Making of alien vs predator
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{T 00:00:11:36
(man) I've wanted to make an Alien movie
since I saw the first one at schooI.
}
{T 00:00:15:52
I crept into it cos I wasn't oId enough to see it
- and it scared the Iiving dayIights out of me.
}
{T 00:00:21:72
And I had a crush on Sigourney Weaver,
who I thought was the sexiest woman aIive.
}
{T 00:00:27:00
So I've been into Aliens right from the start.
}
{T 00:00:30:44
And I had an idea for
an ''AIien versus Predator'' movie
}
{T 00:00:34:64
pretty much as soon as I read
the first AVP comic books,
}
{T 00:00:39:04
which was right after Predator 2 came out.
}
{T 00:00:48:48
Aliens Vs Predator has its origins in a meeting
}
{T 00:00:51:80
where we were trying to think of a team-up
that we couId present to DC.
}
{T 00:00:55:52
We were starting to achieve
some notoriety as a company,
}
{T 00:00:59:84
we'd had a great success
with both the Aliens and the Predator books,
}
{T 00:01:04:72
and the reason we went after Predator is
we saw the traiIer on teIevision for the movie,
}
{T 00:01:11:52
and Randy and I just drove to the theatre cos
we wanted to dupIicate the success of Aliens.
}
{T 00:01:17:56
We Iiked the movie.
}
{T 00:01:19:24
We waIked out, I said to Randy,
''I know the sequeI. I know the comic book.''
}
{T 00:01:24:80
''We just saw predators in the jungIe,
}
{T 00:01:27:64
we'II put predators in the steeI jungIe
on the hottest day of the year.''
}
{T 00:01:31:48
We sat around and we fIeshed out a story
and did the Predator book.
}
{T 00:01:36:40
So we were Iooking to do a team-up with DC,
and Chris Warner, who's stiII here working,
}
{T 00:01:43:28
said, ''Why don't we just
use our own characters?''
}
{T 00:01:46:84
''AIiens and Predator are both
Fox characters. Let's put 'em together.''
}
{T 00:01:51:28
King Kong Vs Godzilla - cooI.
}
{T 00:01:53:64
We did the Iicence and we were very excited.
}
{T 00:01:56:52
After Alien, when Predator was out
and it was such a hit,
}
{T 00:01:59:72
we got a photo from the set
of the Predator 2 movie.
}
{T 00:02:03:40
Someone on the set sent it to me, and it was
a picture of an aIien head in the predator ship.
}
{T 00:02:09:88
It was a wink at the Alien Vs Predator comics
someone there thought it wouId be fun to do.
}
{T 00:02:16:48
We knew the movie
wouId come sooner or Iater
}
{T 00:02:18:96
because just the fan base
behind the property was so strong.
}
{T 00:02:24:04
You are one ugly mother...
}
{T 00:02:28:16
(screeches)
}
{T 00:02:30:24
Motherfucker.
}
{T 00:02:32:36
It was very difficuIt to try to bring them
together because between Predator and Alien
}
{T 00:02:37:40
there were six warring producers, and some
of the most powerfuI producers in HoIIywood.
}
{T 00:02:43:68
Once I had secured those rights, itjust
remained putting together a reaIIy great story.
}
{T 00:02:49:36
PauI Anderson waIked in my office one day
}
{T 00:02:52:24
and pitched me a story that
he'd wanted to do for eight years.
}
{T 00:02:55:48
He was aIso a Predator Vs Alien fan,
and he started to pitch me this story,
}
{T 00:03:01:12
and it was one of those stories, Iike Jaws,
thatjust drew you in and drew you in.
}
{T 00:03:21:08
This is a key image for the AVP movie.
}
{T 00:03:24:28
Something that's aIways fascinated me
is the work of Erich von Däniken,
}
{T 00:03:27:92
who wrote Chariots of the Gods?
and other books,
}
{T 00:03:30:44
who taIks about the simiIarities between
Egyptian, Cambodian and Aztec pyramids -
}
{T 00:03:38:04
three separate cuItures that reaIIy
have nothing to do with one another,
}
{T 00:03:41:84
that shouId never have seen each other,
}
{T 00:03:44:56
but they ended up buiIding pyramids
that Iook surprisingIy simiIar.
}
{T 00:03:49:16
Of course, Däniken's answer
was that aIiens buiIt the pyramids.
}
{T 00:03:52:56
Or humans buiIt the pyramids with aIien heIp.
And, of course, we agree with him.
}
{T 00:03:57:20
This shows exactIy how
the Aztec pyramids were buiIt.
}
{T 00:04:00:32
You've got predator spaceships
hovering above pyramids,
}
{T 00:04:04:04
you've got aII the Aztec priests
Iining up to worship their gods.
}
{T 00:04:10:04
And in Aztec mythoIogy they beIieved that
their gods came from the skies in giant ships.
}
{T 00:04:16:52
So those are the giant ships from the skies
}
{T 00:04:18:76
and these are their gods,
which are, of course, predators.
}
{T 00:04:21:56
That's the backbone of our story.
}
{T 00:04:24:04
The movie starts 5,000 years ago
in Cambodia 3,000 BC
}
{T 00:04:28:60
and you see aIiens and predators
on the Earth.
}
{T 00:04:32:00
And the idea is that predators
use the Earth for their manhood rituaIs.
}
{T 00:04:37:88
What happens is, every thousand years,
because predators have a very Iong Iife cycIe,
}
{T 00:04:43:08
they drop five teenage predators at a pyramid
and they have to fight aIiens for their survivaI.
}
{T 00:04:50:96
If they survive the battIe against aIiens,
they become men.
}
{T 00:04:56:04
Here is what happens when things
don't go quite so weII for the predators.
}
{T 00:05:00:20
So the idea is you'd start tight
on three predators fighting
}
{T 00:05:03:60
and, as you puII back,
you see that they're fighting aIiens.
}
{T 00:05:06:56
You think maybe there's six aIiens,
a dozen aIiens, maybe 20 aIiens.
}
{T 00:05:12:56
But as the camera continues to puII back
}
{T 00:05:14:92
you see there are hundreds and hundreds,
then thousands and thousands of aIiens
}
{T 00:05:19:80
swarming up this pyramid, trying
to get to these three surviving predators.
}
{T 00:05:23:84
Come even wider and
you just see so many of these things.
}
{T 00:05:28:00
They're Iike ants swarming over one another,
trying to get to the fresh meat at the top.
}
{T 00:05:33:28
You puII back so far, you see
the whoIe Aztec city is infested with aIiens.
}
{T 00:05:37:48
Then you go back to the predators -
there's no hope for them.
}
{T 00:05:40:44
One of them gets impaIed with an aIien taiI,
so they activate their seIf-destruct device.
}
{T 00:05:45:32
And here you have the atomic expIosion
from the seIf-destruct device,
}
{T 00:05:50:52
and eventuaIIy this wiII
sweep across the Aztec city.
}
{T 00:05:57:56
PauI pitched this story that was so scary
and so suspensefuI and so unraveIIing
}
{T 00:06:05:36
that by the end of the pitch I said,
''I'm gonna taIk Fox into doing this, PauI.''
}
{T 00:06:10:12
''I've heard 45 pitches on this movie.
I've heard 45 pitches from terrific writers.''
}
{T 00:06:16:80
In fact, I even hired a writing team
that had a good story,
}
{T 00:06:19:96
but wasn't abIe to execute it
in a way that was good enough.
}
{T 00:06:23:84
And on the first draft PauI naiIed it.
}
{T 00:06:26:60
(snarling)
}
{T 00:06:35:36
We're not quite in Antarctica.
It Iooks a IittIe Iike it.
}
{T 00:06:39:12
We're in Prague,
but it's bIoody coId in Prague.
}
{T 00:06:50:68
Our approach to the sets in the movie
was very much inspired by the originaI Alien.
}
{T 00:06:55:64
If you Iook at the originaI Alien,
as weII as affecting the design of the aIien,
}
{T 00:07:00:04
HR Giger aIso reaIIy affected
the Iook of the whoIe movie.
}
{T 00:07:04:84
And as a resuIt the Iook and design of the sets
was reaIIy Iike a character in the fiIm.
}
{T 00:07:10:84
We wanted the environment of the movie
in this fiIm to be as scary and as striking,
}
{T 00:07:16:20
but in a different way, as it was in Alien.
}
{T 00:07:19:52
That's why the movie's set in Antarctica -
}
{T 00:07:21:96
it's probabIy the most dangerous
and hostiIe environment on Earth.
}
{T 00:07:26:12
It's certainIy the cIosest on Earth you can get
to the surface of an aIien pIanet.
}
{T 00:07:30:44
It's notjust aIiens and predators trying to kiII
humans in this fiIm. It's aIso the environment.
}
{T 00:07:47:92
(Anderson) The first time I actuaIIy saw
a predator and an aIien in a room together
}
{T 00:07:52:76
in the ADI workshops was fantastic.
}
{T 00:07:56:12
It IiteraIIy sent chiIIs down my spine.
}
{T 00:07:59:68
That's what I've been
so excited about for ten years -
}
{T 00:08:03:32
the idea of seeing those two creatures
on the same piece of ceIIuIoid.
}
{T 00:08:09:00
One of the reasons why I decided
to go mainIy with peopIe in suits
}
{T 00:08:13:64
is because I preferred that Iook
to using a Iot of CG.
}
{T 00:08:17:44
For me, the strongest movies in
the Alien franchise are Alien 1 and Aliens.
}
{T 00:08:22:64
The reason for that and why
they stiII hoId up very weII now
}
{T 00:08:26:28
is that those creatures are reaIIy there -
}
{T 00:08:28:80
they're reaIIy in the frame
with Sigourney and with the others.
}
{T 00:08:34:40
Bruce here is working on a scuIpture of
the new predator mask based on this artwork.
}
{T 00:08:39:04
The idea is to come up with new predator
characters different from the originaI.
}
{T 00:08:43:20
The way we did that was to keep the overaII
shape of the predator heImet the same,
}
{T 00:08:47:84
but we've added a Iot of technicaI detaiIs,
}
{T 00:08:51:64
incIuding this pounded-metaI Iook
which is reminiscent of the originaI.
}
{T 00:08:56:96
Bruce is working in cIay now.
Once the scuIpture is done, it gets mouIded
}
{T 00:09:00:76
and then we make fibregIass copies that are
finished with the right paint and weathering
}
{T 00:09:06:68
to give it the Iook of aged metaI,
which is what the predator Iook is aII about.
}
{T 00:09:11:40
Andy is working on one of our predator
eIders, which shows up at the end of the fiIm.
}
{T 00:09:18:08
These are to Iook Iike predators
that have been around for centuries
}
{T 00:09:22:04
and gone through many fights.
}
{T 00:09:23:92
This is being done as a scuIpted appIiance
over the top of our base predator character.
}
{T 00:09:29:28
So we're adding age wrinkIes in the forehead,
piercings here, bigger tusks,
}
{T 00:09:34:52
and we'II end up putting decoration here
and scars aII over the face.
}
{T 00:09:39:84
Nick is working on the prototype of the wrist
computer from the first two Predator movies
}
{T 00:09:45:52
that the predator uses when
he starts the countdown sequence
}
{T 00:09:49:60
that uItimateIy Ieads to this thing bIowing up
and, in those cases, ending the movie.
}
{T 00:09:54:48
This is actuaIIy the first mock-up
that Nick created.
}
{T 00:09:57:92
It's just made out of cardboard, some foam.
}
{T 00:10:01:84
This is aII a Xerox copy
of the originaI artwork.
}
{T 00:10:06:16
We've aIso added the three eIements here
}
{T 00:10:08:96
that wiII project a hoIographic image
of the map or Iayout of the environment.
}
{T 00:10:14:36
That's something new on this piece.
}
{T 00:10:19:76
This is the gauntIet and the duaI-bIaded
weapon that the predator wears on his arm.
}
{T 00:10:26:00
This was aII basicaIIy started as
a cIay scuIpture
}
{T 00:10:28:68
which was then mouIded and cast,
in this case, in fibregIass,
}
{T 00:10:33:32
with the idea being that the Iook wiII be that
of metaI once it's finished, painted and aged.
}
{T 00:10:38:84
AIso, for something different, PauI Anderson
had us increase the Iength of those bIades,
}
{T 00:10:43:64
so now they shoot out four times as Iong
as we've ever seen them before.
}
{T 00:10:51:76
So this is the Iaser cannon - the weapon that
the predator uses, mounted on his backpack.
}
{T 00:10:59:24
What Eric is working on now
is a bit of an improvement on that system,
}
{T 00:11:03:80
where we have a mechanicaI arm.
}
{T 00:11:06:12
We're aIso gonna have different caIibres
of these Iaser cannons -
}
{T 00:11:10:04
a Iarger one and an even Iarger one
that the main character uses.
}
{T 00:11:13:84
So it has to be beefy enough
to take the weight of that gun
}
{T 00:11:16:76
and stiII give us performance capabiIities
swinging around and targeting on its victims.
}
{T 00:11:22:24
(growling)
}
{T 00:11:25:84
This is the predator under-skuII.
}
{T 00:11:28:04
This is the mechanicaI skuII our actor,
Ian White, wiII wear under the predator skin.
}
{T 00:11:32:92
It's responsibIe for aII the faciaI articuIation
which is gonna bring that character to Iight.
}
{T 00:11:39:08
This is aII radio controI - it aII works
with radio signaIs to operate everything.
}
{T 00:11:43:60
ReaIIy, the big difference we've got over Iast
time is we have a wider range of movement.
}
{T 00:11:50:16
Servos have gotten smaIIer, more powerfuI,
so we can have more throw in the mandibIes.
}
{T 00:11:55:48
We've aIso got articuIation in the brows
and nose, hopefuIIy to give it more character.
}
{T 00:11:59:80
We don't wanna tamper with it too much - it's
such a recognisabIe character to start with.
}
{T 00:12:04:80
So reaIIy what we're trying to do is give it a
IittIe extra expression we haven't seen before.
}
{T 00:12:11:48
We've buiIt the hero aIien. It's a combination
hydrauIic and animatronic puppet.
}
{T 00:12:16:52
When this thing is up and running it wiII take
three puppeteers just to give it aII the moves.
}
{T 00:12:22:64
It wiII aIso take two more
to be abIe to operate the arms
}
{T 00:12:26:92
and a sixth person
operates the computer consoIe
}
{T 00:12:29:96
to make sure aII of the signaI information
is being transmitted properIy to the puppet
}
{T 00:12:34:68
and getting a corresponding signaI
back in return.
}
{T 00:12:37:52
It'II reaIIy give us a Iot more use.
}
{T 00:12:39:40
The movements are faster and
more powerfuI than what I can do in the suit.
}
{T 00:12:43:20
We can have aII of these fast, powerfuI, broad
moves, and do it aII day Iong if we need to
}
{T 00:12:49:12
without worrying about
the exhaustion factor creeping in.
}
{T 00:12:52:32
PIus, it gives us the opportunity to come up
with a body that's a bit more sIimmed down,
}
{T 00:12:57:32
a IittIe more skeIetaI in pIaces.
}
{T 00:12:59:48
The arms and Iegs are Ioose, they're fIoppy.
They can be puppeteered to give it more Iife.
}
{T 00:13:06:44
(Anderson) We've been carefuI to make sure
nothing in this fiIm contradicts what was said
}
{T 00:13:11:48
in RidIey's, Cameron's, Jean-Pierre Jeunet's
or David Fincher's movies.
}
{T 00:13:16:12
The aIien is the aIien and obeys the ruIes set
out in the Alien movies, as does the predator.
}
{T 00:13:21:84
That was one of the questions a Iot of peopIe
asked: ''How can you make a movie set now
}
{T 00:13:26:28
when Sigourney Weaver
onIy meets the aIien in 150 years' time?''
}
{T 00:13:30:16
And ''How can you have
Lance Henriksen in this movie now
}
{T 00:13:33:16
when he's in a movie in 150 years' time?
How can you do that?''
}
{T 00:13:37:40
I'm not back. I'm the beginning
of the stories that wiII happen in the future.
}
{T 00:13:42:40
So it's a prequeI to things
peopIe have aIready seen.
}
{T 00:13:50:44
(Anderson) The eviI corporation
in the Alien movies is WeyIand Yutani,
}
{T 00:13:54:92
and Lance, present day, is the owner
and the founder of the WeyIand Corporation.
}
{T 00:14:01:76
I am CharIes Bishop WeyIand and I have
biIIions. Made aII my money in robotics.
}
{T 00:14:08:24
(Anderson) The idea is, he is the creator. He is
Iike BiII Gates, his company is Iike Microsoft.
}
{T 00:14:14:16
It's aImost Iike Microsoft buiIding an android
of BiII Gates 50, 60 years in the future.
}
{T 00:14:19:68
SeVen days ago one of my satellites
oVer Antarctica discoVered this.
}
{T 00:14:25:80
The red lines indicate solid walls.
}
{T 00:14:29:24
My experts tell me it's a pyramid.
}
{T 00:14:33:12
So he puts this whoIe team together
to go and expIore it,
}
{T 00:14:36:32
and he thinks he's found
the Iost Iink in civiIisation.
}
{T 00:14:42:32
So they aII turn up there with
driIIing equipment and aII this hi-tech gear
}
{T 00:14:47:96
to driII a hoIe 2,000 feet in the ice,
onIy to find there's aIready a tunneI there.
}
{T 00:14:52:36
lt is my job to keep you aliVe on this
expedition, and l need your help to do that.
}
{T 00:14:57:12
They go into this underground pyramid and
they meet up with some pretty scary things.
}
{T 00:15:06:88
(Anderson) They discover the very heart
of the pyramid, the sarcophagus chamber,
}
{T 00:15:11:96
and in there they discover a sarcophagus,
}
{T 00:15:14:20
but instead of containing a body,
it contains three futuristic weapons,
}
{T 00:15:19:48
and these are
predator weapons, predator guns.
}
{T 00:15:22:88
Our humans don't reaIise
that by taking these guns
}
{T 00:15:25:52
they've put themseIves directIy in the battIe
between the aIiens and the predators.
}
{T 00:15:30:08
The predators are chasing them and the
aIiens are chasing them, so it's pretty hairy.
}
{T 00:15:41:48
(man) Come on!
}
{T 00:15:50:24
(Anderson) The thing that
reaIIy I Ioved about Alien
}
{T 00:15:53:76
was that movie doesn't have
a singIe weak cast member in it.
}
{T 00:15:57:72
Sigourney, Harry Dean Stanton,
Ian HoIm, John Hurt, Tom Skerritt.
}
{T 00:16:02:12
What a fantastic cast.
And the same with Aliens.
}
{T 00:16:05:60
When I first taIked to Fox about this picture,
one of the things I made cIear was
}
{T 00:16:10:60
that's what impressed me
about RidIey's and Cameron's movies,
}
{T 00:16:13:96
and that's what I wanted to do with this fiIm -
ensure there wasn't a singIe weak actor in it.
}
{T 00:16:19:12
The person I'm most excited about,
as a huge Alien fan,
}
{T 00:16:22:32
is, of course, working with Lance Henriksen.
}
{T 00:16:24:72
I'm Iike the oId geezer on the set and it's Iike,
''Here he is, CharIes Bishop WeyIand.''
}
{T 00:16:32:60
But they associate me with Bishop, so
I don't have to do much. They kinda Iike me.
}
{T 00:16:39:40
(Anderson) It's obviousIy very intimidating to
try and find a foIIow-up to Sigourney Weaver.
}
{T 00:16:44:76
One of the things we tried to do was not
to find someone to compete with Sigourney,
}
{T 00:16:50:08
but someone who'd be different to Sigourney,
who brought a different set of quaIities,
}
{T 00:16:55:44
cos we're making a different kind of picture.
}
{T 00:16:57:96
We're not trying to make Alien or Aliens again,
because I'd be a fooI to try and do that,
}
{T 00:17:03:24
cos those movies are cIassics, masterpieces.
}
{T 00:17:06:52
And I wanted a new actress
for a new kind of fiIm,
}
{T 00:17:10:76
and I think that's exactIy
what we found in Sanaa Lathan.
}
{T 00:17:13:76
This is a woman who I wanted to pIay.
She's awesome.
}
{T 00:17:19:04
I feeI Iike I'm Iearning a Iot from her.
}
{T 00:17:21:88
She's smart, she's a Ieader,
}
{T 00:17:28:04
she is quick, has quick instincts,
and she has Iots of integrity.
}
{T 00:17:37:04
She's awesome.
}
{T 00:17:39:28
So, you wanna hear about Bishop?
}
{T 00:17:42:64
- RaouI.
- Ra-ooI.
}
{T 00:17:44:72
Ra-ooI.
}
{T 00:17:46:32
(Anderson) RaouI's onIy acted in one
big American movie: Under the Tuscan Sun.
}
{T 00:17:50:44
Of course he's a huge movie star in ItaIy,
}
{T 00:17:53:60
so it's impossibIe to go into
an ItaIian restaurant anywhere
}
{T 00:17:56:80
and not have everything grind to a haIt for an
hour whiIe everyone is introduced to RaouI.
}
{T 00:18:02:32
(Raoul) Each character is something
very speciaI, he has his own story,
}
{T 00:18:07:76
and I think you Iove the characters.
}
{T 00:18:09:92
That's something
very exciting about this script.
}
{T 00:18:13:88
He's a reaIIy charismatic actor.
I think he's potentiaIIy a massive movie star.
}
{T 00:18:19:24
The guy just exudes sex appeaI
and he's aIso got a rugged-Iike abiIity.
}
{T 00:18:23:80
He's one of those actors - it's great for him -
}
{T 00:18:27:04
he's Iike a guy's guy,
but aIso he's a Iadies' man as weII.
}
{T 00:18:42:16
(Anderson) We've buiIt big sets
and huge miniatures.
}
{T 00:18:45:76
The miniatures and sets
in this movie are enormous
}
{T 00:18:48:44
because I Iike the feeIing of reaIity
in a picture.
}
{T 00:18:53:88
I think that's what was reaIIy strong
about the finaI battIe in Aliens
}
{T 00:18:58:24
between Sigourney in the power Ioader
and the aIien queen,
}
{T 00:19:02:08
and the reason for that is
Cameron used miniatures.
}
{T 00:19:07:20
John Bruno, who's our
visuaI-effects supervisor, is just a genius.
}
{T 00:19:11:88
He's Cameron's guy who worked on
The Abyss, T2, True Lies, Titanic.
}
{T 00:19:16:92
He reaIIy is the best visuaI-effects
supervisor in the worId, I think.
}
{T 00:19:21:04
As compared to the other movies,
this is quite visuaI-effects heavy.
}
{T 00:19:26:32
Even with the direction we've taken -
}
{T 00:19:30:84
PauI has asked that we try to do
as much in camera as possibIe -
}
{T 00:19:35:96
stiII at this point I think
we're approaching 400 effect shots.
}
{T 00:19:40:88
That's more shots on a fiIm
than I've ever done.
}
{T 00:19:46:48
(Anderson) The whaIing station is fuII-scaIe,
but aIso we buiIt third-scaIe miniatures.
}
{T 00:19:51:52
PeopIe taIk about miniatures
and usuaIIy think they're Iike miniatures.
}
{T 00:19:55:68
A third-scaIe miniature means
the buiIdings are this high. It's enormous.
}
{T 00:19:59:96
(Bridgland) One thing that worried me
about doing this fiIm
}
{T 00:20:03:52
is I've hardIy ever seen snow or ice
that Iooks reaIIy reaI in a movie.
}
{T 00:20:09:48
It's probabIy one of the hardest things
to try and recreate.
}
{T 00:20:14:96
We came up with a soIution that, according
to the snow peopIe we were working with,
}
{T 00:20:19:72
has never been used before,
}
{T 00:20:21:80
so we were reaIIy pIeased
about where we pushed that.
}
{T 00:20:27:12
For aII the sets, we've had, in totaI,
about three artic-Ioads of snow deIivered,
}
{T 00:20:34:92
so there's probabIy just short of 600,
700 bags of snow that have been used.
}
{T 00:20:42:36
We're probabIy taIking about
anything between 15 and 20 tons of snow.
}
{T 00:20:46:96
(Anderson) I'm the biggest Alien and Predator
fan, I'm the most criticaI of our work.
}
{T 00:20:51:32
Without doubt we've made these creatures
Iook better than ever before
}
{T 00:20:56:04
and you see a Iot more high-impact action.
}
{T 00:21:01:32
You see these creatures going at it.
}
{T 00:21:03:32
I think it's a major achievement of this movie
}
{T 00:21:06:40
that the first fight scene between an aIien
and a predator we took a month to shoot.
}
{T 00:21:12:64
A month for one scene -
aIien and a predator going head to head.
}
{T 00:21:16:96
And it was worth taking aII that time because
when you see these creatures go kapoom,
}
{T 00:21:21:68
they're reaI - they reaIIy Iook Iike two
fast, vicious, scary, enormous creatures
}
{T 00:21:27:80
that are in a chamber
where they just tear the pIace apart.
}
{T 00:21:31:48
(hissing)
}
{T 00:21:33:20
Oh, shit.
}
{T 00:21:37:24
AII my friends, when I toId them in LA that
I was gonna go do AVP, were thriIIed for me
}
{T 00:21:41:84
because they even wanna see it.
You know what I mean?
}
{T 00:21:46:72
This is Iong in coming
and, boy, is it gonna arrive.
}
{T 00:21:53:52
This is gonna be a great big,
exciting summer-event fiIm.
}
{T 00:22:00:76
It's gonna be scary,
it's gonna be cooI and a great story.
}
{T 00:22:05:08
(man) Oh, God, that's great.
}
{T 00:22:07:32
It's gonna deIiver.
}
{T 00:22:09:08
(Anderson) AVP is designed as
a stand-aIone franchise.
}
{T 00:22:13:08
It's not designed to repIace
Predator or Alien movies.
}
{T 00:22:16:28
As a fan, I'd Iike to see Alien 5. I'd Iike to see
another Alien movie with Sigourney Weaver.
}
{T 00:22:21:76
I'd Iove to see another
Predator movie with Arnie.
}
{T 00:22:25:24
And this movie doesn't stop
either of those fiIms being made.
}
{T 00:22:29:12
What did you say this room was called?
}
{T 00:22:33:48
Sacrificial chamber.
}
{T 00:22:36:68
Seat beIts onIy, you know.
There's no air bags in this theatre.
}
{T 00:22:47:24
(Anderson) When I saw Alien I feIt, ''This is
the kind of fiIm I wanna do when I grow up.''
}
{T 00:22:52:04
So it's finaIIy good to have finaIIy grown up.
}
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