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Persuasion CD2

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May I introduce Captain Harville,
Mrs Harville and Captain Benwick.
- Good day. - How do you do?
How do you do?
I'm very pleased to meet you all.
you've certainly cheered us up. Our home is your home.
you must stay to supper. Have we food?
Remember what we ate in Minorca?
- Octopus! - Octopus?
I do admire the Navy!
These sailors have more worth than any men in England.
And what do you occupy yourself with in Lyme, Captain Benwick?
I read.
And what do you read, Captain Benwick?
We are living through a great age for poetry, I think.
- you read it too, Miss Elliot? - Mmm.
Tell me, do you prefer Marmion or The Lady Of The Lake?
Like the dew on the mountain,
Like the foam on the river,
Like the bubble on the fountain, Thou art gone and forever.
(Laughter and conversation)
Fare thee well, thus disunited,
Torn from every nearer tie.
Seared in heart and lone and blighted,
More than this I scarce can die.
I do not know that one.
- Byron. - Ah. ought, perhaps, to include
a larger allowance of prose in your daily study.
Too much poetry may be...unsafe.
Thank you for your kindness,
but you cannot know the depth of my despair.
phoebe would have married me before I went to sea,
but I told her...
I told her we should wait for money.
Come, now, Captain Benwick.
Come, now. you will rally again.
you must.
you have no conception of what I have lost.
yes, I have.
- Good morning, Anne. - Good morning.
We were just returning for breakfast.
We shall join you.
Oh, madam. I do apologise.
It is nothing, sir.
Look, kippers for breakfast!
Fetch me some toast and jam.
Whose carriage is that, landlord? It looks pretty fine.
A gentleman of means, sir.
He come in on his way to Bath, a Mr Elliot.
Mr Elliot?
Mr Elliot?
Oh, it's the man we passed on the beach.
Bless me, it must be our cousin!
Did his servant say if he was a Kellynch?
No, ma'am. Though he do say he'll be a baronet.
There, it's him! Mr Elliot, the heir to Kellynch Hall.
Did you notice the Elliot countenance?
I was looking at the horses,
but I think he had some Elliot countenance.
Do not you, Anne?
How very extraordinary.
What a pity we didn't introduce ourselves.
Mary, Father and Mr Elliot have not spoken for several years.
They would not wish us to introduce ourselves.
Quite lucky you didn't bump into him.
Where's my toast?
I have enjoyed our debates.
I too.
- I wonder if I might... - Mmm?
That is...
(Voices approach)
Oh, I don't like it.
Catch me!
Louisa, be careful.
Louisa. Louisa, stop it!
Louisa, it's too high!
I am determined, Captain.
Do not be so foolish!
- Louisa's dead! - Oh, God!
No, she breathes!
- What shall I do? - Rub her hands.
Louisa. Louisa.
Oh, God!
Fetch a surgeon.
No! Benwick will know where to go.
yes, of course.
[Mary] Carry her to the Harvilles'.
[Mary] Gently!
A message should be sent to Uppercross directly.
And Henrietta should be taken home to her mother.
Either you or I must go, Charles.
I cannot leave my sister.
Lay her in my bed.
Well, I think it should be Anne.
No one's so capable as Anne.
you will stay, won't you?
Stay and nurse her.
Why should I go instead of Anne?
Anne is nothing to Louisa, I am family.
- Really, it is too unkind! - (Charles) please, Mary.
No. Let Anne take Henrietta.
If only I... If only...
I regret that...
Damned foolish!
Damned foolish! Get up!
[Screams] Oh, my Louisa.
Go to the stable and prepare the chaise.
you,, saddle the grey.
Thomas. Thomas!
Thomas, come and take this cart.
(Agitated animal cries)
- Ma'am. - Barnaby.
(Simple piano melody)
(Galloping horse approaches)
She'll live.
Mama, she's conscious!
(Charles) Mama, she'll live!
It always rains in Bath.
I'm pleased to have you here with us, Anne.
Thank you, Father.
you'll make a fourth at dinner.
That must be deemed an advantage.
you may observe that one handsome face
will be followed by thirty frights.
Once, when I was standing in a shop in Bond Street,
I counted eighty-seven women go by,
without there being a tolerable face among them.
But then, it was a frosty morning,
which scarcely one woman in a thousand can stand the test of.
As for the men, they are infinitely worse.
The streets are full of scarecrows.
Mr Elliot is hardly a scarecrow.
Mr Elliot is not ill-looking at all.
Mr Elliot? Our cousin?
Mr Elliot's been most attentive during my time in Bath.
He's come to call on us every day.
He's a most engaging friend, Colonel Wallis.
- But I thought... - We may see him this afternoon,
and then you shall perceive what a gentleman he is.
And such fine manners.
I saw him, in fact, in Lyme.
(Astonished laugh)
- Saw whom? - Mr Elliot.
We met by chance at Lyme.
- perhaps it was Mr Elliot(!) - It was.
Well, I don't know! It might have been...perhaps.
What's the news, Sir Walter?
A concert in the Assembly Room.
- To be given in Italian. - Hmm.
A display of fireworks.
But here is news indeed. Most vital news!
The Dowager Lady Dalrymple
and the Honourable Miss Carteret are arrived in Laura place.
- Our cousins. - Will they receive us?
They would not snub us, surely?
please, God, let them not snub us!
-(Footman) Mr Elliot. - Sir Walter, ladies.
- Mr Elliot. - I was passing by.
- Come in, come in. - Mr Elliot.
you do not know my younger daughter, Anne.
Oh, but we have had a glimpse of each other, Sir Walter.
On the seashore at Lyme.
I heard of the accident after I left.
- Is the young lady...? - She's making a good recovery.
Thank you, Mr Elliot.
But slowly.
Good. I'm glad.
It must have been distressing.
Which young lady?
One of the Musgroves.
Oh... Farmer's daughter.
Mr Elliot, a guest at Catherine place. Mr Elliot?
Mmm. He paid his respects after luncheon
and was received with great cordiality.
But they have not spoken since his most inappropriate marriage.
But he is now a widower and desires reconciliation.
(Harp music)
He holds my father in high esteem.
It's natural that now he's older,
Mr Elliot should appreciate the value of blood connection.
- Good morning, Lady Russell. - Good morning.
Has he manners?
Very good manners and correct opinions,
and a wide knowledge of the world.
This is all most agreeable.
The heir presumptive reformed
and on good terms with the head of his family.
Most agreeable.
I suspect Mr Elliot also wishes to be on good terms
with my sister, Elizabeth.
Elizabeth is many hours at her dressing table
when Mr Elliot is expected.
Lady Willoughby, Sir Henry, good morning.
Did you attend the philosophical Society?
- yes. - Was the resolution carried?
It was. The atheists were thoroughly routed.
- Did dear Sir William speak? - He did...
Oh, I am pleased to see you!
Miss Anne!
We are here to improve the Admiral's health.
- What is the problem? - Dry land, my dear!
It doesn't agree with my legs.
Oh, dear. Well, come and take some of this water.
Now that she is settled here, I cannot suppose myself wanted.
- perhaps I should go home. - There is no need.
She's nothing to me compared to you.
My dear madam, as yet you've seen nothing of Bath.
Do not run away now.
- Good morning. - Good morning.
We wait this morning upon our cousins, Anne.
Lady Dalrymple and the Honourable Miss Carteret.
- you will accompany us, I hope. - If you wish.
A Viscountess! She is a Viscountess!
And family.
Family connections are always worth preserving.
We shall call and be presented.
your looks are greatly improved, Anne.
you're less thin in your person,
and your cheeks and complexion is fresher. What are you using?
I recommend using Gowland's Lotion during spring.
Mrs Clay uses it and see what it's done for her!
It's carried away her freckles.
Sir Walter Elliot, late of Kellynch Hall.
Lady Russell.
Miss Elizabeth Elliot.
Miss Anne Elliot.
And Mrs Clay.
And Mrs Clay.
(Anne chuckles)
My father declared it a notable success.
But I discern no superiority of manner, accomplishment,
or understanding in the Dalrymples.
And that is all there is to it.
Good company is always worth seeking.
Though nothing in themselves,
they collect good company around them.
My idea of good company, Mr Elliot, is the fellowship
of clever, well-informed people
who have conversation and a liberality of ideas.
That's what I call good company.
That is not good company.
That is the best.
Good company requires only birth, education and manners.
And with regard to education, it is not very particular.
My dear cousin, the Dalrymples move in the first set,
and as rank is rank, your being related will be advantageous.
I perceive your value for rank to be greater than mine.
you're too proud to admit it.
Am I?
- yes. We're very alike. - Are we?
In what respect?
In one respect I am certain.
We both feel that every opportunity
for your father to mix in the best society
may help divert his attentions from those who are beneath him.
(Genteel conversation)
you presume to know me very well, Mr Elliot.
In my heart, I know you... intimately.
Westgate Buildings?
Who is this invalid you visit in Westgate Buildings?
- Mrs Smith. - Mrs Smith!
- A widow. - A widow Mrs Smith!
Is her attraction that she's sickly?
Upon my word, Miss Anne Elliot, you have extraordinary taste.
What revolts other people is inviting to you.
She is a former school fellow,
and I am spending this afternoon with her.
Lady Dalrymple's invitation is most pressing.
Could you not put her off till tomorrow?
It is the only afternoon which suits both her and myself.
So, you would snub Lady Dalrymple
for a Mrs Smith, lodging in Westgate Buildings.
That you'd prefer an everyday Mrs Smith
to your family connections
among the nobility?
Mrs Smith - such a name! Once and for all,
will you accompany us to a tea party at the Dalrymples?
No, sir. I will not!
I have a prior engagement with Mrs Smith,
who is not the only widow in Bath with no surname of dignity!
Do you not suffer from melancholy?
How could I be melancholy, when you are come to visit?
- Can you walk at all?. - No.
But I will not allow sickness to ruin my spirits.
Did your husband leave you any money?
Very little. His affairs had utterly collapsed.
And it's all spent on Nurse Rooke.
Who, besides carrying me into the hot bath,
brings me my one source of consolation,
delicious gossip from the world outside.
So you are a spy, Nurse Rooke.
I keep my ears open, that's all.
What have you heard of my friend here?
I know her cousin, Mr Elliot, thinks terribly highly of her.
How on earth do you know that?
I attend on Colonel Wallis's wife,
who's indisposed with a baby.
And she says
that Colonel Wallis says that Mr Elliot...
That's quite enough!
you see, Anne. There are no secrets in Bath.
you remember my brother-in-law,
- Frederick. - yes?
We thought he was to marry Louisa Musgrove.
How do you do?
He courted her week after week.
The only wonder was what were they waiting for?
Until the business at Lyme happened.
When it was clear they must wait till her brain was set to right.
Now the matter has taken the strangest turn of all.
Frederick has removed to Shropshire.
- Morning. - How d'you do?
And the young lady, instead of marrying him,
is to marry James Benwick!
you know James Benwick. a little acquainted with Captain Benwick. yes.
She is to marry him.
I confess, I am amazed.
Certainly, it's unforeseen, but it's true.
We have it in a letter from Frederick himself.
But their minds are so dissimilar!
yes, but they were thrown together several weeks, and...
Louisa, just recovering from illness,
was in an interesting state.
No doubt Louisa will become an enthusiast for Scott and Byron.
Aye. That's learned already.
Of course!
Of course, they fell in love over poetry!
So, Frederick is unshackled and free.
And, he bitter?
Oh, not at all. Not at all!
The letter is sanguine.
There's barely an oath in it from beginning to end.
you would not think from his way of writing
that he'd ever thought about this young... What's her name?
yes, Louisa, for himself at all.
(Admiral) So, poor Frederick will have to begin again
with somebody else.
(Rain falls)
Oh, that's better.
Oh, this rain.
I'm sure Mr Elliot will return in a moment.
I believe that Molland's marzipan
is as fine as any in Bath.
Do not you, penelope?
It is quite...
I've found Lady Dalrymple's carriage.
She's pleased to convey you home.
She has, alas, room only for two.
It's no trouble to me to walk.
Nonsense, you have a cold! Anne can walk.
No, really. you might show me that parasol you mentioned?
you'll ruin your shoes.
Anne has thick boots on.
Mr Elliot, would you be so kind?
I should be delighted to escort Miss Anne.
Then that's settled.
please tell the coachman that we are ready.
Miss Anne?
A...are you unwell?.
I will just...I will just get some water.
Excuse me.
Good morning, Captain Wentworth.
Miss Elliot.
So, you are come to Bath.
Well, yes I...I am.
Do you like it?
- Bath? - Mmm.
I have yet to see it.
your family?
- yes? - Are they in health?
They are. They are, thank you.
And you? Are you i-in health?
I am very well, thank you, Captain.
Lady Dalrymple's carriage for the Miss Elliots.
(Elizabeth) That's us.
you are not going too?
There is no room. I shall walk.
- It's raining. - Very little.
Nothing that I regard.
I-I like to walk.
Though I only came yesterday, I'm armed for Bath.
please, take it.
Oh, thank you.
I'm sorry to have kept you waiting.
Shall we set off, the rain has eased?
Good morning, Captain.
(Buzz of conversation)
How do you do, Captain?
Well, thank you, Miss Elliot.
you have come for the concert?
No, a lecture on navigation. Am I in the wrong place?
I have hardly seen you since that wretched day at Lyme.
I'm afraid you must have suffered from the shock.
The more so for not overpowering you at the time.
I was not in danger from suffering
from not being overpowered, thank you, Captain.
When you sent Captain Benwick for a surgeon,
I'll bet you had little idea of the consequences.
No, I had none.
But I hope it will be a very happy match.
Indeed, I wish them well.
They have no difficulties at home.
No opposition,
no caprice,
no delays.
And yet...
Louisa Musgrove is a very amiable, sweet-tempered girl,
and not unintelligent, but...
Benwick is more... He's a clever man, a reading man,
and I do view...
suddenly attaching himself to her like that...
a man in his situation, with a broken heart...
phoebe Harville was a wonderful woman and he was devoted to her.
A man does not recover from such a devotion to such a woman.
He ought not...he does not.
Did you stay long at Lyme?
A fortnight.
Until we were assured of Louisa's recovery.
The country is very fine. I walked and rode a great deal.
- I should like to see it again. - I would have thought...
I mean, the distress... too painful.
But when the pain is over...
I have travelled so little, every new place interests me.
One day, I should very much like to see it again.
It was my doing. Solely mine.
Louisa would not have been obstinate,
if I had not been weak.
I have never...
(Footman) Lady Dalrymple.
Lady Dalrymple.
May I have the pleasure?
(Italian aria)
"..and after they have done this,
"their two hearts will...
"combine in eternal union."
That's the literal meaning of the words,
to give the sense would not be proper.
Besides, I am a poor Italian scholar.
yes. I see you are(!)
you have only enough of the language
to translate it at sight into clear, comprehensible English.
We'll say no more of your ignorance, here's the proof(!)
I'd hate to be examined by a real proficient, Mr Elliot.
you are too modest.
The world is not aware of half of your accomplishments.
This is too much flattery.
I couldn't ever flatter you enough.
(Sir Walter) yes, a very well-looking man.
More air than one often sees in Bath.
- Irish, I dare say. - Captain Wentworth of the Navy.
An acquaintance. His sister's married to a tenant of mine.
Do you take my meaning, Anne, or must I translate for you?
please excuse me one moment.
Oh, Captain.
Are you leaving already?
But the music is good, is it not?
I neither know nor care.
- But will you not... - What?
- This is too sudden. - Is it?
- But what's the matter? - Nothing. Nothing at all.
Miss Elliot, you must come back to explain the Italian again.
Miss Carteret's keen to know what she's to hear.
Good night.
But the next song is very beautiful.
It's a very beautiful love song.
Is that not worth staying for?
No, there's nothing worth my staying for.
(Italian aria)
Anne, it is beginning.
- Morning. - Good morning, sir.
- Thank you. - Good morning, madam.
Oh, I say, Charles! Isn't it delightful?.
- Where are you staying? - At the White Hart
with Mrs Musgrove, Henrietta and Captain Harville from Lyme.
- Come and see upstairs. - Oh, yes!
What brings Mrs Musgrove to Bath?
She's after wedding clothes for Henrietta and Louisa.
It's so exciting I feel giddy. A double wedding!
What do you think for Louisa's hair, Anne?
This one or this one?
Louisa has become so severe,
I wonder she wants a ribbon in her hair at all!
Give her a book of verse to hold it instead.
Look who I found, Mama.
- Captain Wentworth! - Good day.
I have been to the theatre and I have secured a box for tomorrow.
Oh, yes!
Anne, you will accompany us, I hope.
I am obliged to you, Mrs Musgrove, but I cannot.
There's a party at Camden place,
to which you'll all be invited.
An evening party!
If it depended only on me, Charles,
I should prefer the theatre.
But I have an obligation to my family.
Then we shall go another time, when you are free to join us.
- Thank you. - Captain Harville, sit with me.
I desperately need a fresh opinion.
I doubt if I could be much help.
perhaps you have not been in Bath long enough
to learn to enjoy these parties they give.
They mean nothing to me.
Those who hold them
believe the theatre to be beneath their dignity.
But I am no card player.
you never were, were you?
Anne, there is Mrs Clay,
standing under the colonnade, and a gentleman with her.
- Bless me, it's Mr Elliot! - It cannot be him.
He has gone out of Bath to stay with his friends in Combe park.
Upon my word, I know my own cousin. Look!
Is it not Mr Elliot?
But it is an apt match.
To step into your mother's shoes as mistress of Kellynch.
Anybody capable of thought must approve it.
He's charming, but my instinct tells me...
Instinct! It's no time for instinct. Look at the facts.
The present Mr Elliot is the most eligible gentleman...
Why has his character altered so I know him so little?
you do not know him?
He is charming and clever,
but I have never seen any burst of feeling,
any warmth, fury, or delight.
- you'll come to know him. - That's not what I want.
Miss Elliot?
A gentleman of the Navy wishes to meet privately with you.
Concerning Kellynch Hall in Somerset, he says.
It must be the Admiral. please excuse me.
I have a commission from my admiral,
and I must discharge it.
you may think me impertinent, but remember, I speak for him.
The Admiral is aware... that everything is settled
for a union between Mr Elliot and yourself.
It occurs to the Admiral
that once married, you may wish to return to Kellynch Hall.
I have been charged to tell you that, if this is what you wish,
the Admiral will cancel his lease and find another place.
There. I have done my duty.
Do you wish it? Say yes or no
and we are both released.
The Admiral is too kind.
Just say it. yes or no.
Why is everyone assuming that...
(Lady Russell) Captain Wentworth.
Lady Russell.
you have an extraordinary ability
to discompose my friend, sir.
you have an extraordinary ability to influence her, ma'am,
which I find hard to forgive.
Why does the whole town believe I shall marry him?
- Oh. Shan't you? - No!
I have to say I am relieved to hear it.
Because... Did you never wonder why a man
who held the honour of your family like dirt,
who showed no interest in the Kellynch estate,
should suddenly show such interest?
What do you know?
I was at Colonel Wallis's yesterday
and I chanced to hear him complain to his wife
that Mr Elliot required another loan.
- But he is rich. - He was rich. He has lost it.
His lifestyle is a sham. He lives on borrowed money.
Are you saying he pays his attentions to me because...
He wants the title and the land.
He heard of your sister's friend, Mrs Clay...
Who hopes to become the next Lady Elliot.
And to provide Sir Walter with a son.
- An heir? - By marrying you,
he gains some footing in the family,
exerts his influence on your father...
..and keeps his inheritance.
Why didn't you say this before?
We've just learnt it.
How despicable!
Mr Musgrove and my brother, Hayter, met again...
Good morning, Mrs Musgrove. Good morning, Mrs Croft.
Oh! They are all shopping, Anne.
But Henrietta has told me to keep you here till they return.
- please sit with us. - Thank you.
So, all things considered,
as Henry Hayter was wild about it and my daughter as bad,
we thought let them marry now and make the best of it.
At any rate, said I to papa,
it's better than a long engagement.
Nothing's so abominable as a long engagement.
Do you know who this is?
- That's Captain Benwick. - yes.
It was not done for Louisa Musgrove.
This was drawn at the Cape for my poor sister.
And now I have the charge of getting it set for another.
It's too much for me, I confess. So he undertakes it.
He's writing instructions to the frame-makers now.
poor phoebe.
She would not have forgotten him so soon.
It was not in her nature.
It's not for any woman who truly loved.
Do you claim that for your sex?
We do not forget you as soon as you forget us.
We cannot help ourselves.
We live at home...
and our feelings prey upon us.
you always have business to take you back into the world.
It's no more man's nature than women's to be inconstant,
or to forget those they love or have loved.
I believe the reverse.
I believe...
Are you finished your letter?
Er, not quite. A few lines yet.
Let me just observe that all histories are against you.
All stories, prose and verse.
I don't think I ever opened a book
which did not have something to say on women's fickleness.
But they were written by men.
I suppose so.
If you only understood what a man suffers
when he takes a last look at his wife and children.
And watches their boat while it's in sight
and says, "God knows whether we will ever meet again."
If I could only show you... the glow of his soul
when he does see them once more.
When, coming back after twelve months
and obliged to put into another port,
he calculates how soon he can get them there.
pretending to deceive himself
and saying, "They cannot be here until such a day."
But still hoping for them twelve hours sooner.
And seeing them arrive at last,
as if heaven had given them wings.
I believe you capable of everything great and good.
So long as...
if I may...
So long as the woman you love lives...and lives for you.
All the privilege I claim for my own sex -
and it is not very enviable, you need not covet it -
is that of loving longest when all hope is gone.
(Bell chimes)
Dear Frederick, you and I must part company, I believe.
One moment, Sophy.
But we shall all meet again this evening at your party.
Harville. If you're ready, I'm at your service.
Good morning, Miss Elliot, and God bless.
- Good morning. - Good morning.
Now where on earth have Henrietta and Mary got to?
Forgive me, Mrs Musgrove. I left my umbrella.
- Ma'am. - Good day, Captain Wentworth.
(Captain Wentworth) 'I can listen no longer in silence.
'I must speak to you by such means as are within my reach.
'you pierce my soul. I am half agony, half hope.
'Tell me not that I am too late,
'that such precious feelings are gone forever.
'I offer myself to you with a heart even more your own,
'than when you broke it eight years and a half ago.'
(Anne) 'Dare not say that man forgets sooner than woman,
'that his love has an earlier death.
'I have loved none but you.
(Wentworth) 'Unjust I may have been,
'weak and resentful I have been, but never inconstant.
'you alone have brought me to Bath.
'For you alone, I think and plan.
'Have you not seen this?
'Can you fail to have understood my wishes?
'Had I not waited even these ten days,
'could I have read your feelings?
'I must go, uncertain of my fate, but I shall return
'or follow your party as soon as possible.
'A word, a look will be enough
'to decide whether I enter your father's house this evening...
'or never.'
(Excitable chatter)
Anne, is something the matter?
Anne, look at you!
Oh, I-I feel a little faint, Mrs Musgrove.
Erm... I will go home, if I may.
By all means, my dear.
Go home directly and take care of yourself,
so you may be fit for this evening.
Charles, go and call a chair.
No. I assure you, Mrs Musgrove,
I am...I am well able to walk.
Erm... Good morning.
Go on.
please assure Captain Wentworth and Captain Harville
that we hope to see them tonight.
- That was understood. - No, I don't think so.
They must come, do you hear?
you'll see them again. promise me you'll mention it.
Mention it yourself. Frederick, which way are you going?
I hardly know.
Are you going near Camden place?
If you are, take Anne to her father's door.
She's done for this morning and I'm eager to see a gun,
like that double-barrel of mine you once shot with.
I shall have time to take her, Charles.
Thank you.
(Distant circus music)
I tried to forget you.
I thought I had.
(Hubbub of Italian performers)
(Music and crowd fade)
(Hushed conversations)
When Captain Wentworth arrives you must not monopolise him.
It's a very bad habit of yours.
Aye. Bonaparte has got off Elba
and raised an army in France.
It seems there's to be another war.
So, you will be leaving us again, Admiral Croft?
When you make a decision, Anne, you must stick with it.
There's no going back.
At your age, I found out what I wanted.
I decided to marry.
And I am married...
until I die.
I hope one day to see you do the same.
I hope so too.
Miss Elliot, may we speak a moment?
Have you thought any further about my offer?
But what offer was that, Mr Elliot?
My offer to flatter and adore you all the days of your life.
I haven't had a moment, Mr Elliot,
to turn my mind to it.
(Footman) Captain Wentworth and Captain Harville.
Captain Wentworth, come in! What will you play? Whist?
I have come on business, Sir Walter.
My proposal of marriage to your daughter Anne has been accepted.
And I respectfully request permission to fix a date.
you want to marry Anne?
Whatever for?
(Romantic Italian aria)
P S 2004
Pact of Silence The
Padre padrone (Paolo Taviani & Vittorio Taviani 1977 CD1
Padre padrone (Paolo Taviani & Vittorio Taviani 1977 CD2
Paid In Full
Paint Your Wagon 1969 CD1
Paint Your Wagon 1969 CD2
Palabras Encadenadas
Pale Rider CD1
Pale Rider CD2
Pan Tadeusz
Pan Wolodyjowski CD1
Pan Wolodyjowski CD2
Panda Kopanda (Panda! Go Panda!)
Pandoras Box 1929 CD1
Pandoras Box 1929 CD2
Panic Room 2002
Paper The 1994
Paradine Case The (1947)
Paradise Found
Paradise Hawaiian Style - Elvis Presley (Michael D Moore 1966)
Paradise Villa 2000
Paragraph 175 (Rob Epstein Jeffrey Friedman 1999)
Paraiso B
Parallax View The 1974
Paran Deamun (1998)
Parapluies de Cherbourg Les
Paraso B
Parent Trap The CD1
Parent Trap The CD2
Paris - When It Sizzles (1964)
Paris Texas CD1
Paris Texas CD2
Parole officer The
Party7 2000
Pasolini Volume 2
Passage to India CD1
Passage to India CD2
Passion 1982 30fps
Passion Of The Christ The
Patch of Blue
Pather Panchali (Satyajit Ray 1955)
Pathfinder 1987
Patlabor - The Movie - 1990
Patlabor The Movie 3 CD1
Patlabor The Movie 3 CD2
Patton CD1of3 1970
Patton CD2of3 1970
Patton CD3of3 1970
Paul McCartney Back In The US CD1
Paul McCartney Back In The US CD2
Pauline At The Beach
Pauline and Paulette
Pauly Shore is Dead
Payback 1999
Peace Hotel The (1995)
Pearl Harbor
Pearls and Pigs
Peculiarities of National Hunting
Pee-wees Big Adventure (1985)
Peep Show 1x1
Peep Show 1x2
Peep Show 1x3
Peep Show 1x4
Peep Show 1x5
Peep Show 1x6
Peeping Tom (1960)
Peking Opera Blues (1986)
Pelican Brief The
Pennies from Heaven (1981)
Pepe le Moko
Peppermint Frapp 1967
Perfect Blue
Perfect Murder A
Perfect Score The 2004
Perfect World A
Persuasion CD1
Persuasion CD2
Pet Sematary
Petek13th part 7 A new blood
Peter Pan
Peter Pan (2003)
Peters Friends
Petes Dragon (1977)
Petrified Forest The 1936
Peyton Place CD1
Peyton Place CD2
Phantom The
Phantom of the Paradise
Phenomena CD1
Phenomena CD2
Philadelphia Story The 1940
Phone - Byeong-ki Ahn 2002
Phone Booth
Phouska I (The Bubble 2001)
Pianist The
Piano Lesson The
Piano The
Pickup On South Street 1953
Piece of the Action A 1977 CD1
Piece of the Action A 1977 CD2
Pieces Of April
Pietje Bell
Pink Panther The - A Shot In The Dark (1964)
Pitfall The (Otoshiana 1962)
Planet Of The Apes (1969)
Planet of the Apes 1968
Planet of the Apes 2001
Planets The 1 - Different Worlds
Planets The 2 - Terra Firma
Planets The 3 - Giants
Planets The 4 - Moon
Planets The 5 - Star
Planets The 6 - Atmosphere
Planets The 7 - Life
Planets The 8 - Destiny
Planta 4
Plastic Tree CD1
Plastic Tree CD2
Platee CD1
Platee CD2
Platonic Sex CD1
Platonic Sex CD2
Platoon (Special Edition)
Play It Again Sam
Playing By Heart
Playtime CD1
Playtime CD2
Please Teach Me English (2003) CD1
Please Teach Me English (2003) CD2
Plumas de Caballo
Plunkett and Macleane
Pocketful of Miracles CD1
Pocketful of Miracles CD2
Pod Njenim Oknom (Beneath Her Window)
Poika ja ilves
Point Break - CD1 1991
Point Break - CD2 1991
Pokemon - Movie 1 - Mewtwo Strikes Back
Poker (2001) CD1
Poker (2001) CD2
Pokrovsky Gates The 25fps 1982
Pola X 1999 CD1
Pola X 1999 CD2
Police Academy (1984)
Police Academy 2 Their First Assignment 1985
Police Academy 3 Back in Training 1986
Police Academy 4 - Citizens on Patrol 1987
Police Story (2004) CD1
Police Story (2004) CD2
Police Story 2
Poltergeist 2 The Other Side 1986
Poltergeist 3 (1988)
Poolhall Junkies
Pork Chop Hill
Porky - Awful Orphan (1949)
Porky - Dough for the Do Do (1949)
Porky - Porky Chops (1949)
Porky - The Wearing of the Grin (1951)
Pornographer The
Pornography 2003
Pornostar (Poruno Suta)
Port of Call (1948)
Portrait of a Lady The
Poseidon Adventure The
Poslusne hlasim (1957)
Possession (2002)
Possible Loves - Eng - 2000
Post Coitum 2004
Postman Blues (1997)
Posutoman Burusu
Power Play (2002)
Practical Magic
Predator (1987)
Prem Rog
Presidents Analyst The (1967)
Presidio The
Prevrashcheniye (Metamorphosis)
Prick Up Your Ears
Pride and Prejudice
Pride and Prejudice CD1
Pride and Prejudice CD2
Pride and Prejudice CD3
Pride and Prejudice CD4
Pride and Prejudice CD5
Pride and Prejudice CD6
Pride and Prejudice The Making of
Pride and the Passion The
Prime of Miss Jean Brodie The CD1
Prime of Miss Jean Brodie The CD2
Prince and the Showgirl The
Princess Blade The
Princess Bride The
Princess Diaries The CD1
Princess Diaries The CD2
Princess Mononoke
Princess Of Thieves
Princess and the Warrior The
Prisoner of Second Avenue The
Private Life of Sherlock Holmes The (1970)
Private Parts
Producers The
Profondo rosso
Project A CD1
Project A CD2
Psycho (1960)
Psycho - Collectors Edition
Public Enemy (2002 Korean) CD1
Public Enemy (2002 Korean) CD2
Public Enemy The
Pulp Fiction (1984)
Pump Up The Volume
Pumping Iron (1977)
Punch-Drunk Love
Punisher The (2004)
Punisher The 1989
Pupendo (2003) CD1
Pupendo (2003) CD2
Purple Rose Of Cairo The
Purple Sunset (2001)
Pusong Mamon CD1
Pusong Mamon CD2
Pyrokinesis (2000)