- What have we got?|- Locals got a call, about 12:30 AM
from the husband. He gets home late,|his wife's not there.
She's left messages on the answering|machine, saying she ran off the road,
she's making a call from a phone box,|about 2kms down the road.
Last call says she saw a car coming,|she's gonna wave it down.
But she never makes it.
$50 says|it's the husband.
Knox. My wife's|name's Somers.
I'm Detective Zat.
This is my colleague,|Detective Weis.
We've located|your wife's car, Mr. Knox.
Do you mind if we come in?
Mr. Knox, it appears that|your wife ran off the road.
There's a telephone box|several kilometers further along.
- Should I go there?|- We're conducting a search, but...
if she accepted a lift from somebody,|it's unlikely she'll be there.
Would you mind answering|a few questions?
I've been through all this|with the police.
I know, but would you mind telling me|what happened last night?
I got home around midnight.
Her car wasn't here.
I came in,|I checked the machine.
There were|a couple of calls.
The last message said|there was a car coming
and she was going|to wave it down.
- That's when you called the police?|- No, I waited about 20 minutes.
- That's how long it would have...|- So you called at about 12:20?
Yes, more or less.
Do you have a photo of your wife|we could have, please?
How was your wife|yesterday?
- Fine.|- Nothing troubling her?
I am trying to find out|about your wife's emotional state.
Right now, I'd say|it's pretty bad, wouldn't you?
None of this|is particularly pleasant.
- I can imagine.|- Imagine what? You're married?
If your wife got|into a stranger's car...
a man, let's assume...|and didn't come home,
what would you imagine?
Right now,|I'd be going mad.
Mr. Knox,|we need the tape.
She...|this is private.
- In what sense?|- She's upset.
She wasn't expecting anyone|to listen to it.
I'll make sure|this is returned to you.
- You didn't wake me up last night.|- I got in late.
What's with the face?
- I fell over.|- You were pissed?
Come on, kids.
You packed your bag, Hannah?
- Quickly. Come on.|- Hi!
- Hi.|- Hi.
Seatbelts on, quickly.
- Nik got in late last night.|- Got nothing better to do than spying?
- What?|- You know,
don't invite Nik in for coffee|when I'm not here.
That's|the appointment book.
All her notes and session tapes|are kept in a filing cabinet.
- Do you mind?|- No.
- How was she yesterday?|- All right.
Is she the kind of person|that would get into a stranger's car?
Not after what happened|to her daughter.
Sarah, I'd like you to print me|a list of her current clients,
- addresses and phone numbers too.|- Is that ethical?
Sonja, on tape:|It's not that he might have...
slept with|another woman...
it's that|he might not tell me.
That would be|the betrayal.
Somers:|Do you still love him?
Good evening.|Richard Morecroft with ABC News.
The police are inquiring
into the disappearance of a woman|in Bushland, north of the city.
Psychiatrist Valerie Somers|was last seen on Friday night.
Her car was found abandoned|along the Lower Ridge Road.
She might have accepted a lift|from a passing motorist.
Ms. Somers has recently|completed a book
about the murder|of her own daughter.
The body of 11 -year-old|Eleanor Knox
was found dumped in a city|laneway 18 months ago.
Police are appealing|to the public for information
regarding|Ms. Somers' disappearance.
Why do you think|she turned off the freeway?
Some people say|it's shorter.
I don't know.
She mentioned she was having|some trouble with a client.
What kind of trouble?
She didn't go into it.|She doesn't talk about her clients.
- Why not?|- It's unprofessional.
- Even between husband and wife?|- Yes.
- I tell my wife everything.|- That surprises me.
Most men hold|something back.
You're some kind|of academic, aren't you?
I'm Dean of Law.
I studied at Harvard.|That's where Valerie and I met.
I don't understand why she'd get|into a car with a stranger.
Maybe she didn't.
Maybe she knew him.
- How's your marriage been lately?|- Fine. How's yours?
Up and down.|Where were you Friday night?
Am I a suspect in|my wife's disappearance?
Where were you|Friday night?
I was at work.
Can anybody verify that?
No, I was alone.
Nobody saw me.
Nine times out of 10|when a wife goes missing,
the husband knows|something about it.
You're a prick.
The young constable|will give you a ride.
Patrick, on tape:|Anyway, we've been
seeing each other|for a while.
Somers:|And you like him?
Patrick: Yes, I do.
Patrick:|He comes encumbered...
with a wife.
- Don't you have a home to go to?|- Yes. Do you?
Did you find anything?
She dedicated|the book to John.
"For teaching me|to trust again."
- Did you listen to Phelan's tapes?|- Yeah.
- What did you think?|- She didn't like the man.
Go home.|You got an early start.
- What about you?|- Soon.
You really look like shit.|Go home.
Talked to mystery man yet?
He never came back.
I'm not asleep.
Did you watch the news?
Will you find her?
It's not looking good.
I saw her client list,|Sonja.
Why didn't you tell me?
Because it was private.
It was just something|I had to do.
There was a time when there was|no private between you and me.
That is because I had somebody|I could talk to.
- I have to tell you something...|- I have to tell you...
I had an affair.
I slept with her twice.
I know it hurts you.
It hurts her...
Because I'm numb.
I can't feel|anything anymore.
Just totally|fucking numb.
Why did you sleep|on the couch?
I came in late last night.|I didn't want to wake your mama.
Are you fighting?
- Yeah, a bit.|- Boy: Why?
There's something|we've got to sort out.
- You all right, Mom?|- Yeah.
I'll be in the car.
Can you grab something to eat?|We're running late.
Are we gonna|talk about this?
Or you just going to punish me?|This is how you're gonna punish me?
I fucked up.
- People fuck up.|- Really? I don't.
You know what's so easy?|It's easy to go and find somebody.
You know what's hard?|What's hard is not to.
Sonja, listen.|I just want...
Get off me.
We'll talk about this|tonight, all right?
Oh... get fucked!
I don't even know|if I'll be here later.
Did you know?
Can you come over?
- What number is it?|- 406.
You sure|you're up to this?
We're investigating the disappearance|of Valerie Somers.
We were hoping|you could help us.
It's not a good time.|(clears his throat)
- Patrick: I was out late.|- Who with?
Mr. Phelan,|the woman's missing.
- You know what's happened to her?|- Not yet.
You had an appointment with her?|Can you tell us how she was?
She seemed all right.|I don't know.
You don't know?
She's the therapist.|I wasn't focused on how she was.
How do you|get along with her?
- Fine.|- Leon: That's it?
We didn't end our last session|on very good terms.
Leon:|Why is that?
- We disagreed about something.|- What was that?
What? That guy|you've been fucking?
- Leon: Married guy?|- How did you know about that?
- She records all her sessions.|- That's private...
- Yes, but under the circumstances...|- That's my life!
Is there somebody|in that room?
Who is it?|Your boyfriend?
- Could you ask him to come out?|- He has nothing...
- Leon!|- What's the matter with you?
- You don't have the right...|- Who are you?!
You have|no fucking right!
That went well.
Your marriage is falling apart|and so are you.
- It's none of your business.|- It is if you can't do your job!
If you don't like the way|I'm handling things,
take it up at the station.
- (dialing)|- (ringing)
- Hello?|- Leon: Dylan?
Could I speak to your mom?
No, she's still|pissed off at you.
- tell her I'll be home soon.|- All right. See you, Dad.
What did he say?
He said that he's sorry,|that he loves you,
and he wants you to stop|being angry with him.
You look bereft, Leon.
The other question is,|why don't you?
Don't be deceived|by appearances.
Want a whiskey?
Leon: Somebody|may have hurt your wife.
- I need to know if it was you.|- I didn't hurt her.
- She was upset on the phone.|- She was afraid.
- Of what?|- Of being alone.
Of me not being|there for her.
Why weren't you|there for her?
While your wife|was in some phone box,
calling for your help,|where were you?
Are you seeing someone else?
- Is it an affair?|- No.
With a man?|Is that what's going on?
I believe that's what|Valerie thought was going on.
What are you|talking about?
For some reason, she believe|you were involved with Patrick Phelan.
Is that it?|Were you seeing men on the side?
- I don't have to listen to this?|- Yes, you do.
My wife's out there somewhere.|What are you doing about it?
I'm trying to find her.
But I need to know|what's inside her head.
I don't know.
I don't know.
Have you ever|cheated on your wife?
- Never desired another woman?|- Yes, of course.
- But you never acted on it?|- No.
Well, you're|a better man than I am.
So there is someone else?
There was someone once.
Once that's happened, you're never|entirely believed again.
Something gets broken,
permanently.|Trust, I suppose.
When that happens,|anything's possible, it would seem.
You don't lose a daughter,|like we lost Eleanor,
without some damage.
So where were you?
I left work late.
I stopped at the place|where my daughter was killed.
I go there... a lot.
- Valerie didn't know that.|- You didn't tell her?
Why not, John?
What holds|your marriage together, Leon?
Maybe habits sometimes,|passion, our kids.
Ours was held together|by grief.
There wasn't|much else left.
You didn't love her|anymore?
I'm saying that sometimes,|love isn't enough.
Where the hell|have you been?
We got a call from a man,|saying his wife saw a neighbor
throw a shoe into a vacant lot|on the night Valerie disappeared.
She's got the shoe.|Black leather.
Where are we going?
- This could be tricky.|- Why?
I know the woman.
(knocking on door)
- Detective Claudia Weis.|- Leon!
- We had a drink the other night.|- How are you?
You'd better come in.|My wife's pretty upset.
Pete: Jane, it's the police.
- This is Leon and...|- Claudia.
- and Claudia. Jane.|- Is that the shoe?
You shouldn't have touched the shoe,
- Mrs...?|- O'May.
It's Jane O'May.
Right, Mrs. O'May,|you shouldn't have touched it.
Well, I did.
Yeah, but you shouldn't have.
Well, I did, didn't I?
It's on the table.
- Could we have some coffee?|- Yeah.
It's out|the back here. Thanks.
I'll give you a hand.
(whispering)|Are you all right?
- Have you got a light?|- Yeah.
How do you want to handle this?
You're a policeman, aren't you?
Why don't you just do your job?
I've never seen you before.
Nik:|Can I speak to Paula, please?
Nik: It's urgent.
Can you tell her to|call me as soon as she can?
Yes, as soon as she can, please.
(knocking on door)
Leave it!|Go get your brother.
Nik D'Amato? Detective|Claudia Weis, City Central.
My kids. I need|someone to watch my kids.
Right. I'll give you|a couple of minutes.
Jane: So I go to the window,
at about 11:30.
I go to the window,|and he's chucking that.
and he threw it over there,
and he was looking|like he was...
(knocking on door)
Nik: You're back, Pete?
Only sort of.
- How are you?|- Good. And you?
I'm in a bit of trouble.
Can you take the kids?
Just till Paula gets back.
Nik: I wouldn't ask|unless I really needed help.
We'll take them.
Here you go.
There's pajamas, toothbrush...
there's a video and some|other stuff in there as well.
Thanks very much, okay?
It's time to go.
No, Daddy, don't go.|Don't go!
Come on.|I'll be back soon.
- Come on.|- No! No!
How did you get the|scratches on your face?
- I want to see my wife.|- She's on her way.
Can you tell us where|you were Friday night?
I want to see Paula.
You are in deep shit, mate.
Your wife can't help you.
- Do I know you?|- I doubt it.
- I've seen you before.|- Shut up! Shut up!
- You were next door at Jane's place.|- I told you to shut up!
Where are my kids?
- Where are my bloody kids?!|- With your neighbor.
- Who are you?|- Calm down.
- I don't want to be calm.|- Can I get you something?
Yes, you can get|me my husband.
- And get me out of here!|- Can you just step in here?
I'm Detective Sergeant Zat.
I believe you met|Detective Constable Weis.
I want to see Nik.
Your husband is helping us|with our inquiries.
He was seen throwing a shoe|into a vacant lot.
Who saw him?
A search was conducted|in the block opposite your house.
My kids play there.|Every kid on the street plays there.
They found the shoe.
It was identified as belonging|to Ms. Valerie Somers.
She's been missing|since last Friday night.
- Jane: Hello?|- Janey, it's Paula.
Paula: Is Andrew awake?
Your kids are fine.
- You know?|- Maybe I could talk to Hannah.
Jane: No, she's asleep.
- Paula: The baby?|- You know what? They're all asleep.
Sorry about this, Janey.
Nik's in trouble.
They won't let me see him.|I don't know what to do.
You know what?|It's okay.
Jane: Your kids are really safe.
I'll get there as soon as I can.
- Okay.|- Paula: Thank you.
Does she know|you rang the police?
They say you've...
hurt some woman, Nik.
I didn't, babe.
I didn't touch her.
Don't. Not yet.
- What is it, Hannah?|- The baby's sick.
What is it?
What is it?
He's burning up.
- Get us a flannel. A wet one.|- Panadol.
- What?|- He needs Panadol.
- Poor little thing.|- It's all right for babies?
- I don't know. Only get half.|- Baby Panadol.
- What?|- Baby Panadol.
- You'll have to go to the chemist's.|- There's some at our house.
I'd met some mates for a drink.
We used to work together.|It's something we keep up.
We drank more than we should have,|so I took the backroad.
The police don't patrol it.
It must have been about...
a quarter to 12:00...
and I see this woman standing|at the side of the road.
I don't want to stop.
It's late, and I'm thinking|Paula will get worried.
But what do I do?|The woman needs help.
So I pull over.
My car ran off the road.
What's your name?
Nik: It turns out she lives|in one of those houses by the Bay.
There's a string|of houses along there.
It's out of my way.|It's in the opposite direction.
She doesn't say much.
I can tell she doesn't want|to talk, so I just...
But I know this shortcut
and I just don't...|I just don't think.
And before I can say,|"This is the short way,"
What do you mean,|she's gone?
Nik:|I'm not going to hurt you.
I thought that...
if I'd leave her alone...
she'd stop|being afraid of me.
I just left her there.
When I got home,|I saw her...
I saw her shoe
on the floor of my car.
Jesus, I just wanted|to help the woman...
Why didn't you report it, Nik?
Because I thought|she'd be all right.
I thought she'd find|her way out of there.
Then when l...
and when|I saw her on the news...
that she was missing, l...
By then who was going|to believe me?
for letting me know.
Paula? Come in.
- Paula: Daddy will be home soon.|- Maybe they can come back later.
- They've been so good for me.|- No, I don't think so.
He didn't do it, Jane.
How do you know?
He told me.
Jane:|What could I do, Paula?
Go inside and put|your bags in your rooms.
You've got no right, Jane!
You hear me?!
You have no fucking right!
I don't want to see you|anywhere near my kids again.
I was home, Leon.
I didn't pick up the phone.
Valerie on tape:|John? There's a man...
He's a client and he's...
I don't understand this.|I don't understand...
I don't want this|to be happening to us.
Oh... there are lights.
There's a car coming.|I'll wave it down.
Wait for me.|We'll talk when I get home, okay?
I love you.
I thought she would come home.
Sonja, on tape:|It's not that he might have...
slept with another woman.
that he might not tell me.
That would be the betrayal.
Valerie:|Do you still love him?
I still love him.
I don't want to lose you.
I don't want to lose you.|I couldn't bear it.
(Spanish ballad playing)
LA Confidential CD1
LA Confidential CD2
LOTR The Return Of The King CD1
LOTR The Return Of The King CD2
LOTR The Return Of The King CD3
La terra trema - The Earth Will Tremble
Lady Eve The (Preston Sturges 1941)
Lady Vanishes The 1938
Lady and the Tramp
Lady from Shanghai The
Land And Freedom
Laramie Project The
Last Action Hero
Last American Virgin The 1982
Last Boy Scout The
Last Castle The
Last Contract The
Last Detail The (1974)
Last Emperor The (Derectors Cut) CD1
Last Emperor The (Derectors Cut) CD2
Last Emperor The (Derectors Cut) CD3
Last Ghost Standing
Last House on the Left (uncut)
Last Hurrah for Chivalry 1978
Last Life In The Universe
Last Love First Love 2004
Last Night 1998
Last Picture Show The
Last Ride The
Last Temptation Of Christ The CD1
Last Temptation Of Christ The CD2
Last Waltz The CD1
Last Waltz The CD2
Last Witness CD1
Last Witness CD2
Last of the Mohicans The
League of Extraordinary Gentlemen The CD1
League of Extraordinary Gentlemen The CD2
League of their Own A
Leaving Me Loving You (2004)
Legally Blonde 2
Legend (Collectors Edition)
Legend Of Zu The (2001)
Legend of Bagger Vance The
Legend of Drunken Master The
Legend of Hell House The
Legend of Suram Fortress The Ashik Kerib
Legendary weapons of China
Legends Of The Fall
Leprechaun 4 - In Space [Brian Trenchard-Smith 1996]
Les Carabiniers (23.976)
Les Invasions barbares
Lethal Weapon 1987
Lethal Weapon 2 1989
Lethal Weapon 3 1992
Lets make love Marilyn Monroe 1960
Liberty Heights CD1
Liberty Heights CD2
Life Is Beautiful
Life as a house
Life of Birds The 10 - The Limits of Endurance
Life of Birds The 1 - To fly or not to fly
Life of Birds The 2 - The Mastery of Flight
Life of Birds The 3 - The Insatiable Appetite
Life of Birds The 4 - Meat Eaters
Life of Birds The 5 - Fishing for a Living
Life of Birds The 6 - Signals and Songs
Life of Birds The 7 - Finding Partners
Life of Birds The 8 - The Demands of The Egg
Life of Birds The 9 - The Problems of Parenthood
Life of David Gale The
Life of Emile Zola The
Life or something like this
Light of my eyes
Lilies - Les feluettes (1996)
Lilies of the Field 1963
Lille Frk Norge 2003
Lion King The (Disney Special Platinum Edition)
Lion in Winter The CD1
Lion in Winter The CD2
Lips Of Blood (29.970)
Lisbon Story 1994
Little Man Tate CD1
Little Man Tate CD2
Little Princess A (1995) CD1
Little Princess A (1995) CD2
Living Daylights The
Living Planet The David Attenborough CD1
Living Planet The David Attenborough CD2
Living Planet The David Attenborough CD3
Living Planet The David Attenborough CD4
Living Planet The David Attenborough CD5
Living Planet The David Attenborough CD6
Living in Oblivion (1995)
Lizzie McGuire Movie The
Loaded Weapon 1993
Lock Stock and Two Smoking Barrels
Lock Stock and Two Smoking Barrels Directors Cut
Lone Wolf and Cub - Baby Cart at the River Styx
Lone Wolf and Cub 1 - Sword Of Vengeance (1972)
Lone Wolf and Cub 3 - Baby Cart to Hades (Kozure Okami 3 1972)
Lone Wolf and Cub 4 - Baby Cart in Peril
Lone Wolf and Cub 5 - Babycart in the Land of Demons (Kozure Okami 5) 1973
Long Riders The
Long Run The 2000
Longest Day The (1962) CD1
Longest Day The (1962) CD2
Lonorevole Angelina (1947)
Looking For Mr Perfect (2003)
Lord Jim CD1
Lord Jim CD2
Lord Of The Flies (1963)
Lord Of The Rings The Fellowship Of The Ring (2001) CD1
Lord Of The Rings The Fellowship Of The Ring (2001) CD2
Lord of Hangzhou The
Lord of The Rings - Two Towers (Extended Edition) CD1
Lord of The Rings - Two Towers (Extended Edition) CD2
Lord of The Rings - Two Towers (Extended Edition) CD3
Lord of the Rings The - Fellowship of the ring
Lord of the Rings The - The Two Towers
Lord of the Rings The - The Two Towers CD1
Lord of the Rings The - The Two Towers CD2
Lord of the Rings The - The Two Towers CD3
Los Amantes Del Circuli Polar
Loser Takes All The (2003)
Lost And Delirious
Lost Command CD1
Lost Command CD2
Lost Skeleton of Cadavra The
Lost Tabula Rasa
Lost World The 2001
Lost World The BBC CD1
Lost World The BBC CD2
Lost World The BBC CD3
Lost in Translation (2003)
Love Actually 2003 CD1
Love Actually 2003 CD2
Love And Basketball (2000)
Love Dont Cost a Thing
Love In Nepal
Love Undercover 2 (2003 HongKong)
Love is Colder Than Death (1969)
Lover Come Back
Loves of a Blonde - Criterion Collection
Loving You Elvis Presley 1957
Lumber Jerks (1955)
Luna Papa (1999) CD1
Luna Papa (1999) CD2
Lundi Matin 2002 CD1
Lundi Matin 2002 CD2
Lunes al sol Los CD1
Lunes al sol Los CD2
Luthiers grandes hitos Les