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So, uh, what we're gonna do is we're gonna play back some of the band's new songs. There'll be no cameras allowed in there. There'll be no video. No bags in there. You can only walk in with paper and a pencil. - We're ready. - Are there any questions? Do you want us in? - Camera over here. - Hello? Was there ever a moment you thought about stopping with Metallica or the whole band was falling apart? Was it a kind of a power struggle between you and him? How did you manage to solve this crisis? Where in God's name are you getting all this aggression from on this new album? Where's it coming from? Why did it take so long to release an album with the new songs? After 20 years, is it possible to retain the fire that, you know, you guys once had at the beginning? Do you think the young generation of metal fans will accept the new album? 85 million records, 22 years... l think it's 11 albums in various official releases. One word... Oh, my God. One word to span our career? Uh... Scanning the scene in the city tonight We're looking for you to start up a fight There's an evil feeling in our brains But it's nothing new, you know it drives us insane Running, on our way, hiding, you will pay Dying one thousand deaths Running, on our way, hiding, you will pay Dying one thousand deaths Searching Seek and destroy Searching Seek and destroy Thank you! After 14 years of head-banging, Metallica bassist Jason Newsted has quit the band citing, quote, "Private and personal reasons, and the physical damage that l've done to myself over the years while playing the music I love." Metallica's management had no comment when asked by MTV News if there's a replacement waiting in the wings, but the band is still scheduled to begin recording a new album this spring. That's the news for now, Stay tuned... l mean, I think everybody understands the concept of trusting instincts. That's getting to a place where you don't let egos and let stuff get in the way of artistic expression. You know? So, I mean this is... Do you wanna say anything more about that? 'Cause I think everybody understands... l met Metallica through Q Prime Management, after having seen me work with another band of theirs. When they called and said that Metallica, with Jason announcing that he was exiting the group, needed to take a look at itself and say, "Well, what's going on here?" "We've lost touch with our personal relationships," and face some of the issues that l think Q Prime feIt that they... were headed for. You know, we haven't really worked together for almost nine months. When we were talking a couple of days ago about whether... you know, if we wanted to do this film or not, l was wondering if having these guys in here... would affect that. 'Cause I'm just... There's an intimacy that you get when it's just a few people in the room, and I'm just wondering if that's gonna get lost, if we're gonna go back to sort of, like... battling each other and trying to be, like, all strong and... What intimacy? What the fuck are you talking about? l think, to me, it's not gonna be a matter of whether the cameras are in play, but whether or not you guys are free enough to risk being seen by other people. We're here in the Presidio in San Francisco... and this is gonna be the location where Metallica is gonna start recording their next album. We decided that we didn't wanna go back into a studio again and do kind of like the same thing we had done before. We had to kind of change things up. And this is one of the things that we talked about, was to go into a space that's not a studio. Bring in kind of like a portable studio, or a makeshift studio, and basically make the situation uncomfortable. You know, don't buy new furniture, don't paint the walls. Don't do anything. Just keep it Spartan, keep it crude. They're such a success that you can get comfortable. l don't think they wanna be comfortable. - There's definitely a vibe in here. - They've got a lot of attitude and I think they want it to come out on this next album. How did you approach this record differently? l mean, did you talk about things? Did you have ideas, key words, things like that that you wanted to put across before you actually started putting the whole thing together? Well, ego was a big one. Coming in here... and not bringing a riff, not bringing a song, not bringing a title. Nothing. Me and James did not meet somewhere else and come in here with material, with songs, with music. This time, we all got in a room and just started playing, and that's how we wrote songs. The idea is it should sound like... a band getting together in a garage for the first time... only the band's Metallica. l really like going fast. Just go off and meditate in the wind, you know? As corny as it sounds, it works, and it feels good. It's a good way to just let the weight of the world off every once in a while. It is kind of strange being... you know, like, a famous guy. You know? This is... this is part of me that's trying to be "unfamous," I guess. But it's also a go-against-the-rules attitude. You know, is this something posed? l mean, yes, this is a pose. l mean, am I driving down the street to not get noticed in this thing? l mean, "rebellious" is kind of what this says, I would say. - Have you got a plug in here? - Wait, wait, wait. So what exactly are you doing? Well, you'll just hold it above the pick-ups. Oh, OK. I gotcha. Yeah! Give me fire, give me that which I desire Give me fuel, give me fire, give me that which I desire Give me fuel, give me fire, give me that which I desire l got some bad news. - Gonna have to... - Change the lyrics? - I like this thing, Bob. - What? l like this thing. l used to kid myself that art was my great escape away from music. And I think l've become increasingly aware that my interest in art, music and Metallica is not separate from anything. You know, why does he feel that there's enough of that kind of gold thing? How come there isn't another 20 strokes up in that black area up there where it's kind of bare? Where are the starting points and where are the end points, if you know what I mean? When's a song done? What the fuck does that mean, anyway? "Done." When's a record done? You know, where does a record start? Where does it end? Where does the process start? Where the process end? All that type of stuff. Do you know what I mean? - Daddy! - It's really interesting. Yes, sweetie? l don't feel anything great there. - I don't think it's that great. - How do you hear the riff, then? l like that... and then... ln nine days it'll be my two-year anniversary of surfing. It's taken the place of a lot of bad things in my life. So I basically stopped doing the drugs that I was doing, and cut way back on my drinking. You can't surf when you're hung over. You can't surf if you've been up all night. Well, at least I can't. There's a sort of individualism, also, about surfing that I like. I mean... When it's your moment, man, that's your moment and yours alone. And no one can help you. For all intents and purposes, we go into this record completely equal. Everybody contributing just as much on the lyric front as James contributing with drum parts and... As soon as you started talking about that I just, like... Yeah, yeah. You flash back now? Well... You want to hear it with vocals? Go sing it. You guys had some rules about that before. Quite frankly, I don't give a fuck. I'm tired of arguing. You couldn't talk about his lyrics... therefore, he couldn't talk about your drumming. - Right. - Do you know what I mean? And you and him did the solos, so you weren't allowed to comment on the solos. Do you know what I mean? There was, like, rules. Are you telling me that those boundaries are gone now? ln the past, what we did was started with a bunch of ideas existing on tape from everybody. Then me and James would sit down and turn those ideas into songs, and then we would tell the rest of the band what to play and when to play it and how to play it. There was never any... just other ways of doing it. You know, it's a whole new thing for me. You know, writing in front of everybody. 'Cause l've always just gone into my own head and wrote stuff down, instead of taking things from outside and putting them down. You know, I was thinking this is, like, "These are the hands that da-da-da..." "This is the face that de-de-da-da..." - So, it's like... - Building a Frankenstein or something? - Yeah. Pretty much. - Building what? - A Frankenstein. - "This is the top of my head that's flat..." "These are my boIts." We're on the same stream of consciousness here. We're just all working on the same creative wavelength. And it's inspiring to me. Now I can further express myself with these lyrics now that, you know, James has opened that door for Lars and l. - This is "clay," right? Not "clam." - Yeah. "Clay." OK. "These hands finger the clam." These are the eyes that can't see through me This is the tongue that speaks on the inside Make sure you really, like, spit "can't see me." "These are the eyes that can't see me." These are the eyes that can't see me These are the hands that drop your trust - This is the... - Yeah. "This is the eye..." Yeah. This is the eye that can't see me This is the hand to drop your trust These are the boots that kick you around This is the voice of silence no more! What is this about? Well, I mean, when I said "Frankenstein" it's not that far off. You're talking about pieces of things. - I mean, some kind of monster. - "Some kind of monster"? You know. - Some kind of monster. - Some kind of monster? - It is good. - You know what I mean? l like that. Some kind of monster Some kind of monster! The monster lives "We come now to create our album of life." "Throughout our individual and collective journeys, sometimes through pain and conflict, we've discovered the true meaning of family." "As we accomplish uItimate togetherness, we become healers of ourselves, and the countless who embrace us and our message." "We have learned and we understand, now we must share." - So that's just, um... - A mission statement. - A what statement? - Mission statement. - "Mission"? - Yeah, mission. It's, like, you know, - it sets a goal... - Right. ...so you can, like, just always be reminded of, you know... You know, what the uItimate goal is. All right! It's my world, you can't have it It's my world, you cannot have it It's my world, you can't have it It's my world, my world, my world, you cannot have it Sucka! - Excellent. - Come on, little man, let's go. Skylar, do you want your purse? - Um... - Daddy! Oh, come, oh, come. Come, Daddy! Come, Daddy! l don't know how you guys feel, but it's really awesome, what we're doing. The four of us can just go in a fuckin' room and roll that kind of shit out of our sleeves. Pull it out of thin air, man. It's so exciting, 'cause that has just never happened before. l couldn't get to sleep last night 'cause I was still wired from it all. How do you feel? You don't seem very psyched about it. What the hell? - How's it going, buddy? - Good to see you. - How many bears did you kill? - Two. Russia's fucked up. You know, it was, like, you put a bottle of water here on the table. It was... that was it, a bottle of vodka sitting there. - Did you drink vodka? - Hell, yeah! - You did? - What else is there to drink? As soon as we got there, it was, like, "Na zdorovia!" Na zdorovia! That's a pretty big bear. ls bear edible? They were no good to eat. That freaked me out, when they didn't take any meat. You know, they have been hibernating for three months, so they haven't pissed or shit or nothing. - So they're toxic? - Yeah. Third day, l'd killed my bear and I was just in camp for the rest of the time. - It's, like, "Oh, my God." - Worked on lyrics? Yeah. I actually did. There was a lot of time, man. A lot of time. - I worked on lyrics in Siberia. - How to drink vodka and work on lyrics. Temptation wreck my head Temptation make you dead Temptation sucks my soul Temptation fill no hole! Temptation Fuck you up Temptation No, no, no, no, l can't say no Can't say no, no, no No, no, no, can't say no Oh, no, I can't say no Go away Leave me be Just leave me be So, what were the reactions you got from those close? l mean, how did the family react? I'm just... I don't know. Sometimes I'm a real ass about it and just come in and say, you know, "Oh, by the way, I'm going to Russia for two weeks right here." You know, and, "What?", you know? Yeah, I'm getting better at that, you know, 'cause... That was the most l missed my family, ever. - You know? - Right. And it was, you know, Castor's first birthday I missed. - Right. - And it was... Of course, we had a little vodka, to Castor. You know, a little shot for him and everything. But I would have loved to have been able to get ahold of home. - Who's here? - This is Daddy's working. - This is where Dad works? - Yeah. - What does your dad do for work? - Dums. - He plays drums? - Yeah. - Uh-huh. Is he good at it? - Let me play dums. - Daddy want to play dums? - I played drums a lot today already. I'm OK. You play for a while. - Those guys... - That's very good. ...you know, their plate is filled with many, many things. And music is just one of the things. Say "Bye, James." - Bye, James. - Bye, buddy. l chose not to have children and do those kind of things. My music... That's my children, you know? But since I decided to do it with music, then that's what I have to fill my time with. Echobrain is one of the projects that l've been working on for years, and now it's come to fruition. And then, when it comes to the time where my main cat, James, tells me that... that basically, he couldn't be in a band with me if I took this other project to this level. And after 15 years of working together, and going on buses, and... You know the stories, man. There is no way that this thing that I was doing could affect the monster of Metallica. l just don't see how it could. And so, in saying things like that, l couldn't accept that kind of, um... limited acceptance. l also know that this relationship is not over. You know, he'll... it'll come around again at some point. You guys will make contact. At that time, the manager suggested that we have a psychotherapist come in, a man that meets with pro-ball teams - you know, big-ego, big-dollar guys that can't get along, but have to make some kind of entity flow so everybody else and everybody can make their money. And, uh, I actually said, "l think that this is really fucking lame and weak that we cannot get together." "Us! Look, we're the biggest heavy band of all time!" "And the things we've been through, the decisions we've made about squillions of dollars and squillions of people." "And this... we can't get over this?" Was it more than just the Echobrain thing? 'Cause that's, like, you know, what has been discussed. He feIt like he wasn't free enough to do what he needed to do. Since he wasn't getting his creativity out enough in Metallica, he needed to get it out somewhere else. And I totally understand that now. And, uh... on my side of that was... l didn't want him to enjoy that more than Metallica. l didn't want anyone to leave Metallica. l didn't want to feel that we weren't enough, or something like that. And it was through my, I guess... The way I learned how to love things was just to choke 'em to death. You know? "Don't go anywhere. Don't leave." You know? "You have to stay here." OK. l need a pen, none of this pencil shit. Check it out, man, They can't fuckin' spell it right. "Metllica." We've only been together 20 years. l feel guiIty that I'm not inspired all the time. You know, especially when everyone else is. - True. - It's, like, OK. We kind of get to the point where the song is looped twice in the ProTools and I know Bob's gonna hit me up for some kind of lyric ideas. Ah, shit! I was, like, dreading the whole process. It's, like, "Why are you dreading it? Why don't you just...?" You were dreading it because of what? Let's get to the fear. - Well, because I didn't have anything, or... - And so if you didn't have anything...? ...wasn't inspired enough to have something... - And you didn't have anything? - ...or letting down the team, - or some vibe like that. - OK. One, two, three, five... Say it, all right, yeah Motherfuckin' in my head It's like I'm almost, like, racing against time. There's, like, a weird-ass fear of, like... "l gotta come up with something myself really quick before somebody else comes up with something for me." And then if I don't like it or don't 100% embrace it, then I'm just being a selfish... you know, insular asshole. It's a fear response. When we're up against a fear, that's the time to move into it forward. Because there's gonna be some kind of genius there or some kind of breakthrough. Oh, motherfucker, yeah Yeah! Metallica! Metallica! Kirk. Kirk. - Kirk. - Kirk! - Kirk. - Kirk! - Kirk. - Kirk! - Yes. - Kirk. - James is trying to talk to you. - Sorry, man. Yeah, it's a bit stock. Check it out, guys. l don't know how you feel. I'm in a shit mood, and... I'm not diggin' it right now. Even last night, I gotta tell you, everybody kind of looked... - I hate to tell you, looked pretty burnt. - I agree. And if we don't start earlier and end earlier, I'm just... I'm not gonna be in a good mood for the rest of the shit, you know? - That was totally weird for me. - You hear that, Bob? Why don't you try getting a more solid beat? - Regular? - Oh, well, you call it "regular." - No, you call it "regular." - No, I'm trying not to call it "regular." 'Cause I know it bugs you when I call it "regular." So a little more solid, then. Fuck! Maybe we should talk about next week. Well, all next week is therapy. - Yeah. - Do we have to do that? Can we sack Phil? l mean, we gotta find... we gotta find a balance to not... You know, the Phil stuff's important, and I hope we all feel that that's an investment in the music. It's an important part of the record. Get all holy again, yeah Let me just go put one together. Get all holy again It's just real confusing-sounding. It's just jackin' the vocals all up. l mean... l mean, it's clever and everything, but... l mean, I don't see what it does to this. l think that's how you hear it, dude. That's fine. I'm just trying to do something different. l mean, I'm... I'm used to having the drummer do the beat part. You know what I mean? Holding it together. Um... What I'm hearing is... l'll choose my words carefully here. Um... It's pretty straightforward. And the guitar shit, it's... you know, it's a little stock. So I started trying to introduce some kind of edge to it on the drums. Those things we throw out to each other are complete bullshit. You know? It sounds too stock. It sounds too normal to me. That... I mean... You know what I mean? You're saying this shit, so... you can get your point across about doing a drum beat. I mean... - You know, it doesn't hold any water. - To you. - It doesn't! - I think it's fuckin' stock! What... which part of that is unclear to you? l think it sounds stock to my ears. l mean, do you want me to write it down? - I think it feels stock, OK? - Oh, yeah, please write it down. - I hear you. - So l... No, when you say... You're telling me what to play, right now. You're telling me, "You should play with what Kirk's doing." And I'm telling you it's stock. - Dude, fine. - You know what, guys? Why don't we just go in there and just hammer it out, all right? lnstead of hammering on each other. We're in shit moods and we're not gonna get anything done here today. All you wanna do is pick a fuckin' fight. And you... l don't wanna pick a fight. This is so silly. You're just sitting there going, "I'm in a really pissy mood, and..." And I fuckin' told you, straight up, that I was! - Right. - And what are you trying to do? I'm not trying to do fuckin' shit! You're just sitting here being a complete dick. You're really helping matters. You're really good at that. l was straight up with you and I told you, "I'm in a shit mood." And what have you been doing? Fuckin' pickin' at me all night. Come on, guys. We've got better things to do. Yeah, I do. I do. Metallica frontman James Hetfield has entered a rehabilitation facility to undergo treatment for alcoholism and other undisclosed addictions. ln a statement posted on Metallica's official website, the band writes: "James has entered an undisclosed facility, and he will continue to receive treatment until further notice." "Until then, we have postponed all current activities, including recording sessions for our new album." Metallica, whose hard-partying ways earned them the nickname "Alcoholica," have been working on their follow-up to the 1998 double-disc collection of covers... Not only do I not know the answer l don't even know what the question is! God, it feels Like it only rains on me God, it feels... l think it's easy to see that in those days, Metallica brought a kind of physicality to rock-'n'-roll. Let's say the Beatles, the Rolling Stones, you know, and all that, inspired some of the British rock music that then developed after that. And let's say the metal music, and Led Zeppelin and Black Sabbath and all of that. And then, out of that, again, then... let's say, then came Lars and all of that in being. So, I think that they have certainly a place in all of that, I think. Lars had a very good vision, at the time, of where he saw that particular... you know, the metal music going. Because he could see it with European ears and eyes, maybe. Don't you feel that it's great for you to have your father's perspective on... on who you are and what you're doing? l think that's incredible, and it's... You talk about the lineage, which we did. We talked a little bit about your grandfather... It's very difficuIt to admit it, especially with him standing next to me. It's easier to talk about when he's not in my presence. But, um, of course it is. - Yeah. - What would you say in private? - To who? - To anybody, without him here. Say it. You know, what would it be? Well, I mean, l've already said it to you countless times. Well, have you said it to him? What is it that you...? You brought it up. I didn't bring it up. What is it you feel you've said that you're not saying now? l think maybe in some ways, some of the, um... - To me, that's... - ...fear of status quo comes a little bit from this direction over here. l think that, um... l mean, there's nothing worse than when I have to go to him and play the new record and know there's something on there that sucks. And he can see right through that in two-and-a-half seconds flat. Comments on that one? l would say... You know, if you said, "lf you were our advisor, what would you say?", then I would say, "Delete that." l mean... I don't know for you guys. For me, it doesn't cut it. You know? - But, uh... - lnteresting. l mean, it's interesting, you know, now... - Other than the people involved here... - Yeah. ...the only other people who've heard any of this music is Cliff Burnstein. Yeah. When Cliff Burnstein heard that, he thought that should open the record. Yeah. I mean, that could well be. But I'm pretty sure that... l really... That... I really don't think so. You know? l really don't think so. Right. For me, that doesn't sound right or something, you know? Unless I'm a guy that's kind of shouting in some kind of echo chamber. So I think one of our responsibilities here is to act like a band is still continuing. We're going on. We're doing our exploring. We're exploring ourselves individually. We're exploring our relationships. And we really need to get together, talk about this, act like the band exists, because it does exist. And if we don't do that, then we are the co-producers of the process slipping off the planet. It's a bit of a shit sandwich, though. What is it, the unraveling of a band? And then there were two? So, uh, a good friend of mine phoned me, and he knew where James was. - Really? - Yeah. He couldn't even imagine James doing anything for six months. I'm prepared for the worst. I'm pretty confident that, you know, we will come together when the time is right. But knowing when that time will come... or not knowing when that time will come, is very, very uncomfortable. l hope that at some point, he will come back and try and finish the making of this record. lf... lf he walked away from Metallica, I'm not sure that it would surprise me. Say your prayers, little one Don't forget, my son, to include everyone l'll tuck you in free from sin l've always feIt that James was a softer, more caring, compassionate person than he allowed himself to be to most people. l can remember from the Dave Mustaine days, l mean, when him and Dave Mustaine... These guys, they started, like, right away with their big, you know, chest-beating and their mannerisms. And the whole thing was very much about this kind of, like, macho. And it was just, like, l couldn't deal with that stuff. And looking back on, what, 18, 19 years ago, l mean, I just feIt so alienated because it was just so far removed from the upbringing that I come from. Well, here's to you, my friends. But then, at the same time, I'm starting to realizing now that the sort of depressive things that show up as a resuIt of the alcohol and stuff like that, it was just very difficuIt for him - to communicate from the heart... - You want some or not? ...and not hide behind a lot of these different fronts. Whether it's alcohol that gives him a false sense of strength, or "the frontman in Metallica," or, you know, macho bullshit and all that stuff. All right, now you guys are drunk and I'm drunk. Now this is the fun part, man. l want to help him, l want to be there for him, and I want to do the best I can to make him the best person that he can be. So I don't know how the fuck it's gonna play out. It's really heaIthy for me to be here without any pressure or anything related to the band or anyone who would remind me of the band, and, uh, recognize what's real. Our sessions with Phil really stirred up a lot of things in James that he feIt that he needed to address. Mentally, it's really taken its toll on myself, you know, 'cause I'm very worried about him. And, you know, whenever you check yourself into rehab, they don't focus on, you know, the fact that you're an alcoholic. They go much deeper. You know? l mean, they go way deep. They crack you open, and then spill you out and examine all the things that are on the table. l've spoken to him a few times, and, you know, l know he's having a rough trip. No matter how bad it gets, eventually, things seem to sort themselves out. Sooner or later. Whether it's good or bad, they sort themselves out. l watch the people around the world say what a great guitar player Kirk is, and what a piece of shit I am. And that I got kicked out of Metallica. And I wasn't good enough for them. And that I was a loser. And l've had to deal with that for almost 20 years. And it's a dreadful experience. It's been hard, Lars. It's been hard to watch everything that you guys do and you touch turn to gold, and everything I do fuckin' backfire. And I'm sure there's a lot of people that... they would consider my backfire a complete success, you know? And am I happy being number two? No! You know? You're just now encountering something l've been going through 13, 14 years. l've never had a chance to be able to tell you without... talking to Lars, the guy in Metallica. l've never talked to my little Danish friend again. You know? l remember the day you and I talked about digging a hole in fuckin' dirt and smoking hash through the ground. That, to me, is the stuff that's like... You know? And we've never had very many moments like that. Do I feel some guiIt? Uh, yes, I do. But at the same time, it's difficuIt for me to comprehend that the only thing that you feel when you look back on the last 20 years... is rooted in the Metallica thing. OK. Have you ever thought what l've been through? l think l've had an awareness of the pain I caused you. - Um... - That's not what I said. OK. Um... - Do you have any idea... - Of what I put you through? No, no, no. ...what I went through? l mean, people hate me because of you. l walk down the street and I hear some piece of shit say "Metallica!" at me. And they do that to taunt me. l mean, when I would hear Metallica on the radio, I would be, like, "God, I have to turn this off," because l just keep thinking, "l fucked up!" Right. l've been waiting for this day for a long time. You know, and by no means is it done, because somebody else very important is not here. Right. Do I wish it was 1982 all over again and you guys woke me up and say, "Hey, Dave, you know what? You need to go to AA"? Yeah. l'd give anything for that chance. ls there any last words you want to say to everybody out there? Metal up your ass! OK, thank you. This is Donna Davis and this is Metallica. This is, like, a pretty bitchin' club to play the first fucking gig. - Yeah. - How do you guys feel? Stoked. - Freaking out. Totally. - Freakin' out? Freaking out. It's fuckin' unbelievable. l think what it comes down to... Can I say that? - Yeah, you can say whatever you want. - Great. Great. It's fucking unbelievable. Echobrain! Yeah! l don't know, just all of a sudden, this became, like, such a big production. l don't understand. It's, like, all of a sudden, I get, like, one phone call. It's like everybody and their fuckin' brother are in town. l thought it'd be Jason, like, playing with his new band in front of, you know, like, 20 drunks down at some bar or something. And now, I guess, through my own ignorance or something, l guess that's what I wanted it to be. So now I'm realizing that supposedly it's a little more of a big deal than that. - Hey, man. - Thanks. Thanks, man, thanks. - Awesome, dude. Awesome. - Oh, thank you. Right on. - I'm Lars. How you doing? - Nice to meet you. - Great to meet you. - Where's Jason? - Jase? - I don't know. Dude, I think he went back to... l think he already fucking bailed. - I think he might have went back to... - Did he? Really? Nice! I go back to say hey, and he's, like, fucking gone. "Elvis has left the building." There's Zach. Hey, Zach! See, he's even blowing me off. Jason blows me off, Zach blows me off. How quick we become yesterday's news. Yeah! No kidding. See, there's a guy in an Echobrain T-shirt. Yeah, that's Steve over there. He works at the studio with us. - Well, it is. - Really? - Yeah. I remember that guy. - Huh? l remember that guy. He worked at the studio. - Which guy? - Over there. The guy in the red shorts? No, the guy in the black that's walking across right now. - Really? - Kessel. Todd. He works at the studio, too, doesn't he? - Who? - Todd over there. I'm sure they're all here, Bob. l mean, the only two people in the bay area not working for him is me and you. Hetfield's gonna freak. I'm in fucking hell. This whole gig has brought all of this on, hasn't it? - Yes, it has. It's made me feel like... - You really wanna come clean. It made me feel like such a loser. l mean, I can't hold my band together, you know? l start records, I don't finish them. l fucking... Jason is the future. Metallica's the past. l've never had a break like this, in 20 years. Do you know what I mean? And just what's been kind of getting me is just not knowing. Do you know what I mean? Not knowing, and not hearing, that's just like... It just eats away at you. Kirk talked to him. - I talked to James today. - Oh, cool. What did he say? He basically said that, you know, his family's the priority right now, and he needs time to work on his family before he can reach out to his other family, being us. And that he loves us, and he just needs for us to understand that he needs time. And he also went on about how difficuIt it was talking to you about it, because he feIt pressured. And, you know, he spoke about how you always need to be in control of the situation, or in control of the schedule, or whatever. And he said that this is a time he needs complete control of the situation. And he said, you know, all the Marc Reiters, and the Bob Rocks, all that stuff, you know, just has... "l can't think of that right now." So, you know, I got the feeling that he kind of lumps in your relationship with the business side of things. Which was, actually, really surprising to me. But I think that's, you know, that explains a lot on why he hasn't spoken to you. We're just in limbo, and the longer James chooses to stay away from dealing with us, the further we drift apart. And I just feel so... disrespected... that that's the key thing. Was the future of the group ever in doubt, even when James went into rehab, do you think? Lars and l, we were wondering when James was going to finally feel like he was in a situation where he can come back to the band. And after a certain amount of months, you know, Lars and I started to think, "Well, is he ever gonna come back to the band?" And that was a really big question on our plates. Whether or not, you know, he wanted to come back. James wrote something in the new issue of our magazine, So What. He wrote a kind of a little handwritten note. That note was probably the most heartfeIt thing l'd ever seen come from his mind. Tomorrow is shaping up, or is gearing itself up, to be... Yes, the first sit-down with one James Hetfield, post-rehab. - Why are we filming this? - I don't know. We're in very different places. Or, at least, I am in a very different place than I was from the Presidio. That's a huge understatement. So, we just have to find that if, you know, if the movie will be as intense, you know? To me, there was a lot of intrusion and I kind of went with it, and feIt... l feIt uncomfortable. l feIt uncomfortable with it. You know, a boom following me around, and it just feIt like I was in the spotlight all the time, and I didn't... l guess I don't really like that feeling. While we were in the Presidio filming you guys playing, - did you feel it then, too? - Yeah. It was pretty much all the time. l mean, do you think you're in a better place now? - We've got to find some avenue... - I'm definitely in a better place. ...some place that makes you feel comfortable. The last thing we want to do is have it impede on your music, because that's more important than anything, right? You know, one answer may be... Maybe there shouldn't be a film. l mean, that's the range of possibilities that we should really think about, because... I mean, why do you guys want a film? Even you said you hoped that the film is made. I mean... That's a big question, because for me, it was really just, it came along with being in Metallica - "Hey, we're gonna do this." "Oh, OK." That's part of this, all of this. The bigness of Metallica. And I'm kind of tired of it. You might look at it as a friend. To me, it's been a beast. And it's sucked a lot of me into it. You were maybe the keeper of the beast at one point. You know, because you were the champion of that fifth... that entity. And of course you got to just find the right balance between what everybody's personal needs are, but if Metallica collectively decides to do this, then I think Metallica can make it happen. l don't know, that scares me again. Metallica is three individuals, and three individuals have to decide if it's good to do. l still think that the priority is the collective, until all the people involved in the collective say that the priority is the individual. And, so far, you're the only one that said the priority is the individual. l haven't said that, and he hasn't said that. l haven't heard him say that. So I feel that it's still... there's still an unbalance there. We met from, like, maybe, l don't know, six or eight weeks before we actually picked up the project again. That was when we came in and it was the first time we actually used this studio, HQ. Anyway, here we are. HQ. Right on. Well, we're here. And the camera's here. And my friend the boom is here. - Hovering. - Yeah. Cool. Want me to play the music? Yeah, let's go. - I'm... - l'll put the big speakers on. l was afraid to pick up a guitar, and fearful of what would happen. Would I not like it? Would I love it? Would I not be able to write anything cool? Would I write just recovery stuff? James. It's probably the best sound l've ever heard in my life, was the fact that you were playing guitar in here. Right on, brother. Play a riff. - What? - Nothing. - See? It feels pretty good, doesn't it? - Yeah. It feels like the next day. A year later, the next day. It's gonna be interesting working on the schedule, because we really haven't. It's gonna be great. And kind of the overview is, you know, the less time we have here, the more productive we'll be, in a way. You know? It's, like, we're more focused on getting the stuff done. That all sounds really good. OK. Now let's revisit it in a week. So, um, I think that... Don't talk it, walk it. At some point, we are gonna have to work a little harder. - Yes. - Yeah. When that feels right. What do you mean? What does that mean? - What does that mean? - Yeah. When you say "harder," does that mean more hours? You know, if we can go deep real quick. - Be intense. - I spoke up, because, what does that mean, we have to, you know, do eight hours now? l got fearful right then. That's OK. l mean it's, like, yeah. - To do eight hours? - No. Any lyric ideas? - I'm searching for... - "Searching for doughnuts." Searching for doughnuts I'm searching for doughnuts What was the whole thing from yesterday? The Buddhist... - Guarantee. What? - No, the Buddhist thing that you had... "Birth is pain. Life is pain. Death is pain." The cycle of suffering. It's called "samsara." Where are you with this, James? - Somewhere else. - OK. - Where's today's sweat going? - "l've worn out being afraid." "My endless parade, of fear that l've constantly made." "My lifestyle determines my deathstyle. A rising tide that pushes - "My deathstyle." - ...to the other side." l've worn out being afraid, endless parade Of fear that l've constantly made This frantic tick-tick-tick-tock l'd gladly trade Oh, I need to know the answer where l'll be laid l can't find it - It just... it doesn't work. - The great... you did one great thing. - You went "Do-do-do..." - Yay! You did this one syncopated thing. Do the whole verse like that. Worn out, always being afraid An endless stream of fear that l've made This frantic tick-tick-tick-tock l'd gladly trade It's weird, it's weird. You know? No, but the second time you feIt really comfortable with it. - Right. - Oh, by the way, it's quarter to four. l gotta get rolling, guys. Sorry. l feel like the bad guy saying, "l gotta go, 'cause it's 4:00." lf we all know, and we all do know, that 4:00 is kind of the stop time, then, I don't know, then I won't feel like the heel here, saying, "l got to go eat dinner with my kids," you know? 'Cause I have a feeling, you know, I'm gonna walk out of here, and you guys are gonna go in there and listen to this stuff, - and it's, like... that's not right. - That's not. l mean, if I wanna listen to it, l'll go and listen to it. - But we should at least listen to it... - lf you're gonna stop early... But I know you'll sit there and start talking with Bob. Maybe Bob doesn't want to sit in there. When I'm gone, things get talked about, and then decisions are made, and I feel I walk into something that's already kind of decided. And it's a total uphill battle for me a lot of times. I don't like that feeling. Well, that's like... just like the last 15 years... - Yeah. - ...for me. Well, let's talk about this tomorrow then, all right? - Or do you want to take time out...? - No, I don't have time right now. It's past four. It's hard to introduce structure into this, and I'm trying. - So what do you think, Lars? - Can we do the song from yesterday? - That we all heard together? - How is that different? Because we all heard it together already. Well, what he wants is to be a part of everything. - Was I in there? - Yes, you were. - We all heard it together. - You came in. All right. As long as you don't talk about it. - ls that a way around it, or is that just...? - That is definitely a way around it. How about if we just save up the tension...? Seriously. I mean, it's OK, because tension produces resuIts. Above! Below! Quiet. I'm excited to see what you learned here. Go up and back. Up and freeze! What is this called? I'm so proud of you, sweetie. I'm so glad I got to see you. I'm working on, really hard, on being the best dad and father and husband I can be. And the best me. You worked hard. l don't want to lose any of the stuff I have. l know it could all go away at one time. And that's a tough part of life. And then, it's just... it's a total rebirth for me. Looking at life in a whole new way. You know, all the other drinking, and all the other junk that I was stuck in. It was so predictable. So boring. I'm out there looking for excitement, and all this stuff. The resuIts are the same, man. l wake up the next day somewhere, in some bed, I don't know who this person is next to me, and I'm drunk, completely hung over, and have a show to do. The resuIt is the same, you know? When life now is pretty exciting. You don't know what's gonna happen, when you're kind of clear and here and in the now. In the moment. My lifestyle determines my deathstyle A rising tide that pushes to the other side My lifestyle determines my deathstyle A rising tide that pushes to the other side - I think those two feel the best to me. - It's a tough one to decide. They all kind of got... some charm, don't you think? Yeah, l'd be interested to hear the first one. The first pick. - Well, let's play it. - ls it OK? - Are we allowed? - Yeah, we are. - Do we have...? - We never really settled that, did we? We didn't settle it. Yes. We're allowed. l'd like to hear it. Feel free to leave the room, whoever doesn't wanna be part of that. Do I have the strength to know how it goes? l feIt like it was an agreement. We're gonna work from 12 to 4. And then we would not work. Well, if Lars and I listen to something, or go through the Presidio stuff, it's not because we wanna do something behind your back. - It's for you. - Right. And basically, what I heard is, "No, I can't do that." - What the fuck is that? - I don't know, my mind, it gets lopsided. The more it goes in a different direction, the harder it is. - The harder it is to get that back. - What is it you have to get back? Some control. Some sense of... involvement in the band. When I was running this morning, thinking about seeing you today, the word "fuck" just comes up so much. Seriously. It's really true. - ls that in anger? - No, just "Fuck! Fuck." l just think you're so fucking self-absorbed. And what makes it worse is that you always talk about... you always talk about me, you use the word "control" and "manipulation" a lot. l think you control on purpose, and I think you control inadvertently. l think you control by the rules you always set. l think you control by how you always judge people. l think you control by your absence. l think you control all this even when you're not here. l don't understand who you are. l don't understand the program. l don't understand all the stuff, OK? l realize now that I barely knew you before. And all these rules, and all this shit, man - this is a fucking rock-'n'-roll band. l don't want fucking rules. l understand that you need to leave at 4:00. I respect it. But don't tell me I can't sit and listen to something with Bob at 4:15 if I want to. What the fuck is that? You know, l... l don't wanna end up like Jason, OK? l don't want to be pushed away. l don't want it to happen twice. Let's do it, and let's fucking do it full-on, or let's not do it at all. Fuck. See? Fuck. Fuck! Fuck! - Yeah! - Whoo! - Yeah! - Totally! Yeah! Let's hear it for Elena! Ooh, all right! We're not anywhere near getting any issues resolved. Well, let's get 'em. That's what we're here to do. l don't know, I guess the playing part, being in the room, and then mainly being in the room with Lars, playing music together. l guess I had higher expectations. And I don't know, maybe I'm disappointed in myself. Maybe... I don't know. Want to talk about that? l mean, what does that mean? I'm not enjoying being in the room with you, playing. Searching Seek and destroy Searching, yeah Seek and destroy Searching, yeah Seek and destroy lf you are not having any fun, let me let it be known to you that I'm certainly not having a lot of fun, either. But I am not interested in playing music with you if you're not happy in there. l just don't want to become a fucking parody. OK? So if you're not happy playing music with me... ls there enough that connects us to hold on for a... a way through this? l don't know. There are moments where I really doubt it. l really doubt it. I'm glad you said that. Because I really, deep down, feel sometimes that it's just... There's just some empty, just... Just an ugly feeling inside. Just... I don't know. How much work are we gonna put into this? - When you're doing the... - Yeah. Let's do our little round-table thing right now, quickly. Everybody's got to participate. Lars? Come on. Hey, Castor, why don't you look at all the boys - the men, I should say - and say bye to everybody. - Bye, Castor. - Thank you for coming. - ls Daddy going bye-bye? - No, your dada's staying here, OK? Bye. See you. So what's the deal? How does everybody feel about what they heard? Of course, lyrics will definitely work in that feel. - Yeah. - That kind of intro bit that's on there. What about you? What do you think? Do you think it's good? Was there anything in particular that you...? No, I wasn't paying attention that detailed. That's just... It's a lot of good stuff. l can take you back, when me and him were alone in my room, in 1981, listening to New Wave or British heavy-metal singles. As soon as there was somebody else in the room, it just became this, like... It just had a very different energy to it. - None of that was usable? - Yeah. - That's a fuck... that's a fucking bitch. - Let's do another version of it, OK? The first time I got a real awareness of it was when Mustaine came into the picture. When James was with Mustaine, he became like... He never really cared about me. There was one time, during the recording of the Ride the Lightning record, where me and him went out, and 42 beers later, he's, like, "Ooh, dude, I love you." But it could never have materialized until it got to that 42-beer point. And we were alone. That was good! Are you sure l don't have to play it again? Yeah, I'm sure. It's good practice, though. - For what? - The road. - When? - A couple of years. From day one, it's been competitive. And, in a way, that's what has made Metallica what it is. That's what's driven us further. - What feels good to you? - I don't know. We'll try a bunch more. Can you try maybe like a blah, blah, blah, blah...? Almost like a strum. |
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Christmas Poo South Park 01x11 - Toms Rhinoplasty South Park 01x12 - Mecha Striesand South Park 01x13 - Cartmans Mom is a Dirty Slut Soylent Green 1973 Spacehunter 1983 Spanish Prisoner The CD1 Spanish Prisoner The CD2 Spark the Lighter Spartacus 2004 CD1 Spartacus 2004 CD2 Spartacus Fixed 1960 Spartan 2004 CD1 Spartan 2004 CD2 Spawn (1997) Spawn (Directors Cut) Species 3 CD1 Species 3 CD2 Speed 2 - Cruise Control Spellbound (Hitchcock 1945) Spetters 1980 Spider-Man CD1 Spider-Man CD2 Spider (2002) Spider Man 2 CD1 Spider Man 2 CD2 Spies Like Us 1985 Spirit of the Beehive Spirited Away CD1 Spirits of the Dead 1968 CD1 Spirits of the Dead 1968 CD2 Splash Spoilers The Spongebob Squarepants The Movie Springtime In A Small Town Spun (Unrated Version) Spy Game Spy Hard Spy Who Came In from the Cold The Spy Who Loved Me The Spy Who Shagged Me The - New Line Platinum Series Spygirl CD1 Spygirl CD2 Square Peg Squirm St Johns Wort - (Otogiriso) 25fps 2001 Stage Beauty 2004 Stage Fright 1950 Stagecoach Stalag 17 Stalker 1979 CD1 Stalker 1979 CD2 Star Trek Generations CD1 Star Trek Generations CD2 Star Wars - Episode II Attack of the Clones Star Wars - Episode IV A New Hope Star Wars - Episode I The Phantom Menace Star Wars Episode 4 (A New Hope) CD1 Star Wars Episode 4 (A New Hope) CD2 Star Wars Episode 5 (Empire Strikes Back) CD1 Star Wars Episode 5 (Empire Strikes Back) CD2 Star Wars Episode 6 (Return of the Jedi) CD1 Star Wars Episode 6 (Return of the Jedi) CD2 Stargate SG1 1x01 Children of the Gods Stargate SG1 1x02 The enemy Within Stargate SG1 1x03 Emancipation Stargate SG1 1x04 The Broca Divide Stargate SG1 1x05 The First Commandment Stargate SG1 1x06 Cold Lazarus Stargate SG1 1x07 The Nox Stargate SG1 1x08 Brief Candle Stargate SG1 1x09 Thors Hammer Stargate SG1 1x10 The Torment of Tantalus Stargate SG1 1x11 Bloodlines Stargate SG1 1x12 Fire and Water Stargate SG1 1x13 Hathor Stargate SG1 1x14 Singularity Stargate SG1 1x15 The Cor AI Stargate SG1 1x16 Enigma Stargate SG1 1x17 Solitudes Stargate SG1 1x18 Tin Man Stargate SG1 1x19 There but for the Grace of God Stargate SG1 1x20 Politics Stargate SG1 1x21 Within the Serpents Grasp Stargate SG1 2x01 The serpents lair Stargate SG1 2x02 In the line of duty Stargate SG1 2x03 Prisoners Stargate SG1 2x04 The gamekeeper Stargate SG1 2x05 Need Stargate SG1 2x06 Thors chariot Stargate SG1 2x07 Message in a bottle Stargate SG1 2x08 Family Stargate SG1 2x09 Secrets Stargate SG1 2x10 Bane Stargate SG1 2x11 The tokra part 1 Stargate SG1 2x12 The tokra part 2 Stargate SG1 2x13 Spirits Stargate SG1 2x14 Touchstone Stargate SG1 2x15 The fifth race Stargate SG1 2x16 A matter of time Stargate SG1 2x17 Holiday Stargate SG1 2x18 Serpents song Stargate SG1 2x19 One false step Stargate SG1 2x20 Show and tell Stargate SG1 2x21 1969 Stargate SG1 3x01 Into The Fire II Stargate SG1 3x02 Seth Stargate SG1 3x03 Fair Game Stargate SG1 3x04 Legacy Stargate SG1 3x05 Learning Curve Stargate SG1 3x06 Point Of View Stargate SG1 3x07 Deadman Switch Stargate SG1 3x08 Demons Stargate SG1 3x09 Rules Of Engagement Stargate SG1 3x10 Forever In A Day Stargate SG1 3x11 Past And Present Stargate SG1 3x12 Jolinars Memories Stargate SG1 3x13 The Devil You Know Stargate SG1 3x14 Foothold Stargate SG1 3x15 Pretense Stargate SG1 3x16 Urgo Stargate SG1 3x17 A Hundred Days Stargate SG1 3x18 Shades Of Grey Stargate SG1 3x19 New Ground Stargate SG1 3x20 Maternal Instinct Stargate SG1 3x21 Crystal Skull Stargate SG1 3x22 Nemesis Stargate SG1 4x01 Small Victories Stargate SG1 4x02 The Other Side Stargate SG1 4x03 Upgrades Stargate SG1 4x04 Crossroads Stargate SG1 4x05 Divide And Conquer Stargate SG1 4x06 Window Of Opportunity Stargate SG1 4x07 Watergate Stargate SG1 4x08 The First Ones Stargate SG1 4x09 Scorched Earth Stargate SG1 4x10 Beneath The Surface Stargate SG1 4x11 Point Of No Return Stargate SG1 4x12 Tangent Stargate SG1 4x13 The Curse Stargate SG1 4x14 The Serpents Venom Stargate SG1 4x15 Chain Reaction Stargate SG1 4x16 2010 Stargate SG1 4x17 Absolute Power Stargate SG1 4x18 The Light Stargate SG1 4x19 Prodigy Stargate SG1 4x20 Entity Stargate SG1 4x21 Double Jeopardy Stargate SG1 4x22 Exodus Stargate SG1 5x01 Enemies Stargate SG1 5x02 Threshold Stargate SG1 5x03 Ascension Stargate SG1 5x04 Fifth Man Stargate SG1 5x05 Red Sky Stargate SG1 5x06 Rite Of Passage Stargate SG1 5x07 Beast Of Burden Stargate SG1 5x08 The Tomb Stargate SG1 5x09 Between Two Fires Stargate SG1 5x10 2001 Stargate SG1 5x11 Desperate Measures Stargate SG1 5x12 Wormhole X-Treme Stargate SG1 5x13 Proving Ground Stargate SG1 5x14 48 Hours Stargate SG1 5x15 Summit Stargate SG1 5x16 Last Stand Stargate SG1 5x17 Failsafe Stargate SG1 5x18 The Warrior Stargate SG1 5x19 Menace Stargate SG1 5x20 The Sentinel Stargate SG1 5x21 Meridian Stargate SG1 5x22 Revelations Stargate SG1 6x01 Redemption Part 1 Stargate SG1 6x02 Redemption Part 2 Stargate SG1 6x03 Descent Stargate SG1 6x04 Frozen Stargate SG1 6x05 Nightwalkers Stargate SG1 6x06 Abyss Stargate SG1 6x07 Shadow Play Stargate SG1 6x08 The Other Guys Stargate SG1 6x09 Allegiance Stargate SG1 6x10 Cure Stargate SG1 6x11 Prometheus Stargate SG1 6x12 Unnatural Selection Stargate SG1 6x13 Sight Unseen Stargate SG1 6x14 Smoke n Mirrors Stargate SG1 6x15 Paradise Lost Stargate SG1 6x16 Metamorphosis Stargate SG1 6x17 Disclosure Stargate SG1 6x18 Forsaken Stargate SG1 6x19 The Changeling Stargate SG1 6x20 Memento Stargate SG1 6x21 Prophecy Stargate SG1 6x22 Full Circle Stargate SG1 7x01 Fallen Stargate SG1 7x02 Homecoming Stargate SG1 7x03 Fragile Balance Stargate SG1 7x04 Orpheus Stargate SG1 7x05 Revisions Stargate SG1 7x06 Lifeboat Stargate SG1 7x07 Enemy Mine Stargate SG1 7x08 Space Race Stargate SG1 7x09 Avenger 2 0 Stargate SG1 7x10 Birthright Stargate SG1 7x10 Heroes II Stargate SG1 7x11 Evolution I Stargate SG1 7x12 Evolution II Stargate SG1 7x13 Grace Stargate SG1 7x14 Fallout Stargate SG1 7x15 Chimera Stargate SG1 7x16 Death Knell Stargate SG1 7x17 Heroes I Stargate SG1 7x19 Resurrection Stargate SG1 7x20 Inauguration Stargate SG1 7x21-22 The Lost City I n II Starship Troopers (Special Edition) Starship Troopers 2 Story Of A Kiss Strada La Strange aventure de Docteur Molyneux Street Of Love And Hope (Nagisa Oshima 1959) Street of shame (Akasen chitai) Streetcar Named Desire A Style Wars Suicide Regimen Sukces 2003 Summer Tale A 2000 Sunday Lunch (2003) Super 8 Stories Superman IV - The Quest for Peace Surviving the Game Swedish Love Story A (1970) CD1 Swedish Love Story A (1970) CD2 Sweetest Thing The (Unrated Version) Swept Away Swordsman III - The East is Red Sylvester - Canned Feud (1951) Sylvester - Speedy Gonzales (1955) Sylvester and Elmer - Kit for Cat (1948) Sylvester and Porky - Scaredy Cat (1948) Sylvester and Tweety - Canary Row (1950) Sylvester and Tweety - Putty Tat Trouble (1951) Sylvester and Tweety - Tweetys SOS (1951) |