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Palm down, right hand.|Keep the line moving. - Put your right hand out, please.|Palm down.|- Keep the line moving. - Keep the line moving, please.|- Come on. Come on. Okay, now. Y'all listen up now. Visits for Jones,|Taylor, Harris, Ramos... Sykes, Carter, Tucei,|line up right here. Uh, you didn't call my boy's name. Hemmings. Eric Hemmings, 65660. - Hemmings?|- Yeah. Uh-uh, no visit for Hemmings today.|He's in lockup. - Okay, Mac, open it up.|- Keep out of the way. Extend your arms. Palms.|Turn around. Show me your feet.|Okay, spread 'em. Next. Open your mouth.|Roll your tongue. Extend your arms. Show me your palms.|Turn around. Show me your feet. Spread 'em. Ready on the outside! Okay, come on.|Single file, y'all. Let's go. Single file. Hey, sweetheart! Single file. Let's go. Single file. You look nice. Mr Carter? - Rubin "Hurricane" Carter. Is that you?|- Mm-hmm. - I'm sorry, you don't look like your|pictures. I thought you'd be bigger.|- Hey, I'm bigger than you. - But don't tell anybody, okay?|- All-- All right. Okay. Sit down. - Hey, this is some place, man.|- No. No, it's not. This is no place,|not for a human being. Don't ever get used to|a place like this, Lesra. You got a lot of guts, kid. Takes a lot ofcourage to come|all the way down here by yourself. I'm impressed. - I was scared you|weren't gonna let me come.|- Me too. But you're Rubin "Hurricane" Carter.|What would you be scared of? Well, doors opening,|of the light outside... ofyou. - Me?|- Mm-hmm. - Mr Carter, I don't understand.|- Oh, no, no, no,|don't call me Mr Carter. - Call me Rube.|- Rube? Yeah. Rube. All right. Rube. So, tell me about these folks|you're livin' with. - Oh, the Canadians.|- Yes.|- Yeah, I got pictures of'em. Here. This is Sam, this is Terry,|and this is Lisa. - They're the greatest, man.|- Huh. Yeah, I met 'em at an EPA in Brooklyn,|and, you know, they was doin' business. They brought me home and stuff,|and the rest is what happened, man. Yeah, that's when|my life changed, Rube. Just yanked a brother up and took him|up to Canada, just like that? No, no, they asked my folks. I see. So what do they do?|Are they a religious group... or, uh, hippies or a commune or-- No, they fix up houses and sell 'em.|You know? - They'rejust people.|-Just people. Just workin', eatin',|livin' together? I don't know. This is what they do, man.|That's their thing. -What'd your folks say?|-Oh, well, my dad, you know, he's happy. - He's glad for me.|- Oh, good. You see 'em much,|your people, your folks? Yeah, but sometimes|it's hard though. Yeah, well-- Yeah, it's hard. You give them hope. - Yeah, I guess.|- You do. You give 'em hope. Because you have transcended, Lesra. It is very important to transcend|the places that hold us. You know that? You've learned to read.|You've learned to write. Writing is-- it's magic. You feel that sometimes? - Yeah, I guess I do.|- Mm-hmm. When I started writing... I discovered that I was doing more|than just telling a story. See, writing is a weapon... and it's more powerful|than a fist can ever be. Every time I sat down to write, I could|rise above the walls of this prison. I could look out over the walls|all across the state of New Jersey. And I could see Nelson Mandela|in his cell writing his book. I could see Huey.|I could see Dostoyevsky. I could see Victor Hugo, Emile Zola,|and-- and they would say to me... "Rubin, what you doin' in there?" And I say,|"Hey, I know all you guys." It's magic, Lesra. Mmm, they sure don't teach it|that way up in Canada. - Maybe you could tell me|some books to read.|- I can do that. But these people in Canada or anywhere|else, they can only teach you so much. It's up to you. It's your search. You|gotta find out what's true foryou... what is true for Lesra Martin. I never met nobody like you before. You think I killed|those people, son? - No, I know you didn't.|- How you know? I just know. I'm so glad I met you, Lesra. Me too. Visit's up. Everybody out. Come on, folks. Let's go. You like a quick picture|ofyou and your son, Mr Carter? - Come on, folks. Let's go.|- It's up to my son. Yeah, all right. All right. That's enough pictures.|Come on. Let's go. Dear Lesra... whoever is responsible foryour present|condition obviously cares a great deal. For me, it was a miracle to see|such light in a human being again. When you came, it was like the day|had started off without the sun. It's dim and it's cool. Then suddenly,|and without any warning... the sunshine breaks through the dimness|and lights up everything. What ya gonna do|Do you wanna get down What ya gonna do|Do you wanna get down You been all around the world,|huh, Mobutu? - Been everywhere.|- Shut your motherfuckin' mouth up! Get down on it|Get down on it - Come on andget down on it|- Where your people from, Africa? Born in the Congo. Mm-hmm. In the blackness of black. My mother was a Pygmy.|She stood four foot, one inch. - Hmm.|- My father was a big Watusi. He was seven foot, ten. He'd have to pick her up|like a little child to kiss her. - Hmm, cute.|- Get down on it Come on now|Get down on it lfyou really want it|get down on it What do you think ofwhite folks? They'rejust a little bit too much|of this stuff, you know? But, uh, then again... I once rode the rails|with a hobo by the name of, um... Alabama. Now, he was white folks... and he was a good man. Mm-hmm. He saved my life|three times. - Three times?|- Mm-hmm. Three times. Three times life, huh? Everything I lost... that really matters|I lost at the hand ofwhite folks. I know what you mean... but they ain't all bad. What ya wanna do|Do you wanna get down - What ya gonna do|- But they sure can't dance. Oh, shit. Mm-hmm. Hey, y'all,|th-this is where we go in. Come on. Come on! - Don't look now,|but we're being watched.|- Stop it. Somehow I don't think|you can smoke in there. Right over there. Hey, Rube, man, we made it.|How you doin', man? All right. - Sam.|- Hey, Rubin. Good to meet you. Yeah. Good, good, good. - Professor.|- Yeah. - This is Terry.|- Terry. - Nice to meet you.|- It's my pleasure, Terry.|Heard a lot about you. - Lisa.|- Lisa. So, you don't look like|I thought you would look. Lesra said you were so tough. - Is that good?|- Don't know. Don't know. Don't know. Come on. Sit down. Everybody together!|I can't stand it. So, uh, Rubin,|how's the appeal goin'? Uh, we hear it's with the New Jersey|Supreme Court. Have they set a date? Why don't we talk about Lesra? I'm sure that Lesra wants to know|what's happening with your case too. My case is doing what it's doing. I have to focus on the fact|that I have to do the time. Well, how do you do that? How do I do that? I do that by not|allowing myself to want or to need... anything. I'm free in here because|there's nothing I want out here. Not free to want?|Not free to risk human contact? This place doesn't allow you|to be human. The only contact you get in here|is gettin' stabbed in the back|or gang-raped in the shower. That's what they've reduced you to.|I mean, you've obviously elevated it|to something else with Lesra. Yeah, because ofyou, Rube,|I wanna be a lawyer when I grow up... and prove you innocent. Except we don't have to wait|till I'm a lawyer, Rube, because|these guys want to help, man. - We all believe in your innocence.|- I've been innocent for 16 years. That's how long I've been in here.|Innocence is a highly|overrated commodity. None of us can judge what you've been|through, but you might wanna consider-- You're damn right none ofyou can judge|what I've been through... because none ofyou|have been through it. What do you know about doing time?|Tell me about it. What do you know about what it is|to be me? What do you-- What do you|know about being in this place? - Hey, this is too much, you guys.|- Yeah, you're right. This is too much. Um, y'all, look,|let'sjust go, all right? - Rubin. Rubin. Rubin.|- Right there. Hey, listen, we left a package|foryou in the mail room. Yes. Visitors left this foryou|in the mail room. We had to open it|'cause ofsecurity. Nice to have friends. "Special gift for The Hurricane." Don't trust 'em, Rubin. Don't trust 'em. You trust a bunch of little white-ass|do-gooders more than you trust me... more than you trust us. Yeah. No more hate. Try that on, huh? Don't trust 'em, Rubin.|They'll turn on ya. Don't trust 'em, no. - Think me and you. Me and you.|- See how that fits. - It's time.|- For what? It's time foryou to go. Don't you turn your back on me,|nigger. Rubin! Rubin! Ladies and gentlemen... in this corner-- ln this corner,|from Paterson, New Jersey... wearing the white trunks|with blackstripes... Rubin "Hurricane" Carter! - Okay, Sam. Are you joining us?|- Yeah, yeah, yeah. - Lesra, get up back.|- Dear Rubin... - I can't believe the warmth|and beauty ofyour letter.|- Ready? We get a rich, deep feeling|of experiencing your presence. You've-- You've made what we've|been saying the truth-- that you can't keep people back|who refuse to be kept back. Here we go. Here we go. We work out ofour home, so we're|always here ifyou'd like to call. We'd really like|to hearyour voice. You are very persuasive... and I thank you|for all the things you send me... but you people|are a bad influence on me. I'm startin' to like all this stuff|a little too much. You're lettin' me get loose. Hello? Yeah, I'll accept the charges.|Hey, Rube, what's happening, man? Lesra, boy, you, uh-- Well,|you sound more like a man every day. Get outta here. - Where is everybody?|- Oh, you know Canadians, man. They're not happy unless they're|outside, you know, rakin' leaves|or tappin' a tree for maple syrup. I don't know how they do it, man.|It's cold out there too. Hey, what's up, Rube?|Something happen? Yeah, I, um... heard from the courts, Lesra. Been denied. I lost the appeal. Oh, no, man. Well-Well,|look, look, look, hold on, Rube. - Let me tell everyone, okay?|- I gotta go, little brother. No, well, wait, Rube!|W-Wait! Wait. Wait. But, Rube! Rubin! What's going on? Lost the appeal. Oh, no. Dear Lesra, Terry, Sam... Lisa... this is, in many ways, the saddest|letter I've ever had to write. I appreciate your many efforts|and kindnesses... but I am a prisoner. My number is 45472, and myjob,|the key to my survival-- "My number is 45472, and myjob,|the key to my survival... lies in my ability to do the time. This place is not one in which humanity|can survive. Only steel can. This will be my last letter to you. Please do not write.|Please do not visit. Please find it in your hearts|to not weaken me with your love. Rubin 'Hurricane' Carter." Open up, Ken. Okay. Thanks. Rubin. I got a letter here|foryou from Canada. I'm just gonna slide it|in here foryou. You do what you want with it. "Dear Rube... I know you asked us not to write... so I'm not writing... just sending you two things. One's a picture of me|and my new girlfriend, Pauline. The other... is something that|rightfully belongs to you-- my high school diploma. Your friend and brother forever,|Lesra Martin." Don't count thestars Oryou mightstumble Hello. Yes, I accept--|I-- I accept the charges. Rubin? Hey. R-Rubin, I-I-I can't hearyou. Rube-- Hello? He said he can't do the time. Uh, collect call to anyone... from Mr Rubin Carter. - Get it. Get it.|- Take one. - Yes.|- Rubin? - Lesra?|- No, it's Terry. l'm here|with Lisa andSam, andLesra 's here. Hey. How y'all doin'? Look out the window. What? Yousee that light?|The one that's blinking? Yousee it? Yeah. Canyousee Lesra? Yeah, I see you.|What are y'all doin' here? - Can he see us?|- Yeah, he can see you. - Rube!|- We're here. We've moved down here. - For what?|- We're in this thing full-time|untilyou walk out of there. Hold on.|Lisa wants to saysomething. Hurricane! Hey, Rube. Looks likeyougot|some footsoldiers now, huh? We're all in this together,|and we're not leaving till we all leave. You're beautiful. We're gonna take you home. Okay. Okay. Rubin has, uh, asked us to give you|copies ofeverything that we have... and to answer any questions. And since we've represented him|for over ten years... there's an awful lot of material. I mean, we have rooms|full offiles. Absolutely.|And, uh, please understand... that we are not here|to second-guess you or-- You know, we-- we've come down here|to help in any way we can. Anything, you know.|Anything at all. Well, that's very kind ofyou. And I congratulate you|on your dedication to Rubin's case. Uh, maybe I should add|that in those ten years... we've been working on this,|we've donated our services. We've never asked for a dime.|We never expect one. Do we? - No.|- I wanted to be sure. And also in that time, uh,|there have been a lot of people... great people... all well-intentioned. - Famous.|- Infamous. Or not. Boxers, singers,|writers, actors... journalists, et cetera. A lot of brave people|who gave their time... and, to some degree,|risked their reputations. People like you. And, uh... people come and go,|and, frankly, nobody lasts. Nobody stays the course. Nobody goes the distance,|because it's too tough. It's too slow... and it's heartbreaking. - It's too heartbreaking.|- Well, with all due respect,|Mr Friedman... what you have to understand|is that we're here. We've moved here, and we have|every intention ofstaying here|until Rubin is free. Right on. So we finally got in|to see your lawyers, Beldock|and Friedman, the other day. - How'd they take it?|- Oh, I'd say we handled|ourselves pretty well. Yeah, well, we hauled about what, ten|tons of documents, into the apartment. - In broad daylight?|- Yeah.|- Oh, yeah.|- Wait a minute. Listen to me. This is not Canada. Now, I can protect you in here... but there's not much|I can do foryou on the outside. The only way I'm ever leaving|this place is if... a lot ofvery important people|are exposed. They're not gonna|just let that happen. - You understand?|- We'll be careful. Okay. Well, why don't you walk us|through what happened that night? Now, three cops have testified|the shooting occurred at 2:45. - So, uh, what time|did you leave the Nite Spot?|- 2:30. Oh, now tell me where can you party|child, all night long - In the basement|- Anybody call a cab? - Oh, where didyougo|- Time for me to get outta here. - How much do I owe you, Big Ed?|- Your money's no good here, champ. - Anybody call a cab?|- I did, unless Rubin's taking me home. If I take you,|it's gonna be more than home. Get on outta here, girl. Shit. What were you doin' out so late|on a Thursday night? - What does it matter|what night it was?|- Wasn't Thursday night ladies' night? Didn't it matter to your wife? I'm in the penitentiary for murder,|not attempted adultery. So there was a cab there.|He must have seen you leave, right? No. No, he left before I did. - Hey.|- Poor daddy goin' home. - Bye, Rubin.|- Take it easy. - Hey, champ.|- Huh? Hey! Whoa! He's gone! I wish to God John Artis|had met a girl that night. I wish that, uh,|he hadn't been there at all. He didn't deserve this.|He didn't deserve any of it. Artis, let's go. You're done. He got the same sentence I got,|and all he had to do... was lie and say I killed|those people and... they would have let him out|and his nightmare would have been over. Most men couldn't have stood up|to that kind of torture... butJohn Artis did. The man is my hero. So the police said it was 2:45|or a little after... when all hell broke loose|at the Lafayette bar. That's what they said. Apparently, the two gunmen entered the|bar and immediately started shooting. According to William Marins,|two guys barged in and just opened fire. Oliver goes down first. Nauyaks. Then Marins was the only one|who got a look at 'em. Then they shoot Hazel Tanis|and leave. - What's Bello doing?|- Bello was a lookout|for a burglary up the street. - And who else saw anything?|- Patty Valentine. She said she saw the getaway car. And there was a man who lived across the|street by the name of Avery Cockersham. Cockersham? That name|was in the police report. - That's right.|- So how come he didn't testify? Thejudge threw|the police report out. Cockersham left town.|Nobody could find him. It was two coloured guys. Theyjust|walked in, they started shootin'. Call the cops. Now, according to the police,|the murders were racially motivated. See, the bar didn't serve blacks,|so naturally this crazy nigger,|Rubin Carter... had to take out his vengeance|on the entire white race. Uh, this is, uh, Exhibit 11 -F. - This is 1966.|- Wait a minute. What are you talking|about? Where are-- Where are you? - Trial transcripts, 1966.|- Oh. Stick to the blue cards. - Valentine-- Valentine first said...|- I know the blue cards. the car's taillights|were similar to the getaway car. - "Similar."|- Right. Then in '76, Exhibit 89-C,|she says, quote... "The Carter car was unquestionably|the same car. There was no doubt." - Closed quote.|- Exactly. Kinda makes you wonder, doesn't it? Second trial, ten years later,|suddenly she changes her story. She drew a picture,|like a bow tie. Yeah. Yeah, I've got it here. "Taillights lit up|all across the back like a butterfly,|as the killer's car drove away." "Like a butterfly." So the first thing we|have to do is find out exactly|what Rubin's car looked like. - We need to find a '66 Dodge Polara.|- Mm-hmm. There's the bow-tie lights,|like Patty Valentine described. - I'm not so sure about that.|- You ready?|- Yeah! Yeah. See that?|They don't light up all the way. Oh, no, that's a Dodge Monaco.|You don't want one of those. They don't have the power. Look,|I'll make you a good deal on this one. - Shit.|- Monaco? - Mr Carter?|- Yeah. I was told to get you. Get me? By whom? The warden wants to see you. - For what?|- I don't know. Open up, Al. Mr Carter. I have a difficultjob|running this place... but I do it. I do it really well. You called me down here|at 3:00 in the morning to tell me that? I hear things.|I hear everything. What have you heard, Warden? I hear something's goin' down. I don't want a mess,|something that I can't clean up. This doesn't have anything|to do with my case, does it? Shit happens every day... and I wanna warn you, that's all. Somebody tries to take you down,|something gets started... I can't stop it. - You understand me?|- What do you suggest I do? Stay alive. And that goes foryour friends too. Guard. - Who is it?|- We're looking for an Avery Cockersham. Do the Cockershams live here? I'm Mrs Cockersham.|What do you want? You're black. You're white. Baked fresh this morning.|Now, you take the white one. Yeah, there were plenty coloured folks|in the neighbourhood... and in the bar too. - Avery and me were regulars.|- They served blacks in the bar? We had a running tab. So much for the racial motive, eh? My Avery got a good look|at those men... and it wasn't Rubin Carter. He told the police.|He told 'em and he told 'em. He even signed a statement|for that detective. You know the one. Heavy set. He looked like|a bulldog with glasses. - Della Pesca.|- That's the one. Could we, uh,|talk with your husband? Avery's dead. He died just before the trial. I'm sorry. Here's stuff I wanna check out. What is this? Who the fuck you think you are? - Does this look like Toronto to you?|- Excuse me? You know, you people, you got|some nerve comin' down here... pokin' your nose|where it don't belong. Let me ask you something,|Mr Canada. What the fuck do you know|about this place, huh? Huh? You know anything?|You don't know shit. Let me enlighten you... because you don't know|what you're doin'. You are making enemies|that you don't know exist. - Huh?|- We know about you. You don't know shit about me.|You understand? You don't know shit about this place,|and let me tell ya something else. You're not welcome here, okay? You're not fuckin' welcome here. You got that?|Go back to where you belong. Lesra's gonna have to get on|with school, so... we might want to send him back|for a while. - I understand. It's probably the best.|- Yeah. - Yeah.|- What about you? Oh, it's-- it's gonna take|a little longer than we thought. Y'all all right? Yeah. I have asked myself, Lisa... if I could do for anyone... what you and Sam and Terry and Lesra|have done for me, and the answer is no. - So ifyou feel like|you need to go home...|- Shh. We're not-- for any reason,|I'll understand. You-- No, you gotta understand.|We're not-- We're not leaving without you. All right? And we're gonna find something. Um, well, I found something-- a fellow by the name of Barbieri. He's a private investigator. Prosecution|hired him in the second trial. - Didn't he resign|from the case or something?|- He quit... and he turned in his murder book|and crime-scene photos... list ofevidence, but no notes. - Anyone talk to him?|- Myron tracked him down. - What'd he say?|- Nothin'. He was scared. - Of whom?|- Of the people he was workin' with. - Mrs Barbieri?|- Miss. - Hello. Uh, is Mr Barbieri in?|- There isn't any mister. Uh, Dominick, Dominick Barbieri? That was my father.|He passed away years ago. Wow. Maybe you oughta have|a yard sale. That case always bothered|my father. He never talked about it. He said|he had to live in this town, you know? Yeah. Do you have any idea|where his notes might be? Well, if he kept them at all,|they'd be in one of those boxes. Guy was a pack rat. He must have saved|every case he ever worked on. - Wait, wait, wait, wait.|- What? - I found it. Look at this. Look.|- What? - He kept a damn diary.|- Oh, look. Who would have thought he'd put it|in a diary? But he did. Look at this. There. A call was placed to|an emergency operator named Jean Wahl... at 2:28 a.m. to report the shooting. - At 2:28?|- That's right. She then calls the cops|to tell them. They say they already know about it.|In fact... they've got a cruiser on its way|over to the Lafayette at that moment. - Oh, my God.|- Yes. According to Barbieri.... "time on the record|ofcustomer contact was changed... from 2:28 to 2:45." - Yes.|- Son of a bitch. Which, if true,|putsJohn Artis and myself... at the Nite Spot|at the time of the killings. Well, ifwe can prove|she got the call at 2:28. We'll prove it. We can prove it. Mrs Wahl? Hi. My name is Sam Chaiton.|We spoke on the phone|about the Rubin Carter case. - I told you,|I don't want to talk to you.|- Mrs Wahl, please. Um, you told an investigator|named Barbieri... that an emergency call you took|the night of the Lafayette bar|murders was at 2:28. I don't know what I told him.|It was a long time ago. Uh, but there's a card|that says 2:45 on it... and, uh, you didn't sign the card. According to Barbieri, it was signed|by a Miss Lenore Harkinson. - She was my supervisor.|- Why would your supervisor|sign the card? And wouldn't you normally|do that yourself? Look, if there's a card and that's|what it says, then that's what it says. I don't remember anything else.|And ifsomeone tries to make me testify,|that'sjust what I'll say. Uh, look, Mrs Wahl-- Thank you. So this is a copy of the phone|company's record ofcustomer contact. It's all there,|just like Barbieri said. 2:45. Look at the signature on the card. It's signed by Lenora Harkinson,|Jean Wahl's supervisor. Does that mean anything to you? It means she didn't have|to write up a phoney ticket. What? He signed it himself. Who? His handwriting is|on every report that... put me in prison|since I was 11 years old. It's Della Pesca. It's his handwriting. - Oh, shit! What's happening?|- What the hell is that? - Don't know.|- What is that? - Oh, shit!|- Hold on! - You all right?|- Yeah. - Les, you okay?|- I'm all right.|- Are ya? - Are you all right? Yeah?|- I think so. Damn. - Yeah?|- Shit.|- Hey, you okay? - What the fuck was that?|- Need help? We're okay. Thanks. - Are they all right?|- Goddam. The carjust went right over|the centre divider-- Rubin, the law states we have|to take our new evidence back|to the original trial judge... - and then if he turns us down,|we go to the state appeals court--|- No. No, no, no, no! Listen to me. These people|aren't gonna just let that happen. They've made their careers|on my case. - What are you talking about, Rubin?|- I'm talking about lawyers,|prosecutors, judges... who have moved up the ladder|on my black back. We don't even know what enemies|we have out there in this state. We gotta take it out of New Jersey, and|we gotta take it to the federal court. Rubin, ifyou go|into federal court... with new evidence that hasn't been|heard in the state court... thejudge is gonna throw|it out, okay? - That is the law.|- Then we transcend the law. We, we, we get back to humanity. You said it yourself.|You said ifwe take the new evidence... before the federal judge,|he's gotta look at it|before he throws it out, right? - Right.|- I believe that once he looks at it,|he will have seen the truth. Having seen the truth,|he can't turn his back on me. And what ifyou're wrong|and he does turn away? Then what? Then you throw out all this evidence|that everyone's fought so hard to get. And you know what, Rubin?|You will never be able to mention it|in a court of law again. It is finished. It's erased.|It's as if it never happened. This evidence is the key|to getting you out of here,|and you'll be throwing it away, Rubin... - when in a few more years--|- I don't have a few more years, Myron! - Leon, help me out.|- I can't. I agree with Rubin.|It's time to move on. - Move on? What do you mean,|move on? Move on where?|- The state's biased, Myron. We're never gonna get anything there.|We have to go federal. - We can't take the risk|of going federal with this.|- Listen to me. Listen to me! I'm 50 years old. I've been locked up|here for 30 years. I've put a lot of|good people's lives at risk. Now, either I get outta here-- Get me outta here. Ready? Good luck, Rubin. This is foryou.|You stay strong. - Good luck.|- My man. Peace, baby. Be cool now. Good luck, Mr Carter. - Rubin.|- Rubin Carter, prisoner 45472. - See you around.|- Okay,Jimmy. Your Honour, we appear before you... in our 19th year before the courts. Rubin Carter has never enjoyed|a full, fair... and unforced disclosure|of the facts... to which he is|constitutionally entitled. For 19 years,|the truth has been hidden... not only from Rubin Carter's eyes... - but from the eyes|ofjustice itself and--|- Uh, Your Honour. The prosecution|objects forcefully here. Counsel is attempting|to present new evidence... and circumvent|the State Court of New Jersey. Your Honour must,|according to the law... drop this entire petition|where it belongs-- into the garbage. Your Honour, we implore you|to at least hear us... before making your ruling. Mr Beldock, I hope you understand... the implications ofyour action. That is a very slippery slope... you're trying to climb. - We do, Your Honour.|- Proceed. In 1976, the State of New Jersey's... chief investigator of this case,|Dominick Barbieri... resigned because he|discovered the truth. He discovered|that this case was built... on a foundation|offorgeries and lies. Those lies show the guilt|not of Rubin Carter... but of a corrupt police force|and the prosecutor's office. And now this wall of lies|has been destroyed... so that this court|may finally see the truth... and, pray God,|not turn its eyes away. This court is|not unmoved by your... eloquence and passion... but the prosecution is correct. This petition|contains new evidence... that has not been presented|before the State Court of New Jersey... and there is no legal argument|that you could make... which would allow me to consider it. Therefore, you have|two choices before you: I can send this case|back to the state court... and you can present the evidence... or, ifyou insist... on, uh, proceeding... this evidence will be lost|to you forever. You understand the choice|before you, Mr Beldock? Your Honour, may I request|a moment to confer with my client? That's the smartest thing|you've said all morning, Counsellor. Rubin, listen to me.|Thisjudge is telling us|as clearly as he possibly can... that he's going|to rule against you. - This is our last stand, Myron.|- Rubin, I am begging you-- Let's proceed. Your Honour, my client wishes|to continue with this proceeding. Uh, do you do so formally... and, uh, are you aware of the, uh... significance ofsuch an action? We do so formally. - Proceed.|- But, Your Honour-- - Yes?|- Uh, the state is not prepared... to proceed to argue|the merits of this case. Why not? Well, we, we assumed... that the court would not hear|this petition based on new evidence. You assumed wrong. Proceed. So, Your Honour, this case|was poisoned from the start. No evidence. No witnesses,|except admitted liars. Only a racially charged atmosphere... which was fanned by the police|and the prosecutors... who knew the truth|and distorted it... and subverted it and destroyed it... to convict an innocent man. What more can the State|of New Jersey do, Your Honour... than give a man not one... but twojury trials? And nothing has changed since then. Mr Carter is, and always has been,|a menace to society. He's been in and out of jail|his whole life. A criminal.|He's a violent man. His whole life has been violence. And it is our duty, Your Honour,|to continue to protect... the general public|from such a man. Thank you. I've heard your statements.|Uh, I'll take them under consideration. Now, is there anything else|that counsel wishes to add... before I make my final ruling? - What are you doing?|- I want to say something.|- What are you gonna say? I want to--|I need to say something. Uh, Your Honour, m-my--|my client, Mr Carter... wishes to address the court. Request granted. Thank you, Your Honour. I was a, um... prizefighter. Myjob was to... take all the hatred... and skill that I could muster... and send a man to his destruction,|and I did that. But Rubin "Hurricane" Carter|is no murderer. Twenty years I've spent|locked up in a cage... considered a danger to society. Not treated like a human being. Not treated like a person. Counted 15 times a day. I serve my time|in a house ofjustice... and yet, there's|nojustice for me. So, I ask you|to consider the evidence. Don't turn away from the truth.|Don't turn away from your conscience. Please, don't ignore the law.|No, em-embrace that... higher principle for which|the law was meant to serve. Justice. That's all|I ask for, Your Honour. Justice. This court is in recess. Oh, thank you. It's good. Come a long way,|huh, little brother? Yeah. Look, Rubin, I just want you to know|if this doesn't work... I'm bustin' you outta here. - You are?|- Yeah. That's right. I'm bustin' you outta here. What was the first book|you ever bought? Yours. You think that was an accident? - No.|- No, me neither. Lesra, short for Lazarus. "He who has risen from the dead." Rubin. Genesis, chapter 29, verse 32. "Behold a son." You put those two together, Lesra,|and you have... "Behold a son who is risen... from the dead." That's no accident. Hate put me in prison. Love's gonna bust me out. Just in case love doesn't,|I'm gonna bust you outta here. Yeah. You already have, Lesra. All rise. This Federal District Court|of New Jersey is now in session. Judge Sarokin presiding. Be seated. This court does not arrive|at its conclusion lightly. On one hand, Rubin Carter|has submitted a document... alleging racial prejudice... coercion of testimony|and withholding ofevidence. On the other hand... Mr Carter was tried twice... by two differentjuries... and those convictions|were subsequently upheld... by the New Jersey|State Supreme Court. He's gonna rule against us.|Rubin's gonna lose. However, the extensive record... clearly demonstrates|to this court... that Rubin Carter's conviction... was predicated upon an appeal... to racism... rather than reason... and concealment... rather than disclosure. To permit convictions to stand... which have|as their sole foundation... appeals to racial prejudice... is to commit... a violation... of the Constitution... as heinous as the crimes|for which the defendants... were tried... and convicted. I hereby order Rubin Carter... - released from prison...|- Yes! henceforth, from this day forward. Yes! Yes. This court is adjourned. Hey, Rube, you made-- you made it, man!|You're free! Can you stand it? You did it, Rube.|You did it, man. - Yeah, huh?|- Yeah! Rubin Carterhasjust been freed. All right!|You're free, Rubin! |
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