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Sirens 1994

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The curator agreed to remove|the paintings from the exhibition
and sent a letter to the artist|inviting him to submit alternatives.
Unfortunately,|the offer was refused point-blank.
- He's threatened to go to the press.|- Mr Norman Lindsay, l take it?
- You've heard of him.|- Well, l like to keep abreast.
The last thing we want is a scandal.|Anyway, here they are.
A case could be made for the|first three. They're merely vulgar.
But this one|is certainly blasphemous.
- And you want me to talk him round?|- lt's on the way to your new parish.
l think an outsider has more of|a chance of getting through to him
than any of us locals.
l gather you were something|of a progressive at Oxford.
Don't believe everything you hear|but yes, element of truth in that.
He's happy to put you|and your wife up for the night.
l think he rather relishes|the idea of a good argument.
Well, if his reputation|is anything to go by,
he'd love to shock the socks off|any churchman that goes near him.
May l introduce you to my wife?|l don't think you've met.
Estella, the Bishop of Sydney.|My wife, Estella.
- Welcome to Australia.|- Thank you.
- Morning.|- Tickets, please.
- Do you know if a taxi's waiting?|- Yeah. There's not.
l, um, understand one was booked|to go to Mr Lindsay's place.
Doing a bit of modelling, are yous?
No, l certainly am not.
Taxi's been a bit late lately.|You'd be better off down at the pub.
May we leave our baggage here?
l'm about to knock off.|lt'll be pilfered.
Would you mind giving us|a hand with it, then?
- Oh, l'm awfully sorry.|- l'll forgive you.
- Millions wouldn't.|- Oh, dear.
Try the pub.|lt's just down the hill.
- Morning.|- Get fucked. Get fucked.
Ah, fuck.
Aw, fuck.
Watch the language, everyone.
Gents only in the bar.|Ladies' lounge is through the door.
Yes, we don't want a drink.|We just want a taxi, if there is one.
- Reg is at a funeral.|- l see.
- You could be in for a long wait.|- Oh, yes?
lt's his funeral.
Well... Thanks.
Hey! l got my eye on you!
- Where yous goin'?|- Out to Mr Lindsay's place.
We're goin' out that way.|We can give you a lift.
- Thank you. Thank you very much.|- After we finish our beers.
They can't wait forever.
Fine. Come on, then.
Thank you.
Thanks for the lift.
l don't mean to be rude but...
you got a bit of food|on the side of your mouth.
See ya later.
Sorry about that, Piglet.|You all right?
They swear an awful lot.|They tend to, types like that.
- They didn't really say anything.|- Good.
- Now, where is everyone?|- Maybe Mr Lindsay changed his mind.
Pooh, look, there's something here.
Dear visitors, sorry we missed you.|Gone out for a picnic.
Make yourselves at home.
Well, l suppose|we'd better not go in.
Let's sit over by the pond.
- Mrs Campion?|- Hello.
What? Ah! Sorry.
l was fast asleep there.
You must be Mr Lindsay.|Lindsay Campion, my wife Norman.
- Estella.|- Just out from England?
That's it. We arrived|just a couple of weeks ago.
So they weren't game to send a local?
Well, you...|you're exactly on our way.
Oh, well. l'm glad|you got here in one piece.
Excuse me, l gotta get back to work.
Giddy and Sheela'll show you a room.|You'd probably like to freshen up.
- We'd love to, thank you.|- Thank you very much.
- You take that for me...|- This way, ladies and gents.
Thank you. Lovely.
You'll have trouble sleeping.
She sleeps next door|and she snores terribly.
- l do not.|- She sounds like two possums mating.
That's so horrible and it's not true.
Whereabouts is the, uh...
Take him out to the thunder box.
Just a tick.
l've never snored in my life.
l think snoring|can be quite charming, actually.
This way.
Why do they call it a thunder box?|Cos it's out in the wind and rain?
l suppose. But you always need|to keep your shoes on.
- Are there stinging nettles?|- Yes, and scorpions and centipedes.
- Can you swim?|- Not very well.
l'll wake you up. There's|a swimming hole we go to every day.
- l'm Sheela.|- Estella.
Does he always take the Bible|with him to the dunny?
lt wasn't the Bible. He just doesn't|like wasting time, that's all.
Well, from the size of it,|he could be there all night.
l should've warned him|about the redbacks.
- What are they?|- Small spiders with big teeth.
- They live under toilet seats.|- How do you know if they're there?
By the screams.
Ah, there you are.
Mr Lindsay's wonderful, isn't he?
He said we're gonna do|The Sirens next.
- Do you know about them?|- Certainly.
They lived on the island of Atlantis|and sang songs from the cliffs
and sailors from passing ships were|driven mad by these gorgeous voices.
And the ships would be dashed|against the rocks
and the sailors dragged down|to a blissful death
with the voices of the sirens|ringing in their ears.
l think myths|are a bit stupid, really.
l'll be wearing this.
You know, you could pose, too,|if you like.
He always needs more models.|Go on, try it. Please.
There's some male ones too.
l don't think that's quite for us.
Well, you could always wear a dagger,|strategically placed.
Or a sword. Whichever you need.|And dinner's ready.
Oh, that's right.
l was sent to fetch you.
l don' people thinking|l'm like the other models.
l'm working here as a maid.|Mr Lindsay asked me to pose
and l said l would|if l could keep my clothes on.
Because l really think it's important|to keep one's mystique,
don't you, Mr Campion?
ls it Mr Campion|or Father Anthony?
lt's, uh, it's Tony.
Do you think it's a sin...Tony?
l don't think there's anything sinful|about the body.
There's a tradition of religious|painting featuring the nude.
lt's a question the artist|uses the body that's important.
So, do you think|Mr Lindsay's paintings are rude?
Some l think are profane.
Oh, that's good. l'm starving.
l only eat once a day|cos my mother's very fat
and it runs in my family.
You should see my grandpa.|He looks like the Michelin Man.
You know, the one|with all those tyres around him?
He eats like a horse!|He puts tomato sauce on everything.
lt was a very enlightened society.|The artists made all the decisions.
That's why there's no record|of warfare
between the Atlanteans|and anyone else.
The main question is, where was it?
The Mediterranean|is the most likely spot.
They're always digging up pottery
that doesn't belong to|any known civilization.
How could a complete people|just disappear?
Well, a cataclysm. They were all|wiped out in a cataclysm.
Whole island sank in an earthquake.
So you're a genuine believer|in Atlantis?
Well, l lived there|in a former incarnation.
l ask because the cataclysm can be|seen as an image of moral collapse
and some think we're going through|a similar period of decay.
Do you explore that in your painting?
l think people have always|been decaying, whenever they can.
He's just a very depraved man,|l'm afraid, Mr Campion.
No one's safe.
l'm bloody bored!
Have you seen those fairies lately?
A couple of them were out|last Friday.
- They were not!|- They were too.
They always come out|on Fridays round midnight.
They do not. Do they, Mummy?
Yes, you don't see them|cos you're asleep.
Tonight's Friday,|as a matter of fact.
But then you'd be|too bloody bored to see them.
No, l'm not, Mummy.|l promise l won't be bored.
- Even bloody bored?|- Promise!
Well, if you're gonna be up|at midnight, get to bed now.
- Say good night to everybody.|- Good night, everybody.
- Do they really come, Mummy?|- Fairies only live in books.
The lndustrial Revolution|killed the fairies.
They were left with nowhere to live.
- Except our imaginations.|- lmaginations are a luxury.
- Beg your pardon?|- Most people can't afford them.
l don't think imagination|is dependent on economics, is it?
ln a factory you're doing exactly|the same thing day after day.
An active imagination is what allows|people to do that kind of work.
Oh, well, you'd know, of course!
l just think|that's what you'd have to do.
You'd have to be imagining|other things.
Please don't tell us|what the working class think,
thanks very much.
l think what the Bishop's|really hoping for
is that we can come to a compromise,
find some other examples|of your work.
The great thing is no... Your chair.
- No one wants to see you excluded.|- Now, that is a comfort.
l hadn't realised the Church's|interest in contemporary painting.
lt's just The Crucified Venus|we're uncomfortable with.
- Pooh?|- lt's me.
Come in.
Poor old Piglet.|Pru gave you a bit of a working over.
l'll survive.|Did you get anywhere with Mr Lindsay?
He insists it's up to the public|to decide for themselves
if they want to see his pictures.
Of course, they have to see them|first to decide,
by which time|the damage has been done,
but that is a bit of logic|which is lost upon him. Never mind.
l'll have another shot|in the morning before we go.
Do you think the pictures|actually damage people?
l think that the sexual ones|are just rather childish
but l do think|negative images build up
and don't any good in the long run
and l think The Crucified Venus|is offensive and downright arrogant.
- l'm coming, l'm coming!
- Hurry up, stupid!|- l'm running as fast as l can,
you disgusting thing!
My guess is they're tooth fairies.
- Shall we?|- Come on, then.
- Swimming?|- What's the time?
The train doesn't leave until 1 2.
All right.
What'd you do to him?|He's exhausted.
- Anthony!|- Don't wake him up.
Well, he might be dreaming.
lt's dangerous to wake somebody up|if they're dreaming
because you leave part|of your brain behind.
lf it happens a lot,|you go feeble in the head.
Yeah. You're living proof.
All right, l'll join you in a minute.
- Are you rich?|- Not very.
- What does your father do for crust?|- Why do you ask?
Well, Pru thinks you're bourgeois,|that's all.
Mine was taken by a shark.
God, how awful!
There wasn't much left of him.
So l was brought up mainly by my mum.|She runs a sweet shop.
But l'm quite ambitious all the same.|l was determined to keep my figure,
which was hard with chocolate wombats|and toffee apples everywhere.
- But as you can see, l succeeded.|- Because you wanted to be a model?
Oh, no.|Modelling is just to get known.
l'm going to be a famous actress.
People will know me through|Mr Lindsay's paintings,
then l'll move on to|stage and screen.
They're just doing it to show off.
They're very common.|They can't help it.
Sheela's got|ten brothers and sisters.
She wants to be an artist like Norman|but poor girl, she's hopeless.
- And Pru wants to be an aviator.|- Aviatrix.
l'm gonna splash you.
- Be careful of the water snakes.|- There aren't any water snakes.
Quick, someone's coming!
- Hide!|- lt's all right, he can hardly see.
- Devlin!|- Come and have a swim.
Don't get him to come in.|He might...brush against you.
Come in.
You shouldn't have anything to do|with him. He's a criminal.
- You dream about him, don't you?|- l do not!
You lie on the ground|while he licks your belly button.
You're so disgusting, flaunting|yourselves. You're so cheap!
He wouldn't know|if we were dressed or not.
Do you have to carry on|in front of Estella?
- What's wrong with her?|- She'll think we're...barbarians.
We are!
Don't. Don't. Don't.
- Morning.|- Morning.
The papers got hold of it.
"When the exhibition arrives in|London, the English will be convinced
"Australia is peopled by degenerates|afflicted with sex mania."
Must be why they deported us.
The other news is that it seems|we'll be here for another day or so.
The train was derailed and a|section of track has to be repaired.
Rose is very kindly giving us a ride|into town this afternoon
to see how long it's going to be.
These flies are|remarkably persistent.
l just...ate one, l think.|Came in on me honey.
Made me feel funny...
in me tummy.
- May l speak?|- Briefly.
l just wondered if you'd be|interested in today's editorial?
l try to ignore the press|as much as l can.
lsn't it hard|to sustain your vision
when it flies so completely|in the face of public opinion?
So the arrows of your detractors|bounce off, do they?
Vanity is a formidable armour.
Oh, here we go.
"The excesses of Lindsay have|long been a source of consternation
"to clean-living citizens|of this country.
"He paints people who seem to be|slaves of cocaine or similar,
"which has reduced them to|frenzied and shameless morbidity.
"Today, however, not content with|scorning standards of public decency,
"he profanes the most sacred image|of Christianity, the Crucifixion."
As if l give a damn about|these Wesleyans, these wowsers.
Well, it's quite a lot of people|who hold the Crucifixion sacred.
- Anyway, you're busy.|- Mr Campion, l am an artist
and l refuse to be compromised by|the scruples of the public!
- Scruples or beliefs?|- And this Crucifixion business.
When l was a boy,
my mother used to try to instruct us|on the sad story of Jesus,
how He died on the cross for us.
My whole being rose in revolt|against the idea!
lt's a vile notion|that a god should sacrifice himself
for the sins of mankind,|it's a pestilent notion.
- Well, l couldn't agree with that.|- Hang on.
As for the suffering my poor pictures|will cause a few people,
it's nothing compared to|the suffering the Church has caused.
The burning of witches,|the Spanish lnquisition,
the slaughter of pagan tribes|and so on.
Anyway, there we are.
Must get back to work.
l don't think the Church|can be blamed
for everything done in-in-in-in its|name but we'll take this up later.
Well, now, here's a thing.
You see the article in here about|Atlantis? There's a new theory.
Off Norway, they reckon.
When it sank,|it must've caused a tidal wave,
so they're looking at|old Nordic texts
to see if there's any evidence|of flooding.
You're disgusting, Sheela.|You should be in a sty.
- Watch this. Watch Giddy's skin.|- Don't you dare. Don't, Sheela.
One day, we're gonna tickle you...
and we're gonna keep tickling you|all over.
Stop it.
Look at her arms and legs.|Look at the goose pimples.
Sheela. Will you be quiet?
- Do you know who else will do it?|- Shut up.
- He'll be tickling you too.|- He will not.
He'll tickle you...there.
She'd burst.|Her insides would go everywhere.
Sea slugs do that.
When they get attacked,|they spit their insides out.
You can eat them and go all night.
There are islands|where the women gang up
and ambush their favourite men
and feed them|the longest sea slugs they can find.
And the men get so incredibly hard,
you can hang heavy clothes and jewels|from their erections.
- But doesn't it hurt?|- Excruciatingly.
Giddy's guts would be good for that.
They would not!
My giblets are pure and innocent,|like my mind.
Let's hope it's good news and|then we can get out of your hair.
- A couple heads more doesn't matter.|- That's very kind of you.
l suppose there's no point|in trying to prevail on you
to help persuade Norman just to|withdraw that particular picture?
- Mr Campion...|- Tony.
Have you actually seen it?
Yes, very briefly in the gallery.
l was the model for it, you see...
One, two, three, charge!
Stop it.
Stop it at once!
What do you think you're doing?|Go on, get off! Get off.
Go on, shoo, all of you.|All of you, go away.
What on earth was all that about?
They're just acting out|what their parents say -
Norman's the devil incarnate|and we're all witches.
Go on, now, shoo.
- You eat sheep poo!|- You disgusting things!
- How do l look?|- Very nice.
Can l wear it tonight? Pru and l|are going out with some blokes.
l suppose so.
Do you often try on other people's|clothes without asking?
All the clothes l've ever worn|are other people's.
- ls this the ship you came out on?|- Yes.
My dad was a sailor.
What does he do now?
He's dead.
l'm sorry.
A shark took him.
They found an arm with his watch.
That's what they buried - the arm.
Still used a normal-sized coffin|though, just for appearances.
l hadn't realised sharks were so...
Do you like your husband?
Do people usually marry people|they don't like?
Quite often, l'd say.
Now, Devlin,|l want you to pose as Ulysses.
ls he the chap|you're going out with?
God, no. He just does|odd jobs around the place.
- But he can't see.|- He can't see much.
Norman says it's all a blur.
There was a big prizefight|out in the bush.
lt went on for hours.|Blood everywhere.
ln the end, they had to stop|cos Devlin was blind.
After a few days, he could see a bit,
but he can't hardly recognise|anyone until they speak...
..but Giddy thinks|he's the best thing since Valentino.
Merely routine for you,|old boy, l would've thought.
See ya tomorrow night, all right?
For too long,|you've kept sensuality in the gloom.
You've made it furtive and guilty!
The Church has never denied that|sex has a supremely important role.
"Vaginal pessaries require|a manipulation of her genital organs
"which must be repugnant|to every woman."
See, that's the problem.|God makes us feel so guilty...
When Dolly Rogers allowed me|to play with her parts,
l thought l'd be struck by lightning.
- One point.|- What's your point?
Mr Campion is trying to say
if we give way to our whims,|we're no better than pigs.
- Pigs?|- That's not my point!
lf God didn't want us to play with|these parts, why make them fun?
So many people can't feed their kids|and the Church says, "Have more."
Here come your lovers.
Look, Jesus never said anything|about chastity, anyway.
That started with|some old men on an island
that suddenly decided|the body was bad for the soul.
- Atlantis, was it?|- lt's a pity for women it wasn't.
The fact is,|the gloomy God of the Old Testament
still has us by the scruff|of the neck today.
When He was invented,|there were a lot of pagan religions
that celebrated sexuality|and fertility and so on.
So how is this new religion|to compete with something so popular?
By saying that sex was evil and that|women, the embodiment of sexuality,
were responsible for the downfall|of mankind in the Garden of Eden!
- So we're second-class citizens.|- Mrs Pankhurst would be proud.
- Why can't we be vicars or priests?|- Or popes?
Because we're too deafened by the din|of our bodies to hear God's Word.
- Here, here.|- May l answer that question?
- May l speak?|- Come in, boys.
- Evenin', all. G'day.|- Evening.
You're late.
We had to fix up...|a couple of flyblown sheep.
Did you wash your hands?
- Eww, it's horrible.|- lt's only oil, honey.
lt's sheep poo. You got sheep poo|in your fingernails.
lt's OK. We'll be wearing gloves.
Well...better get going, l suppose.
See yous later.
- Good night.|- See ya.
Try one of these.
They're Turkish.
Don't worry, Giddy.|Your time will come.
- Any luck?|- No.
"ls there a Piglet|in the house?" said Pooh.
They're trying to shock us,|aren't they?
Well, church-baiting's|always been a popular pastime.
l got an awful lot|of it at university.
The atheists always think it's funny|to roast the dusty old Christian.
The great thing, of course,|is not to be too dusty.
You should have seen Lindsay's face|when l started quoting Joyce at him.
Something wrong, Piglet?
Those girls are perfect models|for Lindsay's orgies, aren't they?
A shame about Giddy.|l think there's hope for her.
She was, um...sticking up for me|at dinner. Did you notice?
Oh, dear. l probably shouldn't have|brought you here, should l?
- Pooh...|- Piglet.
l think...
sometimes you have too high|of an opinion of me.
What on earth makes you say that?
- Oh, l don't know.|- You are a funny little thing.
lt's freezing. Come on, then.
Do you want to?
l'm not sure. don't have to decide now.
- You wake me up if you do.|- All right.
According to Mr Lindsay,
we should both be in a state|of perpetual tumescence.
- What are you doing?|- Watching you sleep.
Looks like you both|had another punishing night.
l wish you wouldn't creep|into our room every morning!
We've just been for a swim.
l just wanted to tell you|how nice the water was.
Hello! Stop!
- What happened to you?|- You're a terrible mess.
l went for a walk.
- lost.|- Come on.
Plenty of room.
- Here. Put this on.|- l don't want to dress up.
You look as if you've been|in an orgy. Who were you with?
No one.
Don't be a spoilsport. Please?
Oh...all right, then.
Fuckin' pub.
You get fucked. And you too.|You get fucked.
And you. You get fucked too.
Go on and get fucked. Get fucked.
Three jugs of beer|and a créme de menthe.
Hello? Hello?
Sorry, lounge is closed.
- What about them?|- Just closed a few minutes ago.
- Well, the main bar's open.|- The main bar's for men.
- Don't worry. Let's go.|- We came here for a drink.
Hey, Tom! Lewis.
Get us some drinks, will ya?
Forget 'em. They're pretending|they don't know us.
That boil in the|middle of your bum...
you should have it|looked at by a doctor.
lt might go septic.|Your whole bum might fall off.
- What if we drink outside?|- That's against the law.
lt's against the law|to be open on a Sunday.
Get fucked.
One, two, three!
- Your mother's a trade unionist?|- Yep.
The sort that'd put people like you|up against a wall and shoot 'em.
- My family aren't wealthy.|- What does your father do?
- He's an antiques dealer.|- Mine was a sailor.
He's dead.
Taken by a shark?
Blown to bits in a battle.
They only ever found his foot.
- What's funny?|- l'm sorry.
One, two, three!
- Let go of my foot.|- One, two, three!
- Let go of my foot!|- One, two, three!
You haven't caught us yet.
All right, girls. Jiggle your biceps.|This'll be piss easy.
- Hopeless!|- Pitiful!
- Kelly O'Hara!|- Sean Connolly!
- Seamus O'Hurd!|- Patrick O'Shaugnessy!
l'm gonna be honest with you. l find|your lustful women preposterous.
- That doesn't surprise me.|- l am married, Lindsay,
so l do have some experience|of the opposite sex.
l can assure you my wife is about|as far from your debauched harridans
as animal is from vegetable.
And which is she, Mr Campion?
- Sorry.|- Animal or vegetable?
What are you doing, Giddy?
Dancing away all my impure thoughts.|l'm filled with them.
You should be doing it.
You need to more than me.|Oh, not you, Estella.
She needs to more than anyone.
Ah, the world's going round.
What are you picturing|in your mind, Giddy?
- You're getting slippery.|- What do you mean?
l know somewhere...|where she'd be really ticklish.
He leaps from rock to rock|with the grace of a mountain goat.
- You all right?|- Rose. Yes, l'm fine, thank you.
- Just a bit out of breath.|- Were you running?
l think it's time|you paid a visit to Mr Devlin.
l don't chase men.|lt's undignified.
What's that in his hand?
- lt looks like Estella's hat.|- Yes.
l...l lost it when l went out for|a walk. He must've picked it up.
So that's why you were blushing|in the car.
l was feeling ill, l told you.
Let me go.
You ticklish?
Excuse me.
Would you...please untie me?
Please, will you untie me?
My hands are going to sleep.
Thank you.
- That tunic suits you.|- l thought we might go to evensong.
All right, l'll go and change.
So must l.
- Where were you?|- We went into the town.
You went to the pub.|l can smell it on your breath.
Why are you wearing|that ridiculous outfit?
lt's...part of what they've been|using in the latest paintings.
Yes, l'm well aware of that.
Does this mean|you'll be doing some modelling?
There's no need to be offensive.
- Estella, what's wrong?|- Nothing is wrong!
ln its long history, one of|the enduring strengths of the Church
has been its capacity|to withstand persecution,
insult and ridicule.
Since its inception,
those who have sought to|mock Christians have been legion.
Even Jesus Christ Himself|felt their lash -
on the street, in the marketplace,|even at the end on the cross.
"Where are you now,|you King of the Jews?"
they called out to Him in his agony.
ln every age,|still more come forward
to scorn His name|and to defame His most sacred images.
But true Christians,|secure in their faith,
can identify such detractors|for what they are -
the disciples of the devil,
the destroyers of all|that is precious in family life,
the harbingers of darkness and chaos.
Please be seated.
- What on earth is wrong with you?|- Nothing.
What strange, deluded, conceited|creatures we human beings are.
We think we have secrets
but how can we have secrets|from God,
who knows our innermost thoughts|every moment of the day?
Giddy, what's wrong?
He's in the studio.|He's staying there tonight.
l'm going to seduce him.
You're drunk.
Did he say anything...|anything about me
- when he untied you?|- No.
He's too shy, you see?
l think you should lie down|for a while.
We're so out of touch|with our passions.
l mean, l'm such|a bourgeois little thing,
too scared even to reveal myself|to a painter.
l'm going to start walking around|without any clothes on
because, well,|clothes are just ost...
"ostentatious figments|of middle-class imagination."
That's Pru's nonsense.
lt's just a bit cold tonight.
Well, l'd better go and get ready.
This is the first day|of my new life.
No, the first night|of my new life.
She'll have to cross the Arafura Sea.
She'll be here in a few days.
What are you trying to do?
Look. This is where Amy Johnson's|got to in her plane.
She was almost eaten by cannibals.
What are you trying to do to Giddy?|She'll make a fool of herself.
You've seen her.|She's about to burst out of her skin.
- She doesn't know what she's doing.|- Why are you so concerned?
- You jealous?|- Don't be ridiculous.
- You like him too, don't you?|- We didn't speak when he untied me.
- You didn't need to.|- You're really shocking.
Your characters all seem so ravenous.|Can't love ever be gentle?
Yes, of course it can,|but l'm not painting love scenes.
Sorry, yes - "lust scenes."
But there is a fierceness in desire,|isn't there? ln lovemaking?
One of life's great conundrums.
The only one,|according to your paintings.
l admit that the human universe
is infinitely richer|than my meagre palette.
For instance,|l do absolutely no justice at all
to the nervous Nellies and|the shrinking violets, the saints...
You're very contemptuous|of shrinking violets.
Dear Estella,|l'm a shrinking violet myself.
l choose to live|not in the real world but in here.
l flee from the real world|into my little studio
and there before me is the|unlimited canvas of my imagination.
But your paintings,|they do go out into the real world.
While you have a wonderful|imagination, most are stunted
and you have no idea what effect|they'll have on people
or what they might|incite them to. Rape?
Mr Campion, in my opinion,
the female body is the most|beautiful thing in the world
and if it turns you into a ravenous|maniac l'd suggest it's a good idea
if your wife takes the greatest care|to get undressed behind a screen.
Estella's seen the pictures too.|Are we in danger from her?
You're so patronizing, Mr Campion.|Everyone has a rich imagination.
What stunts it|is capitalist exploitation.
Go to Soviet Russia|where they've been liberated,
there's an explosion of creativity.
Have you been to Soviet Russia, Pru?|Have you?
l thought for a moment someone knew|what they were talking about.
Communism has exploded every value,|leaving a vacuum of moral anarchy.
- Anarchy is freedom!|- Balls! Sorry. Sorry.
Freedom for the strong|to dominate the weak.
lt's exactly as before,|just a different set of bullies.
Speaking of bullies, where's Giddy?
- l thought you'd lost that hat.|- Yes.
One of the girls must've found it.
So, um, where was Giddy tonight?
You like her, don't you?
"Try one of these, they're Turkish."
No, l just...
l just worry about her|with those other two.
She's drunk herself into a stupor.
Planning to throw herself at...
that odd-job man.
Yes, he's quite a character,|isn't he?
Apparently, he had a dangerous|reputation before he lost his sight.
This whole country's dangerous.
You know, l've been mulling over|what you said to me the other night
about...about me|thinking too highly of you.
- l don't see either of us as saints.|- That's a relief.
Yes, l've done plenty of things|l'm ashamed of, stretching way back.
- What sort of things?|- l remember when l was at school,
we had this|ridiculous initiation ceremony
for the new boys,|the "scum" as we called them.
- l was put through it myself.|- What happened?
Well, we used to stand 'em|on a chair, take their trousers down,
whip 'em with wet towels|while they recited Tennyson.
- You know the sort of thing.|- Do l?
Anyway, that's just...|something l wanted you to know.
ln view's activities.
What are you talking about?
l think you know,|l'd rather not put it into words.
Sorry l'm so noisy.
lt's all right.|They'll all be asleep.
You are the Winnie the Pooh|sleeping in today.
- What's the time?|- Nearly three.
Message from your friend Sheela.
She didn't want to wake you for|swimming as you needed your rest.
Seemed quite smug about it, actually.
l might have one now, then.
To wake me up.
Right. Good idea.
- How are you feeling?|- Really buggered.
l woke in the night with a blanket|stuck to me like a cloak.
l'd spilt that horrible drink.
l looked like a huge emerald mint.
Not that it mattered.
- Why? What do you mean?|- l went to the studio to see him.
He was there doing it|with somebody else.
Who was it?
lt was dark.|l suppose it was Sheela or Pru.
They've got absolutely no morals|at all.
l just feel so stupid.|l thought he liked me.
So l'm not going to have|anything to do with men any more.
- l've made a big decision.|- What decision?
You'll see. So will Norman.
- Change your mind?|- Yes.
Disappointing news.|The organisers have backed down.
Exhibition's going ahead|with all the original paintings.
- Still, we did our best.|- l wish we could leave now.
That's the good news.|The track's been repaired.
- We'll get the first train tomorrow.|- Thank goodness.
l'll tell Lindsay.
Sorry, just thought l'd let you know|we'll be off in the morning.
You're very naughty so l'm not|going to give you this chocolate.
Honey! Honey, come quick.
This lamb is absolutely delicious.
Very nearly as good as Welsh lamb|and that's saying something.
Well, um...
thank you very much|for your hospitality.
Bottoms up.
We've enjoyed ourselves.
l like a little opposition.|lt clears the mind.
So, um, l gather|you're a boxer, Mr Devlin.
Yes, l used to do a bit|of boxing myself, actually.
Quite a keen pugilist in one's day.
Lost a huge part of this tooth from|a great haymaker someone gave me.
l expect you've got some|pretty bad scabs to show as well.
Apart, obviously, from the...|eye thing, which is beastly.
Well, unfortunately,|during his last fight,
Mr Devlin was gasping for air|with his tongue hanging out
and he got this enormous uppercut|under his chin and lost most of it.
Bulldust, Norman.
He makes a brilliant Ulysses, anyhow.
We always call him into the water|and he never comes.
Whoever he was,|you'd try to get him in.
- You'd get in the whole army.|- God, you're charming tonight.
Thinking about the Atlantis series,|l'd like to do more research.
l was thinking of mounting|an expedition to go and find it.
You might like to come.
- Devlin could be the pilot.|- Giddy could be the navigator.
l'm not going if they're going.
- What?|- Why not?
l can't trust you|as far as l could kick you.
- Thanks very much.|- What are you talking about?
You know!
You always eat cheese|when you're feeling guilty.
Excuse me.
Sorry, l'd better go and see|if she's all right.
- What?|- Nothing.
Piglet? You all right?
Yes, l'm...l'm fine, thank you.
Are you feeling a bit funny?
Probably all that Stilton.
You were packing it down,|weren't you?
- Well, l'd better...l'll go back.|- Pooh.
l think...we should talk.
- Right you are. What about?|- Ever since we got here, l...
Well, now, l think some things|are best left unsaid.
But that means|we'll always be strangers.
No, not really.
- Only small parts of us.|- The bad parts.
No, l think it's good|to have a few secrets.
Do you?
That way, in 50 years' time,
we'll still be able|to surprise each other.
Perhaps you're right.
l love you, Piglet.
- What's the matter?|- You must've been dreaming.
When you saw someone with Devlin.
You were so drunk.
l looked in here|and you were absolutely sozzled.
- But it was so real.|- Dreams always are.
The other two swear it wasn't them
and you know how they like to boast.
Do you still like him?
- l suppose so.|- You should go in and see him, then.
That's what your dream|was telling you.
Here, put this on.
- But it's your wedding ring.|- lt's always brought me luck.
- Has it?|- Always.
Wear these.
Try some of this.
We'll have to fix your hair.
Good luck.
l want to wake up now.
- What? lt was night...|- You were shouting.
Really loudly.|l heard you from the garden.
But l wanted to tell you about|last night. Oh, it was wonderful.
l mean, l didn't do everything|with him because...
l don't think|he's good enough for me but...
oh, he did some things|which were just...
How dare you use her|without permission?
- l don't need permission.|- lt infers that she modelled!
You cannot just put|someone in your painting!
lt's totally compromising.|She'll be outraged. l'm outraged!
- Perhaps we ought to ask her.|- l don't need to. lf she wanted...
Anthony? What's the matter?
Mr Lindsay has put you|in his latest painting.
He has to paint over you|or we'll take legal action.
He can turn you into someone else.|You'd better have a look.
lt's a good likeness.
Devlin, better get back|to work. Catch.
They're asleep.
For goodness sake!
We'll be arrested.
We'll be excommunicated.
SLC Punk
SNL Best Of Eddie Murphy 1998
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Stargate SG1 5x10 2001
Stargate SG1 5x11 Desperate Measures
Stargate SG1 5x12 Wormhole X-Treme
Stargate SG1 5x13 Proving Ground
Stargate SG1 5x14 48 Hours
Stargate SG1 5x15 Summit
Stargate SG1 5x16 Last Stand
Stargate SG1 5x17 Failsafe
Stargate SG1 5x18 The Warrior
Stargate SG1 5x19 Menace
Stargate SG1 5x20 The Sentinel
Stargate SG1 5x21 Meridian
Stargate SG1 5x22 Revelations
Stargate SG1 6x01 Redemption Part 1
Stargate SG1 6x02 Redemption Part 2
Stargate SG1 6x03 Descent
Stargate SG1 6x04 Frozen
Stargate SG1 6x05 Nightwalkers
Stargate SG1 6x06 Abyss
Stargate SG1 6x07 Shadow Play
Stargate SG1 6x08 The Other Guys
Stargate SG1 6x09 Allegiance
Stargate SG1 6x10 Cure
Stargate SG1 6x11 Prometheus
Stargate SG1 6x12 Unnatural Selection
Stargate SG1 6x13 Sight Unseen
Stargate SG1 6x14 Smoke n Mirrors
Stargate SG1 6x15 Paradise Lost
Stargate SG1 6x16 Metamorphosis
Stargate SG1 6x17 Disclosure
Stargate SG1 6x18 Forsaken
Stargate SG1 6x19 The Changeling
Stargate SG1 6x20 Memento
Stargate SG1 6x21 Prophecy
Stargate SG1 6x22 Full Circle
Stargate SG1 7x01 Fallen
Stargate SG1 7x02 Homecoming
Stargate SG1 7x03 Fragile Balance
Stargate SG1 7x04 Orpheus
Stargate SG1 7x05 Revisions
Stargate SG1 7x06 Lifeboat
Stargate SG1 7x07 Enemy Mine
Stargate SG1 7x08 Space Race
Stargate SG1 7x09 Avenger 2 0
Stargate SG1 7x10 Birthright
Stargate SG1 7x10 Heroes II
Stargate SG1 7x11 Evolution I
Stargate SG1 7x12 Evolution II
Stargate SG1 7x13 Grace
Stargate SG1 7x14 Fallout
Stargate SG1 7x15 Chimera
Stargate SG1 7x16 Death Knell
Stargate SG1 7x17 Heroes I
Stargate SG1 7x19 Resurrection
Stargate SG1 7x20 Inauguration
Stargate SG1 7x21-22 The Lost City I n II
Starship Troopers (Special Edition)
Starship Troopers 2
Story Of A Kiss
Strada La
Strange aventure de Docteur Molyneux
Street Of Love And Hope (Nagisa Oshima 1959)
Street of shame (Akasen chitai)
Streetcar Named Desire A
Style Wars
Suicide Regimen
Sukces 2003
Summer Tale A 2000
Sunday Lunch (2003)
Super 8 Stories
Superman IV - The Quest for Peace
Surviving the Game
Swedish Love Story A (1970) CD1
Swedish Love Story A (1970) CD2
Sweetest Thing The (Unrated Version)
Swept Away
Swordsman III - The East is Red
Sylvester - Canned Feud (1951)
Sylvester - Speedy Gonzales (1955)
Sylvester and Elmer - Kit for Cat (1948)
Sylvester and Porky - Scaredy Cat (1948)
Sylvester and Tweety - Canary Row (1950)
Sylvester and Tweety - Putty Tat Trouble (1951)
Sylvester and Tweety - Tweetys SOS (1951)