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Magnificent, aren't they? God's tears. Yeah. It's beautiful. So are the others.|I, u*h... I gu*ess I ju*st...|have to make the right decision. In the end, it's not you*r eye|that mu*st decide. Yeah. Did Rebecca call? Yeah. She'll be at the restau*rant|in an hou*r to take you* to the airport. I pu*t you*r tickets, passport, and|you*r new cell phone in you*r briefcase and Hong will be there|in ten minu*tes. Thanks. See you* in fou*r days. The second you* land, those gu*ys are gonna start poking|and prodding to see what you*'re made of. Are you* su*re I'm the right gu*y|for this, Walter? I'm no good at this corporate stu*ff,|I hate flying-- and isn't this Bob's thing, anyway? Bob? Come on, you*'re gonna be fine. Ju*st don't eat anything|that wears a collar, and if you* need me, I'll be on the beach|in Cozu*mel screening my calls. Look...this is a big break for you*. Bu*t I'm giving you* this accou*nt becau*se|I think you*'re the right man for the job. Besides, you*'re gonna be a member|of the family soon, right? Going down, please. Oh. Matthew, keep away|from the bang-bang girls or Rebecca will kick my ass, all right? Matty. - Matty!|- Lu*ke! Hey, man. - How are you*, man?|- I'm good. How are you*? Really good. Really good.|Good to see you*. You* look great. Thanks, man. I mean, I do. You* still doing that whole|advertising thing in New York? I moved back. - When did you* get back?|- Two months ago. Two months? What are you* doing? You* don't call you*r friend?|You* cou*ld've called me. I know. I ju*st--I moved back|with a girl that I met in New York and I'm working for her brother,|and it's... That sounds serious. Maybe. I don't know.|We'll see. You* look very seriou*s.|Look at you*. I know, man. Hold on! Listen, man,||I gotta go to a meeting. Yeah, I need to probably|move my car, too. And then I'm going to China tonight. - China? That's weird.|- Yeah, I know. Let me give you* a call|when I get back. Monday? Yeah, sou*nds good--shu*t u*p! All right, look, here's my card.|Don't wait two years--call me! The old shop. - All right?|- I will, man. You* look good.|That's a nice tie. Good to see you*. Are you* done? Come on! He's very impressed|with what you*'ve done, and he assu*res you*|that when you* get to China, you*'ll be met with mu*ch enthu*siasm|and su*pport. Thank you* very mu*ch. Some champagne, please.|Excu*se me. Excu*se you*. Matthew is a, u*h, photographer.|Beau*tifu*lly, wonderfu*lly creative man. And here's my favorite sister. His only sister. Mr. Hong, Ms. Chin,|this is my sister Rebecca. Hey, Sweetie. How are you*? As you* can see, Matthew has managed to make himself|indispensable even away from the office. Here, Sweetie. Ju*st take one of these||to help you* sleep on the plane. Mr. Hong wou*ld like|to propose a toast. Oh, yes. To a long and prosperou*s marriage... of ou*r two companies. Are you* okay? Yeah. Um, excu*se me.||I'm gonna go make a phone call. I'll be right back. Excu*se me,||can I have the check, please. Ju*st a minu*te! Sorry. No, you* listen!|And I don't feel like calming down. It's over, okay?|That's why I wanted to meet. No, actu*ally I don't think|it was an accident. It's in the paper! I don't ever want|to see you* again, Daniel. Stop following me,|or I'll call the police! Lisa. Lisa! Whoa. Hey, come on. Are you* all right? I pissed her off. You* wanna pu*t that|on this card, please? Oh! This stu*pid... Need some help there, Mare? - What's u*p?|- It's so fru*strating. I ju*st can't work ou*t|why there's no sou*nd. I ju*st... Matthew? Hello? Anybody home? I'll take this one, if you* want. Knock you*rself ou*t, kid. Oh, my God. Shit. - They wanna know how long--hey!|- Mary, I'll be right back. - Sorry.|- Where are you* going?! Oh, sorry! - Hey, gu*ys.|- Hey, Lisa. See you* inside. Hey. Hey. - Probably time to go, right?|- Yes. Okay. Pr*e-boar*ding call|for* flight 752 to Munich. All passenger*s should boar*d|at this time at gate 5-A I gu*ess, u*h, this is it. Are you* su*re nothing's wrong? No. No, I'm fine. Okay. Well,|call me when you* get there. Okay. I will. I love you*. Me, too. Bye. Bye. Your* attention. please. This is the final boar*ding call|for* Amer*ican Air*lines flight 153 service to Shanghai. All passenger*s should now|be boar*ding at gate 1 0-B. Matthew Simon.|S-l-M-O-N. Shit. Yeah. Yeah. No, he's not on the plane. He's... He's sick. No, he's very sick.|He has food poisoning. No, he'll be there||in the next cou*ple of days. Lisa? All right. Hello? Lisa? Her*e. sweetie. Just take one of these|to help you sleep on the plane. That line--what it does to you*r calf--|that is what we call sexy. Wanna try pink? Hmm? - Okay.|- Okay. Have a seat. Hey. There you* are.|Where you* been? You* look like shit.|I hope she was worth it. Hey, do we have|a size ten in pink? Yeah, in the back. - Hey, Ellie.|- Hey. - I gotta talk to you*.|- Lady Dragon Shoes. Ow. So, who is she? You* wou*ldn't believe me. Betcha I do. I probably even know her.|What's her name? That's the thing. You* don't know her name?|Oh, man. I know that she's a dancer. You* mean, like a stripper? No, shithead.||Like a real dancer. Oh, God.||I love a dancer's body. Ooh. But her face is like... Her eyes... ...and her...skin is ju*st... She ju*st makes me all... What is "wha" and "du*h"? She ju*st|makes you* more inarticu*late than u*su*al. You* are obsessed,||which I don't u*nderstand. I mean, I don't know how||you* decide on ju*st one. I mean, my cu*stomer over there--|she's got great legs. Ellie. All right? There is|something hot abou*t Ellie. The blonde at the window. I mean, come on. What are you* doing? Matty, are you* all right? Lady Dragon Shoes.|Can I help you*? The blonde? What are you* doing? Give me some shoes. - Shoes?|- Yeah. Got lots of shoes. I'm sorry I took so long.|Pink. It's my last pair. Cou*ld I help you* with anything? Yes. Those shoes in the window. The black ones|with the red sole. I'd like to try them on, please. The blacks and reds. Okay. I'll ju*st go in the back|and get them for you*. That's where we keep them--|in the back--so... I'll be right back. Uh, Matty? Maybe you*'d like to ask the lady|what size shoe she wears. - Right.|- 8 1/2. Like Fellini. Right. I mean his movie, not his shoe size.||I don't know his shoe size, obviou*sly. 8 1/2. Shit. What was that? Fellini! What the hell|was I thinking? I have no idea. Bu*t you* were right abou*t one thing.|God, she's beau*tifu*l. And you*, my man,|are an idiot. All right, look.|Here's the thing, all right? You*'ve obviou*sly blown it,|she obviou*sly hates you*, so you* stay right here|and let the man take a shot. - Shu*t u*p. Give me the shoes.|- All right. Go. Ju*st remember--|you*'re not fu*nny. Here we go.|Black and red. What do you* think? They're too big. Too big? Really? Lu*ke, these are 9 1/2s. I'm sorry.|That's the smallest size we have. Oh, well. Too bad. Not--you* know...|not necessarily. We can order these for you*. Special order. And, u*h--|I can, u*h, if you* leave you*r nu*mber, I can give you* a call personally|when they come in. Do you* normally spy on people? What? Are you* really gonna tell me that|you*'re a hu*ge fan of modern dance? Look, I've never done||anything like that before. Honestly--cou*ld you* let me take you* ou*t|for a cu*p of coffee and explain? I don't think so. I'll stay on my side of the table.|I promise. Ju*st call me|when the shoes come in, okay? Listen, I'm not||what you* think I am, okay? Shit. "Tomor*r*ow night. 6:00.|Café Tangier*s on Kinzie. Now you won't have to follow me. " Well, my parents eventu*ally split u*p,|and my mom moved back to Pragu*e. Bu*t my dad's still here.|He lives in California. I wish I was in California right now. So, why did you* want|to become a photographer? Fish. Fish. Tropical fish, actually. When I was a kid, I u*sed to go|to the library and pick ou*t all the books... ...with tropical fish, you* know. Beautiful colors and shapes. When I was eight years old, I realized|someone had to take pictu*res of the fish. And I wanted that to be me. Bu*t I grew u*p and I realized that... things don't have to be extraordinary|to be beau*tifu*l. The ordinary|cou*ld be ju*st as beau*tifu*l. Like what? Well... Like--you* see the cou*ple there? Look at the way the girl|is holding on to him so tight. But he can still drink his coffee. It looks like she feels safe|wrapped arou*nd him. And if you* believe that,|I'll tell you* another one. Take my pictu*re. I feel beau*tifu*l tonight. Bye. Bye. Okay. - Hi.|- Hi. Ma'am? I have you*r dry cleaning. Shit. Hey, you*'re not in China. I didn't make it past O'Hare. - What happened?|- I fou*nd Lisa. Whoa. Here it is. This is the article she left behind. The fu*neral's today. I can't believe you*'re|blowing off Shanghai for this. This isn't actu*ally Lisa.|This is a compact. What abou*t you*r woman?|What's her name, anyway? Rebecca. Yeah, I mean, isn't--||Matt. Matt! Shit. Is it broke? You* su*perstitiou*s? God, I am so stu*pid.|Here, give it to me-- - No, no. It's okay.|- I'm sorry. You*'re right.|This doesn't make any sense. One minu*te I'm looking at rings,|and the next I'm here, doing this. Whoa.|Whoa, looking at rings? I didn't realize you* were that seriou*s. Apparently, I'm not. See, that's how the u*niverse works. The minu*te you* make a decision--|you* decide on anything-- along comes temptation. What wou*ld you* do? Keep them both and hope they didn't find|ou*t abou*t each other is what I wou*ld do. That's perfect.|Asshole. I have to find ou*t why she left. She got scared.|Everyone gets scared. No, not Lisa. She wou*ldn't have left||withou*t an explanation. Withou*t some sort of letter|or a call or something. She's not like that. Something mu*st've happened,|and whatever it was-- Screwed you* u*p big time. I know she loved me. So let me borrow|you*r keys, okay? Why? The fu*neral's today.|It's the only lead I've got. Oh...my car. - Come on.|- Okay. I know. I'm sorry. You* ju*st have to be back by 7:00. I will. Thank you*. I've got a date. You* got a date? Yeah, I got a date. With who? This actress that came into my shop|a cou*ple weeks ago, and, u*h... God, I like her a lot,||so please do not be late with my car. I won't be. 6:00.|I'll be back by 6:00, okay? "Lisa. I've been tr*ying to find you. I have your* powder* case.|Call me at--" Excuse me? What can I do for you*? I fou*nd a hotel key|in the back yesterday. A woman left it.|I don't know if you* saw her. She fell right over there.|Broke her heel. Yesterday?|Yeah, that's right. I remember. You* wanted to leave|the keys with me? No. Actu*ally, l, u*h... cou*ld you* give her this note|if she comes back in here? - No problem.|- Thanks a lot. Su*re. Lisa! Lisa! "Lisa. I r*etur*ned your* key|as you asked. "You must let me see you|if only for* one last time. "Call me.|My heart can't stand it. All my love. Daniel. " Shit. - Ass.|- I'm so sorry. - Hey, I cou*ld explain.|- You* are an asshole. Do me a favor--|don't ask me for any more favors. Come on.|Lu*ke... I found her. I think I found her.|I found her apartment, anyway. I'm really happy for you*, Matty. I left a note u*nder her door|to meet me at the park tomorrow. Gu*ess you* gu*ys|shou*ld have a picnic. Jesu*s, man.||I said I was sorry. My entire evening is screwed. Look, I'm not really|that late, brother. Alex doesn't wait for anyone. Tru*st me.|I've already left three messages. Well, why didn't you* take a cab? 'Cau*se I was waiting for you*.|I was waiting for my car. Lu*ke, it's not that late.||You* can still drive over there. Go over there? And do what?|Throw little pebbles u*p at her window? She's gone. It's over.|Ju*st forget it. Maybe not. I hope, for ou*r friendship,|this is who I want it to be. Want to see how cool I am?|Three rings. Hello? Hey, how's it goin'? Oh, I'm so sorry.|Did you* get my messages? No, I lent my car to my bu*ddy Matt,|and he was a little late coming home. No, su*re. He's right here.|Hold on a sec. She wants to talk to you*. Fix it.|You* have to fix it. Hello? He's full of shit. isn't he? Yeah, he's fu*ll of shit, all right. Yeah. I knew it. He didn't lend me his car. I took it. I stole his keys. That's good. Why would you do that? Because I'm a selfish idiot. And I had this whole thing|going on that... I don't wanna bore you* with it. Please. I insist. Okay. Well, u*m... I was looking for somebody.|A woman. I wasn't thinking. Got a little desperate. Oh. I'm sor*r*y. No. I should be apologizing to you. And I am apologizing to you*.|I'm very sorry that I ru*ined you*r evening. Did you find her*? I think so. Yeah.|I found where she lives. Well. you should go back.|and you should look for* her*. I think I will. Thanks. You*'re boring now.|Give me the phone. - Okay, Alex. I gotta go.|- Nice to talk to you. Nice to talk to you*, too.|Bye-bye. She's nice, man. Thanks. Hello? Okay. Why don't I ju*st--|I'll pick you* u*p at the theater. I think not so, my lord. Dear lad, believe it, for they shall yet belie thy happy years|to say thou* art a man. Prosper well in this, and thou* shalt live as freely as thy lord|to call his fortu*nes thine. I'll do my best to woo you*r lady... ...and yet a barfu*l strife. Whoe'er I woo,||myself wou*ld be his wife. Alex, what's going on? What do you* mean? Well, I'm sitting in the au*dience|and I'm getting nothing. I figu*red maybe I'm missing something,|so I come, I take a closer look. Bu*t you* know what?|I'm still not bu*ying it. What the hell's|the matter with you* today? Look, the line, "Whoe'er I woo,||myself wou*ld be his wife" defines you*r character. You*'re in love with this gu*y, and he is asking you*|to help him get another woman! You*'re u*pset, you*'re confu*sed,|it's tearing you* u*p inside! We've gotta see the love,|bu*t we've also gotta see the agony. You* have been in love before,||haven't you*? Yes. Su*re. Oh, good. Well, please,|share a little something with u*s, hu*h? God. you sound so close.|Can't believe you'r*e 7.000 miles away. I know.|It's crazy, isn't it? How's the weather*? I don't know.|It's still dark out. Isn't it. Iike.|10: 00 in the mor*ning ther*e? I--you* know what? I'm so zonked, I didn't||even open the blinds yet, and, u*h... you* know what--it's actu*ally a really|nice day ou*t, now that I see it. Ar*e you sur*e nothing's wr*ong? No. I'm ju*st a little ou*t of it,|that's all. Well. you better* get in it. because|today's meeting is ver*y important. You'll be fine. honey.|I'll speak to you later*. okay? I miss you.|Bye. Bye. "Lisa. I found your* powder* case. "I have to see you. "Meet me tomor*r*ow at 3 : 00.|our* usual spot. Matt. " Hello? Lisa? Fuck. Lisa? Jesu*s Christ!|I'm sorry. It's okay. I'm calling the police!|Where's the phone? No! Don't call the police!|I'm not gonna hu*rt you*. - Get away from me!|- Okay! Okay! Calm down! Calm down. It's okay. I'm a friend of Lisa's. A friend of Lisa's? Yeah. Is that supposed to be funny? No. You* can ask her|when she comes, okay? I'm Lisa.|I live here. You*r name's Lisa? Yeah. And you* live here? Yeah. No... - I'm calling the cops.|- No, wait. Don't. Hey, you* see that letter there? - You* wrote that?|- Yeah. You* were at Bellu*cci's on Monday. Yeah...I was. And you* had a room at The Drake,|room 679? Yeah. How'd you* know that? I can't believe I did this. I'm going crazy. Here. That's you*rs. It's broken. I'd be happy to pay for it.|You* know, my bad lu*ck. Wait. You*r hand. It's bleeding. It's all right. I got this. No, l...||I'll fix it. I'm a nu*rse. Okay. Thank you*. You* know, at the restau*rant, I wou*ld've bet anything|you* were this girl I u*sed to know. Bu*t now seeing you* here, you* don't|really look that mu*ch like her at all. Mu*st be hallu*cinating. I was crazy abou*t her. So, what abou*t the, u*h...||what's-his-name in the Cadillac? - Daniel.|- Yeah. What's his story? He's been stalking me. He scares the hell out of me. That's why I was staying in the hotel--|becau*se I didn't want him to find me. I hope he didn't follow you here. I don't think so. No. How's you*r hand? It's okay. I wasn't even hu*ngry or anything. Actu*ally, you* know what? Thank you* for everything. For the bandage... ...not calling the cops... ...not beating me to death|with the little bronze ballerina, or... You*'re leaving? Yeah. I'm late, you* know. Very late, actu*ally, for China, so... China. That's fu*nny. That's what my friend said, too. Well, maybe you* shou*ld wait. I can't. I mean...|I gotta go. Do you* really think planes|are still taking off this late? What are you* doing? I'm scared. Of him. I haven't stayed alone here|since his wife died, and... Wou*ld you* mind if you* stayed? Lisa, you* don't even know me.|I broke into you*r apartment-- I know. I know. I know. Bu*t--don't take this the wrong way,|bu*t I ju*st think you*'re a nice gu*y. That's all. Okay. Good. Where does a nice gu*y sleep? A nice gu*y|sleeps on the cou*ch. What are you* doing? I'm watching you* sleep. Lisa! Hey, how are you*? What are you* doing here? I gotta talk to you*. Now? Yeah, it's kind of important. Wanna go get a drink or something?|It's freezing ou*t here. - Okay.|- Okay? Come on. My friend gave my stu*ff|to this head of the agency, and... he liked it. So... he offered me a job in New York. That's great. It'll help me pay my rent, but... Bu*t what? Why not? Move in with me. I--I know it's only been|a cou*ple of months, bu*t I ju*st, u*m... You*'re the reason|I don't wanna move to New York. I wanna make my life|here with you*. Look, I'm really late for rehearsal.|Can we talk abou*t this tomorrow? Su*re. Matthew, tru*st me, okay? Ju*st meet me tomorrow|in the park. Same time. Bye. Have you* seen Lisa? Lisa? She's gone on a Eu*ropean tou*r|of Cabar*et. It all happened real fast. They came to ou*r rehearsal and|ju*st picked her ou*t, and she was gone. Like...did she say anything|before she left? Like what? Like, u*h... Cool. Thanks. Okay. - Hi.|- Hi. You* want a cu*p of coffee? Yeah, su*re. Thanks. |
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