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Hey! I ain't did shit, cop! Why you come to my mama house?|I ain't been to your mama house! Fuck! Jesus Christ, man! - Get out of the water!|- Wait. - Don't make me come in.|- I'm knee-deep in duck shit. - There's two feet of duck shit.|- That's fine. - Get out of the water!|- What you gonna do, shoot me? He wants to shoot an unarmed nigger. - Get out, man. You're under arrest.|- I didn't do nothing! Get out of the water! Fuck. Hey! Too slow, cop! Hey! Christ! Right or left?|Pick a way, I'm gonna catch you. Never gonna catch me, cop! Gotcha, gotcha, gotcha. Stay right! Stay... Sorry,|your right! Your right, please! All right! Police brutality! Don't swear!|It's not nice. Settle down! You got him.|See where that got you! You're still caught and you got shit|all over you! How do you like that? - Center yourself.|- I'm calm, okay? - All right.|- I'm calm! Get up! You young-ass brat. If it wasn't for this old man,|you wouldn't have caught nothing! Even if you had roller skates. I can't|believe I let your old ass catch me. - Talk to us.|- L.A.P. D: - Lame-ass, punk-ass dickheads.|- Settle down, son. - L.A.P.D.|- Settle down. I ain't no snitch and I ain't no bitch.|I ain't got to tell you shit. You are just talking yourself|into a hole. - Take my cuffs off. I'll kick your ass!|- Really...? Will you shut up? Shut up! I ain't did shit, man. All right, that's it! That's it! Let's take this sucker|to the station, partner, huh? Harbor Division Substation. Crooked-ass police. I'm gonna call Johnnie Cochran,|Chemical Ali, Robert Shapiro. One of them.|Wait till I call my mama. It's gonna be whack, man...|What is this, man? This is Harbor Division, son. Nice, quiet place.|We can reason together. Here we are. Harbor Division. This don't look like|no police station. - Get him out of the car!|- My pleasure. - Get him out.|- This don't look like no... - Get out.|- This ain't no police station. Yeah, this is a special station|for special assholes. Hey! Not again. - Come back here. Come on.|- Goddamn! You okay? Yeah, I'm okay. You? Okay. Any opportunity, right? Somebody doesn't like you.|You're no fun to be around! - You all right?|- Somebody wants you dead. - He okay?|- He's okay, he just pissed his pants. - I wanna talk to my mama.|- You're the man. You got nothing on my boy. We've got a puddle of piss|at the crime scene... ...and your son has a weak bladder.|- And what does that mean? That means we take your son to the|station, we ask him what he saw. He answers,|we book him into custody, he lives. He doesn't, we let him go, he dies! He didn't do it.|And he ain't getting involved. All right, uncuff him.|Let the jackals hunt him down. - Man, what I'm talking about...|- Hey, stop, stop. Stop. The young men that got shot... ...all were rappers since they were|little boys on the street corner. And they all wanted to be with|Antoine Sartain and Sartain Records. That was their Motown. - I don't get the music.|- You ain't supposed to. After a few albums,|they want to go out on their own. They find out the producer's|keeping all the money. The way it's always gonna be|in the music business. Sartain goes to the joint|for a while. Klepto, the first to rebel,|tells Sartain: "I'm gonna hire a lawyer... ...to get out of my contract|I signed in high school." Sartain get out of jail. You know what happened next. You telling me Sartain|had his own groups killed... ...because they wanted|to go on their own? Makes a powerful statement... ...to anybody thinking|about breaking a contract. Don't it? I told you what the picture|looks like. You have to put the pieces together|your own self. We'll take care of your son|for you, ma'am. Antoine Sartain. He was a busy guy|in the gangster network. Had a lot of contacts on the outside.|The music guy, right? Big time. He was smooth,|but he was a psycho. The guy was wired. He had this attitude, like|he could get anything he wanted. Any contacts, friends? A white dude came to visit him|every week he was here. For a whole year without fail. - Got a name?|- Yeah. What was the name|of the white dude? He came to visit Sartain every week. Wasley. Leroy Wasley. Leroy Wasley? "Officer Calden and his partner,|Officer Leroy Wasley... ...working undercover cocaine buy.|A standoff developed. Suspect demanded to see the cash.|Calden demanded to see the cocaine. Officer Calden was shot twice|in the chest. Suspect got away with $100,000. Some suspicion that Officer Wasley... ...may be involved|with the drug dealers." If the feds thought|Wasley was dirty... ...why would they let him back up|my dad on a deal? Because they couldn't prove it,|I guess. "After an exhaustive|four-month investigation... ...the case against Officer Wasley|was dropped... ...due to a lack of evidence." Joe, I want to kill him. Easy. Easy. There's a real can of worms here. "Wasley wasn't the only backup. There were three uniformed officers|in the alley. Two of them took off|after the suspect. One of them... ...came into the room to find out..."|Oh, my God! Look at this name. Bernard Macko. - Bennie Macko?|- Bennie Macko. Wasley and Macko.|Macko and Wasley. Something's going on here. Oh, God. I gotta be somewhere.|You okay? Yeah, I'm good. Go ahead. Take it easy. Hey, Rubes.|Look, IA's on my ass. Grab some takeout,|meet me at Mt. Olympus. I don't want to go to the house. Rube? Ruby, where are you? Rube? Oh, dear.|Detective, you found me. You're under arrest, young lady. Please don't put the cuffs on me. You have the right to remain silent.|You understand? Gavilan with Marty Wheeler, attorney|from the music business. Sleazeball. Here's Gavilan drinking on duty.|We've got photos, date, time-stamped. This is not criminal. I need criminal shit. Well, boss, this may not be|criminal shit, but... - What is this?|- "Nice house." You think so? That's Gavilan's house. That's his front porch. It's a classic... ...whose time hasn't come. And her car was there all night. Where is he now? We lost him. Where's she? This is a very romantic idea. - You're a stud.|- No. My partner's a stud. But I've got a few... ...veteran moves. If I take my ginkgo... ...I can still remember|where I put the Viagra. You really like this house? I'll offer you 675|and not a penny more. Collateral? You're looking at it. Sgt. Gavilan,|we're taking you downtown. What a night. Just one question, asshole. Why me?|You got no probable cause. - I'm a good cop.|- Yeah. You have the right to remain silent. You have the right to remain silent. Here we go, Joe. You have the right to have an|attorney during questioning. - You understand?|- Yes. I do understand the rights|you've explained to me. But you know what,|I'm not gonna remain silent... ...and I do not need an attorney|because this is all bullshit! And you can put that on the record! There's absolutely no need|to take your tie off... ...during questioning, Mr. Calden. Why's he taking his shoes off? - I've got questions for you.|- Questions for me. I got questions for you.|My first is: How does a lightweight, needle-dick|pencil pusher get assigned to IA? Oh, he's up on the table. - What is he doing?|- He's on the table. This conversation's being recorded.|This will reflect very badly... Excuse me.|Gavilan. What, he's got a phone? Jerry! Slow down, Jerry. - Excuse me!|- I'm busy here. Okay. He's "oming." There are some discrepancies|with your income and your spending. You mean, like, I'm spending|more than I'm making? Is that news? Keep talking. I think he's centering.|He's finding his center. Gavilan. What the...? What is this? Julius, calm down, Julius.|It's not over. Julius, it's never over. Get him off the phone! Guys? Gavilan. Cleo. - Police business.|- "Joe?" I can't talk.|I'll call you back later, all right? Gavilan. Hey, Ruby. What is going on in...? Muscles, man. I mean, that's... Make him talk! I have got the most intense|compression of the L4 and L5. We have allegations|of commingling of funds. I've been told that some yoga|and some massage is really... Oh, yoga, yoga, yoga.|That's great. You can't hold out for 7.|Jerry, 7... That's great!|I think that's enough. I'm sorry. We're that close, Jerry. Jerry? That looks really hard. His position.|His position looks really hard... He's not even...|He's not even talking, is he? ...to do. A tree? Now he's a tree? This is a setup.|And it will not hold up! I'm sure Gavilan is|next door right now... ...maintaining complete|professional integrity. And you know it! What the hell is going on?|Did you say anything in there? - Of course not. You?|- My phone wouldn't stop ringing. Joe, K.C.! This is insane.|Can you figure this out? No! But I played my last card buying you|a couple of hours, so you figure it out! What did you want|to talk to me about? - I like you, Joe.|- Don't bullshit me. You didn't talk to Vice,|so I made a deal with them. - What are you talking about?|- They agreed to back off... ...if I agree to testify. - Testify against whom?|- You. I was approached by Lt. Macko. Said he heard that you and I|were involved sexually. And maybe you and some of my girls|had, you know, relationships. The kid too. I don't know what you did|to piss Macko off... ...but he cut me a deal|and I took it. And you're telling me this|because you like me, huh? Yeah, Joe. I thought you should know. Fuck! Bitch! - Gavilan.|- "Joe, listen". Bennie's going to the DA right now,|not even waiting. {y:i}And the stakeout at Sartain's house|{y:i}says he hasn't been seen in 24 hours. And he hasn't been|at Sartain Records. Thanks. - What?|- This guy, Sartain. I don't even know where to find him. Wait a second. I got one idea. Hey, Rube. You ever done any psychic work|for the police? You gonna be home|for the next half-hour? Great. What are you laughing at? - It's gonna work.|- This is ridiculous. Joe, be quiet, please. What are you doing? I'm getting centered,|and if you don't leave me alone... Leave her alone for a second. Flip a coin, make some shit up.|I don't care. Sorry. Continue, please. There's a house on Sunset Plaza. Yes? But nobody's there. Okay. We must move quickly. Move quickly. - Turn right.|- Right? I see Rodeo Drive. - What happened to Sunset Plaza?|- Give her a break, Joe. We're getting close. Hold on, hold on. We're here. - Here?|- Here, yeah. - Okay.|- Here? We're here. Here. - Thank you.|- Thank you. - In here.|- You sure? Shut up. - Welcome to Beverly Hills...|- I am not in the mood. That would look so great on me. Ruby! How nice to see you! I love that. How much is it? - Don't worry.|- That is cute. She's shopping. Let her shop. We have it in black and purple. I'm out of here. Goddamn it, Joe! - Do you have that in size 2?|- Yes, we do. But we also have... This is ridiculous. You gotta give her some space.|We got nothing else to go on. - Sartain! Right there in the black SUV!|- Get the car! Go! Move it! - Keys.|- Yeah, they're in there. Hey! Hey! - Come on!|- Hey, stop! Stop, damn it! - You owe me $10.|- I'll give it to you later. Hey, stop! Stop, goddamn it! - Go! Go!|- You good? I'm going! Don't speed. You're in Beverly Hills. Goddamn it, I don't want a ticket! - Here we are.|- There he is! - Jesus. Don't do this.|- Out of the way! - This is...|- Out of the way! Okay. Get out of the way! That's him, Danny. Right here. Turn! - Out of the car!|- Easy, boss. - Get out of the car!|- Hey, I quit! Damn it! Joe, you all right? Son of a bitch!|Come on! Go! Go! Stay with him. I am not going back to prison|on this bullshit! - Get out of the way!|- Jesus Christ. Stop! - Police! Get out! Move the truck!|- Get out of the way! Move it! - God.|- Jesus Christ! If it's not one thing,|it's another. This is Gavilan. In pursuit of possible 187 suspects.|Black Escalade, eastbound on Sunset. {y:i}While flying over the Hollywood|{y:i}Freeway, we hear about a chase... {y:i}... on Sunset Boulevard. If you're driving in Hollywood|heading to Mid-Wilshire... {y:i}... and Beverly Hills,|{y:i}I suggest you stay away. {y:i}The police need you|{y:i}out of the area. - Get down!|- Watch! - Gavilan.|- Are you okay? {y:i}Yeah. Honey, we had to go. That guy showed up across the street.|There... I know. - Look, I gotta go. I'll talk to you soon.|- Take care. {y:i}We got two more black|{y:i}and whites on the chase. In pursuit of a silver Mustang,|black Escalade, Sunset Boulevard. {y:i}Doing about 50 miles an hour. Who are they chasing,|me or them? Both of us now!|You just committed three felonies! Twice! Gavilan. Yeah, Jerry. No, I can talk. Six... You'll take 6.9 now? I don't know, it might be too late.|I'll make a call. No. Go, go! Cut over! Get out of the way! Sorry. Let me know when you're back|on the street. Don't worry. {y:i}Air Six, be advised,|{y:i}we're getting crowded up here. A lot of choppers in the sky. It is not just crazy in the streets.|It is crazy up in the air. We have one, two, three.|I see Vera, Jennifer, York. I see Lauren, Vera. - Get a deal on that house yet?|- Dicking me around, but I'm on it. Get out of the way! - Get out...|- Watch! I'm watching! I'm watching! Julius, he says he'll take 6.9 now. That's what he says. Let me make a call. Bye. - Get out!|- Watch! Get off Sunset! - Go! Go!|- I got them. Is that Joe Gavilan? They'll try to travel|up to Hollywood Boulevard... ...where a huge crowd is in front of|Grauman's Chinese Theatre. {y:i}I don't know what's going on there,|{y:i}but this is a very dangerous situation. We'll honor him in one of the most|famous traditions here in Hollywood. Watch it! Goddamn it! Idiot! That's it! I'm driving! That's it! All right. Fine!|You think you can do better? Go ahead. Be my guest! - Damn it! You're trying to kill me! Idiot!|- Come on! Go! - Kill me.|- Go ahead. This is a tradition|that started back in 1927... ...when a little dog named Zorro... Yeah, this is much better. Thank you. ...jumped out of Mary Pickford's car... ...into wet cement. - Nice driving.|- Sorry. The Mustang was hit by the Escalade|and this chase came to a halt... {y:i}... in front of Grauman's Theatre... {y:i}... where someone was getting|{y:i}their star. I got Wasley! Get out of the way! Get down! Get out of the way! Police! Police! Stay down! Mayhem is breaking out,|resulting in a foot pursuit. {y:i}They're running|{y:i}down Hollywood Blvd. {y:i}They've got their weapons drawn.|"We've"... People are scrambling out of the way.|Everyone's running. It's a mess. Excuse me. Sorry. Excuse me. Look out down there! Holy shit! Oh, God! That was not the way I planned it. I'm a cop. Help me up. Thank you. I'm okay. I'm all right. Thank you. Hey, move, move. Move! Hey! Get out of the way! Police! - Get out!|- Hey, stop! Hey! Stop! Shit! Hey, police.|Get out of your car. - What the hell?|- I need your car. - I'll get it back to you.|- My family's... Hey, come on!|Police! Somebody help me! Watch out! Police! Get out of the way!|Watch out! Police! Police! You need to slow down. I can't slow down, ma'am. I'm sorry.|I'm chasing this guy here. - It's kind of fun, huh?|- No, it's not! We're gonna die.|I know we're going to die. Yes, actually. We will die. - No, you're not gonna die.|- I don't mean right now. Hey! Get out of the car! Police! Police! Get out... Hey! - Hey, look! Come on!|- Get out of here! - Hey! That's mine!|- Give me that! - Bitch!|- Asshole! Move! Police! Move! Move over! Goddamn it! You all right? Watch out! Move! Move! Move! Hey, kids,|Hindus say that life is a rebirth. Ganesh had his head chopped off. They put an elephant's head|on and he lived forever. - You're crazy!|- Kids, listen to me. It's not a bad thing|if we do die, all right? - Get out of the cab!|- This is my cab! My cab! My cab! No, man, it's my cab. It's my cab! - Get in the car!|- Police! Police! I am the police! For chrissake, get in the cab!|Move! Move! If you wreck my cab, the city... Don't worry. Sit back.|I'm a very good driver. I don't want to die! We're not gonna die, all right? Shut up, okay? Please! Oh, my God! Wait a minute, man.|Where's my fare? - How much?|- Ten dollars. Ten dollars. Ten dollars.|There's a tip! Move! Move! Move! Hey! Hey! Hey, cop. What about 6.75? - I don't think that'll do it!|- Not a penny more! Get down! Get down!|Get the hell down! Get up! In front of the door! Get in front of the frigging door! Come on, come on,|come on, come on! What are you doing? Jerry, I've just been with Julius.|I've twisted his arm. I have a firm offer for 6.75. Yes, sir, 6.75. Firm. - You will? You will?|- Oh, God. You will? That's fantastic. I'll start the paperwork in the morning,|soon as I get to the office, okay? I've gotta run now.|Thank you very much. I'm a real-estate broker. Hey. Yeah, he needs a pop-out trailer,|cook, driver... ...trainer with a gym that travels,|dog walker, hair and makeup guys. I'll fax you the rest of the perks. - Don't shoot me, man.|- Don't shoot? Don't shoot me.|Don't shoot, Wasley. - Please, don't shoot me.|- Please? Are you shitting me? Please?|You're not going to beg. - I'm begging. Please!|- Jesus Christ. H2O didn't beg. They screamed|and hollered. They didn't beg. And fat-ass Klepto ran a couple yards.|You can run. I don't even want to be a cop anymore.|I want to quit. I won't tell anybody about this,|I swear to God. Please, don't kill me! I don't want to die, okay? But my father...|My father was your partner! Just please, God, don't shoot me!|Please! Shut up. Don't talk about your father. Your daddy didn't beg|when he got shot. - He was a good cop.|- Please, don't shoot. Don't do it! Don't do it, Wasley. Don't! That was a great performance. Good enough to be|at least a Golden Globe. I don't know about an Academy Award,|but a Golden Globe. I believed it myself. I mean, all the, "Don't kill me, man.|Don't freaking kill me." I liked where you talked|about killing my father. But it's okay. 'Cause I got it all right here.|See that? Your confession and my performance,|all on one tape. That will sell great. Air Six, suspects are on the roof|of the old Broadway Building. {y:i}Shots have been fired. Air Six, get on the horn and get|these news choppers out of here. {y:i}I can't work, I need orbit room.|{y:i}Move them back. He's telling us to get out of the way. But we're not moving.|We're not. L.A.P.D. Is trying to kick us|out of here. {y:i}We don't know who the good guy,|{y:i}who the bad guy is. {y:i}I've never seen such drama|{y:i}in Hollywood before. We're on the roof. Where is he? - You want me to get him out?|- Leave him for the coroner. - Where's the kid?|- Down that way. You okay? - Yeah. You?|- Don't I look okay? Where's Sartain? And Wasley? Good job. Good thing you didn't kill him. You know me.|I don't like dead bodies. I got arrest warrants|for Gavilan and Calden. Hey, separate them! I don't want them talking to anybody|until they get downtown. Shut up and turn around, Bennie. - What?|- Cuff him. Take him downtown. What are you talking about? Get your hands off me, son of a bitch!|You're making a big mistake, pal. - You can kiss your career goodbye.|- Good. Call my lawyer. Great job. You don't have to come tomorrow|if you don't feel up to it. I said I would be there tomorrow night.|I'll be there, all right? All right. Damn it! Drunk, drunk, animal thing, you! Will all of you please|get out of here? If you lay one hand on me... - My sister's having a baby.|- This is so wrong. Get him out of here. Let go of me, you sons of bitches! Get him in bed,|put a cold towel on his head. Some coffee would do him good|right now. - Let's get him into the shower.|- Let go of me, you sons of bitches! Take it easy. - Let's get out of here.|- Poker should not be played... ...in a house with women! Baby. Eunice, I want my baby girl down here. I'm just going to keep on calling,|if you... Hey. Stella! Stella! Quit howling out there.|Go back to bed! Eunice, send my baby girl down here! She ain't coming down till you quit|or they'll set the law on you. - Come here.|- You can't beat up a girl... ...and expect her to come back!|- You suck. Sit down. Have some respect|or I'll kick your ass. Stella, come down here, baby. - Like they did last time.|- Eunice, send my baby girl down here. Yeah. It's Calden. - Gavilan.|- Yeah. I'll be there in 15. West of Coldwater? I can be there in 10. Stella. Oh, baby,|don't ever leave me again. - Hey, officer, help me out?|- Yeah. - What's going on?|- Looks like you got a 187. - Possible 927D.|- Thanks a lot. He says we have a body and a half|with some pieces missing. An Easter egg hunt. You were pretty good in that play.|You really were. You think so? Yeah. I don't know if I'm much of an actor. - I think I'm just a cop.|- What do you mean, just a cop? You really thought I was good? Hey, I already said you were good.|Don't go begging me. Looks like we'll be here a while. Let's get going on some chow, huh? Cheeseburger, well-done,|onion, pickle, no mayo. - No rabbit food, okay?|- I'll have the same. |
H Haasil 2003 CD1 Haasil 2003 CD2 Habre Con Ella Hackers Hafid - the sea Haine 1995 Hair Hairdresser 2003 Hairspray Hakochavim Shel Shlomi 2003 Hakuchi - The Idiot CD1 Hakuchi - The Idiot CD2 Halalabad Blues 2002 Halbe Treppe Half Baked Half Past Dead Halloween - The Night He Came Home Halloween 2 (1981) 23.976 Halloween 3 - Season of the Witch Halloween 4 - The Return Of Michael Myers Halloween 5 - The Revenge Of Michael Myers Halloween 6 - The Curse Of Michael Myers Halloween 6 producers cut Halloween Resurrection Halls of Montezuma (1950) Hamam - The Turkish Bath (1997) 29 Hamilton CD1 Hamilton CD2 Hamlet 1990 Hamlet CD1 Hamlet CD2 Hammett Hamnstad - Port of Call (1948 Ingmar Bergman) Hana-bi (Takeshi Kitano) Hana bi (Fireworks 1997) Hand That Rocks The Cradle The 1992 23976fps CD1 Hand That Rocks The Cradle The 1992 23976fps CD2 Hang Em High Hanging Garden The Hanging Offense 2003 Hanging Up Hannah and her Sisters CD1 Hannah and her Sisters CD2 Hannibal CD1 Hannibal CD2 Hanover Street CD1 Hanover Street CD2 Hans Staden (1999) Happiness Happiness of the Katakuris 2001 CD1 Happiness of the Katakuris 2001 CD2 Happy Accidents 2000 CD1 Happy Accidents 2000 CD2 Happy Erotic Christmas (2003) Happy Gilmore Happy Times Hard Boiled Hard Days Night A Hard Eight Hard Rain (1998) Hard Target Hard Times Hard Way The Hard Word The (2002) Hard to Kill Hardball Harder They Come The Harder They Fall The 1956 Harlem Nights Harley Davidson and the Marlboro Man Harold and Kumar Go To White Castle 2004 Harold and Maude CD1 Harold and Maude CD2 Harriet the Spy Harry Potter Harry Potter And The Chamber Of Secrets (2002) Harry Potter And The Chamber Of Secrets (2002) CD1 Harry Potter And The Chamber Of Secrets (2002) CD2 Harry Potter and the Chamber of Secrets CD1 Harry Potter and the Chamber of Secrets CD2 Harry Potter and the Prisoner of Azkaban CD1 Harry Potter and the Prisoner of Azkaban CD2 Harry Potter and the Sorcerers Stone Harry Potter and the Sorcerers Stone CD1 Harry Potter and the Sorcerers Stone CD2 Harte Jungs - Ants In The Pants 2000 Harts War (2002) CD1 Harts War (2002) CD2 Harts war CD1 Harts war CD2 Hatari Hatuna Meuheret Haunted Mansion The Haunting The Haute Tension Hawaii Oslo (2004) CD1 Hawaii Oslo (2004) CD2 He Got Game CD1 He Got Game CD2 He Loves Me He Loves Me Not He Walked By Night (1948) He ni zai yi qi - Together - Kaige Chen 2002 - CD1 He ni zai yi qi - Together - Kaige Chen 2002 - CD2 Head Above Water (1996) Head Of State Head Over Heels 2001 Head in the Clouds Heart Of Me The (2002) Heart of Glass Heart of a Dog Heartbreak Ridge (1986) Heartbreakers CD1 Heartbreakers CD2 Heartburn (1986) Hearts In Atlantis Heat 1995 Heat Team 2004 Heathers Heaven 2002 Heaven And Earth (1993) CD1 Heaven And Earth (1993) CD2 Heaven Can Wait 1978 Heaven Fell That Night (Roger Vadim 1957) Heavens Gate CD1 Heavens Gate CD2 Heavens Gate CD3 Heavy Metal (2000) Heavy Metal - Gerald Potterton 1981 Heavy Traffic Hebi No Michi (Kiyoshi Kurosawa 1997) Hedwig and the Angry Inch Heist Heist The Helen of Troy (2003) Hell is for Heroes Hellborn (2003) Hellboy CD1 Hellboy CD2 Hellboy Directors Cut CD1 Hellboy Directors Cut CD2 Hellcats of the Navy - Nathan Juran 1957 Hello I am your Aunt CD1 Hello I am your Aunt CD2 Hellraiser Hells Angels 1930 CD1 Hells Angels 1930 CD2 Hells Kitchen Helter Skelter 1976 CD1 Helter Skelter 1976 CD2 Helter Skelter 2004 Directors Cut CD1 Helter Skelter 2004 Directors Cut CD2 Henna Henry Fool 1997 CD1 Henry Fool 1997 CD2 Henry V Henry and June (1990) Herbal Tea Hercules 1997 Hercules in the Haunted World Heremakono Herencia (2001) Herencia (Inheritance) 2001 (23976) Hero (2002) Hero (2002 Extended Cut) Hero (Jet Li 2002) Hero The Heroes Mountain 2002 Heroic Duo (2003) Heroic Trio The Hi Mom 1970 Hidalgo (2004) CD1 Hidalgo (2004) CD2 Hidden Fortress (Akira Kurosawa) CD1 Hidden Fortress (Akira Kurosawa) CD2 Hidden Fortress - Criterion Collection Hidden Half Hidden Heroes Hidden The Hide And Seek Hideaway Higanbana - Equinox Flower - Yasujiro Ozu 1958 High Anxiety CD1 High Anxiety CD2 High Fidelity High Heels and Low Lifes High Noon High Plains Drifter High Sierra High Society CD1 High Society CD2 High Wind In Jamaica A (1965) High crimes Higher Learning Highlander Highlander 1986 Directors Cut CD1 Highlander 1986 Directors Cut CD2 Highlander III The Sorcerer 1994 Highway Highwaymen Hija del canibal La (2003) Hijo de la Novia El Hijo de la Novia El 2001 Hilary and Jackie Hill The Hillside Strangler The 2004 Himalaya Himalaya - lenfance dun chef Himmelfall Hip Hip Hora! 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