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INHERITANCE Angel! The gnocchi are getting cold! Can you give me|some cream or olive oil? -Don't get upset, Olinda,|come on. -No. Angel! Pass me|some cream for the gnocchi. -Thanks.|-You're welcome. I don't know why,|I felt hungry again. That was me|fifteen years ago. Oli, you're as lovely as ever. Hello. How are you?|I came to see you. -I'll be right with you.|-I'll wait for you. Who's he? A client. Give me this. -No, I've finished.|-Take this. Well... I'm off. -Bye. -Bye.|-See you tomorrow. Bye. I can't believe it, Angel!|Another plate?! -What a fuss over a plate!|-It's not the plate, you're distracted. -It's not the last plate.|-I don't have money for new plates. I don't care|about the money. -But you're sleeping!|-So get someone more awaken... ... and leave me alone! I wonder if people can see|the restaurant tomorrow. -I can't tomorrow. -You can't?|I'll come with them then... -...and see your helper.|What's his name? -Angel? No, don't count on Angel. Do you want to sell or not?|We discussed it. The restaurant... I can't believe it! A lot to be fixed, humidity|in the bathroom, kitchen,... -...plenty of things...|-What's wrong with the kitchen? You said it yourself.|They are paying for the area. Yes, but I won't give it away. I put great effort in this.|My life is in here. I know about it, dear. But these|people think with their heads... ... and you think|with your heart. There's nothing to think! Youngsters are really|something these days... -How much?|-No, please. -Thank you.|-I'm sorry. I lost your card. Here's another one.|Di Paola. -Thank you.|-You're welcome. Think it over. We can't lose it,|Olinda, really. -I'll see you out.|-Thank you. Call me, please. What do you need? -Good morning. I looking|for Belén. -Who? I'm Peter. I come from Germany|this morning... -Who are you looking for?|-Peter... eh, Belén, Belén. -There's nobody by this name|here. -Belén, Belén, yes. Belén... San Isidro...|Bolívar. This is Bolívar St., but not|San Isidro. It's San Telmo. -San Isidro.|-San Telmo. -It's not San Isidro... but it's near? |-It's one hour from here. -How far?|-One hour. -Anything else?|-No, that's OK. -Do you have ''Kechum''?|-''Kechum''? -''Kechum''.|-Yes, I'll get it. Or thousand islands.|I can't eat it like this. ''Ketchup'', please. Who asked for ketchup? -I just gave you eggplants.|-So, it's for the eggplants. -They are served like that,|without katchup. -I know that. -But he wants ketchup or some|dressing. -Tell him there's none. -How can I tell him that|if he wants some! -Listen! We've already discussed it!|People here eat as I say. Eggplants are served this way,|without ketchup. Go and tell him! -I'm sorry, there's no ketchup.|-You don't have ''kechum''? -No. -Thousand islands either?|-No. -Mayonnaise?|-We've run out of it. Something? Mustard? No more explanations. You|want ketchup? Here, ketchup. It's very simple. Measure the|diameter and from there count... ... noodles. You know how many|are there for the diameter? I don't have to|explain you anything. It's my restaurant. If you don't|like it, darling, there's the door. I say nothing, but you make me|lie and look like an asshole. You bet I'll leave. I even have to|tell people what they must eat. Who are we? All this over|some eggplants? Yes. And if he wants|to add ketchup, let him. -What do you think we are?|-OK, stop this nonsense! Why? Can't I say what I think?|He might not like the food. -It might have been too salty,|too hot. -Shut up!Say something! It's always the same. Maybe it was tasteless,|too tasty. Who knows? -Stop it, Angel.|-Or hot, too salty, too oily. Or it was too dry|or sour! -You don't even know what|your food tastes like! -Stop! Bring me more icecubs, dear. -What's he saying?|-I don't know, I don't get it. Down, please. Down. -What language is he speaking?|-I don't know. I think it's German. Does anyone speak German?|Do you speak Spanish, English? Relax. Angelito|went to get the doctor. I'm very sorry. Where did he|come from? We were closing. Just a minute, Oli, calm down.|Luz, you can go. -I'll stay with Olinda until|Angel comes back. -OK. Ah, you dropped this. And this. The doctor wasn't at home,|he'll be back soon. No need a doctor. -He says he's fine.|-No, slowly. -You give a menu?|-We don't work at nights. Quiet, Angel. Go and tell|the doctor we won't need him. Oli, do you have|anythlng for dinner? Do you like the food? Take this, it's hot.|When you're weak,... ... it helps you|get your strength back. I don't know|if you understand. Some more eggplants? -Food is good.|-You speak Spanish. -I thought you only spoke|English. -I'm German. So that's why|I didn't understand a word. -You speak English?|-No. I speak Spanish. And Italian. A little Spanish,|and Italian... "nente". Niente. -"Nente".|-Niente! Do you like to travel? -You don't like Buenos Aires?|-I arrive yesterday. Some of this?|Don't you like it? You don't like it?|I like... I have no money to eat. I don't know how to apologize|and you speak of money. For God's sake!|You're welcome here. My house is your house. Yes, my house, your house. It's the 3rd. thing broken in|2 days. First Angel, now you. If it breaks, it breaks.|But don't say you can fix it! It's no good, you see?! Stop that! -Good night then.|-Good night, Miss. Sorry, sorry for... plate. Please. I get angry more often|than I should, but it's OK now. I've almost split your head|open, so we're even. Peter, Peter Müller. -Peta.|-Peter. -I'm Olinda.|-Oh... my pleasure. -OK. Goodbye, Miss Linda.|-Bye. Olinda. Hello, Mr. ... What? Speak Spanish. Money, money, stolen, robbed. -You were stolen?|-All. Listen, it's very clear here.|The hotel is not responsible... -...for any burglary in the rooms.|-You not have safe? -Haven't?|-No, you bring the money,... ...we put it in a bag and close|it with some tape, you sign... No, you have a name?|Thief, thief, robbery,... -... for police.|-No, no police here. No police. Don't speak German to me.|I don't get it. -Pity? Who is it? -No more|money, little money... Nothing. I need... a bed for two days. Understand?|Understand, Sir? Tomorrow, looking for money...|tomorrow. OK, you'll stay tonight|without paying. -No, two, three days.|-No, that's all. You'll stay today. -Tomorrow you'll leave.|Go away. -I need... I need... -Tomorrow, you get lost,|so long, ciao. -So long, ciao. Anything wrong? Nothing, why? You've been acting|a bit strange lately. There's nothing wrong, really. When you lie,|your forehead wrinkles up. -A little line appears here.|-Well, I'm tired, Federico. I just can't sleep,... ... for one reason or another. Yesterday due to that foreigner.|He left a notebook here. It had been so long since I|heard another language spoken. Now tell me the truth.|What's wrong? The restaurant|is up for sale. For sale? Why? Just because. -Hi. -Who is he?|-A guy that came yesterday. How are you? -Where did this guy come from,|Tito? -I don't know, buddy. You're back. I kept it for you.|Just a minute. I'll give it to you. Oh... I think in hotel... -Thanks, Miss.|-No, no. You're welcome. I come to bring this for you. For me? You crazy thing! What's that? A wrapped plate.|In the old times, you... -...gave chocolates, flowers|at least. -They're the same. -I can't imagine giving that|to a woman. -Identical. Your trip is over? I mean,|you didn't like Buenos Aires? No. I'm not return. Miss,... ... I have no place to go. I was stolen last night. You're the only person|I know in Buenos Aires. I look for a person.|I can't find her. So I need a place to sleep. Yes, of course. Here. Please. No, this is not a hotel. No, anywhere...|On floor... here. I work here, we work.|This is a restaurant. I can't work too, I cook, clean.|Once was barman in Heidelberg. Barman? Yes...|But I don't have money. -I don't need another employee.|-Need another employee? No. I don't need anyone else! Listen, please. Don't want you pay me.|No. Just sleep. A contract for a couple|of days. -No, there's no contract.|-One, two. -No! One. Sure. OK. Bye. Is this guy|planning to stay there? He doesn't bother anyone.|He chats with Elsa. Come on, he'll get bored|and will leave soon. He'd better go or I'll call|the police. He's all we needed! Stubborn foreigner! Who are you talking about? If you go on teasing me, take|your plate and sit next to him. And if you like him so much,|let him sleep in your house. No, I only like Italians. Besides, who knows|if it's true what he says? And that about the restaurant?|Is it true? Yes, Federico, it's true. But|I haven't told Angel yet. But why the rush?|Why? No, it's no rush. There's|a time for everything. I don't get it, Oli.|Do you forget... -...how much you invested in|this place? -How can I forget? That's it. I can't go on.|I'm tired. We're getting old, Federico. No, I'm not old, and you|aren't either. What's old? -See you.|-See you. -Hello.|-Hello. -Closing?|-Yes, we're leaving. What are you doing here? -Nothing. Do you have|a cigarette? -No. Tell me one thing. Are you|planning to stay here long? -Excuse me? -You're planning|to stay here long? I don't know. I like a lot. You do?|And what do you like? I'll tell you something. Even|though you stay for a year,... ... you'll get nothing because|I don't need anybody, I have... ... no money to pay anybody and|I have no place for anybody. What do you think this is?|A hotel, a boarding house? It's not. The only thing|I have is my restaurant. If you don't want me to call|the police, get out of here. Not restaurant here. -Tell me. Do you have|a plane ticket? -Excuse me? -Plane, ticket, return fare,|do you have it? -I do. Good. You have plane ticket,|passport, you're young. You were stolen or you don't|have money. Go to the Embassy,... -explain that to them and they'll|send you back. -I can't go back. I have nothing,|nobody in Germany. -This can happen to any tourist.|-No. No tourist, no vacations. I come to Argentina to look|for a woman, understand? How old are you? Old? 24. You want a place? Here you are.|If you don't find her, you go. I don't care where. It's a deal for a few days.|OK? Thanks, Miss.|What should I do? You find her.|And take a shower,... ...because you won't conquer|anyone looking like that. Morning! I must clean the counter. Counter. Clean. Your bump is better. The forehead. -Just a minute.|-Yes. Passport. Good morning. Yes. I'll be right with you. Take this,|I'll explain to you later. Come on, Angel, move.|Goodness! You know the house|where the girl lives? No. German technology. You drink wine and speak|foolish things. For you. -Hi. I'm Loli.|-Hi. She lives here.|I looking for her. Belén García. Hey! Hey! You must eat something. Come here.|I just made something. So... did you find many|Garcías? All of them, almost. Don't feel bad. At the beginning Buenos Aires|seems to eat you alive,... ... but then you get used|to it. It's easier. You don't have to lose|your faith. Do you have faith? Now I think my father|in Germany was right. Says I'm crazy... Travel without|know about her for so long,... -... with, without money...|-When did you see her last? A year and a half or so... Parents always say you're|crazy when you're young. Do you have a daughter? No, that's not my daughter. How old do you think I am? She's an Italian who came|here like you,... ... with no money. With a suitcase,|a name and an address. -She also came here seeking|someone. -A man? -Yes. -And when she comes,|she find him? Yes. They met|after a long time,... ... after some years. -In a movie theater.|-But the man... ... she looks for,|waits for her? Yes, well... Things were|different at that time. It was after the war.|There were few telephones,... ... letters got lost... The same happened|with people. People got lost too. The irony was he was writing|to her to a desert village... ... in Italy and she... ...she was desperately looking|for him in Buenos Aires. -What happened?|-Nothing. That's life, isn't it? Sometimes things aren't|the way we want. She stayed in Buenos Aires... ...because her father|also told her she was crazy. She is pretty before. Yes, she was pretty before. And you know something? She was happy... -... because at that time|she never lost hope. -Hope? Of being happy. Look, I cut this|from the paper for you. You can advertise there.|It's not expensive... ... and it may be easier. Good morning. Hello.|I thought you were Olinda. -No, what is it? Is it leaking|again? -Yes, broken. -But I fix.|-The pipes are bad. Olinda told you|to fix them? She doesn't like anyone to be|touching things in her kitchen. Boys. What's going on?|Why are you here so early? -I had to come near here.|-Near, what for? -I took my girlfriend to the|doctor. -Is something wrong? No, no.|Nothing's wrong. -What's this mess?|For God's sake! -Water. -I can see that. What happened?|-I told him you didn't like... -...anyone working here, but he's|a busybody! -Did you touch it? Yes. A barman and a plumber!|Very well! Take this, honey! Learn|something. Take the bucket. -Looking for work? -Classified|ads. I read to look for person. Boys! If you remain like this,|you'd better get out of here! You seem two statues.|And you look like a zombie. You're always adding. -What?|-You're always adding. We used to add. Now|we only subtract, see? This is the subtraction symbol,|and it's worn out. Money is never enough. In your country,|Germany, isn't it? How much does|a cook helper earn? Somebody like me? -Dollar... money... approximately.|-I don't know. Today there isn't much work.|But there is unemployment... ... insurance, one can live,|rent a small apartment,... -... go out sometimes.|-Everything we can't do here. -You can't.|-No, salary is not enough. If I had money, big money,... ... I'd buy a car,|those without roof,... ... and I would buy|a lot of things. I'd go out of here.|I'd take a chick with me. -An Argentine girl, I mean.|-Argentine? -Sure, they are the prettiest!|-Argentine.-They're the prettiest. -Oh, come on! -No kidding! I|saw it in a magazine. I read it! Argentine women?|Look. Angy, sweet as an Angel|and hot. But she's not the one|you're looking for, isn't she? -You've a girlfriend, don't you?|-Yes. She's expecting a brat. -What?|-A brat, a baby. -No! -Oh, yes, she's pregnant.|-Good! -Look at the fatty's tits. She|has nice tits, right? -Tit? No, no, not tit, no.|Tits, two. One, two, understand? Tits, sure. Are you closing? Yes. Need anything? I came to see Martín|but I lost track of time. And Angel? -He left earlier today.|-Olinda? Yes. Want to say something? -To whom?|-Olinda. No. -OK, see you.|-Luz! Where are you going now? That way. Home. And... ... do you like Buenos Aires? I don't see much Buenos Aires. -If you want, I can show you|some places. -Yes, perfect. -OK, tomorrow.|-Tomorrow? -Can you go tomorrow?|-It's all right for me. -For you?|-Yes. Bye. Bye. Hello. Yes, it's me. Who? Oh, yes, sorry.|How are you? No, no. I was far from here. Well, I need to think it over.|No, no, no, I know. But I want to be sure of that.|Give me some days, Di Paola. I'll call you. I have the number|of the Real Estate Agency. I'll call you. Bye. My aunt makes these candles|but their essences... -...aren't from here. -Nice|pefume. Where is it from? From Paraguay. -This candle causes an|immediate... -Nice smell! -... relaxing effect, immediate...|-How pleasant. This is green. It works|on the areas with tension... -Maybe...|-And this one... -If you smell this, another effect|takes place. -Which effect? -Love.|-Come on, Elsita! -Love, it's true.|-Don't lie to me, Elsita. -Hello.|-Hello, dear. -Hi, sweetheart.|-How are you, Elsita? -Fine, fine. -Ready?|-Let's go. -I forgot there was nothing. We|can heat it in the micro? -No. Your parents? My father doesn't live here|but with his wife and son. My mother is travelling because|she's a costume dresser... ...for movies. She's working.|That's why I don't have food. Do you like movies? To watch them,|not to work on them. -And you? -Yes,|I like them. In Germany I see... ... very, very movies,|very docu... -Documentary!|-Documentary films, exactly! My mother... always sees them,|with my brothers and me,... -... before leaving to Spain.|-Did you live in Spain? No, no. only she. She left my father, us,|when I was a child. I was born in Venezuela,|I lived in Mexico... ...and when Mum returned to|Argentina, I came with her. When I finish high-school,... ... I want to travel.|I don't know with whom but... ... I want to go.|Then I'll come back. Why do you want to go|and come back? I don't know. I feel that when you travel... ... distance makes you|see things better,... ...what you want and don't want,|what you like and don't like. If you're near, you have no real|dimension of what's going on. Well, I'd like to leave|and come back. But I want to live here,|in Buenos Aires. You're the first Argentine who|likes to live in Buenos Aires. There are things|I don't like. What things don't|you like of Germany? Germany... Hello. Federico? No, don't fret.|It's Olinda. Were you sleeping? That's good. No, nothing's wrong.|It's Peter. No, no, it's late and|he hasn't arrived yet. Well, it's 1 am, Federico. Yes, he left early. No, how could he?|His stuff is here. I know he's a grown up man,|Federico, but... ...he's alone, he doesn't know|anyone, he doesn't have money... Yes, isn't it? OK, OK, I won't worry then. Yes,|thanks, Federico. Excuse me? Yes, ravioli. See you tomorrow.|See you tomorrow. Bye. Today, noon.|Martín looks for you. -All right. -Sorry I don't|remember tell you but... -Don't worry. I'll call him|later. -Good. Why did you come|to Buenos Aires? You haven't found her yet. It might not be so difficult to|find somebody here, someone... ...must know her. Well, look at|me, I'm telling you this and... ... I never find Martín. Why do you look for him? -Why do I look for him?|-Yes. I don't know. I don't know either why|we can't meet and so... ... but I look for him. How is it with her? With her?|I don't know now. Why didn't you come before? It's complicated. Me and my father, we fight,|little money... ... and it's a big mess. Mess. Do you have to go? -No. No.|-No? -No.|-What do you think? What do you think? -It's well said.|-Yes. I think... it's first nice day|to me, in Buenos Aires. Hello. Did you fall from bed,|Angelito? What's going on?|Why this face? I lied the other day when I said|I went to the doctor... ... with Blanca|for a check-up. But why, is there anything|wrong? Come, let's go inside. -No, I don't want to go inside.|-Why? What is it? I was offered another job. The|other day when I left earlier... ... I went there|and lied again. So what? So I got the job and I'm|working here and there,... ... and I don't sleep. I'm like a|zombie, as you said. Remember? What kind of job is it? In a fast food restaurant:|hot dogs, hamburgers, that stuff... A Fast Food.|What is it called? ''Rey Hamburger'', it means|the king of the hamburger. Do you like it? Yes. So, so. I thought I would be able,|but now he is here and... What are you saying, Angel?|He's not staying here! -He doesn't work here! And|you know it! -Yes, I know. Pick up the phone, will you?! I'll come to see you,|you know? Do you want help|with these boxes? OK. Can I come to visit? I must go now. Bye. Olinda, the real estate|agent called. He'll come at 6 pm... ... with a client. Stop it a minute. And Angel? He didn't come. And you were afraid the|German could have a problem... No, please, Federico,|I don't want to talk about it. I'm fed up of understanding|the problems of others. What are you looking at?|Do you think I didn't see you? -You're always looking at|this boy. -What do you mean? -You're always doing|the same to me! -Don't shout. -Don't shout. -I shout! I've|been looking for you all night. -Hello, Elsa. How are you?|-How are you? -What are you drawing?|-I'm going to draw life, Elsa. -Excuse me?|-Go on. Are you having lunch or not,|Federico? I'm just asking. Oh! You're beautiful, Oli!|A real flower! please, Federico. You're too old|to be a latin lover, aren't you? Why are you in such a good|mood in this lovely day? -Where are you going?|-Downtown.I've got things to do. Peter, if these people want|to see my bedroom,... -... show them. If not,|keep it locked. -Yes. -Who's coming?|-People from the realtor. -The ones of the counter offer.|-Not them. They want... -...to demolish the kitchen.|-So? You want to sell it? Have you seen the kitchen? How is it? In perfect conditions.|It was old stuff,... ...but good quality. Now things|don't have the same quality... ... than in the past.|For God's sake! Oli and you,|do you fight a lot? No, Oli always argues with|Angel, but now he's not here... -... she argues with me.|-I think when I saw you here,... ... you are married. Yes, it's a matter of time|we are not together. Do you want to leave? Do it,|because this is fucking finished! How rude! Finally you broke up|with this beast, sweety. One moment, please. What would you like, Miss? A combo... club. Very juicy. Guy! Guy! Where is this guy? Here you are. Listen,|tell Olinda to call me today,... ... or I'll ring her later. Here's|my card. She always loses them. This people want to buy it. They'll build a video game|place.There's a school near here. Understand? Nice guy...|Tell her to call me. Bye. -Is the food in Germany|so bad? -What? OK. Olinda. Oli... -Yes. -If you think better|and want me leave,... ... I'll leave. I not look at|time last night. Say sorry. What's wrong? -Siponto is vanishing.|-What happened? Siponto, an earthquake,|my town in Italy. I've been trying all afternoon... ... to remember the name|of my school but... A lot of things happened there|but I couldn't remember it. -What?|-Like my father. He couldn't remember name|of the park when is a child,... -... on other side.|-What side were you? East. My family lived in one|side and the other... ... until wall... fall. And what happened|to your father? When I was a child... ... he watch the wall|in silence, next to me. And when it fell,|my father cried. I never saw him cry|before that day. First thing he did,... ... come back to this park. Did he recognize it? It must have been|very different. Yes, but he found the same,|like past. Where do you live now? My older sisters live in Berlin.|Me and my father... ... moved to Koblenz... ... six years before. He say:|Don't want live in big city. Is Germany a nice country? Yes, it's nice. But here it's nicer. In Germany there isn't|this sun,... ... this blue sky,... ... loving people... ... and all this. If robbed, like I, have nothing,... ...no help there. You are broke,|like you say here: ''in balls''. -You learnt very quicky.|-Angel is a good teacher. -Yes, sure, Angel!|-And you. No, I don't say ''in balls''. Balls! -It bothers you?|-No. Siponto, like Argentina,|a nice place too? Yes, very nice. Or it was, I don't know now. -You never came back?|-No. Are you coming back? Can you keep my money?|I don't have any pockets. Yes. When you not sad,|you are more beautiful. Tell me that in German...|How do you say it? In German? What's wrong with you?!|Asshole! -Belén! Belén!|-Don't! -Belén!|-Stop! How are you? I don't know. I don't understand. It is the end of the trip|for me. Well, it's something. Now your trip makes sense. You came looking for her|and you found her. You left Germany because you|wanted to do so, didn't you? You say one day: ''You see better... ... at a distance.'' Yes, I think so. Now, if you want,...|you may come back. Or stay. Or go somewhere else. Now you can choose. Oli. -What?|-I want tell something. What? Yesterday, I met Belén. Well, that's fine.|Tell me, how was everything? How did you find her? Where? She is pregnant. Pregnant. But could you speak|with her? -Did you tell Belén you|searched for her? -No, no. Olinda, it's not war anymore. She doesn't think of me, never. Did she tell you that? Did she?! No, she didn't. I don't care.|I don't care. It's an end for me.|Luckily, it's an end. Luckily... luckily... You say easily, luckily... But luckily what?|So our deal was useless? No, no. I met Linda here. Olinda. This beautiful|place, the people,... ... but I have to arrange|my plane ticket now and... Oli! Hello, Oli! How are you? Can I speak with you? Come in, please. Don't tell me you're still|surprised! Angel left... ... at least 3 times in the 6|years you worked together. -Five!|-Well, five, it's the same. And the German|was also going to leave. Everybody has a life, Oli. So I'm right. I have to sell|the restaurant, everything. No more Angels, no more|Germans, no more anything! To sell the restaurant is|to finish with everything. What'll you do, lock yourself up|and wait for the time to come? If you can't do it alone,|you can ask for help. -You don't need to prove|anything. -That's my whole life. -I can't give it to anybody.|-That's why. I've been thinking a lot,|and it's true. We're a bit old... ... so let's enjoy|what we have invested in... ... because we'll never forgive|ourselves for not doing so. Life passes by. Your house is beautiful! I've always liked|this little garden. You know what? I don't want|to go back to the restaurant. I think it's a good idea.|Don't open. Some days you don't feel|like working. Let's have lunch together. I'm sorry, but to tell you|the truth, I want to be alone. I just want to walk... ... and think. German,|this looks very nice on you. Don't you know how to fight,|son of a bitch?! -Hello.|-Hello. -Shall we make a toast?|-To what? To you. We'll make a toast to us. You know, sometimes in life... ... you don't know|what you want... ... and it's been a long time|since that had happened to me. When I was young, I always|knew what I wanted... ... and... ... when you arrived here,|I hadn't heard... ... a foreigner speaking|for a long time. And I couldn't stop thinking|I am a foreigner too. I am Argentine now,|but I was born in Italy. And... wherever you are,|you never forget this. And Federico, you were right.|In our lives,... ... mainly at our age,|we have to do what we want... ... or we will never forgive|ourselves for that. So I made up my mind. -I'm travelling to Italy.|-To Italy? For how long? I don't know! Until|I have no more money. But how much money? It's not|the same 1 million pesos than... I don't know, Federico. I'm|leaving for a year, a month. Look at Peter. I've always dreamt|of going back. And that's all. Going back. I think it's great,... ... really great for her...|her trip to Siponto... -... for a while. -Yes! For a|while. At this age, it's different. -Federico... -What're you going|to do with the restaurant? Well, I've been thinking. I don't know...|If you stay in Buenos Aires... ... you may have a job,|a house. My house is your house. My house... Otherwise, I'll do as I told you. I make a toast to you, Olinda,|and your trip. Federico... Friend... To you, Oli. To the three of us? To the three of us. Hello. Thanks a lot. Come on. You have to open it|on the plane. Are you happy? -Yes. -Yes?|-Yes. -Yes. I think I'm falling|in love with you. -Why?|-Why? Because I feel it here. -Here? Very good.|-''Very good''. -Hello, hello, hello!|-Hello! Look, look, isn't he handsome?|He's over there. He's cute! -Come with me. I'll introduce|him to you. -No, no. Do you like the party? -Yes, it's OK.|-Yes. A lot of people. Federico,...|are you all right? Yes, I'm fine. A bit tired. Well... I'm leaving. -Come.|-Where? Come. What's that? Thanks, thanks. Federico, come here.|I was looking for you. Where were you? Federico,|why such a sad face? I'm not leaving yet.|I have some days left. I'm not sad, a bit tired,|that's all. OK, so you're happy because|I'm leaving. Perfect. You're so beautiful tonight, Oli. This dress suits you. Your eyes are bright. The same eyes I have|everyday, Federico. No, tonight they are brighter. Oli, if I told you now... ... that the German|was right,... ... that just to know the other|exists is not enough,... ... that love is another thing,|would you believe me? Yes. But... you don't believe|in marriage. -You like women too much.|-You know what it is, Oli? I see that you're leaving, that|you won't be here everyday... ... and I don't know|for how long. I can't imagine. I can't. Maybe it's too late but|I only ask you to think it over... ... and come back. I'll be here, or wherever|you want, waiting for you. But we are too old. No! We may have waited|too long, but it's not late. I only ask you|to think it over, Oli. We've already had our chance. Think about it.|Travel, enjoy it. Don't be so hard. Give yourself another chance. Olinda... -Angel!|-How are you? -I'm glad you came. -I heard|you were going to live in Italy... No, no. Not to live, Angel,|just for a while, not to live! I thought you were going|to live there. Look at you. You're thinner.|Do you eat in that place? -No, what do you think? -And|this haircut? -You came! Great! -Let's dance.|-OK. TWO MONTHS LATER Boys... Here you are. -Anything else?|-No, nothing. Letter for you. Yes. Federico, this is Siponto. Beautiful, isn't it? The earthquake was not|so serious. There is still green,|sea, new houses... ... and some old ones|I can recognize. My school is still standing.|It's name is Scola Domus. Please, tell this to Peter. My house doesn't exist|anymore and... ...do you know what's|there instead? A restaurant. Siponto is still the same... ... but it's also different. Sometimes I think the same|happens to all of us... ... when we find|what we are looking for. What do you think? I believe, that in life, everyone|deserves a second chance. Miss your company. Oli. To my grandmother Ernesta. |
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