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I haven't written a song in over|a year, not one single song. I'm terrified of starting. I'm terrified of confronting|myself with the thought of - - having to start somewhere. Henke, Mads, Asger and I are standing|like racehorses at the starting line. We need to kick ourselves|in the ass... ... to get moving, or I do. I do. I need to kick|myself in the ass... ... and just do it instead|of feeling sorry for myself. {Y:i}One year earlier {Y:i}One year earlier - Thank you. The winner is...|- And the winner is... Kashmir. Damn, this is exciting. But the winner is... Kashmir! Well, well. {Y:i}What does winning|all these prizes mean? {Y:i}6 Grammy's... I can whistle. {Y:i}They came up to me and they said: That's too far out. Being recognized|because you look a little "rock". It's not even that, they could|tell you were a rock star. This is going on the website.|It's an awesome picture. I like this stuff. What else do you like? Playing electric bass, smoking|cigarettes and wearing denim. It's not because|I don't listen to you, Mads, but... I have to wear these, I think. What do you think, Stener? - About what?|- Which shoes? The most comfortable ones.|It doesn't matter at all. Just wear the most comfortable ones. - That's a cool shirt.|- I'm playing in the white one. - Okay.|- Is it okay? Yes, but I think|the other one is cool too. - You prefer the other one?|- Yes, I think so. - I'd definitely say the white one.|- You would? Are you crazy?|I think it's the best. I love the other one, the Jefferson,|but the Grand Prix is... I think you look better in "Jefferson". It was great that|after our sound check - It was great that|after our sound check - - some people came over|and said it sounded good. It always makes you feel good. Every little bit helps. You need every bit of positive|energy when you're... ... a shaker. I can't tell if I'm nervous - - or if I'm excited|or if I feel comfortable. I think it's in between really. I don't want to make|a big deal out of it. But I also know that this|is the most important concert. We've never played a more|important concert than this one. And I know I need to stop focusing|on it. But I do when I say it to you. And we all know it,|but no one wants to talk about it. It's between the lines.|It's in the air. People are a little: It will be cool.|We're looking forward to it. We really are.|I'm looking forward to it. It's weird being here with|the guys and knowing that - - 10 of the biggest record companies|in the US are coming to see us. So I'm a little... okay, wow. Why the hell aren't we on there?|That was the least they could do. - I don't know. Ask Rikke.|- Losers. - Is it because we're nothing?|- Yes, of course. Don't get paranoid, if something|happens or you get nervous. So fuck it.|Who wouldn't do that? Stay cool. It won't be a disaster|if you get a weird feeling. That's where you might get a little... Use it, use it for something good.|There's no reason to be paranoid. Like today when|you kept stopping things - - I know you did it because|things didn't sound right. But we just have to keep going|tonight, no matter what - - no matter if we play it wrong,|we can't start over. We'll just take it from there.|Are you cool with that? {Y:i}Copenhagen, one year later You don't always feel like an artist|because you've released 3 albums. What kind of film is this?|What do you want out of this project? It doesn't take much. Yes, it does. It does, but... You need to turn off|the camera, I can't... It's hard to say what I'm doing wrong,|but I am doing something wrong. It's been so long since|I've had a big flow of things. Sometimes I doubt whether|I'm a composer or an artist at all. I'm getting ideas again because|I stopped concentrating on them. But... - Well...|- Do you feel guilty? I always feel guilty|when I'm not doing anything. The toughest pressure|comes from myself. There's something meditative|about peeling an orange - - so I'm going to do that. It's easy enough to pull something|out of your butt that's just... That's easy enough. What's hard is|to get something that is - - honest and true|and that you can see yourself in. The right things appear|in the moment when you look away. When you just... What? What did I just write?|That's how I felt. A short verse about your life that|says everything about what you felt. It's dangerous|if you make it a compulsion. It's dangerous if you see it|as a monkey on your back - - forcing you to express something. I often wonder whether|I'll ever write anything again. Maybe I won't.|Will I ever write anything I like? Maybe not.|Maybe I need to do something else. {Y:i}Should I sing this instead? I understand that you're|a little touchy about this. It's completely new and|you want us to have clear reactions. - Isn't that right, Kasper?|- Yeah, that's probably... And you see our faces|and don't know how we're reacting. Isn't that it?|Honestly? When I sit like this while you're|singing, you think: "What is it? ". - "Is something wrong? "|- Of course. It's because you're self-conscious|about it, which is totally natural. But I think you need to count|on people saying what they think. We need to trust each other|to speak up if there's a problem. I just don't want us to decide right|now, based on this tiny new idea. - I definitely haven't.|- Good. No, Good. Fine. Suddenly this idea occurred to us|yesterday. It came out of nowhere. I had an idea about some chords. Then a lyric appeared.|Henke knows nothing about it. He just knows we jammed a little,|so we'll try to keep it... Because he wasn't there yesterday.|He was sick. He can't go thinking the boys don't|do anything when he's not there. How did you do?|Does it have a shape? No, we just jammed. We couldn't get|it together for the longest time. We just jammed a little. And then finally, Asger had|this idea for a strange beat. That's very cool.|That's pretty cool. I've been thinking|about it all morning. I felt the same way when|I woke up this morning... It's really moody.|I really like it. It's got a really good vibe.|It worked right away. - It's great to hear.|- It sounded great. It was awesome to listen to.|It's cool. We kept playing it|until we had a take everyone liked. It kept growing as|we played it yesterday. We were like, how could it be|so easy? How is it possible? And we didn't want to tell Henke - - "We did a song, want to hear it? " We wanted to be like:|"We did something you can hear". - That's why you were so secretive.|- But you "interviewed" it out of me. "What's new? "|"A thing we did." "What is it? "|"A jam thing" "Is it good? "|"Yeah, it's okay" - I didn't sound like that.|- No, but you pulled the secret out. - We did some piano yesterday.|- Oh? - Maybe we should check it out.|- Can I hear it? Why couldn't I hear it? - That seemed pretty cool.|- I think it sounds good. I think so too, but it needs|to be more unisonant. It sounds perfect there, but|I'd like to try it an octave higher. - With Kasper's guitar.|- Isn't that what you did? No, it was here. I'd like to hear it,|just to get some clarity. It's good and it's cool when|Kasper responds with those... I liked the first refrain|when you played that. It made it lazy in a cool way,|those half-tempo chords. That was lovely. You could emphasize|the 7 in the A-chord. - On the way down?|- Yes, that sounded fantastic. I don't know.|I thought it sounded a little... It wasn't as prominent there|and I like that. - This could be cool.|- This could be mother-fucking cool. How cool! What's up with that?|We wrote a song. - And I think the lyrics work.|- I think so too. I really like it.|Just think about... {Y:i}Santa Claus,|Santa Claus... Great lyrics. All you did was|smoke a cigarette and then... Just change there... Try taking that... Take that chord.|Can you go on from there? Yes, try that. Try going down two notes each time|or a whole note. And then maybe half a note|on the last one. The song isn't finished.|It's just a skeleton. Perhaps we ought to structure|that solo a little more. Right now, it's a little|uncertain where it's going. We need a color of something else|that could work somewhere - - so you don't just come back - - so it isn't just a roundabout|feeling so you get a zero and a 100. We're just looping it at the moment|and it feels boring. It needs to build, right? I need to try that. That was cool. - We are the sorrow boys.|- The Kings of Sorrow. It's awesome working on new songs. It's more awesome|than you could imagine. To really be moving again,|to be getting stuff done... Something that...|So it doesn't just... Wait. We've got a lot to do, but we're|here now and this needs to be cool. - But I can't do anything.|- Stop that, Mads. - No, Kasper.|- Stop it, Mads. Don't do that. - It's not about how you play bass.|- I don't say that when you record. - It's not about how you play bass.|- But this isn't working. Don't do that.|We just need to move on. We're all talking and|I'm just saying, let's get it done. I just think|it's the wrong way to say it. I'm really sorry. You don't have to say "stop that".|It seems so aggressive. But, I think it's... Let's just move on.|You're so sensitive. - No, I'm not.|- That's how I perceive it. It's just not cool to be told|we've got a lot to do. It's not cool.|I'm trying my best. - I know.|- Good. You can do it by yourself.|I don't want to be here. - That was a really cool reaction.|- Yeah. - Refreshing.|- The same to you, buddy. It's cool. I don't know what to do now.|Can anyone else help? Play some bass. What the hell do I do now? - There's nothing to do but play.|- But that's what I want to do. How about a little understanding|that I've got this big turd here? Sure. But it's just that we need to move on. Sure, man. We just need to get past|this little bummer that I need to play. Absolutely, but|that's what we're doing. Really? No kidding. Well, Henrik, want to record this? It's just not cool to play something|for them that's not finished - - if they think it's not cool|because it's not finished. It would be a shame if they thought|the new Kashmir wasn't cool. It's a dangerous risk to take. Listen, boys. - That was Anders 3:20.|- And? He's seeing MTV today and wants to|play one of our new songs for them. - If they only get to hear it, it's fine.|- Maybe. He suggests "Aftermath". Let's not underestimate the importance|of them knowing who we are. - How about "Rocket Jack"?|- I don't think so. - What about what?|- "Rocket Brothers". - I don't think so.|- The vocals aren't as good. I don't think "Rocket Brothers" is|finished. I'd like to talk about that. There are some things that|bother me arrangement-wise. I think we can optimize it.|We can get closer to the song. We can make it better. No, we can't rerecord it.|That's stupid. - That's what I was thinking.|- Really? I listened to it really|closely last night. I did too. There are some really cool parts,|but it's caught between two chairs. I don't get the feeling that|the recording was exciting enough. I think we can get closer to it. I've got to say it|if I feel it. Kasper, we need to be careful. I'm glad you're saying this,|but let's not do anything drastic. We need to listen to it|and figure out what we can do. - Nothing's going to disappear.|- No, unless we... - It will just be a new version.|- Sure. But let's see if we can fix|the problems in the song. Maybe we shouldn't be afraid of|trying again, doing it differently. I'm not trying to depress you or|to be negative about this song. I've felt this way for a while. There's something about|it that could be better. I also feel that if you really don't|feel good about that version - - then I think it would be death|trying to repair it. I don't agree with Mads.|Maybe we should try a new version. - I don't think we can decide yet.|- I don't believe in repairing it. It would be a shame to take|elements out of this version. - I think so too.|- I don't think we should. We should try to mobilize the desire|to do it another way, to start over. What needs to be different?|Can you hear anything? Please be specific,|because I don't know what's up. It's no one's fault and you have|to speak up if that's how you feel. But I can't help being bummed|about doing it over again. Everyone needs to be happy,|so that's how it has be. I don't want to do it again|if that's how you feel. - It won't be like that.|- It won't work that way. Like you said, we need to find|the desire to do it another way. If we're going to do it,|we're going to do it right. - That's pretty cool.|- Yeah... Cool... {Y:i}I got a phone call|from James Guthrie - {Y:i}- who mixed and co-produced|part of "The Good Life". {Y:i}He also co-produced, as it's called - {Y:i}- but in fact actually produced - {Y:i}- "The Wall" and "The Final Cut"|with Pink Floyd. {Y:i}Roger Waters,|who used to play bass - {Y:i}- and was the lead songwriter|for Pink Floyd - - is going on a world tour, where|he'll pri marily play Pink Floyd songs - - and some of his own work. He needed a new guitarist|and vocalist in his live band. I started thinking|all sorts of wild thoughts. First I thought|I couldn't for two reasons - - I can't leave my band|for a six month world tour - - and I'm not good enough|for this job. But then I talked it|over with the band - - and they were|immediately on guard. It's been three years|since our last album - - and we need to move on|and release a new album. So it wasn't the best time to leave|for six months with a different band. We talked about it and how it was|the chance of a lifetime. It would be idiotic to turn|down an opportunity like this. This is really bizarre. {Y:i}When someone else is such a big|part of your consciousness - {Y:i}- as Roger Waters is for me... {Y:i}Most people have a hero or an idol - - and when you've had one|for as long as I have - - that person becomes unreal|or al most god-like. You start seeing the person|as supernatural or nonexistent - {Y:i}- in a physical form. {Y:i}I did it my way and|put my own expression into it - {Y:i}- and I don't think he wanted that|so I didn't get the job. {Y:i}I have thought about it since. It would have been a huge adventure|to tour the world in a private jet - - staying at grand hotels in Brazil,|Europe, Australia, Japan, Russia. It would have been|completely fantastic. On the other hand, I'm also|a little relieved I didn't get it - - because my dream isn't|to go out and be someone else. My dream is to create my own universe|with my band doing my stuff. A man is coming from|Stockholm to see us today. He's the Head of A & R|for Sony in Scandinavia. A & R stands for Artist and Relation. He handles everything to do|with the music and the artists. He's the one that approves|the budgets and the music. He has to say it's good enough,|we want to release it. So he's coming to hear a few songs. And who knows,|maybe he'll fire us. - Welcome.|- How are you guys doing? - Is it going well?|- I think it's going really well. We're very surprised by|how much we can do here. - It's very light.|- We're not used to seeing daylight. - It's great.|- It's even got air conditioning. - That's good too.|- What do you want? They just need to hear something|they haven't heard before. - Of course, the "Rocket Guys".|- "Rocket Guys". Turn it off. This is really good, really. Exciting. The first one was my favorite. - Okay.|- The first two are singles. - You must be satisfied.|- What? - You must be satisfied with it.|- Definitely. - That's good to hear.|- This is really good to hear. It's both clearly Kashmir - - and yet it's also totally new. Awesome. Great to see you too. And congratulations on|that wedding thing. They wore black and I thought,|"Oh my God, what if..." I also noticed the black-black. - There was always that initiative.|- I was just going to say that. - I was just...|- And then it went away. I kept trying to distract them.|Want some cake? Coffee? I caught myself trying|to keep Leif's smile going. It disappeared really quick.|Saying something funny and then... It went great.|It went... - Who are you calling now?|- I'm trying to call James Guthrie. I haven't talked to him|for two weeks - - about whether he wants to invite|us to Lake Tahoe to mix our album. He didn't sound happy. He sounded stressed out,|like he had to give me bad news. Nope. He doesn't have time. He just found out yesterday|and we had to wait. And now we're in a situation|where we've got nothing at all. We're completely flat on our ass. We've got no one to mix it|and the album needs to be finished. I simply don't know what to do now.|I don't know who to talk to. I need to tell the band the bad news. I don't know what to say|or how to do it. It's that final part of the process - - that is so necessary|to make it a good record. It turned out he couldn't. It's a shame, but we've found|someone called John Cornfield. He did all of Supergrass's records. I think it sounds good. Their music|isn't me, but it sounds good. Yes, I hope so.|We're meeting him on Thursday. What if he's like...|And when we get there he's... What if he's like...|And when we get there he's... - That would be such a bummer.|- If he didn't quite have a grip... - Guys, you want to see something?|- Yeah. This is the record. - That is so trippy.|- That's it? Modern technology... It's a 70's pencil box. The whole record's in here? It's not this close to surreal,|it's totally surreal. We're here. This troll is going to mix our record.|It's fantastic. You've got to admit it's got charm. I really hope he thinks it's cool.|I hope he gets into it. We need to convince him.|He hasn't had the time to hear it. - That's a little irritating.|- Is it? That he's not prepared.|It's like it's just a job. We need you to feel good|about singing with this guy. It means a lot to me that you have|a good vibe about singing this. Maybe he's more down-to-earth.|Maybe that's what we need. Yeah, but I don't think so. But of course I'm worried. I'm tense about him|and what will happen. He just needs to mix this album|and he needs to make it sound good. Precisely...|Idiot! Why do I have to be so lame? Why did I need to spill that beer? Why do I lack all motor skills?|I definitely don't lack motorskills. Give me a beer, will you? It has to be constructive|with a man like that. But it's also really important|that you tell him - - because it's a sensitive process|because you have to perform. We're not just mixing,|you have to do something. It's very important that|you two communicate well. You need to tell him you need his|opinion and his feedback for this. Otherwise I think we need to follow|our intuition of how it should be. Otherwise I think we need to follow|our intuition of how it should be. Do you think|they're still downstairs? Let's have a look. You've got this treasure|in your hand - - that you've spent|so much time building - - and you want to hand it over|to someone you trust. John Cornfield was someone who|definitely didn't seem attractive. He was careful. He was calm and|he didn't throw compliments around. But when you got a compliment,|when he said "it's fucking great"... ... you almost fell off your chair - - because you knew you had|gotten an honest response. On that "go", it needs|to be shorter and more distinct. It's really damn good.|It's damn good. He said to take it easy,|because the material's super. It can't go wrong. Now you can feel that he's not|holding back the compliments. And he's totally consistent. Yeah, and he said... That's it. And that the man can be|so professionally intuitive. It's totally... Hat's off.|It's really cool. I knew it. Good brother, it's awesome. It's cooking now. It's awesome. Hats off. Fuck me, this is cool. Good afternoon, Roskilde! Subtitles by: Nicholas Hawtin|Dansk Videotekst |
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