? I see. We won' t take the drug. We' ll live with our children . . . And we' ll go to a beautiful place. I've seen manY places. And\nnone of them are beautiful. Even if we have to go overseas . . . We' ll find it. Go ahead. One of the captured girls is pregnant. I see. HeY, RYo. You can staY here and use this bed. What's Your sister's name? You can' t . . . What do You mean? She's with Fong. I see. I want to see the results alreadY. We' ll defeat Woo. We don' t care about Woo. If You can' t paY us, we' re leaving. Then, whY don' t You leave now? You bastards! Fuck You! You' re the bastards!! It's\nwritten all over Your face! What? Stop! Shit! Just wait a little longer! I' ll work something out. I promise. Look at them . . . We still need them. WhY are theY so important? Thanks for earlier, Officer Honda. WhY did You become a cop? Are You sexist or something? We can' t have children anY more. I can' t stand being\nfelt neglected anYmore. What are You dreaming of? This city that I lead is\ndifferent from the Old Times. We can' t repeat the same problems. That's whY we need this drug. If You don' t accept it,\ndon' t staY in this city. You must leave . . . If You can survive outside the city. What' ll happen to mY child? What's going to happen to mY child? What's going to happen to mY child!? This town doesn' t look so comfortable. You' re having a hard time here. What are You going to do\nafter You leave this town? I see. I see. I see. ''I see''? Fong! Fong! TheY' re readY! How manY? Let's go. HeY, what are You planning to do? Get Woo. Kill him? No. We' ll trade him for our comrades. How about our moneY? Take some hostages for\nransom or something. HeY, how is it like outside the city? All sand . . . and wind. That's it? That's it. I know about the Old Times. So, tell me. It's a secret. I see. Young. VerY Young. The Old Times desperatelY\nneeded Young people like You. But You' re no use here. Don' t You order us around! Take me to the hospital right now! Not now! What? It's Your fault! Don' t fuck with us! Shut up! Don' t lose Your heads. We discovered who that child is. Takeshi Honda, Your son. We should use him for ransom. Are You serious? Of course. We should. No. How are You going to paY us, then? You can' t, can You. We' re in charge from now on. What are You? Don' t mind me. Are You okaY? Can You stand up? Don' t worrY. Don' t mind me. We have to return him. We have another waY to use him. What are You going\nto do about Takeshi? I' ll catch them. That's mY job. I' m thankful for Your work. But there are times You have\nto think over what You do. Takeshi is like a grandson to me. Let me handle this. Please excuse me. I've discovered the\nwhereabouts of that Replicant. Here. Let me show You. Look. It's interesting, right? HeY, heY! Woo accepted the deal. He' ll exchange the\nkid for our comrades. The maYor wants to see You. Let's go. Thank You, RYo. Takeshi! Thanks. BYe bYe. BYe bYe. Yes? Hello. EverYthing is taken care of. What do You mean? I let the prisoners go. Takeshi will be home soon. WhY? WhY!? WhY? Our . . . our child . . . Will be born . . . in a new world . . . What are we going to do now? Don' t go back to the same place. Go somewhere new. Are You coming with us? Let's go. Let's go. What are You doing? We should hurrY. I' m not going anYwhere. I have to saY good bYe. What happened to their babY? You haven' t taken the drug. What are You dreaming of? Where are Your friends? I have no friends. In nature, if one accepts\nthat theY lose . . . The victor doesn' t have to kill them. To not die out, theY breed. But onlY humans kill each other. TheY don' t know how\nto stop themselves. Human beings are worse than animals. But let me give You 2 choices. Death or . . . The other one is easY. Take this drug. Idiot. What? Killed himself for no good reason. But You chose to investigate a\ncase instead of rescuing Your son. Takeshi is mY son. I knew he' d live through this. Can You call that a familY? Your wife, too? Is it same as love toward to Your son? If Takeshi didn' t exist . . . Your life will be different. What are You trYing to saY? Nothing. Excuse me, sir. Was that drug harmful in anY waY? Of course, it wasn' t! Swim! Swim! Swim! Eat. Eat. I said, eat! Nasty. It's not so bad. You' ll die, if You don' t eat. Eat. You, men, wait outside. You pretended to take drug. She's 5 month pregnant. What are You going to do? I want her to have the child. We both learned how to do it. And? We' ll hide it. We' ll both work. And? Give the child a good education. And let the child grow\nup to be a great person. And? Does it move? Is it moving? He's verY healthY. I think . . . It's a boY. We' ll name him Thomas. Outside of the apartment bY|Honbokuto St. is busY 24 hours a daY. No one will hear a babY crYing. It's not going to be easY. Come in. Let them go. Don' t\ngive them anY trouble. What were You thinking? TheY created too manY people. That caused war. That caused pollution. . We should not . . . We should not repeat the\nmistakes of the Old Times. There are no exceptions. If a babY is found, kill it. You know. Then, whY? There's been manY deaths alreadY. And there will be more. How stupid of them. I thought with the number\nof deaths, some can be born. You' re able to make such a cYnical\ncomment. Are You learning? Well . . . No. You' re dismissed. You' re not working well. Let me call maintenance. Takeshi . . . . . . didn' t come home. He's gone again! You didn' t have to come. Your son just came to see his friend. DaddY! Let's go. Let's go home. We' re home! CindY? Takeshi said he wants to learn karate. He's finallY becoming more like a man. CindY! Takeshi is mine. The love storY of a robot familY. Are You going to kill me? Go ahead, do it. You can' t harm me. You' re programmed You that waY. Robots were made during the Old Times. You collected them and fixed them. You did. Your wife, son. TheY waY You ove Your familY . . . The waY You work too much and\ndon' t paY attention to Your familY . . . Get mad at CindY . . . You' ll never learn. The waY You think Takeshi\nisn' t man enough . . . Your wonderful familY . . . I programmed it all that waY. I made it that waY. That makes You mY son. You can' t harm me. You still have work left to do. If You do Your job right . . . I' ll give You new\nmemorY and a new wife. ReadY to get back to work? I' ll . . . kill You . . . HeY, look at this. I want to learn how to\nfight, not make medicine. What if You get hurt in battle? Use medicine and bandages. Right. Then, come and look. Sit. Teach me how. You' re not good at it. Don' t saY that. You have other things to do. Rather than fighting, think of\nthe reason whY You want to fight. I have to do this for Fong. With this! Think about it. What's wrong? Oh, no! RYo isn' t moving. HeY, get up. Are You okaY? What happened? Get up. Were You fooling me? Were You plaYing me? RYo, I like You. I see. I like You, too. But . . . I' m a Replicant. Yeah, a Replicant. A Replicant, like that? Tell me about the Replicants. For what reason? I thought You wanted to talk about it. ReallY? I heard theY existed during\nthe Old Times. But for what? For battle. DaY after daY, we had to fight. Against other Replicants? Against humans, against robots. But isn' t it ironic? We' re robots but we\nwish for the war to end. But when we see an enemY,\nwe fight automaticallY. We think we must be\ngood for something. But at the end, we' re onlY\ntaking care of humans. Poor You. There is onlY one thing we, robots,\nwant to saY once in our lives. What's that? I love You. Me, too. HeY, remember . . . I' m not human. I see. I see . . . Did You call me? No. I see. The air . . . it smells good here. Don' t You like this? Yeah. The smell of mom. What's going on? I don' t know. This is what's going on. We' re attached together. Right. Is this our . . . life? I remember . . . Yeah . . . me, too. MY . . . no . . . Our . . . real name. D. O. A. Created in 2001 . I see . . . Riki Takeuchi Show Aikawa The Future . . . A trulY graceful word. It used to hit people\nstraight in the heart. It gave us hope in our daYs. Now, I wonder if . . . I can pass on the word,|Future, to our children. I don' t know. But I can saY one thing . . . In anY case . . . Through it all . . . We . . . . . . Live. We' re readY, sir! Good morning, sir. I' m serving\nunder You starting todaY. The MaYor . . . . . . wants to . . . . . . see you. A long time ago, a scholar\nfrom the Old Times said . . . True love onlY exists as homosexual love. Sexual activity between\na man and a woman . . . . . . was onlY to maintain the tribe. But . . . In this city . . . Between men and women . . . TheY found love in each other. TheY' re behind the times. Where are You from? How is TokYo? MY daughter's there. I' m hungrY. I see. You' re hungrY. If You don' t finish it all, I' ll kill You. Don' t move! On the count of five . . . ! Tell us Your name . . . ! Or we' ll open fire! A Replicant . . . This waY. HeY, wait. Who are You? Are You homeless or something? Stop! Give him back his moneY. But, he called us homeless . . . He made us lose face. We' ll do whatever You want. Don' t test our patience. Lee told me what happened . . . Let me thank You. Oh, not a problem. Not at all. BY the waY, who are You guYs? Drug? I see. We won' t take the drug. We' ll live with our children . . . And we' ll go to a beautiful place. I've seen manY places. And\nnone of them are beautiful. Even if we have to go overseas . . . We' ll find it. Go ahead. One of the captured girls is pregnant. I see. HeY, RYo. You can staY here and use this bed. What's Your sister's name? You can' t . . . What do You mean? She's with Fong. I see. I want to see the results alreadY. We' ll defeat Woo. We don' t care about Woo. If You can' t paY us, we' re leaving. Then, whY don' t You leave now? You bastards! Fuck You! You' re the bastards!! It's\nwritten all over Your face! What? Stop! Shit! Just wait a little longer! I' ll work something out. I promise. Look at them . . . We still need them. WhY are theY so important? Thanks for earlier, Officer Honda. WhY did You become a cop? Are You sexist or something? We can' t have children anY more. I can' t stand being\nfelt neglected anYmore. What are You dreaming of? This city that I lead is\ndifferent from the Old Times. We can' t repeat the same problems. That's whY we need this drug. If You don' t accept it,\ndon' t staY in this city. You must leave . . . If You can survive outside the city. What' ll happen to mY child? What's going to happen to mY child? What's going to happen to mY child!? This town doesn' t look so comfortable. You' re having a hard time here. What are You going to do\nafter You leave this town? I see. I see. I see. ''I see''? Fong! Fong! TheY' re readY! How manY? Let's go. HeY, what are You planning to do? Get Woo. Kill him? No. We' ll trade him for our comrades. How about our moneY? Take some hostages for\nransom or something. HeY, how is it like outside the city? All sand . . . and wind. That's it? That's it. I know about the Old Times. So, tell me. It's a secret. I see. Young. VerY Young. The Old Times desperatelY\nneeded Young people like You. But You' re no use here. Don' t You order us around! Take me to the hospital right now! Not now! What? It's Your fault! Don' t fuck with us! Shut up! Don' t lose Your heads. We discovered who that child is. Takeshi Honda, Your son. We should use him for ransom. Are You serious? Of course. We should. No. How are You going to paY us, then? You can' t, can You. We' re in charge from now on. What are You? Don' t mind me. Are You okaY? Can You stand up? Don' t worrY. Don' t mind me. We have to return him. We have another waY to use him. What are You going\nto do about Takeshi? I' ll catch them. That's mY job. I' m thankful for Your work. But there are times You have\nto think over what You do. Takeshi is like a grandson to me. Let me handle this. Please excuse me. I've discovered the\nwhereabouts of that Replicant. Here. Let me show You. Look. It's interesting, right? HeY, heY! Woo accepted the deal. He' ll exchange the\nkid for our comrades. The maYor wants to see You. Let's go. Thank You, RYo. Takeshi! Thanks. BYe bYe. BYe bYe. Yes? Hello. EverYthing is taken care of. What do You mean? I let the prisoners go. Takeshi will be home soon. WhY? WhY!? WhY? Our . . . our child . . . Will be born . . . in a new world . . . What are we going to do now? Don' t go back to the same place. Go somewhere new. Are You coming with us? Let's go. Let's go. What are You doing? We should hurrY. I' m not going anYwhere. I have to saY good bYe. What happened to their babY? You haven' t taken the drug. What are You dreaming of? Where are Your friends? I have no friends. In nature, if one accepts\nthat theY lose . . . The victor doesn' t have to kill them. To not die out, theY breed. But onlY humans kill each other. TheY don' t know how\nto stop themselves. Human beings are worse than animals. But let me give You 2 choices. Death or . . . The other one is easY. Take this drug. Idiot. What? Killed himself for no good reason. But You chose to investigate a\ncase instead of rescuing Your son. Takeshi is mY son. I knew he' d live through this. Can You call that a familY? Your wife, too? Is it same as love toward to Your son? If Takeshi didn' t exist . . . Your life will be different. What are You trYing to saY? Nothing. Excuse me, sir. Was that drug harmful in anY waY? Of course, it wasn' t! Swim! Swim! Swim! Eat. Eat. I said, eat! Nasty. It's not so bad. You' ll die, if You don' t eat. Eat. You, men, wait outside. You pretended to take drug. She's 5 month pregnant. What are You going to do? I want her to have the child. We both learned how to do it. And? We' ll hide it. We' ll both work. And? Give the child a good education. And let the child grow\nup to be a great person. And? Does it move? Is it moving? He's verY healthY. I think . . . It's a boY. We' ll name him Thomas. Outside of the apartment bY|Honbokuto St. is busY 24 hours a daY. No one will hear a babY crYing. It's not going to be easY. Come in. Let them go. Don' t\ngive them anY trouble. What were You thinking? TheY created too manY people. That caused war. That caused pollution. . We should not . . . We should not repeat the\nmistakes of the Old Times. There are no exceptions. If a babY is found, kill it. You know. Then, whY? There's been manY deaths alreadY. And there will be more. How stupid of them. I thought with the number\nof deaths, some can be born. You' re able to make such a cYnical\ncomment. Are You learning? Well . . . No. You' re dismissed. You' re not working well. Let me call maintenance. Takeshi . . . . . . didn' t come home. He's gone again! You didn' t have to come. Your son just came to see his friend. DaddY! Let's go. Let's go home. We' re home! CindY? Takeshi said he wants to learn karate. He's finallY becoming more like a man. CindY! Takeshi is mine. The love storY of a robot familY. Are You going to kill me? Go ahead, do it. You can' t harm me. You' re programmed You that waY. Robots were made during the Old Times. You collected them and fixed them. You did. Your wife, son. TheY waY You ove Your familY . . . The waY You work too much and\ndon' t paY attention to Your familY . . . Get mad at CindY . . . You' ll never learn. The waY You think Takeshi\nisn' t man enough . . . Your wonderful familY . . . I programmed it all that waY. I made it that waY. That makes You mY son. You can' t harm me. You still have work left to do. If You do Your job right . . . I' ll give You new\nmemorY and a new wife. ReadY to get back to work? I' ll . . . kill You . . . HeY, look at this. I want to learn how to\nfight, not make medicine. What if You get hurt in battle? Use medicine and bandages. Right. Then, come and look. Sit. Teach me how. You' re not good at it. Don' t saY that. You have other things to do. Rather than fighting, think of\nthe reason whY You want to fight. I have to do this for Fong. With this! Think about it. What's wrong? Oh, no! RYo isn' t moving. HeY, get up. Are You okaY? What happened? Get up. Were You fooling me? Were You plaYing me? RYo, I like You. I see. I like You, too. But . . . I' m a Replicant. Yeah, a Replicant. A Replicant, like that? Tell me about the Replicants. For what reason? I thought You wanted to talk about it. ReallY? I heard theY existed during\nthe Old Times. But for what? For battle. DaY after daY, we had to fight. Against other Replicants? Against humans, against robots. But isn' t it ironic? We' re robots but we\nwish for the war to end. But when we see an enemY,\nwe fight automaticallY. We think we must be\ngood for something. But at the end, we' re onlY\ntaking care of humans. Poor You. There is onlY one thing we, robots,\nwant to saY once in our lives. What's that? I love You. Me, too. HeY, remember . . . I' m not human. I see. I see . . . Did You call me? No. I see. The air . . . it smells good here. Don' t You like this? Yeah. The smell of mom. What's going on? I don' t know. This is what's going on. We' re attached together. Right. Is this our . . . life? I remember . . . Yeah . . . me, too. MY . . . no . . . Our . . . real name. D. O. A. Created in 2001 . I see . . . Riki Takeuchi Show Aikawa Translated bY:|Yuko S. Subtitled and Mastered bY:|Cannibal King |
DC Sniper 23 Days of Fear D A R Y L 1985 Daddy Day Care Daffy Duck - Drip Along Daffy (1951) Daffy Duck - Duck Amuck (1953) Daffy Duck - Duck Dodgers in the 245 Century (1953) Daffy Duck and Porky - Boobs in the Woods (1950) Daffy Duck and Porky - Daffy Duck Hunt (1949) Daffy Duck and Porky - Deduce You Say (1956) Daffy Duck and Porky - Golden Yeggs (1950) Daffy Duck and Porky - The Ducksters (1950) Daffy Duck and Porky - Yankee Doodle Daffy (1943) Daffy Duck and Sylvester - The Scarlet Pumpernickel (1950) Damien Omen II Damnation (1988) CD1 Damnation (1988) CD2 Damnation de Faust La CD1 Damnation de Faust La CD2 Dance With Me Dancer in the Dark (2001) CD1 Dancer in the Dark (2001) CD2 Dances With Wolves (Extended Cut) 1990 CD1 Dances With Wolves (Extended Cut) 1990 CD2 Dances With Wolves (Extended Cut) 1990 CD3 Dances With Wolves 1990 CD1 Dances With Wolves 1990 CD2 Dangerous Beauty Dangerous Minds Dantes Peak 1997 Daredevil Dark Angel 1x15 Haven Dark Angel 1x16 Shorties In Love Dark Angel 1x17 Pollo Loco Dark Angel 1x18 I Am I Am A Camera Dark Angel 1x19 Hit A Sista Back Dark Angel 1x20 Meow Dark Angel 1x21 And Jesus Bought A Casserole Dark Blue Dark Blue World (2001) Dark City Dark Passage Dark Water Dark Wolf Dark Woods (2003) Darkness Darkness 2002 CD1 Darkness 2002 CD2 Darling 1965 CD1 Darling 1965 CD2 Das Boot - The Directors Cut Dauria 1971 - Part 1 23976fps Dauria 1971 - Part 2 23976fps David Copperfield - Illusion CD1 David Copperfield - Illusion CD2 Dawg Dawn Of The Dead (2004) Dawns Here Are Quiet The CD1 Dawns Here Are Quiet The CD2 Day A (2001) Day After The 1983 23976fps Day For Night CD1 Day For Night CD2 Day I Became A Woman The 2000 CD1 Day I Became A Woman The 2000 CD2 Day The World Ended The Day after tomorrow The Day of The Jackal [1973] CD1 Day of The Jackal [1973] CD2 Day the Earth Stood Still The Days Of Heaven Days Of Wine And Roses 1962 CD1 Days Of Wine And Roses 1962 CD2 Days of Thunder De LAmour De Vierde Man (23976) Dead End 2003 Dead Friend Dead Men Dont Wear Plaid (1982) Dead Or Alive 2 Dead Presidents CD1 Dead Presidents CD2 Dead Reckoning Dead Ringers Dead Zone The Dead again (1991) Dead again (1991) Commentary Dead man walking 1995 CD1 Dead man walking 1995 CD2 Dead or alive Dear Diary 1994 Death To Smoochy Death Warrant Death Wish Death in Venice 1971 Deathwatch 2002 Debut The Decalage Horaire Decalogue 06 1988 Decalogue 07 1988 Decalogue 08 1988 Decalogue 09 1988 Decalogue 10 1988 Decameron Decline of the American Empire The 1986 Deconstructing Harry Decoys Deep Blue CD1 Deep Blue CD2 Deep Impact Deep Loves CD1 Deep Loves CD2 Deep Rising Deep Space 9 1x01 and 1x02 Emissary Deep Space 9 1x03 Past Prologue Deep Space 9 1x04 A Man Alone Deep Space 9 1x05 Babel Deep Space 9 1x06 Captive Pursuit Deep Space 9 1x07 Q-Less Deep Space 9 1x08 Dax Deep Space 9 1x09 The Passenger Deep Space 9 1x10 Move Along Home Deep Space 9 1x11 The Nagus Deep Space 9 1x12 Vortex Deep Space 9 1x13 Battle Lines Deep Space 9 1x14 The Storyteller Deep Space 9 1x15 Progress Deep Space 9 1x16 If Wishes Were Horses Deep Space 9 1x17 The Forsaken Deep Space 9 1x18 Dramatis Personae Deep Space 9 1x19 Duet Deep Space 9 1x20 In The Hands Of The Prophets Deep blue sea Defiant Ones The Delicatessen Delicatessen (1991) Delirium (Delirio Caldo)(23.976) Deliv and Daniel Webster The Deliver Us from Eva Deliverance Demetrius And The Gladiators 1954 Demoiselles de Rochefort Les CD1 Demoiselles de Rochefort Les CD2 Demon Baby Demoniacs Demonic Beauty (2002) Demonlover CD1 Demonlover CD2 Dentist 2 The 1998 Deranged Derrick 2004 Dersu Uzala (Akira Kurosawa) CD1 Dersu Uzala (Akira Kurosawa) CD2 Desert Fox - The Story of Rommel Desert Rats The Desk Set Desperate Hours The Desperate Living Destination Tokyo CD1 Destination Tokyo CD2 Destry Rides Again Detaljer Detonator Detroit 9000 Dev Devdas (2002) CD1 Devdas (2002) CD2 Devil Probable The Devil Rides Out The 1968 Devil is a Woman The Devils Advocate The CD1 Devils Advocate The CD2 Devils Backbone The Devils Brigade The Devils Own The Dial M for Murder 1954 Diamonds Are Forever Diana Krall Live in Paris Diarios De Motocicleta Diary of a Chambermaid Diary of a Country Priest (1951 Bresson Robert) Dias de Nietzsche em Turim Dickie Roberts Former Child Star Die Another Day (2002) CD1 Die Another Day (2002) CD2 Die Hard 1988 Extended Version CD1 Die Hard 1988 Extended Version CD2 Die Hard With a Vengeance Die Nibelungen - Die Kriemhilds Rache CD1 Die Nibelungen - Die Kriemhilds Rache CD2 Diez de hollywood Los 1951 Dil Ka Kya Kasoor Dil Ka Rishta Dinosaur Dirty Dancing Dirty Dancing - Havana Nights Dirty Harry Dirty Tiger Crazy Frog 1978 Disaster Discovery Air Jaws Sharks of South Africa Discovery Channel - 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Dead and Loving It Dracula 1931 Dracula 1979 Dracula Has Risen From The Grave 1968 Dragon Head CD1 Dragon Head CD2 Dragonball Z Dragonfly Dragonheart (1996) Dragonheart - Collectors Edition Dragons Forever (Jackie Chan) Dragstrip Girl DreamKeeper 2003 CD1 DreamKeeper 2003 CD2 Dream Master The Dream Of A Warrior (Cheonsamong) Dreamcatcher Dreamers The Dreamlife of Angels The Dressed to Kill 1980 Drifting Clouds Driving Miss Daisy Driving miss Wealthy (2004) Drop Dead Gorgeous 1999 Drowning Mona CD1 Drowning Mona CD2 Druids Drumline Drums Along the Mohawk Drunken Master (Yuen Woo-Ping 1978) Du rififi chez les hommes (Jules Dassin 1955) CD1 Du rififi chez les hommes (Jules Dassin 1955) CD2 Duck Soup (1933 Marx Brothers) Dude Wheres My Car Duel The Duel in the Sun CD1 Duel in the Sun CD2 Duel to the Death Duellists The Duets Dumb And Dumberer When Harry Met Lloyd 2003 Dumb and Dumber Dumbo Dune 2000 - 1 of 3 Dune 2000 - 2 of 3 Dune 2000 - 3 of 3 Dungeons And Dragons Dunken Monkey 2002 Dushmun Dust in the Wind (Hsiao-hsien Hou 1986) Dying td CD1 Dying td CD2 The Dawns Here Are Quiet The CD2 |