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23.976 "The movie will begin|in five moments"... the mindless voice announced. "All those unseated|will await the next show." We filed slowly, languidly|into the hall. The auditorium was vast and silent. As we seated and were darkened,|the voice continued. "The program for this evening|is not new. You've seen this entertainment|through and through. You've seen your birth,|your life and death. You might recall all of the rest. Did you have a good world|when you died? Enough to base a movie on?" Hey, Jim, it's your birthday, man. What do you say|we finish this another night? Turn the lights down a little bit more,|will you, Jay? Hey, man.|How come the Doors aren't in on this? No music. No Doors.|Come on, let's roll. Rolling. ls everybody in? The ceremony is about to begin. Let me tell you about heartache... and the loss of God. Wandering, wandering in hopeless night. Out here, in the perimeter,|there are no stars. Out here, we is stoned, immaculate. lt's beautiful.|Look at those big, puffy clouds. Hey, Jimmy.|Wake up. Look at the clouds. Come on.|Wake up. What's going on? l don't know. Officer, what happened?|Can we help? No, sir.|We've got everything under control. Just a dream, Jimmy. That's all it is.|lt's just a dream Waiting for the medicine. On your finger. Wait here.|Don't go. l'll be right here. You got a problem with doors? Waste of time. l followed you from the beach. You followed me? - Why?|- 'Cause... you're the one. Maybe you should meet my old man. What's your name? - Mine's Jim.|- Pam. Who the hell was that? l have no idea. Nietzsche said... "All great things must first wear|terrifying and monstrous masks.. in order to inscribe themselves... on the hearts of humanity." Listen, children... to the sound of the Nuremberg night. ln a seance... the shaman leads a sensuous panic. He acts like a madman.|A professional hysteria. Have you ever seen God? Mandala? A symmetrical angel. We got our final vision by clap. Columbus' groin got filled|with green death. - l touched her thigh...|- This film is weak. and death smiled. Hey, Morrison.|Fuck them, man. lt's great.|lt's nonlinear, it's poetry. lt's everything good art stands for. This world, a monster of energy. Without beginning,|Without end. Likewise, without increase or income. Disclosing nothing. This world. This world is a will to power... and nothing besides. Pretty pretentious there. Not easy to follow.|A little incoherent. Dancing bears, Nazism, masturbation. What's next? - What do you guys think?|- A bore, man. l hated it. lt was better than a Warhol picture! lt was worse! A guy sleeping for seven hours? There was no political conscience. - You need your art spoon-fed to you.|- Right on! Hold it down.|Let's ask the filmmaker what he thinks. l quit. Awake. Shake dreams from your hair,|my pretty child, my sweet one. Choose the day|and choose the sign of your day. The day's divinity.|First thing l see. Come on out for a walk. lt's a beautiful night. A vast, radiant beach... and a cool, jeweled moon. Couples, naked,|race down by its quiet side. And we laugh like soft, mad children... smug in the woolly,|cotton brains of infancy. Every time|l try to make love to you you run around|with your mouth stuck out Choose, they croon, the ancient ones.|The time has come again. Choose now, they croon,|beneath the moon... beside an ancient lake. Enter again the sweet forest. Enter the hot dream.|Come with us. Everything is broken up... and dances. l can't believe it's so beautiful. "Now l have come again to the land|of the fair, strong and the wise. Brothers and sisters|o'er the pale forest. O, children of night... who among you will run with the hunt? Now, night arrives with|her purple legion. Retire now to your tents and dreams. Tomorrow we enter|the town of my birth. l want to be ready." lt's beautiful. - Do you like that?|- lt's beautiful. l've never read much poetry before. What's a shaman? He's a medicine man... of the lndians. He gets into a peyote trance... and he gets deeper and deeper,|and then he has a vision... and the whole tribe is healed. All cultures have a version of it. Greeks had theater and gods. The lndians say the first shaman|invented sex. They called him|"The One Who Makes You Crazy." What turns you on? l don't know. Experience. Freedom. Love. Now. You know, the first time l did acid,|l saw God. And l saw a friend of mine|who was Christ and Judas too. Then l realized that... that was the secret of everything. We're all one,|the universe is one... and that everything is beautiful. l feel most alive... confronting death... experiencing pain. l think you're most alive|by recognizing beauty. Seeing truth. Does death turn you on? You love death? Life hurts a lot more. When you die, the pain's over. All the poems have wolves in it. All but one. The most beautiful one of all. "She dances in a ring of fire... and throws off the challenge|with a shrug." That's beautiful. Who did you write that for? l wrote it for you. Try acid, Ray. lt's guaranteed. Shit, Morrison. My last trip was a real bummer, man. l never had a bummer on acid. l'm trying naturally high now. Whatever works. Making movies at MGM yet? l got in to see the head of production. He said, "Where's your script?"|l said, "l don't need a script. Godard doesn't use a script.|He improvises." The guy says, "Great. Who's Godard?" l'm off movies, man. l went out to the desert.|Got lost. l've been living up on Trick's rooftop. - Got stuck on a chick.|- So what else you doing? Writing songs, poems.|Stuff like that. You're writing songs? So let me hear one. l'm shy. - Sing it to me.|- l can't sing. You sing better than Dylan? Johnny's in the basement Mixing up the medicine|l'm on the pavement Thinking about the government Let me hear your words. All right. Let's swim to the moon Let's climb through the tide Penetrate the evening That the city sleeps to hide Let's swim out tonight, love lt's our turn to try Park beside the ocean On our Moonlight drive Those are great fucking lyrics, man. - Yeah?|- Yeah. You write this? You got others in here? A bunch, man.|l got a whole concert in my head. l can see it all. What the hell happened to you|in the desert, man? - Ecstasy and madness.|- Let's get a band together... and make a million bucks! - l got tons of songs.|- Things are about to explode. l can feel it in the air.|People want to fight or fuck. Love or kill.|Vietnam is right out there. Sides are being chosen. Everything's gonna flame.|The planet is screaming for change. We gotta make the myths. There ought to be great orgies, man. When Dionysus arrived in Greece,|he made all the women mad. Leaving their homes|and dancing off into the mountains. There should be great, golden|copulations in the streets of L.A. We should call ourselves Dionysus. l got a name.|Doors. You mean "The Doors ln Your Mind"?|The Huxley book? - Doors of perception. Acid.|- That's great. The quote's from William Blake. "When the doors of perception|are cleansed... things will appear|as they truly are." Mescaline experiments.|Reducing the sugar flow to the brain. Come on! Come on! You know the day destroys the night Night divides the day Try to run Try to hide Break on through to the other side What's the matter? - lt just doesn't sound right.|- l know that, John. Jim, stay in time. l say we try that bossa nova beat. l think it's hot. l think the lyrics are kind of weird. You write one, man. We need more songs anyway. l thought it was pretty good. Let's go outside. l came up with something. A minor, then F sharp. You know that it would be untrue You know that l would be a liar lf l was to say to you Girl, we couldn't get much higher Come on, baby, light my fire - G, A, D.|- Pretty good. Pretty neat. Try to set the night on fire Great, Robby.|You got nice changes in there. - Got anymore lyrics?|- l got some. l call it "Light My Fire." lf l'm gonna compete with your stuff, it|better be about earth, snakes or fire. l like it.|Sounds like the Byrds though. But l like it.|lt's good. A little Latin beat'll|do it some justice. Maybe put a couple long solos,|like Coltrane on "My Favorite Things." Start over, man. A minor, B minor.|lt's jazz. The time to hesitate is through - Some kind of intro.|- No time to wallow in the mire Try now, we can only lose And our love becomes a funeral pyre Come on baby, light my fire Try to set the night on fire - Can you give me--|- Try now, we can only lose Can you give me five minutes?|l got to figure out some kind of intro. - Let's let him work. You like that?|- Yeah, l like Laguna Beach, man. Funeral pyre. What do you think about when you play? l don't know. Fish in my fish tank. - How about that acid tonight, man?|- Not for me. - Not me, either.|- Right here at Ray's house. See what kind of trouble|we can get into tonight. No way.|You always get all the chicks. l always get the dogs. Hey, l got it!|Come on! l got it!|l got the intro! Hang on a second.|John, count off in four, man. One, two, three. ls that horny fucker|in the black pants here tonight? No l.D.'s, you can't get in. Yeah, we chased our pleasures here Dug our treasures there Can't you still recall|The time we tried Break on through to the other side Turn around, man.|Come on, let them in. l found an island in your arms A country in your eyes Arms that chain us|Eyes that lie Break on through to the other side All right l'm a big fan!|Give it to me! Made the scene Week to week Day to day|Hour to hour The gate is straight|Deep and wide Break on through to the other side All right Hi, Jim.|Can l have your autograph? Hi, Jim.|Can l have your autograph? - l don't know. Where do you want it?|- Anywhere you want it. Leave it to me.|l can take you all the fucking way. - You blew my mind.|- Did you like the music? l loved it.|That's why we're talking. Some of it's on the dark side.|You ought to get some tunes. Herman's Hermits stuff.|Mrs. Brown, you've got a lovely daughter That shit goes right to the radio. l need him here|to groove on my boyfriend. What about getting us|some real equipment? l sign you|to a five-year management contract-- You with the joint.|Put that out, please. - We can smell that upstairs.|- l can get you there. Trust me for a while.|What do you say? We'll have a band meeting on it. We do everything unanimously|or we don't do it. The Musketeers. l'm touched. Let me tell you something.|Loyalty don't pay the bills. Think about it and call me tomorrow.|Here's my card. Pay attention.|You could get rich. - Are you blind?|- How old are you? - Twenty-one.|- Get lost, will you? l'll make this quick and to the point.|lf you repeat it, l'll deny it. Drop those guys. Jim's got to start facing the crowd|if he's going to be our front man. He's just getting his confidence. - The guy never does what's rehearsed--|- Well, how does it feel? lt feels great, but-- Your looks. Your voice.|That's what's going to sell records. We'll make a million bucks a year. Call me.|l'm right. Hey, man, let's go. Do yourself a favor.|Call Larry. l like a guy|who wears his soul on his face. Whisky's next, man.|l can feel it in my bones. l still think the lyrics are weird. The days are bright And filled with pain Enclose me in your gentle rain The time you ran Was too insane We'll meet again The chicks are really|digging you tonight, man. We still got to deepen, man. - We got to go one more step.|- Turn around and face the crowd. lt'll help present it better. l got to go to the desert|and take that peyote. ls that what you're on? Yeah, man.|lt's kicking in! - Fucking longhair!|- He's fucking crazy. - Come on.|- l'm not doing acid, man. lt's peyote. What's a rock and roll band for? Let's plan a murder or start a religion. More, more, more! l'm into T.M., man.|l promised my guru. l'll try it.|l'm ready. Let's go to the desert. Let's do the peyote. Who's on next? Arthur Lee.|He's cool. l am the lizard king! l can do anything! Raise your hands if you understand. Let's take a poll.|How many of you know you're alive? Bullshit! You're plastic soldiers|in a miniature dirt war. Come on! How many of you people|know you're alive? Close your eyes. You see the snake. See the serpent appear? His head is ten feet long... and five feet wide. He has one red eye and one green eye. That's all right.|lt gets better. Peace. Seven miles long. Deadly. See it.|All the history of the world... is on its scales. All people.|All actions. We're all just little pictures|in the scales. God, it's big. lt's moving. Devouring consciousness. Digesting power. Monster of energy. lt's a monster. l'm gonna kiss the snake on the tongue. Kiss the serpent. But if it senses fear... it'll eat us instantly. But if we kiss it without fear... it'll take us through the garden. Through the gate. To the other side. Ride the snake... 'til the end of time. l think l'm fucked up, man. l'm not thinking right. Look at your eyes, man.|You're death. l'm afraid of my father. l can't be what they want me to be. Maybe you should kill your father. l'm in pain, man. l feel the universe|functioning perfectly... but l'm still perfectly locked|inside myself. lnstead of oneness, l feel isolation. But you're alive. - Feel it.|- l'm scared. - lt's beautiful.|- l'm still scared. Then use us. Use our strength.|Come on in here. That's right. We're a tribe now.|A tribe of warriors. l promise you, l'll be with you|to the end of time. Nothing will destroy our circle. Ride the snake. Come on. My wild love went riding She rode all the day She rode to the devil Asked him to pay My wild love went riding She went to the sea She went to the devil All that's left was we l'm lying.|l am afraid. Don't go away! Come dance with me! Where you going, Jimmy? This is the end Beautiful friend This is the end My only friend, the end Of our elaborate plans The end Of everything that stands The end No safety or surprise The end l'll never look lnto your eyes Again Can you picture what we'll be So limitless and free Desperately in need Of some stranger's hand ln a desperate land Lost in a Roman Wilderness of pain And all the children Are insane Waiting for the summer rain There's danger on the edge of town Ride the king's highway, baby Weird scenes inside the gold mine Ride the highway west, baby Ride the snake To the lake The ancient lake, baby The snake is long Seven miles Ride the snake He's old And his skin is cold The west is the best Get here and we'll do the rest The blue bus ls calling us Driver, where you taking us The killer awoke before dawn. He put his boots on. He took a face... from the ancient gallery... and he walked on down the hall. He went into the room|where his sister lived. Then he... paid a visit to his brother. Then he-- He walked on down the hall. And he came to a door. He looked inside. "Father."|"Yes, son?" "l want to kill you." "Mother." l want to fuck you all night, baby Come on, baby "Mother, l want to fuck you"? Come on Fuck, fuck Turn him off!|Turn his fucking amp off! Fuck me, baby Come on, baby - He's insane!|- He's a great artist! - We all love it!|- Come on All right Kill Get him out of here! - Get the fuck out of here!|- Kill the father. - Get the fuck out of here!|- Kill the father. Nobody's gonna fuck their mother|on my stage! - That's what l mean!|- You're out of here! Kill your father!|Fuck the mother! All right! Jerry, come on, man! - Art, man! lt's art!|- What do you know about art? Take a look at the future, old man! We're things to come! Here's art. - There's your art!|- This is fucking great! - We'll never work in this town again.|- Quite a night. l'm Jac Holzman. - l own Elektra Records.|- ls that asshole gonna pay us? l think if you can put|what you did in there on record... we could really have something|and make a lot of money. Rothchild here|was born to be your producer. How you doing? Sorry about all this.|You guys are-- Bertolt Brecht. lt's cabaret.|lt's rock and roll. l'm really blown away, guys. l'd like to get you guys|into a studio immediately. How would you like to come down|from there and make a record? Sure.|Pretty good. Pretty neat. Bruce, you feel it? lt's bitchin'. An album of killer music in six days.|Six days, baby. Unreal. The time to hesitate is through No time to wallow in the mire Try now, we can only lose And our love become a funeral pyre Come on, baby, light my fire Try to set the night on fire L.B.J.! L.B.J. ! How many kids|have you killed today? You know that it would be untrue You know that l would be a liar lf l was to say to you Girl, we couldn't get much higher Come on, baby, light my fire Try to set the night on fire All right! - Name? Occupation?|- Bill Siddons. l'm the manager. l manage the Doors. - Name? Occupation?|- Pamela Morrison. Ornament. Robby Krieger.|Guitar player. John Densmore.|Percussionist. Twenty-two years old.|Far out, man. - Name? Occupation?|- Raymond Daniel Manzarek. Born 2-12-39.|Musician. Organist. - Name? Occupation?|- Jim. We're gonna be on TV. Right this way, Mr. Sullivan. They're called the Doors... They're called the Doors... and they've got the number one single|in the country right now. "Light Your Fire." Now, they're not your usual group... but l think they're gonna fit in|just fine. Everything's gonna be fine. The riot continues in Detroit,|with 1,400 buildings burned. No wonder "Light My Fire"|is number one. So, what's your room number? l'll talk to you later. - You have got very serious hair.|- Were you pinching her butt? - What about me?|- l won't open that kettle of worms. What about you, handsome?|What can we do? Some of the worst mistakes of my life|have been haircuts. Don't wash it. Don't set it. Go away.|l like it just the way it is. - Be mean.|- Boys. Boys. Meet Mr. Sullivan. Fellas, just great. -l heard your record, "Light That Fire."|-"Light Your Fire." - Just--|- "Light My Fire." Fine.|Just really, really fine. l have one small thing to bring up. But it's important.|The guys at network told us... they have a little problem... with the lyric,|"Girl, we couldn't get much higher." You can't say "higher"... on network. They asked if you could say, instead... "Girl, we can't get much better." - Can you dig that?|- How about... "Girl, you couldn't bite my wire"? l don't think|Standards and Practices would-- Why don't you have a nice, big smile|on your face when you get out there? There's no point in being sullen. - You know what l mean?|- We're a sullen group, Ed. You boys should know, Mr. Sullivan|is considering you for four more shows. - You dig?|- We dig. l'll work it out.|Just give me five minutes. - Groovy.|- Just give me five. Have a great show. Well? - Come on.|- lt's just a word. The Stones changed|when they played here. Why don't you change your name to... Sidney or lrving Manzarek? - lt's just a word.|- Hey, man. My words. l don't care.|Let's just jam. And now... direct from|Los Angeles, California... ladies and gentlemen,|here now, the Doors! You know that it would be untrue We're okay sound wise? lf l was to say to you Girl, we couldn't get much higher He said it! He said it on national TV. - l can't believe that!|- Come on baby, light my fire What's he doing? What's that? Jesus! Get it off!|You can see his thing! You blew it, you little shit! You'll never play Sullivan again! Can you just move a step forward? Come on.|l know you love to look at yourself. Great. Let's try something different.|Take your shirt off. - You take it off.|- Do you need help? That's good. The camera|is whatever you want it to be. A woman you want to seduce. A man you want to kill. lt can be anything you want. That's nice. That's great! Do you have any idea|what these pictures can do? One image controls millions of people. - Where are the Doors?|- Right here. Will you forget the Doors? You're the one they want. You are the Doors.|Come on. That's it.|Be ugly. l love that. Anything you want. There are no restrictions here. Look at yourself. Fall in love with yourself. You're your own audience now. They want you. Worship, love you. Adore you. Jim Morrison. The god of rock... and cock. Not tonight, Edie.|Thank you, not tonight. This is the fun part of my job.|This is history in the making. Would you like to see my imitation|of a shrimp? Let me put it this way. Andy is more than an artist.|Andy Warhol is art. Sometimes l think bright people|in America must ask themselves... "Does Andy imitate life,|or does life imitate Andy?" Jim, this is Tom Baker. He's in one of Andy's movies,|"l, A Man." - And this is Count "Ruspooli."|- Ruspoli. He's ltalian, but he lives in Paris. He's from a very famous family,|700 years old. Hi, Jim.|You are great. l see you at Ondine's with Hendrix. So cool. - All right.|- Don't you like the way he talks? - lt's so cool.|- What's your trip? My trip?|l thought it was yours. l caught your gig at The Scene.|l thought it was pretty good. l liked it a lot.|lt was hot. l like your movies, man.|You got a great penis. We're gonna split.|Why don't you come with us? - We're going to get a bite to eat.|- No, you can't leave. Where's your will to be weird? Look, that's Jim Morrison. l like the Doors. Let's get out of here.|These people are wacky. Come with me.|Andy's waiting for you. No, not now.|Let's do this later. Do you remember San Francisco? - No, not really.|- Have another joint. Check it out. This chick here sings with Andy's band,|The Velvet Underground. She says she can|drink you under the table. Hi, l'm Nico. lt's so boring tonight. Some of us are going downtown|to a new club. You want to come? Elevate your taste in trolls, man. Vodka? l'll race you. Your death. Come on, man.|Let's go. All right.|We're gonna go to a club. l think this girl|wants to hang out with you. Don't you want to meet Andy Warhol? l could do without the guy.|He's a freak. Come on.|We got a big gig tomorrow. Wait. l thought we were going|to be a rock and roll band. All right.|The four of us. Come on.|This isn't our scene. These people are vampires. Come on, let's make the myths.|Remember? Let's go. Don't leave. Come on, you guys.|Not tonight. l don't know what'll happen. lt might be death. lt's not death, man. l'll see you tomorrow. Jimmy, this way. Andy's waiting. This way.|l'll take you to him. Hey, daddy. Jimmy, please.|Come on. Andy's waiting.|Come on. Hey, man.|How you doin'? All right.|How you doin', man? Great. Pretty good.|Pretty neat. There was this big show|in Philadelphia. Andy. There were so many|people there-- This is Jim Morrison of|the world-famous Doors musical group. - Andy Warhol, of course.|- Hi. Wow. We really like your music. - How you doin', Andy?|- Oh, great. And there were so many people|at the show... the paintings|were getting crushed... and they had to|take them all down. Really, they were kind of... great. Just the walls.|You see, Andy was the art. You should do a show|with just bare walls. We'd really like to use you|in one of our movies, Jim. You're really such a beauty. Andy says someday everybody|will be famous for 15 days. He'd really be great,|wouldn't he? l mean... lt's the singer,|not the song, right? lt's the astronaut,|not the voyage. Somebody gave me this telephone. - l think it was Edie, wasn't it?|- Yeah, it was Edie. And she said that... l could talk to God with it... but l don't have anything to say. Here. This is for you. Now you can talk to God. Morrison. Come here. Darling, listen,|l pay the bills... so l can use any language|that l want. The guy wants to talk|to the bum. Check it out, brother. What are your songs about,|Mr. Morrison? Love, death, travel, revolt. We all write the songs. l'm interested in... chaos, disorder... especially activities which seem|to have no meaning, like this. How do you feel about being called|"the ultimate Barbie doll"? When you say something like that,|it's a shortcut to thinking. And do you think about|the dreadful reviews... your new poetry book has gotten? l guess they didn't understand. - Did you finance its publication?|- Have you bothered to read the poetry? You keep denying that nothing good|can come out of L.A. That's a rather|provincial attitude. - Do you believe in drugs?|- l believe in excess. ls alcohol considered part|of the shaman's wisdom? lt's the American way. Every year we spend more money|on tobacco and alcohol... than we do on education. - On behalf of the British press--|- What about the future of the Doors? - That's just an excuse for free sex.|- How do you spend your money? l believe in a long, prolonged|derangement of the senses... to attain the unknown. Although l live|in the subconscious... our pale reason|hides the infinite from us. Are you, by any chance,|in a trance now? Do you hurt? What? What hurts you the most? What do your parents think|about what you're doing? Actually,|l don't remember being born. lt must have happened|during one of my blackouts. They must have expressed|some feeling. Well, to tell you the truth,|they're not living anymore... so l really don't like|to talk about that. Could you tell us how they died? lt was a... horrible car crash... in New Mexico... in the '50s. My father ran right into|a truckload of Navahos. They were... all over the highway, bleeding. Their souls, kind of|stirring in the breeze... just leapt into mine. l'm sorry. Mr. Krieger, do you really|consider Mr. Morrison a shaman? Don't worry about it.|lt happens to other guys too. Wanna do some coke? lt'll loosen you up. Sure. The new thing. Wow. How old is this? That's 14th century. - Witchcraft.|- lt's a religion, you know. Witchcraft. Witches are|the protectors of the seasons... the goddesses of the grain... and when crossed... destroyers. You ever try drinking blood? What? lt works, you know. Drink it at the right time|of the moon. They used to dance|in the forests naked. l think that's what|offended the Puritans... and led to the burnings. They were a sexual threat|to their male order... like the Bacchae. Five days a year,|for Dionysus... they used to wander the hills|of ancient Greece. The first witches. Clans of wild women... looting... fucking... eating animals raw... looking for Dionysus... to tear him... to pieces! Where do you get the blood? Blood is the rose|of mysterious union. Symbol of potency. - Now you.|- l can't cut myself. Don't be such a child.|lf l do it, you have to do it. You do it. Come on, rock god. Fuck me.|Fuck me good. What do you want me to do?|What can l do, baby? - What's the matter?|- Will you die for me? What do you want me to do? Maybe l should see|a doctor or something. What do you think?|Someone from the Freudian philosophy? lt happens to other guys too. You know, that's the irony. Teenage death girls|want my dick, not my words. lt's not so complicated. lt's just sex, you know. Never wake up|in a good mood again. lt's the hours and the pressure. You do everything|like it's your last performance. We weren't built to last.|You never know. You're setting yourself up, you know.|You're setting yourself up. You're a poet, not a rock star. You really know what l am? - You know what poetry is?|- You don't belong on Ed Sullivan. Who am l? Where's the feast|they promised us? Where's the new wine? Dying on the vine. See, l lied to you. l loved fame. l do love fame. - Why are you doing this to me?|- 'Cause you're here. And that's gonna help? l don't have this problem|with anybody else. Suck it, honey.|Come on. - Fuck you.|- Where you goin'? Huh? Where do you think you're going? Love my girl! How many guys have you fucked? And how many dogs|have you fucked? You're the only one|who couldn't make it, you asshole! You are the only limp dick|in the lot! Will you die for me? - Answer me!|- Will you die for me? Sure. l'd die for anybody. Shut up in there!|l'm trying to sleep in here! - Will you die for me?|- Yes! l don't believe you! - Say it!|- Yes. Yes. l'm just a clown. Am l a clown? l need a home... a place to hide. l'm sorry. We're gonna fuck death away.|Come on. Let's fuck death away.|Come on, baby. All right. An ancient lunatic reigns|in the trees of the night. We've got|a serious problem here. The fire marshal|won't let this concert go on... unless you clear the aisles|and go back to your seats. Unless you clear these aisles,|there is no show. The sound of the crowd. l don't even like rock groups.|They're sleazy. - You like that, huh?|- Like Nuremberg. - Like that?|- We're Germans. - Beg.|- l'm begging. You wanna fuck me? Don't ever fuckin' lie|to me again. - About what?|- Why did you say your father was dead? He is dead.|Both of them. Totally. lf he's so dead,|who answered the phone when l called? What? You didn't really think you were|getting away with that, did you? Your father's an admiral|in the Navy... who was at the Gulf of Tonkin|when the Vietnam War broke out. Wow. Your dad's deputy chief|of operations. Just don't ever lie|to me again. What? You shouldn't have done that. Like it's so hard|to trace your school records? You went to University of Florida,|Albuquerque, New Mexico... Arlington, Virginia... Washington, D.C. You have a brother|and a sister. "Seven Miles Long," baby.|lt's all in "The End." l'm sorry. What did he do? Did he love you? How much? Your mama? Hatred's|a very underestimated emotion. Doesn't matter anymore,|does it? Do you hear them out there?|Are you listening to them? lt's you they want now. lt's not the Doors. lt's not your mother|or your father's child. lt's you. |
DC Sniper 23 Days of Fear D A R Y L 1985 Daddy Day Care Daffy Duck - Drip Along Daffy (1951) Daffy Duck - Duck Amuck (1953) Daffy Duck - Duck Dodgers in the 245 Century (1953) Daffy Duck and Porky - Boobs in the Woods (1950) Daffy Duck and Porky - Daffy Duck Hunt (1949) Daffy Duck and Porky - Deduce You Say (1956) Daffy Duck and Porky - Golden Yeggs (1950) Daffy Duck and Porky - The Ducksters (1950) Daffy Duck and Porky - Yankee Doodle Daffy (1943) Daffy Duck and Sylvester - The Scarlet Pumpernickel (1950) Damien Omen II Damnation (1988) CD1 Damnation (1988) CD2 Damnation de Faust La CD1 Damnation de Faust La CD2 Dance With Me Dancer in the Dark (2001) CD1 Dancer in the Dark (2001) CD2 Dances With Wolves (Extended Cut) 1990 CD1 Dances With Wolves (Extended Cut) 1990 CD2 Dances With Wolves (Extended Cut) 1990 CD3 Dances With Wolves 1990 CD1 Dances With Wolves 1990 CD2 Dangerous Beauty Dangerous Minds Dantes Peak 1997 Daredevil Dark Angel 1x15 Haven Dark Angel 1x16 Shorties In Love Dark Angel 1x17 Pollo Loco Dark Angel 1x18 I Am I Am A Camera Dark Angel 1x19 Hit A Sista Back Dark Angel 1x20 Meow Dark Angel 1x21 And Jesus Bought A Casserole Dark Blue Dark Blue World (2001) Dark City Dark Passage Dark Water Dark Wolf Dark Woods (2003) Darkness Darkness 2002 CD1 Darkness 2002 CD2 Darling 1965 CD1 Darling 1965 CD2 Das Boot - The Directors Cut Dauria 1971 - Part 1 23976fps Dauria 1971 - Part 2 23976fps David Copperfield - Illusion CD1 David Copperfield - Illusion CD2 Dawg Dawn Of The Dead (2004) Dawns Here Are Quiet The CD1 Dawns Here Are Quiet The CD2 Day A (2001) Day After The 1983 23976fps Day For Night CD1 Day For Night CD2 Day I Became A Woman The 2000 CD1 Day I Became A Woman The 2000 CD2 Day The World Ended The Day after tomorrow The Day of The Jackal [1973] CD1 Day of The Jackal [1973] CD2 Day the Earth Stood Still The Days Of Heaven Days Of Wine And Roses 1962 CD1 Days Of Wine And Roses 1962 CD2 Days of Thunder De LAmour De Vierde Man (23976) Dead End 2003 Dead Friend Dead Men Dont Wear Plaid (1982) Dead Or Alive 2 Dead Presidents CD1 Dead Presidents CD2 Dead Reckoning Dead Ringers Dead Zone The Dead again (1991) Dead again (1991) Commentary Dead man walking 1995 CD1 Dead man walking 1995 CD2 Dead or alive Dear Diary 1994 Death To Smoochy Death Warrant Death Wish Death in Venice 1971 Deathwatch 2002 Debut The Decalage Horaire Decalogue 06 1988 Decalogue 07 1988 Decalogue 08 1988 Decalogue 09 1988 Decalogue 10 1988 Decameron Decline of the American Empire The 1986 Deconstructing Harry Decoys Deep Blue CD1 Deep Blue CD2 Deep Impact Deep Loves CD1 Deep Loves CD2 Deep Rising Deep Space 9 1x01 and 1x02 Emissary Deep Space 9 1x03 Past Prologue Deep Space 9 1x04 A Man Alone Deep Space 9 1x05 Babel Deep Space 9 1x06 Captive Pursuit Deep Space 9 1x07 Q-Less Deep Space 9 1x08 Dax Deep Space 9 1x09 The Passenger Deep Space 9 1x10 Move Along Home Deep Space 9 1x11 The Nagus Deep Space 9 1x12 Vortex Deep Space 9 1x13 Battle Lines Deep Space 9 1x14 The Storyteller Deep Space 9 1x15 Progress Deep Space 9 1x16 If Wishes Were Horses Deep Space 9 1x17 The Forsaken Deep Space 9 1x18 Dramatis Personae Deep Space 9 1x19 Duet Deep Space 9 1x20 In The Hands Of The Prophets Deep blue sea Defiant Ones The Delicatessen Delicatessen (1991) Delirium (Delirio Caldo)(23.976) Deliv and Daniel Webster The Deliver Us from Eva Deliverance Demetrius And The Gladiators 1954 Demoiselles de Rochefort Les CD1 Demoiselles de Rochefort Les CD2 Demon Baby Demoniacs Demonic Beauty (2002) Demonlover CD1 Demonlover CD2 Dentist 2 The 1998 Deranged Derrick 2004 Dersu Uzala (Akira Kurosawa) CD1 Dersu Uzala (Akira Kurosawa) CD2 Desert Fox - The Story of Rommel Desert Rats The Desk Set Desperate Hours The Desperate Living Destination Tokyo CD1 Destination Tokyo CD2 Destry Rides Again Detaljer Detonator Detroit 9000 Dev Devdas (2002) CD1 Devdas (2002) CD2 Devil Probable The Devil Rides Out The 1968 Devil is a Woman The Devils Advocate The CD1 Devils Advocate The CD2 Devils Backbone The Devils Brigade The Devils Own The Dial M for Murder 1954 Diamonds Are Forever Diana Krall Live in Paris Diarios De Motocicleta Diary of a Chambermaid Diary of a Country Priest (1951 Bresson Robert) Dias de Nietzsche em Turim Dickie Roberts Former Child Star Die Another Day (2002) CD1 Die Another Day (2002) CD2 Die Hard 1988 Extended Version CD1 Die Hard 1988 Extended Version CD2 Die Hard With a Vengeance Die Nibelungen - Die Kriemhilds Rache CD1 Die Nibelungen - Die Kriemhilds Rache CD2 Diez de hollywood Los 1951 Dil Ka Kya Kasoor Dil Ka Rishta Dinosaur Dirty Dancing Dirty Dancing - Havana Nights Dirty Harry Dirty Tiger Crazy Frog 1978 Disaster Discovery Air Jaws Sharks of South Africa Discovery Channel - Raising The Mammoth Dish The Disha Disorderly Orderly The Distant Lights Distant Thunder Diva Django spara per primo Do Raaste Do The Right Thing CD1 Do The Right Thing CD2 Dobry vojak Svejk Dodeskaden (Akira Kurosawa) Dodgeball - A True Underdog Story Dog Nail Clipper Dog Soldiers (2002) Dogma Dogs Of War The 1981 Dogville CD1 Dogville CD2 Doing Hard Time CD1 Doing Hard Time CD2 Dois Perdidos Numa Noite Suja 2002 Dokument Fanny och Alexander CD1 Dokument Fanny och Alexander CD2 Dolce Vita La 1960 CD1 Dolce Vita La 1960 CD2 Dolores Claiborne (1995) Dolphins Domicile conjugal Don Giovanni CD1 Don Giovanni CD2 Dong (The Hole) 1998 Donggam (2000) - Ditto Donnie Brasco Donnie Darko Dont Be A Menace To South Central While Drinking Your Juice In The Hood Dont Bother to Knock Dont look now Dont say a word Donzoko 1957 Door in the Floor The 2004 Doors The CD1 Doors The CD2 Dora-Heita 2000 Double Jeopardy Double Team Double Vision (Shuang Tong) Doulos Le Down By Law 1986 Down Periscope Down Time Down With Love Down and Out in Beverly Hills Dr Dolittle Dr Jekyll and Mr Hyde Dr No Dr Strangelove Dracula - Dead and Loving It Dracula 1931 Dracula 1979 Dracula Has Risen From The Grave 1968 Dragon Head CD1 Dragon Head CD2 Dragonball Z Dragonfly Dragonheart (1996) Dragonheart - Collectors Edition Dragons Forever (Jackie Chan) Dragstrip Girl DreamKeeper 2003 CD1 DreamKeeper 2003 CD2 Dream Master The Dream Of A Warrior (Cheonsamong) Dreamcatcher Dreamers The Dreamlife of Angels The Dressed to Kill 1980 Drifting Clouds Driving Miss Daisy Driving miss Wealthy (2004) Drop Dead Gorgeous 1999 Drowning Mona CD1 Drowning Mona CD2 Druids Drumline Drums Along the Mohawk Drunken Master (Yuen Woo-Ping 1978) Du rififi chez les hommes (Jules Dassin 1955) CD1 Du rififi chez les hommes (Jules Dassin 1955) CD2 Duck Soup (1933 Marx Brothers) Dude Wheres My Car Duel The Duel in the Sun CD1 Duel in the Sun CD2 Duel to the Death Duellists The Duets Dumb And Dumberer When Harry Met Lloyd 2003 Dumb and Dumber Dumbo Dune 2000 - 1 of 3 Dune 2000 - 2 of 3 Dune 2000 - 3 of 3 Dungeons And Dragons Dunken Monkey 2002 Dushmun Dust in the Wind (Hsiao-hsien Hou 1986) Dying td CD1 Dying td CD2 The Dawns Here Are Quiet The CD2 |