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Making of alien vs predator

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{HEAD DISCID= DVDTITLE= CODEPAGE=1250 FORMAT=ASCII LANG= TITLE=1 ORIGINAL=ORIGINAL AUTHOR= WEB= INFO=Sottotitoli ottenuti con SubRip 1.17.1 LICENSE= } {T 00:00:11:36 (man) I've wanted to make an Alien movie since I saw the first one at schooI. } {T 00:00:15:52 I crept into it cos I wasn't oId enough to see it - and it scared the Iiving dayIights out of me. } {T 00:00:21:72 And I had a crush on Sigourney Weaver, who I thought was the sexiest woman aIive. } {T 00:00:27:00 So I've been into Aliens right from the start. } {T 00:00:30:44 And I had an idea for an ''AIien versus Predator'' movie } {T 00:00:34:64 pretty much as soon as I read the first AVP comic books, } {T 00:00:39:04 which was right after Predator 2 came out. } {T 00:00:48:48 Aliens Vs Predator has its origins in a meeting } {T 00:00:51:80 where we were trying to think of a team-up that we couId present to DC. } {T 00:00:55:52 We were starting to achieve some notoriety as a company, } {T 00:00:59:84 we'd had a great success with both the Aliens and the Predator books, } {T 00:01:04:72 and the reason we went after Predator is we saw the traiIer on teIevision for the movie, } {T 00:01:11:52 and Randy and I just drove to the theatre cos we wanted to dupIicate the success of Aliens. } {T 00:01:17:56 We Iiked the movie. } {T 00:01:19:24 We waIked out, I said to Randy, ''I know the sequeI. I know the comic book.'' } {T 00:01:24:80 ''We just saw predators in the jungIe, } {T 00:01:27:64 we'II put predators in the steeI jungIe on the hottest day of the year.'' } {T 00:01:31:48 We sat around and we fIeshed out a story and did the Predator book. } {T 00:01:36:40 So we were Iooking to do a team-up with DC, and Chris Warner, who's stiII here working, } {T 00:01:43:28 said, ''Why don't we just use our own characters?'' } {T 00:01:46:84 ''AIiens and Predator are both Fox characters. Let's put 'em together.'' } {T 00:01:51:28 King Kong Vs Godzilla - cooI. } {T 00:01:53:64 We did the Iicence and we were very excited. } {T 00:01:56:52 After Alien, when Predator was out and it was such a hit, } {T 00:01:59:72 we got a photo from the set of the Predator 2 movie. } {T 00:02:03:40 Someone on the set sent it to me, and it was a picture of an aIien head in the predator ship. } {T 00:02:09:88 It was a wink at the Alien Vs Predator comics someone there thought it wouId be fun to do. } {T 00:02:16:48 We knew the movie wouId come sooner or Iater } {T 00:02:18:96 because just the fan base behind the property was so strong. } {T 00:02:24:04 You are one ugly mother... } {T 00:02:28:16 (screeches) } {T 00:02:30:24 Motherfucker. } {T 00:02:32:36 It was very difficuIt to try to bring them together because between Predator and Alien } {T 00:02:37:40 there were six warring producers, and some of the most powerfuI producers in HoIIywood. } {T 00:02:43:68 Once I had secured those rights, itjust remained putting together a reaIIy great story. } {T 00:02:49:36 PauI Anderson waIked in my office one day } {T 00:02:52:24 and pitched me a story that he'd wanted to do for eight years. } {T 00:02:55:48 He was aIso a Predator Vs Alien fan, and he started to pitch me this story, } {T 00:03:01:12 and it was one of those stories, Iike Jaws, thatjust drew you in and drew you in. } {T 00:03:21:08 This is a key image for the AVP movie. } {T 00:03:24:28 Something that's aIways fascinated me is the work of Erich von Däniken, } {T 00:03:27:92 who wrote Chariots of the Gods? and other books, } {T 00:03:30:44 who taIks about the simiIarities between Egyptian, Cambodian and Aztec pyramids - } {T 00:03:38:04 three separate cuItures that reaIIy have nothing to do with one another, } {T 00:03:41:84 that shouId never have seen each other, } {T 00:03:44:56 but they ended up buiIding pyramids that Iook surprisingIy simiIar. } {T 00:03:49:16 Of course, Däniken's answer was that aIiens buiIt the pyramids. } {T 00:03:52:56 Or humans buiIt the pyramids with aIien heIp. And, of course, we agree with him. } {T 00:03:57:20 This shows exactIy how the Aztec pyramids were buiIt. } {T 00:04:00:32 You've got predator spaceships hovering above pyramids, } {T 00:04:04:04 you've got aII the Aztec priests Iining up to worship their gods. } {T 00:04:10:04 And in Aztec mythoIogy they beIieved that their gods came from the skies in giant ships. } {T 00:04:16:52 So those are the giant ships from the skies } {T 00:04:18:76 and these are their gods, which are, of course, predators. } {T 00:04:21:56 That's the backbone of our story. } {T 00:04:24:04 The movie starts 5,000 years ago in Cambodia 3,000 BC } {T 00:04:28:60 and you see aIiens and predators on the Earth. } {T 00:04:32:00 And the idea is that predators use the Earth for their manhood rituaIs. } {T 00:04:37:88 What happens is, every thousand years, because predators have a very Iong Iife cycIe, } {T 00:04:43:08 they drop five teenage predators at a pyramid and they have to fight aIiens for their survivaI. } {T 00:04:50:96 If they survive the battIe against aIiens, they become men. } {T 00:04:56:04 Here is what happens when things don't go quite so weII for the predators. } {T 00:05:00:20 So the idea is you'd start tight on three predators fighting } {T 00:05:03:60 and, as you puII back, you see that they're fighting aIiens. } {T 00:05:06:56 You think maybe there's six aIiens, a dozen aIiens, maybe 20 aIiens. } {T 00:05:12:56 But as the camera continues to puII back } {T 00:05:14:92 you see there are hundreds and hundreds, then thousands and thousands of aIiens } {T 00:05:19:80 swarming up this pyramid, trying to get to these three surviving predators. } {T 00:05:23:84 Come even wider and you just see so many of these things. } {T 00:05:28:00 They're Iike ants swarming over one another, trying to get to the fresh meat at the top. } {T 00:05:33:28 You puII back so far, you see the whoIe Aztec city is infested with aIiens. } {T 00:05:37:48 Then you go back to the predators - there's no hope for them. } {T 00:05:40:44 One of them gets impaIed with an aIien taiI, so they activate their seIf-destruct device. } {T 00:05:45:32 And here you have the atomic expIosion from the seIf-destruct device, } {T 00:05:50:52 and eventuaIIy this wiII sweep across the Aztec city. } {T 00:05:57:56 PauI pitched this story that was so scary and so suspensefuI and so unraveIIing } {T 00:06:05:36 that by the end of the pitch I said, ''I'm gonna taIk Fox into doing this, PauI.'' } {T 00:06:10:12 ''I've heard 45 pitches on this movie. I've heard 45 pitches from terrific writers.'' } {T 00:06:16:80 In fact, I even hired a writing team that had a good story, } {T 00:06:19:96 but wasn't abIe to execute it in a way that was good enough. } {T 00:06:23:84 And on the first draft PauI naiIed it. } {T 00:06:26:60 (snarling) } {T 00:06:35:36 We're not quite in Antarctica. It Iooks a IittIe Iike it. } {T 00:06:39:12 We're in Prague, but it's bIoody coId in Prague. } {T 00:06:50:68 Our approach to the sets in the movie was very much inspired by the originaI Alien. } {T 00:06:55:64 If you Iook at the originaI Alien, as weII as affecting the design of the aIien, } {T 00:07:00:04 HR Giger aIso reaIIy affected the Iook of the whoIe movie. } {T 00:07:04:84 And as a resuIt the Iook and design of the sets was reaIIy Iike a character in the fiIm. } {T 00:07:10:84 We wanted the environment of the movie in this fiIm to be as scary and as striking, } {T 00:07:16:20 but in a different way, as it was in Alien. } {T 00:07:19:52 That's why the movie's set in Antarctica - } {T 00:07:21:96 it's probabIy the most dangerous and hostiIe environment on Earth. } {T 00:07:26:12 It's certainIy the cIosest on Earth you can get to the surface of an aIien pIanet. } {T 00:07:30:44 It's notjust aIiens and predators trying to kiII humans in this fiIm. It's aIso the environment. } {T 00:07:47:92 (Anderson) The first time I actuaIIy saw a predator and an aIien in a room together } {T 00:07:52:76 in the ADI workshops was fantastic. } {T 00:07:56:12 It IiteraIIy sent chiIIs down my spine. } {T 00:07:59:68 That's what I've been so excited about for ten years - } {T 00:08:03:32 the idea of seeing those two creatures on the same piece of ceIIuIoid. } {T 00:08:09:00 One of the reasons why I decided to go mainIy with peopIe in suits } {T 00:08:13:64 is because I preferred that Iook to using a Iot of CG. } {T 00:08:17:44 For me, the strongest movies in the Alien franchise are Alien 1 and Aliens. } {T 00:08:22:64 The reason for that and why they stiII hoId up very weII now } {T 00:08:26:28 is that those creatures are reaIIy there - } {T 00:08:28:80 they're reaIIy in the frame with Sigourney and with the others. } {T 00:08:34:40 Bruce here is working on a scuIpture of the new predator mask based on this artwork. } {T 00:08:39:04 The idea is to come up with new predator characters different from the originaI. } {T 00:08:43:20 The way we did that was to keep the overaII shape of the predator heImet the same, } {T 00:08:47:84 but we've added a Iot of technicaI detaiIs, } {T 00:08:51:64 incIuding this pounded-metaI Iook which is reminiscent of the originaI. } {T 00:08:56:96 Bruce is working in cIay now. Once the scuIpture is done, it gets mouIded } {T 00:09:00:76 and then we make fibregIass copies that are finished with the right paint and weathering } {T 00:09:06:68 to give it the Iook of aged metaI, which is what the predator Iook is aII about. } {T 00:09:11:40 Andy is working on one of our predator eIders, which shows up at the end of the fiIm. } {T 00:09:18:08 These are to Iook Iike predators that have been around for centuries } {T 00:09:22:04 and gone through many fights. } {T 00:09:23:92 This is being done as a scuIpted appIiance over the top of our base predator character. } {T 00:09:29:28 So we're adding age wrinkIes in the forehead, piercings here, bigger tusks, } {T 00:09:34:52 and we'II end up putting decoration here and scars aII over the face. } {T 00:09:39:84 Nick is working on the prototype of the wrist computer from the first two Predator movies } {T 00:09:45:52 that the predator uses when he starts the countdown sequence } {T 00:09:49:60 that uItimateIy Ieads to this thing bIowing up and, in those cases, ending the movie. } {T 00:09:54:48 This is actuaIIy the first mock-up that Nick created. } {T 00:09:57:92 It's just made out of cardboard, some foam. } {T 00:10:01:84 This is aII a Xerox copy of the originaI artwork. } {T 00:10:06:16 We've aIso added the three eIements here } {T 00:10:08:96 that wiII project a hoIographic image of the map or Iayout of the environment. } {T 00:10:14:36 That's something new on this piece. } {T 00:10:19:76 This is the gauntIet and the duaI-bIaded weapon that the predator wears on his arm. } {T 00:10:26:00 This was aII basicaIIy started as a cIay scuIpture } {T 00:10:28:68 which was then mouIded and cast, in this case, in fibregIass, } {T 00:10:33:32 with the idea being that the Iook wiII be that of metaI once it's finished, painted and aged. } {T 00:10:38:84 AIso, for something different, PauI Anderson had us increase the Iength of those bIades, } {T 00:10:43:64 so now they shoot out four times as Iong as we've ever seen them before. } {T 00:10:51:76 So this is the Iaser cannon - the weapon that the predator uses, mounted on his backpack. } {T 00:10:59:24 What Eric is working on now is a bit of an improvement on that system, } {T 00:11:03:80 where we have a mechanicaI arm. } {T 00:11:06:12 We're aIso gonna have different caIibres of these Iaser cannons - } {T 00:11:10:04 a Iarger one and an even Iarger one that the main character uses. } {T 00:11:13:84 So it has to be beefy enough to take the weight of that gun } {T 00:11:16:76 and stiII give us performance capabiIities swinging around and targeting on its victims. } {T 00:11:22:24 (growling) } {T 00:11:25:84 This is the predator under-skuII. } {T 00:11:28:04 This is the mechanicaI skuII our actor, Ian White, wiII wear under the predator skin. } {T 00:11:32:92 It's responsibIe for aII the faciaI articuIation which is gonna bring that character to Iight. } {T 00:11:39:08 This is aII radio controI - it aII works with radio signaIs to operate everything. } {T 00:11:43:60 ReaIIy, the big difference we've got over Iast time is we have a wider range of movement. } {T 00:11:50:16 Servos have gotten smaIIer, more powerfuI, so we can have more throw in the mandibIes. } {T 00:11:55:48 We've aIso got articuIation in the brows and nose, hopefuIIy to give it more character. } {T 00:11:59:80 We don't wanna tamper with it too much - it's such a recognisabIe character to start with. } {T 00:12:04:80 So reaIIy what we're trying to do is give it a IittIe extra expression we haven't seen before. } {T 00:12:11:48 We've buiIt the hero aIien. It's a combination hydrauIic and animatronic puppet. } {T 00:12:16:52 When this thing is up and running it wiII take three puppeteers just to give it aII the moves. } {T 00:12:22:64 It wiII aIso take two more to be abIe to operate the arms } {T 00:12:26:92 and a sixth person operates the computer consoIe } {T 00:12:29:96 to make sure aII of the signaI information is being transmitted properIy to the puppet } {T 00:12:34:68 and getting a corresponding signaI back in return. } {T 00:12:37:52 It'II reaIIy give us a Iot more use. } {T 00:12:39:40 The movements are faster and more powerfuI than what I can do in the suit. } {T 00:12:43:20 We can have aII of these fast, powerfuI, broad moves, and do it aII day Iong if we need to } {T 00:12:49:12 without worrying about the exhaustion factor creeping in. } {T 00:12:52:32 PIus, it gives us the opportunity to come up with a body that's a bit more sIimmed down, } {T 00:12:57:32 a IittIe more skeIetaI in pIaces. } {T 00:12:59:48 The arms and Iegs are Ioose, they're fIoppy. They can be puppeteered to give it more Iife. } {T 00:13:06:44 (Anderson) We've been carefuI to make sure nothing in this fiIm contradicts what was said } {T 00:13:11:48 in RidIey's, Cameron's, Jean-Pierre Jeunet's or David Fincher's movies. } {T 00:13:16:12 The aIien is the aIien and obeys the ruIes set out in the Alien movies, as does the predator. } {T 00:13:21:84 That was one of the questions a Iot of peopIe asked: ''How can you make a movie set now } {T 00:13:26:28 when Sigourney Weaver onIy meets the aIien in 150 years' time?'' } {T 00:13:30:16 And ''How can you have Lance Henriksen in this movie now } {T 00:13:33:16 when he's in a movie in 150 years' time? How can you do that?'' } {T 00:13:37:40 I'm not back. I'm the beginning of the stories that wiII happen in the future. } {T 00:13:42:40 So it's a prequeI to things peopIe have aIready seen. } {T 00:13:50:44 (Anderson) The eviI corporation in the Alien movies is WeyIand Yutani, } {T 00:13:54:92 and Lance, present day, is the owner and the founder of the WeyIand Corporation. } {T 00:14:01:76 I am CharIes Bishop WeyIand and I have biIIions. Made aII my money in robotics. } {T 00:14:08:24 (Anderson) The idea is, he is the creator. He is Iike BiII Gates, his company is Iike Microsoft. } {T 00:14:14:16 It's aImost Iike Microsoft buiIding an android of BiII Gates 50, 60 years in the future. } {T 00:14:19:68 SeVen days ago one of my satellites oVer Antarctica discoVered this. } {T 00:14:25:80 The red lines indicate solid walls. } {T 00:14:29:24 My experts tell me it's a pyramid. } {T 00:14:33:12 So he puts this whoIe team together to go and expIore it, } {T 00:14:36:32 and he thinks he's found the Iost Iink in civiIisation. } {T 00:14:42:32 So they aII turn up there with driIIing equipment and aII this hi-tech gear } {T 00:14:47:96 to driII a hoIe 2,000 feet in the ice, onIy to find there's aIready a tunneI there. } {T 00:14:52:36 lt is my job to keep you aliVe on this expedition, and l need your help to do that. } {T 00:14:57:12 They go into this underground pyramid and they meet up with some pretty scary things. } {T 00:15:06:88 (Anderson) They discover the very heart of the pyramid, the sarcophagus chamber, } {T 00:15:11:96 and in there they discover a sarcophagus, } {T 00:15:14:20 but instead of containing a body, it contains three futuristic weapons, } {T 00:15:19:48 and these are predator weapons, predator guns. } {T 00:15:22:88 Our humans don't reaIise that by taking these guns } {T 00:15:25:52 they've put themseIves directIy in the battIe between the aIiens and the predators. } {T 00:15:30:08 The predators are chasing them and the aIiens are chasing them, so it's pretty hairy. } {T 00:15:41:48 (man) Come on! } {T 00:15:50:24 (Anderson) The thing that reaIIy I Ioved about Alien } {T 00:15:53:76 was that movie doesn't have a singIe weak cast member in it. } {T 00:15:57:72 Sigourney, Harry Dean Stanton, Ian HoIm, John Hurt, Tom Skerritt. } {T 00:16:02:12 What a fantastic cast. And the same with Aliens. } {T 00:16:05:60 When I first taIked to Fox about this picture, one of the things I made cIear was } {T 00:16:10:60 that's what impressed me about RidIey's and Cameron's movies, } {T 00:16:13:96 and that's what I wanted to do with this fiIm - ensure there wasn't a singIe weak actor in it. } {T 00:16:19:12 The person I'm most excited about, as a huge Alien fan, } {T 00:16:22:32 is, of course, working with Lance Henriksen. } {T 00:16:24:72 I'm Iike the oId geezer on the set and it's Iike, ''Here he is, CharIes Bishop WeyIand.'' } {T 00:16:32:60 But they associate me with Bishop, so I don't have to do much. They kinda Iike me. } {T 00:16:39:40 (Anderson) It's obviousIy very intimidating to try and find a foIIow-up to Sigourney Weaver. } {T 00:16:44:76 One of the things we tried to do was not to find someone to compete with Sigourney, } {T 00:16:50:08 but someone who'd be different to Sigourney, who brought a different set of quaIities, } {T 00:16:55:44 cos we're making a different kind of picture. } {T 00:16:57:96 We're not trying to make Alien or Aliens again, because I'd be a fooI to try and do that, } {T 00:17:03:24 cos those movies are cIassics, masterpieces. } {T 00:17:06:52 And I wanted a new actress for a new kind of fiIm, } {T 00:17:10:76 and I think that's exactIy what we found in Sanaa Lathan. } {T 00:17:13:76 This is a woman who I wanted to pIay. She's awesome. } {T 00:17:19:04 I feeI Iike I'm Iearning a Iot from her. } {T 00:17:21:88 She's smart, she's a Ieader, } {T 00:17:28:04 she is quick, has quick instincts, and she has Iots of integrity. } {T 00:17:37:04 She's awesome. } {T 00:17:39:28 So, you wanna hear about Bishop? } {T 00:17:42:64 - RaouI. - Ra-ooI. } {T 00:17:44:72 Ra-ooI. } {T 00:17:46:32 (Anderson) RaouI's onIy acted in one big American movie: Under the Tuscan Sun. } {T 00:17:50:44 Of course he's a huge movie star in ItaIy, } {T 00:17:53:60 so it's impossibIe to go into an ItaIian restaurant anywhere } {T 00:17:56:80 and not have everything grind to a haIt for an hour whiIe everyone is introduced to RaouI. } {T 00:18:02:32 (Raoul) Each character is something very speciaI, he has his own story, } {T 00:18:07:76 and I think you Iove the characters. } {T 00:18:09:92 That's something very exciting about this script. } {T 00:18:13:88 He's a reaIIy charismatic actor. I think he's potentiaIIy a massive movie star. } {T 00:18:19:24 The guy just exudes sex appeaI and he's aIso got a rugged-Iike abiIity. } {T 00:18:23:80 He's one of those actors - it's great for him - } {T 00:18:27:04 he's Iike a guy's guy, but aIso he's a Iadies' man as weII. } {T 00:18:42:16 (Anderson) We've buiIt big sets and huge miniatures. } {T 00:18:45:76 The miniatures and sets in this movie are enormous } {T 00:18:48:44 because I Iike the feeIing of reaIity in a picture. } {T 00:18:53:88 I think that's what was reaIIy strong about the finaI battIe in Aliens } {T 00:18:58:24 between Sigourney in the power Ioader and the aIien queen, } {T 00:19:02:08 and the reason for that is Cameron used miniatures. } {T 00:19:07:20 John Bruno, who's our visuaI-effects supervisor, is just a genius. } {T 00:19:11:88 He's Cameron's guy who worked on The Abyss, T2, True Lies, Titanic. } {T 00:19:16:92 He reaIIy is the best visuaI-effects supervisor in the worId, I think. } {T 00:19:21:04 As compared to the other movies, this is quite visuaI-effects heavy. } {T 00:19:26:32 Even with the direction we've taken - } {T 00:19:30:84 PauI has asked that we try to do as much in camera as possibIe - } {T 00:19:35:96 stiII at this point I think we're approaching 400 effect shots. } {T 00:19:40:88 That's more shots on a fiIm than I've ever done. } {T 00:19:46:48 (Anderson) The whaIing station is fuII-scaIe, but aIso we buiIt third-scaIe miniatures. } {T 00:19:51:52 PeopIe taIk about miniatures and usuaIIy think they're Iike miniatures. } {T 00:19:55:68 A third-scaIe miniature means the buiIdings are this high. It's enormous. } {T 00:19:59:96 (Bridgland) One thing that worried me about doing this fiIm } {T 00:20:03:52 is I've hardIy ever seen snow or ice that Iooks reaIIy reaI in a movie. } {T 00:20:09:48 It's probabIy one of the hardest things to try and recreate. } {T 00:20:14:96 We came up with a soIution that, according to the snow peopIe we were working with, } {T 00:20:19:72 has never been used before, } {T 00:20:21:80 so we were reaIIy pIeased about where we pushed that. } {T 00:20:27:12 For aII the sets, we've had, in totaI, about three artic-Ioads of snow deIivered, } {T 00:20:34:92 so there's probabIy just short of 600, 700 bags of snow that have been used. } {T 00:20:42:36 We're probabIy taIking about anything between 15 and 20 tons of snow. } {T 00:20:46:96 (Anderson) I'm the biggest Alien and Predator fan, I'm the most criticaI of our work. } {T 00:20:51:32 Without doubt we've made these creatures Iook better than ever before } {T 00:20:56:04 and you see a Iot more high-impact action. } {T 00:21:01:32 You see these creatures going at it. } {T 00:21:03:32 I think it's a major achievement of this movie } {T 00:21:06:40 that the first fight scene between an aIien and a predator we took a month to shoot. } {T 00:21:12:64 A month for one scene - aIien and a predator going head to head. } {T 00:21:16:96 And it was worth taking aII that time because when you see these creatures go kapoom, } {T 00:21:21:68 they're reaI - they reaIIy Iook Iike two fast, vicious, scary, enormous creatures } {T 00:21:27:80 that are in a chamber where they just tear the pIace apart. } {T 00:21:31:48 (hissing) } {T 00:21:33:20 Oh, shit. } {T 00:21:37:24 AII my friends, when I toId them in LA that I was gonna go do AVP, were thriIIed for me } {T 00:21:41:84 because they even wanna see it. You know what I mean? } {T 00:21:46:72 This is Iong in coming and, boy, is it gonna arrive. } {T 00:21:53:52 This is gonna be a great big, exciting summer-event fiIm. } {T 00:22:00:76 It's gonna be scary, it's gonna be cooI and a great story. } {T 00:22:05:08 (man) Oh, God, that's great. } {T 00:22:07:32 It's gonna deIiver. } {T 00:22:09:08 (Anderson) AVP is designed as a stand-aIone franchise. } {T 00:22:13:08 It's not designed to repIace Predator or Alien movies. } {T 00:22:16:28 As a fan, I'd Iike to see Alien 5. I'd Iike to see another Alien movie with Sigourney Weaver. } {T 00:22:21:76 I'd Iove to see another Predator movie with Arnie. } {T 00:22:25:24 And this movie doesn't stop either of those fiIms being made. } {T 00:22:29:12 What did you say this room was called? } {T 00:22:33:48 Sacrificial chamber. } {T 00:22:36:68 Seat beIts onIy, you know. There's no air bags in this theatre. } {T 00:22:47:24 (Anderson) When I saw Alien I feIt, ''This is the kind of fiIm I wanna do when I grow up.'' } {T 00:22:52:04 So it's finaIIy good to have finaIIy grown up. }
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M - The Murderers Are Among Us (1931)
Maboroshi no hikari 1995
MacArthur CD1
MacArthur CD2
Macbeth (1948)
Machinist The
Mackennas Gold
Macross II - The Movie
Mad City
Mad Dog and Glory
Mad Max 3 - Beyond Thunderdome
Mad Max II-The Road Warrior
Madadayo - Not Yet (Kurosawa 1993)
Madame Sat (Karim Ainouz 2002)
Made In Britain 1982 25fps
Madness of King George The
Madonna-Girlie Show - Live Down Under (1993)
Madonna - Truth or Dare
Mafia Doctor
Magdalene Sisters The
Magician The 1958
Magnificent Warriors
Magnolia (1999) Gowenna
Maid in Manhattan
Majestic The
Makai Tensho 2003
Making of alien vs predator
Mala Educacion La
Mala Leche
Mala educacion La 2004 CD1
Mala educacion La 2004 CD2
Malcolm X CD1
Malcolm X CD2
Malefique 2002
Malibus Most Wanted
Maljukgeori Janhoksa CD1
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Mallrats CD1
Mallrats CD2
Mamma Roma Pasolini
Man Apart A
Man Bites Dog
Man Called Horse A CD1
Man Called Horse A CD2
Man Called Sledge A
Man On Fire 2004 CD1
Man On Fire 2004 CD2
Man Who Knew Too Little The CD1
Man Who Knew Too Little The CD2
Man Who Knew Too Much The
Man Who Loved Women The
Man Who Shot liberty Valance The 1962
Man Who Went to Mars A (2003) CD1
Man Who Went to Mars A (2003) CD2
Man Who Would Be King The
Man Without a Past
Man of La Mancha (1972) CD1
Man of La Mancha (1972) CD2
Man of the Year The 2003
Man with the Golden Gun The
Manchurian Candidate The 2004
Mando perdido
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Mango Yellow
Manhattan Midnight
Manhattan Murder Mystery
Mannen Som Ikke Kunne Le
Mannen Som Log
Manon des Sources
Manon of the Spring
Mans Best Friend
Map Of The Human Heart 1993
Mar Adentro
Marci X
Maria Full Of Grace (2004)
Marias Lovers
Marilyn Monroe - The final days 2001
Marius 1931 CD1
Marius 1931 CD2
Marnie (Hitchcock 1964)
Married With Children 1x01 - Pilot
Married With Children 1x02 - Thinergy
Married With Children 1x03 - Sixteen Years and What You Get
Married With Children 1x04 - But I Didnt Shoot the Deputy
Married With Children 1x05 - Have You Driven a Ford Lately
Married With Children 1x06 - Whose Room Is It Anyway
Married With Children 1x07 - Al Loses His Cherry
Married With Children 1x08 - Peggy Sue Got Work
Married With Children 1x09 - Married Without Children
Married With Children 1x10 - The Poker Game
Married With Children 1x11 - Where Is the Boss
Married With Children 1x12 - Nightmare On Als Street
Married With Children 1x13 - Johnny B Gone
Marrying Kind The (George Cukor 1952)
Marrying The Mafia CD1
Marrying The Mafia CD2
Martian Chronicles The 1980 CD1
Martian Chronicles The 1980 CD2
Martin Lawrence Live Runteldat
Marx Brothers - Horse Feathers (1932)
Mary Poppins 1964 CD1
Mary Poppins 1964 CD2
Mask of Zorro
Masque of the Red Death The
Masques (Masks)
Massacre 1989
Master And Commander - The Far Side Of The World (2003) CD1
Master And Commander - The Far Side Of The World (2003) CD2
Matango (Attack of the Mushroom People 1963)
Matchstick Men
Matrix Reloaded (2)
Matrix Revisited The (2001) CD1
Matrix Revisited The (2001) CD2
Matrix Revolutions The CD1
Matrix Revolutions The CD2
Matrix The
Maurice 1987
Mauvais Sang
May (Lucky McKee 2002)
McKenzie Break The 1970
McLintock CD1
McLintock CD2
Me Myself I
Me Myself and Irene
Mean Creek 2004
Mean Girls
Meaning Of Life The (Monty Pythons) CD1
Meaning Of Life The (Monty Pythons) CD2
Meet Joe Black
Meet The Parents
Mekhong Full Moon Party (2002)
Melody Time
Memrias Pstumas
Men Behind the Sun
Men In Black
Men Make Women Crazy Theory
Men Suddenly In Black
Men in Black 2
Men in Tights
Menace 2 society
Mentale La
Mentale La (The Code)
Mephisto CD1
Mephisto CD2
Mercury Rising
Message in a Bottle
Metroland 1997
Metropolis (anime)
Miami Tail A 2003
Michael Collins CD1
Michael Collins CD2
Michael Jackson Moonwalker 1988
Michael Jordan To The Max 2000
Michel Vaillant CD1
Michel Vaillant CD2
Michelangelo Antonioni - Blow up
Mickey Blue Eyes 1999
Middle of the Moment
Midnight (1998)
Midnight Clear A
Midnight Cowboy (1969)
Midnight Express 1978
Midnight Mass 2002
Midnight Run CD1
Midnight Run CD2
Mighty Wind A
Milagro De P Tinto El
Milieu du monde Le (Alain Tanner 1974)
Millers Crossing 1990
Million Dollar Baby CD1
Million Dollar Baby CD2
Million Le 1931
Mimic 2
Minimal Stories 2002
Minority Report 2002
Miracle On 34th Street
Miracle Worker The
Mirror The 1997
Mishima A Life In Four Chapters DVDRip 1985 CD1
Mishima A Life In Four Chapters DVDRip 1985 CD2
Mission Cleopatra
Mission Impossible (1996)
Mission Impossible 2
Mission Mumbai
Mission The CD1
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Mission en Marbella
Mississippi Burning CD1
Mississippi Burning CD2
Mississippi Mermaid 1969
Missouri Breaks The 1976
Mogambo CD1
Mogambo CD2
Mohabbatein CD1
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Mokey Business
Mole The CD1
Mole The CD2
Molly Maguires The CD1
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Mommie Dearest (1981)
Mona Lisa Smile CD1
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Monanieba CD1
Monanieba CD2
Monella CD1
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Money Money Money (Claude Lelouch 1972) CD1
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Monkeybone - Special Edition
Monsters Ball
Monsters and Cie
Monthy Python - Life Of Brian
Monty Python Live at the Hollywood Bowl
Monty Python Live at the Hollywood Bowl 1982
Monty Python and the Holy Grail
Monty Pythons Life of Brian
Monty Pythons The Meaning of Life
Monty Pythons and the Meaning of Life
Moon Child 2003 CD1
Moon Child 2003 CD2
Moon Spinners CD1
Moon Spinners CD2
Moonfleet 1955
Moonlight Whispers 1999
Moscow Does Not Believe In Tears CD1
Moscow Does Not Believe In Tears CD2
Mosquito Coast The CD1
Mosquito Coast The CD2
Most Terrible Time In My Life The (1994)
Mostly Martha
Mother India 1957 CD1
Mother India 1957 CD2
Mother Kusters Goes To Heaven 1975
Mother Night 1996
Mother The 2003 CD1
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Mothman Prophecies The
Moulin Rouge CD1
Moulin Rouge CD2
Mouse Hunt
Mrs Doubtfire
Mrtav Ladan
Muhammad - Legacy Of A Prophet CD1 2002
Muhammad - Legacy Of A Prophet CD2 2002
Mujer mas fea del mundo La
Mummy Returns The - Collectors Edition (Widescreen)
Mummy The - Full-Screen Collectors Edition
Muppet Christmas Carol The
Murder By Numbers
Murder In The First 1995
Murder Most Foul (1964)
Murder My Sweet 1944
Murder at the Gallop
Muriels Wedding
Musketeer The
My Babys Daddy
My Beautiful Laundrette
My Big Fat Greek Wedding
My Boss My Hero
My Bosss Daughter 2003
My Girlfriends Boyfriend (Eric Rohmer 1987)
My Life as a Dog 1985
My Life to Live
My Neighbors the Yamadas (Isao Takahata 1999) CD1
My Neighbors the Yamadas (Isao Takahata 1999) CD2
My Son the Fanatic
My Tutor Friend (2003) CD1
My Tutor Friend (2003) CD2
My Wife Is A Gangster 2
My Wife Is Gangster
Mystery Of Rampo