Game of Death 1978
0:03:57:[Yelling And Punching]
0:04:41:Ok, that's a print.|That was great, Billy.
0:04:44:Ok, everybody, get...
0:04:52:Eddie, get up there and see|what the hell's happening.
0:04:54:Billy, are you all right?
0:04:55:That thing crashed|exactlywhere you were.
0:04:58:I know. I know.
0:04:59:Watch it up there!
0:05:01:It was|an accident.
0:05:03:Man: Ok, that's a wrap.
0:05:05:Great fight, Billy.|Really nice.
0:05:07:Be sure you get|tomorrow's call sheets.
0:05:11:And please|don't get lost
0:05:13:on the way|to location.
0:05:15:Time is money,|gentlemen.
0:05:16:Time is money.|Time is money.
0:05:23:So, you got in here|finally.
0:05:31:We haven't heard from you.
0:05:33:You know, I once knew
0:05:35:a super rock group|in London.
0:05:37:Called themselves|the Flight Crew.
0:05:40:Had brilliant potential.|Brilliant.
0:05:42:Yeah, but they|were very stubborn.
0:05:46:Their lead guitarist
0:05:48:Iost a couple|offingers one night.
0:05:52:Just like that.
0:05:56:Hands and feet have|been known to disappear.
0:05:58:Lights--they|fall out ofthe sky.
0:06:00:All kinds|ofthings happen.
0:06:04:has got to have all|of his parts to make it.
0:06:11:Don't you agree|with that, Billy?
0:06:13:Get the hell|out of here.
0:06:17:It's, uh, getting|a little late.
0:06:22:We'll be sitting|right there
0:06:26:just waiting|foryou to call.
0:06:28:But patience--that's not|one of ourvirtues.
0:06:40:Don't be|a slow learner, Billy.
0:06:49:Oh, you shouldn't|have done that.
0:06:51:No, that was|a very big mistake.
0:06:57:Woman:|Will this be the song
0:06:60:I'll be singing|tomorrow?
0:07:06:Will the piper|be paid for the tunes
0:07:10:That he played|by and by?
0:07:15:Is this the best rhyme
0:07:20:Major, minor,|one-in-one time
0:07:25:Or will the tune
0:07:28:Fall from favor
0:07:36:A yesternight song
0:07:48:Will this be the song
0:07:52:I'll be singing
0:08:06:Billy: I'm here|to take you to dinner.
0:08:08:Hey, Billy, can we|get spaghetti tonight?
0:08:10:We got|one more number
0:08:12:to get today,|Ann.
0:08:13:Thanks a lot, Charlie.
0:08:14:You're messing around|with my love life.
0:08:33:Is the boss upstairs?
0:08:43:Man: You're looking|a little pale.
0:08:45:What you need|is a good nourishing meal,
0:08:47:something that|will stickto your ribs.
0:08:49:Ha ha ha.
0:09:09:You beautiful bastard.
0:09:15:I'll get you another one.
0:09:27:We're all next door.
0:09:31:Steiner is here.
0:09:32:Get right to it.
0:09:38:Good afternoon, Steiner.
0:09:41:Good afternoon, Doctor.
0:09:43:How was your trip|to New York?
0:09:48:The heat was terrible.|God-awful.
0:09:50:Not much better here.|Humid.
0:09:53:So much|for the weather report.
0:09:56:I'm not the only one|who just arrived.
0:09:59:How about yourtrip|to Berlin, Stick?
0:10:01:It went pretty much|as you figured.
0:10:04:Now that, uh,|he's the big star,
0:10:07:I couldn't|reason with him.
0:10:09:He said|he was pulling out.
0:10:12:Then he|threatened me.
0:10:14:Oh, my, my, my, my.
0:10:18:The rest of it|was in the papers.
0:10:21:That's when|he committed suicide, huh?
0:10:24:Ha ha ha.
0:10:26:He just, uh, got up
0:10:27:and jumped|out the window.
0:10:29:Oh, my, my.
0:10:32:The merger|of S & S Records
0:10:34:with Globe|has been completed,
0:10:35:and construction has started
0:10:37:on the new record|pressing plant
0:10:39:in Buenos Aires.
0:10:40:But more important|and more immediate
0:10:43:is the oncoming|championship fight in Macau.
0:10:46:I know we're getting|worldwide press.
0:10:48:Steiner:|That and plenty more.
0:10:51:All the posters|have been approved
0:10:53:and the ad campaign.
0:10:55:The best one|we've ever had.
0:10:58:Looks good.|Looks great.
0:11:00:Besides the gate|and our TV rights,
0:11:03:it's generating the kind|of international betting
0:11:06:we'd hoped for.
0:11:08:We ought to turn over|about $30 million.
0:11:11:That was the computer's|readout as oftoday.
0:11:14:Yes, well, the fight|is only 3 weeks off..
0:11:18:is going well, Carl.|You look fit.
0:11:21:I'll be ready.
0:11:23:We've got a little|problem in Detroit,
0:11:25:a couple of reluctant|ball players.
0:11:28:Hakim, thinkyou can fly|to Detroit and handle that
0:11:32:and be back in time|forthe fight?
0:11:34:Figure. It's done, man.
0:11:36:Also, I'm afraid
0:11:38:we're going to have to do|something about Billy Lo.
0:11:40:I was wondering
0:11:42:I was going to ask|how that was going.
0:11:44:Well, he refuses to sign|our management contract,
0:11:46:but that's not|what bothers me now.
0:11:48:He's starting|to shoot off. his mouth.
0:11:50:He's holding out.
0:11:51:Dr. Land:|We've given him so many chances--
0:11:54:an amazing amount|of resistance.
0:11:56:And then there's|that girlfriend:
0:11:59:I went to talk|to hertoday.
0:12:01:Her last album|was on the charts
0:12:03:and is doing great
0:12:04:in Australia|and France.
0:12:06:She says she wants|to talkto Billy
0:12:07:about her contract|before she signs.
0:12:09:Doctor, I thinkwe ought|to squeeze a little.
0:12:15:Dr. Land:|Yeah, let's just
0:12:16:squeeze a little,
0:12:18:wouldn't you say?
0:12:24:I had anothervisit today
0:12:25:from one|ofthose syndicate men.
0:12:27:Did he threaten you?
0:12:29:Well, not exactly.
0:12:30:I mean,|not in so manywords,
0:12:33:but I knew|I was being threatened.
0:12:35:Billy, do you think|it's worth holding out?
0:12:38:I mean, I've heard
0:12:40:some pretty uglythings|about those guys,
0:13:07:Ifwe're stopped,|don't do anything
0:13:09:that will give them
0:13:11:an excuse|to hurt you.
0:13:23:Ann, I love you,
0:13:24:and I don't|want you hurt.
0:13:26:Trust me|to handle this.
0:13:32:Billy:|I would like Miss Morris to leave.
0:13:34:I'm afraid we can't|do that, Billy.
0:13:37:We're all|in this together.
0:13:39:Now, would you mind
0:13:40:stepping out|ofthe car?
0:13:42:No matterwhat happens,
0:13:44:don't get out ofthe car.
0:13:52:You've got until
0:13:53:tomorrow morning|to call us.
0:13:55:It's the last time
0:13:57:we're going to ask,|Billy.
0:14:48:Please stop it!
0:15:21:He hasn't|got too much time.
0:15:23:You tell him that.
0:15:25:We want|to hearfrom him
0:15:27:in the morning.
0:15:51:Billy, I've always|been straight with you.
0:15:54:You don't have|too many choices.
0:15:56:You and Ann|are nothing to them.
0:15:59:You're just|another piece of property,
0:16:00:just one|of a couple ofthousand
0:16:03:of public personalities|that they own all of
0:16:06:or a piece of.
0:16:08:It seems like|a good thing at the moment.
0:16:12:Theytake care|of everything--
0:16:15:your salary, yourtaxes.
0:16:17:Ifyou need 5,000|in your pocket,
0:16:19:you've got it.
0:16:22:that you start to realize
0:16:24:what it's costing you.
0:16:25:I don't have to remind you|about Charlie Wang.
0:16:28:We know the pressure|they put on him,
0:16:31:and we know they|called him in for a "talk."
0:16:36:The next day,
0:16:37:he was fished|out ofthe harbor.
0:16:40:But going along with them|isn't much better.
0:17:21:You've come up|fast, Billy.
0:17:22:The pictures are grossing big|all overthe world.
0:17:26:You're an international|celebrity,
0:17:29:and they smell|that money.
0:17:33:You can sign|with them
0:17:35:and live verywell,|oryou can defythem
0:17:37:and go|to the police,
0:17:39:which means you|won't live so well,
0:17:41:if at all.
0:17:43:Is it your advice|to let them own us?
0:17:46:No. I just
0:17:48:don't want to write|an obituary on you.
0:17:52:I like you too much,
0:17:54:which is my cue
0:17:55:to get my ass|down to the bureau.
0:17:57:I've got|a midnight deadline
0:18:02:I can't allow it.
0:18:04:It is betterto die|a broken piece of jade
0:18:07:than to live a life of clay.
0:18:10:Qit. You've got|enough money.
0:18:13:Tell them to go to hell.
0:18:15:Ann:|I can leave this all behind.
0:18:17:I don't|need this
0:18:18:ifyou|don't need it.
0:18:25:There has|to be another answer.
0:18:28:I've got to find one.
0:18:40:Ann:|The Chinese opera is in town.
0:18:42:Maybe see your uncle.
0:18:44:Yeah, he just got back.
0:18:46:I'll go to the theatertomorrow.|Good idea.
0:18:48:All three ofthem|are leaving the restaurant.
0:18:50:What should we do?
0:18:52:Dr. Land:|Don't lose them.
0:19:01:Steiner:|Alegandre, from now on,
0:19:03:I want you to coordinate
0:19:04:all your eff.orts with|the ad agency in New York.
0:19:06:And bythe way, what are|the odds where you are now?
0:19:09:Well, then keep|the publicity going
0:19:11:about Carl's rumored|sprained ligament.
0:19:13:Don't give the impression
0:19:14:that the fight's|going to be canceled,
0:19:16:just that he's in pain
0:19:18:and might be|at a disadvantage.
0:19:19:You got that?
0:19:22:The odds are a little|too heavy on Carl,
0:19:26:especially in London.
0:19:28:Yes, a good idea|to even that up a bit.
0:19:31:Oh, bythe way,
0:19:33:what about Billy Lo?
0:19:35:He was told to|call earliertoday.
0:19:38:He has|the numberto call.
0:19:40:Oh, do we know where|he is at this moment?
0:19:42:Well, we always know|where he is.
0:19:45:Well, then|a final warning,
0:19:51:Yes, Pasqual.|You go with him.
0:19:56:Pasqual|loves to fight, yes.
0:20:38:Let me use your brush.|Thanks.
0:20:43:Man:|Billy, good to see you.
0:20:45:Billy:|Hi,John. I'm glad you're back.
0:20:47:Your uncle|is in his room.
0:20:57:Billy. Come in, Billy.
0:20:60:Come in. Hey. Hey!
0:21:02:You go ahead.
0:21:03:It's good to see you, boy.|Sit down. Sit down.
0:21:08:We do not see you much
0:21:11:since you got to be|a big man.
0:21:13:Oh, yes, I know.
0:21:14:I've been running|for months.
0:21:17:Yeah, very busy, huh?
0:21:21:I heard that the syndicate|is afteryou.
0:21:23:You must be a big man.
0:21:25:How did you|know that?
0:21:27:It's|a small business.
0:21:30:I can't join them,
0:21:31:and I can't|be forced to join.
0:21:33:You have just|described a problem
0:21:35:as old as man.
0:21:37:You're not unique.
0:21:38:There is a solution
0:21:41:I do not think|you've considered.
0:21:44:When you get to the top,
0:21:47:you understand|how far it is to fall,
0:21:50:but ifyou think|very little ofyourself,
0:21:53:then you can be pushed off.
0:21:55:and fall very easily.
0:21:59:What is your opinion|ofyourself?
0:22:02:I believe I deserve|to be where I am.
0:22:05:I've worked|hard for it.
0:22:07:Then don't let them push.
0:22:09:Theywill never|let you rest.
0:22:12:You mean kill?
0:22:17:Integrity can be|an expensive thing.
0:22:19:What is the price|ofyour integrity?
0:22:22:What are you|willing to pay?
0:22:24:There is another|person as well,
0:22:27:If I fight,|she may be hurt.
0:22:29:Send her away.
0:22:31:Do you need help?
0:22:33:I know some men|who can help you.
0:22:37:You're not allowed|back here.
0:22:40:Get out! Get out!
0:23:32:Another message, Billy.
0:23:39:The Chinese syndicate|wants to make sure
0:23:41:they're riding|with a winner,
0:23:43:so they're willing to|buy a little insurance.
0:23:45:A million and a half|dollars in cash
0:23:48:will be arriving|in Macau
0:23:50:just before the fight.
0:23:52:They're going to drop it
0:23:55:right on your doorstep.
0:23:60:Yeah, very crisp|and very clean.
0:24:02:The cash started out|in Nassau.
0:24:04:It's going through|Tommy's bank in Mexico City
0:24:08:We're watching|its progress.
0:24:15:What about Billy Lo?
0:24:17:Nothing. Not a word.
0:24:19:He's not going to call.
0:24:22:Rebellion is contagious,|Doctor.
0:24:24:Let's close the book.
0:24:29:What an|unfortunate waste,
0:24:32:casting aside|his life like that.
0:24:36:What a pity.
0:24:41:Billy:|Hello, Ann. It's me.
0:24:42:Billy, where have you been?
0:24:44:I've been trying|to reach you all day.
0:24:46:I've been worried|about you.
0:24:48:I've been worried
0:24:49:about you, too,|darling.
0:24:51:I want you|to meet me
0:24:52:on the 6:00 ferry.
0:24:54:You'll find me
0:24:55:in the passenger|section.
0:24:56:Do you understand?
0:24:58:Ok. Billy,|are you all right?
0:24:59:Yes. To tell|the truth,
0:25:01:I feel|much better now.
0:26:16:Billy, you've|been hurt.
0:26:17:It doesn't matter.
0:26:19:Ann, I want you
0:26:21:to go back to|the States for a while.
0:26:24:Leave you here?
0:26:25:I have to work|this problem out by myself.
0:26:28:It would only|be for a while,
0:26:30:a couple of months.
0:26:32:No way, Billy.
0:26:34:I can't do that.
0:26:36:Look, you can't help me,
0:26:38:but ifyou stay,|I can hurt you.
0:26:40:Maybe you|should change your name
0:26:42:and disappearfor a while.
0:26:44:I have only one scene|left in this film.
0:26:46:I'll be dropping|out of sight myself.
0:26:50:Billy, I can't|leave you.
0:26:53:What are you|up to?
0:26:55:Not a thing.
0:26:57:We have to separate.
0:27:03:Ann, I'd like to live|with you a long time,
0:27:09:Grow old together.
0:27:12:Ann, On Telephone:|It was very strange.
0:27:14:Not like him,|very secretive.
0:27:16:It sounds like he's|made a decision to run,
0:27:18:which would be smart.
0:27:19:No, I don't think|he's running at all.
0:27:21:I think it's|just the opposite.
0:27:23:There was|a determination
0:27:24:about him, like he|was going to fight.
0:27:26:Jim, I know|he has a call
0:27:27:at the studio|this afternoon.
0:27:29:Would you mind|meeting me there?
0:27:30:I'm reallyworried|about him.
0:27:31:Of course.|I'll be right over.
0:27:34:Yeah. I got you.
0:27:47:Ok, turn around,|guys.
0:27:49:Let's set up|for Billy's run.
0:27:50:Second Man:|Ok, move it along.
0:27:52:Get ready|for the reverse angle.
0:27:54:Let's go, fellas.
0:27:59:Gentlemen,|these are blanks.
0:28:01:Only aim upward.
0:28:03:There's a wad of paper|that comes out
0:28:05:and can injure someone.
0:28:20:[Knock On Door]
0:28:36:Director:|Now, I want you
0:28:38:to come running out|ofthe building like hell.
0:28:41:I'll cue the guns|on your leap,
0:28:43:and you do the fall, ok?
0:28:45:Ok, let's|walkthrough it once.
0:28:50:Ann:|Billy, over here.
0:28:54:What are you doing here?
0:28:56:Take her|to the airport,Jim.
0:28:58:Billy, something|isn't reading right.
0:29:01:Do you need help?
0:29:02:I'm going|to break it wide open.
0:29:04:The police|have got to get into it.
0:29:06:And when it explodes,|I don't want Ann here.
0:29:08:Get her on a plane.
0:29:17:Here we go.
0:29:18:Man:|Everybody settle down. Ready.
0:29:20:Man:|Everybody settle down. Ready.
0:29:24:Director:|Ok, ready to roll.
0:29:26:Ok. This is a take.
0:29:35:Ok, roll sound.
0:29:37:[Men Speaking Chinese]
0:30:09:Director:|Hey, Billy, what's the matter?
0:30:12:Hey, what's happening here?
0:30:20:My, God! He's hurt.
0:30:24:Somebody call a doctor!
0:30:26:Don't just stand there!
0:30:35:The bullet fragmented
0:30:36:as it passed through|at an upward angle,
0:30:39:the bone structure|ofthe face.
0:30:42:What are his chances
0:30:43:of having|a normal appearance?
0:30:49:a great deal|of scartissue.
0:30:51:He'll be permanently|altered, of course,
0:30:53:but presentable,|in any case.
0:31:15:are you awake?
0:31:18:I've been talking|with your surgeon.
0:31:21:The surgery|will be tomorrow.
0:31:24:This is|a very private hospital.
0:31:26:No one will know.
0:31:29:Then you still want
0:31:30:to go through|with this?
0:31:33:The only reason I've|considered this,
0:31:36:Mr. Lo, is|the simple argument:
0:31:38:Should you walk|upon the street,
0:31:40:undoubtedly|there will be
0:31:42:another attempt|upon your life.
0:31:43:Then you agree?
0:31:45:There'll have|to be a complete
0:31:51:will have|to inform the press
0:31:53:you've taken a turn|for the worse--
0:31:56:Relapse. Then|there's the question
0:31:58:of a change|of identity.
0:31:59:A new identification
0:32:01:has already|been taken care of.
0:32:05:We should tell Ann.
0:32:10:No one else must know.
0:32:13:If she knows,|she could be in danger.
0:32:16:A public funeral?|Open casket?
0:32:18:After all,|he is a celebrity.
0:32:23:It'll be a very|believable funeral.
0:33:49:They have some|interesting people here.
0:33:55:It could be a story.
0:34:15:Come on, Ann.
0:34:17:Do you hear me?|You're dead.
0:34:21:Excuse us. Thankyou.
0:34:23:Let us through. Easy.
0:34:34:For $1 0, he could|have you killed.
0:34:36:Yes, I understand.|It's cheap.
0:34:39:I'm glad|you understand,
0:34:41:and I'm glad
0:34:45:Oh, no. I'm not|going to cry anymore.
0:34:48:the police would|like to nail them...
0:34:53:but there's|no wayto prove it.
0:34:55:Don't you understand|anything??!.
0:34:59:Everybody looked at them,
0:35:02:but not one person|could see anything!
0:35:25:from the|Chinese syndicate
0:35:27:and the cash have|arrived in Macau.
0:35:29:Fine, fine. Now, you|sure it's a good idea,
0:35:31:our stopping|in the sanitarium
0:35:33:to see this Morris girl?
0:35:37:And ifwe can bring|her into the family,
0:35:39:it will show
0:35:40:all the other|would-be rebels
0:35:42:how complete|our control is.
0:36:03:Woman: You go ahead.|I'll see you later.
0:36:05:Hello, Mr. Marshall.
0:36:07:Hello, Doctor. How's Ann?
0:36:09:We're very pleased|with her recovery.
0:36:11:It's been, um...
0:36:13:a long haul.
0:36:18:For a trauma|severe enough
0:36:19:to bring on|physical paralysis,
0:36:21:a 3-week recovery|is extremely good.
0:36:23:Oh, well, may|I go down to see her?
0:36:26:Absolutely.|Ifyou hadn't come out,
0:36:27:I would|have called you.
0:36:29:She's ready to see|a familiarface.
0:36:31:You must understand
0:36:43:Is it time to go in?
0:36:49:Oh, I brought you|a little present.
0:36:53:I hear nothing|but good things about you.
0:36:58:Would|a newspaperman lie?
0:37:00:Now I'm|getting worried.
0:37:04:I'm feeling|a lot better.
0:37:08:I'm able to deal|with people now.
0:37:15:You know, maybe you|should get out of here,
0:37:18:go back to the States when|you're feeling better, hmm?
0:37:21:I've been thinking|about that, too,
0:37:24:but I|don't want to yet.
0:37:29:Not just yet.
0:37:31:Yes, but more|important than that,
0:37:33:I thinkwe ought
0:37:34:to try|to see for ourselves
0:37:35:what's going on|in her head,
0:37:37:what kind|of a threat
0:37:38:she could be to us.
0:37:39:I don't want to|leave that to Carl
0:37:41:orto anybody else.
0:37:46:Steiner:|That's the newspaperman,
0:37:47:Jim Marshall.|You know, I've got
0:37:49:a hunch that|one ofthese days,
0:37:51:we're going|to have to cram
0:37:53:his typewriter|up his ass.
0:37:60:It's the blonde.
0:38:19:Good afternoon,|Miss Morris.
0:38:22:We haven't|off.icially met,
0:38:24:but my name is Steiner.|This is Dr. Land.
0:38:26:How do you do,|Miss Morris?
0:38:28:We were informed|ofyour improvement.
0:38:31:Oh, you|are so beautiful.
0:38:34:What do you want?
0:38:36:We were just passing by.
0:38:38:We wondered ifwe|could do anything foryou.
0:38:40:Is there something|you might need?
0:38:42:There's nothing I need, ok?
0:38:43:Your album is doing|verywell on the charts.
0:38:45:It's going|to make lots of money.
0:38:47:We know,|Miss Morris,
0:38:49:what has happened--|the terrible strain
0:38:51:that you|have been under.
0:38:52:We hope|that possibly
0:38:54:we can|assist somehow.
0:38:57:maybe get your|career moving again.
0:39:03:It's Dr. Land's intention|to try to help you, Ann.
0:39:06:He could be--
0:39:09:Get out of here.
0:39:13:Get out of here!
0:39:20:Well, one rebel|begets another.
0:39:22:It's the Billy Lo|syndrome.
0:39:24:A virulent disease,
0:39:30:Steiner:|Stick, she seemed to know you.
0:39:32:Yourface did|something for her.
0:39:34:Never met her.
0:39:36:We have to go to Macau.
0:39:38:We'll see about her|when we return.
0:39:56:What are you up to,|Billy?
0:39:59:I'm giving myself|a new face...
0:40:02:before and after.
0:40:06:I've already|told you, Billy.
0:40:08:You're going to have|a normal appearance again.
0:40:10:You'll see.|Wait till tomorrow
0:40:12:when those bandages|come off..
0:40:15:please report|to the nurses' station.
0:40:16:Well, excuse me.
0:40:18:Dr. Ferguson, please report|to the nurses' station.
0:40:21:The new Billy Lo.
0:41:19:Mister,|can I hire you
0:41:21:to follow|that hydrofoil?
0:41:22:I won't|be able to stay with him
0:41:25:once they|get out ofthe harbor.
0:41:27:Those hydrofoils do 40 easy.
0:41:29:Where do you think|they're going?
0:41:30:I've seen that boat|in Macau a couple oftimes.
0:41:34:That's what I think.
0:41:35:Maybe we could get|a head start on them.
0:41:38:Well, it's only|an hour's ride in any case.
0:42:27:I know who killed Billy.
0:42:30:Yes.Jim,|I know who killed him.
0:42:32:I'm not sure|I heard you right.
0:42:33:What did you say?
0:42:35:They came to the hospital.
0:42:36:One ofthem|was at the shooting.
0:42:40:why don't you|come in,
0:42:42:and we'll take it|to the police?
0:42:44:Where are you?
0:42:46:Did you|leave the hospital?
0:42:47:Never mind. The police|aren't the answer.
0:43:06:Boat Driver:|Hey, mister,
0:43:07:is that the guy|you've been waiting for?
0:43:22:I'll make it worth|yourwhile to wait for me.
0:43:24:You're not going|to rob a casino,
0:43:27:I don't want to run|a getaway boat.
0:43:30:Will you be here,|no matter how late?
0:43:32:I got nothing better|going.
0:45:03:Parade, parade.|Damn. What the hell?
0:45:05:Can't we get out|of here somehow?
0:45:08:Back this thing up|or something.
0:45:10:Man:|There's a taxi behind us.
0:45:11:It will|be ending soon,
0:45:13:and theywill move|to another street.
0:45:26:Give them the horn.
0:45:28:Let's get out of here.|Run over 'em.
0:46:23:They've been waiting
0:46:25:for an hour.
0:46:26:We were held up
0:46:28:by a damn fool lion dance.
0:46:31:Oh, boy. Huh.
0:46:40:Ah, well, well, well.
0:46:48:How do you do, Doctor?|Very nice seeing you.
0:46:51:Dr. Land:|And how are you? Sit down.
0:46:54:Well, maybe we don't|need to even count it.
0:47:07:Maybe we better.
0:47:17:[All Speaking Chinese]
0:47:23:See you both|at ringside.
0:47:51:The money's all here,
0:47:54:I'd be surprised|if it weren't.
0:48:19:Where'd you come from?
0:48:20:How'd you get here?
0:49:09:Stay awayfrom me,|you bastard.
0:49:51:Carl, come! Come!
0:49:59:Get him!|Get him.
0:50:06:Somebody take care|ofthe doctor.
0:50:08:Steiner:|Carl, let him go!
0:50:10:Carl, you damn fool,|the fight's tonight!
0:50:12:Carl, come on back here,|you hear me??!.
0:50:30:Steiner:|You know, I don't understand it.
0:50:32:If some other organization|was trying to kill you,
0:50:35:they'd have just picked|you off.with a rifle.
0:50:38:Stick:|I can't place him,
0:50:40:but there|was something there
0:50:43:Stick is right.
0:50:45:There was something|diff.erent about that man.
0:50:47:He not onlywanted to kill,
0:50:49:he wanted|to punish me as well.
0:52:05:Referee:|To your corner. To your corner.
0:52:08:One. Get back.
0:52:09:Get back, Miller,|to your corner.
0:52:11:Back to your corner.
0:52:13:2. Get back, Miller.
0:52:18:Ha ha ha!
0:52:41:They are hurting bad,
0:52:42:as they have|throughout the early...
0:53:18:Kill him, Carl!
0:53:27:All right. Back up.|Back up!
0:53:29:- [ Crowd Booing ]|- All right. Get back. Get back.
0:53:31:It's going to cost you|a round, Miller.
0:54:26:Let it go.
0:54:28:What must be done|is being done.
0:56:22:Ha ha ha!
0:56:24:Ha ha ha!
0:56:27:He retained the crown
0:56:29:by knocking out Lo Chen
0:56:30:in 2 minutes, 8 seconds|in the seventh round.
0:56:39:Announcer:|The winner by knockout,
0:56:41:and still world's|heavyweight champion,
0:56:57:[Everyone Talking Excitedly]
0:57:06:Carl, you won!|You won!
0:57:15:Carl, is there|going to be a rematch?
0:57:17:Carl, are you going to|fight this guy again?
0:57:20:Second Reporter:|Carl, did he hurt you in round 4?
0:57:23:Carl, how soon are you|going to have a rematch?
0:57:26:Turn this way, Carl!
0:57:28:Will there be|a rematch, Carl?
0:57:45:Ha ha ha!
0:57:47:Hey, hey, hey.|Ha ha ha!
0:57:48:Reporter:|All right. He didn't hurt you,
0:57:51:did he, tonight?
0:57:53:Carl: Hey! I'm just|going to get a shower.
0:57:55:I want to be|looking beautiful
0:57:57:forthe rest|ofthese photographs.
0:57:59:There's plenty of champagne|for everybody.
0:58:01:You won't get lonely.
0:58:06:Who are you?
0:58:12:This is my new|girlfriend.
0:58:16:I'd like you to take|plenty of pictures of her.
0:58:19:Man:|Over here, honey. Over here.
0:58:20:Look over here at|the camera, honey.
0:58:22:Where are you|from, honey?
0:58:41:Who the hell are you?
0:58:43:Get going, fella.
0:59:57:Carl, you all right?
1:00:49:Man:|Carl, what's happening? Carl?
1:00:54:Carl, open the door!
1:01:04:Man:|What's the matter in there?
1:01:05:Open the door.
1:01:15:[Pounding On Door]
1:02:04:You lose, Carl Miller.
1:02:12:Man:|Look at him.
1:02:15:[Everyone Talking At Once]
1:02:19:He was killed
1:02:21:with a hundred people|outside the door.
1:02:24:Theyfound a wig|and a face mask of an old man.
1:02:29:Man On Phone:|Yes, sir.
1:02:31:And you and the rest
1:02:32:ofthe passive|bodyguards simply
1:02:34:stood around,|you and 1 00 other people.
1:02:36:Isn't that true?
1:02:39:You saythe girl
1:02:40:is with|the newspaperman now?
1:02:49:that you could have|killed someone
1:02:51:in that state|of mind.
1:02:53:You still think
1:02:55:you recognized|Billy's voice?
1:02:57:I told you before.
1:02:58:I wouldn't mistake|Billy's voice.
1:03:03:Can't you believe me?
1:03:05:That's one|of myweaknesses.
1:03:07:I'm one of|the world's
1:03:08:most gullible men.
1:03:10:I'll take you home.
1:03:11:No, no.|That's all right.
1:03:13:I have my car|right outside.
1:03:16:You can leave|this here, ok?
1:03:30:She's coming back.
1:03:31:Dr. Land: Don't let her|out ofyour sight.
1:03:33:And put a couple|offellows
1:03:35:following on|that newspaperman.
1:03:38:You two stay|with Marshall.
1:03:39:We'll follow|the girl.
1:03:54:I'm now convinced that|the man who attacked me
1:03:58:was in disguise.
1:03:59:The way he moved.
1:04:02:You know something,|Doctor?
1:04:04:If I wasn't|positive
1:04:06:that Billy|was dead...
1:04:07:Did you look|in the casket
1:04:09:at the mortuary?
1:04:10:Of course I looked|in the casket.
1:04:12:He didn't look|exactly the same,
1:04:14:but what the hell?
1:04:15:They never look|exactly the same.
1:04:17:Where was he buried?
1:04:18:The Buddhist cemetery,|Hangzhou Road.
1:04:21:Have him dug up.
1:04:36:Billy, I've heard|all about it.
1:04:38:Ann is convinced|you're alive.
1:04:40:I had to risk it.
1:04:41:I thought she was|going to shoot Carl
1:04:44:or one|ofthe others.
1:04:45:Well, she still|may kill somebody.
1:04:47:I've got the gun,
1:04:48:but if she sits around|and thinks about it,
1:04:51:she might get|the crazies again.
1:04:52:Ok. I'll meet her|in the school
1:04:56:In an hour.
1:04:58:Ok. If I can|find her.
1:05:00:I'll ring you up|again at 1 0:00
1:05:02:to let you know|how it went.
1:07:20:I wasn't going|to see you again.
1:07:21:I didn't want|you to see me.
1:07:24:Billy,|it's all right.
1:07:25:You have to know that.
1:07:27:No. Not to me,|it isn't.
1:07:29:Maybe later,|but I have to
1:07:31:get used|to myselffirst.
1:07:33:The man she's talking to|has to be Billy Lo.
1:07:36:Yes. Well, we just had|word from the cemetery,
1:07:38:so I'm not|in the least surprised.
1:07:40:Now, we're sending you|some help.
1:07:42:They're close by,
1:07:43:and they should be there|very shortly.
1:07:45:Ann, you could have|been killed.
1:07:48:You would have been
1:07:49:just one more life|they ruined.
1:07:51:Go back to|the States, please.
1:07:53:Will you do that?
1:07:56:Billy, I can't.
1:07:57:[Motorcycle Engines Rewing]
1:08:03:Get in your car|and go!
1:08:05:They're still|a few blocks away.
1:08:17:They split.|She's going to her car.
1:08:20:Land:|Where's he going?
1:08:21:To the other side|ofthe orphanage, I think.
1:08:24:Let a couple fellows|follow him
1:08:26:and take 2 more men|and pick her up.
1:08:29:We can use her|for bait.
1:09:37:Call him over.
1:09:42:Somebodywants|to talkto you.
1:09:52:Steiner:|A little closer, Mr. Marshall.
1:10:03:Miss Morris was|picked up tonight.
1:10:06:Billy's going to call you|at about 1 0:00.
1:10:10:You tapped my phone.
1:10:14:Tell Billyto come|to the Tai Yun warehouse
1:10:18:in Kowloon at exactly|1 :00 in the morning.
1:10:21:We'll let the girl go|when Billy comes in,
1:10:24:one for one.
1:10:26:Why should I believe|you'll do that?
1:10:27:Don't change|the equation, Mr. Marshall.
1:10:30:One for one.|Don't add any numbers.
1:10:33:Billyforthe girl.|It's that simple.
1:10:36:Oh, and Mr. Marshall,
1:10:38:you should be very...|very careful.
1:10:43:You can learn a lot|in a job like yours,
1:10:47:but knowledge can become|a terrible burden.
1:10:58:Jim Marshall's desk.
1:10:60:Is Jim there?
1:11:01:No. He isn't.
1:11:02:Oh, hold on a second.|He just walked in.
1:11:15:- Hi,Jim.|- Billy....
1:11:19:My phone is tapped.
1:11:23:Ann is being held|bythe syndicate.
1:11:29:I couldn't get|herto leave.
1:11:31:Have you talked|to them?
1:11:33:Just now.|Theywant an exchange--
1:11:35:you for her,|even up,
1:11:37:or so they say.
1:11:39:You could go|to the police.
1:11:41:No. That would
1:11:43:just get her|killed.
1:11:44:What do they|want me to do?
1:11:53:You better go over there|and back them up.
1:11:57:You've got 6 men|overthere already.
1:11:60:We had a pack of men|at Macau.
1:12:11:Here he comes.
1:12:24:He's inside.|Let's get him.
1:13:07:We have to|move quickly.
1:13:09:Billy, quick, they're|across the street.
1:13:11:They're across the street.|Hurry. Hurry!
1:13:28:It's barricaded.|Try the windows.
1:13:35:Try to walk. Hurry!
1:13:45:Don't show yourself,|no matter what you hear.
1:14:18:You two take the aisles.
1:14:20:Take the front.
1:16:13:Chewy, look for|the others.
1:16:30:Take the back.
1:16:32:You take the back.
1:16:35:Take off.the helmet.
1:16:38:Take off.the helmet.
1:19:59:Where's the doctor?
1:20:08:Red Pepper restaurant?
1:20:22:I'd better alert|Hakim and Pasqual.
1:20:30:Anybody|in the warehouse?
1:20:32:[Yells In Chinese]
1:20:34:[Yells In Chinese]
1:24:11:How doyou|like that?
1:33:53:Glad you could|finally make it, Billy.
1:37:37:Goddamn it!|Son of a bitch!
1:38:07:Will this be the song|I'll be singing
1:38:17:Will the notes|from some magical flute
1:38:22:Sail on into the sky?
1:38:27:Is this a glad song?
1:38:32:Makes my heart go|crazy mad song?
1:38:37:Or will the sound|turn to silence
1:38:44:And leave a surprising|theme disremembered
1:38:55:To grieve us?
1:39:10:Will this be the song|I'll be singing
1:39:20:Will the piper be paid
1:39:23:For the tunes|that he played by and by?
1:39:29:Is this the best rhyme?
1:39:35:Major, minor,|one-in-one time?
1:39:40:Or will the tune|fall from favor
1:39:50:A yesternight song|ofpast times
1:40:01:Will this be the song|I'll be singing
01:40:10:>> Napisy pobrane z http://napisy.org <<|>>>>>>>> nowa wizja napisów <<<<<<<<
GI Joe Valor Vs Venom CD1
GI Joe Valor Vs Venom CD2
G I Jane 01
G I Jane 02
G I Joe (A valor vs venom) CD1
G I Joe (A valor vs venom) CD2
G O R A
Gam Gai (2002)
Game of Death 1978
Gamera daikaij kuchu kessen
Gangs Of New York (2002)
Gangster Number One
Garage Olimpo (1999)
Garden Of Heaven (2003)
Gardens Of Stone
Gardens Of Stone 1987 25fps
Garfield the movie
Gas Food Lodging 1992
Gate Keeper ep1
Gate Keeper ep2
Gathering Storm The
Gattaca (1997) CD1
Gattaca (1997) CD2
Gauyat Sandiu Haplui - Saviour of the Soul
Gaz Bar Blues CD1
Gaz Bar Blues CD2
Geboren In Absurdistan
Geisha A 1953
Geisha House The CD1
Geisha House The CD2
Gendai Yakuza (Kinji Fukasaku 1972)
Gendarme a New York Le
Generals Daughter The
Generation X Cops
Genroku Chushingura 1941 CD1
Genroku Chushingura 1941 CD2
Gentlemans Agreement (Elia Kazan 1947) CD1
Gentlemans Agreement (Elia Kazan 1947) CD2
Gentlemen Prefer Blondes
George of the Jungle 2 2003
Get Carter 1971
Get Carter 2000
Getaway The 1972
Getting Any (Takeshi Kitano)
Geung si sin sang (1985) - Mr Vampire 23976fps
Ggot Seom (Flower Island)
Ghost Dog - The Way of the Samurai
Ghost In The Shell 2 - Innocence 2004
Ghost and the Darkness The
Ghost in the shell
Ghost of Kasane 1957
Ghosts Of Edendale The 2003
Ghosts Of Mars
Giardino dei Finzi-Contini 1970
Gift The 2000
Ginger Snaps 2 Unleashed
Ginger Snaps Back 2004
Ginger and Cinnamon - Dillo con parole mie
Ginger e Fred - Fellini (1986) CD1
Ginger e Fred - Fellini (1986) CD2
Girl Interrupted UK 25 FPS
Girl Next Door
Girl from Wilko The (Andrzej Wajda 1979) CD1
Girl from Wilko The (Andrzej Wajda 1979) CD2
Girl on the Bridge The
Gleaners and I The
Glengarry Glen Ross CD1
Glengarry Glen Ross CD2
Gloire de mon pere La (1990 aka My Fathers Glory)
Go-Con! Japanese Love Culture 2000
Go 2001 Isao Yukisada - Keymaker CD1
Go 2001 Isao Yukisada - Keymaker CD2
Goalkeeper The (2000)
God Of Cookery The
God of gamblers 1989 CD1
God of gamblers 1989 CD2
Godfather 2 The
Godfather 3 The
Godfather The Part 1 CD1
Godfather The Part 1 CD2
Godfather The Part 2 CD1
Godfather The Part 2 CD2
Godfather part 3
Godfathers Of Mondo The 2003
Gods Must Be Crazy The 1980
Gods and Generals CD1
Gods and Generals CD2
Godzilla Mothra and King Ghidorah 2001
Godzilla against mechagodzilla
Going My Way CD1
Going My Way CD2
Golden Child The CD1
Golden Child The CD2
Golden Voyage Of Sinbad The
Gone in 60 Seconds
Gone with the Wind 1939
Gone with the Wind CD1
Gone with the Wind CD3
Gone with the Wind CD4
Good Boy 2003
Good Cop The
Good Earth The - Victor Fleming 1937 CD1
Good Earth The - Victor Fleming 1937 CD2
Good Morning Vietnam
Good Son The
Good Thief The (2002)
Good Work (1999)
Good bye Lenin 2003
Good the Bad and the Ugly The
Goodbye Girl The
Goodbye Mr Chips (1939)
Gospel of John CD1
Gospel of John CD2
Gotter der Pest 1970
Goutes d eau sur pierres brulantes 1999
Goya - Carlos Saura 1999
Goyokin - The gold of the Shogun 1969
Gran Vida La - (Living It Up) 2000
Grand Restaurant Le 1966
Grande Illusion La
Grande Strada Azzurra La) CD1
Grande Strada Azzurra La) CD2
Grapes of Death The
Grapes of Wrath The CD1
Grapes of Wrath The CD2
Grave Of The Fireflies CD1
Grave Of The Fireflies CD2
Graveyard Of Honour
Grease 1978 CD1
Grease 1978 CD2
Great Dictator The CD1
Great Dictator The CD2
Great Escape The (1963) CD1
Great Escape The (1963) CD2
Great Expectations 1998
Great Gatsby The (Jack Clayton 1974)
Great Race The
Great Silence The
Great White Hope The 1970
Great Ziegfeld The CD1
Great Ziegfeld The CD2
Green Dragon 2001
Green Fish (1997) CD1
Green Fish (1997) CD2
Green Mile The
Gremlins 2 The New Batch CD1
Gremlins 2 The New Batch CD2
Grey Gardens (1975)
Grey Zone The
Greystoke The Legend of Tanzan CD1
Greystoke The Legend of Tanzan CD2
Grinch The - Jim Carrey
Gronne Slagtere De 2003
Grosse Pointe Blank (1997) CD1
Grosse Pointe Blank (1997) CD2
Grudge The CD1
Grudge The CD2
Guarding Tess 1994
Guess Whos Coming To Dinner CD1
Guess Whos Coming To Dinner CD2
Guest House Paradiso
Guilty As Sin 1993 25fps
Guilty By Association 2003
Guilty By Suspicion (2003)
Gullivers Travels 1939
Gun Crazy - A Woman From Nowhere
Gun Crazy Vol 2 Beyond the Law
Gunfight at the O K Corral 1957 CD1
Gunfight at the O K Corral 1957 CD2
Guns And Talks CD1
Guns And Talks CD2
Guns Of Navarone The
Guts Of A Beauty (1986)
Guy Thing A
Guys And Dolls
Gypsy (Mervyn LeRoy 1962) CD1
Gypsy (Mervyn LeRoy 1962) CD2