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[Mechanical Voice]|¢Ü What's up ¢Ü ¢Ü¢Ü[Rap, Foreign Language] ¢Ü¢Ü[Continues] [Chattering] - [Speaking Foreign Language]|- I come to sit in. You gonna help me|with my losing streak? - It's not possible, Bob.|- Maybe not, but you could|give me the illusion. The illusion.|I've got plenty of that. So how much does|illusion cost? - The usual.|- Got a prime here, Said. Should I stick with it? - What's a prime?|- Special number. Divisible by itself and one. - You're a mathematician, Bob?|- Yeah. Chaos theory. - How much? I don't know.|- Two hundred? - Want to gamble?|- You'd only lose. [Footsteps] - You spyin' on me, kid?|- No. - I work here.|- Since when? - Since last week.|- You're too young to work here. - That's not what Remi says.|- Oh, I'm sure it's not. Besides, you're too old|to do that. You're right.|We're both lost souls. - What age are you, kid?|- Seventeen. Seventeen?|Well, what do you know? Aprime. What's a prime? Special number, divisible|by one and itself. Strange thing about primes is,|the further you get from ze... - Hey, kid. Hey. Hey.|- Hmm? Will you shut that door|for me, please? - Lesson over?|- For now. - [Chattering]|- ¢Ü¢Ü[North African] [Speaking Foreign Language] [Speaking French] [Speaking Arabic|And French] He said he's taking you with him.|If he lets you book him... they'll deport him|to Algeria. [Shouting,|French And Arabic] And he'd last two days.|He might as well die here as there. He's gonna count to three.|If they don't drop those guns... - he's gonna blow your head off.|- [Shouts In Arabic] He said,|"One. Two. Three.!" - [Crowd Screams]|- [Groaning] You know, I swore|I'd never share a needle. [Groans, Sniffs] - Why'd you do it?|- I thought you'd put a word in for him. - Keep him in France. What would he get?|- Possession with intent. - Five years.|- And for murdering a police officer? - Throw away the key.|- There you go. That's why. - You didn't do it for me, then, huh?|- You? Fuck you. You're my worst nightmare. My bad angel.|How many times have you booked me? I forget. But once more|and they throw away your key. - Don't let it happen.|- Thanks for the lesson, schoolteacher.|I'm clean. You try a new scam, Bob, it won't be me.|The whole system will flatten you. I've retired. I'm a junkie gambler now.|A big loser. That's all. - Name the best thief that ever lived.|- Bob? [Chuckles]|No. Pablo Picasso. The cat stole from everybody: Rubens,|Delacroix, Cezanne, Van Gogh, Matisse. - Never got caught. I met him once.|- I'm impressed. A bullfight.|I bet on the bull, he bet on the matador. The matador got 26 stitches.|I got a painting. - Still have it.|- Then you're flush! No, no, no. I'm broke.|That never sells. "Portrait ofJacqueline."|Looked like her. [Policeman]|Just in from Moscow, huh? [Bob] Why don't you arrest her now?|Get it over with. - Get what over with?|- The whole dreary cycle.|She'll work the streets. For her troubles, she'll end up in the river|with a needle in her arm. - Go on, be a good cop.|- All I see is a girl on a motorbike. Frisk them.|You'll find a passport. - There's a thing called the law.|I don't see it being broken.|- Use your imagination. You're looking for|a replacement for Lydia? - Stick to your cards, Bob.|- Who's Lydia? Lydia's in the hospital.|She's been there quite a while. - I said, stick to your game, okay?|- Yes, my game. Problem with my game is|luck can fall both ways. Whereas, with your game,|luck doesn't enter into it. What's his game,|Monsieur Bob? It's as old as mine,|but he plays with girls from the sticks... and the odds are|all his his favor. - I haven't had a hand like that since...|- What? Since when? - [Grunts]|- You fucking loser. [Speaking French] [Door Slams] - Bosnia.|- I don't need a guardian. - No?|- Maybe you do. So, is that|just bad makeup? Oh, you got a thing|about eyes. Only when they're lucky. So you protect the honor|of widows and orphans, huh? Oh, you're not backward|for your age. Night school.|He wasn't my pimp. Oh, no? So what was he doing|with your passport? [Chuckles] ¢Ü¢Ü[Rap In Foreign Language] - Okay. Five hundred on the corner pocket.|- Sure, Bob. - Why do you call me Bob?|- Because you try to imitate him. - Imitate that.|- Yvonne, turn that shit off|and give us some french fries. Paulo, Raoul.|Anne. - You want to shoot some pool?|- Not now. She looks hungry. Oh, let me show her|to a table. - Smoking or not?|- Smoking. Your dinner date is old|enough to be your father. - You should try someone younger.|- I just left someone younger. - Oh, why?|- He didn't live up to my ideal of manhood. - But you haven't met me.|Do you always sleep alone?|- Nearly always. When she's not hanging out|at 5:00 in the morning eating french fries. - With mayonnaise.|- Are you from Bosnia? - So that's what it's called now.|- What brought you here? Mayonnaise. - 10:00. We're supposed to be at the bodega.|- Yeah. - See you again.|- Why not? Don't go giving that|to strange men. You arranged that fight so you could|pick his pocket? You're a clever guy. [Chuckles]|I'm a knight in shining armor. - Yvonne, the bill.|- 38 francs. - What are we doing?|- We? It's late. - Bedtime.|- Your place? - Have you any dough on you?|- Loads. Thirty francs. Thirty francs? Here, kid. For your hotel.|Good night, kid. I say red, darling. - What do you say?|- [Ball Clatters In Wheel] Black. - Hey, you!|- Where are you going with that suitcase? - You had enough?|- The owner of my hotel|has ridiculous principles. She always wants paying. The people you owe money to|have always got ridiculous principles. What happened to the money|I gave you? - Paid my debts. I owe Remi.|- What debts? Oh, I'm sure you do.|I won't ask what for. He set me up here,|said I could pay him back weekly. - Does he charge interest?|- What's that? [Scoffs]|Never mind. - All your worldly belongings in there?|- Yes. - Where will you sleep tonight?|- Somewhere. - You want to come to my place?|- Yes. Don't worry. You got a home.|Get in. [Anne]|You must have a rich family. - I can't complain.|- What do you do? - Ministry of Agriculture.|- What? [Laughs]|Protection of the horse of France. Seriously, I love horses. I'd have sacrificed everything...|my time, my money, my life... - Isn't that right, Paulo?|- Yeah, that's right. - It brings in money?|- Never. Well, I've got to|check my horses. - Will you be back late?|- Will I be back late, Paulo? - Never before 6:00.|- Oh. - I thought that...|- What? - What did you think?|- You'd stay. No, no. Why don't you tell Paulo|what you think? Okay? Hey. Hey. [Man On P.A.,|Speaking French] Prince of Orange. Number seven.|That's my lucky number. - How much do you want to put on it?|- Everything I got left. - 70,000 francs.|- Bob, you're crazy. What if you lose? I'll have hit rock-bottom.|I'll have to change my ways. - Place it for me.|- Do it yourself. Me? Place a bet|like that? Never. [Hooves Clattering] Prince of Orange.|You could do worse. Oh, you know,|I'm missing a passport. - And the girl that went with it.|- She's just a kid, Remi. - Let her have a life.|- I was investing in her future. Girls are unreliable.|Horses, now, there's an investment. - Oh, you're going to give me a tip?|- Prince of Orange. 8-1. I'd stake my life on it,|and let's call it quits. I'm not|a betting man, Bob. - But if I was, you know something?|- Try it. It's a blast. I have to say you owe me one!|[Cries Out] - [Whinnies]|- [Grunts, Screams] - [Men Shouting, Horse Neighing]|- Think it'll make the race? Why does he have|so much ice cream? That's all|he can eat sometimes. - Ah, heroin.|- His lady. I thought luck|was his lady. Ah, when one runs out|he turns to the other. - Why?|- Why? Who knows? Why do I want|to kiss your neck? What about Bob? What about Bob?|He's given us some space. Oh. But I thought... - [Sighs]|- Are you sorry? ¢Ü¢Ü[Piano] [Horses Wheezing] [Hooves Thundering] - Okay.|- [Grunts] - So. Where to, boss?|- Home. Don't you want to continue|your winning streak? - [Snorts]|- [Chuckles] - What happened to home?|- Forget about home.|You're going to Monte Carlo. - Where in Monte Carlo?|- The Casino Riviera. - [Groans]|- You see, Bob, I figure|you needed a reason for living. - Now that your luck's bottomed out.|- That it has. - The Casino Riviera...|- Has a safe. - Yeah.|- 80 million in cash deposits|in a safe on a hydraulic lift. We've been through it already. So has everybody from here to Paris.|It's impossible. - Yeah. But that's not it.|- Besides, I'm just a gambler now. Oh, since when? - Since my last six convictions.|- Ah. Let me start again. The Casino Riviera|has been refurbished. New owner.|Funded by a Japanese bank. - So?|- So they're taking it upmarket. They want to attract|a new class of customer. - How do they do that?|- Art. - Art?|- Paintings. On the walls. - Remember the '80s, Bob?|- No. TheJaps had so much cash|they couldn't spend it. - They bought... Yeah.|- Art. Picasso, Modigliani, Cezanne...|At prices you can't imagine. So, to recoup their investment,|they hang it on the wall of the casino. - And you want to lift...|- Fuck the safe! The paintings.|Worth more than ten years of Grand Prix. - How?|- Oh. Now you're interested. [Crickets, Locusts Chirping] Where's Paulo? - Helping a friend.|- Oh. [Woman Talking, Indistinct] - Better than wallpaper, hmm?|- [Scoffs] No comparison. - [Bob] What was that song|about Van Gogh?|- "Starry, Starry Night." So where is|"Starry, Starry Night"? - Maybe in the Guggenheim.|But don't be picky.|- Let's not be picky. Come over here. - La chambre Picasso.|- Oh, that's how it is. Hello, Jacqueline. Huh! - Cezanne.|- Yeah. There's only one problem. - What's that? I know.|- They're fakes. Good ones.|I think another forger. - Modigliani. Beautiful, isn't it?|- Yeah. - You want to rob fakes?|- No, not exactly. Come outside. - The originals are in there.|- Why are they in there? It's a Japanese thing.|Protect your investment. Painting in the vault,|perfect copy on the wall... - And we crack the vault?|- Yes. - Yeah.|- And you know the beautiful thing? - What's the beautiful thing?|- They can't disclose the robbery... because if they did,|the joint closes. Who'd come to see|a copy of a Van Gogh? Either somebody just walked over my grave,|or I'm going through withdrawal. - Maybe you're excited.|- Who tipped you off? A friend of mine. You leaving|the best to last? Vladimir.|He installed the security system. [Engine Revving] - You okay?|- No, I'm not okay. I'm out of dope, and I'm out of luck,|and I'm tempted. But I want to die in an old folks' home,|not in a jail. - Well, then, forget about it.|- We'll need money, a lot of it. - How do you plan to get it?|- I take out a loan. - Pretty good deal.|- Fuck that. The interest... We'll get the money, Bob.|What we need is a plan. - Don't you have one?|- That's your speciality. - You know what my plan is?|- You've got one already? No more gambling!|No more dope! - Till we pull this off. Of course I'm in.|- So, Bob. You're in? [Snorting] [Mumbling] - Hey.|- Here's the deal.|I'm gonna chain myself to that bed. I'm gonna need|the bucket, the bedpan... - and some ice cream.|- Yes, Bob. I'm sorry, Bob. Oh, Paulo, love means|never having to say you're sorry. - [Handcuffs Clinking]|- You look good for a man of your age. What age is that? You know, Stone Age? - [Sighs Deeply]|- Kinky, as well. I feel a confinement|coming on. - [Key Clattering]|- What do you say when I ask for that key? - No way.|- Thank you. [Muttering]|Oh, Jesus. - So you told him?|- Why do you think he's sweating it out? - Hi.|- Hey! I thought you'd been|sent to Algiers. That cop put in|a word for me. Thought you were going to blow away.|How kind. - Seen Bob?|- Why do you want Bob? - I want to thank him.|- I'll tell him. He'll be touched. - [Bob Whimpering]|- [Bed Creaking] [Groaning, Shivering] [Moaning] - Give me the key.|- [Door Slams] - No.|- [Snorting] Give me the key. I'll do anything you want. - You would fuck me?|- If that's what you want, then give me the key. Come and get it,|Mr. Stone Age Man. Do you like my tits,|Mr. Stone Age Man? - Give me the key! Give me the key.|- ¢Ü¢Ü [Humming] [Clicking Tongue] Nearly there, Bob.|Nearly there. - Nearly there.|- Fuck! I can't. Please, please!|[Laughing] You know what, Bob?|I think I'm not your type. [Door Opening, Closing] [Vomiting] [Bucket Clattering] [Picking Up Bucket] Hey, kid. Thank you. One day at a time, Bob. - Isn't that what they say?|- Yeah. - [Door Slamming]|- [Gasping, Groaning] - Said. You prefer Nice to Algiers, huh?|- No comparison. If you're playing for time,|kid, you don't have any. - I swear to you I'm not.|- I'm calling Immigration. - I've got something big!|- How big? Bob Montagnet|is involved. - Are you fucking with me?|You know what that means?|- No, just give me time. - It's personal with you. You like Bob!|- No, no, everyone likes Bob! - That's part of the problem!|- I like Bob too! You are on double-duty 24 hours a day.|You find out what he is going to do... before he has a chance to do it,|because if I have to book him... I'll carry you personally|to Algiers... I'll deliver you in cuffs|to whatever fuckin' mullah... wants to chop you|into pieces over there. - Is that clear? Is that clear?|- Yes. Yes! Shh! He's sleeping. - That's good.|- Three and a half days. Out. Out. [Puffing] [Engine Rewing] ¢Ü¢Ü['60s Rock] ¢Ü¢Ü[Continues] ¢Ü¢Ü[Man Singing In French] ¢Ü¢Ü[Man Singing Continues] [Car Crashes] ¢Ü¢Ü[Continues Faintly|On Car Radio] Why are the French so god-awfully bad|at rock 'n' roll? - What do you mean?|- I mean, look at it. We give you Elvis Presley,|Frank Zappa, Jimi Hendrix, Bob Dylan. And you give us|Johnny Hallyday. - Don't talk to me aboutJohnny Hallyday, okay?|- All right, all right. - ¢Ü¢Ü[Johnny Hallyday Continues]|- You know, I'm a gambler, Roger. - Yeah, I know.|- That means I'm good at probabilities. - I was never good at those.|- Well, I have to be. Having driven now for about|one hour and 45 minutes... and having you constantly|in my rearview mirror... I'd say the probability|is that you're following me. I was keeping an eye on the Russian girl.|I end up following you. [Scoffing]|Really? You're gonna need|a tow truck. [Church Bells Ringing] - [Roger] It's your fault.|- No, no, no, no, no. My mother was born|down there. She was washing her sheets|in the rocks below... when a parachute|fell out of the sky. It carried Vincent Montana,|United States Marine Corps, my father. She thought he was an angel,|delivered from heaven. Oh, this was|a sentimental journey. At our age, Roger,|we have behind us a growing past... and face|a diminishing future. - We consider our options.|- Oh, yeah. What are they? Me? I just go on.|We have to stay clean. Will you give me a lift|back to Nice? - Will you stop following me?|- Uh-uh. Okay. Philippe? Philippe? Make up a report, will you? "One silver|Peugeot damaged, near the village of, uh... Bas-sur-I'Eau." Get me the file on Bob. - Bob Montagnet?|- Montagnet, Montana. Bob le flambeur.|Bob. What's his passport?|American or French? Hey. Both. [Chuckling]|He's growing old, huh? - There's gratitude for you.|- He's turned snitch. Of course he has.|All part of the plan. - You going to share it with anybody?|- Well, we're being watched. Tried to enter Monaco yesterday.|Had Roger on my tail. - So you lost him?|- No, I didn't get there. Visited my mother's|birthplace instead. - Where was she born?|- I forget. But as I was lookin' at the place,|whatever it's called... - I had an epiphany.|- What's an epiphany? - We set up two robberies. Just stay with me.|- Huh? This one takes some time. We do it on the night|before the Grand Prix. - Are you crazy?|- Maybe, but hear me out. Every thief around here has been waiting|for years to pull that one off. So I set it up, finally.|I know they're watching me. They know|I'm down on my luck. - Now, you ever heard ofJudas?|- There is a snitch. Oh, yeah. Always is.|One-time friend. New enemy. Old lover. You're lucky if you find him|in time to shut him up. But this time, man,|I don't care. Maybe I even cultivate him. - You're not with me.|- Not yet. On the night before the Grand Prix,|I'm in the casino with you and Paulo. We pose as gamblers.|We get an inside contact there. We get the make of the safe, the setup,|as complete as it can be. But Roger has every cop, every piece of security|in the place watching me. So what do I do?|What would you do? - I'd call it off.|- Exactly. I'd call it off.|But at 5:00 in the morning. In the meanwhile, we have a crew in the villa|where the real heist takes place. And they've had six, maybe seven|uninterrupted hours to secure those paintings. - Okay.|- It's like those paintings. - We've got a real heist, and a fake.|- Ah-ha. With the inner complication|that we want to be betrayed. Now, let's face it.|We generally are. There's always someone|turning snitch. This time we welcome the rat, and I let Roger|stay glued to my ass like a bad hemorrhoid... I can't get rid of. - Are we having fun yet?|- We will be, if it works. Yeah, if it works.|We better talk to your Vladimir. ¢Ü¢Ü[Patriotic Anthem,|In The Distance] - Has he a record, this Vladimir?|- Maybe Moscow. - Why'd he come to you?|- I think it was, uh, pride. - Pride?|- Yeah. You'll see. ¢Ü¢Ü[Jimi Hendrix-Style Guitar,|"Star-Spangled Banner"] ¢Ü¢Ü[Continues] - ¢Ü¢Ü [Electronic Shrieking]|- Stay back and imagine an invisible square. ¢Ü¢Ü [Anthem Resumes] - ¢Ü¢Ü [Shrieking]|- I said, stay back and imagine... an invisible,|motherfucking square. ¢Ü¢Ü [Resumes] So?|What do you guys think? Well, it's impressive, Vlad.|Really. You've got to imagine, 30 meters high,|Madison Square Garden. R.E.M. Are|ready to bite. We meant|your security system, Vlad. - ¢Ü¢Ü [Fades]|- Oh. You're the heist guys. Yeah. We're not|the rock 'n' roll guys. Villa St. Pierre.|Quite complicated, like this. You know how I was going|to call this? "Purple Haze." Yeah, good choice, Vlad. Get back|to the security system. How does it work? The way everything works.|Mathematics. 180 i-points in vertical.|The horizontal the same. That means,|the points of contact equal. - 180 squared, that's 32,400.|- Very good. But listen. The horizontals and the verticals|move against each other. So, in effect,|I've covered infinity. If anything moves in there, anything that has|body heat more than rigor mortis... [High-Pitched Wailing,|Ascending] - What if the power fails?|- Half second delay, the generator kicks in. Have you ever tried|to heist in half second? - If the computer fails?|- It cannot. There is another hard drive connected,|has enough gigabytes to run a cruise missile. - You know cruise missiles?|- Yeah. - So it's impregnable?|- Yeah. - Hi. I'm Vlad.|- Hi. I'm Bob. - This is Paul.|- Hi, Paul.|- Hi. - So, why'd you contact us, Vlad?|- Between you and me? - Yeah.|- I got my family back in Vladivostok|begging me to get them out. So I got a thinking: The only guy|who could crack impregnable system... - is the guy who installed it.|- You. Me. The only way Vlad will crack Vlad system|is with a Vlad system. - Still with me?|- Almost. Villa St. Pierre.|I build it here in front of you. - [Keyboard Clicking]|- Same dimensions, to the centimeter. I match the movement of the sensors|in my set after those in the villa. I get into the system so they read what's here,|not what's there. - Oh.|- Then there is a problem of sound. - The sound?|- You heist guys make a noise, no? Wire mesh built into the walls,|floor and the ceiling. Detects noisy, hammering|heist guys. The same thing,|I build it here. The exact dimension.|The alarm rings here... - but noisy heist guys hammering there.|- Can you do all this? - I live in hope. Tell you next week.|- Oh. How do you plug in|to their system? Their system needs upgrading|every six months. And my next visit is due|Tuesday, next week. I could leave there|a beetle. - Beetle?|- Sorry. It's the wrong word. A "bug." A miniature fifth column. Takes instructions from you. - And, uh, I need a equal partnership.|- Oh. A "favored nation." - It's a deal.|- Deal? Yeah. ¢Ü¢Ü[Electric Guitar Resumes] So.|How do we pay for this? The son|was sold to a devil. [Door Slams] Do you know what Einstein said|about roulette, Anne? - What?|- It can only be beaten by a gambler... with infinite capital, playing in a game|without limits for eternity. - So why play?|- Einstein didn't believe in luck. [Wheel Spinning] - Black.|- You're gonna tell me I have to go now, right? - [Sighs] You can't stay here, Anne.|- [Ball Rattling In Wheel] Paulo's waiting for you|in the car. What if I said no? Well, I think Paulo|would be very disappointed. - No.|- [Exhales] Oh, no, no, no, no.|My, my. [Sighs Deeply] - Mm. Bob. Oh!|- [Grunts] [Chuckles, Sighs] He thinks the sun shines|out of your eyes. No, he thinks|it shines out of yours. And the moon.|He imitates you, Bob. He's a good kid. Some girls prefer|the real thing. Oh, ho, you think|I'm the real thing? You said I'd always|have a home. If you choose.|He's giving you a job, isn't he? - So he says.|- So, what else does he say? "I love you."|All the time. Only one solution.|Say it back. I can't.|I never could. - So, my place?|- You promise I won't regret it? I promise. [Door Slamming] [Shutter Clicking,|Motor Winding] - Yeah, I'd heard the legend.|- Pamplona. Pablo bet on the matador... - I bet on the bull.|- And the matador got how many stitches? - Twenty-six.|- I never believed until now. Amazing. I mean, the place|to sell this is New York. No, no, no, no.|Can't go back there. I'd heard that too.|So, what do you want? - An advance against the salary.|You take your commission.|- Forty percent. [Chuckles]|Do we argue that now? No. Not now. So, when can I see it? Milk. Straight up. - You going through|your second childhood, Bob?|- Twelve steps. I think I'm on two and a half.|Chin-chin. - I spoke to Petit Louis.|- So? - Is he interested?|- Interested enough to talk to you. Good. We'll need|Fernandez, Luigi and Bill. - You've turned down Philippe?|- Yeah, all the apostles. And here comes|one candidate forJudas. [Bob]|So, they let you out, my friend. Yeah. Someone put in|a good word for me. I thought it might be you.|That cop's a friend of yours, no? - Were there any conditions?|- I had to sign up for rehab. - So, you're clean too, huh?|- Yeah, I'm clean. But I've got a line|on some golden brown. Oh. How are you gonna|make ends meet... now that you're not filling up|that hole in my arm? - Ciao, Yvonne.|- Let's go.|- [Yvonne] Ciao. ¢Ü¢Ü[North African] - Is Fernandez around?|- Why you want Fernandez? Ask him, does he still want pesetas|to open that club in Rio? - But it's no good if we can't shoot.|- No boom-boom, Louis. This won't be the movies. - You mean, I can't even shoot blanks?|- No. - [Man] Action.!|- Shh! [Gunshots] ¢Ü¢Ü[Man Singing In Arabic] [No Audible Dialogue] Oh, you look like|you kept in shape, Philippe. [Grunting] Yeah. I work out.|But you know the way it is. - Time passes, we all change.|- Uh-huh, do we ever. [Laughs] Yeah, well, some|more than others. - I don't know quite how to put this, Bob.|- Tell me anything, Philippe. Okay, it's Philippa now.|But if you still want me, I'm in. - Hey, Luigi. [Indistinct]|- Oui, oui? [Bob] You know what he used to say:|I never borrow, I steal. Well, he was a good thief here.|I can see some Ingres. Bit of Velazquez|in these eyes. And this neck.|Some of those old Etruscan vases they used to... pick up on the beaches|at Pompeii. If this is hot, Bob,|I'm not touching it. It was a bet.|On my child's life. If this is hot, your child|won't have a life. [Both Chuckling] I've got too many raps|against me already. There's no signature. A lot of'em aren't signed.|Here. - Pamplona, 1969.|- Mm. - [Chuckles] And that's the signature.|- Yeah. I'd say, two to three|million dollars... at auction in New York. - I take my commission.|- Twenty-five. - Are you in a position to bargain?|- Thirty then. - With a 10% advance.|- One and a half million francs. If there's something you're not telling me,|what's my security? There's nothing I'm not telling you.|And you have the painting. Does it come|with wrapping? Hello, Big Ears. Hello. So, how many of you guys knew|Philippe had turned into Philippa? - Well, I knew.|- I knew too, Bob.|- Yeah? - You mean, you didn't know?|- Nobody tells me anything. - Enough about me.|Are you going to tell us why we're here?|- Yes. - Hello.|- [Yvonne] Hi. Jack Daniels? The fakes are cover|for the real. It travels on the grapevine.|The real one stays mum. - Yeah.|- How do we keep it mum? We all trust in each other|in this room. We've all|worked together. Any of you lets a whisper out,|I'll lock him in the bathhouse with Philippa. How do they travel|on the grapevine? Why do you think|I asked to meet here? There is your snitch. See how simple it becomes|when you embrace your own Judas? Oh, my God.|You did sell your soul. - I had to sell something.|- To whom? - Tony Angel.|- Tony Angel? - I hope you got a fair price.|- I got this. Fernandez. Luigi. Petit Louis. - Philippa.|- Hey. Aren't you worried about Philippe? - Why? Should I be?|- Since he... You know.|Became Philippa. When he had his balls cut off,|he lost his balls, so to speak? That's sex discrimination,|Paulo. - But women, they talk more!|- Does Philippa look like a woman to you? No, he looks like, uh,|Philippe... with melons. [Chuckling]|I'd trust Philippa with my life. I'll tell you what. Tell her if she talks,|I'll cut off her cojones. Or did she lose them, too? [Scoffing] ¢Ü¢Ü[Techno] - What was that about?|- You told me to be nice to the patrons. Now you're jealous.|That's sweet. [Laughing] - Don't wait up for me.|- Now I'm jealous. Where are you going? - I got to meet Bob.|- Always meeting Bob. What is it this time? ¢Ü¢Ü[Continues] [Door Closes, Engine Revs] [Motorcycle Engine|Starts, Revs] ¢Ü¢Ü[Vladimir's Guitar Wailing] - I could retire on this.|- So R.E.M. Took the bait? Oh, fuck rock 'n' roll.|You heist guys are easier to deal with. So, what do|the heist guys think? - Oh, it's amazing, Vlad.|- Almost. A problem if you heist guys|get too noisy. All the system|still in place. ¢Ü¢Ü [Chord, Increasing Feedback] - [Whining, Squealing]|- Over 90 d.B.'s, there is alarm override. So, we mike ourselves.|Carry a decibel comp. - Regrettably, the best Vlad can do.|- How about the cameras? You could have orgy there.|Nobody would notice. - You into orgies, Bob?|- No, not since '72. It's a deliberate mistake.|I got a good computer graphics. But I'm not Cezanne.|I need photographs from the casino... - to fill all these frames.|- I need to see that vault. I have an appointment Tuesday|to upgrade their system. I can't get you in there,|but it doesn't mean you cannot see it. [Man On TV,|Speaking French] [Speaking French] Hey, you! - Tell me you love me.|- I can't. You know that. What kind of girl is it|cannot say three words? Very tired girl.|From a deeply dysfunctional family. - I say it to you!|- Nobody asked you to. What do I have to do|to get you to say it? Huh? Get me the moon. [Laughing] [Speaking French] I'll do better. Suppose I told you I was going|to rob the Casino Riviera on|the night before the Grand Prix? And all for you. - How much in the safe?|- Is that all you can say? That's all. Eighty million francs. So say it. Eighty million francs. [Buzzing] - It's Roger.|- Are you sure? - Certain.|- Aw, shit! - Change of plan?|- Yeah. You gotta take the train. - And you take the camera.|- You mean this lighter is a camera? It's a Minox. Do you think|I was gonna go up there with a Nikon? Take pictures of paintings.|Then play slot machines till I get there. - How does it work?|- Open it up... Iook through the viewfinder,|give yourself a light. - You like smoking?|- Not that much. There's 24 paintings.|That's 24 Marlboro Lights, I hope. I was trying|to give it up. Roger, I've given up my studies|on the probability theory. - Oh, really?|- Yeah, all that computation addles the brain. All I can say now is,|"What a coincidence!" - No. No coincidence. I was following you.|- [Scoffs] - Hot damn, wrong again.|- You found religion? I'm paying my respects...|to my mother. - Do you remember that village|where she was born?|- Yeah. Bas-sur-I'Eau. - Yeah. That G.I. That came out of the sky?|- What is your father? Yeah. Well, they moved here,|to the old town. He became a junkie.|And when he up and left... she became one of those ladies in black you see|over there lighting candles. Praying for|her husband's return. - Were her prayers answered?|- Well, the way all prayers are answered. Not in the way|she wanted. He turned up again when I was seven,|clean as a whistle... with a new wife named Dora...|took me to a new life in America. And, by the time|I made it back here, well... - She wasn't lighting candles anymore.|- Yeah. You know, that's the third|version you've told me. Well, that's the truth. - So is it true what they're saying?|- What are they saying? Well, they say|you're back in business. - No?|- The only business I'm in, Roger... is the business|of recovery. Three weeks. I'm clean. [Shutter Clicks] Our daily bread,|forgive us our trespasses... Have you heard the story|of the Good Thief, Roger? - No. I'm not religious.|- No. Neither am I. But when my mother told it,|I guess it stuck. The Good Thief...|besideJesus on the cross... and Jesus said to him,|if I remember this right... "Tonight you will be|with me in paradise." And the thought that there was a place|in heaven for a thief always made me cry. [Chuckles]|You want to make me cry now? You gotta watch this cynicism, Roger.|It's too easy in that job of yours. - I'll work on my attitude.|- You should. You should. [Shutter Clicks] [Multiple Clicks,|Paulo Coughs] Bob. You saved my life,|but if you try something... - Try what?|- Do I have to spell it out?|I'll put you down for life. - You're a cop. That's what you do.|- What are you? I was good at thieving once, Roger,|and I may not be the Good Thief yet... but I am trying...|believe me, I am trying. Now if you excuse me. I have to|pay my respects. She was a good woman.|My mother. [Sighs] [Shutter Clicking,|Paulo Coughing] [Anne] What do you know?|It's the Candy Man. - [Said] Is that my new name?|- Yeah. Got a kiss for me|this fine evening? Yeah, sure.|[Chuckles] Your boyfriend Paulo...|what's he up to? - Works with Bob.|- On what? - Doesn't tell me.|- What's he working on, baby? That surprise. - On a safe.|- What safe? Give me first. [Clicks Lighter] A safe with 80 million. That's all I know. [Chattering In French] Got a light? That's it.|I'm giving up smoking. - Do you know nicotine's|more addictive than heroin?|- Really? Ask any junkie. - Are you done?|- Mm-hmm. - Anyone clock you?|- I don't think so. Guy with short hair with the ear piece.|Do you notice him? - Huh? Well, he noticed me.|- Yeah. Come on. - You want to see the vault?|- Yeah. I do my regular check|on their system. I plant my beetle.|Meanwhile, you enjoy the view. - From where?|- From the car behind. A reasonable picture, up to 100 meters.|Then it gets emotional. - Emotional?|- Kind of fuzzy. - Oh, emotional.|- [Engine Revving] [Man Speaking French] [French] - [French]|- [Gate Clicking] - He has some kind of fancy system.|- [Bob] Yes. - And there is nothing in that vault?|- Oh. I got a fine assist,|I guess we'll soon find out. [Car Door Slamming] Bon soir, monsieur. - [Turning Pages]|- Plans of the villa. - Where did you get them?|- Architectural Heritage Society. Very helpful. Security room, basement. [Whispering]|Don't you guys know me by now? - Procedure is procedure.|- Oh! Procedure is procedure.|Sounds like a techno band from Dusseldorf. [Beeping] - Oh.|- Wow! No fantasist he. [Rapid Beeping] Good. [Electronic Beeping] Could you... - Thank you.|- [Bob] Guess what that is. - What?|- The old Napoleonic sewers. They run downhill|towards the sea. That's our way in.|Turn that off. We can watch it later. Come on.|Do you think I'm blind or something... that I haven't noticed|what you're up to? - Yvonne...|- Men coming here to see you,|phone calls, everything. You're crazy. Bob, I haven't forgotten|that I opened this bar... with money you lent me. - So, if you need money now...|- You're mad, Yvonne.|What put that idea in your head? If you get yourself arrested,|you wouldn't survive, you bastard. Would you come and visit me inside,|bring me whiskey in a flask? - [Yvonne] It wouldn't be the first time.|- Do you know him? No. Never saw him before. Why do I|imagine I have? - Ciao.|- Take care. Turn around.|Follow me. - What's up?|- Behind me. You remember him? Philippa, hop in that doorway|and find out what his beef is. [Muffled Grunt] - What the hell?|- Oh. You think|he whacked Philippa? Nobody whacks Philippa.|You're twins, right? We're onto you.|Whoa, whoa. [Man]|What the fuck do you think you're doin'? - Get off!|- Philippa! Stop! Stop! Stop! - My arms are getting tired.|- Phil, be a bit more gentlemanly. This is Albert. That's Bertram|you're abusing. They're twins. This is Albert. That's Bertram|you're abusing. They're twins. Now, say you're sorry. - Sorry, Albert.|- The name's Bert. Let's go through it again.|This time pretend I'm slow. - Slow?|- Yeah, it means stupid, um, kind of. - It's simplicity itself.|- He's in charge of the deposits to the safe. They change|the combinations weekly. - I get the numbers. I make the deposits.|- He gives me the combinations. The night before the Grand Prix, while he's|in the manager's office, I'm on the floor. - The staff take me for him.|- He has access to the safe,|and my alibi is solid as a rock. I see. You've put a lot|of thinking into this. [Together]|Two heads are better than one. - So, what was your plan?|- [Sighs] Nothing like yours. - Infantile in comparison.|- We need help to move that kind of money. So, if you want in... - No one's ever seen you together.|- No one in Monte Carlo. - Give us a day or two to think about it.|Right, Paulo?|- Or three. You go out the back.|You go out the front. [Hinges Creak] - Crazy, boss, huh?|- Totally. But, you know, we want them|to think we want that safe. Twins. You see Roger's|following that? How's he gonna know|they're twins? Tell you what. Call him in a day or two.|Go through their plan again. - It has the benefit of originality.|- We've got that meeting. Yeah. You go out the back.|I'll go out the front. Try to lose Roger. Start without me|if you have to. Would you drive me, Roger? I have a meeting.|I'm attending Narcotics Anonymous. That was your support group|up there? - Yeah.|- [Engine Starts, Runs] You're welcome to join me. You should|support me in my battle against my addictions. Your addictions being... Gambling and narcotics. [Raoul] Okay, guys, imagine this is a vault.|All the alarms will be... coming in from here... And reinforced steel floor... - You know, every addict,|Roger, has an enabler.|- Nobody tells me anything. The one who, through no fault of their own,|maintains the addict in their habit. - Often needs the addict in their habit.|- [Chuckles] - Let me guess. Your enabler is...|- Is you. We're codependents, Roger.|We have been for years. I mean,|look at you, now. You're chasin' me, because you imagine|that I'm chasin' a big score. - [Laughs]|- And maybe the cure starts with you. - The cure?|- Yeah, because deep down|you want me to try that big one... if only to see|how I'd do it. There's nothing I can do|that'll convince you that I'm clean. It's unhealthy, Roger. - It means we're both hooked.|- [Raoul] Running through a tunnel... between the ceiling|and the floor... Bill packs these mikes... Make sure|you keep that needle below 90. Right, Vlad? [Bob] You wanna come up?|We can explore these issues further. - I haven't hit rock bottom yet.|- You will. - Are you sure?|- The cure starts now. Say it. - Say what?|- "My name is Roger. I'm an addict in recovery." - [Laughs] No, no. You say it.|- My name is Bob,|and I'm an addict in recovery. And today is the first day|of the rest of my life. [Woman]|My name is Michelle, and I am an addict. [Men And Women, Together]|Hello, Michelle. [Woman #2] My name is Anne,|and I am an addict. - [Together] Hello, Anne.|- My name is Case. - I am an addict.|- [Together] Hello, Case. - My name is Bob, and I'm an addict.|- [Together] Hello, Bob. My name is Francois,|and I'm an addict. [Together]|Hello, Francois. [Raoul] Paulo replaces the grill|andjoins Bob and me in the casino. We keep them busy there.|And... no smoking. Okay, guys: Mikes, needle, gas main,|grill and casino, eh? - And that's how it works in theory.|- Yeah, in theory. We rehearse this on Friday.|Did you explain everything? - [Raoul] Yeah, yeah.|- [Others Chattering] Well, we're gonna go in there at night,|all right? Everybody understand that? ¢Ü¢Ü[Techno] So, Remi, have I gone up in the world,|or come down? From my perspective,|you're kind of standing still. You can't move|standing still? I think you should|value yourself more highly. Think he's right, Said? - Depends.|- Depends on what? - On what you're selling.|- Damaged goods. That's me. Would you prefer|to discuss this in private? Private? I like private. Come on, guys.|Come on. Location, the safe,|the 80 million francs. - And why should I tell you?|- Because I'll give you pleasant dreams. - Hmm.|- Look at this. [Straining] Paulo. Philippa. - Gas faucet.|- Right. Twist it left till it stops. Okay, boss. Aaah!|[Shudders] Hey... They're gonna rob... Bank of America,|fourth ofJuly. - Don't make fun of me, you bitch!|- Learn maturity from the dogs in the street? I know it's the casino|where they are, okay? The night before the Grand Prix|in Monte Carlo. Now, fuck off. - Chill it.!|- What? Anne?|How are you? - Okay.|- How are you? - Good.|- You okay? - Here.|- Are you certain? - Yeah.|- It's my bag. I think it's lonely. - [Electronic Beeping]|- I miss you too. So, Vlad, that alarms|aren't mobilized? You still don't believe me? - What time is it, Raoul?|- Uh, 2:45. 2:45. Okay.|Here goes. - ¢Ü¢Ü[Discotheque]|- A lovely kid like you|shouldn't be in a nightclub, you know? You want me on the streets? Anne, you don't look 14.|We both know that. - For you?|- For both of us. I must be made of gold, then.|Everybody wants a piece of me. Okay, let's go.|You should get some fresh air. Come on. [Electric Motor Humming] Yeah. - [Alarm Wailing]|- [Tapping On Keyboard] [Alarm Continues] [Hammer Hitting Chisel] [Alarm Wailing] [Men Chattering, Grunting] All right.|Two feet of brick. Keep the sound at|sixty d.B. Should take? - No. Two more is max.|- All right. Let's get the torch ready. - [Metal Hits Ground]|- Maybe I should melt myself down... - [Metal Hits Ground]|- Maybe I should melt myself down... and give a piece of me|to everyone who wants a piece of me. Who wants|a piece of you? - Paulo for one.|- Oh. And what does he want? - He wants to buy me the moon.|- Oh? - [Laughs] The moon.|- Mmm. - Moon's very expensive, you know.|- [Laughs] And how would he|pay for it? - The heist.|- Oh, yes. Of course. The heist. Who else? Said. - He wants to know|what I know about the heist.|- Oh. What do you know? Mm, well, what I know|I didn't tell him. - [Laughs] That's my clever girl.|- [Laughs] And Monsieur Bob,|he doesn't want money. He wants what money can't buy.|[Sniffs] What can't money buy? Beauty. - You are being mysterious now.|- Hmm. Isn't beauty always mysterious? - Like you.|- Hmm. - I'm tired, Remi. Will you take me home?|- Of course. Of course. - Can you keep a secret, Paulo?|- Depends. After the operation,|everything was the same. - Everything?|- Ja. I bench press 400 pounds... - I'm still the same bad motherfucker,|except for...|- Except for what? - Spiders. Can't take spiders.|- Spiders? - And there's spiders round that faucet, Paulo.|- Uh-huh. Can you do|the faucet, Paulo? - Yeah. I'll... I'll do the faucet for you.|- And keep it between us, Paulo. I mean, I don't want no laughing.|I got a reputation, you know? [Footsteps Departing] Here you go. - [Opening Bottle]|- [Bottle Cap Hitting Floor] Paulo. - What the fuck is...|- I helped your girlfriend home. - You?|- Yes. Someone has to look out|for her, you know? She was in a bad way,|out of her head, telling stories. - Cool. Cool. Cool.|- What stories? - Cool.|- I said, what fucking stories? - Something about the safe. 80 million...|- [Grunts] The quai in Monte Carlo. Who'd she tell? Said. They say|they have a deal. When he gets her high,|then he fucks her, then... then she tells him|what the real story is. It's not true,|you lying pig! - Get the fuck out of here.|- I swear. I swear... on my tribe's life. Fuck! [Paulo Shouting|In Distance, Indistinct] - [Slap Landing]|- [Sobs] [Door Slams] You'll get me shot, cop,|asking to tail like that. - Bob never killed anyone.|- Always a first time. You can always take your chances|in Algiers. Tell me. The Casino Riviera in Monaco.|There's a safe with 80 million francs. - I don't believe you.|- Tomorrow night, before the Grand Prix. Said! Said! Said! Said! If you want witnesses, Captain,|I saw the whole thing. It was Paulo Turco. Tell me something useful,|would you? He was afraid they blow the whistle|about the Casino Riviera. - I never thought Bob would be that stupid.|- He's not. - He just wants you to think he is.|- Hello? - I have this terrible feeling|you're going to tell me something.|- Yes. - It's not the money. The paintings on the walls!|- What paintings? You should call the casino. Bob? What did I do,|Bob? Huh? Huh? I don't know, honey.|What did you do? Careful. Now,|pick your feet up. [Paulo]|Fuck.! I fuck it up bad, man. - I'm sorry, I lost it.|- What? Your Romeo here just shot your dealer,|and we have to know what you told him. - Nothing.|- Don't lie, you drunken bitch.! - You told him and you fucked him.|- [Tires Screech] You're a tough guy, Paulo? You shoot a|strung-out kid. What does that make you, huh? A mean, motherfucking,|gang-banging... bastard! - Get out of the car, Anne.|- [Door Opens] Pathetic, fucking cliche! You're gonna keep driving|till you reach San Remo, tough guy. - You know where San Remo is?|- It's in Italy? You're facing a murder rap, Paulo.|That's quite a surprise. I don't want|any more surprises. - I'll make it up to you, Bob.|- Okay. Make it up to me in Italy. - [Door Slams]|- [Engine Starts] And I'll be grateful, Anne,|if you told me what you said. I swear, I told him nothing,|but Remi said... Wait. So Remi|said something? Mmm.|[Sniffles] I told him|what Paulo told me... about the Monte Carlo,|the night before Grand Prix. Paulo told you that? Yeah. He said he'd buy me the moon|when you robbed the casino. When we robbed what|from the casino? The safe with 80 million.|[Sniffles] - And that's all Remi told him?|- Mm-hmm. He said,|"I'll straighten you out." Okay.|It's okay, kid. It's okay. [Quietly]|It's okay. - Anne... No!|- [Anne Gasps, Whimpers] Hey, you, fake.!|Where's my money? - So, you knew Picasso?|- Met him once. Pamplona, wasn't it?|He bet on the matador. You bet on the bull. - The matador got how many stitches?|- Twenty-six. Well, it can't have been Pablo. It must have|been Paddy Picasso, his distant Irish cousin... because I had this canvas|valued in New York. - It's not worth the fucking freight charge.|It's a fake!|- It's a good fake, though. Isn't that a contradiction in terms:|"A good fake, a happy homosexual"? It was painted by Paul Keating,|one of the truly great fake... - Where did you meet him?|- At a betting shop in Croydon. - I gave him a tip on...|- Kazinski here is a really great artist.|Show him. No.! Not her. Not yet.|The picture. So, if I don't... - [Tearing Canvas]|- Get my... money back by Monday... what I do to both your faces|will definitely be cubist. Call it the new aesthetic.|What do you call it, child? - The new aesthetic|- Without an anesthetic. When did I say? - Monday.|- Monday. Come on, Kaz. [Whimpering] - [Door Slams]|- It's all right. It's okay. - Have you ever tried gambling, Anne?|- No. And I never|knew Picasso. Well, the thing about Pablo was,|no one ever really knew him. Just how much trouble|are you in, Bob? If I told you,|you wouldn't believe me. Oh, I believe|everything you tell me. Tell me about gambling.|Do you have any luck left? - I'll tell you tomorrow.|- [Ball Spinning In Roulette Wheel] - Did you call the casino?|- They were closed, but I got you this. - Art.|- Yes, they reopened it last year. Doesn't add up. He's going to steal them in full view|on the busiest night of the year? - [Sighs]|- You should get some sleep, boss. I know.|I know I should. [Chatter On Police Radio,|Distant] [Chatter Continues] [Engine Stops] - What the fuck are you doing?|- [Phone Keypad Tones] [Grunts] Hey, what's up, guys? Nothing lately. Sorry. Complications.|But better late than never. Bertram, you have a place a guy could sleep|or is it only twin beds? - I spoke to the casino,|and the manager had no worries.|- [Yawns] He said the originals are quite secure|at a different location. - The originals, huh?|- Yeah, in a vault at Villa St. Pierre. - The ones in the casino are copies for display.|- Oh, my God. It's a fake. Yes, they're all fakes.|Pathetic, isn't it? - No, it's beautiful.|- The fakes? - Anne.|- Hmm. Do you know the first thing|to learn about gambling? - What?|- Clothes. He or she should always|look their best. - And we don't quite make it.|- No. So, let's go shopping. What about this? Turn around. Divine. The best disguise in the world:|Tuxedo and some gel. Albert, you got some gel? [Toilet Flushing] - Gel.|- Thank you. Gel is essential|when things get complicated. There. - We could almost be triplets.|- [Both] Hmm. - And do you know the second thing?|- Tell me. - Gambling and dope don't mix.|- The third? Always play the game to the limit.|Damn the consequences. Two teams. Six cars in the trap.|I take the villa. You take the casino. - And be diplomatic|with those monkeys in Monaco.|- What about Bob? You'll find him playing the tables,|expecting me to tail him. - Just don't let him leave.|- Do I arrest him? For playing roulette? ¢Ü¢Ü[Woman Singing Opera] ¢Ü¢Ü[Continues] She had a bad end, Mimi. But then tell me an opera|that has a happy ending. - She died?|- Uh-huh. Anne. You're gonna see|fake glamor... serious money, and a lot|ofbad plastic surgery. But remember, the dice|falls the same for all of them. - That's lesson number four?|- Five and six. - Hey, where is Paulo?|- Paulo shot a snitch|and had to run to San Remo. - Do you think he got there, honey?|- I sincerely hope so. Nothing we can do, Raoul, but play our parts,|and my part was to gamble. So let's gamble. [Grunting] Where the fuck's Paulo? [Tires Screeching] Hey, so just|how fucked is it? - Don't know yet.|- Do we call it off? - It's too late for that.|How do we play this one, Anne?|- To the limit, I think? You heard that, Raoul... to the limit.|Let's get some chips. - Cover the grounds. Check all the exits.|- [Tires Squealing] Go, go, go, go! No dead bodies tonight. Do you know|what a prime is, Anne? - A number divisible by itself and one.|- You remembered. I'm touched. - Don't play them tonight.|- Why not? - It's my birthday. I'm not a prime anymore.|- [Croupier, Speaking French] - [French]|- Yes! You broke it, Bob...|your losing streak. Lesson number seven, Anne,|and don't take it the wrong way. Displays of emotion|are kept to a minimum. [Bob]|Thank you. - [Alarm Wailing]|- ¢Ü¢Ü [Rock, Electric Guitar] [Drilling] - [Alarm]|- ¢Ü¢Ü[Electric Guitar] [Bob]|There. There are plainclothes cops|all over, but nothing of Roger. - Someone's been singing, Bob.|- Yes, but I don't know what tune. I could check out the villa.|If I see cops on the gate... If you check out the villa,|you'll invite cops to the gate. Your choice, Raoul. - Round she goes.|Where she ends, no one knows.|- Hmm. [Croupier, Speaking French] [Bob]|I was right, you know... first time I met you. Lucky eyes:|One brown, one green. - Should I get contacts?|- Mm-mm. Never. [Drilling] Fucking Paulo.|Fucking spiders. - [Groans]|- We've got infrared sensors reading... every centimeter down there. If a fly buzzes in, the alarm sounds.|Seven digital cameras. He'll have gotten round your sensors|and gotten round your damn cameras. And the only question is|where he's comin' in from. - Let's go downstairs.|- I'll have to disarm the system. You're not listening.|I think you'll find he's done that for you. [Engine Starts, Revs] - How much do you owe the cubist?|- One and a half million francs. - Have you a long way to go, Bob?|- Rule number eight. Never tempt fate. We win. [Crowd Murmuring] [Murmuring Continues] [Gasps] - [Spits]|- Every Alarm in the building|should be screaming by now. That's technology for you...|always lets you down. And I bet he can't see us|on his monitors upstairs. I think we've got a problem. My God. That doesn't let you down. It would almost|have been worth it, Bob. - Who the fuck is Bob?|- Shh. [Whispering]|Hello. Hello. Can you hear me? Can you hear me?|Can you hear me? Can you hear me?|Hello. Hello? They're coming from underneath.|Check beneath the vault. Call your men|from the casino immediately. - [Bob] Another lesson.|- [Anne] What number is this? Doesn't matter. Always tip. Private rooms. [Shouting In French] It is not looking good, pal. [Shudders] [Straining] - [Gas Hissing]|- Fuck. Fuck! [Men Screaming, Yelling] - Aaah! What the fuck?|- Ow.! - Can't get through the pipe!|- Did you take care of that faucet? - Does it fucking look like it?|- The fucking gas! [Yelling, Indistinct] I smell gas. - Get out of here!|- [Explosion] - [Flame Roaring]|- [Footsteps Crunching On Debris] - That's not quite Bob's style.|- What the fuck is Bob's style? [Exhales]|Somewhat more elegant. Get in the car! - Where is Philippa?|- Fuck Philippa. Go! [Tires Squealing] Fucking spiders. Hey, what's wrong|with spiders? Fucking spiders|made it all go boom. - Boom, huh?|- Boom, fucking boom! [Whispering]|What we have is a full house. - We wanna bet 600,000 francs.|It pays 10 to one.|- Yeah. [Dealing Cards] [Chips Being Dispensed] That's 6 million francs|we just won. Take this million francs, put it on the ante,|and watch his face. [Kisses] - [Siren Blaring]|- [Tires Screech] [Clears Throat]|Check all cars in and out of Monte Carlo. They're looking for burned hair|and singed eyebrows. I'm going to the casino. - Casinos?|- Someone has to tell him he's blown it. [Both Whispering, Indistinct] [French] [Whispering]|That's the manager. Bon soir, monsieur. [Manager]|Last call. - Says who?|- It's almost daylight. - [Stacks Chips]|- Rosy-fingered dawn. [Cards Being Dealt] [Crowd Gasping, Murmuring] - The house must retire.|- The house sleepy? Cash, if you please.|Large denominations. - And it's getting late.|- [Claps] - [Whispering] The last rule.|- What? If you're gonna win big,|do it with a girl called Anne. - Okay?|- Hmm. - You had a good night, my friend?|- Exceptional. And you? - Well, exceptional too. I crashed a party.|- What kind of a party? Well, a boom-fucking-boom one.|I apprehended a transvestite... who had an interest in art and all along... [Continues, Indistinct] [Whispers, Indistinct] The safe is empty. - [Hangs Up Telephone]|- I could accept a post-dated check. - Tell him again, will you?|- Well, it seems someone cracked the safe. Tell him, hey, of all nights,|just my luck. - And I am awaiting legal advice.|- How long must we wait? - I have a meeting in Paris.|- Shall we speed things up and arrest you now? - Me? On what charges?|- Criminal conspiracy. - [Roger] Criminal conspiracy|can be hard to prove.|- Impossible in my case. I've been here all evening.|Look at that crowd. All witnesses to my presence.|My behavior? Impeccable, I would say. And to my luck, there hasn't been|a run of luck like that in Monte Carlo... sinceJoseph Jaggers|broke the bank in 1872. - 1873, sir.|- There's one way, of course,|the management could avoid paying. - What are you implying, sir?|- It's unthinkable that a casino|would empty its own safe. - [Rings]|- Its reputation...|- Its reputation is without peer. - And your implication is beneath contempt.|- As I said, unthinkable. - [French]|- [Phone Hanging Up] - We will insist on a full investigation.|- You certainly should. I mean, I would|if I was in your situation. - Would you kindly put a "zock" in it, sir?|- A "zock"? Put "zit"|in this mouth of yours. Oh, you mean I should retire with my winnings|and keep my mouth shut? - I mean shut the fuck up.|- Mmm. Anne? [Engine Stops] - Wow!|- Ah, fuck! [Laughing] - Yes! Yes! So, tell me again.|Which twin are you?|- The identical one. - And which share do you get?|- He gets mine. I get his. Do you always|share this way? - Sharin' means carin'.|- Okay, okay! - Hey, you won, you lunatic.|- [Chuckles] It's not about winning, Roger.|It's about attitude. Win or lose, you gotta|do 'em both with grace. - You learn that in recovery?|- Change the things you can.|Accept the things you can't. And learn the wisdom|to know the difference. Ah, so, what's the difference between|a run of luck and a casino heist? [Chuckles] Then again, Roger,|there are some eventualities... that recovery|doesn't prepare you for. No. No, no.|No difference, Bob. - Very little, if you think about it.|- Well... there'll be an investigation,|and I'll have to insist you stay in France. - I'll never leave France.|- It could take some time. - You'll have to talk to my lawyer.|- Who's your lawyer? Have you any suggestions? I have a friend of yours in custody|who'll need the best that money can buy. I'd be careful, Roger. With this much money|she could sue you for damages. Mm-hmm? Yeah, yeah, yeah. You made it up to me.|Now, get off the phone. Yeah. - You don't want to talk to Paulo, right?|- No. - Tell him he doesn't live up|to my ideal of manhood.|- Is there anyone who does? - Yeah.|- Who? - My father.|- Oh. He was a circus strong man. He used to hang my mother from a high wire,|suspended from his teeth. - Then one day his teeth broke.|- And? She got two false legs,|and he got two false teeth. You're bullshitting me. - [Laughing]|- You sure? Yes. You know, my mother was a rodeo queen,|and she used to wrangle bulls... [Continues, Indistinct] ¢Ü¢Ü[Hip-Hop, Man Singing|French And Arabic] ¢Ü¢Ü[Rapping In French] ¢Ü¢Ü[Ends] |
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