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Show Time

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Being a policeman is not what you see on TV.
l've never had to pick between the red and blue wires.
Never seen a police car flip and cause other cars to burst into flames.
Never had to jump across rooftops. l investigate crimes, track leads...
...and sit in court. Lt's difficult, tedious work, and you won't get rich.
But l've done it for 28 years.
l'm a detective. That's what l do. lf you break the law...
...l'll do all l can to hunt you down and put you behind bars.
l won't say that l succeed every time.
But l try to make sure that if you do the crime, you'll do time.
Any questions?
Well, Detective Preston, why don't you tell us about...
...the lighter side of police work?
You know. The fun days.
l chased him over three roofs. You can't do this!
lt's from the mayor. You're a loose cannon.
- You destroyed a city block! - He fired first.
l should read him his rights?
- You should've called for backup. - My only backup is in a hospital bed!
His doctor called five minutes ago. Jimmy didn't make it.
Oh, God.
Oh, God, no.
- He was talking about getting out. - Lt's hard.
He was like a brother to me, captain.
Since we was kids, we was partners. We used to hang out...
...and dream about being on the force together.
That was the dream. Just two little lrish boys...
...fighting, scrapping, thinking about making a difference.
God, l'm gonna miss him!
l'll need your gun and your shield, Pete.
l may be off the force, but l am not off this case!
- That's not in the script. - L just threw that in at the end.
- L thought l should get the last line. - Nailed it!
Trey, it was great. Very believable.
- But l'm not married to it. - You can't fix perfect.
We have imaginations.
Thanks. We'll call you.
- You got my number. - Right here.
- Moved to tears. Bye-bye. - Take care.
- You too. - Restroom on the left.
- Don't give up the day job. - Unless it's acting.
1 L43, clear from code 7.
Roger, 1 L43. Hope you had a nice lunch.
Getting ready to break my old score.
Gonna break my old record!
Now l get my grades in kills.
Just broke it! l got the top 1 0 spots now!
- Anybody want to take on the lce Trey? - Way to lay down the law, Top Cop.
- How you doing? - What's up?
- Mitchie Mitch! How's it going, man? - This is a friend of mine. Rich guy.
- How you doing? - L'm all right.
Requesting assistance, possible 21 1 at the TV repair shop on 1 st and Santee.
Maxis Network Channel 3 chopper.
We got a hit on the police scanner. Something going down at 1st and Santee.
This is Maxis Mobile One. We're on our way.
A quick left, quick right.
All day.
- We got a couple of big spenders. - Don't get up for us.
You all want to do something?
Yeah, we were wondering if maybe you'd throw in a free set.
Two free sets. One for him, one for me.
What's in the bag?
- Let's do it. - All right.
lt's all here.
- All good? - Good to go.
Good. So you show us yours.
Don't look, now.
- Check the metal detector's batteries. - How about that, Re?
A lifesaver.
That's some pretty high-quality shit.
All right. So we're on, right?
What the hell is this?
- What the hell is going on? - Wait. Hold on.
- This some police shit? - What?
- You brought the police back here? - Take it easy!
- Don't tell me to take it easy! - Don't tell me to shut up.
You better calm your punk ass down!
Stop pointing that shit at me!
- Put that away. - You think it's a game?
Put the gun away.
See, it's gone. lt's all over. Let's go. Come on.
Let's wrap it up. l don't want them coming back.
All right.
What the hell is going on?
- Shit, we on Channel 5! - L'm gonna blast these fools!
- What was that, a bazooka? - You shot the wrong brother.
- L'll find the guy with the cannon. - Hands behind your back.
l'm calling Johnnie Cochran. l got his number. You're going down.
Okay, showtime.
Stop, police!
Okay, round two, baby.
- Freeze! L.A.P.D.! - Undercover narcotics!
- Drop it! - We got an officer-involved shooting!
Put your weapon down, right now! Right now! Down!
Good job, officer!
- Smile for the camera, lce Trey. - Get back here! You're under arrest!
Turn that shit off! Turn that shit off!
Out of my way! Police officer!
Look out!
Get that camera out of here!
- Are you okay? - Lt went through my vest.
- We need an R.A. unit. Get away! - L'm staying.
- Get the goddamn camera out of here. - L'm just doing my job.
What are you doing?
Get a real job.
Talk to us. Give us some information, something.
- Have a statement? - Don't break the police tape.
- We have a right... - To keep on the other side.
Aren't you the cop who got busted with his own cuffs?
Think an officer doing his job is funny?
Let's see how funny it is when l move this tape back 20 feet.
- He'll be a Bloopers classic. - Get B-roll.
Come over the tape, you'll get B-roll of me kicking your ass down to Sunset.
- Detective Preston! - Detective Preston!
- Why did you shoot the camera? - Are you a loose cannon?
What happened?
- Give me all you got. - Brad?
Hi, Chase. Go.
l have the show to pull your network from the ratings toilet.
- You can do public executions? - Meet Mitch Preston.
- You know l don't read. - Look at the pictures. Annie.
Get that f* * *ing thing out of here!
What was that?
"Detective Preston destroys Maxis TV camera. "
- That's ours. - "Rogue cop guns down camera. "
- We can sue. - Exactly.
He's Dirty Harry, he's real and we've got him by the balls.
l see where you're going with this. A reality show.
- How is it different than Cops? - Did you see?
He's a modern-day cowboy.
He's sexy, volatile. He's a bad boy, and women love bad boys.
- He could frisk me. - You like getting frisked?
Brad, focus. Want to see it again in slow motion?
- L get the point. Shit! - What?
- L was outbid for an A-Team lunch box. - Okay, Brad.
- So we've got this Mitch Preston? - We're with him 24 hours a day.
Because he's gonna blow again, and when he does, we'll be there.
lf he makes a lot of arrests, he gets a prize?
- Who gets the prize? - Lt's not a game show.
This is one man, on his own, kicking ass and taking names.
- Can we give him a partner? - That's a good idea.
- We'll give him a funny-minority type. - That'll get the NAACP off my back.
- Or is it the NCAA? - Do we have a deal?
- Fine, go make a pilot. - No, Brad.
This guy isn't a pilot, he's a series.
Trust me. l'll stake my entire reputation on it.
What reputation? You still get shit for faking the flammable pajama story.
You can't tell me that wasn't good TV.
Are you in or out? L'm pitching this at Fox in half an hour.
- L'll give a six-episode commitment. - Yes!
But if it's all pit stops at Krispy Kreme, l'm pulling the plug...
...and you're out of a job. - We'll all be out of a job.
What do they teach you in China? Let's go. Bring it on.
- You rocked! - We're screwed.
- We know nothing about these shows. - There are rules.
Call L.A.P.D. and get clearances. And find a cameraman.
- Ls Julio out of traction? - L'll call the hospital.
- What if our Dirty Harry says no? - Everybody wants to be on TV.
1 0-36. Lt looks like the stolen cuffs were an inside job.
That's very funny, guys.
Very funny. Very well-written.
What are you reading, the Jenny Craig newsletter?
FYl, my friend, a lot of this is muscle.
lt's a flyer for some new reality-TV cop show.
- L got to be part of this. - Thought you wanted to be a detective.
l'm a cop and l'm a professional actor.
Your career consists of a few lines on an episode of Diagnosis Murder.
All l need is the right part and l'll get my big break.
Know how old Sam Jackson was when he got his break? He was 42.
Okay, but he's got, gosh, what's that thing called? Talent.
l'm talented. L ain't no Sam Jackson, but l'm talented.
Your partner will be Mitch Preston. We know who'd wear the cuffs there.
He nailed the other lead?
He's front-page news. Everybody's talking about him.
l'd blow his old ass off the screen every night.
You crazy? Mitch Preston, please!
l said, "Do you wanna take your feet off the desk?"
Get your feet off the desk. Where's Lazy Boy?
My client's taking the Fifth. He's the victim here.
Got yourself a pricey lawyer. Had to sell a lot of TVs for that.
- Who's paying? - That's privileged information.
The captain needs to see you when you're done.
He's done. Come on, ReRun. This interview is over.
- We don't talk, we walk. - For now.
- Do you want me to start filming? - Yeah, everything you see. Perfect.
Oh, my God.
This place is so depressing. lt looks like a tomb.
Well, you wanted reality.
We need a reality change. This is hideous.
l'm not doing it. Let them follow somebody else.
They don't want anyone else. You the man of the hour.
- All l did was shoot a video camera. - You made us look like savages.
- The network is suing for $ 1 0 million. - What?
They said you could have killed their cameraman.
Maybe l should have killed him.
The chief already cut the deal. Do the show, and they drop the suit.
What? That's extortion! They can't do that.
We need good PR. Community relations are in the toilet.
- You the best detective we got. - So, what about this big gun?
Am l supposed to let them follow me around while l track down the weapon?
- Look, l did an episode of Cops once. - You did an episode of Cops?
You forget the camera is even there.
- This is real work. L'm not an actor. - No one is saying you can't work.
But you screwed up. And now you've got to play ball. End of story.
You'll be reporting to the show's producer, Chase Renzi.
Chase Renzi? Ls that a real name?
l won't take orders from some coked-out Hollywood dickhead.
Not in a million years. That l won't do.
That's good, because she doesn't have a dick.
Check her out for yourself. She's outside, waiting for you.
Well. Better looking than l thought.
We gotta bring in color, some light. Do you think these windows move?
Detective Preston, hi.
l can see you're busy. We'll talk tomorrow.
He's not very friendly.
Find out where he eats. Make a reservation for two.
- Here you go, cover boy. - Thanks.
Detective Preston, Chase Renzi. lt's a pleasure to meet you.
- How you doing? - Good. L see you've already ordered.
- Make it quick, l have work to do. - What can l get you?
Same as him. A cheeseburger, rare, fries and a Coke.
- Diet? - Regular.
So, Detective Preston... . Can l call you Mitch?
Why don't l just launch into a few basic questions...
...and find out what makes you tick. - L don't tick.
- Sure you do. Everybody ticks. - Not me.
Tell me about yourself. You have a girlfriend, a wife?
- Ex-wife. - Ex-wife.
Was it a painful divorce?
l only ask because l was divorced, and l know it can be difficult.
l mean, did you drink?
Lady, l'm here because my captain made me. L had no choice.
l have no interest in you, your questions or your show.
Not only do l understand your resistance, l appreciate it.
You do, huh? Good.
l'm not into making the same bullshit cop show we've seen a million times.
That's why l believe if we're honest and open with each other...
...we could do something very special here.
l don't know what you're talking about.
- L'm talking about reality, Mitch. - There you go.
Letting the world find out who you really are.
You're looking for loose cannon, cop-on-the-edge Serpico bullshit.
l'm telling you, you're wasting your time.
See that anger, Mitch?
lt's working for you.
The audience will connect with that in a major way.
l'm out of here.
l'll call you later to discuss your new partner.
Want that in a doggy bag?
No. Thanks, though. Lt was delicious.
- How did it go? Ls he intense? - L need cherry Tums, quick.
- Ls he psyched about the show? - Lt may be harder than l thought.
- Hey! - You son of a bitch!
Freeze! L.A.P.D.!
Wait! Wait!
Bad idea. L only got two things bigger than my mouth.
One of them is pointed at your head.
- You want to do this the hard way? - L'll stick you, pig!
- Okay, officer. You nice with yours. - You damn right.
lf your boys want to know who put the smack down on you, my badge is 38723.
l go by the name of Trey Sellars, patrolman.
- L believe this belongs to you, ma'am. - Chase Renzi. That was incredible.
Just doing my job, like the badge says, protecting and serving.
- Get this psycho off me! - What's with the Superfly shit?
- L got the situation in hand. - Top Cop, how you doing?
This is my collar.
Never leave a suspect who's not cuffed.
- He could've had a gun. - Nobody got no gun.
Trey, l think you broke a rib. Tell him to get the cuffs off.
l told you l can't do handcuffs.
Quiet! You have the right to remain silent!
- You know each other? - No.
Never seen him before. Just another criminal.
Bullshit. We took a stage combat class together last fall.
Nice try, pal.
He's just trying to weasel his way out of the crime.
- That's what he's doing. - He looks like a real menace.
Who wants to explain?
Trey said he'd give me $50 if l snatched the lady's purse and ran.
He'd pull up in his police car, jump out... me up a fence, beat me down, kick me...
All right, all right. Okay.
l set the whole thing up. lt was a big setup.
l set it up to make it look like l was... .
- L was auditioning to get this part. - What part?
Your partner. We've been interviewing.
lt won't be this moron.
l should report you for impersonating a cop.
Put a lock on that "moron" shit. Why you take everything so seriously?
You should be protecting, not staging crimes.
- Someone could've got hurt. - Like me.
l'm learning from a guy who shot a news camera?
You got the part already. l'm just trying to spruce it up.
- That's what you normally do at work. - Better watch your mouth.
What are you gonna do, wrap me up in caution tape?
No, l ain't gonna wrap you up in caution tape.
But l'll tell you, punk, l might whip your ass up and down the parking lot.
Work on your Starsky and Hutch routine on your own time.
You better walk off. l was getting ready to slap you.
- He's a disgrace. - You'd work with him?
Never in a million years.
- L think we have good chemistry. - Riveting.
- Amazing. - Really?
Thank you. All right.
The guy's a joke. There's no way l'll work with him.
l don't want to hear it. Shit, come on.
You're doing this. That's an order.
Trapped in the jaws, he struggled.
You'll never see no brothers messing with no sharks.
l saw you on TV, shooting up the neighborhood.
What's going on, Vargas? l was trying to call you, dog.
Oh, yeah?
l got cell phones, call waiting, e-mail, voice mail...
...and l haven't heard una chingada from you.
lt ain't like that, dog.
l'm laying low till everything dies down. Lt got crazy.
And did l say you could use my gun?
You know, Lazy Boy, I trusted you.
And you let me down.
And now you put my entire shipment at risk.
You used that gun without my permission.
We don't want that getting into the wrong hands, do we now?
No, l was just borrowing it. Just testing it out, you know?
- And how did it work? - Real good. L got it right here.
So we cool, right?
- Yeah. We cool. - L'm sorry about...
Don't worry. We cool, Lazy Boy. Okay?
- We're cool. - All right.
You two have a nice night. Okay?
All right.
What the hell was that all about?
What the hell?
- What's that? - Stop playing this shit, man.
Get down!
Freeze! L.A.P.D.
What do l do?
Cut, cut, cut, cut. Cut.
Let's do it again.
Freeze! L.A.P.D.
That how he's doing it?
l'm laying my shit out. Freeze! L.A.P.D. That shit is right.
Patrolling your area at Friday... .
Friday night at 8. Eight.
Patrolling every Friday at 8.
Yeah, good, and be happy.
Why should l? L'm patrolling.
You're happy because you're patrolling.
Keeping it safe, Mitch.
Patrolling every Friday at night.
Every Friday night at 8.
This guy is the worst actor l have ever seen.
- Get out. - Wait a minute, hold it, cut, cut.
Mitch, you can't just toss a cameraman aside.
Give me a pad, l'll show you how a TV cop comes through the door.
The doors fly open.
They fly open. You burst in. You scan the room.
You do the turn, toss yourself around. And now! You're set and...
But don't turn your head too far from camera.
That little lady is your lover. Don't respect her, she won't respect you.
- Always know where she is. - She's in my way.
What's wrong? You're getting tips from T.J. Hooker.
Which is the most underrated show in history.
- Nobody came through a door like you. - Thank you.
- This guy is no detective. - L'm playing a detective.
- L'm playing detective. - All right, guys.
- L'm playing a detective. - Okay.
Let's go do some hood-jumping.
What's that?
- What do you think? We jump over hoods. - Something you'd know.
That was great, Trey. Beautiful. That was really great.
- Okay, Mitch. Come here. - L'm not going on the hood of a car.
- What do you mean? - Forget it.
l entertained viewers everywhere in the '80s, jumping on car hoods.
One of a TV cop's greatest weapons. l'll show you.
You gotta stop them, see? Halt! And you throw your body. Halt!
You okay, T.J.?
Moving on.
Who stole the money?
Deep in thought.
Now the eyebrows arch, ever so slightly.
And Hooker solves another case.
Okay? All right, Trey, you try it. Go ahead. Ready?
- Get loose now. Loosen up. Ready? - Yeah.
Trey, who stole the money?
Good. You nailed it, first take. Give me five. That was good!
Okay, Mitch. Come on, show me some magic.
Mitch, who stole the money?
Look at that, Trey. Look.
Look at the anger in his eyes. Look at that.
See, that slight squint says, "Hey, l'm Mitch. L'm the man.
Don't mess with me. "
Okay. Let's taste some drugs.
Hooker's got a bag of white powder in his hand.
Spears it open with a pocketknife.
Takes his little pinkie... the powder.
And he touches it, gently, on his tongue.
Watch the eyebrows.
Hooker knows it's cocaine.
What if it's cyanide?
Hello? Hold on. There's a reason real cops don't taste drugs, Bill.
lt's never cyanide.
Show me the thing with your eyebrow.
- Okay, l'm on my way. - Lt's tricky.
- Where are you going? - L gotta wash this shit out of my hair.
We have some action? We have some action, finally.
- Beep, beep! - Hey, Mitch.
- What'd you do to my car? - We added micro cameras.
ln the wheel, the glove compartment and a crook-cam in the back.
- Pretend they're not there. - Pretend.
- See? You're catching on already. - We'll be right behind you in the van.
You'll be right behind me?
What are you doing?
l'm on the case. L'm your partner. We're together.
What's the mean face for?
Listen. Don't speak, listen.
There's a few things l need to tell you.
First of all, you gotta know that l got your back covered...
...and l gotta know you got mine covered.
No doubt.
When we're on the job you're the only person l can depend on.
Not friends, family, not anybody, just you.
You got that?
That's important. There's no other way.
And it's gotta start right now.
You know, ever since l was 8, l wanted to be a cop.
l wanted to be on the force like Uncle Reggie.
He was the first in the family on the force. Big muscles.
Uncle Reggie.
He used to let me ride in the squad car with him.
Once he let me play with the siren. From then on...
...l knew l was gonna be a cop.
Uncle Reggie.
My uncle...
Uncle Reggie passed away two years ago.
He got caught in the line of some fire.
Didn't slow me down. l remember how he set me on my way.
He's looking down on me from a big precinct in the sky.
He's thinking, "You've done all right, Trey. You've done right by me. "
What does that got to do with anything?
- You got a speech, so l get a speech. - That wasn't a speech.
That "l'm your partner. " That was a speech.
You burned up 90 seconds of air. That was a speech.
When we get to the crime scene, stay out of my way.
This isn't studio shit. This is real.
- Get your camera out of here. - Hey, watch it.
Julio has to shoot. That's the show.
- He's done... . - Jerry Springer.
That's right. Whatever you need, l'm there.
lf l get shot, stabbed, it's cool. Whatever. L'm getting good footage.
Just remember three words: Go to Trey.
- L'm Trey. - Julio.
- You worked on Springer? - Springer, Girls Gone Wild.
Get that camera out of here. Who's in the bag?
We don't know yet.
Whoever shot him didn't care for open caskets.
Thinking what l'm thinking?
l seriously doubt it.
l'm thinking there's dirty cops on the streets... the streets up on they own terms, partner.
This is payback for a drug deal gone sour.
Whoever this guy worked for got pissed.
Even better. This is a bad guy retribution scenario.
Good thinking, partner. Good thinking.
l think l can identify one of the victims.
Those are 1 2-gauge, armor-piercing uranium shells.
- Charlie. - Hey, Mitchell.
l found explosive and incendiary rounds scattered around.
The same gun that put holes in your TV repair shop.
lt appears to be hand-held, automatic, with interchangeable magazines.
Technically, this gun doesn't exist.
- What do you mean? - This gun is like the 50-foot shark.
Speak English.
lt's out there, but nobody's ever seen it.
Any idea who made it?
lt's a custom job. My guess is, it's out of Eastern Europe.
- Thanks, Charlie. Keep your eyes open. - You bet.
- What are you doing? - Take it easy.
- You're not supposed to touch. - L didn't. L turned it over.
- Let me know when you touch... - L don't have to...
- What's going on? - He's contaminating my crime scene.
l'm doing a sweep of the area.
You never know where a crucial bit of evidence may be hiding.
Like this, for instance.
Did anybody think to pull some prints off this water bottle?
Can l get an evidence bag?
Put down my water. l'm not finished drinking it.
That's an honest mistake.
You got your water amongst potential evidence so l thought it was... .
Hey, T.J., go solve the case somewhere else.
Don't give me orders, l'm your partner!
No, l partner with real cops.
- Get me a copy of that report. - All right, Mitch.
Well, l am your partner, so you better accept that.
l am your partner!
He won't open up. You know how hard it is to work with somebody like that?
l know. Mitch has been a lot more resistant than l'd hoped for.
l think that you and Mitch need some bonding time.
You're right. We do.
We need some QT time together. Two guys hanging out, have some beers.
l'll call to see if he wants to hang out.
Let's not call him. Let's just go over.
- Just show up? - Surprise him.
What are you doing?
How hard is it to say, "Hi, Trey, nice to see you"?
Hi, Trey. What are you doing here?
We got off on the wrong foot. l got some food.
We can eat the food and bond a bit.
- Bond? - Yeah.
How'd you get my address?
- Hi, Mitch. - Oh, shit.
- Yeah. - L gave it to him.
- Will you invite us in? Don't be rude. - Do l have to?
You got us out in the hall like a Jehovah's Witness.
l gotta see where my star cop lives.
Come on, Mitch.
- Oh, my God. - Mitch...!
Got a little smell to it. Not a stinky smell, an odd one.
What is that smell?
ls this here your actual living area?
This is my Batcave. A tunnel in the garage leads to my mansion.
What's the problem?
Research tells us buddy cops live in visually distinctive places.
Like a trailer on the beach or a loft downtown. That kind of thing.
Your research shows that, huh? Where does he live?
l rent a guesthouse from a producer.
- Kind of gives off a Magnum vibe. - Totally.
lt's unique. You know what, Mitch? We can make this work.
Did a crackhead make this cup?
- Lt's not visually exciting enough? - No. Lt's just...
The point is to let the audience in on all aspects of your life.
They want to spend time in a place that speaks to your personality.
This does speak to my personality.
Mitch, l think you need some time away from the job.
l just found the crackhead's shop.
Hey, don't go in there.
This is what you smell all over the place.
Wow, a pottery studio!
You're full of surprises. How long you been doing this?
- Six years, give or take. - You really got a knack for it.
This room's off-limits. lt's not for show.
Okay, Mitch.
We haven't done any bonding at all yet.
Bond with yourself, l got work to do.
Check this out.
Must be some Hollywood dickhead.
- Not bad, huh? - A cop never slides across the hood.
- Why? Lt's not police procedure? - Your holster scratches the paint.
They can buff that shit out.
- L'm trying for detective. - You take the exam?
- Twice. - And you think you won't fail again?
Now l'm working with Mitch Preston.
Give me some tips, and l'll tip you on how to look better on camera.
- Tips like what? - You wear plaids, like fishermen.
That's ugly shit. Wear solids. You look slimmer on camera.
- L'll keep that in mind. - Got any tips for me?
Yeah, stay out of my way and l won't shoot you.
What the hell's going on?
Welcome to America's window on your world.
What is this?
- We made your workspace camera-ready. - My workspace?
l think it captures the reality of an inner-city precinct.
ls this where you do the makeup?
No. This is good. You have to see it. Mitch, you have to see this.
- Look at your desk. Lt's so beautiful. - Ls this my desk?
That's your desk. And that's yours, Mitch. We didn't change it.
But this is a confessional. All right?
Talk about anything you want.
You can talk about the job, each other...
...your sex lives. L mean, only if you want to. Direct to camera.
- No, thanks. - You could put a pottery wheel there.
Look, Mitch, this is an integral part of the show.
You're obligated to spend five minutes a day in here.
We've provided a chair. All you have to do is sit and share.
- Share? - Learn how to turn on your heart light.
- Exactly. - Chase!
Brad loves the promo footage.
- But they need a catch phrase. - L got one. "l wish l was dead. "
You need a catch phrase? L got it.
- When l'm about to make a bust... - When did you ever make a bust?
Don't tell me.
When l'm about to make a bust, to get in the moment...
...l take three deep breaths and say to myself, "Okay, Trey, it's showtime! "
- You say that? - That's stupid.
- What's stupid about it? - Know what?
Don't say it, please.
No, l have to say it, Mitch. "Showtime. " lt's amazing.
- That could be the name of our show! - See? Lt's not stupid. Lt's perfect.
Say it again for the camera.
Do it again with the breathing. My God, you're a natural.
lt's showtime!
This is Harley Barley taking calls from fans of the new series Showtime.
Let's go to Pete from Idaho. You're on the air.
I wanted to say to Mitch, I know how you feel.
I mean, I got a lot of anger inside me too.
I want to take my gun and blow everybody away!
Thank you, Pete. You sure you're not calling from Waco?
Let's go to line three. Mandy, you're on.
I just love me some Showtime. I'm your biggest fan. Trey is so fine.
- I could ride that. - What?
Thank you, Mandy.
I'm on Showtime. What's up?
Trey! Marry me, Trey!
Marry me, Trey!
I'm gonna be honest, you know.
It's natural, when you're in a situation that's shitty...
... to think about what it might be like to have a different partner.
Like somebody that was closer to your age.
Charismatic, with a little flair and shit.
You kicking it with him, have some fun.
Me and a Wesley Snipes type. I know you won 't get Wesley.
I see Wesley Snipes types all the time.
Me and a Wesley Snipes type?
Can you imagine?
Wesley Snipes type?
Do you feel lucky, punk? Huh? Do you?
Basically, I'm saying the whole show is slowed down just a half a beat...
- I'm too old for this shit. - ... so Mitch can keep up.
Because I'm working out. I do free-weights.
Go ahead. Make my day.
I'm taking care of mine. Mitch is not.
That's it. I'm taking care of mine and Mitch is not.
Trey, look at this. Lt's all for you.
- Trey, I'm right here. - Yo, Trey.
Five minutes up yet?
It's showtime!
What are you looking at that for, Magnum?
- How come we're not talking to him? - Because he's sitting in county.
A jailhouse. That could be the next episode.
Forget it. L put him there.
He's the one who knows about this gun.
He won't talk to me. L already tried.
He'll talk to me.
What makes you think he'll talk to you?
l won't go in like a bulldog like you.
- L'll talk. L'll be in character. - Ln character!
That's great. You mean, like undercover?
A little finesse, catch him off guard, have him think l'm someone else.
Character. What kind of a character?
l don't know.
ReRun! How you doing, my man? L'm Trey Sellars from the Justice Channel.
- Have a seat, please. You being strong? - Yeah.
- Thanks for coming. You okay? - I ain 't heard of no Justice Channel.
That's because we got started while you was rotting away in here.
The Justice Channel is devoted to shining the light on victims like you.
- He's got talent, Mitch, come on. - We're wasting our time.
ls that a new shirt?
lt looks good. L like you in solids.
What's this shit about you getting me out?
Not me, brother, the TV show. l'm hosting a show called Framed.
Let me tell you about the show. We spotlight you.
Put a light on your situation. Let the people see you.
Hopefully, we get a grassroot campaign started and get you out.
l got three people out. You can be number four.
- Like Mandela. - Similar. You ain't as noble.
You ain't no Nelson. You're ReRun.
You your own man. We want ReRun out.
Mandela's shit stink too.
Trey, l'll talk you through this.
- Not so loud. - Say what?
l wasn't that loud.
You don't have to talk too loud.
Shouldn't my lawyer be here?
That's the wrong thing you can do. Let me explain something.
Research has shown people don't want to hear lawyers.
They want to hear it straight from your mouth.
l got Johnnie Cochran. No offense, bro.
Cochran will get a response l'm not trying to get.
l'm trying to get people to connect with you.
lf they see Johnnie Cochran in a $ 1 000 suit...
...they ain't going to get you out of prison.
Ain't no cops here. Just me and you. Brother to brother.
l'm your brother.
Take it slow. Nice and easy. He's still on the fence.
All right! You and Lazy Boy got this gun from somebody!
You work for the same person! Who you working for?
What the hell? What kind of reporter are you?
- L don't tiptoe around the truth! - Back off.
And l will not back off until l find out the truth!
Brother, look at me. They selling your black ass down the river.
You say "ass" on TV?
This is cable. l can say whatever l want to.
Did they tell you plea-bargain?
Take the hit, do the time?
That's what was said, isn't it?
See if you can get a name.
It's time, ReRun.
lt is time to shine the light on who's behind this.
Who's the puppet master?
Whose time are you doing?
While you're in here he's smelling freedom.
- And tasting it. - What you smell?
- Ass. - Ass and feet, and tension and stress.
Hey, brother, that ain't for you. Look in that camera right now.
Make a connection. Look right into the lens.
Say who it is that's supposed to be in here instead of you.
Look in the camera and say it. I'm with you.
l'm right here with you.
All the people out there in TV land...
...and Mama, l'm coming home soon... .
- Your baby be home soon, Mama. - Yes.
The culprit...
You'll see Mama soon.
... that put me on the streets to do his dirty work...
...that's shitting on my freedom...
Tell them. none other...
This is an emotional moment.
I get caught up when I know a brother is ready to leave. I love it.
... than Vargas!
Caesar Vargas!
He said it!
Hope you're watching, bitch.
- Shit. - You did the right thing, brother.
Find out where he is.
- You going down, baby. - You made a connection.
When the people see this, they'll get rallied up. L can tell.
Now, where would a guy like Vargas kick it?
- You trying to get a brother killed... - Not at all.
l do this for the viewers. We don't point fingers.
We'll say, "lf you don't want to run into Vargas don't go to this place. "
Hanging out with him, you wind up in this place. That's how you got here.
Look to the camera.
Think about the babies, the children. Save the babies, brother.
... and children in TV land and all the little kids around the world...
...don't be like me.
And if you want to stay out of harm's way...
...don't go to Club Cuba Loca on Figueroa.
It's a bad place. Don 't go.
He's just lucky.
Brother, you did the right thing. Don't you feel good?
- We connected. - A weight off my shoulders.
You going down, bitch. l got backup now.
Hey, that's a wrap.
Yeah! Come on, Mitch.
Now it's time for us to get down to my story.
l was born in a corn field, Grandma was a stripper...
Save all that for when you do The Oprah Winfrey Show.
Yo, we going to the club tonight.
Now what?
Watch me.
ls the mike on? Can you turn the mike up?
Sorry to bother everybody. ls Mr. Vargas here?
Anybody know where Mr. Vargas is? Mr. Vargas?
There he is. See how easy that was?
Don't get up, we'll come to you.
Sorry. Go on back... living la vida loca.
Sorry, l always wanted to do that. Be right with you, Mr. Vargas.
lnteresting approach.
Just doing my part. He's over this way.
- That button-cam was a good idea. - Yeah, l told you.
- Mr. Vargas? - Yes.
l'm Detective Preston, L.A.P.D. l'd like to ask you some questions.
l am in the middle of dinner.
- Hope this doesn't ruin your appetite. - L got a strong stomach.
- Who's he? - One of your employees. You know that.
A lot of people work for me. l don't know this guy.
And what about this guy?
What's his name?
He's big...
...probably big enough to go through those bulletproof vests you wear.
Am l right?
Bulletproof vest, huh?
And you are...?
You can't miss me. L'm across the street on the billboard.
You are the TV cops.
What's your line again?
"lt's showtime! "
lt's showtime!
l told you it was good.
See how funny this is once we arrest you.
And then what?
What'll you do? Try me in The People's Court?
We're gonna be watching your punk ass 24-7, slick.
Are you going to arrest me?
Because if you're not, get out. Or l have to call the real cops.
- Hey, we are the real cops. - Sure you are.
- You don't think we're real cops? - L think you're a joke.
lt's all right. He cannot touch me.
Not this time, but next time l'll drag you out of here in cuffs.
You see, l told you.
They are a joke.
- Lt's a joke. Lt's a Showtime joke. - Showtime.
That's great TV!
We can take this car and meet girls who wouldn't normally look at us.
Yeah, l'll pass.
You gotta go whip up some dinner plates?
- Why don't you stop the car? - All right, l'll leave you alone.
- What's this, your picture and résumé? - Those are my 8-by-1 0s.
l just want to look.
All these special skills must come in handy, huh?
l've never...
...never met a...
...mime. Ls that it? Mime?
Yeah, l'm a mime. L mime.
l'm curious about these movies: Beach Party Bonzo?
Yes, it's a semi-independent film. Very low-budget, semi-independent.
Planet Gorthon, 3 1 A.D. ?
Kind of light porn, but l don't even want to go into it.
You try out for the Village People?
- L'm adding pottery to that list. - Don't knock pottery.
Of all the things a man can do, why would somebody throw a pot?
- Lf l tell you, will you drop it? - Please tell me.
My marriage counselor. My ex and l were on the rocks. He said get a hobby.
- And that's it? - That's it.
Why are you so crappy at it?
lt's like you and work. l never took it seriously.
- Can l ask you something? - Yeah.
Why'd you become a cop, anyway?
- Because l was a shitty waiter. - You mean you were a better mime?
l was an excellent mime. Still am. Would you like to see my skills?
l got the car. Don't worry.
See? Now my face is against the glass.
You can mime words too. Watch.
- Fuck you. - Okay.
l'm impressed.
There's a glass wall here.
Thanks for the ride.
- We got to bond, don't you think? - No. Not really.
- What? - L never leave my lights on.
What did you do?
- You don't like it? - No, l don't.
Tell Don Johnson we found his apartment.
l don't know what you were thinking. l want it back. Now!
Okay, Mitch. Just relax, okay?
We didn't touch the pottery. We're giving you sex appeal.
lt looks like a gay porno star lives here.
And here they are, right here.
Just stop.
You can't change the place without my permission.
You don't have the right. Get this dog out.
Powder's yours.
Mine? L don't want some dog. What is this?
He used to be a drug sniffer in the K-9 unit.
He looks like an addict.
- He makes you look sympathetic. - A kennel won't make him sympathetic.
Want me to be sympathetic? Put my stuff back.
l'll be sympathetic. Until then, l won't be.
How can you say no to that face, Mitch?
l can say no very easily. No, Powder. Get out.
Don't be like that.
lt's just a dog, man.
Come here, Powder. You're a good boy.
Maybe Mitch is right. Get rid of the dog.
l don't know. l like his instincts.
Watch your ass, Powder.
Okay. Move it.
Dispatch, this is Armor 323...
Go! Go!
This is Showtime One. We're on it.
Annie, get the dish up. Julio, go!
That's definitely our gun.
Watch it!
Hey! Hey!
- Let's go! - Move it!
Damn! We lost picture!
Slow down!
There he is!
l got him!
- Lncoming! - Watch it!
- You getting this? - Yeah!
Jump! Jump!
You gotta jump! Now!
- Come on, Mitch! - Do it!
Now that was some good hood-jumping!
You all right?
You okay?
l think two drops of pee came out.
You're off the show, Sellars. You're busted to patrol.
Showtime is over.
And we're screwed.
See you back on the tape, Top Cop.
Being a police officer is not what you see on TV!
l've never seen you do anything like this!
Your showboating put this city at risk.
l expect that of Trey, not you.
lt just escalated.
Mitch, it's over. Lt's over. Chief is pulling the plug on the show.
- Good. Now l can get back to work. - No, you can't. You're off the case.
- What? - PR is having a heart attack.
This is worse than when you shot the camera.
lf Vargas gets more guns, we'll be even worse off.
You blew it. L'm relieving you of duty, pending an investigation.
What, do you want me to turn in my gun and my badge? Ben, come on.
l just want you to go home till this shitstorm settles.
What am l supposed to do at home?
l don't know. Read a book. Watch some TV.
Do your pottery projects.
He's touching the pecker-cam.
There's a lens in those eyes.
My woodpecker?
- Don't break it. - I said no cameras.
l hope you got all of this. You hear me?
I hope you got it all.
He broke it.
l'll get you another one.
Talk to him. He's got issues. He hates cameras.
- We're here to take the dog. - The dog stays.
- We have orders. - He's an officer.
Touch him and l'll shoot you.
Go, go, go.
Good boy, Powder. Good boy.
Nobody will take you away.
Trey, forget Showtime. We'll do our own buddy cop show.
l got a treatment worked out in my head. Check it.
You're Nick Load, and l'm John Lock.
- Nick who? - Nick Load.
You're Nick Load. L'm John Lock. Together, we're Lock and Load.
We are the baddest bicycle cops on Venice Beach.
ls that hot shit, or what?
Listen, George Clooney had 1 8 shows fail...
...before he hit big with ER. So you see?
l don't wanna be the guy putting up the caution tape.
l was feeling this detective thing.
Listen, you have heat on your acting career right now.
lf you don't strike while the iron is hot, it'll pass you by.
Whatever. L'm gonna go see this last episode of Showtime.
You had your food. None for you.
You're off the show, Sellars. You're busted to patrol.
- What happens to Mitch? - He's relieved of duty.
Mitch is my partner. He's the only person I can depend on.
Not my family, not my friends. Just him.
That's beautiful, Sellars. What do you want me to do?
- If he's relieved, I should be. - If you want it, you're relieved too.
- I'm relieved, then. - Okay.
- Want my gun and badge? - Get out of here.
All right.
- Who is this? - Lt's me, Mitch.
What do you want?
- Are you watching the show? - No, l'm not. Lt's ancient history.
- New day, new way. - Me too. L'm eating a TV dinner.
- So what's up? - L just, you know... .
l wanted to tell you that...
...what you did was a pretty standup thing and...
...if you take that detective exam, l'm there for you.
Whatever questions, l'll be around.
- L'd make a great detective? - You'd make an okay detective.
- Let me get that on my machine. - L'm hanging up.
No. Quick question.
Could you make me a pair of those shitty-ass mugs that you make?
- You gotta be kidding. - Relax. L'm just joking, man.
No, something on the show.
- So you are watching the show. - Yeah.
- Me too. What did you see? - Charlie Hertz, works for ballistics.
- That guy outside Lazy Boy's. - Yeah, but l gotta see it again.
Don't worry, l'm recording it. l record them all.
- Why am l not surprised? - Let me rewind this thing.
- Lt is Charlie Hertz. - Lt is?
- Lt's definitely him. - What's he doing with Vargas?
Where are the lights?
We definitely found our gunmaker.
This is definitely his workshop.
Look at all this shit.
What happened to the days when people just grew pot?
How about we star-69 his last call?
King Rental Trucks, may I help you?
This is Detective Mitch Preston...
You mean the Mitch Preston? The one on Showtime?
- That's me. - Oh, my God!
Calm down, we just need some information about a truck.
- Did you rent one to a Charles Hertz? - I'll just check, honey.
Mr. Hertz picked one up this morning.
- Was there a tracking device on it? - Yes, Mitch, there was.
Is Trey with you? Can I speak to him?
Sure, here.
- Trey? This Trey? - Yeah.
I love you, baby! Say, "Showtime. "
lt's showtime! This bitch is crazy.
Okay, all right. Bye-bye. See how popular l am?
All right, thanks.
We got a hit on the truck at the Bonaventure.
- What's going on? - Gun show.
Nice guns.
Come on back.
lt's okay.
- Thanks for the call. - Find that footage?
Here are the printouts. Good luck.
You went out on a limb.
l want to help. Plus l need an ending for the finale.
Excuse me.
Hello, gun lovers.
My name is Chase Renzi from the hit series Showtime.
That's sweet. Very sweet, very sweet.
l'm here because we need your help.
We believe these two men are in the building.
They are armed and extremely dangerous.
What the hell?
There they are!
Don't move.
Oh, shit!
Guys, wait up!
- Roger that. - Ghost 3, Bonaventure Hotel.
Why don't l go up and make a nice list of demands?
l can help you here.
- Get in! - Just take it easy, all right? Easy!
Vargas? There's no way out.
l've got a list of demands.
Let us in and tell us what they are.
All right. But first, slide your weapons in here.
- What did you say? - L don't know. What?
Slide your weapons in here.
- What? - What'd you say?
You don't understand English?
Slide in your weapons.
Slide the weapons. lt's okay. L got a backup.
Hold on. L gotta change the tape.
- You thinking what l'm thinking? - Yeah, l am.
- What are you doing? - Shut up.
Mitch, no.
- Did you hear me? - Hold on.
Don't do that. Man!
l've got demands.
See those news choppers out there? We're hooked in live.
We have a cameraman out here so you can tell the world what you want.
Okay. Throw in your weapons.
Here they come.
There are the guns.
- Stay there. - Easy.
- Stay there. - Okay. Just take it easy.
- Where's the cameraman? - He's afraid.
We don't want to put him in danger, so he'll do the shooting.
l'll do it.
You ever been on TV before?
lt's very simple. Look at the red light.
Tell the people what's on your mind.
You got him all lined up?
Yeah. Let's shoot.
Okay. All right. lt's showtime.
You okay?
- Trey! Where are you? - Over here!
- What are you doing? - Hold on!
Oh, God!
Now it's your turn to smile for the cameras.
- Get that camera out of here! - Keep that camera where it is!
Annie, you deal with it, girl.
What's going on with your new recruits?
l'm tired of your voice. You're on my last nerve.
- They're not bonding. - They don't have our chemistry.
Which is why you ought to guest star in the next episode.
- Not in a million years. - That's a yes.
l know, and believe me, l'm working on him.
See you at 8, Mitch.
Look at what you get. What do l get? Nothing. L'm going to work.
l made you something. For passing the detective exam.
That is nice of you to do that.
Mitch, that's nice.
What is that?
- What is it? Lt's a loose change dish. - Of course it's a loose change dish.
l haven't seen this level of craftsmanship since kindergarten.
lt's appreciated, partner.
- Detectives, your suspect's waiting. - Be right with you.
"Detective Sellars. " lt has a nice ring to it.
Come on, Top Cop, it's showtime.
Hi. L'm Detective Mitch Preston.
l'm sorry, l can't... .
Book 'em, Danno.
You're under arrest! You under arrest, mother* * * * er!
l'm sorry.
This Preston character needs to come to life.
He doesn't have any balls.
Well, he has balls.
They gotta come out. Bada-bing, bada-boom balls.
Do you feel lucky, punk?
Who said that?
Miami gente!
l know you know, Mitch. You're gonna see this...
Get that camera out of here!
Could you come a little closer?
l'm sorry, l did the wrong thing.
Wrap me up in caution tape, wrap me up in caution tape, Cop Top?
- You don't think we're... - Say that in Ebonic!
l'm tired.
- Who are you? - L'm Annie.
You need a daddy? Yes or no?
"Oh, Bill. " That's what l get now.
lt used to be "Oh, yeah," now it's "Oh, Bill. "
lt's showtime!
lt's showtime.
Get that camera out of here!
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Sherlock Holmes 1x09 - The Greek Interpreter
Sherlock Holmes 1x10 - The Norwood Builder
Sherlock Holmes 1x11 - The Resident Patient
Sherlock Holmes 1x12 - The Red Headed League
Sherlock Holmes 1x13 - The Final Problem
Sherlock Holmes And The House Of Fear 1945
Sherlock Holmes And The Spider Woman 1944
Sherlock Holmes And The Voice Of Terror 1942
Sherlock Holmes Faces Death 1943
Sherlock Holmes Returns
Sherlock Holmes The Eligible Bachelor
Sherlock Holmes The Scarlet Claw 1944
Sherlock Holmes in Washington 1943
Shes All That
Shes So Lovely
Shes out of control
Shes the One
Shield The 2x01 - The Quick Fix
Shield The 2x02 - Dead Soldiers
Shield The 2x03 - Partners
Shield The 2x04 - Carte Blanche
Shijushichinin No Shikaku (1994 aka 47 Ronin)
Shiki-Jitsu (Hideaki Anno 2000)
Shin Zatoichi monogatari (1963)
Shine (1996)
Shinjuku - Triad Society (Takashi Miike 1995) CD1
Shinjuku - Triad Society (Takashi Miike 1995) CD2
Shinning The
Ship of Fools CD1 (Stanley Kramer 1965)
Ship of Fools CD2 (Stanley Kramer 1965)
Shiryour gari
Shiver Of The Vampires The
Shocking Asia CD1
Shocking Asia CD2
Shogun 1980 Part 1
Shogun 1980 Part 2
Shogun 1980 Part 3
Shogun 1980 Part 4
Shogun 1980 Part 5 and 6
Shogun 1980 Part 7 and 8
Shogun 1980 Part 9 and 10
Shop Around The Corner The 1940
Short Circuit 2
Short Cuts CD1
Short Cuts CD2
Short Film About Killing A (1988)
Short Film About Love A (1988)
Short Film About Love A 1988
Shot In The Dark A
Show Me Love
Show Time
Shredder (Greg Huson 2003)
Shree 420
Shrek 2
Shriek if You Know What I Did Last Friday the 13th
Shuang tong (2002)
Shutter (2004)
Sib - The Apple
Sibiriada CD1
Sibiriada CD2
Sibling Rivalry
Siburay Bate Cafe
Sicilian The 1987 CD1
Sicilian The 1987 CD2
Siege The (1998)
Siegfried I
Siegfried II
Siegfried III
Silence of the Lambs The
Silencers The (Phil Karlson 1966)
Silent Trigger 1996
Silent Warnings
Silk Stockings
Silmido CD1
Silmido CD2
Silver City
Silver Hawk
Silver Streak 1976
Simon and Garfunkel - The Concert in Central Park
Simon of the Desert
Simone CD1
Simone CD2
Simpsons 01x01 - Simpsons Roasting Over An Open Fire
Simpsons 01x02 - Bart The Genius
Simpsons 01x03 - Homers Odyssey
Simpsons 01x04 - Theres No Disgrace Like Home
Simpsons 01x05 - Bart the General
Simpsons 01x06 - Moaning Lisa
Simpsons 01x07 - The Call of the Simpsons
Simpsons 01x08 - The Telltale Head
Simpsons 01x09 - Life on the Fast Lane
Simpsons 01x10 - Homers Night Out
Simpsons 01x11 - The Crepes Of Wrath
Simpsons 01x12 - Krusty Gets Busted
Simpsons 01x13 - Some Enchanted Evening
Simpsons The
Simpsons The 05x01 - Homers Barbershop Quartet
Simpsons The 05x02 - Cape Feare
Simpsons The 05x03 - Homer Goes To College
Simpsons The 05x04 - Rosebud
Simpsons The 05x05 - Tree House Of Horror
Simpsons The 05x06 - Marge On The Lam
Simpsons The 05x07 - Barts Inner Child
Simpsons The 05x08 - Boy Scoutz N The Hood
Simpsons The 05x09 - The Last-Temptation Of Homer
Simpsons The 05x10 - $pringfield
Simpsons The 05x11 - Homer The Vigilante
Simpsons The 05x12 - Bart Gets Famous
Simpsons The 05x13 - Homer And Apu
Simpsons The 05x14 - Lisa Vs Malibu Stacy
Simpsons The 05x15 - Deep Space Homer
Simpsons The 05x16 - Homer Loves Flanders
Simpsons The 05x17 - Bart Gets An Elephant
Simpsons The 05x18 - Burns Heir
Simpsons The 05x19 - Sweet Seymour Skinners Baadasssss Song
Simpsons The 05x20 - The Boy Who Knew Too Much
Simpsons The 05x21 - Lady Bouviers Lover
Simpsons The 05x22 - Secrets Of A Successful Marriage
Sin 2003
Sin noticias de Dios
Sinbad - Legend Of The Seven Seas
Since Otar Left 2003
Since You Went Away CD1
Since You Went Away CD2
Sinful Nuns of Saint Valentine
Singin in the Rain
Singing Detective The
Singles (2003) CD1
Singles (2003) CD2
Sink The Bismarck
Sinnui yauman
Sinnui yauman II
Sirens 1994
Sirocco 1951
Sissi 1955
Sister Act
Sister Act 2 - Back in the Habit CD1
Sister Act 2 - Back in the Habit CD2
Six Days Seven Nights
Six Degrees of Separation (1993)
Six Feet Under
Six String Samurai
Six Strong Guys (2004)
Sixteen Candles CD1
Sixteen Candles CD2
Sixth Sense The
Skammen (Shame Bergman 1968)
Skazka o tsare Saltane
Skulls The
Skulls The (Collectors Edition)
Sky Captain and the World of Tomorrow
Slap Shot
Slap Shot 2
Slaughterhouse Five
Sleeper 1973
Sleepers (1996) CD1
Sleepers (1996) CD2
Sleepless in Seattle
Sleepwalkers 1992
Sleepy Hollow 1999
Sleuth (Mankiewicz 1972) CD1
Sleuth (Mankiewicz 1972) CD2
Sliding Doors 1992
Sling Blade CD1
Sling Blade CD2
Small Change (FranÇois Truffaut 1976)
Small Time Crooks 2000
Smell of Fear The
Smokey and the Bandit
Smoking Room
Snake Of June A (2002)
Snake Pit The
Snatch - Special Edition
Sneakers 1992
Sniper 2
Snow White And The Seven Dwarfs 1937
Snowfever (2004)
So Close 2002
Sobibor 14 Octobre 1943
Sol Goode
Solaris (Solyaris)
Solaris (Tarkovsky) CD1
Solaris (Tarkovsky) CD2
Solaris - Criterion Collection
Solaris 2002
Solaris 2002 - Behind the Planet
Solaris 2002 Inside
Soldaat Van Oranje 1977 CD1
Soldaat Van Oranje 1977 CD2
Soldier CD1
Soldier CD2
Soldiers Story A (Norman Jewison 1984)
Solomon and Sheba CD1
Solomon and Sheba CD2
Sombre 25fps 1998
Some Kind of Monster CD1
Some Kind of Monster CD2
Someone Special
Something The Lord Made CD1
Something The Lord Made CD2
Somethings Gotta Give CD1
Somethings Gotta Give CD2
Son In Law
Son The
Song of the South
Sophies Choice
Sorority boys
Sose me
Soul Guardians The (1998) CD1
Soul Guardians The (1998) CD2
Soul Keeper The (2003)
Soul Plane
Soul Survivors
Sound of Music The
South Park - Bigger Longer and Uncut
South Park 01x01 - Cartman Gets An Anal Probe
South Park 01x02 - Weight Gain 4000
South Park 01x03 - Volcano
South Park 01x04 - Big Gay Als Big Gay Boatride
South Park 01x05 - An Elephant Makes Love to a Pig
South Park 01x06 - Death
South Park 01x07 - Pinkeye
South Park 01x08 - Jesus VS Satan
South Park 01x09 - Starvin Marvin
South Park 01x10 - Mr Hankey the Christmas Poo
South Park 01x11 - Toms Rhinoplasty
South Park 01x12 - Mecha Striesand
South Park 01x13 - Cartmans Mom is a Dirty Slut
Soylent Green 1973
Spacehunter 1983
Spanish Prisoner The CD1
Spanish Prisoner The CD2
Spark the Lighter
Spartacus 2004 CD1
Spartacus 2004 CD2
Spartacus Fixed 1960
Spartan 2004 CD1
Spartan 2004 CD2
Spawn (1997)
Spawn (Directors Cut)
Species 3 CD1
Species 3 CD2
Speed 2 - Cruise Control
Spellbound (Hitchcock 1945)
Spetters 1980
Spider-Man CD1
Spider-Man CD2
Spider (2002)
Spider Man 2 CD1
Spider Man 2 CD2
Spies Like Us 1985
Spirit of the Beehive
Spirited Away CD1
Spirits of the Dead 1968 CD1
Spirits of the Dead 1968 CD2
Spoilers The
Spongebob Squarepants The Movie
Springtime In A Small Town
Spun (Unrated Version)
Spy Game
Spy Hard
Spy Who Came In from the Cold The
Spy Who Loved Me The
Spy Who Shagged Me The - New Line Platinum Series
Spygirl CD1
Spygirl CD2
Square Peg
St Johns Wort - (Otogiriso) 25fps 2001
Stage Beauty 2004
Stage Fright 1950
Stalag 17
Stalker 1979 CD1
Stalker 1979 CD2
Star Trek Generations CD1
Star Trek Generations CD2
Star Wars - Episode II Attack of the Clones
Star Wars - Episode IV A New Hope
Star Wars - Episode I The Phantom Menace
Star Wars Episode 4 (A New Hope) CD1
Star Wars Episode 4 (A New Hope) CD2
Star Wars Episode 5 (Empire Strikes Back) CD1
Star Wars Episode 5 (Empire Strikes Back) CD2
Star Wars Episode 6 (Return of the Jedi) CD1
Star Wars Episode 6 (Return of the Jedi) CD2
Stargate SG1 1x01 Children of the Gods
Stargate SG1 1x02 The enemy Within
Stargate SG1 1x03 Emancipation
Stargate SG1 1x04 The Broca Divide
Stargate SG1 1x05 The First Commandment
Stargate SG1 1x06 Cold Lazarus
Stargate SG1 1x07 The Nox
Stargate SG1 1x08 Brief Candle
Stargate SG1 1x09 Thors Hammer
Stargate SG1 1x10 The Torment of Tantalus
Stargate SG1 1x11 Bloodlines
Stargate SG1 1x12 Fire and Water
Stargate SG1 1x13 Hathor
Stargate SG1 1x14 Singularity
Stargate SG1 1x15 The Cor AI
Stargate SG1 1x16 Enigma
Stargate SG1 1x17 Solitudes
Stargate SG1 1x18 Tin Man
Stargate SG1 1x19 There but for the Grace of God
Stargate SG1 1x20 Politics
Stargate SG1 1x21 Within the Serpents Grasp
Stargate SG1 2x01 The serpents lair
Stargate SG1 2x02 In the line of duty
Stargate SG1 2x03 Prisoners
Stargate SG1 2x04 The gamekeeper
Stargate SG1 2x05 Need
Stargate SG1 2x06 Thors chariot
Stargate SG1 2x07 Message in a bottle
Stargate SG1 2x08 Family
Stargate SG1 2x09 Secrets
Stargate SG1 2x10 Bane
Stargate SG1 2x11 The tokra part 1
Stargate SG1 2x12 The tokra part 2
Stargate SG1 2x13 Spirits
Stargate SG1 2x14 Touchstone
Stargate SG1 2x15 The fifth race
Stargate SG1 2x16 A matter of time
Stargate SG1 2x17 Holiday
Stargate SG1 2x18 Serpents song
Stargate SG1 2x19 One false step
Stargate SG1 2x20 Show and tell
Stargate SG1 2x21 1969
Stargate SG1 3x01 Into The Fire II
Stargate SG1 3x02 Seth
Stargate SG1 3x03 Fair Game
Stargate SG1 3x04 Legacy
Stargate SG1 3x05 Learning Curve
Stargate SG1 3x06 Point Of View
Stargate SG1 3x07 Deadman Switch
Stargate SG1 3x08 Demons
Stargate SG1 3x09 Rules Of Engagement
Stargate SG1 3x10 Forever In A Day
Stargate SG1 3x11 Past And Present
Stargate SG1 3x12 Jolinars Memories
Stargate SG1 3x13 The Devil You Know
Stargate SG1 3x14 Foothold
Stargate SG1 3x15 Pretense
Stargate SG1 3x16 Urgo
Stargate SG1 3x17 A Hundred Days
Stargate SG1 3x18 Shades Of Grey
Stargate SG1 3x19 New Ground
Stargate SG1 3x20 Maternal Instinct
Stargate SG1 3x21 Crystal Skull
Stargate SG1 3x22 Nemesis
Stargate SG1 4x01 Small Victories
Stargate SG1 4x02 The Other Side
Stargate SG1 4x03 Upgrades
Stargate SG1 4x04 Crossroads
Stargate SG1 4x05 Divide And Conquer
Stargate SG1 4x06 Window Of Opportunity
Stargate SG1 4x07 Watergate
Stargate SG1 4x08 The First Ones
Stargate SG1 4x09 Scorched Earth
Stargate SG1 4x10 Beneath The Surface
Stargate SG1 4x11 Point Of No Return
Stargate SG1 4x12 Tangent
Stargate SG1 4x13 The Curse
Stargate SG1 4x14 The Serpents Venom
Stargate SG1 4x15 Chain Reaction
Stargate SG1 4x16 2010
Stargate SG1 4x17 Absolute Power
Stargate SG1 4x18 The Light
Stargate SG1 4x19 Prodigy
Stargate SG1 4x20 Entity
Stargate SG1 4x21 Double Jeopardy
Stargate SG1 4x22 Exodus
Stargate SG1 5x01 Enemies
Stargate SG1 5x02 Threshold
Stargate SG1 5x03 Ascension
Stargate SG1 5x04 Fifth Man
Stargate SG1 5x05 Red Sky
Stargate SG1 5x06 Rite Of Passage
Stargate SG1 5x07 Beast Of Burden
Stargate SG1 5x08 The Tomb
Stargate SG1 5x09 Between Two Fires
Stargate SG1 5x10 2001
Stargate SG1 5x11 Desperate Measures
Stargate SG1 5x12 Wormhole X-Treme
Stargate SG1 5x13 Proving Ground
Stargate SG1 5x14 48 Hours
Stargate SG1 5x15 Summit
Stargate SG1 5x16 Last Stand
Stargate SG1 5x17 Failsafe
Stargate SG1 5x18 The Warrior
Stargate SG1 5x19 Menace
Stargate SG1 5x20 The Sentinel
Stargate SG1 5x21 Meridian
Stargate SG1 5x22 Revelations
Stargate SG1 6x01 Redemption Part 1
Stargate SG1 6x02 Redemption Part 2
Stargate SG1 6x03 Descent
Stargate SG1 6x04 Frozen
Stargate SG1 6x05 Nightwalkers
Stargate SG1 6x06 Abyss
Stargate SG1 6x07 Shadow Play
Stargate SG1 6x08 The Other Guys
Stargate SG1 6x09 Allegiance
Stargate SG1 6x10 Cure
Stargate SG1 6x11 Prometheus
Stargate SG1 6x12 Unnatural Selection
Stargate SG1 6x13 Sight Unseen
Stargate SG1 6x14 Smoke n Mirrors
Stargate SG1 6x15 Paradise Lost
Stargate SG1 6x16 Metamorphosis
Stargate SG1 6x17 Disclosure
Stargate SG1 6x18 Forsaken
Stargate SG1 6x19 The Changeling
Stargate SG1 6x20 Memento
Stargate SG1 6x21 Prophecy
Stargate SG1 6x22 Full Circle
Stargate SG1 7x01 Fallen
Stargate SG1 7x02 Homecoming
Stargate SG1 7x03 Fragile Balance
Stargate SG1 7x04 Orpheus
Stargate SG1 7x05 Revisions
Stargate SG1 7x06 Lifeboat
Stargate SG1 7x07 Enemy Mine
Stargate SG1 7x08 Space Race
Stargate SG1 7x09 Avenger 2 0
Stargate SG1 7x10 Birthright
Stargate SG1 7x10 Heroes II
Stargate SG1 7x11 Evolution I
Stargate SG1 7x12 Evolution II
Stargate SG1 7x13 Grace
Stargate SG1 7x14 Fallout
Stargate SG1 7x15 Chimera
Stargate SG1 7x16 Death Knell
Stargate SG1 7x17 Heroes I
Stargate SG1 7x19 Resurrection
Stargate SG1 7x20 Inauguration
Stargate SG1 7x21-22 The Lost City I n II
Starship Troopers (Special Edition)
Starship Troopers 2
Story Of A Kiss
Strada La
Strange aventure de Docteur Molyneux
Street Of Love And Hope (Nagisa Oshima 1959)
Street of shame (Akasen chitai)
Streetcar Named Desire A
Style Wars
Suicide Regimen
Sukces 2003
Summer Tale A 2000
Sunday Lunch (2003)
Super 8 Stories
Superman IV - The Quest for Peace
Surviving the Game
Swedish Love Story A (1970) CD1
Swedish Love Story A (1970) CD2
Sweetest Thing The (Unrated Version)
Swept Away
Swordsman III - The East is Red
Sylvester - Canned Feud (1951)
Sylvester - Speedy Gonzales (1955)
Sylvester and Elmer - Kit for Cat (1948)
Sylvester and Porky - Scaredy Cat (1948)
Sylvester and Tweety - Canary Row (1950)
Sylvester and Tweety - Putty Tat Trouble (1951)
Sylvester and Tweety - Tweetys SOS (1951)