Some Kind of Monster CD1
So, uh, what we're gonna do is we're gonna play back
some of the band's new songs.
There'll be no cameras allowed in there. There'll be no video.
No bags in there. You can only walk in with paper and a pencil.
- We're ready. - Are there any questions?
Do you want us in?
- Camera over here. - Hello?
Was there ever a moment you thought about stopping with Metallica
or the whole band was falling apart?
Was it a kind of a power struggle between you and him?
How did you manage to solve this crisis?
Where in God's name are you getting all this aggression from
on this new album? Where's it coming from?
Why did it take so long to release an album with the new songs?
After 20 years, is it possible to retain the fire that, you know,
you guys once had at the beginning?
Do you think the young generation of metal fans will accept the new album?
85 million records, 22 years...
l think it's 11 albums in various official releases.
Oh, my God. One word to span our career? Uh...
Scanning the scene in the city tonight
We're looking for you to start up a fight
There's an evil feeling in our brains
But it's nothing new, you know it drives us insane
Running, on our way, hiding, you will pay
Dying one thousand deaths
Running, on our way, hiding, you will pay
Dying one thousand deaths
Seek and destroy
Seek and destroy
After 14 years of head-banging, Metallica bassist Jason Newsted
has quit the band citing, quote, "Private and personal reasons,
and the physical damage that l've done to myself over the years
while playing the music I love."
Metallica's management had no comment when asked by MTV News
if there's a replacement waiting in the wings,
but the band is still scheduled to begin recording a new album this spring.
That's the news for now, Stay tuned...
l mean, I think everybody understands the concept of trusting instincts.
That's getting to a place where you don't let egos and let stuff
get in the way of artistic expression. You know?
So, I mean this is... Do you wanna say anything more about that?
'Cause I think everybody understands...
l met Metallica through Q Prime Management,
after having seen me work with another band of theirs.
When they called and said that Metallica,
with Jason announcing that he was exiting the group,
needed to take a look at itself and say, "Well, what's going on here?"
"We've lost touch with our personal relationships,"
and face some of the issues that l think Q Prime feIt that they...
were headed for.
You know, we haven't really worked together for almost nine months.
When we were talking a couple of days ago about whether...
you know, if we wanted to do this film or not,
l was wondering if having these guys in here...
would affect that.
'Cause I'm just... There's an intimacy that you get
when it's just a few people in the room, and I'm just wondering
if that's gonna get lost, if we're gonna go back to sort of, like...
battling each other and trying to be, like, all strong and...
What intimacy? What the fuck are you talking about?
l think, to me, it's not gonna be a matter of whether the cameras are in play,
but whether or not you guys are free enough to risk
being seen by other people.
We're here in the Presidio in San Francisco...
and this is gonna be the location where Metallica
is gonna start recording their next album.
We decided that we didn't wanna go back into a studio again
and do kind of like the same thing we had done before.
We had to kind of change things up.
And this is one of the things that we talked about,
was to go into a space that's not a studio.
Bring in kind of like a portable studio, or a makeshift studio,
and basically make the situation uncomfortable.
You know, don't buy new furniture, don't paint the walls.
Don't do anything. Just keep it Spartan, keep it crude.
They're such a success that you can get comfortable.
l don't think they wanna be comfortable.
- There's definitely a vibe in here. - They've got a lot of attitude
and I think they want it to come out on this next album.
How did you approach this record differently?
l mean, did you talk about things? Did you have ideas, key words,
things like that that you wanted to put across
before you actually started putting the whole thing together?
Well, ego was a big one. Coming in here...
and not bringing a riff, not bringing a song, not bringing a title. Nothing.
Me and James did not meet somewhere else
and come in here with material, with songs, with music.
This time, we all got in a room and just started playing,
and that's how we wrote songs.
The idea is it should sound like...
a band getting together in a garage for the first time...
only the band's Metallica.
l really like going fast.
Just go off and meditate in the wind, you know?
As corny as it sounds, it works, and it feels good.
It's a good way to just let the weight of the world off every once in a while.
It is kind of strange being...
you know, like, a famous guy. You know?
This is... this is part of me that's trying to be "unfamous," I guess.
But it's also a go-against-the-rules attitude.
You know, is this something posed?
l mean, yes, this is a pose.
l mean, am I driving down the street to not get noticed in this thing?
l mean, "rebellious" is kind of what this says, I would say.
- Have you got a plug in here? - Wait, wait, wait.
So what exactly are you doing?
Well, you'll just hold it above the pick-ups.
Oh, OK. I gotcha.
Give me fire, give me that which I desire
Give me fuel, give me fire, give me that which I desire
Give me fuel, give me fire, give me that which I desire
l got some bad news.
- Gonna have to... - Change the lyrics?
- I like this thing, Bob. - What?
l like this thing.
l used to kid myself that art was my great escape away from music.
And I think l've become increasingly aware that my interest in art,
music and Metallica is not separate from anything.
You know, why does he feel that there's enough of that kind of gold thing?
How come there isn't another 20 strokes up in that black area up there
where it's kind of bare? Where are the starting points
and where are the end points, if you know what I mean?
When's a song done?
What the fuck does that mean, anyway? "Done." When's a record done?
You know, where does a record start? Where does it end?
Where does the process start? Where the process end?
All that type of stuff. Do you know what I mean?
- Daddy! - It's really interesting. Yes, sweetie?
l don't feel anything great there.
- I don't think it's that great. - How do you hear the riff, then?
l like that...
ln nine days it'll be my two-year anniversary of surfing.
It's taken the place of a lot of bad things in my life.
So I basically stopped doing the drugs that I was doing,
and cut way back on my drinking.
You can't surf when you're hung over.
You can't surf if you've been up all night. Well, at least I can't.
There's a sort of individualism, also, about surfing that I like. I mean...
When it's your moment, man, that's your moment and yours alone.
And no one can help you.
For all intents and purposes, we go into this record completely equal.
Everybody contributing just as much on the lyric front
as James contributing with drum parts and...
As soon as you started talking about that I just, like...
Yeah, yeah. You flash back now?
You want to hear it with vocals?
Go sing it.
You guys had some rules about that before.
Quite frankly, I don't give a fuck. I'm tired of arguing.
You couldn't talk about his lyrics...
therefore, he couldn't talk about your drumming.
- Right. - Do you know what I mean?
And you and him did the solos,
so you weren't allowed to comment on the solos.
Do you know what I mean? There was, like, rules.
Are you telling me that those boundaries are gone now?
ln the past, what we did was started with a bunch of ideas
existing on tape from everybody.
Then me and James would sit down and turn those ideas into songs,
and then we would tell the rest of the band what to play
and when to play it and how to play it.
There was never any... just other ways of doing it.
You know, it's a whole new thing for me.
You know, writing in front of everybody.
'Cause l've always just gone into my own head and wrote stuff down,
instead of taking things from outside and putting them down.
You know, I was thinking this is, like, "These are the hands that da-da-da..."
"This is the face that de-de-da-da..."
- So, it's like... - Building a Frankenstein or something?
- Yeah. Pretty much. - Building what?
- A Frankenstein. - "This is the top of my head that's flat..."
"These are my boIts."
We're on the same stream of consciousness here.
We're just all working on the same creative wavelength.
And it's inspiring to me. Now I can further express myself with these lyrics
now that, you know, James has opened that door for Lars and l.
- This is "clay," right? Not "clam." - Yeah. "Clay."
OK. "These hands finger the clam."
These are the eyes that can't see through me
This is the tongue that speaks on the inside
Make sure you really, like, spit "can't see me."
"These are the eyes that can't see me."
These are the eyes that can't see me
These are the hands that drop your trust
- This is the... - Yeah.
"This is the eye..." Yeah.
This is the eye that can't see me
This is the hand to drop your trust
These are the boots that kick you around
This is the voice of silence no more!
What is this about?
Well, I mean, when I said "Frankenstein" it's not that far off.
You're talking about pieces of things.
- I mean, some kind of monster. - "Some kind of monster"?
- Some kind of monster. - Some kind of monster?
- It is good. - You know what I mean?
l like that.
Some kind of monster
Some kind of monster!
The monster lives
"We come now to create our album of life."
"Throughout our individual and collective journeys,
sometimes through pain and conflict,
we've discovered the true meaning of family."
"As we accomplish uItimate togetherness, we become healers of ourselves,
and the countless who embrace us and our message."
"We have learned and we understand, now we must share."
- So that's just, um... - A mission statement.
- A what statement? - Mission statement.
- "Mission"? - Yeah, mission. It's, like, you know,
- it sets a goal... - Right.
...so you can, like, just always be reminded of, you know...
You know, what the uItimate goal is.
It's my world, you can't have it
It's my world, you cannot have it
It's my world, you can't have it
It's my world, my world, my world, you cannot have it
- Excellent. - Come on, little man, let's go.
Skylar, do you want your purse?
- Um... - Daddy!
Oh, come, oh, come. Come, Daddy! Come, Daddy!
l don't know how you guys feel, but it's really awesome, what we're doing.
The four of us can just go in a fuckin' room
and roll that kind of shit out of our sleeves.
Pull it out of thin air, man.
It's so exciting, 'cause that has just never happened before.
l couldn't get to sleep last night 'cause I was still wired from it all.
How do you feel? You don't seem very psyched about it.
What the hell?
- How's it going, buddy? - Good to see you.
- How many bears did you kill? - Two.
Russia's fucked up.
You know, it was, like, you put a bottle of water here on the table.
It was... that was it, a bottle of vodka sitting there.
- Did you drink vodka? - Hell, yeah!
- You did? - What else is there to drink?
As soon as we got there, it was, like, "Na zdorovia!"
That's a pretty big bear. ls bear edible?
They were no good to eat. That freaked me out, when they didn't take any meat.
You know, they have been hibernating for three months,
so they haven't pissed or shit or nothing.
- So they're toxic? - Yeah.
Third day, l'd killed my bear and I was just in camp for the rest of the time.
- It's, like, "Oh, my God." - Worked on lyrics?
Yeah. I actually did. There was a lot of time, man.
A lot of time.
- I worked on lyrics in Siberia. - How to drink vodka and work on lyrics.
Temptation wreck my head
Temptation make you dead
Temptation sucks my soul
Temptation fill no hole!
Fuck you up
No, no, no, no, l can't say no
Can't say no, no, no
No, no, no, can't say no
Oh, no, I can't say no
Leave me be
Just leave me be
So, what were the reactions you got from those close?
l mean, how did the family react?
I'm just... I don't know. Sometimes I'm a real ass about it
and just come in and say, you know, "Oh, by the way,
I'm going to Russia for two weeks right here."
You know, and, "What?", you know?
Yeah, I'm getting better at that, you know, 'cause...
That was the most l missed my family, ever.
- You know? - Right.
And it was, you know, Castor's first birthday I missed.
- Right. - And it was...
Of course, we had a little vodka, to Castor.
You know, a little shot for him and everything.
But I would have loved to have been able to get ahold of home.
- Who's here? - This is Daddy's working.
- This is where Dad works? - Yeah.
- What does your dad do for work? - Dums.
- He plays drums? - Yeah.
- Uh-huh. Is he good at it? - Let me play dums.
- Daddy want to play dums? - I played drums a lot today already.
I'm OK. You play for a while.
- Those guys... - That's very good.
...you know, their plate is filled with many, many things.
And music is just one of the things.
Say "Bye, James."
- Bye, James. - Bye, buddy.
l chose not to have children and do those kind of things.
My music... That's my children, you know?
But since I decided to do it with music,
then that's what I have to fill my time with.
Echobrain is one of the projects that l've been working on for years,
and now it's come to fruition.
And then, when it comes to the time where my main cat, James, tells me that...
that basically, he couldn't be in a band with me
if I took this other project to this level.
And after 15 years of working together, and going on buses, and...
You know the stories, man.
There is no way that this thing that I was doing could affect
the monster of Metallica. l just don't see how it could.
And so, in saying things like that,
l couldn't accept that kind of, um...
l also know that this relationship is not over.
You know, he'll... it'll come around again at some point.
You guys will make contact.
At that time, the manager suggested that we have a psychotherapist come in,
a man that meets with pro-ball teams - you know, big-ego, big-dollar guys
that can't get along, but have to make some kind of entity flow
so everybody else and everybody can make their money.
And, uh, I actually said,
"l think that this is really fucking lame
and weak that we cannot get together."
"Us! Look, we're the biggest heavy band of all time!"
"And the things we've been through, the decisions we've made
about squillions of dollars and squillions of people."
"And this... we can't get over this?"
Was it more than just the Echobrain thing? 'Cause that's, like, you know,
what has been discussed.
He feIt like he wasn't free enough to do what he needed to do.
Since he wasn't getting his creativity out enough in Metallica,
he needed to get it out somewhere else. And I totally understand that now.
on my side of that was...
l didn't want him to enjoy that more than Metallica.
l didn't want anyone to leave Metallica.
l didn't want to feel that we weren't enough, or something like that.
And it was through my, I guess...
The way I learned how to love things was just to choke 'em to death.
You know? "Don't go anywhere. Don't leave."
You know? "You have to stay here."
l need a pen, none of this pencil shit.
Check it out, man, They can't fuckin' spell it right.
"Metllica." We've only been together 20 years.
l feel guiIty that I'm not inspired all the time.
You know, especially when everyone else is.
- True. - It's, like, OK.
We kind of get to the point where the song is looped twice in the ProTools
and I know Bob's gonna hit me up for some kind of lyric ideas.
Ah, shit! I was, like, dreading the whole process.
It's, like, "Why are you dreading it? Why don't you just...?"
You were dreading it because of what? Let's get to the fear.
- Well, because I didn't have anything, or... - And so if you didn't have anything...?
...wasn't inspired enough to have something...
- And you didn't have anything? - ...or letting down the team,
- or some vibe like that. - OK.
One, two, three, five...
Say it, all right, yeah
Motherfuckin' in my head
It's like I'm almost, like, racing against time.
There's, like, a weird-ass fear of, like...
"l gotta come up with something myself really quick
before somebody else comes up with something for me."
And then if I don't like it or don't 100% embrace it,
then I'm just being a selfish... you know, insular asshole.
It's a fear response. When we're up against a fear,
that's the time to move into it forward.
Because there's gonna be some kind of genius there
or some kind of breakthrough.
Oh, motherfucker, yeah
- Kirk. - Kirk!
- Kirk. - Kirk!
- Kirk. - Kirk!
- Yes. - Kirk.
- James is trying to talk to you. - Sorry, man.
Yeah, it's a bit stock.
Check it out, guys.
l don't know how you feel. I'm in a shit mood, and...
I'm not diggin' it right now.
Even last night, I gotta tell you, everybody kind of looked...
- I hate to tell you, looked pretty burnt. - I agree.
And if we don't start earlier and end earlier, I'm just...
I'm not gonna be in a good mood for the rest of the shit, you know?
- That was totally weird for me. - You hear that, Bob?
Why don't you try getting a more solid beat?
- Regular? - Oh, well, you call it "regular."
- No, you call it "regular." - No, I'm trying not to call it "regular."
'Cause I know it bugs you when I call it "regular."
So a little more solid, then.
Maybe we should talk about next week.
Well, all next week is therapy.
- Yeah. - Do we have to do that?
Can we sack Phil?
l mean, we gotta find... we gotta find a balance to not...
You know, the Phil stuff's important,
and I hope we all feel that that's an investment in the music.
It's an important part of the record.
Get all holy again, yeah
Let me just go put one together.
Get all holy again
It's just real confusing-sounding.
It's just jackin' the vocals all up. l mean...
l mean, it's clever and everything, but...
l mean, I don't see what it does to this.
l think that's how you hear it, dude. That's fine.
I'm just trying to do something different.
l mean, I'm... I'm used to having the drummer do the beat part.
You know what I mean? Holding it together.
Um... What I'm hearing is...
l'll choose my words carefully here.
Um... It's pretty straightforward.
And the guitar shit, it's...
you know, it's a little stock.
So I started trying to introduce some kind of edge to it on the drums.
Those things we throw out to each other are complete bullshit. You know?
It sounds too stock. It sounds too normal to me.
That... I mean...
You know what I mean? You're saying this shit, so...
you can get your point across about doing a drum beat. I mean...
- You know, it doesn't hold any water. - To you.
- It doesn't! - I think it's fuckin' stock!
What... which part of that is unclear to you?
l think it sounds stock to my ears.
l mean, do you want me to write it down?
- I think it feels stock, OK? - Oh, yeah, please write it down.
- I hear you. - So l...
No, when you say... You're telling me what to play, right now.
You're telling me, "You should play with what Kirk's doing."
And I'm telling you it's stock.
- Dude, fine. - You know what, guys?
Why don't we just go in there and just hammer it out, all right?
lnstead of hammering on each other.
We're in shit moods and we're not gonna get anything done here today.
All you wanna do is pick a fuckin' fight. And you...
l don't wanna pick a fight.
This is so silly. You're just sitting there going, "I'm in a really pissy mood, and..."
And I fuckin' told you, straight up, that I was!
- Right. - And what are you trying to do?
I'm not trying to do fuckin' shit! You're just sitting here being a complete dick.
You're really helping matters.
You're really good at that.
l was straight up with you and I told you, "I'm in a shit mood."
And what have you been doing? Fuckin' pickin' at me all night.
Come on, guys. We've got better things to do.
Yeah, I do. I do.
Metallica frontman James Hetfield has entered a rehabilitation facility
to undergo treatment for alcoholism and other undisclosed addictions.
ln a statement posted on Metallica's official website, the band writes:
"James has entered an undisclosed facility,
and he will continue to receive treatment until further notice."
"Until then, we have postponed all current activities,
including recording sessions for our new album."
Metallica, whose hard-partying ways earned them the nickname "Alcoholica,"
have been working on their follow-up
to the 1998 double-disc collection of covers...
Not only do I not know the answer
l don't even know what the question is!
God, it feels
Like it only rains on me
God, it feels...
l think it's easy to see that in those days,
Metallica brought a kind of physicality to rock-'n'-roll.
Let's say the Beatles, the Rolling Stones, you know, and all that,
inspired some of the British rock music that then developed after that.
And let's say the metal music,
and Led Zeppelin and Black Sabbath and all of that.
And then, out of that, again, then...
let's say, then came Lars and all of that in being.
So, I think that they have certainly a place in all of that, I think.
Lars had a very good vision, at the time, of where he saw that particular...
you know, the metal music going. Because he could see it
with European ears and eyes, maybe.
Don't you feel that it's great for you to have your father's perspective on...
on who you are and what you're doing?
l think that's incredible, and it's... You talk about the lineage,
which we did. We talked a little bit about your grandfather...
It's very difficuIt to admit it, especially with him standing next to me.
It's easier to talk about when he's not in my presence.
But, um, of course it is.
- Yeah. - What would you say in private?
- To who? - To anybody, without him here.
Say it. You know, what would it be?
Well, I mean, l've already said it to you countless times.
Well, have you said it to him?
What is it that you...? You brought it up. I didn't bring it up.
What is it you feel you've said that you're not saying now?
l think maybe in some ways, some of the, um...
- To me, that's... - ...fear of status quo
comes a little bit from this direction over here.
l think that, um... l mean, there's nothing worse
than when I have to go to him and play the new record
and know there's something on there that sucks.
And he can see right through that in two-and-a-half seconds flat.
Comments on that one?
l would say... You know, if you said, "lf you were our advisor,
what would you say?", then I would say, "Delete that."
l mean... I don't know for you guys. For me, it doesn't cut it. You know?
- But, uh... - lnteresting.
l mean, it's interesting, you know, now...
- Other than the people involved here... - Yeah.
...the only other people who've heard any of this music is Cliff Burnstein.
When Cliff Burnstein heard that, he thought that should open the record.
Yeah. I mean, that could well be.
But I'm pretty sure that... l really...
That... I really don't think so. You know?
l really don't think so.
For me, that doesn't sound right or something, you know?
Unless I'm a guy that's kind of shouting in some kind of echo chamber.
So I think one of our responsibilities here is to act like a band is still continuing.
We're going on. We're doing our exploring.
We're exploring ourselves individually. We're exploring our relationships.
And we really need to get together, talk about this,
act like the band exists, because it does exist.
And if we don't do that, then we are the co-producers
of the process slipping off the planet.
It's a bit of a shit sandwich, though.
What is it, the unraveling of a band?
And then there were two?
So, uh, a good friend of mine phoned me, and he knew where James was.
- Really? - Yeah.
He couldn't even imagine James doing anything for six months.
I'm prepared for the worst.
I'm pretty confident that, you know,
we will come together when the time is right.
But knowing when that time will come...
or not knowing when that time will come,
is very, very uncomfortable.
l hope that at some point, he will come back
and try and finish the making of this record.
lf he walked away from Metallica, I'm not sure that it would surprise me.
Say your prayers, little one
Don't forget, my son, to include everyone
l'll tuck you in free from sin
l've always feIt that James was
a softer, more caring, compassionate person
than he allowed himself to be to most people.
l can remember from the Dave Mustaine days,
l mean, when him and Dave Mustaine...
These guys, they started, like, right away with their big, you know,
chest-beating and their mannerisms.
And the whole thing was very much about this kind of, like, macho.
And it was just, like, l couldn't deal with that stuff.
And looking back on, what, 18, 19 years ago,
l mean, I just feIt so alienated because it was just so far removed
from the upbringing that I come from.
Well, here's to you, my friends.
But then, at the same time, I'm starting to realizing now
that the sort of depressive things that show up as a resuIt
of the alcohol and stuff like that, it was just very difficuIt for him
- to communicate from the heart... - You want some or not?
...and not hide behind a lot of these different fronts.
Whether it's alcohol that gives him a false sense of strength,
or "the frontman in Metallica," or, you know, macho bullshit and all that stuff.
All right, now you guys are drunk and I'm drunk.
Now this is the fun part, man.
l want to help him, l want to be there for him,
and I want to do the best I can to make him the best person that he can be.
So I don't know how the fuck it's gonna play out.
It's really heaIthy for me to be here without any pressure
or anything related to the band
or anyone who would remind me of the band,
and, uh, recognize what's real.
Our sessions with Phil really stirred up a lot of things in James
that he feIt that he needed to address.
Mentally, it's really taken its toll on myself, you know,
'cause I'm very worried about him.
And, you know, whenever you check yourself into rehab,
they don't focus on, you know, the fact that you're an alcoholic.
They go much deeper. You know?
l mean, they go way deep. They crack you open,
and then spill you out and examine all the things that are on the table.
l've spoken to him a few times, and, you know,
l know he's having a rough trip.
No matter how bad it gets,
eventually, things seem to sort themselves out.
Sooner or later.
Whether it's good or bad, they sort themselves out.
l watch the people around the world say what a great guitar player Kirk is,
and what a piece of shit I am.
And that I got kicked out of Metallica.
And I wasn't good enough for them. And that I was a loser.
And l've had to deal with that for almost 20 years.
And it's a dreadful experience.
It's been hard, Lars.
It's been hard to watch everything that you guys do and you touch turn to gold,
and everything I do fuckin' backfire.
And I'm sure there's a lot of people that...
they would consider my backfire a complete success, you know?
And am I happy being number two? No!
You know? You're just now encountering something
l've been going through 13, 14 years.
l've never had a chance to be able to tell you without...
talking to Lars, the guy in Metallica.
l've never talked to my little Danish friend again. You know?
l remember the day you and I talked about digging a hole in fuckin' dirt
and smoking hash through the ground.
That, to me, is the stuff that's like...
You know? And we've never had very many moments like that.
Do I feel some guiIt? Uh, yes, I do.
But at the same time, it's difficuIt for me to comprehend
that the only thing that you feel
when you look back on the last 20 years...
is rooted in the Metallica thing.
Have you ever thought what l've been through?
l think l've had an awareness of the pain I caused you.
- Um... - That's not what I said.
- Do you have any idea... - Of what I put you through?
No, no, no. ...what I went through?
l mean, people hate me because of you.
l walk down the street and I hear some piece of shit say "Metallica!" at me.
And they do that to taunt me.
l mean, when I would hear Metallica on the radio, I would be, like,
"God, I have to turn this off," because l just keep thinking, "l fucked up!"
l've been waiting for this day for a long time.
You know, and by no means is it done,
because somebody else very important is not here.
Do I wish it was 1982 all over again and you guys woke me up and say,
"Hey, Dave, you know what? You need to go to AA"? Yeah.
l'd give anything for that chance.
ls there any last words you want to say to everybody out there?
Metal up your ass!
OK, thank you. This is Donna Davis and this is Metallica.
This is, like, a pretty bitchin' club to play the first fucking gig.
- Yeah. - How do you guys feel?
- Freaking out. Totally. - Freakin' out?
Freaking out. It's fuckin' unbelievable.
l think what it comes down to... Can I say that?
- Yeah, you can say whatever you want. - Great. Great.
It's fucking unbelievable.
l don't know, just all of a sudden, this became, like, such a big production.
l don't understand. It's, like, all of a sudden, I get, like, one phone call.
It's like everybody and their fuckin' brother are in town.
l thought it'd be Jason, like, playing with his new band
in front of, you know, like, 20 drunks down at some bar or something.
And now, I guess, through my own ignorance or something,
l guess that's what I wanted it to be.
So now I'm realizing that
supposedly it's a little more of a big deal than that.
- Hey, man. - Thanks. Thanks, man, thanks.
- Awesome, dude. Awesome. - Oh, thank you. Right on.
- I'm Lars. How you doing? - Nice to meet you.
- Great to meet you. - Where's Jason?
- Jase? - I don't know.
Dude, I think he went back to... l think he already fucking bailed.
- I think he might have went back to... - Did he? Really?
Nice! I go back to say hey, and he's, like, fucking gone.
"Elvis has left the building."
There's Zach. Hey, Zach!
See, he's even blowing me off.
Jason blows me off, Zach blows me off. How quick we become yesterday's news.
Yeah! No kidding.
See, there's a guy in an Echobrain T-shirt.
Yeah, that's Steve over there. He works at the studio with us.
- Well, it is. - Really?
- Yeah. I remember that guy. - Huh?
l remember that guy. He worked at the studio.
- Which guy? - Over there.
The guy in the red shorts?
No, the guy in the black that's walking across right now.
- Really? - Kessel.
Todd. He works at the studio, too, doesn't he?
- Who? - Todd over there.
I'm sure they're all here, Bob.
l mean, the only two people in the bay area not working for him is me and you.
Hetfield's gonna freak. I'm in fucking hell.
This whole gig has brought all of this on, hasn't it?
- Yes, it has. It's made me feel like... - You really wanna come clean.
It made me feel like such a loser.
l mean, I can't hold my band together, you know?
l start records, I don't finish them. l fucking...
Jason is the future. Metallica's the past.
l've never had a break like this, in 20 years. Do you know what I mean?
And just what's been kind of getting me is just not knowing.
Do you know what I mean? Not knowing, and not hearing,
that's just like... It just eats away at you.
Kirk talked to him.
- I talked to James today. - Oh, cool.
What did he say?
He basically said that, you know, his family's the priority right now,
and he needs time to work on his family
before he can reach out to his other family, being us.
And that he loves us, and he just needs for us to understand that he needs time.
And he also went on about
how difficuIt it was talking to you about it, because he feIt pressured.
And, you know, he spoke about how you always need to be
in control of the situation, or in control of the schedule, or whatever.
And he said that this is a time
he needs complete control of the situation.
And he said, you know, all the Marc Reiters, and the Bob Rocks,
all that stuff, you know, just has... "l can't think of that right now."
So, you know, I got the feeling that he kind of lumps in your relationship
with the business side of things.
Which was, actually, really surprising to me.
But I think that's, you know, that explains a lot
on why he hasn't spoken to you.
We're just in limbo,
and the longer James chooses to stay away from dealing with us,
the further we drift apart.
And I just feel so...
that that's the key thing.
Was the future of the group ever in doubt,
even when James went into rehab, do you think?
Lars and l, we were wondering
when James was going to finally feel
like he was in a situation where he can come back to the band.
And after a certain amount of months, you know, Lars and I started to think,
"Well, is he ever gonna come back to the band?"
And that was a really big question on our plates.
Whether or not, you know, he wanted to come back.
James wrote something in the new issue of our magazine, So What.
He wrote a kind of a little handwritten note.
That note was probably the most heartfeIt thing
l'd ever seen come from his mind.
Tomorrow is shaping up, or is gearing itself up, to be...
Yes, the first sit-down with one James Hetfield, post-rehab.
- Why are we filming this? - I don't know.
We're in very different places.
Or, at least, I am in a very different place than I was from the Presidio.
That's a huge understatement.
So, we just have to find that if, you know,
if the movie will be as intense, you know?
To me, there was a lot of intrusion and I kind of went with it,
and feIt... l feIt uncomfortable.
l feIt uncomfortable with it.
You know, a boom following me around,
and it just feIt like I was in the spotlight all the time, and I didn't...
l guess I don't really like that feeling.
While we were in the Presidio filming you guys playing,
- did you feel it then, too? - Yeah.
It was pretty much all the time.
l mean, do you think you're in a better place now?
- We've got to find some avenue... - I'm definitely in a better place.
...some place that makes you feel comfortable.
The last thing we want to do is have it impede on your music,
because that's more important than anything, right?
You know, one answer may be... Maybe there shouldn't be a film.
l mean, that's the range of possibilities that we should really think about,
because... I mean, why do you guys want a film?
Even you said you hoped that the film is made. I mean...
That's a big question, because for me, it was really just, it came along
with being in Metallica - "Hey, we're gonna do this."
That's part of this, all of this. The bigness of Metallica.
And I'm kind of tired of it.
You might look at it as a friend. To me, it's been a beast.
And it's sucked a lot of me into it.
You were maybe the keeper of the beast at one point.
You know, because you were the champion of that fifth... that entity.
And of course you got to just find the right balance between
what everybody's personal needs are,
but if Metallica collectively decides to do this,
then I think Metallica can make it happen.
l don't know, that scares me again. Metallica is three individuals,
and three individuals have to decide if it's good to do.
l still think that the priority is the collective,
until all the people involved in the collective say
that the priority is the individual.
And, so far, you're the only one that said the priority is the individual.
l haven't said that,
and he hasn't said that. l haven't heard him say that.
So I feel that it's still... there's still an unbalance there.
We met from, like, maybe, l don't know, six or eight weeks
before we actually picked up the project again.
That was when we came in
and it was the first time we actually used this studio, HQ.
Anyway, here we are. HQ.
Right on. Well, we're here.
And the camera's here.
And my friend the boom is here.
- Hovering. - Yeah. Cool.
Want me to play the music?
Yeah, let's go.
- I'm... - l'll put the big speakers on.
l was afraid to pick up a guitar,
and fearful of what would happen. Would I not like it?
Would I love it? Would I not be able to write anything cool?
Would I write just recovery stuff?
It's probably the best sound l've ever heard in my life,
was the fact that you were playing guitar in here.
Right on, brother.
Play a riff.
- What? - Nothing.
- See? It feels pretty good, doesn't it? - Yeah.
It feels like the next day.
A year later, the next day.
It's gonna be interesting working on the schedule,
because we really haven't. It's gonna be great.
And kind of the overview is, you know, the less time we have here,
the more productive we'll be, in a way. You know?
It's, like, we're more focused on getting the stuff done.
That all sounds really good. OK. Now let's revisit it in a week.
So, um, I think that... Don't talk it, walk it.
At some point, we are gonna have to work a little harder.
- Yes. - Yeah. When that feels right.
What do you mean? What does that mean?
- What does that mean? - Yeah.
When you say "harder," does that mean more hours?
You know, if we can go deep real quick.
- Be intense. - I spoke up, because,
what does that mean, we have to, you know, do eight hours now?
l got fearful right then.
That's OK. l mean it's, like, yeah.
- To do eight hours? - No.
Any lyric ideas?
- I'm searching for... - "Searching for doughnuts."
Searching for doughnuts
I'm searching for doughnuts
What was the whole thing from yesterday? The Buddhist...
- Guarantee. What? - No, the Buddhist thing that you had...
"Birth is pain. Life is pain. Death is pain."
The cycle of suffering. It's called "samsara."
Where are you with this, James?
- Somewhere else. - OK.
- Where's today's sweat going? - "l've worn out being afraid."
"My endless parade, of fear that l've constantly made."
"My lifestyle determines my deathstyle. A rising tide that pushes
- "My deathstyle." - ...to the other side."
l've worn out being afraid, endless parade
Of fear that l've constantly made
This frantic tick-tick-tick-tock l'd gladly trade
Oh, I need to know the answer where l'll be laid
l can't find it
- It just... it doesn't work. - The great... you did one great thing.
- You went "Do-do-do..." - Yay!
You did this one syncopated thing.
Do the whole verse like that.
Worn out, always being afraid
An endless stream of fear that l've made
This frantic tick-tick-tick-tock l'd gladly trade
It's weird, it's weird. You know?
No, but the second time you feIt really comfortable with it.
- Right. - Oh, by the way, it's quarter to four.
l gotta get rolling, guys. Sorry.
l feel like the bad guy saying, "l gotta go, 'cause it's 4:00."
lf we all know, and we all do know,
that 4:00 is kind of the stop time, then, I don't know,
then I won't feel like the heel here, saying,
"l got to go eat dinner with my kids," you know?
'Cause I have a feeling, you know, I'm gonna walk out of here,
and you guys are gonna go in there and listen to this stuff,
- and it's, like... that's not right. - That's not.
l mean, if I wanna listen to it, l'll go and listen to it.
- But we should at least listen to it... - lf you're gonna stop early...
But I know you'll sit there and start talking with Bob.
Maybe Bob doesn't want to sit in there.
When I'm gone, things get talked about, and then decisions are made,
and I feel I walk into something that's already kind of decided.
And it's a total uphill battle for me a lot of times. I don't like that feeling.
Well, that's like... just like the last 15 years...
- Yeah. - ...for me.
Well, let's talk about this tomorrow then, all right?
- Or do you want to take time out...? - No, I don't have time right now.
It's past four.
It's hard to introduce structure into this, and I'm trying.
- So what do you think, Lars? - Can we do the song from yesterday?
- That we all heard together? - How is that different?
Because we all heard it together already.
Well, what he wants is to be a part of everything.
- Was I in there? - Yes, you were.
- We all heard it together. - You came in.
All right. As long as you don't talk about it.
- ls that a way around it, or is that just...? - That is definitely a way around it.
How about if we just save up the tension...?
Seriously. I mean, it's OK, because tension produces resuIts.
I'm excited to see what you learned here.
Go up and back. Up and freeze!
What is this called?
I'm so proud of you, sweetie. I'm so glad I got to see you.
I'm working on, really hard, on being
the best dad and father and husband I can be.
And the best me.
You worked hard.
l don't want to lose any of the stuff I have.
l know it could all go away at one time. And that's a tough part of life.
And then, it's just... it's a total rebirth for me.
Looking at life in a whole new way.
You know, all the other drinking, and all the other junk that I was stuck in.
It was so predictable. So boring.
I'm out there looking for excitement, and all this stuff.
The resuIts are the same, man. l wake up the next day somewhere,
in some bed, I don't know who this person is next to me,
and I'm drunk, completely hung over, and have a show to do.
The resuIt is the same, you know?
When life now is pretty exciting. You don't know what's gonna happen,
when you're kind of clear and here and in the now. In the moment.
My lifestyle determines my deathstyle
A rising tide that pushes to the other side
My lifestyle determines my deathstyle
A rising tide that pushes to the other side
- I think those two feel the best to me. - It's a tough one to decide.
They all kind of got... some charm, don't you think?
Yeah, l'd be interested to hear the first one. The first pick.
- Well, let's play it. - ls it OK?
- Are we allowed? - Yeah, we are.
- Do we have...? - We never really settled that, did we?
We didn't settle it.
Yes. We're allowed. l'd like to hear it.
Feel free to leave the room, whoever doesn't wanna be part of that.
Do I have the strength to know how it goes?
l feIt like it was an agreement. We're gonna work from 12 to 4.
And then we would not work.
Well, if Lars and I listen to something, or go through the Presidio stuff,
it's not because we wanna do something behind your back.
- It's for you. - Right.
And basically, what I heard is, "No, I can't do that."
- What the fuck is that? - I don't know, my mind, it gets lopsided.
The more it goes in a different direction, the harder it is.
- The harder it is to get that back. - What is it you have to get back?
Some control. Some sense of...
involvement in the band.
When I was running this morning, thinking about seeing you today,
the word "fuck" just comes up so much.
Seriously. It's really true.
- ls that in anger? - No, just "Fuck! Fuck."
l just think you're so fucking self-absorbed.
And what makes it worse is that you always talk about...
you always talk about me, you use the word "control" and "manipulation" a lot.
l think you control on purpose, and I think you control inadvertently.
l think you control by the rules you always set.
l think you control by how you always judge people.
l think you control by your absence.
l think you control all this even when you're not here.
l don't understand who you are. l don't understand the program.
l don't understand all the stuff, OK?
l realize now that I barely knew you before.
And all these rules, and all this shit, man -
this is a fucking rock-'n'-roll band.
l don't want fucking rules.
l understand that you need to leave at 4:00. I respect it.
But don't tell me I can't sit and listen to something with Bob at 4:15 if I want to.
What the fuck is that?
You know, l...
l don't wanna end up like Jason, OK?
l don't want to be pushed away. l don't want it to happen twice.
Let's do it, and let's fucking do it full-on, or let's not do it at all.
Fuck. See? Fuck.
- Yeah! - Whoo!
- Yeah! - Totally! Yeah!
Let's hear it for Elena!
Ooh, all right!
We're not anywhere near getting any issues resolved.
Well, let's get 'em. That's what we're here to do.
l don't know, I guess the playing part, being in the room,
and then mainly being in the room with Lars, playing music together.
l guess I had higher expectations.
And I don't know, maybe I'm disappointed in myself.
Maybe... I don't know.
Want to talk about that? l mean, what does that mean?
I'm not enjoying being in the room with you, playing.
Seek and destroy
Seek and destroy
Seek and destroy
lf you are not having any fun, let me let it be known to you
that I'm certainly not having a lot of fun, either.
But I am not interested in playing music with you
if you're not happy in there.
l just don't want to become a fucking parody.
OK? So if you're not happy playing music with me...
ls there enough that connects us to hold on for a...
a way through this?
l don't know.
There are moments where I really doubt it.
l really doubt it.
I'm glad you said that.
Because I really, deep down, feel sometimes that it's just...
There's just some empty, just...
Just an ugly feeling inside. Just... I don't know.
How much work are we gonna put into this?
- When you're doing the... - Yeah.
Let's do our little round-table thing right now, quickly.
Everybody's got to participate. Lars? Come on.
Hey, Castor, why don't you look at all the boys - the men, I should say -
and say bye to everybody.
- Bye, Castor. - Thank you for coming.
- ls Daddy going bye-bye? - No, your dada's staying here, OK?
Bye. See you.
So what's the deal? How does everybody feel about what they heard?
Of course, lyrics will definitely work in that feel.
- Yeah. - That kind of intro bit that's on there.
What about you? What do you think?
Do you think it's good? Was there anything in particular that you...?
No, I wasn't paying attention that detailed.
That's just... It's a lot of good stuff.
l can take you back, when me and him were alone in my room, in 1981,
listening to New Wave or British heavy-metal singles.
As soon as there was somebody else in the room,
it just became this, like... It just had a very different energy to it.
- None of that was usable? - Yeah.
- That's a fuck... that's a fucking bitch. - Let's do another version of it, OK?
The first time I got a real awareness of it was when Mustaine came into the picture.
When James was with Mustaine, he became like...
He never really cared about me.
There was one time, during the recording of the Ride the Lightning record,
where me and him went out, and 42 beers later,
he's, like, "Ooh, dude, I love you."
But it could never have materialized until it got to that 42-beer point.
And we were alone.
That was good!
Are you sure l don't have to play it again?
Yeah, I'm sure. It's good practice, though.
- For what? - The road.
- When? - A couple of years.
From day one, it's been competitive.
And, in a way, that's what has made Metallica what it is.
That's what's driven us further.
- What feels good to you? - I don't know. We'll try a bunch more.
Can you try maybe like a blah, blah, blah, blah...?
Almost like a strum.
SNL Best Of Eddie Murphy 1998
S Diary 2004
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Simpsons 01x13 - Some Enchanted Evening
Simpsons The 05x01 - Homers Barbershop Quartet
Simpsons The 05x02 - Cape Feare
Simpsons The 05x03 - Homer Goes To College
Simpsons The 05x04 - Rosebud
Simpsons The 05x05 - Tree House Of Horror
Simpsons The 05x06 - Marge On The Lam
Simpsons The 05x07 - Barts Inner Child
Simpsons The 05x08 - Boy Scoutz N The Hood
Simpsons The 05x09 - The Last-Temptation Of Homer
Simpsons The 05x10 - $pringfield
Simpsons The 05x11 - Homer The Vigilante
Simpsons The 05x12 - Bart Gets Famous
Simpsons The 05x13 - Homer And Apu
Simpsons The 05x14 - Lisa Vs Malibu Stacy
Simpsons The 05x15 - Deep Space Homer
Simpsons The 05x16 - Homer Loves Flanders
Simpsons The 05x17 - Bart Gets An Elephant
Simpsons The 05x18 - Burns Heir
Simpsons The 05x19 - Sweet Seymour Skinners Baadasssss Song
Simpsons The 05x20 - The Boy Who Knew Too Much
Simpsons The 05x21 - Lady Bouviers Lover
Simpsons The 05x22 - Secrets Of A Successful Marriage
Sin noticias de Dios
Sinbad - Legend Of The Seven Seas
Since Otar Left 2003
Since You Went Away CD1
Since You Went Away CD2
Sinful Nuns of Saint Valentine
Singin in the Rain
Singing Detective The
Singles (2003) CD1
Singles (2003) CD2
Sink The Bismarck
Sinnui yauman II
Sister Act 2 - Back in the Habit CD1
Sister Act 2 - Back in the Habit CD2
Six Days Seven Nights
Six Degrees of Separation (1993)
Six Feet Under
Six String Samurai
Six Strong Guys (2004)
Sixteen Candles CD1
Sixteen Candles CD2
Sixth Sense The
Skammen (Shame Bergman 1968)
Skazka o tsare Saltane
Skulls The (Collectors Edition)
Sky Captain and the World of Tomorrow
Slap Shot 2
Sleepers (1996) CD1
Sleepers (1996) CD2
Sleepless in Seattle
Sleepy Hollow 1999
Sleuth (Mankiewicz 1972) CD1
Sleuth (Mankiewicz 1972) CD2
Sliding Doors 1992
Sling Blade CD1
Sling Blade CD2
Small Change (FranÇois Truffaut 1976)
Small Time Crooks 2000
Smell of Fear The
Smokey and the Bandit
Snake Of June A (2002)
Snake Pit The
Snatch - Special Edition
Snow White And The Seven Dwarfs 1937
So Close 2002
Sobibor 14 Octobre 1943
Solaris (Tarkovsky) CD1
Solaris (Tarkovsky) CD2
Solaris - Criterion Collection
Solaris 2002 - Behind the Planet
Solaris 2002 Inside
Soldaat Van Oranje 1977 CD1
Soldaat Van Oranje 1977 CD2
Soldiers Story A (Norman Jewison 1984)
Solomon and Sheba CD1
Solomon and Sheba CD2
Sombre 25fps 1998
Some Kind of Monster CD1
Some Kind of Monster CD2
Something The Lord Made CD1
Something The Lord Made CD2
Somethings Gotta Give CD1
Somethings Gotta Give CD2
Son In Law
Song of the South
Soul Guardians The (1998) CD1
Soul Guardians The (1998) CD2
Soul Keeper The (2003)
Sound of Music The
South Park - Bigger Longer and Uncut
South Park 01x01 - Cartman Gets An Anal Probe
South Park 01x02 - Weight Gain 4000
South Park 01x03 - Volcano
South Park 01x04 - Big Gay Als Big Gay Boatride
South Park 01x05 - An Elephant Makes Love to a Pig
South Park 01x06 - Death
South Park 01x07 - Pinkeye
South Park 01x08 - Jesus VS Satan
South Park 01x09 - Starvin Marvin
South Park 01x10 - Mr Hankey the Christmas Poo
South Park 01x11 - Toms Rhinoplasty
South Park 01x12 - Mecha Striesand
South Park 01x13 - Cartmans Mom is a Dirty Slut
Soylent Green 1973
Spanish Prisoner The CD1
Spanish Prisoner The CD2
Spark the Lighter
Spartacus 2004 CD1
Spartacus 2004 CD2
Spartacus Fixed 1960
Spartan 2004 CD1
Spartan 2004 CD2
Spawn (Directors Cut)
Species 3 CD1
Species 3 CD2
Speed 2 - Cruise Control
Spellbound (Hitchcock 1945)
Spider Man 2 CD1
Spider Man 2 CD2
Spies Like Us 1985
Spirit of the Beehive
Spirited Away CD1
Spirits of the Dead 1968 CD1
Spirits of the Dead 1968 CD2
Spongebob Squarepants The Movie
Springtime In A Small Town
Spun (Unrated Version)
Spy Who Came In from the Cold The
Spy Who Loved Me The
Spy Who Shagged Me The - New Line Platinum Series
St Johns Wort - (Otogiriso) 25fps 2001
Stage Beauty 2004
Stage Fright 1950
Stalker 1979 CD1
Stalker 1979 CD2
Star Trek Generations CD1
Star Trek Generations CD2
Star Wars - Episode II Attack of the Clones
Star Wars - Episode IV A New Hope
Star Wars - Episode I The Phantom Menace
Star Wars Episode 4 (A New Hope) CD1
Star Wars Episode 4 (A New Hope) CD2
Star Wars Episode 5 (Empire Strikes Back) CD1
Star Wars Episode 5 (Empire Strikes Back) CD2
Star Wars Episode 6 (Return of the Jedi) CD1
Star Wars Episode 6 (Return of the Jedi) CD2
Stargate SG1 1x01 Children of the Gods
Stargate SG1 1x02 The enemy Within
Stargate SG1 1x03 Emancipation
Stargate SG1 1x04 The Broca Divide
Stargate SG1 1x05 The First Commandment
Stargate SG1 1x06 Cold Lazarus
Stargate SG1 1x07 The Nox
Stargate SG1 1x08 Brief Candle
Stargate SG1 1x09 Thors Hammer
Stargate SG1 1x10 The Torment of Tantalus
Stargate SG1 1x11 Bloodlines
Stargate SG1 1x12 Fire and Water
Stargate SG1 1x13 Hathor
Stargate SG1 1x14 Singularity
Stargate SG1 1x15 The Cor AI
Stargate SG1 1x16 Enigma
Stargate SG1 1x17 Solitudes
Stargate SG1 1x18 Tin Man
Stargate SG1 1x19 There but for the Grace of God
Stargate SG1 1x20 Politics
Stargate SG1 1x21 Within the Serpents Grasp
Stargate SG1 2x01 The serpents lair
Stargate SG1 2x02 In the line of duty
Stargate SG1 2x03 Prisoners
Stargate SG1 2x04 The gamekeeper
Stargate SG1 2x05 Need
Stargate SG1 2x06 Thors chariot
Stargate SG1 2x07 Message in a bottle
Stargate SG1 2x08 Family
Stargate SG1 2x09 Secrets
Stargate SG1 2x10 Bane
Stargate SG1 2x11 The tokra part 1
Stargate SG1 2x12 The tokra part 2
Stargate SG1 2x13 Spirits
Stargate SG1 2x14 Touchstone
Stargate SG1 2x15 The fifth race
Stargate SG1 2x16 A matter of time
Stargate SG1 2x17 Holiday
Stargate SG1 2x18 Serpents song
Stargate SG1 2x19 One false step
Stargate SG1 2x20 Show and tell
Stargate SG1 2x21 1969
Stargate SG1 3x01 Into The Fire II
Stargate SG1 3x02 Seth
Stargate SG1 3x03 Fair Game
Stargate SG1 3x04 Legacy
Stargate SG1 3x05 Learning Curve
Stargate SG1 3x06 Point Of View
Stargate SG1 3x07 Deadman Switch
Stargate SG1 3x08 Demons
Stargate SG1 3x09 Rules Of Engagement
Stargate SG1 3x10 Forever In A Day
Stargate SG1 3x11 Past And Present
Stargate SG1 3x12 Jolinars Memories
Stargate SG1 3x13 The Devil You Know
Stargate SG1 3x14 Foothold
Stargate SG1 3x15 Pretense
Stargate SG1 3x16 Urgo
Stargate SG1 3x17 A Hundred Days
Stargate SG1 3x18 Shades Of Grey
Stargate SG1 3x19 New Ground
Stargate SG1 3x20 Maternal Instinct
Stargate SG1 3x21 Crystal Skull
Stargate SG1 3x22 Nemesis
Stargate SG1 4x01 Small Victories
Stargate SG1 4x02 The Other Side
Stargate SG1 4x03 Upgrades
Stargate SG1 4x04 Crossroads
Stargate SG1 4x05 Divide And Conquer
Stargate SG1 4x06 Window Of Opportunity
Stargate SG1 4x07 Watergate
Stargate SG1 4x08 The First Ones
Stargate SG1 4x09 Scorched Earth
Stargate SG1 4x10 Beneath The Surface
Stargate SG1 4x11 Point Of No Return
Stargate SG1 4x12 Tangent
Stargate SG1 4x13 The Curse
Stargate SG1 4x14 The Serpents Venom
Stargate SG1 4x15 Chain Reaction
Stargate SG1 4x16 2010
Stargate SG1 4x17 Absolute Power
Stargate SG1 4x18 The Light
Stargate SG1 4x19 Prodigy
Stargate SG1 4x20 Entity
Stargate SG1 4x21 Double Jeopardy
Stargate SG1 4x22 Exodus
Stargate SG1 5x01 Enemies
Stargate SG1 5x02 Threshold
Stargate SG1 5x03 Ascension
Stargate SG1 5x04 Fifth Man
Stargate SG1 5x05 Red Sky
Stargate SG1 5x06 Rite Of Passage
Stargate SG1 5x07 Beast Of Burden
Stargate SG1 5x08 The Tomb
Stargate SG1 5x09 Between Two Fires
Stargate SG1 5x10 2001
Stargate SG1 5x11 Desperate Measures
Stargate SG1 5x12 Wormhole X-Treme
Stargate SG1 5x13 Proving Ground
Stargate SG1 5x14 48 Hours
Stargate SG1 5x15 Summit
Stargate SG1 5x16 Last Stand
Stargate SG1 5x17 Failsafe
Stargate SG1 5x18 The Warrior
Stargate SG1 5x19 Menace
Stargate SG1 5x20 The Sentinel
Stargate SG1 5x21 Meridian
Stargate SG1 5x22 Revelations
Stargate SG1 6x01 Redemption Part 1
Stargate SG1 6x02 Redemption Part 2
Stargate SG1 6x03 Descent
Stargate SG1 6x04 Frozen
Stargate SG1 6x05 Nightwalkers
Stargate SG1 6x06 Abyss
Stargate SG1 6x07 Shadow Play
Stargate SG1 6x08 The Other Guys
Stargate SG1 6x09 Allegiance
Stargate SG1 6x10 Cure
Stargate SG1 6x11 Prometheus
Stargate SG1 6x12 Unnatural Selection
Stargate SG1 6x13 Sight Unseen
Stargate SG1 6x14 Smoke n Mirrors
Stargate SG1 6x15 Paradise Lost
Stargate SG1 6x16 Metamorphosis
Stargate SG1 6x17 Disclosure
Stargate SG1 6x18 Forsaken
Stargate SG1 6x19 The Changeling
Stargate SG1 6x20 Memento
Stargate SG1 6x21 Prophecy
Stargate SG1 6x22 Full Circle
Stargate SG1 7x01 Fallen
Stargate SG1 7x02 Homecoming
Stargate SG1 7x03 Fragile Balance
Stargate SG1 7x04 Orpheus
Stargate SG1 7x05 Revisions
Stargate SG1 7x06 Lifeboat
Stargate SG1 7x07 Enemy Mine
Stargate SG1 7x08 Space Race
Stargate SG1 7x09 Avenger 2 0
Stargate SG1 7x10 Birthright
Stargate SG1 7x10 Heroes II
Stargate SG1 7x11 Evolution I
Stargate SG1 7x12 Evolution II
Stargate SG1 7x13 Grace
Stargate SG1 7x14 Fallout
Stargate SG1 7x15 Chimera
Stargate SG1 7x16 Death Knell
Stargate SG1 7x17 Heroes I
Stargate SG1 7x19 Resurrection
Stargate SG1 7x20 Inauguration
Stargate SG1 7x21-22 The Lost City I n II
Starship Troopers (Special Edition)
Starship Troopers 2
Story Of A Kiss
Strange aventure de Docteur Molyneux
Street Of Love And Hope (Nagisa Oshima 1959)
Street of shame (Akasen chitai)
Streetcar Named Desire A
Summer Tale A 2000
Sunday Lunch (2003)
Super 8 Stories
Superman IV - The Quest for Peace
Surviving the Game
Swedish Love Story A (1970) CD1
Swedish Love Story A (1970) CD2
Sweetest Thing The (Unrated Version)
Swordsman III - The East is Red
Sylvester - Canned Feud (1951)
Sylvester - Speedy Gonzales (1955)
Sylvester and Elmer - Kit for Cat (1948)
Sylvester and Porky - Scaredy Cat (1948)
Sylvester and Tweety - Canary Row (1950)
Sylvester and Tweety - Putty Tat Trouble (1951)
Sylvester and Tweety - Tweetys SOS (1951)