Hollywood Homicide 2003 CD1Click here to download subtitles file for the movie "Hollywood Homicide 2003 CD1"Get Paid for using YouTube!
{y:i}Shooters, come forward|{y:i}to the 20-yard line. Thanks, Joe. Oh, shit. Yo, K-Ro,|where you going, man? - K-Ro, what's up?|- Hey, baby. Somebody just shot my club up.|That's what I say, shot my club up. What you need to know my name?|Get the police. What do you mean you ain't coming? I give you first shot|at making me an offer... ...on this four-bedroom|Mt. Olympus... ...and you leave me|sitting here two hours... ...and now you're telling me|you ain't... Hello? Shit. Gavilan. Yeah, give me 10 minutes.|Be right there. Yeah, it's Calden. Oh, shit. I'll be there in seven minutes. Yeah. - Hi, Joe. How you doing?|- Okay, how are you? Find anybody to buy|that house yet? No. Showed it a couple of times|last week. There's some interest. - I hear we got a messy one here.|- Yeah. Joe, K.C. - Hey, Leon.|- Hey. I'm making you two|primaries in this disaster. Since you've made no progress in the|Klepto murder, I figure you're due. - Thanks for the confidence.|- No problem. - Do you have a body count?|- Can we get a statement? - What do we got, Leon?|- One on the floor, three backstage. Rap group, calls itself H2OKlick.|Don't ask me why. - Joint was full?|- Yeah. - Nobody saw it.|- Of course not. - Are these things on?|- They were. They're off now. Listen, get them out of here.|Now, come on. Let's go. Well, what do you think? Write this down. Cheeseburger, well-done. Raw onion, pickle, ketchup.|Nothing else. Got it. Officer. Time to get rolling on some chow.|This is what the big dog wants. And I want tomato and cucumber|on whole wheat... ...with only mustard|and bean sprouts. Hey, Lou, nobody|goes in here, okay? Got you. It looks like one shooter came|from down there. The other came from down there. This poor son of a bitch|got it from both sides. - Yeah.|- How long you had this place? Man, I only had this place two years.|This is messed up. - Where you living?|- At the Bel Age. - Bel Age?|- Right up the road... ...but it's just temporary. - Where were you when it occurred?|- In my office. Right there. - These guys were about to break out.|- The boys was blowing up. Sartain Records.|Antoine Sartain, that's the big man. - These guys have any trouble?|- Some sort of turf war? I know nothing about no|East Coast-West Coast... ...hip-hop, gangbanging bullshit. I'm just a poor country boy|trying to get by. - Getting by pretty well, I'd say.|- I do okay. Hello? Hold on. Hello? Hello? Hold on just a second, let me... Hey, Stan. Stan, that four-bedroom|Mt. Olympus fell through. Can you make me an offer? Eddie, you got those shoe prints? Two prints.|Matching pattern, different sizes. That's a 9. That's an 11. Hey, you, come here.|I see mayonnaise. Did anybody in this room|hear me say the word mayonnaise? Read your notes.|What does it say? Cheeseburger, well-done,|ketchup, pickle. You call that well-done? In addition to the mayonnaise... ...I see lettuce that somebody|tried to scrape off here. This is a disaster. What do they teach you|at the Academy? You want to be a detective? - Yes, sir.|- Don't call me sir. I work for a living. Dump this for me, please.|I expect better. - Joe, kid's got something.|- Gavilan. No, 675 won't fly. If you're gonna get back to me,|have at least 7 and change. Diamond earring. Could be something,|could be nothing. Good work, kid. Did you get the piss and|the shoe prints in the closet? Yeah, I got it, Joe. I'm gonna go hammer|on the owner a little more. How come you got no video|surveillance, big-ass place like this? How come you got no video|surveillance, big-ass place like this? - What kind of security you got?|- I ain't never had no problems. You got a problem now.|Two guys sneak in with guns. - Who does your security anyway?|- A bunch of off-duty L.A.P.D. Cops. That's your first mistake. Man, why you ragging on me?|All I'm trying to do is just business. Julius, you're making me curious.|How come you live in a hotel? I just sold my crib.|The new one fell through. So I'm sort of, like,|looking right now. You're sort of looking|for a new house? That's what I said. Julius, look... ...in my other career|I'm a real-estate broker. Real-estate broker?|You got two jobs? We work a lot of overtime,|we get time off. A lot of guys have three jobs. - What you saying?|- What I'm saying... ...is I got a beautiful 3400-square-foot|house on Mt. Olympus. New roof, partial view.|Owner's desperate. Man, I don't want no crap|on no Mt. Olympics. Well, what you looking for? I'm looking for a big house,|something with class. How much will you pay|for something with class? Not a penny more than 6. - Six?|- That's what I said, 6. Million? I was not soliciting.|I was doing research. Research is not soliciting. I've never had to pay for sex.|I have four BAFTA nominations. Evening, Gloria.|Do you know who I am? - Here's our dead guys.|- Thanks. The puddle of piss makes me think|we got a witness. - Just sit down there and shut up.|- You shut up. I can't work here.|This place is a zoo. Let's get out of here|before Boardner's closes. The doctor's in. Help's on its way. Thanks, Hank. - Something wrong, Joe?|- What do you mean, "wrong"? You seem down. Down? Me? Lately. Yeah. We've been partners for four months.|Now you want to be my shrink? Sometimes it helps to talk.|That's all I'm saying. All right. Let me paint you a picture. Portrait of Joe Gavilan. Seven, eight years ago,|I sold the results... ...of my entrepreneurial efforts|up to that point. Three tanning salons... ...and two original silk-tip|nail parlors in the Antelope Valley. And I started attending... ...weekend real-estate seminars|at the airport Hyatt. You know, how to make|a million dollars... ...in real estate|with very little money down. Sounds good. Started with a condo|in Sherman Oaks. Slapped paint on the walls.|Refaced the kitchen cabinets. Traded up to a smoke-damaged|ranch in Tarzana. Then a Spanish on Outpost... ...and a fake Mediterranean|in Los Feliz. Pretty soon I had everything|I've got tied up in this... ...this monstrosity on Mt. Olympus... ...at the corner of Hercules|and, I shit you not, Achilles. - What's the problem?|- The problem is... ...if I don't score a big commission|or get rid of this... ...piece of shit on Mt. Olympus... Well, the word Titanic|comes to mind. Joe, I know a girl who works|for some rich producer. Says he might sell his place.|Maybe you can get the listing. - Got a name?|- Her name's like Minnie or Moma. Something like that,|I don't remember. Not the girl, hot rocks,|the producer. Oh, I don't know the producer.|Way before my time. - Hey, Joe, you ready for something?|- Shoot. I don't think I want|to be a cop anymore. Come on, you need some fresh air. - Put this on my tab, Hank.|- What tab? Hey, I got it. I got it. It's okay. Here. If you don't want to be a cop,|what do you want to be? I want to be an actor. - You wanna be what?|- An actor. What? Okay. - You're gay. I can deal with that.|- You know I'm not gay. Why do you want to do|something stupid like acting? Because it's my bliss. And I have to follow my bliss. Turning into Oprah around here. I rented a theater|on Highland, Friday night. I invited some agents and producers.|It's called a showcase. - What are you showcasing?|- My talents. Mr. Robert De Niro here. Hey, detective, you're gonna say|it's none of my business... ...but when's the last time|you got laid? None of your business. Right. Say it ain't so, Joe. Oh, my God. Jesus Christ. - How's business, Jack?|- Wanda. - Wanda.|- Some trick's thumping on prostitutes. We put our best female officer|undercover and she got hurt, so... ...l'm the bait. Well, you look good. Well, it never hurts|to get a compliment... ...but that's not why|I was shaking my booty at you. You're working that bloodbath|over at the Freeway Club. The word's out|about the shooting. Word is one guy slid out|without a scratch. - Got a name or anything?|- K-Ro, K-Mart or something like that. He was the group's|main songwriter. - Somebody writes that shit?|- Yeah, tell me about it. Want me to drop you|back where I got you? Yeah, I got backup to pick me up. Just swing me|back around to Cherokee. These heels are killing me.|Just killing me, man. This is Ruby the psychic,|Ruby the night owl... ...waiting for your calls,|your problems, your concerns. Want to unravel the past?|Ruby can help. Want to sort out the present?|Ruby can help. Want to look into the future?|Ruby can do that too. Just pick up the phone.|Smokey, where have you been? {y:i}Busy guy, Ruby. - Got something to share?|- Tell me about the future. I see some financial concerns.|Is that right? Yep. Wait a minute. I'm seeing something|dangerous, maybe painful? What else is new? Whatever else is new|will have to wait. {y:i}We're out of time.|{y:i}Why do you call so late? Night owls, this is Ruby. Mr. Sartain and I'd like to thank you. I'm Mr. Sartain's colleague,|Leroy Wasley. - Tell Mr. Sartain the deed's done.|- Now where's our money? Here you go. Oh, shit. Tell me something, man. You think|Gavilan can figure this thing out? Bennie Macko's not gonna let him.|He'll take him down. Why would Bennie Macko|believe all this bullshit? I've known Bennie a long time. He graduated in the class|behind mine at the academy. We were rookies together|in the same division. He's a politically ambitious suit. - He listens to what I tell him.|- Patience is not one of my virtues. Let me explain something. You can kill a street|punk like Klepto. It's no big deal. These two bangers,|they didn't mean anything to anybody. But you send them into an open|nightclub, and they cap four guys? That's another mess altogether. The last time I checked, I pay you|to run my security, not your mouth. Let go of me,|you sons of bitches! Stella! Stella! Stella! Stella! Not a knickknack, knit-lock,|knock-kneed knickerbocker sock... ...off a hodgepodge, moss-blotched,|botched Scotch block. I got more time in the third-floor|crapper than you do on the job. I got more time in the third-floor|crapper than you do on the job. You can't open my locker without|a warrant. I know my rights. Well, I appreciate a man who knows|his rights. There you go. - What's going on here, cap?|- This is Bennie Macko, Internal Affairs. - You got a right to an attorney.|- This is an authorized investigation... ...within the jurisdiction|of Los Angeles. - Oh, please. I'll open it.|- Go ahead. - I haven't been in there in 10 years.|- You open it. Oh, here are those shoes.|I thought I lost these. - I love these shoes.|- Ever clean your locker? Between finding, apprehending|and convicting murderers... ...and cleaning, I made|a decision to do the former. - You got a lot of lip.|- A lot of lip. - Yeah, you do.|- I got a big nose too. Calden, open your locker. - Why him?|- He's your partner. Go ahead, open it. No, don't open it. - You got something to hide?|- Yeah, kind of. You got to do it, son. Porno. Commingling funds, huh? That's my crime? Commingling? Guilty. My alimony, number one,|comes from money... ...commingled|with my beer money. My refinanced car commingled with|the short-term loan to keep the... ...second mortgage paid, commingled|with my alimony number three... ...commingled with|every goddamn dime... ...l've got tied up|in my Mt. Olympus property. My whole life's commingled. I'm glad you brought up|Mt. Olympus. You're attempting to sell|without disclosing you own it. This isn't about real estate,|is it, Bennie? What's going on here? As immediate|supervisor of these men... ...you are bound to inform me|of any investigation. - You're informed.|- You couldn't tell me? I'm trying to find out|what I'm guilty of... ...besides going to one too many|airport real-estate seminars. Well, for starters, you know|a woman named Cleo Ricard? I talk to her. Talk's cheap. Administrative Vice, which has|been watching her for two years... ...is making a major prostitution bust... ...and you're making promises|to her to intervene. You haven't registered her|as an informant. - Joe, is this true?|- By itself, that's cause for suspension. I mentioned her name to District|Attorney Gardner six weeks ago. - Told him I was gonna make a contact.|- He denies it. He's a liar! I haven't registered|her as an informant... ...because she hasn't informed. I don't want to get|buried under paperwork... ...just so Vice can tell me|to back off their suspect. It's a big case for them. - Bigger than a quadruple murder?|- This is not your decision. As no charges have been made,|release Gavilan and Calden... ...so they can resume investigations. - Bennie?|- Yeah, we'll talk about it. - When he's out of the room.|- Fuck you very much. - What is with that Macko guy?|- Oh, he's a jerk. Years ago, he was lead detective|on those jockey love-nest murders. You remember, big girls, little guys? He bragged to the papers.|I proved he had the wrong guy. Embarrassed the shit out of him.|He's been wanting to get me since. Now he's assigned to IA,|and he's taking his shot. - You can't trust cops.|- Your dad was a cop. He was killed in the line of duty|under bullshit circumstances. No one was held responsible,|and his case was closed. The feds investigate? The word is they thought|his partner was dirty... ...but the report's sealed tight. I got a pal down there|who owes me a favor. You wanna see the report,|I'll make a call. I'd appreciate it. Yeah. Hey, Joe, listen, what I said last night|about you getting laid... ...it's none of my business,|you know? It's no big deal. Just be safe. - Safe?|- Yeah. That hooker last night. That was a guy. I don't need to know that. That was a cop.|That was a guy cop. A cop guy. - Gavilan.|- "Hello, Joe?" Cleo, I was just talking about you. Cleo, I was just talking about you. I hope it was something good. Listen, Joe, I have a little problem.|Vice is breathing down my neck. Yeah, well, IA's|breathing down mine. Let's go. Come on, big boy. - Well, I might have something for you.|- I'm listening. Is this the William Morris Agency?|Yeah. Hi, this is K.C. Calden. I sent a headshot, résumé... ...and an invitation to a performance|of "Streetcar Named Desire." Hold it while I get something|out of the trunk. Where you going? It's on Friday. One of the girls was a regular|for one of the guys shot last night. {y:i}She was also a regular of Klepto's. You talk to Vice and get them|to back off me... - "... and I'll talk to her".|- Not the way it works. Give me the girl first. Joe, why don't I send you over|a couple of ladies? Big mistake. Big, big mistake. You can have a party on me. We'll keep it out of the book.|What do you say? Not my style, Cleo. Call me back|when you got something real. Yeah, I'll be playing the Brando part. Hello? Hello? Let's go. I'll call you back. - I'm gonna take him, Joe.|- No, no, no. The gun's still hot! Stay down there. Stay down.|Stay down, man. Stay there. Got a live gun here.|You'll get yourself shot. What are you talking about?|It's a standard Beretta, 15 shots. - I counted.|- And one in the spout. - Oh, shit.|- Did you lose this? - How do I look?|- You look all right. Many thanks. Now the buttons. I can't do nothing with them. You men with your big,|clumsy fingers. May I have a drag on your cig? What? - Okay.|- Who writes this stuff? Look, it's not stuff. It's art. In fact, it's one of the|greatest plays ever. And it's not the words you're|having trouble with. It's the lack of conviction.|If you give it conviction... ...we can have a back-and-forth. I know you're playing a girl,|but come on. - What is this about?|- Just read. It's your turn. You look like you raided|some stylish shops in Paris. No, wait a second,|you skipped a line. As a matter of fact,|you skipped a bunch of lines. Never mind, we're here. K.C. Calden, Hollywood Homicide.|We're here to see Antoine Sartain. He's in recording studio B, I think. - Is he expecting you?|- Kind of. Homicide, I want to talk|to Antoine Sartain. You gentlemen|have an appointment? You off-duty L.A.P.D.? - You giving me a hard time?|- It's called a homicide investigation. - Well, you're not going in.|- My God, he has a badge and a gun. Come on, get out|of the way, will you? What? A cop's gonna|hit a cop now? That's a good suggestion. I'm filing police brutality charges.|Assault, harassment. Let me help you out there.|Sergeant Willoughby. Gavilan. How's Betty?|The kids? Okay, good. Look, I got an off-duty cop who wants|to file a complaint against me. Hold on a second. There's been a misunderstanding. Thanks a lot. Finally, this is the take.|This is the one. This is it, Butch.|This is the one. Come on in. That's the best take. We need some bells,|because this ain't happening. - Bells?|- Everybody's using bells, man. - We need some radio.|- Guys, excuse me. - My opinion is gold.|- Antoine Sartain? - What did I say to you?|- Hold up. - Antoine Sartain?|- Please, hold up. - L.A.P.D. Homicide.|- What's this supposed to be? - Who are you, coming in here?|- I'm looking for Antoine Sartain. Turn the music down.|Turn the music down. Chill on the real. On the real, chill.|Because you know what? What you want, man?|You Hollywood dicks are all the same. Hey. You all saw that, right?|That's police brutality. - Don't think I won't report you.|- Help me out here. Do you know this guy?|Help me out. Do you know this guy? Because I don't recognize him.|These the same guys? These your friends? - Yeah, we know these guys.|- That's my boy, man. Do you know where|I can find Mr. Sartain? He just left. He's on the 10th floor. - Elevator's over there.|- Thank you very much. K.C. Calden? - Silk Brown, baby. Crenshaw High.|- Oh, yeah. How you doing, brother? I'm all right. Told you I knew this dude. I'll stick around here and see|if I can find out anything. Look at him!|Didn't know you were a cop, man. Actually, I'm thinking about|getting out of this L.A.P.D. Shit. - What you working, man?|- I did some acting in high school. - Thinking about the movie thing.|- I knew we came for a reason. - Baby, talk to him. Go ahead.|- Well, I did a Jell-O commercial once. - That's right. The blue Jell-O girl.|- That was me. J-E-L-L-O. - You did a great job. Congratulations.|- Thank you. - She sold a shitload of Jell-O too.|- I believe that. This is nice. Trying to imagine what it was like|when this was all still glamorous. It's been a long time since anything|happened at Hollywood and Vine. - Can I offer you something? Anything?|- No, I just want to ask a few questions. Oh, sure. Sure. - Have a seat, please.|- Thanks. So how long ago did you sign... ...H2OKlick?|- Five years ago. I don't really know this music. - Were they good?|- Most people don't know this. But I lose money on 19|out of 20 new groups. But one breakout...|One breakout pays for everything. Were these guys gonna break out? They had a chance, yeah. You know these fellas personally? I can't afford to get|too close to my acts. Because, sooner or later,|I'm gonna have to be the guy... ...that doesn't renew their contracts.|- Brutal business. Brutal business. Brutal. So I don't have an agent right now,|but I can do accents. I do English, I do Jamaican|and even Texas. - And I even play the piano and tennis.|- Yeah, she real good, dude. Silk got this script|that's off the hook, man. I got the script with Oscar|shit written all over it. - I'll tell you what it's called.|- Tell him. Tell him the title. You will love|this title. Tell him the title. - Let me hear it.|- You ready for this? - It's called...|- Listen to this. ..."Nasty." - Tell me that ain't hot!|- That's a good title. I'm into titties and shit blowing up. - But nothing exploitive.|- No, none of that. - Gotta respect the female.|- Always. Maybe I can help you out with this,|but you guys can help me out too. Give me a call if you hear anything|about this H2OKlick thing, all right? We ain't no snitches or nothing|like that, you know. Come on, now. - No, I don't wanna ask you to do that.|- No. You hold on to that just in case|something comes up. You never know. How much time you spend|in the joint, Antoine? Much too long for my taste. My accountant let me down. Something about|commingling of funds. Yeah, it could happen to anybody. Must take a lot of money to get|one of these groups up and running. How much did you have|invested in Klepto? Now, that was a bad investment. He left my label. Why you asking? I'm just fascinated|by the music business. One last thing. Young fellow goes|by the name of K-Ro. Did some songs for H2O. Know his real name|or where I can find him? - I'd like to ask him a few questions.|- K-Ro. No, I don't... I don't even know|the guy's real name. I mean, most of these kids|have some badass names. They all think they're thugs. For most, it's just an act.|Bunch of mama's boys. First they're down with a brother,|then they're ungrateful asses. Half of them would be dead|or in prison if it wasn't for me. You know what I'm saying, detective?|It's just a game. Nothing but a game. Well, we got four mama's boys|laying on slabs at the morgue. It wasn't a game last night. I'll let you go. Thanks for your help.|If you think of anything more... ...you let me know, okay?|- Sure. Detective. What, are you trying to sell me|some real estate? - What do you got?|- I know Sartain's lying to me. - How do you know that?|- His lips are moving. - What do you got there?|- It's a script from the guys in there. They say they'll call if they|come across anything. They say they don't know about|last night. They're lying too. You get the name of that|producer selling his house? - I'll get it now. Just a second.|- All right. Mimi? Mona, right. Sorry. Do you know the name of that|producer selling his place up on...? Yeah. Thank you. Yeah, sorry. Bye. - Jerry Duran?|- Jerry Duran. Used to be huge. - Joe, somebody's stealing your car!|- It's insured, so it's okay. No, it's not okay! Hey! Get out of the way!|Get out of the way! Stop! Police! Stop! All right! Get out of the car!|Get your hands up! Stop! Get down! Get down! Get down on the ground!|Get down! Put your hands where I can see them.|Get them behind your back. Don't cuff us.|We weren't stealing your car. - We're repo guys.|- You kidding me? Nice shot, slick. Now we gotta spend the afternoon|booking car thieves... ...filling out paperwork. - They weren't stealing it.|- What do you call it? Repo. Apparently, you're behind|on your payments. You assholes, get out of here!|Get out of here! Goddamn it! Get out! Shit! That was a good tire! Hey, Roy. Joe Gavilan just left. He was in here looking for K-Ro. {y:i}He must've been|{y:i}the other guy backstage. 'Toine, listen to me. - It's taken care of.|- No, no, it's not taken care of. If it was, Gavilan wouldn't|be here in my face. After tonight, K-Ro's just a memory. Not after tonight. Take care of it now. - By the time homicide finds him...|- Get it taken care of. Now! K.C.! - Kimberly, hey!|- Shawna! You dog, you. - Yes?|- L.A.P.D. Mr. Duran, please. One moment, please. You just shut up and let me|do the talking, all right? - Gentlemen.|- Mr. Duran. Hollywood Homicide. Detective Joe Gavilan.|My partner, K.C. Calden. - There must be some mistake.|- I think I've got a buyer for your house. - I won't go a penny under 5.7.|- I was thinking 6. - So that's, what, five bedrooms?|- Six bedrooms upstairs, six baths. Guesthouse has two baths,|two bedrooms. And in the servants' quarters,|two bedrooms, two baths. Now, this room's a beaut. You got|a whole view of Benedict Canyon. It's... Hey, don't you have something|to do in the kitchen? There's a lost wax fountain|at the bottom of this. It's a piece of work.|You should see that. And this is a living room. Mr. Duran, are you still|making music and movies? When I can, kid. Well... ...what are you doing on Friday night?|- Friday night's a long time away, kid. - Beautiful house, Mr. Duran.|- Thank you. I've got a desperate buyer. Give me a three-day exclusive listing. - Lf I don't sell it in that time, deal's off.|- I'll give you 48 hours. The great and the near-great. I used to be huge. - I could be huge again.|- You're still huge to me, Mr. Duran. You got 72 hours to sell my house. - Thank you.|- Let me show you the door. Joe Gavilan. Look, I found you|your big house with class. But you got to get over here|right away. - There's a lot of interest.|- "What's up?" I got $6 million. You been talking.|Show me the house. 3500 Shadow Hills Way, Beverly Hills. How soon...? Within an hour?|Okay, great. Gavilan. Yeah, Leon. {y:i}Mando's got something for you.|{y:i}Hold on. Joe, the kid who split the club. {y:i}K- Ro, born Oliver Robidoux, 5/78.|{y:i}Went to Leuzinger High... ...in Compton, graduated '95. - "Address unknown."|- Oliver Robidoux. - I hope they do haul you in...|- Leon, that name ring a bell with you? - Robidoux, Robidoux. Sounds familiar.|- Yeah, a Motown singer. Olivia Robidoux used to sing backup|for Marvin Gaye and Tammi Terrell. - Stella!|- Put Lopez back on. Run Olivia Robidoux, will you?|Music unions, ASCAP, anything. - Get back to me, okay?|- I hope they do haul you in... - K-Ro.|...and turn the fire hose on you. - You whelp of a Polack, you.|- Hey. K-Ro is one Oliver Robidoux. I think his mom was this backup|singer for Motown, Olivia Robidoux. - We're finally getting somewhere.|- Let's go. Hey, look, I gotta show the house. - Now?|- How about you cover the autopsies? - I don't like dead bodies.|- Come on, I'll owe you one. - You coming to my play Friday night?|- Yeah, I'm coming to your play. Sure. Well, there's still some seats open. All right, I'll bring some people, okay? All right, you got a deal. - Shawna, can I get a lift?|- Of course. Cool. See you, Joe. Let me take that for you.|Thanks. It's good to see you again. Man. - Jesus!|- Sorry about that. There's some towels over there, K.C.|We got a juicy one here. - K.C. Calden, Hollywood Homicide.|- Willie Palmero, South Bureau. Body drop in Vernon. Couple of crispy critters here. I think it was a professional hit,|a straight-up execution. - And this earring?|- Off one of the guys. I bet they were wearing work boots,|weren't they? Sizes 9 and 11? - How'd you know?|- Jesus Christ. Willie, I think these guys|shot those guys. Beautiful home. Cool crib. This is me. The great, near-great|used to hang out here. For sure? Wow. - He wants 7.|- Man, tell him kiss my ass. No, now wait.|Here's the deal. You offer 5.5. He counters with 6.5. You come back at 6.|Give him 48 hours. He'll take it. - He's desperate.|- For sure? For sure. Excuse me. - Gavilan.|- "Joe, yeah." {y:i}I got two bodies here in the chop|{y:i}shop that could be the triggermen. - What do you got?|- I got the earring... ...and the boots. I booked them|into evidence. - Man, what's up?|- Police business. - You seen the library?|- I don't need no library. I need a pool. Turf-warfare guys do|their own dirty work. I think these guys were capped|to cover somebody else's tracks. - You like tennis?|- Too much running. I absolutely agree with you.|No, not... Look, good job, kid.|I'll talk to you later. Yeah, okay. So, Julius... ...what do you think?|- Okay. I'll go 5.5. All right. My man. Bring the left foot back. Root it there and come up|into warrior one. Let your arms just raise up. Spread your arms to the sides. Exhale.|Come back down into warrior two. Exhale. Bring your right arm down|to your knee and then sweep across. Extreme right-angle pose. Sweep the arms up,|move your feet to parallel. Pull your arms back around|behind you. And then just feel yourself open. Very good. Continue that on the other side.|I'll be right back. - What are you doing here?|- I've got something for you. - How'd you find me?|- I'm psychic. - Really?|- No, not really. I'm a detective, for chrissake. I didn't know you taught this. - You make some dough?|- Yeah, I make 20 bucks a head. - You know, donation.|- Donation? Unreportable? Twenty times 40...|Eight hundred bucks a whack? Cash? Class, all right, when you're done|with this pose, we're done for the day. Get back here. Some racket you got here.|Money and sex. This is not a racket. These are real|people with real feelings. They need me. I'm their teacher.|And I need them too. It's called a symbiotic relationship.|You wouldn't know about that. Have a good day. Nice practice. Excuse me, K.C.,|do you give private lessons? I don't. If you talk to Kimberly,|then we'll set something up. Okay, thank you. K.C., thank you. I feel really... ...open. That's a good thing, okay? See you later. Great class. Thanks, Shawna. Okay. Maybe I got into it for the sex. But it's not about that anymore.|I mean, this spiritual shit... ...there's really something to it. I mean,|I'm out of my body sometimes, man. Seriously. I mean, this stuff really works. And then these girls come in.|And, I mean, they're everywhere. It's spiritual. - Deep.|- And shallow. Deep and shallow. This is why I came.|It's the report on your dad's shooting. Gavilan. Gower and Franklin. Thanks for understanding, Joe. What's up, Cleo? - Have you talked to Vice?|- No, I haven't. Not gonna talk to Vice|till I talk to your girl. - You'll have to give me a name.|- My girl is ready to talk. I've heard that before. She says she was working|a Sartain Records party. Overheard some guy smoking crack|start bragging. About what? The people behind the Klepto murder|were also behind the H2OKlick hit. That's hearsay. Hearsay to you,|pillow talk to the DA. - You want a deal?|- I don't know. Give me a call tomorrow,|I'll run it by the DA. - This girl better be for real.|- Look, I gotta make this work. Things are getting ugly. I hear you. {y:i}What we got on Gavilan so far? First of all,|he's still seeing Cleo Ricard. - In fact, he saw her earlier today.|- God, it's right in my face. He's just completely defiant. He's clearly continuing to work her|as an informant. That's enough to relieve him|of duty right there. I don't want him relieved of duty.|I want him to hang. His financials don't add up. He's paying off three ex-wives.|He's got two kids. Two kids in a fancy college. He's got a|great big house and a big, stupid car. I mean,|what about his real-estate thing? He hasn't made a sale in ages. My source tells me he's getting money|from somewhere to keep it afloat. - So get me more surveillance.|- Okay. Alrighty. - Dominique?|- Close enough. - Where'd you get the key?|- Under the flowerpot. How'd you know it was|under the flowerpot? I'm psychic. Good security for a cop. Bad cop. No doughnut. - Everything okay?|- Oh, yeah. Everything's fine. Just a tough case, that's all. Used to have a feel|for a case early on. Thank you. So you really... ...think you can|predict the future, huh? How's that work? Sometimes I see things.|It just comes to me. And sometimes I flip a coin. Other times... ...I just make shit up. Happy anniversary. What anniversary? You and me. Three weeks. That is so sweet. You remembered. I didn't. I mean, dates don't really matter,|except they do. We think human time,|but rocks think geologic time. Do you understand what I'm saying? I don't. The only date that matters is the day|I found you and left that jerk. Does he know it's over? Bennie's in denial. He's hanging on like a mongoose.|It's sad, really. Bennie? Macko. You don't know him.|He's not in your division. Bennie Macko? - Bennie "The Executioner" Macko?|- That sounds like my Bennie. He's the guy who's trying to bury me,|for chrissake! - Does he know about us?|- Of course not. And who cares?|It's over, we're finished. Guys aren't like that, honey.|Guys keep score! Gavilan. Yeah, Jerry... Mr. Duran. Yeah, I can do that. Okay. Get the buyer and the seller|inches away from closing... ...and this guy wants... ...breakfast. That could be great, honey. Mercury's|not in retrograde for another week. It's good time for deal-making.|It's perfect time. What did you ever see in... ...Bennie Macko? I guess I just have|a weakness for cops. Lock up when you leave. What have we here? Oh, my! Nice shoes. - Good morning, Mr. Duran, Julius.|- Good morning. Have a seat. This is my attorney, Marty Wheeler... ...who just happens to be Julius'|attorney as well. Small world. A conflict of interest? Not for me. Okay, let's talk. Julius was ready|to go to 6.3 or 6.4... ...and you drove the price down|to 6. Wait a second. You wanted 5.8.|Six is a score. - You never told me 5.8 would do it.|- I was negotiating. For whom? Look, you wanted 5.8.|I was about to get you 6. - He was ready to go to 6.4.|- Maybe 6.5. But you said the price was 7.|It never was. Look, guys, calm down.|This is a good deal for both of you. The deal's off. I want 7 million. Seven? - Seven?|- Yeah. I won't go a penny over 6.5. Good day, gents. Asshole! {y:i}I was that close to closing the deal|{y:i}when Duran starts dicking around... ...and blows the whole thing. Getting excited never|solved any problems. How many girls are waiting in line for|the hot tub? That's a problem for you. Joe, you don't respect me wanting|to be an actor, do you? I just don't get it. Don't you ever want to explore|all the possibilities of who you are? I just want to pay the mortgage and|escape with my dick attached to me. It's that one over there.|I'm a simple man. Go around behind. - I'll give you a second.|- Okay. Take the front. Ms. Robidoux? Police! Just want to ask you a few questions. I always thought you could sing|better than Tammi Terrell. She got the breaks. I didn't.|That's life. Mind if I come in? Jesus Christ. Joe, he's around front!|Joe, he's coming around front! I got him! He didn't do anything! Ms. Robidoux. |
H Haasil 2003 CD1 Haasil 2003 CD2 Habre Con Ella Hackers Hafid - the sea Haine 1995 Hair Hairdresser 2003 Hairspray Hakochavim Shel Shlomi 2003 Hakuchi - The Idiot CD1 Hakuchi - The Idiot CD2 Halalabad Blues 2002 Halbe Treppe Half Baked Half Past Dead Halloween - The Night He Came Home Halloween 2 (1981) 23.976 Halloween 3 - Season of the Witch Halloween 4 - The Return Of Michael Myers Halloween 5 - The Revenge Of Michael Myers Halloween 6 - The Curse Of Michael Myers Halloween 6 producers cut Halloween Resurrection Halls of Montezuma (1950) Hamam - The Turkish Bath (1997) 29 Hamilton CD1 Hamilton CD2 Hamlet 1990 Hamlet CD1 Hamlet CD2 Hammett Hamnstad - Port of Call (1948 Ingmar Bergman) Hana-bi (Takeshi Kitano) Hana bi (Fireworks 1997) Hand That Rocks The Cradle The 1992 23976fps CD1 Hand That Rocks The Cradle The 1992 23976fps CD2 Hang Em High Hanging Garden The Hanging Offense 2003 Hanging Up Hannah and her Sisters CD1 Hannah and her Sisters CD2 Hannibal CD1 Hannibal CD2 Hanover Street CD1 Hanover Street CD2 Hans Staden (1999) Happiness Happiness of the Katakuris 2001 CD1 Happiness of the Katakuris 2001 CD2 Happy Accidents 2000 CD1 Happy Accidents 2000 CD2 Happy Erotic Christmas (2003) Happy Gilmore Happy Times Hard Boiled Hard Days Night A Hard Eight Hard Rain (1998) Hard Target Hard Times Hard Way The Hard Word The (2002) Hard to Kill Hardball Harder They Come The Harder They Fall The 1956 Harlem Nights Harley Davidson and the Marlboro Man Harold and Kumar Go To White Castle 2004 Harold and Maude CD1 Harold and Maude CD2 Harriet the Spy Harry Potter Harry Potter And The Chamber Of Secrets (2002) Harry Potter And The Chamber Of Secrets (2002) CD1 Harry Potter And The Chamber Of Secrets (2002) CD2 Harry Potter and the Chamber of Secrets CD1 Harry Potter and the Chamber of Secrets CD2 Harry Potter and the Prisoner of Azkaban CD1 Harry Potter and the Prisoner of Azkaban CD2 Harry Potter and the Sorcerers Stone Harry Potter and the Sorcerers Stone CD1 Harry Potter and the Sorcerers Stone CD2 Harte Jungs - Ants In The Pants 2000 Harts War (2002) CD1 Harts War (2002) CD2 Harts war CD1 Harts war CD2 Hatari Hatuna Meuheret Haunted Mansion The Haunting The Haute Tension Hawaii Oslo (2004) CD1 Hawaii Oslo (2004) CD2 He Got Game CD1 He Got Game CD2 He Loves Me He Loves Me Not He Walked By Night (1948) He ni zai yi qi - Together - Kaige Chen 2002 - CD1 He ni zai yi qi - Together - Kaige Chen 2002 - CD2 Head Above Water (1996) Head Of State Head Over Heels 2001 Head in the Clouds Heart Of Me The (2002) Heart of Glass Heart of a Dog Heartbreak Ridge (1986) Heartbreakers CD1 Heartbreakers CD2 Heartburn (1986) Hearts In Atlantis Heat 1995 Heat Team 2004 Heathers Heaven 2002 Heaven And Earth (1993) CD1 Heaven And Earth (1993) CD2 Heaven Can Wait 1978 Heaven Fell That Night (Roger Vadim 1957) Heavens Gate CD1 Heavens Gate CD2 Heavens Gate CD3 Heavy Metal (2000) Heavy Metal - Gerald Potterton 1981 Heavy Traffic Hebi No Michi (Kiyoshi Kurosawa 1997) Hedwig and the Angry Inch Heist Heist The Helen of Troy (2003) Hell is for Heroes Hellborn (2003) Hellboy CD1 Hellboy CD2 Hellboy Directors Cut CD1 Hellboy Directors Cut CD2 Hellcats of the Navy - Nathan Juran 1957 Hello I am your Aunt CD1 Hello I am your Aunt CD2 Hellraiser Hells Angels 1930 CD1 Hells Angels 1930 CD2 Hells Kitchen Helter Skelter 1976 CD1 Helter Skelter 1976 CD2 Helter Skelter 2004 Directors Cut CD1 Helter Skelter 2004 Directors Cut CD2 Henna Henry Fool 1997 CD1 Henry Fool 1997 CD2 Henry V Henry and June (1990) Herbal Tea Hercules 1997 Hercules in the Haunted World Heremakono Herencia (2001) Herencia (Inheritance) 2001 (23976) Hero (2002) Hero (2002 Extended Cut) Hero (Jet Li 2002) Hero The Heroes Mountain 2002 Heroic Duo (2003) Heroic Trio The Hi Mom 1970 Hidalgo (2004) CD1 Hidalgo (2004) CD2 Hidden Fortress (Akira Kurosawa) CD1 Hidden Fortress (Akira Kurosawa) CD2 Hidden Fortress - Criterion Collection Hidden Half Hidden Heroes Hidden The Hide And Seek Hideaway Higanbana - Equinox Flower - Yasujiro Ozu 1958 High Anxiety CD1 High Anxiety CD2 High Fidelity High Heels and Low Lifes High Noon High Plains Drifter High Sierra High Society CD1 High Society CD2 High Wind In Jamaica A (1965) High crimes Higher Learning Highlander Highlander 1986 Directors Cut CD1 Highlander 1986 Directors Cut CD2 Highlander III The Sorcerer 1994 Highway Highwaymen Hija del canibal La (2003) Hijo de la Novia El Hijo de la Novia El 2001 Hilary and Jackie Hill The Hillside Strangler The 2004 Himalaya Himalaya - lenfance dun chef Himmelfall Hip Hip Hora! (Hip Hip Whore) Hiroshima Mon Amour - Criterion Collection Hiroshima Mon Amour 1959 Hiroyuki Sanada - Twilight Samurai 2002 CD1 Hiroyuki Sanada - Twilight Samurai 2002 CD2 His Girl Friday His Secret Life His brother 2003 Histoire D O (1975) Histoire de Pen Historias Minimas (2002) History of the World The - Part I Hitcher II - I have been waiting Hitcher The Hitchhikers Guide to the Galaxy The - Episode 1 Hitchhikers Guide to the Galaxy The - Episode 2 Hitchhikers Guide to the Galaxy The - Episode 3 Hitchhikers Guide to the Galaxy The - Episode 4 Hitchhikers Guide to the Galaxy The - Episode 5 Hitchhikers Guide to the Galaxy The - Episode 6 Hitlerjunge Salomon - Europa Europa Hitman Hitokiri Tenchu 1969 CD1 Hitokiri Tenchu 1969 CD2 Hobbit The Hocus Pocus Hole The Hole in the Head A Holes CD1 Holes CD2 Hollow Man Hollow The (2004) Hollywood Ending CD1 Hollywood Ending CD2 Hollywood Homicide 2003 CD1 Hollywood Homicide 2003 CD2 Holy Man Holy Matrimony (1994) Holy Smoke CD1 Holy Smoke CD2 Hombre Home Alone 1990 Home Alone 2 - Lost in New York Home Alone 3 Home Alone 4 Home At The End Of The World A Home On The Range Home from the Sea Homem Que Copiava O 2003 CD1 Homem Que Copiava O 2003 CD2 Homerun CD1 Homerun CD2 Homme-orchestre L (Serge Korber 1970) Homolka a Tobolka Honest 2000 Honey Honeymoon Killers The Honkytonk Man Hororr hotline (2001) Horse Whisperer The CD1 Horse Whisperer The CD2 Horseman on the Roof The Horses Mouth The Hostile Waters 1997 Hot Chick The Hot Wheels World Race CD1 Hot Wheels World Race CD2 Hound of Baskervilles The Hour of the Wolf Hours The House By The Cemetary The House Of The Spirits CD1 House Of The Spirits CD2 House With The Windows That Laugh House of 1000 Corpses House of Frankenstein House of Games (1987) House of Mirth The House of Sand and Fog 2003 CD1 House of Sand and Fog 2003 CD2 House of flying daggers House of the Dead House of the Flying Daggers Houseboat How Green Was My Valley How High How The West Was Won 1962 CD1 How The West Was Won 1962 CD2 How To Lose A Guy In 10 Days How to Beat the High Cost of Living How to Keep My Love 2004 How to Murder Your Wife 1965 How to Steal a Million CD1 How to Steal a Million CD2 How to deal Howards End Hratky s certem Hudsucker Proxy The Hulk The - Special Edition Hum Dil De Chuke Sanam Hum Kaun Hai Hum Tum Hum Tumhare Hain Sanam Human Beast The CD1 Human Beast The CD2 Human lanterns Hunchback of Notre Dame II The Hunchback of Notre Dame The Hundstage Hundtricker the movie Hungama Hunger The 1983 Hunt For Red October CD1 Hunt For Red October CD2 Hunted The Hunter The Huozhe (Lifetimes) CD1 Huozhe (Lifetimes) CD2 Huozhe CD1 Huozhe CD2 Hurricane 1937 Hurricane The CD1 Hurricane The CD2 Hyojadongibalsa 2004 Hypnosis (Saimin 1999) Hypnotic Doctor Sleep Hypnotist The 1999 Hypnotized The Hypo-Chondri-Cat The (1950) |