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You didn't show up yesterday. - No. You also didn't return my phone call. No. I have to go. - Wait, don't leave me like this. Tokyo was Tokyo. Here it's different. You don't have to avoid me. - We'll leave it at that. Please. I'll take the receiver and the minidisc. There should be some interesting conversations on them. Copy everything that interests us. Or take the computer. And remove the micro transmitters. I'll leave the card here. Mangatronics is getting impatient. They are paying big money and want results. To them it's a matter of life and death. Tuesday evening, 7 pm. I'll be at the Barbès metro station. End of the street to the left. I'm turning. First on the right? I can hardly see anything... what bistro? Ok, I see it. Alright, I see you. You want to go somewhere? The car is fine with me. Better than the office. Much better than the office. I have a message from Karen. Tell her I want to talk to her too. Take the next right. See the Castorama? Go down in the parking lot. Lower. Lower. Keep going down. Park over here on the left. Leave it on. I don't understand... - Shut up! Tell Karen... - I told you to shut up. Step on the gas. Do it! Again. Again. Again! There, that was Karen's message. Hello. - Where are you? Buying cigarettes. - Where? I have nothing left to say. I had a message to deliver. I delivered it. - I have a message now. I'm listening. - No, in person. Now. I have to go, there is a line. Call me back in 2 minutes. Give me the gun. - It's not loaded. I don't care. Give me the gun. Now we'll talk. I don't have time. I have to get home. My babysitter is waiting. I'll take you there. Which way? Keep going straight to St-Ouen. Did you leave the message on my desk with the empty box. What do think? - I think yes. Did you think it was Hervé? Are you sure? - Yes. When did you figure out that it wasn't Hervé? Before or after sleeping with him? I didn't sleep with him. People talk. - Who, Hervé? What? Nothing. Watch the road! I get nervous in cars. Especially when it's raining. Karen is nobody's fool. She knows you did everything you could to cut her off from Volf. Why would I do that? To take her place. Which you took. What does she want? Maybe just to scare you for now. And later? Nothing. You're scared, that's enough. Enough for what? To do what she tells you to do. - Meaning? I just repeat what I'm told, that's all. Why should I be scared? Are you scared? I don't know. She told me you'd pretend not to understand. Drop me off here. - Don't you want me to take you home? Drop me off here! Didn't you hear me come in? You were entirely wrapped up in it. What was it? - Hellfireclub. I thought so. Do you know it? - I visit it sometimes. Does it excite you? - Not really. It fascinates me. You like that feeling? Very much, yes. You don't? Did you follow me? I didn't. - Who then? You've been followed for a while, you know that. Someone broke into my place. Correct. Find what you were looking for? I'm not looking for anything. But it seems you're looking for something. And apparently you've found it. I'm not the only one. Volf too. I came to warn you, but I'm too late. Too late for what? To help you. Did you also send Elise to help me? You're negotiating the deal with Demonlover. You know the access to the Hellfireclub. You're becoming a risk for them. A risk? - A risk they need to control. I wouldn't know how. Look at this tape and call me. It's a copy. They have the original. How did you get it? - I've been working for Demonlover a long time. I'm no longer useful to them. Are you ready? You have something for me first. There are no other copies? - No. And they are not going to end up on Volf's desk or elsewhere? It's a deal. You don't have to agree to it. I don't really have a choice. I don't know. Do you agree to all the conditions? - Yes. So you won't want to take off the hood. If they're too tight I can loosen them. Your identity papers are fake, all the information on your résumé is made up and your name isn't Diane de Monx. You want a cigarette? I don't know your name or where you're from, but you were hired a year ago by an intermediary from Mangatronics to sabotage Volf's projects and their market. In exchange you receive a wired transfer every three months on an account at SBS in Lugano. Watch the steps. Through the door. There's a step. Another one. You'd better wait until she wakes up. I know. I don't know how late. Arrange something with the babysitter. Around 9 pm is fine. I'll be at the office. I have a meeting in a moment. I'll call you when I have the chance. Kisses. Shit. I've waited for an hour and called your cell phone. Mangatronics didn't hear from you. They're getting nervous, and so am I. I don't know what you're doing. It's getting... Verkamp here. Is Diane there? Diane, yes, she's here. No, I can't bother her right now. She's sleeping. No, it's fine. Everything is ok. I don't think she'll be calling back. Because... Because she's no longer working for you. Who made that decision? I did. Of course, I'll have the file ready tomorrow morning. The travel agency will get you your tickets. Alright. See you soon. Here is Volf's last memo on the Demonlover contracts. I added the clause you asked for. No one questioned it. Will it be finalised in time? - Yes. Good. I meant to ask... No, nothing. You can go. Our first night together. Tempura with shrimps. Bon appetit. You and me alone, you mean? I'd rather avoided this. - Avoided it? I know what you are going to say. You don't want to hear? But I thought... - It's too late. Too late is not the same. It means that at another moment... In Tokyo? - Maybe. In Tokyo you intimidated me. I'm still intimidating you. I had the feeling you were both absent and present at the same time. I was definitely there. - Not really. Did I say no? Did I reject you? No you didn't. Well then? You keep everything you do under control. You observe and calculate. I keep nothing under control. Thank you. We'll have another bottle. Can I have another large beer? Thank you. I saw you arrive and work. I saw you with Volf. What did you see? - The way you operated. I admire you. You haven't seen anything. No one ever sees anything. Never. They watch... but they don't understand. What do you admire? Come on. Tell me. I'm listening. You set a goal and that's where you are. Where am I? Tell me, it's interesting. Of course, when you have to say it with words, it becomes less clear. But people judge using vague generalities... they do... it's easier. - That's not what I meant. Yes you did. I'm calculated and immoral. It excites and scares you at the same time. But what do you know? You don't know me. That's exactly what I'm saying. So that night in Tokyo you didn't trust me. No. I wanted you. But you had doubts. - Still do. You're right. It's better not to push. The tempura is very good. Don't stare at that girl behind be like that. - I'm not staring. I see her eyes in the mirror. Kaori came back in the room. So? You're screwing her. Were you afraid she might be jealous? I didn't know you knew. It was obvious. Luckily Kaori is not plagued by such scruples. How's that? When she's with me. When? In her car. In toilets of restaurants. In her bathtub. Kaori? You prefer girls? I don't know. What do you think? I don't believe you. You don't believe I'm sleeping with Kaori. No. Nowhere. Neither in her bathtub, nor on the carpet. You think I'm checking your reaction? - Yes. Objectively speaking, it's a disappointing reaction. Possibly. But you know how it is. The doubt remains. - Still. Now I have to look at you differently. That was my intention. I'm still not sure what I'm seeing. Then take a closer look. I wanted to say something, but... But what? I don't know if you want to hear it. Say it anyway. Have a nice evening. - Thank you. Done? - Yes. Shall we have some sake? - Yes. Elise is working with me. In fact, she's working for me. I don't know if I heard you. - You heard me. And you let me babble. You were observing me. It was me who had everything under control. But all this time it was you. Evidently, you don't like it. Why did you do it? - I couldn't tell you. I had preferred... But this is... Humiliating? The sake. Humiliating, yes. - You're not fooling anyone? I'm going home. I'll give you a ride. Wait... No! Tomorrow morning at 8 in the lobby. Alright, 8 o'clock. Franky, it's Robby calling for you. |
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